Notre Dame de Rouen. The façade of the Gothic Church in France. Photographer: Hippo1947. Licence: SHUTTERSTOCK.

Thursday 26 March 2015

Feria V Post Dominicam Passionis.


Illustrations of Gospel Stories,
from Jerome Nadal, S.J.,



Mary Magdalene anoints Jesus' feet.


The Author and His Books:

Jerome Nadal (1507-1580), a Spaniard from Majorca, was one of the first ten members of the Society of Jesus (The Jesuits). For many years, he served as the personal representative or "delegate" of the Founder, Saint Ignatius of Loyola (1491-1556), in visiting Jesuit Houses throughout Europe, especially to explain and implement the Constitutions of The Society of Jesus.

Ignatius urged Nadal to compile and distribute an illustrated guide for Prayerful meditation on The Gospels, in the tradition of The Spiritual Exercises, although the work was not completed until after both men had died. Nadal selected the Biblical scenes to be included, commissioned and directed the layout of the illustrations, and composed Notes to accompany each scene. With the co-operation and support of Antwerp publishers Christophe Plantin and Martinus Nutius, 153 engravings were eventually produced by Bernardino Passeri, Marten de Vos, and Jerome and Anton Wierix.

In 1593, these illustrations were published in a volume entitled Evangelicae Historiae Imagines ("Illustrations of the Gospel Stories"), arranged in chronological order of The Life and Ministry of Jesus. In 1594 and 1595, they were again published in larger volumes, entitled Adnotationes et Meditationes in Evangelia ("Notes and Meditations on The Gospels"), with more extensive accompanying Text, and rearranged according to the order of Readings used in The Liturgical Year, as prescribed in The Roman Missal. (See the Bibliography for details about Nadal's books. See also the Web-Page on The Roman Missal.)

These books became very influential in Counter-Reformation Europe, since the illustrations were among the first to use the new techniques of "perspective drawing," which more realistically depicted three-dimensional shapes in two-dimensional drawings, such as used in the scientific drawings of the day. These techniques made The Gospel Stories much more vibrant and realistic, and thus more effective as aides for Evangelisation and Meditation. The influence of these engravings can clearly be seen in the work of later Bible illustrators, such as Gustave Dore.

Lenten Station At The Churches Of Saint Apollinaris And At Saint Mary-The-New. Thursday In Passion Week.


Roman Text is taken from The Saint Andrew Daily Missal.

Italic Text, Illustrations and Captions, are taken from Wikipedia - the free encyclopaedia,
unless otherwise stated.


Thursday in Passion Week.
Station at Saint Apollinaris's and at Saint Mary-the-New (also called Saint Frances of Rome).

Indulgence of 10 years and 10 Quarantines.

Violet Vestments.




English: The Church of Saint Apollinaris,
Rome, Italy.
Italiano: Roma Chiesa di S Apollinare.
Photo: November 2012.
User: MGA73bot2.
Source: Own work.
Author: Gobbler
(Wikimedia Commons)


The old Lenten Station is at the Church built towards 780 A.D., by Pope Adrian I, on the ruins of an ancient temple, in honour of The Holy Martyr, Apollinaris, the Disciple of Saint Peter and Archbishop of Ravenna. A second Lenten Station was added in 1934.

The second Lenten Station, added by Pope Pius XI in 1934, is at Saint Mary-the-New (Santa Maria Nuova), also known as Santa Francesca RomanaSanta Francesca Romana is situated next to the Roman Forum.


File:Santa Francesca Romana 09feb08 03.jpg

English: Church of  Saint Mary-the-New
(Santa Francesca Romana), 
near the Forum RomanumRome.
Italiano: Chiesa di Santa Francesca Romana
nei pressi del Foro RomanoRoma.
Photo: February 2008.
Source: Own work.
Author: Marcok - it.wikipedia.org.
(Wikimedia Commons)


By Apostolic Letters, dated 5 March 1934, and published on 15 October 1935, the Churches of Santa Agatha and Saint Mary-the-New (Santa Maria Nuova) (also called Santa Francesca Romana) were raised to the Title of Stational Churches.

The same Ceremonies are performed and the same Indulgences may be gained there, respectively, as Santa Pudentiana, on The Third Tuesday in Lent, and Sant'Apollinare, on Passion Thursday. These two new Stational Churches (Santa Agatha and Saint Mary-the-New (Santa Maria Nuova)) (also called Santa Francesca Romana) are not on the published Map of Stational Churches in The Saint Andrew Daily Missal.


File:View from Palatine Hill 2011 6.jpg

English: The View from the Palatine Hill, in the direction of Forum Romanum, showing the Basilica of Saint Mary-the-New (Santa Francesca Romana), the Arch of Titus and the ColosseumRome.
Česky: Pohled z vrchu Palatin směrem na Forum Romanum, baziliku Svaté Františky ŘímskéTitův Vítězný oblouk a KoloseumŘím, Itálie.
Photo: April 2011.
Source: Own work.
Author: Karelj.
(Wikimedia Commons)


In The Mass of The Day, Daniel recalls the humiliation of the people of Israel, who were delivered to their enemies “on account of their sins” (Introit and Epistle). The Church also mourns over the bad Christians and the heathen, slaves of Satan and of their passions.

With Azarias, she asks the Lord “that all those who ill-treat His servants may be confounded, for it is with a contrite and humble heart that they return to God” (Epistle). She hopes that, faithful to His ancient and solemn oath, He will multiply His people like the stars in the firmament and the sand on the shore (Epistle). She already sees with joy The Paschal Night, when, in the Baptismal Font, numerous children are going to be born to her. She excites the Penitents to true repentance and hope by relating the conversion of Magdalen the sinner, who throws herself at the feet of Jesus, shedding tears of repentance, whilst the Jews, represented by Simon the Pharisee, remain unmoved.


File:Ponte - s Apollinare interno 1110798.JPG

English: Interior of Saint Apollinaris's Church,
Rome, Italy.
Italiano: Roma, Sant'Apollinare, interno.
Photo: February 2009.
Source: Own work.
Author: Lalupa.
(Wikimedia Commons)


The Gospel relates to the second year of the Public Ministry of Jesus, Who was received in Naim, in the house of Simon the Pharisee. Several Fathers of The Latin Church think that the poor sinner was Mary of Magdala, called, for that reason, Magdalen, who was identified as the sister of Lazarus and Martha.

Forming part of the People of God through Baptism, we should humbly, like Magdalen, weep for our sins and generously expiate them. Let us therefore purify our bodies and Souls by mortification and Penance, for it is “by Abstinence that we must heal our wounds made by intemperance” (Collect).


File:Gregory XIII.jpg

English: Pope Gregory XIII.
Portrait by Lavinia Fontana (1552 - 1614).
Español: Gregorio XIII.
Pope Gregory XIII (1572 - 1585) granted Sant'Apollinare to the Jesuits in 1574.
He is best known for commissioning, and being the namesake for, The Gregorian Calendar,
which remains the internationally-accepted Civil Calendar to this date.
(Wikimedia Commons)


Sant'Apollinare alle Terme is a Titular Church in Rome, Dedicated to Saint Apollinaris of Ravenna, the first Bishop of Ravenna. It is The Station Church for the Thursday in Passion Week in Lent.

The Church was founded in the Early-Middle Ages, probably in the 7th-Century A.D. It is first mentioned, in The Liber Pontificalis, under Pope Hadrian I, using spolia from the ruins of an Imperial Building. The first Priests, who served the Church, were probably Eastern Basilian Monks, who had fled from persecution during the iconoclast period.

The Church is Listed, in The Catalogue of Turin, as a Papal Chapel, with eight Clerics. In 1574, it was granted to the Jesuits by Pope Gregory XIII, and it was used as the Church of the next-door Collegium Germanicum in the Palazzo di Sant'Apollinare (now owned by The Roman Seminary), which was later united with The Hungarian College to form The Collegium Germanicum et Hungaricum. This remained a Jesuit institution until The Suppression of the Jesuits in 1773, when this Church passed to The Lazarists.


File:Papst Pius XI. 1JS.jpg

Pope Pius XI (1922 - 1939), 
who, in 1934, raised Santa Francesca Romana
to the Title of Lenten Stational Church
Photo: 1930.
Source: Pope Pius XI.
Author: Politisch Wissenschaftlicher Verlag Berlin, 1932.
(Wikimedia Commons)


File:Santafrancescaromana.jpg

English: Altar in Santa Francesca Romana. 
This Church was previously known as Santa Maria Nova
(Saint Mary-the-New).
Italiano: Altare della chiesa di Santa Francesca Romana
conosciuta anche come Santa Maria Nova.
Photo: March 2010.
Source: Own work.
Author: Goldmund100.
(Wikimedia Commons)


In the Late-17th-Century, the Church of Saint Apollinaris was in a poor state of repair. Its rebuilding was considered over a long period, but wasn't carried out, probably due to lack of funds. Despite this, in 1702, a Chapel was redecorated and Dedicated to Saint Francis Xavier, and a statue of the Saint commissioned from Pierre Le Gros, who carved the marble with extraordinary virtuosity (the statue was preserved when the Church was eventually rebuilt, some 40 years later, and is still in situ).

In 1742, Pope Benedict XIV commissioned Ferdinando Fuga to rebuild Saint Apollinaris's. Fuga added a new façade in the Late-16th-Century-Style, with Baroque elements. It has two Storeys, with Ionic Columns in the Lower Storey and Corinthian Columns in the Upper Storey. The Lower Level has a Central Doorway, flanked by windows. Above the door, is a triangular Tympanum. On the Upper Level, is a large Central Window with a Balcony, and two smaller windows to the sides. The façade is crowned by a Double Tympanum. Fuga also reconstructed the Dome. The Church was re-Dedicated in 1748.

Francesco Antonio Zaccaria, writer and archaeologist, who died in 1795, was buried in the Chapel of Saint Ignatius of Loyola. In 1990, the Church was granted to Opus Dei, and is now part of their Pontifical Institute of Saint Apollinaris. In the same year, the notorious gangster Enrico De Pedis, boss of the so-called Banda della Magliana, was buried in the Church's Crypt, by authorisation of Cardinal Ugo Poletti. The unusual interment has been linked to the case of Emanuela Orlandi's kidnapping and the tomb was opened for investigation in 2012.



Pope Benedict XIV.
Artist: Pierre Subleyras (1699 - 1749).
Current location: Palace of Versailles, Paris.
(Wikimedia Commons)
Pope Benedict XIV (1740 - 1758). He commissioned Ferdinando Fuga to rebuild the Church of Saint Apollinaris in 1742. When Elected Pope in 1740, the Conclave that Elected him had lasted for six months, He is reported to have said to the Cardinals: "If you wish to Elect a Saint, choose Gotti;
a Statesman, Aldrovandi; an honest man, me".


The Church has a single Nave. Along the side are Pilasters with Corinthian Capitals holding the Arches to the Side Chapels. In the Barrel-Vaulted Ceiling, is a fresco of The Glory of Saint Apollinaris, by Stefano Pozzi.

The High Altar was made on the orders of Pope Benedict XIV, with stucco decorations by Bernardino Ludovisi and an Early-17th-Century Altarpiece depicting Saint Apollinaris' Consecration as Bishop of Ravenna. The Crypt contains Relics.

The elliptical Chapel of Graces, which is outside the Church proper, is accessed through a doorway on the Left. It contains a 1494 fresco of The Virgin, Queen of Apostles, which survived The Sack of Rome, because the Priests covered it with lime. It was then rediscovered in 1645, when two boys and a Soldier took refuge in the Church during an earthquake. A marble frame with golden stucco cherubs was added by Peter Anton von Verschaffelt.





St Andrew Daily Missal (Traditional Mass)


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Wednesday 25 March 2015

The Annunciation.



The Annunciation.
Artist: Orazio Gentileschi (1563–1639).
Date: Circa 1623.
Current location: Sabauda Gallery, Turin, Italy.
Source/Photographer: Web Gallery of Art:
(Wikimedia Commons)



Illustration: PIXGOOD.COM

Feria IIII Post Dominicam Passionis.


Illustrations of Gospel Stories,
from Jerome Nadal, S.J.,




The evil Jews approach in order to question Jesus


The Author and His Books:

Jerome Nadal (1507-1580), a Spaniard from Majorca, was one of the first ten members of the Society of Jesus (The Jesuits). For many years, he served as the personal representative or "delegate" of the Founder, Saint Ignatius of Loyola (1491-1556), in visiting Jesuit Houses throughout Europe, especially to explain and implement the Constitutions of The Society of Jesus.

Ignatius urged Nadal to compile and distribute an illustrated guide for Prayerful meditation on The Gospels, in the tradition of The Spiritual Exercises, although the work was not completed until after both men had died. Nadal selected the Biblical scenes to be included, commissioned and directed the layout of the illustrations, and composed Notes to accompany each scene. With the co-operation and support of Antwerp publishers Christophe Plantin and Martinus Nutius, 153 engravings were eventually produced by Bernardino Passeri, Marten de Vos, and Jerome and Anton Wierix.

In 1593, these illustrations were published in a volume entitled Evangelicae Historiae Imagines ("Illustrations of the Gospel Stories"), arranged in chronological order of The Life and Ministry of Jesus. In 1594 and 1595, they were again published in larger volumes, entitled Adnotationes et Meditationes in Evangelia ("Notes and Meditations on The Gospels"), with more extensive accompanying Text, and rearranged according to the order of Readings used in The Liturgical Year, as prescribed in The Roman Missal. (See the Bibliography for details about Nadal's books. See also the Web-Page on The Roman Missal.)

These books became very influential in Counter-Reformation Europe, since the illustrations were among the first to use the new techniques of "perspective drawing," which more realistically depicted three-dimensional shapes in two-dimensional drawings, such as used in the scientific drawings of the day. These techniques made The Gospel Stories much more vibrant and realistic, and thus more effective as aides for Evangelisation and Meditation. The influence of these engravings can clearly be seen in the work of later Bible illustrators, such as Gustave Dore.

Lenten Station At The Church Of San Marcello-Al-Corso (Saint Marcellus). Wednesday In Passion Week.


Roman Text is taken from The Saint Andrew Daily Missal.

Italic Text, Illustrations and Captions, are taken from Wikipedia - the free encyclopaedia,
unless otherwise stated.


Wednesday in Passion Week.
Station at Saint Marcellus's.

Indulgence of 10 years and 10 Quarantines.

Violet Vestments.


File:San Marcello al Corso.jpg

English: The Church of San Marcello-al-Corso,
Rome, Italy.
Façade by Carlo Fontana.
Italiano: San Marcello al Corso è una chiesa di Roma.
Photo: November 2005.
Source: Own work.
(Wikimedia Commons)


The Church of Saint Marcellus, where today’s Lenten Station is held, was one of the twenty-five Parish Churches of Rome in the 5th-Century A.D. Originally the house of the holy matron, Lucina, where she received Saint Marcellus, it was transformed by her into a Sanctuary and Dedicated to this holy Pope, whose body rests under The High Altar.

The Mass of today shows us the obstinacy of the Jews in rejecting Jesus, as they had already rejected His Father. The Divine Law, given by Him Whom the Epistle calls six times “The Lord”, “Whose word is stable” declared formally “that one may not shed his neighbour’s blood, nor hate his father in his heart”.

The Members of the Sanhedrin, on the contrary, hated Christ and sought to stone Him (Gospel). Unfaithful to God, “Who orders His laws to be kept” (Epistle), they blamed Jesus “Whom The Father has sent” and Who is The Son of God. “The Father and I are One. The Miracles that I have worked come from My Father.” “Rejecting the legitimate pastor of their Souls, they are no longer His sheep,” and will be replaced by the Gentiles, who, baptised or reconciled to God at The Easter Festival, are “the sheep who hear His voice and to whom He gives eternal life” (Gospel).




The High Altar,
Basilica of San Marcello-al-Corso,
Rome, Italy.
Photo: July 2007.
Source: Own work.
Author: SteO153
Permission: CC-BY-SA-2.5.
(Wikimedia Commons)



Let us be faithful to Jesus and Pray God “to Sanctify our Fast and illumine our hearts” (Collect), in order that, delivered from the abyss into which our sins had made us fall (Gradual), we “may wash our hands among the innocent and proclaim the wondrous works of God” (Communion).

Three Feasts called the Jews to Jerusalem:

1.      In the Spring, it was The Feast of the Passover, instituted to commemorate the departure from Egypt;

2.      In the Autumn, it was The Feast of Tabernacles, in commemoration of the sojourn of the Jews in tents in the desert;

3.      In the Winter (middle of December), it was The Feast of the Anniversary of the Dedication of the Temple, which the Machabees had purified after their victory. It was on the occasion of this last Feast, that Jesus, in the third year of His Ministry, spoke the words in today’s Gospel. He was then under Solomon’s Porch, which faces the ravine of Cedron.




The Apse,
Church of Saint Marcellus,
Rome, Italy.
Photo: July 2007.
Source: Own work.
Author: SteO153.
(Wikimedia Commons)



San Marcello-al-Corso is a Church in Rome, Dedicated to Pope Marcellus I. It is located in via del Corso, the ancient via Lata, connecting Piazza Venezia to Piazza del Popolo. It stands diagonally from the Church of Santa Maria-in-Via-Lata (see yesterday's Post).

While the tradition holds that the Church was built over the prison of Pope Marcellus I (who died in 309 A.D.), it is known that the "Titulus Marcelli" was already present in 418 A.D., when Pope Boniface I was Elected here.

Pope Adrian I, in the 8th-Century A.D., built a Church in the same place, which is currently under the modern Church.

The corpse of Cola di Rienzo (an Italian Mediaeval politician), was held in the Church for three days after his execution in 1354. In 1519, a fire destroyed the Church. The money collected for its rebuilding was used to bribe the Landsknechts, who were pillaging the City during The Sack of Rome (1527). The original plan to rebuild the Church was designed by Jacopo Sansovino, who fled the City during The Sack and never returned to finish it. The work was continued by Antonio da Sangallo the Younger, who rebuilt the Church, but a Tiber flood damaged it again in 1530. It was only in 1592 that the Church was completed, and, later, Carlo Fontana built the facade.




The Sacristy Ceiling fresco:
"Gloria di San Marcello",
by Giovanni Battista Ciocchi.
Church of San Marcello-al-Corso,
Roma, Italia.
Photo: November 2005.
Source: Flickr
Author: antmoose
Reviewer: Mac9.
(Wikimedia Commons)



Under The High Altar, decorated with 12th-Century opus sectile, are the Relics of several Saints, which include those of Pope Marcellus, as well as Digna and Emerita. The last Chapel on the Left is Dedicated to Saint Philip Benizi. The Late-Baroque decoration contains sculptures by Francesco Cavallini and Reliefs by Ercole Ferrata and Antonio Raggi. The first Chapel on the Left has the double tomb of Cardinal Giovanni Michiel and his grandson, Antonio Orso, sculpted by Jacopo Sansovino.

Behind the facade is a Crucifixion (1613) by Giovanni Battista Ricci. Along the first Chapel is an Annunciation by Lazzaro Baldi; in the second Chapel, a Martyrdom of Saints Digna and Emerita (1727) by Pietro Barbieri; in the third Chapel, a Madonna with Child, a fresco of the Late-14th-Century, episodes of The Life of The Virgin by Francesco Salviati, fresco and paintings by Giovan Battista Ricci; in the fourth Chapel, a Creation of Eve and the Evangelists, Mark and John, frescoes by Perin del Vaga, Matthew and Luke, begun by Perin del Vaga and finished by Daniele da Volterra.


File:San Marcello02.jpg

"St. Philip Benizi refuses the Papal Tiara"
by Antonio Raggi (1686).
The Church of Saint Marcellus,
Rome, Italy.
Photo: October 2005.
Source: Own work.
Author: User:Torvindus.
(Wikimedia Commons)



Inside, is a Ciborium (1691) designed by Carlo Bizzaccheri; in the fifth Chapel, is a Monument to Cardinal Fabrizio Paolucci (1726) by Pietro Bracci and a Monument to Cardinal Camillo Paolucci by Tommaso Righi (1776) and Wall Paintings by Aureliano Milani. On the Left Nave, in the fifth Chapel, is a San Filippo Benizi (1725) by Pier Leone Ghezzi; in the fourth Chapel, the Conversion of Saint Paul (1560) by Federico Zuccari and his brother, Taddeo, and, on the sides, a History of Saint Paul.

The inside of the Chapel has Busts of Muzio, Roberto, Lelio Frangipane by Alessandro Algardi (1630-1640). In the third Chapel, on the Left, is a "Doloroso" by Pietro Paolo Naldini, Sacrifice of Isaac and discovery of Moses by Domenico Corvi; in the first Chapel, a Madonna and Seven Saints by Agostino Masucci.

The Church is administered and owned by The Servite Order since 1369.




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The Annunciation Of The Blessed Virgin Mary. Feast Day 25 March.


Roman Text is from Wikipedia - the free encyclopaedia,
unless otherwise stated.




The Annunciation.
Date: 1712.
Current location: Saint Louis Art Museum,
Missouri, United States of America.
(Wikimedia Commons)





Flos Carmeli
(Flower of Carmel)





Image: ZEPHYRINUS



The Annunciation (Anglicised from The Latin Vulgate, Luke 1:26-39, Annuntiatio nativitatis Christi), also referred to as The Annunciation to The Blessed Virgin Mary or The Annunciation of The Lord, is the Christian Celebration of the Announcement, by The Angel Gabriel to The Virgin Mary, that she would conceive and become The Mother of Jesus, The Son of God, marking His Incarnation.

Gabriel told Mary to name her Son, Jesus, meaning "Saviour". Many Christians observe this event with The Feast of the Annunciation on 25 March, nine full months before Christmas, the Ceremonial Birthday of Jesus. According to Luke 1:26,, The Annunciation occurred "in the sixth month" of Elizabeth's pregnancy with John the Baptist. Irenaeus (circa 130 A.D. - 202 A.D.), of Lyon, regarded The Conception of Jesus as 25 March, coinciding with The Passion.




Our Lady of Ushaw,
Durham, England.
Photo: April 2010.
Source: Own work.
Author: Zephyrinus.



Approximating The Northern Vernal Equinox, the date of The Annunciation also marked The New Year in many places, including England, where it is called Lady Day. Both The Roman Catholic Church and Eastern Orthodox Church hold that The Annunciation took place at Nazareth, but differ as to the precise location. The Basilica of The Annunciation marks the site preferred by the former, while The Greek Orthodox Church of The Annunciation marks that preferred by the latter.

The Annunciation has been a key topic in Christian Art, in general, as well as in Marian Art in The Catholic Church, particularly during The Middle Ages and The Renaissance.




Image: ZEPHYRINUS





Image: ZEPHYRINUS



The following Text is taken from The Saint Andrew Daily Missal.

The Annunciation Of The Blessed Virgin Mary.
Feast Day 25 March.

Double of The First-Class.

White Vestments.



This Feast, prepared by that of Saint Gabriel, recalls the greatest event in history, The Incarnation of Our Lord (Gospel) in the womb of a Virgin (Epistle). On this day, The Word Was Made Flesh, and united to Itself for ever The Humanity of Jesus.

25 March is, indeed, The Anniversary of The Ordination of Christ as Priest, for it is by the Anointing of The Divinity that He has become Supreme Pontiff, Mediator between God and man.





English: Innocence.
Français: L'Innocence.
Русский: "Невинность", картина Виллиама Бугро.
И маленький ребёнок, и ягнёнок — символы невинности.
Artist: William-Adolphe Bouguereau (1825–1905).
Date: 1893.
Source/Photographer: http://www.illusionsgallery.com.
(Wikimedia Commons)



The Mystery of the Incarnation has earned, for Mary, her Most Glorious Title, that of "Mother of God" (Collect), in Greek "Theotokos", a name which The Eastern Church always inscribed in Letters of Gold, like a diadem, on the forehead of her images and statues.

"Standing on the threshold of Divinity" [Saint Thomas], since she gave to The Word of God the Flesh to which He was hypostatically united, The Virgin has always been honoured by a super-eminent Veneration, that of hyperdulia.





"The Virgin With Angels".
Artist: William-Adolphe Bouguereau (1825–1905).
Date: 1900.
Current location: Petit Palais, Paris.
Source/Photographer: Art Renewal Center.
Copied from The English Wikipedia to Commons.
(Wikimedia Commons)



"The Son of The Father and The Son of The Virgin naturally became a single and identical Son", says Saint Anselm; hence, Mary is Queen of The Human Race and is to be Venerated by all (Introit).

To 25 March, will correspond, nine months later, 25 December, the day on which will be manifested to the world the Miracle as yet only known to Heaven and to The Humble Virgin.

Since the Title of Mother of God makes Mary all powerful with her Son, let us have recourse to her intercession with Him (Collect), so that, by the Merits of His Passion and Crucifixion, we may have a part in The Glory of His Resurrection (Postcommunion).

Every Parish Priest Celebrates Mass for the people of his Parish.





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Tuesday 24 March 2015

Feria III Post Dominicam Passionis.


Illustration of Gospel Stories,
from Jerome Nadal, S.J.,
available at ILLUSTRATIONS OF GOSPEL STORIES




Jesus does not go up to the feast; the Jews question him


The Author and His Books:

Jerome Nadal (1507-1580), a Spaniard from Majorca, was one of the first ten members of the Society of Jesus (The Jesuits). For many years, he served as the personal representative or "delegate" of the Founder, Saint Ignatius of Loyola (1491-1556), in visiting Jesuit Houses throughout Europe, especially to explain and implement the Constitutions of The Society of Jesus.

Ignatius urged Nadal to compile and distribute an illustrated guide for Prayerful meditation on The Gospels, in the tradition of The Spiritual Exercises, although the work was not completed until after both men had died. Nadal selected the Biblical scenes to be included, commissioned and directed the layout of the illustrations, and composed Notes to accompany each scene. With the co-operation and support of Antwerp publishers Christophe Plantin and Martinus Nutius, 153 engravings were eventually produced by Bernardino Passeri, Marten de Vos, and Jerome and Anton Wierix.

In 1593, these illustrations were published in a volume entitled Evangelicae Historiae Imagines ("Illustrations of the Gospel Stories"), arranged in chronological order of The Life and Ministry of Jesus. In 1594 and 1595, they were again published in larger volumes, entitled Adnotationes et Meditationes in Evangelia ("Notes and Meditations on The Gospels"), with more extensive accompanying Text, and rearranged according to the order of Readings used in The Liturgical Year, as prescribed in The Roman Missal. (See the Bibliography for details about Nadal's books. See also the Web-Page on The Roman Missal.)

These books became very influential in Counter-Reformation Europe, since the illustrations were among the first to use the new techniques of "perspective drawing," which more realistically depicted three-dimensional shapes in two-dimensional drawings, such as used in the scientific drawings of the day. These techniques made The Gospel Stories much more vibrant and realistic, and thus more effective as aides for Evangelisation and Meditation. The influence of these engravings can clearly be seen in the work of later Bible illustrators, such as Gustave Dore.

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