Notre Dame de Rouen. The façade of the Gothic Church in France. Photographer: Hippo1947. Licence: SHUTTERSTOCK.

27 July, 2026

Dame Cicely Mary Strode Saunders (1918 – 2005) OM DBE FRCS FRCP FRCN. Psalm 37: “Commit Thy Way Unto The Lord; Trust Also In Him; And He Shall Bring It To Pass”.




Dame Cicely Saunders.


As the debate rages on about killing those with Terminal Illnesses, this Article may well be of interest to Readers. With The House of Lords set to discuss this issue, Readers may well feel like writing to the House of Lords and opposing this current, modern-day, belief in killing those who are very ill.

To register your opposition to killing those with Terminal Illnesses, send your request for Peers to oppose this 
Assisted Suicide Bill by filling in the Form 


Text and Illustrations from Wikipedia, the free encyclopædia,
unless stated otherwise.

Dame Cicely Mary Strode Saunders (22 June 1918 – 14 July 2005) was an English nurse, social worker, physician and writer.

She is noted for her work in terminal care research and her role in the birth of the hospice movement, emphasising the importance of palliative care in modern medicine, and opposing the legalisation of voluntary euthanasia.

To make a small donation 
to Saint Christopher’s Hospice, 
fill in the form 

Saunders was born in Barnet, Hertfordshire, to Philip Gordon Saunders, a chartered surveyor and landowner, and to Mary Christian Knight.[1] She had two younger brothers, John Frederick Stacey Saunders and Christopher Gordon Strode Saunders.[3]

After attending Roedean School (1932–1937), Saunders began studying politics, philosophy, and economics at Saint Anne’s College, Oxford, in 1938.


During the War, she decided to become a nurse and trained at Nightingale School of Nursing based at Saint Thomas’s Hospital from 1940 to 1944.[4][5] 

Returning to Saint Anne’s College after a back injury in 1944, she took a B.A. in 1945, qualifying as a medical social worker in 1947 and eventually trained as a doctor at Saint Thomas’s Hospital Medical School (now merged to form King’s College London GKT School of Medical Education) and qualified MBBS in 1957.[4]

The Web-Site of Saint Christopher’s Hospice can be found

In 1948, Saunders fell in love with a patient, Ela Majer “David” Tasma, a Polish-Jewish refugee who, having escaped from the Warsaw Ghetto, worked as a waiter; he was dying of cancer.

He bequeathed her £500 (equivalent to £23,000 in 2023)[6] to be “a window in your home”.[7] This donation, which helped germinate the idea that would become Saint Christopher’s Hospice, Sydenham, London, is memorialised with a plain sheet of glass at the Hospice’s entrance.


While training for social work, she holidayed with some Christians and was converted to Christianity.[8] In the Late-1940s, Saunders began working part-time at Saint Luke’s Home for the Dying Poor, in Bayswater, London, and it was partly this which, in 1951, led her to begin studying to become a physician.

Hospice.

A year later, she began working at Saint Joseph’s Hospice, a Catholic establishment in Hackney, East London, where she would remain for seven years, researching pain control.

There she met a second Pole, Antoni Michniewicz, a patient with whom she fell in love. His death, in 1960, coincided with the death of Saunders’s father in 1961, and another friend, and put her into what she later called a state of “pathological grieving”.[8]

But she had already decided to set up her own Hospice, serving cancer patients, and said that Michniewicz’s death had shown her that “as the body becomes weaker, so the Spirit becomes stronger”.[9]


Saunders said that after eleven years of thinking about the project, she had drawn up a comprehensive plan and sought finance after reading 

Psalm 37:

“Commit thy way unto the Lord; 
trust also in Him; 
and He shall bring it to pass.”

She succeeded in engaging the support of Dame Albertine Winner, the Deputy Chief Medical Officer at the Ministry of Health at the time.

Later, Dame Albertine Winner served as Chairwomen of Saint Christopher’s Hospice.

In 1965, Cicely Saunders was appointed Officer of the Order of the British Empire (O.B.E.).


In 1967, Saint Christopher’s Hospice, the World’s first purpose-built Hospice, was established.[8] The Hospice was Founded on the principles of combining teaching and clinical research, expert pain and symptom relief with holistic care to meet the physical, social, psychological and spiritual needs of its patients and those of their family and friends.[8]

Saint Christopher’s Hospice was developed based on a care philosophy that: “You matter, because you are you. You matter to the last moment of your life”,[10] an approach requiring specialist care which led to a new medical specialty  –  palliative care – that could be adapted to different situations. 

Research shows that Saint Christopher’s was quite different from hospitals in the 1960s, and was designed and managed as a “Home From Home” where the physical environment was important.[11]

It was a place where patients could garden, write, talk – and get their hair done. There was always, Saunders would emphasise, so much more to be done, and she worked in this spirit as its Medical Director from 1967, and then, from 1985, as its Chairwoman, a Post she occupied until 2000 when she became President.[12]


She was, however, reluctant for Saint Christopher’s to admit patients with AIDS in the years after the syndrome first emerged.

In a Letter to the Secretary of State for Social Services, she stated: “We have strong reservations about the use of our existing In-Patient facilities for AIDS patients”, explaining in a memorandum to the Select Committee on Social Services: “A Hospice Ward is a very personal place, welcoming families, with their children, to be with the dying family member. Among them, I believe, there would be many who would extremely fearful of doing this if they knew AIDS patients were being admitted. However irrational, this fear is a very real matter, and would be an added burden on those facing the loss of loved ones.”[13]

Saunders was an Anglican. In 1977, she was awarded an Honorary Lambeth Doctorate by the Archbishop of Canterbury. She later was made a Dame of the Order of Saint Gregory the Great (awarded by the Pope)[14]


Pontifical Equestrian Order 
of Saint Gregory the Great.
Beschreibung: Gregoriusorden 1831
Stifter: Papst Gregor XVI.
Abbildung aus: 
Ordensbuch Kölner Diözesan- 
und Dombibliothek
Lizenz: {{GNU FDL}}
This File is licensed under the 
This File: 18 May 2006.
(Wikimedia Commons)

The Pontifical Equestrian Order of Saint Gregory the Great (Latin: Ordo Sancti Gregorii Magni; Italian: Ordine di San Gregorio Magno) was established on 1 September 1831, by Pope Gregory XVI, seven months after his election as 
Pope.[1] The Order is one of the five Orders of Knighthood 
of The Holy See. The honour is bestowed upon Catholic men and women (and certain notable Non-Catholics)[2] in recognition of their personal service to The Holy See and to The Catholic Church, through their unusual labours, their support of The Holy See, and the examples they set in their communities and their Countries.


In 1979, she was appointed Dame Commander of the Order of the British Empire (DBE).

In 1981, she was awarded the Templeton Prize, the World’s highest-value annual prize awarded to an individual.

In 1989, she was appointed to the Order of Merit (OM).

In 2001, she received the World’s largest humanitarian award, the Conrad N. Hilton Humanitarian Prize, on behalf of Saint Christopher’s Hospice.


On 25 April 2005, another portrait of Saunders was unveiled at the National Portrait Gallery.[15] 

Saunders was one of the subjects of Prime Minister Gordon Brown’s book: “Courage: Eight Portraits”.[16]

She was:





Saint Christopher’s Hospice includes an Arts Team that provides art therapy, music therapy, drama therapy and community arts.

The work of the Arts Team is reflected in two publications: 

“End of Life Care: A Guide for Therapists, Artists and Arts Therapists”;

and

“The Creative Arts in Palliative Care”.[17][18]

Marriage.

In 1963, three years after the death of Michniewicz, Saunders became familiar with the paintings of Marian Bohusz-Szyszko, a Polish émigré and Professor with a Degree in Fine Art.


They met and became friends, and she became a Patron of his art. A substantial amount of his work is hung at Saint Christopher’s Hospice.

Bohusz-Szyszko had a long-estranged wife in Poland, whom he supported, and was a devout Roman Catholic.

In 1980, five years after the death of his wife, he married Saunders. She was sixty-one and he was seventy-nine.

Bohusz-Szyszko died in 1995, at the age of ninety-four, spending his last days at Saint Christopher’s Hospice.[8]

Charitable Organisation.

In 2002, Saunders Co-Founded a new Charitable Organisation, “Cicely Saunders International”, of which she was the Founding Trustee and President.[5]


The Charity’s mission is to promote research to improve the care and treatment of all patients with progressive illness and to make high-quality palliative care available to everyone who needs it – Hospice, Hospital, or, Home. 

The Charity has Co-Created the World’s first purpose-built Institute of Palliative Care – “The Cicely Saunders Institute”, and supported research to improve the management of symptoms such as breathlessness,[19] action to more closely meet patient and family choice in Palliative Care and better support for older people.

Cicely Saunder’s obituary in the Royal College of Physicians of London’s Munk’s Roll Collection contains further information about her work with this Organisation.[20]

Medical Ethics.

Saunders was instrumental in the history of U.K. Medical Ethics. She was an advisor to Andrew Mephem, whose report led the Reverend Edward Shotter to set up the London Medical Group (LMG), a forerunner of the Society for the Study of Medical Ethics, later the Institute of Medical Ethics.


She gave one of the first London Medical Group (LMG) lectures on the subject of pain, developing the talk into: “The Nature and Management of Terminal Pain” by 1972.[21]

This went on to be one of the most often-repeated and requested lectures of the LMG and other such Medical Groups that sprung up around Great Britain, where it was often given as their inaugural lecture.[21]

Her talk on the care of the dying patient was printed by the LMG in its series “Documentation in Medical Ethics”, a forerunner of the “Journal of Medical Ethics”.[22]

She strongly opposed Voluntary Euthanasia.

This was partly because of her Christian Faith, but she also argued that it is never needed, because effective pain control is always possible.


She did, however, accept that both sides in the euthanasia debate were against unnecessary pain and the loss of personal dignity.[8]

Total Pain.

Saunders introduced the idea of "total pain", which included physical, emotional, social, and spiritual distress.[23][24][25][26][27]

Death.

Saunders developed breast cancer but still continued to work. She died aged eighty-seven in 2005 at Saint Christopher’s Hospice.[28]

Biographies.

She is the subject of a biography: “Cicely Saunders: A Life And Legacy”, published in 2018 to mark the 100th anniversary of her birth, and of the biographical novel “Di cosa è fatta la speranza. Il romanzo di Cicely Saunders” by Emmanuel Exitu, published in Italy by Bompiani editore.

Honours.

Member of the Order of Merit (OM)[29].

Dame Commander of the Order of the British Empire (DBE)[29].

Fellow of the Royal College of Surgeons (FRCS).

Fellow of the Royal College of Physicians (FRCP).

Fellow of the Royal College of Nursing (FRCN).

Dame of the Order of Saint Gregory the Great (awarded by the Pope)[12].


See also Thelma Bates, the Oncologist who established Britain’s first Hospital-based palliative care service and who worked with Saunders.


The following Text and Illustration is from 


Dame Cicely Saunders’ Vision.

Through her single-minded vision, and the clinical practice and dissemination of her work through Saint Christopher’s teaching and outreach, Dame Cicely revolutionised the way in which society cares for the ill, the dying and the bereaved.

Dame Cicely recognised the inadequacy of the care of the dying that was offered in Hospitals. So often, patients and families were told that “there was nothing more that could be done”, a statement that Cicely refused to accept.

Throughout her time at Saint Christopher’s, her watchword was: “There is so much more to be done.”

Dame Cicely had initially thought of creating an Anglican Religious Community, but broadened her vision so that Saint Christopher’s became a place that welcomed Staff and Patients.

However, Cicely’s strong Christian Faith was a fundamental factor in her vision to establish her own Home for the dying and remained an anchor throughout her life.

Saint Pantaleon. Martyr. Feast Day 27 July. Red Vestments.


Text from The Saint Andrew Daily Missal,
unless otherwise stated.

Saint Pantaleon.
   Martyr.
   Feast Day 27 July.

Simple.

Red Vestments.


Saint Pantaleon. Great-Martyr and Un-Mercenary Healer.
13th-Century Icon, including scenes from his life, from the Monastery of Saint Katherine, on Mount Sinai.
Единственная житийная икона св.
Пантелеймона византийского времени.
Source: 
(Wikimedia Commons)

At Nicomedia, says the Roman Martyrology, was Martyred Saint Pantaleon, a doctor, who, having been arrested on account of his Faith, by order of the Emperor, Maximian, was tortured on the Rack and burned with flaming torches; he was consoled in his torments by an apparition of Our Lord; the sword put an end to his glorious combat. This was under Emperor Diocletian, about 303 A.D.

Saint Pantaleon is numbered by the Greeks among The Great Martyrs. Medical men honour him, after Saint Luke, as their principal Patron. He is one of “The Fourteen Auxiliary Saints”.

Mass: Lætábitur.

 
English: Church of Saint Pantaleon (Saint Panteleimon),
built 1735-1739, is one of the oldest in Saint Petersburg.
Русский: Санкт-Петербург, Россия. Церковь
св. великомученика Пантелеимона на ул. Пестеля.
Photo: 4 June 2012.
Source: Own work.
Author: A.Savin
(Wikimedia Commons)

The following Text is from Wikipedia - the free encyclopædia.

Saint Pantaleon (Greek: Παντελεήμων [Panteleímon], 
“All-Compassionate”), counted in the West among the Late-Mediæval Fourteen Holy Helpers [Editor: Or, the Fourteen Auxiliary Saints] and in the East as one of the Holy Un-Mercenary Healers, was a Martyr of Nicomedia, in Bithynia, during the Diocletian Persecution of 303 A.D.

According to the Martyrologies, Saint Pantaleon was the 
son of a rich pagan, Eustorgius of Nicomedia, and had been instructed in Christianity by his Christian mother, Saint Eubula; however, after her death, he fell away from the Christian Church, while he studied medicine with a renowned physician, Euphrosinos; under the patronage of Euphrosinos, he became physician to the Emperor Maximian or Galerius.


Gorno Nerezi, Skopje, Republic of North Macedonia.
Date: 6 October 2007 (original upload date).
Source: Own work.
(Wikimedia Commons)

He was won back to Christianity by Saint Hermolaus (characterised as a Bishop of the Church at Nicomedia), who convinced him that Christ was the better physician, signalling the significance of the exemplum of Pantaleon that Faith is to be trusted over medical advice, marking the direction that European medicine was to take until the 16th-Century.

Saint Alphonsus Liguori wrote, regarding this incident: 
“He studied medicine with such success, that the Emperor Maximian appointed him his physician. One day, as our Saint was discoursing with a Holy Priest, named Hermolaus, the latter, after praising the study of medicine, concluded thus: “But, my friend, of what use are all thy acquirements in this art, since thou art ignorant of Salvation ? ” ”

BREVIARIUM ROMANUM.

THE ROMAN BREVIARY.

LE BRÉVIAIRE.



English: A French Prayer Book of 1905
containing extracts from The Roman Missal
and The Roman Breviary of the time,
with French translations.
Français: Nouveau Paroissien Romain
contenant en latin et en français les Offices 
et Messes de tous les dimanches et de toutes 
les fêtes de l’année ecclésiastique.
File: File:Nouveau Paroissien Romain (1905).jpg
Uploaded: 6 May 2009.
Author: Perky
(Wikimedia Commons)


Illustration: RORATE CÆLI

The following Text is from
The Pre-1911 Roman Breviary
(Volume II. Summer).
Translated out of Latin into English by
John, Marquess of Bute, K.T.
Date: 1879.

Saint Pantaleon.
   Martyr.
   Feast Day 27 July.

Simple.

All from:

The Common Office
for a Simple Feast of one Martyr.

Except the following Prayer throughout The Office.

Graciously hear us, we beseech Thee,
O, Almighty God,
and, at the petition of Thy Blessed Martyr, Pantaleon,
be mercifully pleased to deliver us from all things
which may hurt our bodies,
and from all evil thoughts which may defile our Souls.

Through Our Lord Jesus Christ, Thy Son,
Who liveth and reigneth with Thee,
in the unity of The Holy Ghost, one God,
World without end.

Amen.

Britain’s Steam Railways 1944 — 1945.



Britain’s Steam Railways 1944 — 1945.
Available On YouTube

26 July, 2026

The Philharmonic Dining Rooms, Liverpool.



The Grade-1-Listed
Philharmonic Dining Rooms, Liverpool.
Photo: 18 March 2017.
Source: Own work.
(Wikimedia Commons)


Text from Wikipedia - the free encyclopædia,
unless stated otherwise.

The Philharmonic Dining Rooms is a Public House at the corner of Hope Street and Hardman Street in Liverpool, Merseyside, England, and stands diagonally opposite the Liverpool Philharmonic Hall.

It is commonly known as The Phil.[1] It is recorded in the National Heritage List for England as a designated Grade-1-Listed Building.[2]



Philharmonic Dining Rooms,
Liverpool.
Photo: 9 January 2010.
Source: Own work.
Author: sweetie_candykim
(Wikimedia Commons)

The Public House was built about 1898 for the brewer Robert Cain.[3] It was designed by Walter W. Thomas (not to be confused with Walter Aubrey Thomas, the designer of the Royal Liver Building) and craftsmen from the School of Architecture and Applied Arts at University College (now the University of Liverpool), supervised by G. Hall Neale and Arthur Stratton.[4]

Paul McCartney performed at the Philharmonic when he was a young musician, and during an impromptu concert in 2018.[5][6]


The Philharmonic Dining Rooms Gents’ Urinals 
in their famous Rose-Coloured Marble.
Photo: 25 May 2011.
(Wikimedia Commons)

The building is constructed in Ashlar Stone with a Slate Roof in an “exuberant free style” of architecture.[2]

It has a combination of two- and three-Storeys, with Attics and Cellar. There are ten Bays along Hope Street and three Bays along Hardman Street.[2]


The Art Nouveau entrance,
Philharmonic Dining Rooms, Liverpool.
Photo: 13 January 2018.
Source: Own work.
(Wikimedia Commons)

Its external features include a variety of Windows, most with Mullions, and some with elaborate Architraves, a two-Storey Oriel Window at the junction of the streets, stepped Gables, Turrets with Ogee Domes, a Balustraded Parapet above the second Storey, a Serpentine Balcony (also Balustraded) above the main entrance in Hope Street, and a low Relief Sculpture of Musicians and Musical Instruments.

The main entrance contains Metal Gates in Art Nouveau Style, their design being attributed to H. Bloomfield Bare.[2][4]

There are five floors in total, with the main Bar interior decorated in musical themes that relate to the nearby Concert hall.



These decorations are executed on Repoussé Copper panels designed by Henry Bloomfield Bare and by Thomas Huson, Plasterwork by C. J. Allen,[7] Mosaics, and items in Mahogany and Glass.[1][2][4]

Two of the smaller rooms are entitled Brahms and Liszt. Of particular interest to visitors is the high quality of the gentlemen’s Urinals, constructed in Rose-Coloured Marble.[8]



Philharmonic Dining Rooms, Liverpool.
Illustration: HISTORIC ENGLAND

Pollard and Pevsner, in the Buildings of England series, state that it is the most richly decorated of Liverpool’s Victorian Public Houses, and that “it is of exceptional quality in national terms”.[4]

The Grade-1-Listing means that it is “of exceptional interest”.[9] Pye describes it as one of Liverpool’s “architectural gems”.[1]

Saint Anne. Mother Of The Blessed Virgin Mary. Feast Day 26 July. White Vestments.


Text from Wikipedia - the free encyclopædia,
unless otherwise stated.

Saint Anne.
   Mother of The Blessed Virgin Mary.
   Feast Day 26 July.

Double of The Second-Class.

White Vestments.


Saint Anne.
Mother of The Blessed Virgin Mary.
Artist: René de Cramer.
“Copyright Brunelmar/Ghent/Belgium”.
Used with Permission.



English: Statue of Saint Anne teaching The Virgin Mary.
Parish Church of Saint Ulrich, Ulrichsberg, Austria.
Deutsch: Pfarrkirche Sant Ulrich in Ulrichsberg.
Statue der Heiligen Anna, wie sie der Jungfrau 
Maria das Lesen bei bringt.
Photo: 20 June 2008.
Source: Own work.
Author: Wolfgang Sauber.
(Wikimedia Commons)


Saint Anne and Saint Joachim,
parents of The Virgin Mary.
This File: 2 October 2006.
User: Gipsy
(Wikimedia Commons)


English: Joachim and the Angel.
Français: Joachim et l'Ange.
Artist: Albrecht Dürer (1471–1528).
Date: 1504.
Current location: Petit Palais, Paris, France.
Source/Photographer: Albrecht Dürer:
œuvre gravé, catalogue de l'exposition à Paris,
au Musée du Petit Palais, 4 avril-21 juillet 1996.
(Wikimedia Commons)

Saint Anne (also known as Ann, or, Anna, from the Hebrew “Hannah” חַנָּה, meaning “Favour” or, “Grace”) of David’s House and Line, was The Mother of The Virgin Mary, and Grandmother of Jesus Christ.

Joachim (“he whom YHWH has set up”. Hebrew: יְהוֹיָקִים Yəhôyāqîm. Greek Ἰωακείμ Iōākeím) was the husband of Saint Anne and the father of Mary, The Mother of Jesus. His Feast Day is 16 August.




Akathist Hymn to The Mother of God.
"Réjouis Toi Marie", 1/6.
Opéra d'images de Jean-Michel Mahenc. Créé pour les Nocturnes de Notre-Dame de Paris - L'hymne acathiste : un magnifique poème byzantin du VIe siècle sur la Vierge Marie. Sommet de la spiritualité orthodoxe - Commande du DVD : 
Tel 0160664564 - magali.barbizon@me.com
Available on YouTube

The Akathist Hymn (Ἀκάθιστος Ὕμνος, Unseated Hymn) is a Hymn of Eastern Orthodox tradition Dedicated to a Saint, Holy Event, or one of The Persons of The Holy Trinity. The name derives from the fact that during the Chanting of the Hymn, or sometimes the whole Service, the Congregation is expected to remain standing in reverence, without sitting down (Ancient Greek ἀ- (a), [without, not] + κάθισις (káthisis), [sitting]), except for the aged or infirm.

Mary’s mother is not named in the Canonical Gospels, nor in the Qur'an. Anne’s name and that of her husband, Joachim, come only from New Testament Apocrypha, of which the Protoevangelium of James (written perhaps around 150 A.D.) seems to be the earliest that mentions them.




Akathist Hymn to The Mother of God.
"Réjouis toi Marie", 2/6.
Opéra d'images de Jean-Michel Mahenc. Créé pour les Nocturnes de Notre-Dame de Paris - L'hymne acathiste : un magnifique poème byzantin du VIe siècle sur la Vierge Marie. Sommet de la spiritualité orthodoxe - Commande du DVD : 
Tel 0160664564 - magali.barbizon@me.com
Available on YouTube



Akathist Hymn to The Mother of God.
"Réjouis toi Marie", 3/6.
Opéra d'images de Jean-Michel Mahenc. Créé pour les Nocturnes de Notre-Dame de Paris - L'hymne acathiste : un magnifique poème byzantin du VIe siècle sur la Vierge Marie. Sommet de la spiritualité orthodoxe - Commande du DVD : 
Tel 0160664564 - magali.barbizon@me.com
Available on YouTube



Akathist Hymn to The Mother of God.
"Réjouis toi Marie", 4/6.
Opéra d'images de Jean-Michel Mahenc.Créé pour les Nocturnes de Notre-Dame de Paris - L'hymne acathiste : un magnifique poème byzantin du VIe siècle sur la Vierge Marie. Sommet de la spiritualité orthodoxe - Commande du DVD : 
Tel 0160664564 - magali.barbizon@me.com
Available on YouTube



Akathist Hymn to The Mother of God.
"Réjouis toi Marie", 5/6.
Opéra d'images de Jean-Michel Mahenc. Créé pour les Nocturnes de Notre-Dame de Paris - L'hymne acathiste : un magnifique poème byzantin du VIe siècle sur la Vierge Marie. Sommet de la spiritualité orthodoxe - Commande du DVD : 
Tel 0160664564 - magali.barbizon@me.com
Available on YouTube

The story bears a similarity to that of the birth of Samuel, whose mother, Hannah, had also been childless. Although Anne receives little attention in the Western Church, prior to the Late-12th-Century, Dedications to Anne in the Eastern Church occur as early as the 6th-Century A.D.

In the Eastern Orthodox Churches and Eastern Catholic Churches, she is revered as Hanna. In the Eastern Orthodox tradition, Hanna, is ascribed the Title “Forbear of God”, and both the Birth of Mary and the Dedication of Mary to The Temple are Celebrated as two of the Twelve Great Feasts.

The Dormition of Hanna is also a Minor Feast in the Eastern Church. In Protestant tradition, it is held that Martin Luther chose to enter Religious Life, as a Roman Catholic Augustinian Monk, after crying out to Saint Anne.



Akathist Hymn to The Mother of God.
“Réjouis toi Marie”, 6/6.
Opéra d'images de Jean-Michel Mahenc. Créé pour les Nocturnes de Notre-Dame de Paris - L'hymne acathiste : un magnifique poème byzantin du VIe siècle sur la Vierge Marie. Sommet de la spiritualité orthodoxe - Commande du DVD : 
Tel 0160664564 - magali.barbizon@me.com
Available on YouTube


Saint Anne.
Mother of The Blessed Virgin Mary.
Artist: René de Cramer.
“Copyright Brunelmar/Ghent/Belgium”.
Used with Permission.


The following Text is from The Saint Andrew Daily Missal,

The Church honours, with The Angels, in Holy Joy (Introit), the Mother of The Blessed Virgin Mary.

As her name signifies, [the name “Anne” derives from Hebrew. “Hannah” meaning “Grace”], Grace was poured on her, and she was Blessed by God for ever (Communion). “By His Grace, He made her deserve to be the Mother of The Mother of God” (Collect).

Filled with the Virtues which The Holy Ghost grants to good women, the Spouse of Saint Joachim surpassed all women by her Privileges and Graces (Epistle). Her Holiness made her leave everything for God, and she thereby acquired this Pearl and this Treasure (Gospel).

The Devotion to Saint Anne is founded on the bond which unites her to Mary and to The Incarnate Word. Its ancient Liturgy dates from the 6th-Century A.D., for the Eastern Church, and the 8th-Century A.D., for the Western Church.

It was authorised by Pope Urban IV in 1378. In 1584, Pope Gregory XIII fixed 26 July as the date of the Feast and Pope Leo XIII, in 1879, extended it to the Whole Church.

Every Parish Priest celebrates Mass for the people of his Parish.


Mass: Gaudeámus omnes.
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