Notre Dame de Rouen. The façade of the Gothic Church in France. Photographer: Hippo1947. Licence: SHUTTERSTOCK.

Thursday 31 January 2013

Broken Promises: Cameron Said He Had "No Plans" To Redefine Marriage.



This article was received from the coalition for marriage. their web-site can be found at http://c4m.org.uk/



Broken promises:
Cameron said he had
‘no plans’ to redefine marriage




Dear marriage supporter,
As the big vote in the House of Commons approaches (Tue. 5 Feb), it’s easy to forget that on 3 May 2010 – just three days before the last general election – David Cameron said on TV that he was “not planning” to change the definition of marriage.
He was being interviewed by Adam Boulton on Sky News, and was asked a direct question about whether he would introduce gay marriage. He said: “I am not planning that.” Gay marriage campaigners were furious, as this article shows.
It is outrageous that Mr Cameron went on TV just three days before a general election and told voters one thing, but did the exact opposite once inside Downing Street. His manifesto at the election was silent, so he has no mandate to redefine marriage. His only mandate is to defend traditional marriage.
Please read our latest briefing on the issue, and please share it with all your family and friends.
The Coalition for Marriage is doing all it can ahead of the Second Reading vote on Tuesday.
Yours sincerely,
Colin Hart
Colin Hart
Campaign Director
Coalition for Marriage
Coalition for Marriage
8 Marshalsea Road
London
SE1 1HL
You received this email because you chose to be 'kept informed' when you signed the Petition for Marriage at c4m.org.uk or on paper. If you no longer wish to receive information from Coalition for Marriage, click 'Unsubscribe' below, or for other enquiries, contact us here.
Tel 0207 403 7879
© 2012
Coalition for Marriage Ltd is a Not-for-Profit Company registered in England. Company No. 07880604.


Wednesday 30 January 2013

Three Lives Saved.


This Article can be found on The Transalpine Redemptorists' Blog at



TUESDAY, JANUARY 29, 2013


Three Lives Saved

 Today at the abortion clinic here in Lincoln, Nebraska, we had the great joy of saving three lives!  That’s right, three women, after seeing people praying outside the abortuary, decided not to kill their child, but to let it live!  This is the result not only of prayer, but also of having a visible presence outside the abortion clinic.  All these women and children need our prayers and certainly the graces they received were obtained by prayers in one form or another, but if our counsellors had not been there to talk to the ladies and offer them support, if Our Lady’s Army had not been there praying and giving visible encouragement, who knows but that those three precious lives might by now have been snuffed-out.

If you are in the Lincoln area and can make it to the Lincoln abortuary on a Tuesday, please do come out and join us in praying for an end to abortion and for the women and children who are harmed by abortion.  Who knows how many babies God will save from death if only there are enough people out there praying for it.  Our Lady said at Fatima “Many souls go to hell because they have no one to pray for them.”  Clearly we are not talking about hell for these innocent little babies, but could it not also be said: many babies are slaughtered each day by abortion BECAUSE THERE IS NO ONE TO PRAY FOR THEM?  If you are not in the Lincoln area or cannot make it but know people who could please share this with your friends so that we can get an many people out there praying for mothers and their children as possible.

5631 S. 48th Street
Suite 100
Lincoln, NE 68516

There is parking available.


What The Liberal Media Fears The Most: 500,000 March For Life, Washington D.C., 2013.






Amazing March for Life video: Over 500,000 press on to victory for the unborn.


CLICK ON THE LINK, BELOW, AND WATCH OVER 500,000 STAND UP FOR THE LITTLE ONES.

Amazing March for Life video: Over 500,000 press on to victory for the unborn

Monday 28 January 2013

Sebastián de Vivanco. "O Rex Gloriae".


This Article can be found on the Atrium Musicologicum Blog
at http://musicologicus.blogspot.co.uk

Illustration from Wikipedia - the free encyclopaedia




The Nave, Salamanca Old Cathedral, Spain.
 Photo: May 2012.
Source: Own work.
Author: Antoine Taveneaux





Canterbury Cathedral (Part Six).


Text and Illustrations from Wikipedia - the free encyclopaedia,
unless otherwise stated.




File:Canterbury, Canterbury cathedral 07.JPG


Bosses, underneath the South Porch, Canterbury Cathedral, Canterbury, England.
Photo: 17 April 2011.
Source: Own work.
Author: Mattana
(Wikimedia Commons)


Dissolution of the Monastery.

The Cathedral ceased to be an Abbey during the Dissolution of the Monasteries, when all religious houses were suppressed. Canterbury surrendered in March 1539 and reverted to its previous status of  'a college of Secular Canons'. The New Foundation came into being on 8 April 1541.

18th-Century to the present.

The original Norman North-West Tower, which had a lead Spire until 1705, was demolished in 1834, due to structural concerns. It was replaced with a Perpendicular-style twin of the South-West Tower, now known as the "Arundel Tower"'. This was the last major structural alteration to the Cathedral.The Cathedral is the Regimental Church of the Princess of Wales's Royal Regiment.

Furnishings.

In 1688, the joiner, Roger Davis, citizen of London, removed the 13th-Century misericords and replaced them with two rows of his own work on each side of the Choir. Some of Davis's misericords have a distinctly mediaeval flavour and he may have copied some of the original designs. When Sir George Gilbert Scott carried out renovations in the 19th-Century, he replaced the front row of Davis' misericords, with new ones of his own design, which seem to include many copies of those at Gloucester Cathedral, Worcester Cathedral and New College, Oxford.





Stained glass windows in the Chapter House, Canterbury Cathedral, Canterbury, England.
Photo: 18 April 2011.
Source: Own work.
Author: Mattana
(Wikimedia Commons)


Foundation.

The Foundation is the authorised staffing establishment of the Cathedral, few of whom are Clergy. The Head of the Cathedral is the Dean, currently the Very Reverend Robert Willis, who is assisted by a Chapter of twenty-four Canons, four of whom are residentiary, the others being honorary appointments of senior Clergy in the Diocese. There are also a number of Lay Canons, who altogether form the Greater Chapter, which has the legal responsibility both for the Cathedral and also for the formal election of an Archbishop, when there is a Vacancy-in-See. By English law and custom, they may only elect the person who has been nominated by the Monarch on the advice of the Prime Minister. The Foundation also includes the Choristers, Lay Clerks, Organists, King's Scholars, the Six Preachers and a range of other Officers; some of these Posts are moribund, such as that of the Cathedral Barber. The Cathedral has a full-time Workforce of 300 and, approximately, 800 volunteers.

Bells.

The Cathedral has a total of twenty-one bells in the three Towers:

The South-West Tower (Oxford Tower) contains the Cathedral’s main ring of bells, hung for change ringing in the English style. There are fourteen bells – a ring of twelve with two semi-tones, which allow for ringing on ten, eight or six bells while still remaining in tune. All of the bells were cast in 1981 by the Whitechapel Bell Foundry from seven bells of the old peal of twelve with new metal added, and re-hung in a new frame. The length (draught) of the ropes was increased by lowering the floor of the ringing chamber to the level of the South Aisle Vault at the same time. The heaviest bell of this ring weighs 34 cwt (1.72 tonnes). The Ringers practice on Thursday at 7.30 p.m.




"Great Dunstan".
Photo: 1 April 2008.
Source: Own work.
Author: Poe123
(Wikimedia Commons)


The North-West Tower (Arundel Tower) contains the Cathedral’s clock chime. The five quarter chimes were taken from the old peal of twelve in the Oxford Tower (where the clock was originally), and hung from beams in the Arundel Tower. The chimes are stuck on the eighth Gregorian tone, which is also used at Merton College, Oxford. The hour is struck on "Great Dunstan", the largest bell in Kent (63 cwt (3.2 tonnes)), which is also swung on Sunday mornings for Matins.

In 1316, Prior Henry of Eastry gave a large bell, dedicated to St Thomas, which weighed 71½ cwt (3.63 tonnes). Later, in 1343, Prior Hathbrand gave bells dedicated to Jesus and Saint Dunstan. At this time the bells in campanile were rehung and their names recorded as “Jesus”, “Dunstan”, “Mary”, “Crundale”, “Elphy” (Alphege) and Thomas”. In the great earthquake of 1382, the campanile fell, destroying the first three-named-bells. Following its reconstruction, the other three bells were rehung, together with two others, of whose casting no record remains.


PART SEVEN FOLLOWS


First Traditional Forty Hours' Devotion in the Archdiocese of New York since the Second Vatican Council. The Church of the Holy Innocents, Manhattan, New York. Friday, 1 February 2013 - Sunday, 3 February 2013.



Roman Text is from the Article on Fr Z's Blog,
WHAT DOES THE PRAYER REALLY SAY, at
http://wdtprs.com/blog/

Italic Text is from Wikipedia, the free encyclopaedia.





Church of The Holy Innocents, Manhattan, New York.


The Church of the Holy Innocents, in Manhattan, will celebrate the restoration of its monumental Mural of the Crucifixion by Constantino Brumidi with the first Traditional Forty Hours’ Devotion in the Archdiocese of New York since the Second Vatican Council.

The Forty Hours' Devotion will take place over the first weekend of February and conclude with a Pontifical Mass at the Faldstool on Sunday, February 3rd at 10 AM coram sanctissimo (in the presence of the Blessed Sacrament).

There will be sign-up sheets at the back of the Church of the Holy Innocents for those who would like to commit to adoring the Blessed Sacrament in the Church during the periods of Exposition.

The Forty Hours' Devotion begins on the First Friday of February, February 1st, at 6:00 PM with a Solemn Votive Mass of the Blessed Sacrament (in the Extraordinary Form of the Roman Rite). This Mass concludes with the Exposition and Procession of the Blessed Sacrament. The First Friday All Night Vigil begins after this Mass and will continue until 4:00 AM.




Church of The Holy Innocents, Manhattan, New York.
Photo: 3 June 2012.
Source: Own work.
Artist: Jim.henderson
(Wikimedia Commons)



The Forty Hours continues on the First Saturday of February, February 2nd, at 1:00 PM with a Solemn Mass for the Feast of the Purification of the Blessed Virgin Mary, Candlemas, (in the Extraordinary Form of the Roman Rite). This Mass will include the blessing of candles and procession.

At 4 PM, there will also be a Pontifical Mass (in the Ordinary Form of the Roman Rite, versus populum and in English) for the Solemnity of the Dedication of the Church, celebrated by His Excellency Dominick Lagonegro, Auxiliary Bishop of New York, at which he will bless the restored Mural.

The Forty Hours' Devotion concludes on the First Sunday of February, February 3rd, at 10:00 AM with a Solemn Pontifical Mass at the Faldstool coram sanctissimo for the Feast of the Dedication of the Church, celebrated by His Excellency, James C. Timlin, Bishop Emeritus of Scranton. This Mass concludes with the Procession of the Blessed Sacrament and Reposition.


The Church of the Holy Innocents is a Roman Catholic parish church in the Roman Catholic Archdiocese of New York, located at 126 West 37th Street at Broadway, Manhattan, New York City.


History

The parish was established in 1868. The present edifice was completed in 1870, using the Gothic Revival style of architecture. The first pastor engaged Constantino Brumidi to create a monumental fresco over the main altar. He later decorated the Great Rotunda of the U. S. Capitol Building. 

In the early years, cows roamed the streets and open pastures around Holy Innocents. As the city rapidly expanded northward, the community, known as the "Tenderloin", teemed with immigrants from Europe. 

By the early 1900s, the area was known for newspaper publishing (The New York Herald) and theatres (The Metropolitan Opera House (39th St)). Holy Innocents was called the "actors' church". Eugene O'Neill, the playwright, was baptised in the Church in 1888. Archbishop Patrick J. Hayes had the Church build a twenty-storey storage and loft building at 135-9 West 36th Street in 1924, to designs by the eminent Emery Roth, 19 West 40th Street for $600,000.

Pastor Rev. Dr. Richard Brennan transferred here in 1890 from being pastor since 1875 of St. Rose of Lima's Old Church (New York City), after the death of the former pastor, Rev. Larkin.


Thursday 24 January 2013

24 January. Feast Day of Saint Timothy. Bishop and Martyr.


Italic Text taken from The Saint Andrew Daily Missal.
Roman Text and Illustrations taken from Wikipedia, the free encyclopaedia,
      unless otherwise stated.

Double.
Red Vestments.



Saint Timothy (17 A.D. - 97 A.D.)
(orthodox icon).
Bishop and Martyr.
Author: Unknown.
(Wikimedia Commons)


Timothy (Greek: Τιμόθεος; Timótheos, meaning "honouring God" or "honoured by God") was a 1st - Century Christian Bishop, who died around 97 A.D. The New Testament indicates that Timothy travelled with Saint Paul, who was also his mentor. He is addressed as the recipient of the Epistles to Timothy.

Saint Timothy is mentioned in the Bible at the time of Paul's second visit to Lystra, in Anatolia, where Timothy is mentioned as a "disciple". Paul calls Timothy his "own son in the faith". Timothy often travelled with Paul. Timothy's mother was Jewish and his father was Greek, but he had not been circumcised, and Paul now ensured that this was done, according to the text, to ensure Timothy’s acceptability to the Jews.

According to McGarvey, Paul performed the operation "with his own hand", but others claim this is unlikely and nowhere attested. He was ordained and went with Paul on his journeys through Phrygia, Galatia, Mysia,Troas, Philippi, Veria, and Corinth. His mother, Eunice, and his grandmother, Lois, are noted as eminent for their piety and faith, which indicates that they may have also been Christians. Timothy is praised by Paul for his knowledge of the Scriptures (in the 1st-Century, mostly the Septuagint; see Development of the New Testament canon - Clement of Rome), and is said to have been acquainted with the Scriptures since childhood.




Rembrandt's Timothy and his grandmother, 1648.
Deutsch: Timotheus und seine Großmutter.
Current location: Deutsch: Sammlung Earl of Ellesmere, London.
Sourece/Photographer: The Yorck Project: 10.000 Meisterwerke der Malerei. DVD-ROM, 2002. 
ISBN 3936122202. Distributed by DIRECTMEDIA Publishing GmbH.
Permission: [1]
(Wikimedia Commons)


That Timothy was jailed at least once during the period of the writing of the New Testament is implied by the writer of Hebrews mentioning Timothy's release at the end of the epistle. It is also apparent that Timothy had some type of stomach malady, owing to Paul's advice in 1 Timothy 5:23, counseling Timothy to "No longer drink water exclusively, but use a little wine for the sake of your stomach and your frequent ailments."

Paul commanded Timothy to remain in Ephesus (1 Timothy 1), "I command you to stay there in Ephesus", to prevent heresy from infecting the church in Ephesus. Paul also gave Timothy instructions for establishing Elders and Deacons there. These very guidelines have become the commonly-used guidelines among churches across the world to this day. 

According to later tradition, Paul consecrated Timothy as Bishop of Ephesus in the year 65 A.D., where he served for 15 years. In 97 A.D., (with Timothy dying at age 80), Timothy tried to halt a pagan procession of idols, ceremonies, and songs. In response to his preaching of the gospel, the angry pagans beat him, dragged him through the streets, and stoned him to death. In the 4th-Century, his relics were transferred to the Church of the Holy Apostles in Constantinople.

Timothy is venerated as an Apostle, Saint and Martyr by the Eastern Orthodox Church, with his Feast Day on 22 January. The Roman Catholic Calendar of Saints venerates Timothy, together with Titus, with a Memorial on 26 January. In the General Roman Calendar of 1962, his Feast, a Third Class Feast, is kept on 24 January. Along with Titus and Silas, he is commemorated by the Evangelical Lutheran Church in America and the Episcopal Church on 26 January. Timothy's Feast is kept by the Lutheran Church – Missouri Synod on 24 January.

Saint Timothy, born at Lystra (Asia Minor), of a pagan father and a Jewish mother, was already a Christian when Saint Paul came to that town. Saint Paul, whose conversion we celebrate tomorrow, was struck by Timothy's holiness and took him as a companion on his travels.. Saint Timothy thereupon gave up everything and became his disciple (Gospel).

Saint Paul conferred on him full sacerdotal powers (Introit) and committed to his care the government of the Church of Ephesus. We read in the Epistle a passage of one of the two admirable Letters which his master wrote to him. Saint Timothy was stoned to death in his episcopal city (+ 97 A.D.).

Let us, with Timothy, confess the Divinity of Christ in this Season after Epiphany, which is its Liturgical manifestation.

Mass: "Statuit". Of a Martyr Bishop, p. 1615, except the Proper Epistle.


Monday 21 January 2013

Canterbury Cathedral (Part Five).


Text and Illustrations from Wikipedia - the free encyclopaedia,
unless otherwise stated.



File:Canterbury, Canterbury cathedral 17.JPG


Canterbury Cathedral, England.
Photo: 17 April 2011.
Source: Own work.
Author: Mattana
(Wikimedia Commons)


The buildings, devoted to hospitality, were divided into three groups. The Prior's group were "entered at the South-East angle of the Green Court, placed near the most sacred part of the Cathedral, as befitting the distinguished ecclesiastics or nobility who were assigned to him." The Cellarer's buildings, where middle-class visitors were entertained, stood near the West End of the Nave. The inferior pilgrims and paupers were relegated to the North Hall or Almonry, just within the Gate.

Priors of Christ Church Priory included John of Sittingbourne (elected 1222, previously a Monk of the Priory) and William Chillenden, (elected 1264, previously Monk and Treasurer of the Priory). The Monastery was granted the right to elect their own Prior, if the Seat was vacant, by the Pope, and, from Pope Gregory IX, onwards, the right to a free election (though with the Archbishop overseeing their choice). 

Monks of the Priory have included Æthelric I, Æthelric II, Walter d'Eynsham, Reginald fitz-Jocelin (admitted as a Confrater, shortly before his death), Nigel de Longchamps and Ernulf. The Monks often put forward candidates for Archbishop of Canterbury, either from among their number or outside, since the Archbishop was nominally their Abbot, but this could lead to clashes with the King and/or Pope, should they put forward a different man, examples are the elections of Baldwin of Forde and Thomas Cobham.


File:Canterbury, Canterbury cathedral 11.JPG


Canterbury Cathedral, England.
Photo: 17 April 2011.
Source: Own work.
Author: Mattana
(Wikimedia Commons)


Early in the 14th-Century, Prior Eastry erected a stone Choir Screen, and his successor, Prior Oxenden, inserted a large Five-Light Window into St Anselm's Chapel. The Cathedral was seriously damaged by an earthquake in 1382, losing its bells and Campanile.

From the Late-14th-Century, the Nave and Transepts were rebuilt, on the Norman foundations in the Perpendicular style. In contrast to the contemporary rebuilding of the Nave at Winchester, where much of the existing fabric was retained and re-modelled, the Piers were entirely removed, and replaced with less bulky Gothic ones, and the old Aisle walls completely taken down, except for a low "Plinth" left on the South Side.

More Norman fabric was retained in the Transepts, especially in the East Walls, and the old Apsidal Chapels were not replaced until the Mid-15th-Century. The Arches of the new Nave Arcade were exceptionally high in proportion to the Clerestory. The new Transepts, Aisles and Nave were roofed with Lierne Vaults, enriched with Bosses. Most of the work was done during the Priorate of Thomas Chillenden (1391–1411): Chillenden also built a new Choir Screen at the East End of the Nave, into which Eastry's existing Screen was incorporated. The Norman stone floor of the Nave, however, survived until its replacement in 1786.


File:Canterbury, Canterbury cathedral-Cloister 11.JPG



Bosses on the Vault of the Cloisters, 
Canterbury Cathedral, England.

Photo: 17 April 2011.
Source: Own work.
Author: Mattana
(Wikimedia Commons)


A shortage of money, and the priority given to the rebuilding of the Cloisters and Chapter-House, meant that the rebuilding of the West Towers was neglected. The South-West Tower was not replaced until 1458, and the Norman North-West Tower survived until 1834, when it was replaced by a replica of its Perpendicular companion.

In about 1430, the South Transept Apse was removed to make way for a Chapel, founded by Lady Margaret Holland and dedicated to St Michael and All Angels. The North Transept Apse was replaced by a Lady Chapel, built in 1448 - 1455.


File:Canterbury, Canterbury cathedral-stained glass 26.JPG


Stained Glass Window in the Chapter House, 

Canterbury Cathedral, England.
Photo: 18 April 2011.
Source: Own work.
Author: Mattana
(Wikimedia Commons)


The 235-foot Crossing Tower was begun in 1433, although preparations had already been made during Chillenden's Priorate, when the Piers had been reinforced. Further strengthening was found necessary around the beginning of the 16th-Century, when Buttressing Arches were added under the Southern and Western Tower Arches. The Tower is often known as the "Angel Steeple", after a gilded angel that once stood on one of its Pinnacles.


PART SIX FOLLOWS


As a mother caresses her child, so I comfort you.


This Article can be found on the Holy Card Heaven blog at


As a mother caresses her child, so I comfort you.
Bouasse Lebel 782B




Comme une Mère caresse son enfant, ainsi je vous consolerai.


Wednesday 9 January 2013

Te Deum. Hymn of Thanksgiving (Part Three).



Italic Text is taken from The Saint Andrew Daily Missal.
Non-Italic Text is taken from Wikipedia - the free encyclopaedia,
      unless otherwise stated.





Jesus, I trust in Thee.

Painting representing the famous apparition of the Sacred Heart of Jesus 

to Saint Margaret Mary Alacoque.
Italiano: Cortemilia. Chiesa Parrocchiale di San Michele. Rodolfo Morgari: 

Santa Margherita Maria Alacoque e la devozione al Sacro Cuore.
Photo: 6 June 2008.
Source: Own work.
Author: User:Giovanni Destefanis
(Wikimedia Commons)




The Te Deum (also known as Ambrosian Hymn or A Song of the Church) is an early Christian hymn of praise. The title is taken from its opening Latin words, Te Deum laudamus, rendered as "Thee, O God, we praise".

The hymn remains in regular use in the Catholic Church in the Office of Readings found in the Liturgy of the Hours, and in thanksgiving to God for a special blessing such as the election of a pope, the consecration of a bishop, the canonization of a saint, a religious profession, the publication of a treaty of peace, a royal coronation, etc. It is sung either after Mass or the Divine Office or as a separate religious ceremony. The hymn also remains in use in the Anglican Communion and some Lutheran Churches in similar settings.

In the Traditional Office, the Te Deum is sung at the end of Matins on all days when the Gloria is said at Mass; those days are all Sundays outside Advent, Septuagesima, Lent, and Passiontide; on all feasts (except the Triduum) and on all ferias during Eastertide.

Before the 1962 reforms, neither the Gloria nor the Te Deum were said on the feast of the Holy Innocents, unless it fell on Sunday, as they were martyred before the death of Christ and therefore could not immediately attain the beatific vision. A plenary indulgence is granted, under the usual conditions, to those who recite it in public on New Year's Eve.

In the Liturgy of the Hours of Pope Paul VI, the Te Deum is sung at the end of the Office of Readings on all Sundays except those of Lent, on all Solemnities, including the Octaves of Easter and Christmas, and on all feasts. It is also used together with the standard canticles in Morning Prayer as prescribed in the Anglican Book of Common Prayer, in Matins for Lutherans, and is retained by many other churches of the Reformed tradition.

Part of the setting of the Te Deum by Marc-Antoine Charpentier is the anthem of Eurovision. The instrumental prelude is played at the opening, intervals and closing of the show.

Authorship is traditionally ascribed to Saint Ambrose and Saint Augustine, on the occasion of the latter's baptism by the former in 387 A.D. It has also been ascribed to Saint Hilary, but Catholic-Forum.com says "it is now accredited to Nicetas, bishop of Remesiana; (4th-Century)".

The petitions at the end of the hymn (beginning Salvum fac populum tuum) are a selection of verses from the book of Psalms, appended subsequently to the original hymn.

The hymn follows the outline of the Apostles' Creed, mixing a poetic vision of the heavenly liturgy with its declaration of faith. Calling on the name of God immediately, the hymn proceeds to name all those who praise and venerate God, from the hierarchy of heavenly creatures to those Christian faithful already in heaven to the Church spread throughout the world. The hymn then returns to its Credal formula, naming Christ and recalling his birth, suffering and death, his resurrection and glorification. At this point the hymn turns to the subjects declaiming the praise, both the universal Church and the singer in particular, asking for mercy on past sins, protection from future sin, and the hoped-for reunification with the elect.

The text has been set to music by many composers, with settings by Haydn, Mozart, Berlioz, Verdi, Bruckner, Furtwängler, Dvořák, Britten, Kodály, and Pärt, among the better known. Jean-Baptiste Lully wrote a setting of Te Deum for the court of Louis XIV of France, and received a fatal injury while conducting it.

The prelude to Marc-Antoine Charpentier's setting (H.146) is well known in Europe on account of its being used as the theme music for some broadcasts of the European Broadcasting Union, most notably the Eurovision Song Contest. Sir William Walton's Coronation Te Deum was written for the coronation of Queen Elizabeth II in 1953. Other English settings include those by Thomas Tallis, William Byrd, Henry Purcell, and Edward Elgar, as well as three settings each by George Frideric Handel and Charles Villiers Stanford. Puccini's opera, Tosca, features a dramatic performance of the initial part of the Te Deum at the end of Act I.

A version by Father Michael Keating is popular in some Charismatic circles. Mark Hayes wrote a setting of the text in 2005, with Latin phrases interpolated amid primarily English lyrics. In 1978, British hymnodist, Christopher Idle, wrote God We Praise You, a version of the text in 8.7.8.7.D meter, set to the tune "Rustington". British composer, John Rutter, has composed two settings of this hymn, one entitled Te Deum and the other Winchester Te Deum. Igor Stravinsky set the first 12 lines of the text as part of The Flood in 1962. Antony Pitts was commissioned by the London Festival of Contemporary Church Music to write a setting for the 2011 10th Anniversary Festival. The 18th-Century German hymn, Großer Gott, wir loben dich, is a free translation of the Te Deum, which was translated into English in the 19th-Century as "Holy God, we praise thy name."


THIS CONCLUDES THE ARTICLE ON THE TE DEUM


Te Deum. Hymn of Thanksgiving (Part Two).



Italic Text is taken from The Saint Andrew Daily Missal.
Non-Italic Text is taken from Wikipedia - the free encyclopaedia,
      unless otherwise stated.





Jesus, I trust in Thee.

Painting representing the famous apparition of the Sacred Heart of Jesus 

to Saint Margaret Mary Alacoque.
Italiano: Cortemilia. Chiesa Parrocchiale di San Michele. Rodolfo Morgari: 

Santa Margherita Maria Alacoque e la devozione al Sacro Cuore.
Photo: 6 June 2008.
Source: Own work.
Author: User:Giovanni Destefanis
(Wikimedia Commons)




We praise Thee, O God; we acknowledge Thee to be the Lord.
Thee, the Father everlasting, all the Earth doth worship.
To Thee all the angels, to Thee the heavens, and all the powers.
To Thee the cherubim and seraphim cry out without ceasing:

Holy, Holy, Holy, Lord God of hosts.
Full are the heavens and the Earth of the majesty of Thy glory.

Thee, the glorious choir of the apostles.
Thee, the admirable company of the prophets,
Thee, the white-robed army of martyrs doth praise.
Thee, the holy Church throughout the world doth confess.

The Father of incomprehensible majesty,
Thine adorable, true, and only Son,
And the Holy Ghost the Paraclete,
Thou, O Christ, art the King of glory.

Thou art the everlasting Son of the Father.
Thou, having taken upon Thee to deliver man, 
didst not disdain the Virgin's womb.
Thou, having overcome the sting of death, hast opened to believers the kingdom of heaven.

Thou sittest at the right-hand of God in the glory of the Father.
Thou, we believe, art the Judge to come.
We beseech Thee, therefore, to help Thy servants,
whom Thou hast redeemed with Thy precious Blood.

Make them to be numbered with Thy saints in glory everlasting.
O Lord, save Thy people, and bless Thine inheritance.
And govern them, and exalt them for ever.
Day by day we bless Thee.

And we praise Thy name for ever;
yea, for ever and ever.
Vouchsafe, O Lord, this day,
to keep us without sin.

Have mercy on us, O Lord;
have mercy on us.
Let Thy mercy, O Lord, be upon us;
as we have trusted in Thee.

In Thee, O Lord, have I trusted:
let me not be confounded for ever.

v.      Let us bless the Father, and the Son, with the Holy Ghost.
r.      Let us praise and exalt Him for ever.


Let us pray

O God, of whose mercies there is no number, and of whose goodness the treasure is infinite; we render thanks to Thy most gracious majesty for the gifts Thou hast bestowed upon us; evermore beseeching Thy clemency, that as Thou grantest the petitions of them that ask Thee, Thou mayest never forsake them, but mayest prepare them for the rewards to come. Through Christ Our Lord.

r.      Amen.


PART THREE FOLLOWS


Te Deum. Hymn of Thanksgiving (Part One).


Italic Text is taken from The Saint Andrew Daily Missal.
Non-Italic Text is taken from Wikipedia - the free encyclopaedia,
      unless otherwise stated.





Jesus, I trust in Thee.

Painting representing the famous apparition of the Sacred Heart of Jesus 

to Saint Margaret Mary Alacoque.
Italiano: Cortemilia. Chiesa Parrocchiale di San Michele. Rodolfo Morgari: 

Santa Margherita Maria Alacoque e la devozione al Sacro Cuore.
Photo: 6 June 2008.
Source: Own work.
Author: User:Giovanni Destefanis
(Wikimedia Commons)



Te Deum laudamus: te Dominum confitemur.
Te aeternum Patrem omnis terra veneratur.
Tibi omnes Angeli; tibi Caeli et universae Potestates.
Tibi Cherubim et Seraphim incessabili voce proclamant:

Sanctus, Sanctus, Sanctus,
Dominus Deus Sabaoth.
Pleni sunt  caeli et terra majestatis gloriae tuae.

Te gloriosus Apostolorum chorus;
Te Prophetarum laudabilis numerus;
Te Martyrum candidatus laudat exercitus.
Te per orbem terrarum sancta confitetur Ecclesia:

Patrem immensae majestatis;
Venerandum tuum verum, et unicum Filium;
Sanctum quoque Paraclitum Spiritum.
Tu Rex gloriae. Christe.

Tu Patris sempiternus es Filius.
Tu ad liberandum suscepturus hominem,
non horruisti Virginis uterum.
Tu devicto mortis aculeo, aperuisti credentibus regna caelorum.

Tu ad dexteram Dei sedes in gloria Patris.
Judex crederis esse venturus.
Te ergo quaesumus, tuis famulis subveni,
quos pretioso sanguine redemisti.

Aeterna fac cum Sanctis tuis in gloria numerari.
Salvum fac populum tuum, Domine,
et benedic haereditati tuae.
Et rege eos et extolle illos usque in aeternum.

Per singulos dies benedicimus te.
Et laudamus nomen tuum in saeculum,
et in saeculum saeculi.

Dignare, Domine, die isto sine peccato nos custodire.
Miserere nostri, Domine, miserere nostri.
Fiat misericordia tua, Domine, super nos,
quemadmodum speravimus in te.

In te, Domine, speravi:
non confundar in aeternum.


v.      Benedicamus Patrem et Filium cum Sancto Spiritu.
r.      Laudemus et superexaltemus eum in saecula.

Oremus

Deus, cujus misericordiae non est numerus et bonitatis infinitus est thesaurus, piissimae majestati tuae pro collatis donis gratias agimus, tuam semper clementiam exorantes, ut qui petentibus postulata concedis, eosdem non deserens, ad praemia futura disponas. Per Christum Dominum nostrum.

r.      Amen.


PART TWO FOLLOWS


Te Deum. 5th-Century Monastic Chant (Solemn).





Related Posts Plugin for WordPress, Blogger...