Notre Dame de Rouen. The façade of the Gothic Church in France. Photographer: Hippo1947. Licence: SHUTTERSTOCK.

Wednesday 29 May 2013

Usus Antiquior Mass At Notre-Dame De Paris. Wednesday, 29 May 2013.


This Article can be found on the Blog, LITURGY, at

Traditional Mass at Notre-Dame de Paris, 29 May, 2013.
Published on 29 May, 2013 by Henri de Villiers.



File:NotreDameI.jpg


Notre Dame de Paris: Western Façade.
Photo: April 2007.
Source: The English Wikipedia 
Author: Thschutt.
(Wikimedia Commons)


This Wednesday, 29 May, 2013, the parish of Saint-Eugène - Sainte-Cécile goes on a pilgrimage to Notre Dame de Paris on the occasion of the 850th anniversary of the building of the present Cathedral.

Starting pilgrimage from Saint Eugene at 1900 hrs.

Entering the Cathedral from the North Portal (Rue du Cloitre Notre Dame, left when you look at the Cathedral side).

At 2015 hrs, Solemn Mass at the High Altar of the Pieta by the Parish Priest of Saint Eugene.

As part of the Year of Faith, and the occasion of the 850th anniversary of the construction of the present Cathedral, you can gain, as part of the pilgrimage, a Plenary Indulgence for the Living or the Dead.

Two days before the Feast of the Dedication of Our Lady of Paris, in the Traditional Calendar (31 May), the Mass will be a Votive Mass of the Dedication of a Church, with a Commemoration of Saint Mary Magdalen de Pazzi.

PROGRAMME.

Gregorian Chant: Votive Mass of Dedication. Kyriales: Mass VIII - De Angelis.

Entrance procession: Dominus regnavit ("The Lord reigns". Incipit of Psalm 92) by Jean-Joseph Cassanéa Mondonville (1711 † 1772), Master of the Royal Chapel of Versailles.

Prose dedication: Jerusalem & Zion filiae. Prose Adam of Saint Victor (circa 1112 † circa 1192.), Precentor of the Cathedral of Paris. Plainsong reconstructed in the 18th-Century by the Abbot of Haudimont, Choirmaster of the Cathedral of Chalons-sur-Saone and Notre-Dame de Paris and Saint-Germain L'Auxerrois (before 1790).

During the Offertory incense: Angeli, Archangeli: Grand Motet "All Saints", John Veillot († 1662), Choirmaster and Canon of Notre-Dame de Paris, King Louis XIV and Benedictine Montmartre.

Benedictus polyphonic - alternating Canon - Nicolas Couturier Mamas (1840 † 1911), Choirmaster of the Cathedral of Langres.

After the Consecration: "O salutaris" the Liturgical recitative Tone of the Preface - Henri de Villiers.

During Communion: Tantum ergo "Vigilantium" - Anthem of the Blessed Sacrament - Text of Saint  Thomas Aquinas - adaptation & harmonisation Henri de Villiers - versified translation of the 18th-Century.

Ite missa est: Mass VIII.

After the Last Gospel: Salve Regina.

Procession exit station to the statue of Our Lady of Paris. In accordance with ancient custom of the Cathedral, the Clergy go in procession to the statue of Our Lady of Paris singing the following Responses:

Sancta and Immaculata - responsories processional and invocation to Our Lady of Paris - Gregorian chant and drone by Bishop Jehan Revert, Choirmaster of Notre-Dame de Paris, 5 mixed voices arranged by Olivier Schneebeli.

Upon arrival at the statue of Our Lady, the acclaimed Royal Magnificat - chant attributed to King Louis XIII, traditional Paris drone since the 17th-Century (this is the song of the Magnificat that Paul Claudel received before the statue of Our Lady, and converted to the Second Vespers of Christmas, 25 December, 1886).

Download the booklet of the Mass PDF




Feast Of Corpus Christi. Night Office Of Matins.


Roman Text taken from "The Liturgical Year",
by Abbot Gueranger, O.S.B.
Translated from the French by
Dom Laurence Shepherd, O.S.B.
Volume 10, Time After Pentecost, Book I.
Re-published by St. Bonaventure Publications,
July 2000.
www.libers.com

Italic Text taken from Wikipedia - the free encyclopaedia,
unless otherwise stated.




Pope Saint Zephyrinus.
(Papacy 199 A.D. - 217 A.D.).
Description: English: from [1].
Date: 24 March 2006 (original upload date).
Source: Transferred from en.wikipedia; Original uploader was Amberrock at en.wikipedia; transferred to Commons by User:Sreejithk2000 using CommonsHelper.
Author: Not Known.
Permission: This image is in the public domain due to its age.
(Wikimedia Commons)


Matins is the Monastic night-time Liturgy, ending at Dawn, of the Canonical Hours. As standardised in the Roman Catholic Liturgy of the Hours, it is divided into three Nocturns. The name "Matins" originally referred to the Morning Office, also known as Lauds

When the nocturnal Monastic Services, called Vigils, or Nocturns, were joined with Lauds, the name of "Matins" was applied at first to the concluding Morning Service and, later still, to the entire series of Vigils.

In Eastern Orthodoxy, these Vigils correspond to the All-Night Vigil, comprising the Midnight Office and the Daybreak Service of Orthros (in Church Slavonic: Oútrenya).

Mattins, often spelled in the Anglican Tradition with a double "t", is the Morning Prayer, which consolidated the Hours of Matins, Lauds and PrimeLutherans preserve recognisably Traditional Matins, distinct from Morning Prayer, but "Matins" is sometimes used in other Protestant denominations to describe any Morning Service.




The Night Office of Matins, for the Feast of Corpus Christi, has a special interest of its own; it is the memory of that Holy Night, when, as the Church expresses it, Faith shows us Our Lord presiding, for the last time, at the figurative Pasch, and following up the Feast of the typical lamb with the Banquet of His own Body.

In order to induce the Faithful to prefer the Prayers of the Liturgy to all others, we would remind them that the Sovereign Pontiffs have solemnly opened the treasures of the Church in favour of such as, being contrite, and having confessed their sins, shall assist at any of the Canonical Hours, either on the day of the Feast, or during its Octave.

Pope Martin V, by his Constitution, "Ineffabile Sacramentum", which allows this Feast and Octave to be celebrated with the ringing of Bells and Solemnity, even in places which are under an Interdict, confirmed and added to the Indulgences granted by Pope Urban IV, in the Bull, "Transiturus".

Finally, Pope Eugenius IV, mentioning the Acts of these two Pontiffs [Constitution, "Excellentissimum".], doubled the Indulgences granted by them. These Indulgences are as follows: Two hundred days are granted for Fasting on the Eve, or for any other good work substituted for the Fast, at the discretion of the Confessor; on the day of the Feast, four hundred days for assisting at First Vespers, Matins, Mass, or Second Vespers; two hundred days for Holy Communion, over and above those granted for assisting at Mass; a hundred and sixty days for each of the Hours of Prime, Terce (Tierce), Sext, None, and Compline; two hundred days for the Procession, on the day of the Feast, itself, or during the Octave: Two hundred days, likewise, for assisting at Vespers, Matins, or Mass, during the Octave, and eighty days for each of the other Hours.




After the Pater, Ave, and Credo, have been said silently, the Church commences her Office by her usual Matins supplication:

Domine, labia mea aperies.
O Lord ! Thou wilt open my lips.

Then follows, with its glad refrain, Christum Regem, the Invitatory Psalm, whereby the Church invites her children, every night, to come and adore the Lord. 

On this Feast, she, as bride, addressing herself to us the faithful subjects and courtiers of the King of Glory, invites us to pay our homage to Him, whose goodness towards us is all the more telling, because of His infinite majesty.

Then follows Psalm 94:

Venite, exsultemus Domino . . .
Come, let us praise the Lord with joy . . .

After the Invitatory, in which we have commemorated the transfer of Christ's kingdom to the Gentiles, the Church intones the triumphant Hymn, which, in its noble verses, recounts the Last Supper, and celebrates the wonderful favours bestowed upon men that glorious night.




Hymn:

Sacris solemniis juncta sint gaudia . . .
Let our joys blend with this Sacred Solemnity . . .

These preludes having been made, we begin the Solemn Office of the Night, which is divided into Three Vigils, or Nocturns:

The First Nocturn:

Christ is the just Man by excellence; He is the tree which brings forth its fruit in due Season, the fruit, that is, of Salvation, which the Lord gave to us to taste at the time of His death.

The First Psalm offers us this beautiful symbolism, which the Fathers have so often dwelt upon in their writings:

Antiphon:

Fructum salutiferum gustandum dedit Dominus . . .
The Lord gave us to taste of the fruit of Salvation . . .

Psalm 1:

Beatus vir, qui non abiit in consilio . . . 
Blessed is the man who hath not walked in the counsel of the ungodly . . .

The Second Psalm of this Nocturn tells us of the peace and abundance enjoyed by the man who puts his confidence in the God of Justice. Corn, wine and oil are the riches of God's House. It is mainly by these three elements, that the Church confers a daily increase of Holiness on them that have become her children by the water of Baptism. What, indeed, has she, to be compared with the beautiful corn of the elect, and wine that produceth virgins ? [Zach. ix. 17.]




Antiphon:

A fructu frumenti et vini multiplicati . . .
The Faithful, multiplied by the fruit of corn . . .

Psalm 4:

Cum invocarem exaudivit me Deus . . .
When I called upon Him, the God of my justice . . .

We have already seen how the Holy Eucharist was the bond of union between the Holy Faithful, and the centre of Catholic communion. What the Sacrifice of the New Testament is for Christians, from a social point of view, that same were the mosaic sacrifices, heretofore, for the Jews, although in a manner wholly external and figurative.

The following Antiphon tells us the reason of the Church's selecting Psalm XV for the Third Psalm of the First Nocturn: It is, that she might remind us of her own superiority, in this respect, over the rejected Synagogue. The Lord Himself is the glorious portion of her inheritance and the cup of her joy.

Antiphon:

Communione calicis quo Deus ipse . . .
The Lord hath brought us together, by the communion . . .



Psalm 15:

Conserva me, Domine . . .
Preserve me, O Lord . . .

The Priest begins the Lord's Prayer:

Pater noster (the rest is said in silence, as far as the last two petitions) . . .
Our Father . . .

The First Nocturn Lessons are taken from one of Saint Paul's Epistles. After chiding the Faithful of Corinth for having allowed abuses to creep into their religious meetings, the Apostle recounts the institution of the Blessed Eucharist.

He tells them the dispositions they should bring with them to the Holy Table, and speaks of the grievous crime committed by him who approaches unworthily.

First Lesson:

De Epistela prima Beati Pauli apostoli ad Corinthios . . .
From the first Epistle of Saint Paul . . .

Second Lesson:

Ego enim accepi a Domino . . .
For I have received of the Lord . . .




Third Lesson:

Itaque quicumque manducaverit panem hunc . . .
Therefore, whoever shall eat of this bread , , ,

The Second Nocturn:

The Fourth Psalm of our Matins speaks of the all-powerful efficacy of the Christian Sacrifice. The Lord's protection and help in the battles of this life; joy, exaltation, abundance. All are assured to the man who will but have recourse to it.

For the Victim is Christ, with which no other can compare for perfection; it is a whole-burnt offering, whose sweet odour ascends, from our Earthly altar, to Heaven's Sanctuary, and thence brings down the Salvation of the right hand of the Most High. It is to Christ Himself that the Psalmist here makes his Prayer for victory.

Antiphon:

Memor sit Dominus sacrificii nostri . . .
May the Lord be mindful of our sacrifice . . .

Psalm 19:

Exaudiat te Dominus in die tribuiationis . . .
May the Lord hear thee in the day of tribulation . . .




The Soul that follows her Lord wants for nothing. Happy sheep ! Its Shepherd's crook leads it to such rich pastures, to such refreshing water springs ! Let us join the Saintly servant of God, and sing the praises of the Chalice which inebriateth, and of the Table prepared for him against all enemies; when he leaves that Table, he goes forth like a lion breathing fire: He has been made an object of terror to the devil [Saint John Chrysostom. In Joan.].

Antiphon:

Paratur nobis mensa Domini . . .
The Lord's Table is prepared . . .

Psalm 22

Dominus regit me, et nihil mihi deerit . . .
The Lord ruleth me, and I shall want nothing . . .

The Sixth Psalm of these Matins was inspired into David's Soul, when he was obliged to keep far off from the Tabernacle and the Holy Ark, because of Saul's angry persecution, which necessitated his hiding in the mountains near the Jordan.

It is the beautiful Canticle, already cited by us, as so strongly expressing man's thirst, even in this mortal life, after his God. The mere recollection of the Feasting, which awaits him in the wonderful Tabernacle in the House of God, comforts him amidst his troubles, and rouses his hopes. Let us get the spirit of this celestial poetry into us; it will kindle within us the flame of love.




Antiphon:

In voce exsultationis resonent . . .
Let them that Feast at the Table of the Lord . . .

Psalm 41:

Quemadmodum desiderat cervus ad fontes aquarum . . .
As the hart panteth after the fountains of water . . .

After the Pater noster, which is said as prescribed, above, in the First Nocturn, the Priest says:

Ipsius pietas et misericordia nos adjuvet . . .
May His goodness and mercy help us . . .

The Angelic Doctor [Thomas Aquinas] provides us with the Second Nocturn Lessons: His own words are going to be read to us, words which will aid our Faith to enter into the science of the Divine Sacrament, "as far as it can be understood by man whilst on the way, and humanly be defined."

These were the words of Our Lord, when approving the Doctrine "of Thomas, on the Sacrament of the Body" [Act. SS. ad diem 7 Martii; cap. ix. 53.]. Three cities, Paris, Naples, and Orvieto, had the honour of being, each in its turn, the scene of these manifestations of Christ to His faithful servant, the Angelic Doctor. There is still venerated in the Church of Saint Dominic at Orvieto, the Crucifix by which Our Lord spoke, when giving His Divine approval to the Office we are actually celebrating.

Let us, then, listen with veneration to the following passage, which the Church has selected from one of the Saint's treatises. As to its scholastic phraseology, let us remember that, although in itself it is not learning, yet it was the war-dress wherewith our forefathers of the 13th-Century deemed it necessary to accoutre Theology, when she had to come to close argument with dry logicians.




Benedictio:

Deus Pater omnipotens sit nobis . . .
May God the Father Almighty be propitious . . .

Fourth Lesson:

Sermo Sancti Thomae Aquinatis.
Sermon of Saint Thomas of Aquin.

Immensa divinae largitatis beneficia . . .
The immeasurable blessings of divine bounty . . .

Benedictio:

Christus perpetuae det nobis gaudia vitae.
May Christ grant unto us the joys of eternal life.

Fifth Lesson:

O pretiosum et admirandum convivium . . .
O precious and wonderful banquet . . .




Benedictio:

Ignem sui amoris accendat Deus in cordibus nostris.
May God enkindle within our hearts the fire of His love.

Sixth Lesson:

Nullum etiam sacramentum est isto salubris . . .
Again, there is no Sacrament more health-giving than this . . .

The Third Nocturn:

The Seventh Psalm of these Matins is a sequel to the one immediately preceding it in the Psalter. The two are inspired by the same trying circumstances; there is the same idea running through both; and several of the expressions are identical.

We have the cry of the poor Soul when, being harassed by her enemy, she is longing for her God; she has her wish and the confidence of at last seeing the Holy Mount, and that the Altar of God, where God gives Himself in the Person of the Incarnate Word, of Christ, Who comes for the purpose of restoring their youth to His happy adorers and guests.




Antiphon:

Introibo ad altare Dei . . .
I will go in to the Altar of God . . .

Psalm 42:

Judica me, Deus, et discerna causam meam . . .
Judge me, O God, and distinguish my cause . . .

The Eighth Psalm celebrates, with enthusiasm, the sovereign goodness of the God of Jacob. He had, by numberless prodigies, worked the deliverance of His people. Open thy mouth, He said, and I will fill it; and He this day keeps His word, notwithstanding the frequent sad frowardness of His unworthy children.

He feeds them with the fat of wheat; He fills them with honey out of the rock; that is to say, He gives them to taste the ineffable sweetness of Christ, Who is the wheat of the elect and the rock of the desert [Zach. ix. 17; 1 Cor. x. 4.].

Antiphon:

Cibavit nos Dominus ex adipe frumenti . . .
The Lord hath fed us with the fat of wheat . . .

Psalm 80:

Exsultate Deo adjutori nostro; jubilate Deo Jacob.
Rejoice unto God, our helper; sing aloud to the God of Jacob.




Christ is that living God, who makes my heart and my flesh rejoice. Let us take this next Psalm, and sing the praises of the Altars of the Lord of Hosts, our King and our God. Those Altars are a house for the sparrow, and a nest for the turtle-dove. Happy they who dwell in those lovely Tabernacles !

Antiphon:

Ex altari tuo, Domine, Christum sumimus . . .
We receive Christ from Thine Altar, O Lord . . .

Psalm 83:

Quam dilecta tabernacula tua, Domine virtutum . . .
How lovely are Thy Tabernacles, O Lord of Hosts . . .

After the Pater noster, which is said as in the first two Nocturns, the Priest says:

A vinculis peccatorum nostrorum absolvat nos omnipotens et misericors Dominus. Amen.
May the Almighty and merciful Lord deliver us from the chains of our sins. Amen.

Here is read the first sentence of the Gospel of the Mass of this Feast; and the interpretation of it, as given by Saint Augustine, is immediately added. The Holy Doctor dwells particularly on the unity which Our Lord intended to produce among His followers by the august Sacrament.

He shows the necessity of the interior dispositions required for receiving this Sacrament with fruit; and lays special stress on this one effect: That it is to make man live for Christ, just as He lives for His Father.




Benedictio:

Evangelica lectio sit nobis salus et protectio. Amen.
May the reading of the Gospel bring us salvation and protection. Amen.

Seventh Lesson:

Lectio sancti Evangelii secundum Joannem. In illo tempore, dixit Jesus . . .
Lesson from the Holy Gospel according to John. At that time, Jesus said . . .

Homilia sancti Augustini Episcopi. Cum cibo et potu id appetant homines . . .
Homily of Saint Augustine, Bishop. Seeing that man desire this, by the food and drink . .

Benedictio:

Divinum auxilium maneat semper nobiscum. Amen.
May the Divine assistance remain always with us. Amen.

Eighth Lesson:

Qui manducat carnem meam, et bibit meum sanguinem . . .
He that eateth my Flesh, and drinketh my Blood, abideth in me . . .

Benedictio:

Ad societatem civium supernorum perducat nos Rex angelorum. Amen.
May the King of Angels lead us to the fellowship of heavenly citizens. Amen.




Ninth Lesson:

Sicut, inquit, misit me vivens Pater, et ego vivo propter Patrem . . .
As, says He, the living Father hath sent Me, and I live by the Father . . .

Hymn of Thanksgiving:

Te Deum laudamus: Te Dominum confitemur . . .
We praise Thee, O God ! We acknowledge Thee to be Our Lord . . .

The three Vigils of the night are over. The Church has kept watch for her Spouse; and, to beguile the hours, which seemed to go so slowly on, she has been singing the praises of her Beloved, and beseeching Him, with most ardent Prayers, to come quickly.

Blessed mother Church ! For, blessed are they whom, when the Lord returneth from the nuptials, He shall find watching, ready to open to Him at His first knocking. He will gird Himself, as Jesus says in the Gospel, and will make them sit down to meat; and, passing, will minister unto them; and, if He shall come in the Second Watch, or come in the Third Watch, and find them so, blessed are those servants ! [St. Luke xii. 36 - 38.].




These divisions, called Nocturns, which are so long a portion of the Divine Office, yet are independent of the seven Canonical Hours of the day, have been interpreted as signifying those long ages, when the human race, sitting as it was in darkness, and a prey to the anger of God, was asking for the Mediator, who was to justify the world by His Blood [Rom. v. 9.], and to bring back the light, by restoring that peace with Heaven which had been broken by Original Sin.

Equally with the Prayers of the Patriarchs and the desires of the Prophets, the supplications of the Church and of all the Just were being heard in anticipation, and were hastening the time when the Messias was to come, and to offer the great Sacrifice, whereby sin was to have an end, the Justice of God be made manifest, and the Covenant with many be confirmed [Dan. ix. 24, 27.].

But the dawn of our Feast is breaking. Turning towards the East, the Church knows, through the twilight, that her Spouse is preparing to visit her. She is all joy at this hour, when the King of the Day is about to shine on our Earth; she has her Solemn Office of Lauds, full of gladness and praise, as its name indicates; and in this Office she invites Earth, and sea, and firmament, to sing Canticles which are worthy of our Jesus, Who is the true Sun, for He is rising upon us, and, as the Psalmist tells us, is Himself rejoicing, as a giant [Ps. xviii. 6.], to come to the Altar of Sacrifice.


END OF THE NIGHT OFFICE OF MATINS FOR THE FEAST OF CORPUS CHRISTI.


The Feast Of Corpus Christi.


Roman Text taken from The Saint Andrew Daily Missal, 1945 edition.

Illustrations, unless otherwise stated, from the Web-Site
of UNA VOCE OF ORANGE COUNTY,
which carries this Credit Statement:
"Illustrations taken from St. Andrew's Daily Missal, 1952 edition,
with the kind permission of St. Bonaventure Press".

Double of the First-Class 
with a Privileged Octave of the Second Order.
White Vestments.
(Indulgence of 400 days for those who attend Mass or Vespers.)



THE MOST HOLY SACRAMENT.


The Solemn celebrations of this Feast is, in some places, observed on the following Sunday.

After the Dogma of the Holy Trinity, the Holy Ghost reminds us of the Dogma of the Incarnation of Our Lord, in celebrating with the Church the greatest of all Sacraments, summing up the whole Life of the Redeemer, giving infinite glory to God and applying  the fruits of the Redemption at all times to ourselves (Collect).

It was on the Cross that Our Lord redeemed us and the Holy Eucharist, instituted on the night before Our Lord's Passion, remains its Memorial (Collect). The Altar is the extension of Calvary ["The celebration of the Mass has the same value as the death of Jesus Christ on the Cross", Saint John Chrysostom.]; the Mass "shows the death of the Lord (Epistle).

Jesus is there in the state of a victim, for the words of the double consecration mean only that the bread is changed into the Body of Christ and the wine into His Blood. On account of this double action with different effects, which constitutes the Sacrifice of the Mass, we are entitled to speak of Our Lord's Presence under the appearance of bread as that of the Body of Christ, although, since He can die no more, the whole Christ is there contained; similarly, we may speak of the Presence under the appearance of wine as that of His Blood, although He is contained there whole and entire.




"The Eucharist in a Fruit Wreath "
by Jan Davidsz de Heem, 1648,
(from the Blog "Ars Orandi: The Art and Beauty 
of Traditional Catholicism")


Through His Priests, Our Lord Himself, the principal Priest of the Mass, offers in an unbloody manner His Body and Blood which were really separated on the Cross, but on the Altar only in a representative or sacramental sense, the matter and words used and the effect produced being different in the two consecrations.

Besides, the Eucharist was instituted under the form of food (Alleluia), that we may be united with the Victim of Calvary, so that the Sacred Host becomes the "wheat" which feeds our Souls (Introit).


THE SEQUENCE FOR CORPUS CHRISTI.






Solemnity of the Body and Blood of Christ.
Holy Mass, Procession to Saint Mary Major and Eucharistic Blessing.
Basilica of Saint John Lateran, 23 June 2011.

Solennità del Santissimo Corpo e Sangue di Cristo.
Santa Messa, Processione a Santa Maria Maggiore e Benedizione Eucaristica.
Basilica di San Giovanni in Laterano, 23 Giugno 2011.

Sequentia:
Lauda Sion Salvatorem


Available on YouTube at


Moreover, Christ, as the Son of God, receives the eternal life of the Father; in the same way, Christians share in that eternal life by uniting themselves to Christ, through the Sacrament, which is the symbol of unity (Secret), and this possession of the Divine Life, already realised on Earth through the Eucharist, is the pledge and the beginning of that in which we shall fully rejoice in Heaven (Postcommunion). As the Council of Trent puts it: "That same Heavenly Bread that we eat now under the Sacred Veils, we shall feed upon in Heaven without Veil."

We should regard the Mass as the centre of all Eucharistic worship, seeing in Holy Communion the means instituted by Our Lord to enable us to share more fully in this Divine Sacrifice. In this way, our devotion to Our Lord's Body and Blood will effectively obtain for us the fruits of His Redemption (Collect).


File:Carl Emil Doepler Fronleichnamsprozession.jpg



English: Corpus Christi Procession. Oil on canvas by Carl Emil Doepler.
Deutsch: Carl Emil Doepler the Elder 
(1824 Warszawa or Schnepfental - 1905 Berlin): Fronleichnamsprozession.
(Wikimedia Commons)



Concerning the Procession, which regularly should follow the Mass, we remember how the Israelites revered the Ark of the Covenant, which was the Presence of God among them. When they carried on their victorious marches, the Ark went before, borne by the Levites in the midst of a cloud of incense, accompanied by the sound of musical instruments and of the songs and shouts of the multitude.

We Christians have a treasure far more precious, for, in the Eucharist, we possess God Himself. Let us feel a holy pride in forming His Escort and extolling His triumphs, while He is in our midst.

Every Parish Priest celebrates Mass for the people of his Parish.


Monday 27 May 2013

Pope Saint John I.


Roman Text taken from "The Liturgical Year",
by Abbot Gueranger, O.S.B.
Translated from the French by
Dom Laurence Shepherd, O.S.B.
Volume 8, Paschal Time, Book II.
Re-published by St. Bonaventure Publications,
July 2000.
www.libers.com

Italic Text taken from Wikipedia - the free encyclopaedia,
unless otherwise stated.


File:Papa Ioannes I.jpg


Illustration of Pope Saint John I.
Date: 1911.
Author: Artaud de Montor, Alexis François.
(Wikimedia Commons)

The Palm of Martyrdom was won by this holy Pope, not in a victory over a pagan persecutor, but in battling for the Church's liberty against a Christian king. But the king was a heretic and, therefore, an enemy of every Pontiff that was zealous for the triumph of the True Faith.

The state of Christ's Vicar, here on Earth, is a state of combat; and it frequently happens that a Pope is veritably a Martyr, without having shed his blood. Pope Saint John I, whom we honour, today, was not slain by the sword; a loathsome dungeon was the instrument of his Martyrdom; but there are many Popes who are now in Heaven with him, Martyrs like himself, who never even passed a day in prison or in chains; the Vatican was their Calvary.

They conquered, yet fell in the struggle with so little appearance of victory, that Heaven had to take up the defence of their reputation, as was the case with that angelic Pontiff of the 18th-Century, Pope Clement XIII.

Today's Saint (Pope Saint John I) teaches us, by his conduct, what should be the sentiment of every worthy member of the Church. He teaches us that we should never make a compromise with heresy, nor approve the measures taken by worldly policy for securing what it calls the rights of heresy. If the past ages, aided by the religious indifference of Governments, have introduced the toleration of all religions, or even the principle that "all religions are to be treated alike by the State," let us, if we will, put up with this latitudinarianism, and be glad to see that the Church, in virtue of it, is guaranteed from legal persecution; but, as Catholics, we can never look upon it as an absolute good.

Whatever may be the circumstances in which Providence has placed us, we are bound to conform our views to the principles of our Holy Faith, and to the infallible teaching and practice of the Church - out of which, there is but contradiction, danger and infidelity.

The Holy Liturgy thus extols the virtues and courage of our Saint, Pope Saint John I.




This image is a faithful representation of an icon inside the Basilica of Saint Paul-Outside-the-Walls. The author(s) is unknown and the image is centuries old. As such, it falls into the public domain. 
See http://www.popechart.com/history.htm for documentation.
Source: http://cckswong.tripod.com/pope1_50.htm ("Pope's Photo Gallery").
Author: Unknown.
(Wikimedia Commons)


Pope John I (Latin: Ioannes PP. I, Italian: Giovanni I; circa 470 A.D. – 18 May 526 A.D.) was Pope from 13 August 523 A.D. to 18 May 526 A.D. He was a native of Siena (or the "Castello di Serena"), near Chiusdino, in Italy. He is the first Pope known to have visited Constantinople while in office.

While a Deacon, in Rome, he is known to have been a partisan of the Anti-Pope, Laurentius, for, in a libellus, written to Pope Symmachus in 506 A.D, John confessed his error in opposing him, condemned Peter of Altinum and Laurentius, and begged pardon of Symmachus. He would then be the "Deacon John" who signed the acta (ecclesiastic publication) of the Roman Synod of 499 A.D.,  and 502 A.D.; the fact the Roman Church only had seven Deacons, at the time, makes identifying him with this person very likely. He may also be the "Deacon John" to whom Boethius, the 6th-Century philosopher, dedicated three of his five religious tractates, or treatises, written between 512 A.D., and 520 A.D.

John was very frail when he was elected to the Papacy as Pope John I. Despite his protests, Pope John was sent by the Arian King, Theodoric the Great, - ruler of the Ostrogoths, a kingdom in present-day Italy - to Constantinople, to secure a moderation of a decree against the Arians, issued in 523 A.D., of Emperor Justin, ruler of the Byzantine, or East Roman, Empire. 


King Theodoric threatened that, if John should fail in his mission, there would be reprisals against the Orthodox, or non-Arian, Catholics in the West. John proceeded to Constantinople with a considerable entourage: His religious companions included Bishop Ecclesius of Ravenna, Bishop Eusebius of Fanum Fortunae, and Sabinus of Campania. His secular companions were the senatorsFlavius Theodorus, Inportunus, Agapitus, and the patrician Agapitus.

Emperor Justin is recorded as receiving John honorably and promised to do everything the embassy asked of him, with the exception of restoring converts from Arianism to Catholicism to their original beliefs. Although John was successful in his mission, when he returned to Ravenna, Theodoric's capital in Italy, Theodoric had John arrested on the suspicion of having conspired with Emperor Justin. John was imprisoned at Ravenna, where he died of neglect and ill treatment. His body was transported to Rome and buried in the Basilica of Saint Peter.

The Liber Pontificalis credits John with making repairs to the cemetery of the Martyrs, Nereus and Achilleus, on the Via Ardeatina, that of Saints Felix and Adauctus, and the cemetery of Priscilla.

Pope John I is depicted in art as looking through the bars of a prison, or imprisoned with a Deacon and a Sub-Deacon. He is venerated at Ravenna and in Tuscany.


Sunday 26 May 2013

The Blessed Virgin Mary (Part Eleven).


Text and Illustrations taken from Wikipedia - the free encyclopaedia,
unless otherwise stated.




Luciano Pavarotti singing 
Schubert's "Ave Maria".
Available on YouTube at 


Marian Art enjoys a significant level of diversity, e.g., with distinct styles of Statues of the Virgin Mary present on different Continents (as depicted in the Galleries in Roman Catholic Marian Art). These depictions are not restricted to European Art, and also appear in South American paintings. The South American tradition of Marian veneration, through Art, dates back to the 16th-Century, with the Virgin of Copacabana gaining fame in 1582.

Marian Movements and Societies.

Throughout the centuries, the devotion to, and the veneration of, the Virgin Mary by Roman Catholics has both led to, and been influenced by, a number of Roman Catholic Marian Movements and Societies. These Societies form part of the fabric of Roman Catholic Mariology. As early as the 16th-Century, the Holy See endorsed the Sodality of Our Lady and Pope Gregory XIII issued a Papal Bull, commending it and granting it Indulgences, and establishing it as the Mother Sodality, and other Sodalities were formed, thereafter.

The 18th- and 19th-Centuries saw a number of missionary Marian organisations, such as: Company of Mary; the MarianistsMarist Fathers; and Marist Brothers. Some of these missionaries, e.g., Saint Peter Chanel, were Martyred as they travelled to new lands. The 20th-Century witnessed the formation of Marian organisations with millions of members, e.g., the Legion of Mary and Blue Army of Our Lady of Fatima.




Maria Callas singing Ave Maria.
Available on YouTube at 


Marian Shrines and Patronages.

In the Roman Catholic Church, a Shrine is a Church or sacred place which receives many faithful Pilgrims for a specific pious reason. The local Ordinary must approve the Shrine.

Marian Shrines account for major veneration centres and Pilgrimage sites for Roman Catholics. According to Bishop Francesco Giogia, at the end of the 20th-Century, the most visited Catholic Shrine in the world was that of the Virgin of Guadalupe in Mexico City. In third place was Our Lady of Aparecida, in Brazil, with the non-Marian Shrine of San Giovanni Rotondo in second place. The visual effect of Marian Pilgrimages can be dramatic, e.g., on 13 May and 13 October of each year, close to one million Catholic Pilgrims walk the country road that leads to the Sanctuary of Our Lady of Fátima. Around 2 million Pilgrims journey up Tepeyac Hill on 12 December, each year, to visit the Basilica of Our Lady of Guadalupe. While, in 1968,  Aparecida had about four million Pilgrims, the number has since reached eight million Pilgrims per year.


File:Santuario nacional.jpg


Portuguese: Santuário Nacional de Aparecida, localizado em Aparecida, SP - Brasil.
English: National Sanctuary of Aparecida, located in Aparecida, SP - Brazil.
The Marian Basilica of Our Lady of AparecidaBrazil
The largest Church in the Americas.
Photo: 9 May 2007.
Source: Agência Brasil (ABr/RadioBrás)[1].
Author: Valter Campanato/ABr.
Permission: This photograph was produced by Agência Brasil, a public Brazilian news agency.
Their website states: "Todo o conteúdo deste site está publicado 
(The content of this website is published under the 
(Wikimedia Commons)


Major Marian Shrines include:
There are other Marian Pilgrimage sites, such as Medjugorje, which is not considered a Shrine by the Holy See, but, yet, receives a large number of Pilgrims every year. The number of Pilgrims, who visit some of the approved Shrines every year, can be significant. e.g., Lourdes, with a population of around 15,000 people, receives about 5,000,000 Pilgrims every year. 

In 1881, a French priest, Julien Gouyet, led by the Visions of Jesus and Mary of the Blessed Anne Catherine Emmerich (Klemens Brentano, 1852), discovered the House of the Virgin Mary, near Ephesus in Turkey.

A number of countries, cities and professions consider the Blessed Virgin their Patron Saint. For a list, see Patronage of the Blessed Virgin Mary.


THIS CONCLUDES THE ARTICLE ON THE BLESSED VIRGIN MARY.


Saturday 25 May 2013

Trinity Sunday.


Illustration from the Web-Site
of UNA VOCE OF ORANGE COUNTY
which carries this Credit Statement: 

All illustrations and text taken from St. Andrew's Daily Missal, 1952 edition,
with the kind permission of St. Bonaventure Press


Double of the First-Class.
White Vestments.






THE HOLY TRINITY SUPPORTED BY THE THRONES.


ZEPHYRINUS WISHES ALL READERS A VERY HAPPY, HOLY AND PEACEFUL FEAST.


Saint Bede. Feast Day 27 May.


Roman Text can be found in an Article on the Blog ENLARGING THE HEART

Italic Text is taken from Wikipedia - the free encyclopaedia.


File:The Venerable Bede translates John 1902.jpg


"The Venerable Bede Translates John" by James Doyle Penrose (1862-1932).
Inset from "The last chapter (Bede)", exhibited at the Royal Academy (1902).
Date: 2005-03-06 (original upload date).
Source: Originally from en.wikipedia; description page is/was here.
Author: Original uploader was Timsj at en.wikipedia.
(Wikimedia Commons)


He was troubled with weakness and chiefly with difficulty in breathing, yet almost without pain, for about a fortnight before the day of our Lord’s Resurrection.

And thus he afterwards passed his time, cheerful and rejoicing, giving thanks to Almighty God every day and night, nay, every hour, till the day of our Lord’s Ascension…, and daily gave lessons to us, his disciples.

And whatsoever remained of the day he spent in singing psalms, as far as he was able; he also strove to pass all the night joyfully in prayer and thanksgiving to God, save only when a short sleep prevented it.

And then he no sooner awoke than he straightway began again to repeat the well-known sacred songs, and ceased not to give thanks to God with uplifted hands.

I declare with truth that I have never seen with my eyes, or heard with my ears, any man so earnest in giving thanks to the living God. O truly blessed man!




Durham Cathedral, England, 
where Saint Bede is buried.
Photo Credit: Zephyrinus.


[...] He also sang antiphons for our comfort and his own. One of these is, ‘O King of Glory, Lord of all power, Who, triumphing this day, didst ascend above all the heavens, leave us not comfortless, but send to us the promise of the Father, even the Spirit of Truth—Hallelujah.’

And when he came to the words, ‘leave us not comfortless,’ he burst into tears and wept much. And an hour after, he fell to repeating what he had begun. And this he did the whole day, and we, hearing it, mourned with him and wept.

[...] He said, ‘…the time of my release is at hand; for my soul longs to see Christ my King in His beauty.’ Having said this and much more for our profit and edification, he passed his last day in gladness till the evening.

[...] And thus on the pavement of his little cell, chanting ‘Glory be to the Father, and to the Son, and to the Holy Ghost,’ and the rest, he breathed his last.




Durham Cathedral, England, 
where Saint Bede is buried.
Photo Credit: Zephyrinus.


And without doubt we must believe that inasmuch as he had always been devout and earnest on earth in the praise of God, his soul was carried by angels to the joys of Heaven which he desired.

And all who heard him or beheld the death of our father Bede, said that they had never seen any other end his life in so great devotion and peace.

For, as thou hast heard, so long as the soul abode in the body, he chanted the Gloria Patri and other words to the glory of God, and with outstretched hands ceased not to give thanks to God.

Cuthbert (an 8th century monk of Monkwearmouth-Jarrow): Letter to Cuthwin on the death of The Venerable Bede (672/4 A.D. - 735 A.D.).


Bede (pron.: /ˈbd/ beed; Old English: Bǣda or Bēda; 672/673 A.D. – 26 May 735 A.D.), also referred to as Saint Bede or the Venerable Bede (Latin: Bēda Venerābilis), was an English monk at the Northumbrian monastery of Saint Peter at Monkwearmouth and of its companion monastery, Saint Paul's, in modern Jarrow (see Monkwearmouth-Jarrow), both in the Kingdom of Northumbria

He is well known as an author and scholar, and his most famous work, Historia ecclesiastica gentis Anglorum (The Ecclesiastical History of the English People) gained him the title "The Father of English History".

In 1899, Bede was made a Doctor of the Church by Leo XIII, a position of theological significance; he is the only native of Great Britain to achieve this designation (Anselm of Canterbury, also a Doctor of the Church, was originally from Italy). Bede was moreover a skilled linguist and translator, and his work with the Latin and Greek writings of the early Church Fathers contributed significantly to English Christianity, making the writings much more accessible to his fellow Anglo-Saxons. Bede's monastery had access to a superb library which included works by Eusebius and Orosius among many others.


The Blessed Virgin Mary (Part Ten).


Text and Illustrations taken from Wikipedia - the free encyclopaedia,
unless otherwise stated.




On 13 October, 1917, a crowd believed to be approximately 70,000 in number, gathered at the Cova da Iria fields near Fátima, Portugal. According to many witness' statements, after a downfall of rain, the dark clouds broke and the sun appeared as an opaque, spinning disk in the sky. Many sceptics believe that the event was natural and meteorological in nature. But, how does one explain that the event occurred at the exact time predicted by three young children ?
Available on YouTube at http://youtu.be/hyIpE1_qIFM.


The official position of the Holy See is that, while the Holy Office has approved a few apparitions of the Virgin Mary, Roman Catholics, at large, are not required to believe them. However, many Catholics express belief in Marian apparitions. This has included Popes, e.g. four Popes, i.e.. Pope Pius XIIPope John XXIIIPope Paul VI and Pope John Paul II have supported the Our Lady of Fátima messages as supernatural.

Pope John Paul II was particularly attached to Fátima and credited Our Lady of Fátima with saving his life,  after he was shot in Rome on the Feast Day of Our Lady of Fátima, in May 1981. He donated the bullet that wounded him on that day to the Roman Catholic Sanctuary at FátimaPortugal.

Veneration Through Marian Art.

As a historical pattern, Vatican approval seems to have followed general acceptance of a vision by well over a century in most cases. According to Father Salvatore M. Perrella, of the Marianum Pontifical Institute in Rome, of the two hundred and ninety-five reported apparitions, studied by the Holy See through the centuries, only twelve have been approved, the latest being in May 2008.

The tradition of honouring Mary, by venerating images of her, goes back to 3rd-Century Christianity. Following the period of iconoclasm, the position of the Church, with respect to the veneration of images, was formalised at the Second Council of Nicaea in 787 A.D. A summary of the Doctrine is included in the current Catechism of the Catholic Church:




Schubert's "Ave Maria".
Available on YouTube at 


The Christian veneration of images is not contrary to the First Commandment, which proscribes idols. Indeed, "the honour, rendered to an image, passes to its prototype," and "whoever venerates an image, venerates the person portrayed in it." 

The honour paid to sacred images is a "respectful veneration," not the adoration due to God alone: Religious worship is not directed to images in themselves, considered as mere things, but under their distinctive aspect as images leading us on to God Incarnate. The movement toward the image does not terminate in it as image, but tends towards that whose image it is.


File:Michelangelo's Pieta 5450 cropncleaned edit.jpg


Alemannisch: Michelangelos Pietà im Petersdom in Rom.
Asturianu: "La Piedá" de Miguel Ánxel na Basílica de San Pedru, na Ciudá del Vaticanu.
Беларуская: П'ета ў Ватыканскім саборы св. Пятра (Мікеланджэла, 1499).
Español: La Piedad de Miguel Ángel en la Basílica de San Pedro, en la Ciudad del Vaticano.
FrançaisLa Pietà de Michel-Ange située dans la Basilique Saint-Pierre, au Vatican.
HrvatskiMichelangelova Pietà u Bazilici Sv. Petra u Rimu.
Photo: 2008.
Source: Edited version of (cloned object out of background) 
(Wikimedia Commons)


No image (in either the Western or the Eastern Church) permeates Christian Art as does the image of Madonna and Child. The images of the Virgin Mary have become central icons of Roman Catholicism and Eastern Orthodox Christianity, where Mary remains a central Artistic Topic.

The Virgin Mary has been one of the major subjects of Christian ArtCatholic Art and Western Art, since Early Christian Art, and she has been very widely portrayed in iconic "portraits", often known as Madonnas, with the infant Jesus in the Madonna and Child, and in a number of narrative scenes from her life, known as the Life of the Virgin, as well as scenes illustrating particular Doctrines or Beliefs: From Masters such as MichelangeloRaphaelMurillo and Botticelli, to Folk Art.

Some Marian Art subjects include:

Friday 24 May 2013

Something Funny For Friday. With Grateful Thanks To Fr. Z.





Pope Saint Zephyrinus.
(Papacy 199 A.D. - 217 A.D.).
Description: English: from [1].
Date: 24 March 2006 (original upload date).
Source: Transferred from en.wikipedia; Original uploader was Amberrock at en.wikipedia; transferred to Commons by User:Sreejithk2000 using CommonsHelper.
Author: Not Known.
Permission: This image is in the public domain due to its age.
(Wikimedia Commons)


With grateful thanks to Fr Z, on his Blog 
"FR. Z's BLOG", 
for making today a very funny Friday.





The Blessed Virgin Mary (Part Nine).


Text and Illustrations from Wikipedia - the free encyclopaedia,
unless otherwise stated.




The "Salve Regina", one of the four Marian Anthems 
that are described as "among the most beautiful creations 
of the Late Middle Ages".
Available on YouTube at


It is difficult to trace the beginning of non-Gregorian Marian Liturgical Music. In 1277, Pope Nicholas III prescribed rules for Liturgy in Roman Churches. In the Graduale Romanum, Kyriale IX and Kyriale X are both used for Marian Feasts. Over the centuries, Marian masterpieces have continued to appear, e.g., Mozart's Coronation Mass.

The list of compositions by Giovanni Pierluigi da Palestrina includes numerous Marian Masses: Salve Regina; Alma Redemptoris; Assumpta est Maria; Regina coeli; de beata Virgine; Ave Regina coelorum; Descendit Angelus Domini; and O Virgo simul et Mater. Joseph Haydn wrote several Marian compositions, including two famous Marian Masses.




The "Alma Redemptoris Mater", 
one of the four Marian Anthems 
that are described as 
"among the most beautiful creations 
of the Late Middle Ages".
Available on YouTube at


Marian Prayers, Poems and Hymns.

Throughout the centuries, the veneration of the Virgin Mary has given rise to a number of poems and Hymns, as well as Prayers. Author, Emily Shapcote, lists 150 Marian poems and Hymns in her book, "Mary the Perfect Woman". Such Prayers and poems go as far back as the 3rd-Century, but enjoyed a rapid growth during the 11th- and 12th-Centuries. Some of the best poetry, written in honour of the Blessed Virgin, comes from this period of the Middle Ages.

The Catechism of the Catholic Church (item 2679) emphasises the importance of Marian Prayers, and states:

Mary is the perfect Prayer, a figure of the Church . . . We can Pray with her, and to her. The Prayer of the Church is sustained by the Prayer of Mary and united with it in hope.

The earliest known Marian Prayer is the Sub tuum praesidium, or, "Beneath Thy Protection", a text for which was rediscovered in 1917 on a papyrus in Egypt, dated to circa 250 A.D. The papyrus contains the Prayer, in Greek, and is the earliest known reference to the title Theotokos (confirmed by the Council of Ephesus in 431 A.D.):

Beneath your compassion, We take refuge, O Mother of God: Do not despise our petitions in time of trouble: But rescue us from dangers, only pure, only Blessed one.

While the Regina Coelorum goes back to the 4th-Century, the Regina Coeli was composed towards the end of the 11th-Century. The first part of the Hail Mary, based on the salutation of the Angel, Gabriel, in the Visitation, was introduced in the 11th-Century, although its current form can be traced to the 16th-Century.

During the 11th-Century, as the number of Monasteries grew, so did Marian Prayers. In this period, the Little Office of the Blessed Virgin Mary was introduced and was modelled after the Divine Office, but was much shorter. It was adopted not only by Monks, but by pious people who could read.

And the growth of the Tertiary Orders helped spread its use. During the First Crusade, Pope Urban II ordered it to be said for the success of the Christians. In this period, Hermannus Contractus (Herman the Cripple), at the Abbey of Reichenau, composed the Alma Redemptoris Mater, and Hymns to Mary became part of daily life at Monasteries, such as the Benedictine Abbey of Cluny, in France.


File:Reichenau PeterPaul.jpg


Saint Peter and Saint Paul Church,
Reichenau Island, Lake Constance, Germany. 
Hermann Contractus was a Monk in this Abbey 
and is credited with creating the Marian Anthems 
of Alma Redemptoris and Ave Regina. 
Photo taken by en:User:Ahoerstemeier (November 2001). 
Date: 2004-03-05 (original upload date).
Source: Transferred from en.wikipedia
Transfer was stated to be made by User:Jalo.
Author: Original uploader was Ahoerstemeier at en.wikipedia.
Permission: GFDL-WITH-DISCLAIMERS; 
Released under the GNU Free Documentation License.
(Wikimedia Commons)

Listen to how the Benedictine Monks 
in Cluny Abbey, France, 
would have sounded in the 11th-Century.
This Virtual Rebuilding of Cluny Abbey 
is available on YouTube at


In the 12th-Century, Bernard of Clairvaux gave Sermons (De duodecim stellis), from which an extract has been taken by the Roman Catholic Church and used in the Offices of the "Compassion" and of the "Seven Dolours". Saint Bernard wrote:

Take away, Mary, this Star of the Sea, the sea truly great and wide: What is left, but enveloping darkness and the shadow of death and the densest blackness ?

Stronger evidences are discernible in the pious meditations on the Ave Maria and the Salve Regina, usually attributed either to Saint Anselm of Lucca (died 1080) or Saint Bernard of Clairvaux; and also in the large book "De laudibus B. Mariae Virginis" (Douai, 1625), by Richard de Saint-Laurent.

Other famous Marian Prayers include the Magnificat, the Angelus and the Litany of the Blessed Virgin MaryMarian Hymns include: O Mary, We Crown Thee With Blossoms Today; Hail, Queen of Heaven, the Regina Coeli, and the Ave Maria.

Marian Devotions.

Catholic devotion is a willingness and desire for pious dedication and service, but is an "external practice", which is not part of the official Liturgy of the Catholic Church. A wide range of Marian devotions are followed by Catholics, ranging from simple Rosary recitations to formalised, multi-day Novenas, to activities which do not involve any Prayers, such the wearing of Scapulars or maintaining a Mary garden.


Click to Play



Listen to a Franciscan Sermon 
on Marian Devotion to Christ.
Available on YouTube at 


Also available on YouTube 
is this Marian Devotional Video and Music,
which has been described as "Awesome".
It is sung in the Malayalam language,
spoken in the State of Kerala, India.
It is available on YouTube at 

Two well-known Marian devotions are the Rosary recitation and the wearing of the Brown Scapular. Following their joint growth in the 18th- and 19th-Centuries, by the early 20th-Century the Rosary and the devotional Scapular had gained such a strong following, among Catholics worldwide, that the Catholic Encyclopedia of 1914 stated: "Like the Rosary, the Brown Scapular has become the Badge of the devout Catholic."

In his Encyclical, Rosarium Virginis Mariae, Pope John Paul II emphasised the importance of the Rosary. The Mariological basis of the Scapular devotion is effectively the same as Marian consecration, as discussed in the Dogmatic constitution, Lumen Gentium, of Pope Paul VI, namely, the role of the Virgin Mary as "the Mother to us in the Order of Grace", which allows her to intercede for "the gift of Eternal Salvation".

Catholic View of Marian Apparitions.

Roman Catholic tradition includes specific Prayers and devotions as Acts of Reparation to the Virgin Mary,  for insults that she suffers. The Raccolta Roman Catholic Prayer Book (approved by a Decree of 1854 and published by the Holy See in 1898) includes a number of such Prayers. These Prayers do not involve a Petition for a living or deceased beneficiary, but aim to repair the sins of others against the Virgin Mary.

The term, Marian apparition, is usually used in cases where visions of the Virgin Mary are reported, either with or without a conversation. There are, however, cases (e.g., Saint Padre Pio or Sister Maria Pierina De Micheli) where visions of Jesus and Mary, and conversations with both, are reported. Well-known apparitions include Our Lady of Lourdes,Our Lady of Guadalupe and Our Lady of Fatima.


PART TEN FOLLOWS.


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