Notre Dame de Rouen. The façade of the Gothic Church in France. Photographer: Hippo1947. Licence: SHUTTERSTOCK.
Showing posts with label Holy Cards. Show all posts
Showing posts with label Holy Cards. Show all posts

Monday 14 May 2012

Mary Loves The Little Ones



The humble and the Little Ones are the object of Her most divine solicitude.

History of Bouasse-Lebel and Bouasse-Jeune

Bouasse-Lebel was started by Eulalie Bouasse in 1845 in Paris, France. Her eldest son, Henri, took over the company in 1852, and her younger son, Emile, founded a competitor company, Bouasse-Jeune in 1867. 

Both companies were known for their detailed artwork and use of innovative printing technologies, particularly chromolithography. 

Bouasse-Jeune went out of business in the early 20th-Century, and Bouasse-Lebel discontinued production in the 1960s.

Eulalie Lebel was born in Paris in 1809, the only daughter of the printer Jacques-Auguste Lebel. In 1827 she married Francois-Marie Bouasse, a foreman at a printing house. Facing destitution when her husband abandoned her and her two children, she founded a printing house in 1845 under the name "Madame Bouasse, nee Lebel." 

In 1847, Maison Bouasse-Lebel moved to the Saint-Sulpice neighbourhood of Paris, the centre of the religious printing industry in post-revolutionary France. 



My Mother, let me share in the glory of your divine affections for my Jesus.
(Illustration and Caption taken from http://holycardheaven.blogspot.co.uk/)


Eulalie Bouasse sold the now-successful company to her eldest son, Henri, in 1852. Her other surviving son, Emile, continued to work at the company. During these early years, the company produced books, maps, and other items in addition to religious images. The company received significant praise for their religious products, including a Papal Commendation in 1871.

In 1867, Emile left the company, and began his own printing house under the name Bouasse-Jeune. This company was also located in the Saint-Sulpice neighbourhood of Paris, and a hostile relationship existed between the two brothers and their companies. 

The introduction of chromolithography in the 1870s was embraced by both Bouasse-Lebel and Bouasse-Jeune, and continued their competition. The two companies became known for their intricate designs, highly symbolic and detailed artwork, and innovative use of printing technologies.

Emile Bouasse passed away in 1881 at the age of 49, and his wife and children took over the company. Eulalie Bouasse-Lebel passed away in 1898. Henri Bouasse-Lebel passed away in 1912, and his company was taken over by his son, Albert. 

Bouasse-Jeune discontinued production sometime in the beginning of the 20th-Century.

Following World War II, interest in religious images began to decline, and the innovative artwork and technology pursued by the Bouasse firms slowed as well. Holy Cards from this era depict less intricate artwork, or use photographic images. 

Albert Bouasse-Lebel passed away in 1955, and the Maison Bouasse-Lebel stopped production in the 1960s.


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