Notre Dame de Rouen. The façade of the Gothic Church in France. Photographer: Hippo1947. Licence: SHUTTERSTOCK.

28 March, 2026

The Wonderful 19th-Century Typographical Design Of A Cigarette Packet.



An old packet of Woodbine cigarettes, photographed 
at the Musée Somme 1916 of Albert (Somme), France.
Photo: 4 September 2013.
Source: Own work.
This File is made available under the 
Author: Alf van Beem.
(Wikimedia Commons)


Text from Wikipedia - the free encyclopædia,
unless stated otherwise.

Woodbine is a British brand of cigarettes owned and manufactured by Imperial Brands

Woodbine cigarettes are named after the woodbine flowers, native to Eurasia.

Woodbine was launched in 1888 by W.D. & H.O. Wills

Noted for its strong unfiltered cigarettes, the brand was cheap and popular in the Early-20th-Century with the working-class, as well as with Army men during the First and Second World War.[5][6] 

In The Great War (World War One), the British Army Chaplain, Geoffrey Studdert Kennedy MC, was affectionately nicknamed “Woodbine Willie” by troops on The Western Front, to whom he handed out cigarettes, along with Bibles and spiritual comfort.


The Harsh Truth About Woodbine: 
Britain’s Toughest Cigarette.
Available On YouTube

In the 1890s, Woodbine cigarettes were offered at a margin of 19%, with a possible maximum discount of 10%. 

In the United Kingdom, the brand was sold at very low advertising costs and total expenditure on sales promotion for all cigarettes and tobacco brands in 1925 was only 2d per pound of tobacco sold.[7]

The intricate 19th-Century packet design remained in use until the Mid-1960s. Although Wills changed the packaging, Woodbine sales continued to drop.


Illustration: 

In common parlance, the unfiltered high-tar Woodbine was one of the brands collectively known as “Gaspers” until about 1950, because new smokers found their harsh smoke difficult to inhale.

A filtered version was launched in the United Kingdom in 1948, but was discontinued in 1988. 

Woodbines came in four different packs: 
Five cigarettes; 
Ten cigarettes; 
Twenty cigarettes; 
Fifty cigarettes.

They were often known as “Woodies”.[8]



In the 1960s, a few television adverts were made in which Gordon Rollings played a man who engaged in numerous activities (including waiting for the bus or setting up a beach chair) and would always end in misery. 

He then would grab a packet of Woodbines from his pocket and light one, followed by a happy tune and a man reading the line “Light up life with a Woodbine ! It’s Britain’s best-selling cigarette !”.[9][10][11] at the end.

The adverts were never played on TV, however, as all television commercials for cigarettes were banned on 1 August 1965.[12][13] 


A jingle was also made to promote Woodbine in the Late-1950s or Early-1960s.[14]

Woodbines were the oft-mentioned cigarette of choice for Tristan Farnon (Brian Sinclair), the younger of the two veterinary brothers in James Herriot’s semi-autobiographical All Creatures Great and Small series.

Princess Alice of Battenberg, mother of Prince Philip and mother-in-law of Queen Elizabeth II, who founded a Nursing Order of Greek Orthodox Nuns in 1949, smoked Woodbines. 



Prince Philip’s biographer, Gyles Brandreth, wrote of Princess Alice during her time at Buckingham Palace: “They say you could always tell when she was coming along the corridor, because of the whiff of Woodbines in the air. The idea of the Duke of Edinburgh’s mum, dressed as a Nun, sucking on her Woodbine . . . it’s wonderful !”[15]

John Lennon was originally fond of smoking Woodbines while he was a student and into the Early-1960s, before switching to smoking the French-made Gauloises Bleues. 

After switching, Lennon mocked the use of Woodbines during a documentary film that chronicled the Beatles’ first visit to America.[17]


Van Morrison, a Northern Irish singer-songwriter, mentions buying Woodbines in the song “Cleaning Windows” (“Bought five Woodbines at the shop on the corner . . . And went straight back to work”[18]) as a pictorial description of the main character of the song, who is a simple working man.

Woodbines are mentioned in Sheffield United Football Club’s anthem “The Greasy Chip Butty Song’.[20]

Some Late-19th-Century to Early-20th-Century steamships sported as many as five long and thin smokestacks (sometimes including a dummy one), notably the Russian cruiser Askold, earning them the nickname “Packet of Woodbines” among sailors.

Sacrorum Quinque Vulnerum Domine Nostre Jesu Christi. The Five Holy Wounds Of Our Lord Jesus Christ. Feria VI Post Dominica III Quadragesima (Friday After The Third Sunday Of Lent). Greater-Double Feast. Red Vestments.

 


Illustrations and Text, unless stated otherwise, from



The Mass can be found in the Missale Romanum in the 
Missae pro Aliquibus Locis [Editor: “In Some Places”] section.


This Mass can be found in older Hand Missals. We have produced a Latin-English Propers Sheet for the Feast. 
The English texts have come from The Roman Missal in 
Latin and English, No. 697. Desclee.

A Little Levity To Lighten Your Day . . .



“What’s For Tea, Mum ?”
Illustration: PINTEREST

“Bridge Over Troubled Water”. Simon And Garfunkel.


“Bridge Over Troubled Water”.
Simon and Garfunkel.
Available on YouTube

The Vestment Maker. Altarworthy.




The Vestment Maker.
With her Whidbey Island Vestment Company,
Emily Uhl aims to bring beauty into The Liturgy.
Correction: Head Seamstress Claire Wilson’s name
was mis-spelled in this video due to an error in the print story.
Available on YouTube


Illustration: ALTARWORTHY


The following Text and Illustrations are from



When I was about five or six years old, my Dad helped an elderly colleague move. I never knew her name or even where she was moving, but she was a grand-motherly type and her tiny house was filled with “lady things”.

Being raised with my brother by a single Dad, this was the first time I recall ever seeing female things. They were alien. Fascinating. I wanted to touch them all and the kind woman noticed this and took time to show me some of her treasures as she packed them into boxes.

Before we left that evening, she opened a tiny lacquered box, with herons edged in gold, and asked if I knew what the silver dome was inside. I couldn’t guess. 

She asked if I would learn to sew someday, and I assured her “Oh, yes !!!”, without any idea what she was talking about. 

She gave me the box to take home and I never saw her again.


Illustration: ALTARWORTHY

​Decades later that box had remained with me without any real effort on my part. It wasn’t an important trinket. I don’t know why I still have it.

But, ten years ago, I started repairing Vestments (how I became Catholic is a different story), but I suddenly recalled that little orange box and pulled it out to use it for the first time.

A full forty years had passed and I saw it with new eyes.

The graceful name, engraved on the side, stopped me in my tracks . . . Maria.

Wells Cathedral (Part Twenty-Two).



The Great West Front,
Wells Cathedral.
Photo: 30 April 2014.
Source: Own work.
Attribution:
Photo by DAVID ILIFF.
Licence: CC BY-SA 3.0.
Author: Diliff
(Wikimedia Commons)


Text from Wikipedia - the free encyclopædia,
unless stated otherwise.

Another well-known carving is in the North Transept Aisle: a Foliate Corbel, on which climbs a Lizard, sometimes identified as a Salamander, a symbol of Eternal Life.[113][123]

In the Chapter House, the carvings of the fifty-one Stalls include numerous small heads of great variety, many of them smiling or laughing. A well-known figure is the Corbel of the Dragon-Slaying Monk in the Chapter House Stair.

The large continuous Capital that encircles the Central Pillar of the Chapter House is markedly different in style to the Stiff-Leaf of the Early-English period. In contrast to the bold projections and undercutting of the earlier work, it has a rippling form and is clearly identifiable as Grapevine.[124]



Wells Cathedral Choir.
Available on YouTube

Wells Cathedral has one of the finest sets of Misericords in Britain.[128][129] 

Its Clergy has a long tradition of singing or reciting from the Book of Psalms each day, along with the customary daily reading of the Holy Office.

In Mediæval times, the Clergy assembled in the Church eight times daily for the Canonical Hours. As the greater part of the Services was recited while standing, many Monastic or Collegiate Churches fitted Stalls, whose seats tipped up to provide a ledge for the Monk or Cleric to lean against.

These were called “Misericords”, because their installation was an Act of Mercy.[128] 

Misericords typically have a carved figurative bracket beneath the ledge, framed by two floral motifs known, in Heraldic manner, as “supporters”.[128]



“Lux Aurumque”.
Composed by: Eric Whitacre.
Sung by: Wells Cathedral Choir.
Available on YouTube

The Misericords date from 1330 to 1340.[128] They may have been carved under the direction of Master Carpenter John Strode, although his name is not recorded before 1341.

He was assisted by Bartholomew Quarter, who is documented from 1343.[128] They originally numbered ninety, of which sixty-five have survived.[130] Sixty-one are installed in the Choir, three are displayed in the Cathedral, and one is held by the Victoria and Albert Museum.[128]

New Stalls were ordered when the Eastern End of the Choir was extended in the Early-14th-Century. The Canons complained that they had borne the cost of the rebuilding and ordered the Prebendary Clerics to pay for their own Stalls.[128]

When the newly-refurbished Choir opened in 1339, many Misericords were left unfinished, including one-fifth of the surviving sixty-five. 

Many of the Clerics had not paid, having been called to contribute a total sum of £200 [Editor: £100,000, today].



My Performance at Wells Cathedral (First Half).
Available on YouTube

PART TWENTY-THREE FOLLOWS.

“De Profundis”. Requiem Mass For The Empress Eugénie. Farnborough Abbey, England. Black Vestments.


“De Profundis”.
Requiem Mass for The Empress Eugénie.
Farnborough Abbey, England.
Composer: Nicolas-Mammès Couturier
(1840  1911).
Requiem pour L’Imperatrice Eugénie.
Available on YouTube

Saint John Capistran. Confessor. Whose Feast Day Is, Today, 28 March. White Vestments.


Text from The Saint Andrew Daily Missal,
unless stated otherwise.

Saint John Capistran.
   Confessor.
   Feast Day 28 March.

Semi-Double.

White Vestments.


English: Saint John of Capestrano, O.F.M.
Date: Circa 1470.
Deutsch: Johannes Capistranus
Fränkisch-Bambergische Tafelmalerei.
Source: Historisches Museum Bamberg; eingescannt
aus: Alois Niederstätter: 1400 - 1522: das Jahrhundert der Mitte: an der Wende vom Mittelalter zur Neuzeit,
aus der Reihe Österreichische Geschichte,
Wien 1996, ISBN 3-8000-3532-4.
Author: Not known.
(Wikimedia Commons)



Saint John, born at Capistrano, Abruzzi, Italy, on 24 June 1385, entered The Order of Saint Francis at the age of thirty-nine. He was chosen by God to deliver Europe from Islam, which threatened to invade in the 15th-Century.

Mohammed II had taken Constantinople, capital of The Eastern Empire, and was marching on Belgrade. Pope Callistus III decreed a Crusade. Saint John Capistran Preached it in Pannonia and other Provinces.

Supported by the noble Hungarian, John Hunyady, he enrolled 70,000 Christians. These improvised warriors had not other arms but forks and flails. John, whose “strength was The Lord” (Introit), “obtained by their bravery the victory after severe fighting” and, thus, assured the triumph of The Cross over the Crescent (Collect).


That very evening, 120,000 Turks lay dead, or had fled, and Mohammed, wounded, renounced his projects against Christian Europe. Saint John died in 1456.

Let us have recourse to the protection of Saint John and do Penance in order to repel the attacks of The Evil Spirit (Postcommunion).

Mass: Ego autem.
Commemoration (in Lent): Of The Feria.
Last Gospel (in Lent): Of The Feria.



The following Text is from Wikipedia -the free encyclopædia.

Saint John of Capestrano (Italian: San Giovanni da Capestrano, Hungarian: Kapisztrán János, Polish: Jan Kapistran, Croatian: Ivan Kapistran, Serbian: Јован Капистран, Jovan Kapistran) (24 June 1386 – 23 October 1456) was a Franciscan Friar and Catholic Priest from the Italian Town of Capestrano, Abruzzo.

Famous as a Preacher, Theologian, and Inquisitor, he earned himself the nickname of “The Soldier Saint” when, in 1456, aged seventy, he led a Crusade against the invading Ottoman Empire at the Siege of Belgrade, with the Hungarian Military Commander John Hunyadi.

Elevated to Sainthood, he is the Patron Saint of Jurists and Military Chaplains, as well as the namesake of the Franciscan Missions, San Juan Capistrano, in Southern California, and San Juan Capistrano, in San Antonio, Texas.

The Saturday Before Palm Sunday. Violet Vestments.



Peterborough Cathedral.
© Chel@SweetbriarDreams
www.sweetbriardreams.blogspot.co.uk



Text from The Saint Andrew Daily Missal,
unless otherwise stated.

Saturday in Passion Week.

Station at Saint John’s-Before-The-Latin-Gate.

Indulgence of 10 Years and 10 Quarantines.

Violet Vestments.



English: The Portal of the Basilica of
Saint John’s-before-the-Latin-Gate, Rome.
Italiano: San Giovanni a Porta Latina de Rome.
Français: Puits et portique de l’Église
San Giovanni-a-Porta-Latina de Rome.
Photo: July 2009.
Source: Own work.
Author: LPLT
(Wikimedia Commons)




The Lenten Station, on this eve of Palm Sunday, is of a comparatively late origin: Formerly [before the Station at Saint John’s-before-the-Latin-Gate was appointed in the 12th-Century], the Pope spent a part of the day distributing alms [in his Palace, the Basilica of Saint John Lateran] to the Poor, and rested in preparation for the tiring functions of the following days. When, later on, a Mass was appointed for this day, the parts to be sung by the Choir were borrowed from the Mass of yesterday.

The Stational Church chosen for this day was at Saint John’s-before-the-Latin-Gate. It is near the place where the Appian Way branches off, forming, to the Left, the Latin Way.


English: Basilica of Saint John’s-before-the-Latin-Gate.
Français: Nef de l’église San Giovanni-a-Porta-Latina.
Photo: July 2009.
Source: Own work.
Author: LPLT
(Wikimedia Commons)



The Mass sums up all the great Mysteries which are about to fill Holy Week.


English: The Garden of Gethsemane (see, below).
The Church of Maria-Magdalene in the background.
Deutsch: Bild des Garten Gethsemane mit der
Maria-Magdalena-Kirche im Hintergrund.
Photo: July 2006.
Sources:
(Wikimedia Commons)




The Gospel shows us Jesus “The King of Israel” acclaimed by the Jews and, some days later, “Raised from the Earth” and Crucified. In the few Gentiles, who expressed to Philip their desire to see Christ, let us foresee the many recruits that The Church is to make among the heathen Nations.

Jesus is going to die, like the grain of wheat, that He may produce much fruit. For the moment, “His Soul is troubled”, as It will be in The Garden of Gethsemane. But, “it is for that, He has come”, “to Glorify His Father”. And, as a voice from Heaven tells us, this Glorification will be complete, for “the prince of this World shall be cast out” and The Saviour Raised upon a Cross and, reaching to Heaven, “will draw all things to Him”.

The Saviour here reveals to us His Whole Heart, Which wishes, at the price of such cruel sufferings, to ruin our enemy and secure our Salvation.


Five Pairs of Columns.
San Giovanni-a-Porta-Latina.
Photo: May 2009.
Source: Own work.
Author: LPLT
(Wikimedia Commons)



To avoid the effects of Divine Justice, let us die to sin and we shall produce much fruit unto Eternal Life.

Mass: Miserére mihi.
Preface: Of The Holy Cross.



English: Wall of the Narthex,
Basilica of Saint John’s-before-the-Latin-Gate.
Français: Mur du Narthex de l’Église 
San Giovanni a Porta Latina de Rome.
Photo: July 2009.
Source: Own work.
Author: LPLT
(Wikimedia Commons)




The following Text is from Wikipedia - the free encyclopædia.

San Giovanni a Porta Latina (Saint John-before-the-Latin-Gate) is a Basilica Church in Rome, near the Porta Latina (on the Via Latina) of the Aurelian Walls.

A previous holder of the Titular Church was Cardinal Franciszek Macharski ( 2016) former Archbishop of Kraków.


English: His Eminence, Franciszek Macharski,
former Cardinal-Priest of San Giovanni-a-Porta-Latina.
Polski: Homilia kardynała Franciszka Macharskiego w sierpniu 2002 r. (21?) w sanktuarium Miłosierdzia Bożego 
w Łagiewnikach Krakowskich.
Photo: April 2005.
Source: Own work.
Author: Robert Wrzesiński.
(Wikimedia Commons)



The event was referred to in the Roman Martyrology, which was begun in the 7th-Century A.D., when already there was a Celebration of the event.

The Tradition, for the building of the Basilica of Saint John-before-the-Latin-Gate, places its construction during the Pontificate of Pope Gelasius I (492 A.D. - 496 A.D.). 

This is consistent with the oldest of the roof tiles, which have the imprint of a taxation stamp for the Ostrogoth King and Ruler of Italy, Theodoric the Great (reigned 493 A.D. - 526 A.D.). One of these ancient roof tiles is now used in the Basilica as a Lectern.

In the 8th-Century A.D., the Basilica was restored by Pope Adrian I, and, later, the Bell-Tower and Portico were added. 

At the end of the 12th-Century, the Basilica was re-Consecrated by Pope Celestine III. In the 16th- and 17th-Centuries, a Baroque Ceiling and other Baroque features were added to the Interior.


English: Apsidal frescoes in 
San Giovanni-a-Porta-Latina.
Français: Fresques de l'abside de l’église 
San Giovanni a Porta Latina de Rome.
Photo: November 2008.
Source: Own work.
Author: LPLT
(Wikimedia Commons)




In 1940 - 1941, the Baroque features were removed and the Basilica was returned to a more primitive simplicity. 

This last renovation was carried out by the Rosminian Fathers, who, in 1938, were given care of the Basilica and the nearby building, where they opened The Collegio Missionario Antonio Rosmini, which houses their International House of Studies.

The main entrance to the Basilica is fronted by a small Piazza, with a 100-year-old Cedar and an 8th-Century A.D. Well-Head, nearly reproducing this aspect of the Basilica that would have been seen at the re-Consecration by Pope Celestine III in the 12th-Century.

The Portico (or Porch) of the Basilica is supported by four re-used Classical Columns (each of a different Marble) supporting five Arches. 

The main door is framed with a simple mosaic of Red and Green Porphyry.

The Well-Head, from the time of Pope Adrian I, has a double row circular design around its barrel and a Latin inscription completely around its crown: IN NOMINE PAT[RES] ET FILII ET SPI[RITUS SANT]I “In the name of the Father, of the Son, and of the Holy Ghost” and a quote from the Prophet Isaiah: OMN[E]S SITIE[NTES VENITE AD AQUAS] “All you who are thirsty come to the water” and the name of the stone-carver: EGO STEFANUS “I am Stephen”.


English: Marble Columns in the Nave,
Basilica of Saint John’s-before-the-Latin-Gate.
Français: Les colonnes de la nef de l’Église
San Giovanni a Porta Latina de Rome.
Photo: July 2009.
Source: Own work.
Author: LPLT
(Wikimedia Commons)



The Interior of the Basilica is divided into three Naves, divided by two rows of Columns, on which rest semi-circular Arches. 

The two Columns closest to the Sanctuary are of White Marble with deep fluting. The other Columns are of various types of Marble and Granite, capped with a diverse collection of Ionic Capitals. 

The central Nave terminates with a half-hexagon Apse. Each of the three sides of the Apse opens with a large window, filled with Honey-coloured Onyx.

Occupying the Ledge of the central window, is a carved wooden Crucifixion scene, including Saint John the Evangelist and The Blessed Virgin Mary.

In front of the Altar, is a mosaic Pavement in Cosmatesque Style. The geometric pattern of Red and Green Porphyry is framed in White Marble (as well as re-used fragments of White Marble with Latin lettering) and is thought to have been created before the 12th-Century. 

Inserted in the front step of the Altar, is the “Title” of the Basilica, of ancient origin, discovered during the renovations of 1940: “TIT. S. IOANNIS ANTE PORTAM LA[TINAM]”.

In the years 1913-1915, then recently-discovered frescoes were restored above the High Altar. After this work, another search of the face of the Central Nave revealed the presence of a full circle of Mediæval frescoes. The restoration of these frescoes was completed with the full restoration of the Basilica in 1940-1941.

The Central Nave is decorated with about fifty scenes representing the Old and New Testaments, from the Creation of the World to the glorious Apocalypse of the New Jerusalem.


“The Mass Of The Foundation Of The Trinitarian Order”.
Artist: Juan Carreño de Miranda.
Illustration: LOUVRE




Our Lady Of The Atonement Cathedral,
Baguio, Philippines.
Photo: 29 March 2024.
Source: Own work.
This File is made available under the
Author: Galaxiaria
(Wikimedia Commons)



Wells Cathedral.
Photo: August 2006.
Source: Own work.
This File is licensed under the
Author: Steinsky
(Wikimedia Commons)
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