Notre Dame de Rouen. The façade of the Gothic Church in France. Photographer: Hippo1947. Licence: SHUTTERSTOCK.

24 March, 2026

Holy Week 2026. Saint Dominic’s — The Rosary Shrine, London NW5 4LB.



Saint Dominic’s Priory Church, Camden, London.
Photo: 22 November 2017.
This File is licensed under the 
Attribution:
Saint Dominic’s Priory Church, Belsize Park.
Author: John Salmon
(Wikimedia Commons)

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HOLY WEEK 2026.

SAINT DOMINIC’S — THE ROSARY SHRINE,
SOUTHAMPTON ROAD, LONDON.

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MAUNDY THURSDAY
2 April 2026.

 Tenebræ 
1000 hrs.

Mass of the Lord’s Supper
 2000 hrs.

Vigil at the Altar of Repose until Midnight.

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 GOOD FRIDAY
3 April 2026.

 Tenebræ 
1000hrs.

Liturgy of the Lord’s Passion 
1500 hrs.

 Stations of The Cross 
1930 hrs.

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HOLY SATURDAY
4 April 2026.

 Tenebræ 
1000 hrs.

EASTER VIGIL 
(EVENING OF HOLY SATURDAY).

Solemn Easter Vigil 
2000 hrs.

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EASTER SUNDAY MASSES.

 8.30 hrs.
1000 hrs.
1200 hrs.
 1700 hrs
(Latin Dominican Rite).

 Adoration 
1600 hrs.

 Benediction 
1700 hrs.

Vespers 
1845 hrs.

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CONFESSIONS.

 GOOD FRIDAY 
1400 hrs - 1500 hrs.

HOLY SATURDAY
1900 hrs - 2000 hrs.

EASTER SUNDAY
0945 hrs - 1045 hrs 
and 
1145 hrs - 1215 hrs.

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 LENTEN TALKS.

Fr. Peter will give the Final Talk in our Series of Lenten Talks this Thursday, 26 March 2026, 1900 hrs, in the Parish Hall. 

All are welcome.

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The Weekly Newsletter can be read

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The Web-Site can be read

Veiling Of The High Altar During Passiontide. Church Of Saint Anne, Berlin, New Hampshire, United States of America.



The Veiling of The High Altar during Passiontide.
Church of Saint Anne, 
 Berlin, New Hampshire,
United States of America.

Holy Week At Saint-Eugène - Sainte-Cécile, Paris. Semaine Sainte Saint - Eugène - Sainte - Cécile. Triduum Pascal.



Zephyrinus strongly recommends Readers to keep an eye on the Holy Week ceremonies from Saint-Eugène-Sainte-Cécile, Paris, including the Triduum Pascal (Easter Triduum).
For those Readers who cannot Assist at a Traditional Latin Mass, these broadcasts from Paris are a great solace.
Keep a regular watch on their YouTube Channel

The 2025 Holy Week ceremonies can be seen at

“Dullborough Town”. Charles Dickens Describes A Visit To His Childhood Home.



Number 2, Ordnance Terrace, Chatham 
(Dullborough Town), Kent.
Dickens’ childhood home from 1817-1821.
Text and Illustrations: THE CHARLES DICKENS PAGE




“Dickens’s Dream”.
By: Robert W. Buss.

Robert William Buss was hired by Dickens’s 
publishers, Chapman and Hall, to provide two 
illustrations for Pickwick Papers after the original 
illustrator, Robert Seymour, committed suicide. 
The publishers were disappointed with the illustrations provided by Buss (Kitton, 1899, p. 51) and the job 
went to Hablot Browne
Buss, however, remained a life-long admirer of 
Dickens and produced several paintings celebrating 
the author’s works.
The watercolour, “Dickens’s Dream”, showing the 
author surrounded by the characters he created, 
was done after Dickens’ death in 1870. 
Buss did not live to complete the painting. 
The painting is now in the Charles Dickens Museum, London (Schlicke, 1999, p. 64-65).


A Charles Dickens Article 
from “All The Year Round”, June 1860.

“Dullborough Town”.
Charles Dickens describes a visit to his childhood home.

Charles Dickens, at age forty-eight, describes a trip 
to his childhood home of Chatham, Kent, which he refers to 
as “Dullborough Town”, and finds it “mysteriously gone, 
like my own youth”. 

First published in Dickens’ Weekly Journal 


It lately happened that I found myself rambling about the scenes among which my earliest days were passed; scenes from which I departed when I was a child, and which I did not revisit until I was a man. 

This is no uncommon chance, but one that befalls some of us any day; perhaps it may not be quite uninteresting to compare notes with the reader respecting an experience so familiar and a journey so uncommercial.

I call my boyhood’s home (and I feel like a Tenor in an English Opera when I mention it) Dullborough. Most of us come from Dullborough who come from a Country Town.


As I left Dullborough in the days when there were no Railroads in the land, I left it in a Stage-Coach [Editor: Dickens states that the name of the Stage-Coach was “The Blue-Eyed Maid”].

 Through all the years that have since passed, have I ever lost the smell of the damp straw in which I was packed - like Game - and forwarded, Carriage Paid, to the Cross Keys Public House, Wood-street, Cheapside, London ? 

There was no other inside passenger, and I consumed my sandwiches in solitude and dreariness, and it rained hard all the way, and I thought life sloppier than I had expected to find it [Editor: It is noteworthy to mention that Dickens used the name “Sloppy” for a character in “Our Mutual Friend”].


With this tender remembrance upon me, I was cavalierly shunted back into Dullborough the other day, by Train. My ticket had been previously collected, like my taxes, and my shining new portmanteau had had a great plaster stuck upon it, and I had been defied by Act of Parliament to offer an objection to anything that was done to it, or me, under a penalty of not less than forty shillings or more than five pounds, compoundable for a term of imprisonment. 

When I had sent my disfigured property on to the hotel, I began to look about me; and the first discovery I made, was, that the Railway Station had swallowed up the playing-field.


It was gone. The two beautiful Hawthorn-Trees, the Hedge, 
the Turf, and all those Buttercups and Daisies, had given 
place to the stoniest of jolting roads: while, beyond the Railway Station, an ugly dark monster of a Railway Tunnel kept its jaws open, as if it had swallowed them and were ravenous for more destruction. 


The Stage-Coach that had carried me away, was 
melodiously called Timpson’s “Blue-Eyed Maid” 
[Editor: Up until fairly recently, there was still a Timpson’s Coach Company running Motor Coaches for hire], and belonged to Timpson, at the Coach-Office “up-Street”.

The Locomotive Engine, that had brought me back 
to Dullborough, was called, severely, “No. 97”, and 
belonged to S.E.R. [Editor: South-Eastern Railway], and 
was spitting ashes and hot water over the blighted ground.

The remainder of this fascinating Article and its glimpse into the past, and Dickens’s thoughts on the same, can be found at 

Tuesday In Passion Week. Violet Vestments.



Text from The Saint Andrew Daily Missal,
unless stated otherwise.

Tuesday in Passion Week.

Station at Saint Cyriacus.

Indulgence of 10 years and 10 Quarantines.

Violet Vestments.

The Church today unites the memory of a Martyr with that of The Passion of Jesus in making the Station in the Church of the Holy Deacon Cyriacus, martyred under Diocletian at the gates of Rome.

This Church, one of the twenty-five Parish Churches of Rome in the 5th-Century A.D., having been destroyed, the body of the Holy Martyr was translated to beneath The High Altar of Saint Mary in Via Lata, which became the place of assembly for this day.

The Epistle and Gospel tell us of the approaching Passion of The Messiah and of the rejection of Israel, who is replaced by the Gentiles in The Church.


“Daniel, who has destroyed Bel and slain the Dragon” (Epistle) is Jesus Who denounces the crimes and sins of the World (Gospel). The Babylonians sought to destroy the Prophet by throwing him as food to the hungry Lions. The Jews also “sought to kill Jesus” and for this dark design “their hour is always at hand”.

But, like Daniel, full of fortitude, He awaits the Lord (Introit), and God, “Who does not abandon those who love and seek Him” (Epistle, Offertory), “delivers Him from unjust men and from all the ills that threaten Him” (Gradual, Communion).

“Those who had wished to destroy Daniel were themselves thrown to the Lions and devoured instantly” (Epistle). In the same way, the deicide nation suffered the penalty of its crime. Forty years later, a million Jews taken in Jerusalem were exterminated by the Roman Legions, after five long months of famine.

Fearing the chastisement of Divine Justice, let us persevere in the expiatory practice of Fasting in order that we may be made worthy of the eternal reward accorded to the Just (Collect).

Preface: Of The Holy Cross.

Forget Television. Pick Up A Charles Dickens Book And Get Your Life Back. Read All About It At . . . “The Charles Dickens Page”.





Text and Illustrations: 



Charles Dickens. 
The name conjures up visions of plum pudding and Christmas punch, quaint coaching inns and cosy firesides, but also of orphaned and starving children, misers, murderers, and abusive schoolmasters. 

Dickens was 19th-Century London personified; he survived its mean streets as a child and, largely self-educated, possessed the genius to become the greatest writer of his age.

Charles Dickens was born on 7 February 1812, 
the son of a clerk at the Navy Pay Office.




Charles Dickens at the Front Door of his house 
at Gad’s Hill Place, near Gravesend, Kent, England.



His father, John Dickens, continually living beyond his means, was imprisoned for debt in the Marshalsea Prison in 1824. 

12-year-old Charles was removed from school and 
sent to work at a boot-blacking factory earning 
six shillings a week to help support the family.

This dark experience cast a shadow over the clever, sensitive, boy, that became a defining experience in his life, he would later write: “It is wonderful to me how I could have been so easily cast away at such an age” (Forster, 1899, v. 1, p. 25).

This childhood poverty and feelings of abandonment, 
although unknown to his readers until after his death, would be a heavy influence on Dickens’ later views on social reform and the World he would create through his fiction.



Dickens would go on to write 15 major novels
including:





and his personal favourite,



He will forever be associated with the celebration of Christmas due to his Christmas Books, the most popular being 

Dickens also edited, and contributed to, weekly journals Household Words and All The Year Round. Near the end of 
his life, he travelled throughout Britain and America 
giving public readings of his works.

Charles Dickens died an old man of fifty-seven, 
worn out with work and travel, on 9 June 1870. 


He wished to be buried, without fanfare, in a small cemetery 
in Rochester, Kent, but the Nation would not allow it. 

He was laid to rest in Poet’s Corner, Westminster Abbey
the flowers from thousands of mourners 
overflowing the open grave. 

Among the more beautiful bouquets, were many 
simple clusters of wildflowers, wrapped in rags.

Forget Television.

Pick up a Charles Dickens Book and get your life back.

Read all about it at . . .

Hymn: “Tibi Christe Splendor Patris”. The Vespers Hymn For The Feast Of Saint Gabriel On 24 March. White Vestments.



Illustrations and Text from


Saint Gabriel. The Archangel.

 






Polyptych of The Resurrection:
The Archangel Gabriel.
Artist: Titian (1490–1576).
Date: 1522.
Current location: Santi Nazaro e Celso, Brescia, Italy.
Source/Photographer: Web Gallery of Art
(Wikimedia Commons)





Illustration: SACRAMENTALS



Text from “The Liturgical Year”.
   By: Abbot Guéranger, O.S.B.
   Volume 5.
   Lent.


So far, in The Church’s Calendar, we have not met with any Feast in honour of The Holy Angels. Amidst the ineffable joys of Christmas night, we mingled out timid, but glad, voices with the Hymns of these Heavenly Spirits, who sang around the Crib of Our Emmanuel.

The very recollection brings joy to our hearts, saddened as they nor are by Penitential feelings and by the near approach of the mournful anniversary of our Jesus’s death.

Let us, for a moment, interrupt our sadness, and keep the Feast of the Archangel Gabriel. Later on, we shall have Michæl, Raphæl, and the countless host of The Angel Guardians.


But, today, the Eve of The Annunciation, it is just that we should honour Gabriel. Tomorrow, we shall see this Heavenly ambassador of The Blessed Trinity coming down to The Virgin of Nazareth.

Let us, therefore, recommend ourselves to him, and beseech him to teach us how to celebrate, in a becoming manner, the grand mystery of which he was a messenger.

Gabriel is one of the first of the Angelic Kingdom. He tells Zachary that he stands before the face of God. He is the Angel of the Incarnation, because it is in this mystery , which apparently is so humble, that the power of God is principally manifested.







And “Gabriel” signifies “The Strength of God”.

We find the Archangel preparing for this sublime office, even in The Old Testament. First of all, he appeared to Daniel, after this Prophet had had the vision of the Persian and Grecian empires; and such was the majesty of his person that Daniel fell on his face trembling.

Shortly afterwards, he appeared again to the same Prophet, telling him the exact time of the coming of The Messias: “Know thou and take notice; that from the going forth of the word to build up Jerusalem again, unto Christ The Prince, there shall be seven weeks and sixty-two weeks”, that is sixty-nine weeks of years.

When the fullness of time had come, and Heaven was about to send the last of the Prophets, who, after Preaching to men the approach of The Messias, is to show Him to the people, saying: “Behold The Lamb of God, Who taketh away the sins of the world”, Gabriel descends from Heaven to the temple of Jerusalem, and prophesies to Zachary the birth of John the Baptist, which was to be followed by that of Jesus, Himself.







Six months later on, the Holy Archangel again appears on Earth; and this time it is Nazareth that he visits. He brings the great message from Heaven. Angel as he is, he reveres the humble Maid, whose name is Mary; he has been sent to her by The Most High God, to offer her the immense honour of becoming The Mother of The Eternal Word.

It is Gabriel that receives the great “Fiat”, the consent of Mary; and, when he quits this Earth, he leaves it in possession of Him, for Whom it had so long Prayed in those words of Isaias: “Drop down Dew, O, ye heavens !”

The hour at length came, when The Mother of The Emmanuel was to bring forth the Blessed Fruit of her virginal womb. Jesus was born amidst poverty; but Heaven willed that His Crib should be surrounded by fervent adorers.







An Angel appeared to some shepherds, inviting them to go to the stable near Bethlehem [Editor: Hebrew name for “House of Bread”]. He is accompanied by a multitude of the heavenly army, sweetly singing their Hymn: “Glory to God in the highest, and on Earth peace to men of good will !”

Who is this Angel that speaks to the shepherds, and seems as the Chief of the other Blessed Spirits that are with him ?

In the opinion of several learned writers, it is the Archangel Gabriel, who is continuing his ministry as messenger of the good tidings.


Lastly, when Jesus is suffering His agony in the Garden of Gethsemani, an Angel appears to Him, not merely as a witness of His sufferings, but that he might strengthen Him under the fear His human nature felt at the thought of the chalice of The Passion He was about to drink.

Who is this Angel ? It is Gabriel, as we learn not only from the writings of several holy and learned authors, but also from a Hymn which the Holy See has permitted to be used in The Liturgy: “Mentibus lætis jubilemus omnes . . .”.

These are the claims of the great Archangel to our veneration and love; these are the proofs he gives of his deserving his beautiful name, “The Strength of God”.







God has employed him in each stage of the great work, in which He has chiefly manifested His power; for Jesus, even on His Cross, is the Power of God, as the Apostle tells us.

Gabriel prepares the way for Jesus. He foretells the precise time of His coming; he announces the birth of His Precursor; he is present at the solemn moment when The Word is made Flesh; he invites the shepherds of Bethlehem to come to the Crib, and adore the Divine Babe; and when Jesus, in His agony, is to receive strength from one of His own creatures, Gabriel is found ready in the Garden of Gethsemani, as he had been at Nazareth and Bethlehem.

Let us, then, honour The Angel of the Incarnation. For this purpose, let us recite in his praise some of the pieces which Liturgical piety has composed for his Feast Day.


Two Hymns from the old Franciscan Breviary may now be sung:

“Mentibus lætis jubilemus omnes . . .”;

and

“En noctis medium: Surgite propere . . .”

In addition, the Dominican Breviary contains this beautiful Hymn in honour of The Holy Archangel Gabriel:

“O, Robur Domini, lucide Gabriel . . .”

Wells Cathedral (Part Twenty-One).



The Great West Front,
Wells Cathedral.
Photo: 30 April 2014.
Source: Own work.
Attribution:
Photo by DAVID ILIFF.
Licence: CC BY-SA 3.0.
Author: Diliff
(Wikimedia Commons)


Text from Wikipedia - the free encyclopædia,
unless stated otherwise.

The Great East Window was restored to a semblance of its original appearance by Thomas Willement in 1845. The other windows have complete Canopies, but the pictorial sections are fragmented.[1]

The East Window of the Choir is a broad, Seven-Light Window dating from 1340 to 1345. It depicts the Tree of Jesse (the genealogy of Christ) and demonstrates the use of Silver Staining, a new technique that allowed the artist to paint details on the glass in Yellow, as well as Black.[121]



Stained-Glass Windows,
The Lady Chapel, Wells Cathedral.
Photo: 9 July 2014.
Source: Own work.
Attribution:
Photo by DAVID ILIFF.
Licence: CC BY-SA 3.0.
Author: Diliff
(Wikimedia Commons)

The combination of Yellow and Green glass and the application of the Bright Yellow stain gives the window its popular name, the “Golden Window”.[113] It is flanked by two windows each side in the Clerestory, with large figures of Saints, also dated to 1340 – 1345.[122] In 2010, a major conservation programme was undertaken on the Jesse Tree window.[68]

The panels in the Chapel of Saint Katherine are attributed to Arnold of Nijmegen and date from about 1520.[1] They were acquired from the destroyed Church of Saint-Jean, Rouen,[119] with the last panel having been purchased in 1953.[1]

The large triple Lancet to the Nave’s West End was glazed at the expense of Dean Creighton at a cost of £140 in 1664 [Editor: That would be £24,000, today]. It was repaired in 1813, and the Central light was largely replaced to a design by Archibald Keightley Nicholson between 1925 and 1931.



Stained-Glass Window, Wells Cathedral.
Date: 14 February 2008.
This File is licensed under the
Author: IDS.photos,Tiverton, U.K.
(Wikimedia Commons)

The greater part of the Stone Carving of Wells Cathedral comprises Foliate Capitals in the Stiff-Leaf Style. They are found ornamenting the Piers of the Nave, Choir and Transepts.

Here, the carving of the foliage is varied and vigorous, the springing Leaves and deep undercuts casting shadows that contrast with the surface of the Piers.[123]

In the Transepts and towards the Crossing in the Nave, the Capitals have many small figurative carvings among the Leaves. These include a man with toothache and a series of four scenes depicting the “Wages of Sin” in a narrative of fruit-stealers, who creep into an orchard and are then beaten by the farmer.



Misericord, Wells Cathedral.
Photo: 12 April 2013.
Source: Own work.
This File is licensed under the
Author: Rodw
(Wikimedia Commons)

PART TWENTY-TWO FOLLOWS.
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