Cathedral And Metropolitan Church Of Saint Stephen And All Saints, Vienna, Austria. (Part Twelve).

English: 

Cathedral and Metropolitan Church of 

Saint Stephen and All Saints, Vienna, Austria.

Deutsch: 

Dom-und-Metropolitankirche zu 

Sankt Stephan und allen Heiligen, 

Wien, Österreich.

Photo: 8 October 2017.

Source: Own work.

This File is licensed under the 

Creative Commons Attribution-

Share Alike 4.0 International licence.

Author: C.Stadler/Bwag

(Wikimedia Commons)

Text from Wikipedia - the free encyclopædia, unless stated otherwise.

Fees from advertising on the netting around the scaffolding were defraying some of the costs of the work, but the concept of such advertising was controversial and has been discontinued.

As of December 2008, the majority of the restoration on the South Tower has been finished, and most scaffolding removed.

Systematic cleaning of the interior is gradually proceeding around the walls, and an outdoor relief of “Christ in Gethsemane” is being restored.

A major project has been recently completed for which visitors and worshippers in Saint Stephen’s Cathedral had been waiting since 1147: Better heating of the Church during the Winter.

Previous systems, including fireplaces, just deposited soot and grease on the artwork, but the new system uses apparatus in many different locations so that there is little moving airflow to carry damaging particles. The Church is now heated to around 10 °C (50 °F).

Some of the architectural drawings date from The Middle Ages and are on paper fifteen feet long (five metres) and too fragile to handle.

Laser measurements of the ancient Cathedral have now been made so that a digital three-dimensional virtual model of the Cathedral now exists in its computers, and detailed modern plans can be output at will.

When weathered stonework needs to be repaired or replaced, the computerised system can create life-sized models to guide the nine, full-time, stonemasons in the on-site workshops by the North Wall of the Cathedral.

On 29 March 2014, a thirty-seven-year-old man vandalised the interior of the Cathedral by pushing the statue of Saint Jude Thaddeus from its marble base.[20]

In November 2019, art historians discovered a mural under layers of dirt on the wall of what is now the Cathedral’s Gift Shop. It is believed to be the work of the Renaissance artist Albrecht Dürer.[21][22]

Mozart’s funeral took place in 1791 in the Chapel of The Holy Cross. Also, the funeral of Antonio Vivaldi took place there in 1741.[26] In addition, the funeral of Niki Lauda, former Formula One World Champion and entrepreneur, took place there in 2019.[32]

As Vienna’s landmark, Saint Stephen’s Cathedral is featured in media, including films, video games, and television shows.

These include The Third Man and Burnout 3. The Cathedral is also depicted on the Austrian 10 Cent Euro coins and on the packaging of the Manner-Schnitten wafer treat.

The Archdiocese of Vienna allowed the Manner Company to use the Cathedral as its Logo, in return for funding the wages of one Stonemason doing repair work on the Cathedral.[33]

In 2008, Sarah Brightman performed a Concert promoting her latest album, “Symphony”, which was recorded for a TV broadcast and a further DVD release.

Balassi Mass.

Since 2008, the two Sabres of the Balint Balassi Memorial Sword Award, Founded by Pal Molnar, have been Blessed during a Balassi Mass, held a few days before the Award Ceremony.

On 25 January 2013, in the presence of some three hundred Hungarians, Bishop Laszlo Kiss-Rigo Blessed the two Swords during a Mass Celebrated in the Cathedral.[34]

THIS CONCLUDES THE ARTICLE ON VIENNA CATHEDRAL.

The Stunning Basilica Of San Juan De Dios, Granada, Spain. Pure Wonder.

Basilica Of San Juan De Dios, Granada, Spain.

All Illustrations LITURGICAL ARTS JOURNAL

This Article, by John Paul Sonnen, is taken from, and can be read in full at, LITURGICAL ARTS JOURNAL

At the peak of the Spanish Rococo Baroque period, the Basílica de San Juan de Dios was built in Granada, Spain. 

Every surface is embellished in Gilt and Statuary.

The result is a feast for the eyes, offering the best that Spanish Baroque has to offer. 

The effect is pure wonder, offering limitless moments for meditation. Indeed, it is truly one of the most extraordinary Monuments built to the Glory of God in Spain.

Basilica of San Juan de Dios, Granada, Spain.

Available on YouTube

HERE

Visitors experience a genuine sense of dazzlement, being left in a state of feeling blinded by intense beauty, overwhelmed by brilliance and splendour. 

The human senses reel from the magnificence and opulence of the place, observing holy decor and ornamentation everywhere.

The Basilica was completed in 1759 after nearly twenty years of construction. The timing was perfect. 

In those years. Ships laden with Gold were arriving from the New World. 

Skilled local artisans fashioned the Gold from the Americas to cover every part of the Interior in order to give Glory to God and to honour the memory of Saint John of God.

The Fourth Day Within The Octave Of The Nativity Of The Blessed Virgin Mary.

“Birth of The Virgin”.

Artist: Bartolomé Esteban Murillo (1617–1682).

Date: 1660.

Current location: Louvre Museum, Paris, France.

Source/Photographer: Web Gallery of Art

(Wikimedia Commons)

The Birth Of The Blessed Virgin Mary.

Available On YouTube

HERE

Text from “The Liturgical Year”.
   By: Abbot Guéranger, O.S.B.
   Volume 14.
   Time After Pentecost.
   Book V.

“Dimitte me, jam enim ascendit aurora”; let me go for it is break of day;” [Genesis xxx, 26.] such were the words which put an end to the struggle between the Angel and the Patriarch on the banks of the torrent.

Blessed dawn which triumphed over God Himself ! How long had been that night, during which the human race had been struggling by its supplications and tears !

Ever since the Fall, the Angel of Justice had been guarding the entrance to the true land of promise; at every turn, he was to be found, resisting in his inexorable vengeance poor, wandering, outcast man.

How is it, then, that the inflexible has now yielded ? That Spiritual being, so superior to our weak, halting, nature, why is he the first to speak of closing the struggle, and to own himself vanquished ?

It is because, as with God so with the Angel, light is strength. Now our Earth, hitherto buried in deepest night, has suddenly reflected back to Heaven brighter splendours than ever Cherubim shed down upon the Dominations and Virtues and Powers and Principalities, beside whom, a while ago, man was so very little.

It is because at length in the glimmering dawn, which already subdues him, the Angel of Justice foresees the Sun Himself, the Sun of Justice, who, rising from the bosom of the human race, is to make Himself answerable for it.

Man is no longer a pariah compared with the Angel; he is Israel, “the strong against God.” To come to terms with him is no longer derogatory to the Angelic dignity; to yield to him is no humiliation: The day is breaking.

Blessed be thou, whose radiant innocence thus raised up to the throne of God our proscribed race. With the Angels for allies instead of adversaries, we are henceforth one great army, of which thou art the Queen.

Secrets Of Oxburgh Hall: Some New Finds At A 15th-Century Catholic House That Kept The Faith.

 

This Article (from September 2020) is taken from, and can be read in full at, CATHOLIC HERALD

By: Constance Watson
4 September 2020

It’s a remarkable haul. Last month, more than 2,000 artefacts were unearthed at Oxburgh Hall, a 15th-Century Moated House in Norfolk – some of which provide evidence of secret Catholic Worship from Queen Elizabeth I’s reign.

The findings include books, manuscripts, musical scores and off-cuts of clothing that indicate concealed Worship from the 16th-Century, all kept for Centuries in the building, home to The Bedingfeld Family.

A Copy of the 1568 edition of “The Kynges Psalmes”,

written by Saint John Fisher, was found hidden in a void at

Oxburgh Hall, Norfolk, during a re-roofing project.

A fingertip archaeological search under attic floorboards, during a re-roofing project, led to the discovery, one of the largest ever in a National Trust property. The most precious find so far is a fragment from a 15th-Century Illuminated Manuscript.

Anna Forest, The National Trust curator who is overseeing the work, said that “the Text is distinct enough for us to identify it as part of The Latin Vulgate Psalm 39 (Expectans expectavi).”

The National Trust contacted Dr James Freeman, Mediæval Manuscripts specialist at Cambridge University Library. He explained that “the page may be from a Psalter, but its small size – just 8 cm x 13 cm – suggests it once was part of a Book of Hours.”

Anna added that, despite Centuries of concealment, the Gold Leaf and Blue Ink from the Illuminated Initials remains “vibrant”.

Meanwhile, scraps of Handwritten Music – apparently showing a Soprano part – hint at the singing which would have been part of the clandestine Worship at the house.

The Curator, Anna Forest, examines a 15th-Century Illuminated Manuscript discovered under the floorboards of Oxburgh Hall.

Another intriguing discovery is a fragment from a 1590 edition of a Spanish tale, written in 1420. The Trust points out that Recusants had a special interest in reading Spanish stories, imbued as they were with Catholicism.

These and other items have a deep Historical and Spiritual resonance. In 1559, Queen Elizabeth I’s Act of Uniformity changed everything for The Bedingfeld Family.

Sir Henry Bedingfeld, the occupant of Oxburgh Hall, had been a figure of some political influence under Queen Mary. But the new Act effectively banned the practice of Catholicism by enforcing the English Book of Common Prayer as the set order of Prayer in England.

It also dictated that all of the Queen’s subjects were obliged to go to Church once a week or face financial penalties. Sir Henry could not abide by The Act, which put an end to his involvement with the Tudor Court.

The house became a place where Catholicism could be practised away from the eyes of the authorities – as shown by the Priest-Hole for which the building is well known. The new discovery confirms that The Bedingfeld Family remained true to their Catholic Faith despite the dangers of ostracism and, indeed. persecution, were they to be discovered.

A tiny fragment of 16th-Century Handwritten Music.

It is not the first time that the secrets of Oxburgh Hall have made historians sit up. The author, Dr Linda Porter, told the Catholic Herald that she uncovered a significant document at the house when researching her book “Mary Tudor: The First Queen”: “It is a proclamation in which Mary proclaims herself Queen, days before the actual proclamation in London on 19 July [1553], and it shows how well organised she and her party were, that they felt there was enough support, politically and militarily.

“I am not surprised they found these artefacts there – it is an absolutely fascinating house,” she says. Of the most recent findings, “the most interesting and complete thing that they found is a rather battered collection of Prayers, part of which had been published by Katherine Parr and gathered in one volume.” Katherine Parr was a Protestant but “her original works on choosing and publishing Prayers were from Catholic sources”. This 1568 book, which researchers are now studying, is another sign of The Bedingfelds’ hidden devotion.

Russell Clement, General Manager at Oxburgh Hall, told the Press: “We had hoped to learn more of the history of the house during the re-roofing work, and have commissioned paint analysis, wallpaper research, and building and historic graffiti recording. But these finds are far beyond anything we expected to see. These objects contain so many clues which confirm the history of the house as the retreat of a devout Catholic Family, who retained their Faith across the Centuries.”

He adds that there may well be more to come. “This is a building which is giving up its secrets slowly. We don’t know what else we might come across – or what might remain hidden for future generations to reveal.”

Saint Protus And Saint Hyacinth. Martyrs. Feast Day, Today, 11 September. Red Vestments.

Saint Protus and Saint Hyacinth.

Date: 2 June 2006 (original upload date).

Source: http://catholicculture.org/lit/

calendar/day.cfm?date=2003-09-11.

Transferred from en.wikipedia.

Author: Original uploader: 

Polylerus at en.wikipedia

(Wikimedia Commons)

Church of Saints Hyacinth and Protus,

Blisland, Cornwall, England.

Photo: June 2004.

Source: Own work.

Author: Mattana Mattis

(Wikimedia Commons)

Text and Illustrations from Wikipedia - the free encyclopædia,
unless otherwise stated.

Saint Protus and Saint Hyacinth were Christian Martyrs (Persecution of Emperor Valerian 257 A.D.–259 A.D.).

Protus’ name is sometimes spelled Protatius, Proteus, Prothus, Prote, and Proto. Saint Hyacinth is sometimes called by his Latin name Hyacinthus (in French: Hyacinthe; Spanish: Jacinto; and Italian: Giacinto).

The day of their annual Commemoration is mentioned in the “Depositio Martyrum” on 11 September, in the Chronographia for the year 354 A.D. The Chronographia also mentions their graves, in the Cœmeterium of Basilla on the Via Salaria, later the Catacomb of Saint Hermes. The “Itineraries” and other early authorities likewise give this as their place of burial.

Tradition holds that Protus and Hyacinth were brothers. They served as Chamberlains to Saint Eugenia, and were Baptised, along with her, by Helenus, Bishop of Heliopolis. Devoting themselves zealously to the study of Sacred Scripture, they lived with the Hermits of Egypt and, later, accompanied Eugenia to Rome. There, they were arrested for their Christianity by Emperor Gallienus (260 A.D.–268 A.D.). Refusing to deny their Faith, they were first scourged and then beheaded on 11 September.

Martyrdom of Saint Protus and Saint Hyacinth.

From a 14th-Century Manuscript.

This File: 7 November 2006.

User: Polylerus

(Wikimedia Commons)

Church of Saints Hyacinth and Protus,

Blisland, Cornwall, England.

Photo: June 2004.

Source: Own work.

Author: Mattana Mattis

(Wikimedia Commons)

In 1845, Father Marchi discovered the still-undisturbed grave of Saint Hyacinth in a Crypt of the above- mentioned Catacomb. It was a small square Niche, in which lay the ashes and pieces of burned bone, wrapped in the remains of costly stuffs.

Evidently, the Saint had been burnt; most probably both Martyrs had suffered death by fire. The Niche was closed by a marble slab, similar to that used to close a Loculus, and bearing the original Latin inscription that confirmed the date in the old Roman Martyrology:

D P III IDUS SEPTEBR

YACINTHUS

MARTYR

(Buried on 11 September Hyacinthus Martyr).

Rood Screen.

Church of Saints Hyacinth and Protus,

Blisland, Cornwall, England.

Photo: June 2004.

Source: Own work.

Author: Mattana Mattis

(Wikimedia Commons)

Church of Saints Hyacinth and Protus,

Blisland, Cornwall, England.

Photo: June 2004.

Source: Own work.

Author: Mattana Mattis

(Wikimedia Commons)

In the same Chamber were found fragments of an Architrave, belonging to some later decoration, with the words:

. . . S E P U L C R U M P R O T I M (artyris) . . .

(Grave of the Martyr Protus).

Thus, both Martyrs were buried in the same Crypt. Pope Damasus I wrote an Epitaph, in honour of the two Martyrs, part of which still exists. In the Epitaph, Pope Damasus calls Protus and Hyacinth “brothers”.

When Pope Leo IV (847 A.D.–855 A.D.) transferred the bones of a large number of Roman Martyrs to the Churches of Rome, the Relics of these two Saints were to be translated, also; but, probably on account of the devastation of the Burial Chamber, only the grave of Saint Protus was found. His bones were transferred to San Salvatore on the Palatine Hill.

The remains of Saint Hyacinth were placed (1849) in the Chapel of the Propaganda College. Later, the tombs of the two Saints, and a Stairway, built at the end of the 4th-Century A.D., were discovered and restored.

The Parish Church of Blisland, Cornwall, England, is Dedicated to Saint Protus. It is known locally as Saint Pratt and Saint Hyacinth.

Wooden Vaulting.

Church of Saints Hyacinth and Protus,

Blisland, Cornwall, England.

Photo: June 2004.

Source: Own work.

Author: Mattana Mattis

(Wikimedia Commons)

The following Text is taken from The Saint Andrew Daily Missal.

Saints Protus and Hyacinth.
   Martyrs.
   Feast Day 11 September.

Simple.

Red Vestments.

After having been cruelly scourged, these two brothers were beheaded and took their places in The Army of Martyrs (Alleluia).

This was at Rome, about 260 A.D., under Emperors Valerian and Gallian.

Mass: Salus autem.

“The Mass Of The Foundation Of The Trinitarian Order”.

Artist: Juan Carreño de Miranda.

Illustration: LOUVRE

THE SAINT ANDREW DAILY MISSAL

THE SAINT ANDREW DAILY MISSAL

Available (in U.K.) from

CENACLE CATHOLIC BOOKS

Available (in U.S.A.) from

ST. BONAVENTURE PUBLICATIONS

Available (in Ireland) from

SILVERSTREAM PRIORY

Vocations To The Priesthood.

Vocations To The Priesthood.

Tonsure.

Porter.

Lector.

Exorcist.

Acolyte.

Sub-Deacon.

Deacon.

Priest.

Illustration: 

INSTITUTE OF CHRIST THE KING SOVEREIGN PRIEST

Newsletter and Vocation Information

HERE

Vocations To The Priesthood.

Tonsure.

Porter.

Lector.

Exorcist.

Acolyte.

Sub-Deacon.

Deacon.

Priest.

A Programme Of Musical And Faith Formation Based On Gregorian Chant And Sacred Polyphony.

The Ottaviani Intervention.

 

The following Text is from 

THE LATIN MASS SOCIETY OF ENGLAND & WALES

whose Web-Site is available HERE

Ottaviani Intervention (Cardinals Ottaviani and Bacci, 1969).

Critique of the Novus Ordo Missae, led by Cardinals Ottaviani and Bacci, presented to Pope Paul VI just after its introduction in 1969.

Commonly known as “The Ottaviani Intervention”.

Letter from Cardinals Ottaviani and Bacci to His Holiness Pope Paul VI.
(Translation).

Rome, 25 September 1969.

Most Holy Father,

Having carefully examined, and presented for the scrutiny of others, the Novus Ordo Missae prepared by the experts of the Consilium ad exequendam Constitutionem de Sacra Liturgia, and after lengthy prayer and reflection, we feel it to be our bounden duty in the sight of God and towards Your Holiness, to put before you the following considerations:

1. The accompanying critical study of the Novus Ordo Missae, the work of a group of theologians, liturgists and pastors of souls, shows quite clearly in spite of its brevity that if we consider the innovations implied or taken for granted which may of course be evaluated in different ways, the Novus Ordo represents, both as a whole and in its details, a striking departure from the Catholic theology of the Mass as it was formulated in Session XXII of the Council of Trent. The "canons" of the rite definitively fixed at that time provided an insurmountable barrier to any heresy directed against the integrity of the Mystery.

2. The pastoral reasons adduced to support such a grave break with tradition, even if such reasons could be regarded as holding good in the face of doctrinal considerations, do not seem to us sufficient. The innovations in the Novus Ordo and the fact that all that is of perennial value finds only a minor place, if it subsists at all, could well turn into a certainty the suspicions already prevalent, alas, in many circles, that truths which have always been believed by the Christian people, can be changed or ignored without infidelity to that sacred deposit of doctrine to which the Catholic faith is bound for ever. Recent reforms have amply demonstrated that fresh changes in the liturgy could lead to nothing but complete bewilderment on the part of the faithful who are already showing signs of restiveness and of an indubitable lessening of faith.

Amongst the best of the clergy the practical result is an agonising crisis of conscience of which innumerable instances come tour notice daily.

3. We are certain that these considerations, which can only reach Your Holiness by the living voice of both shepherds and flock, cannot but find an echo in Your paternal heart, always so profoundly solicitous for the spiritual needs of the children of the Church. It has always been the case that when a law meant for the good of subjects proves to be on the contrary harmful, those subjects have the right, nay the duty of asking with filial trust for the abrogation of that law.

Therefore we most earnestly beseech Your Holiness, at a time of such painful divisions and ever-increasing perils for the purity of the Faith and the unity of the church, lamented by You our common Father, not to deprive us of the possibility of continuing to have recourse to the fruitful integrity of that Missale Romanum of St. Pius V, so highly praised by Your Holiness and so deeply loved and venerated by the whole Catholic world.

The rest of the Article can be read in full, HERE

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Zephyrinus wonders whether the following quote of Our Lord, from Saint John’s Gospel, might be applied to any screaming, hissy-fit, rejoinders, to the above:

“Jesus answered him: If I have spoken evil, give 

testimony of the evil; but if well, why strikest thou me ?”