Notre Dame de Rouen. The façade of the Gothic Church in France. Photographer: Hippo1947. Licence: SHUTTERSTOCK.

19 June, 2026

Metropolitan Cathedral-Basilica Of The Nativity Of Saint Mary, Milan. Basilica Cattedrale Metropolitana Di Santi Maria Nascente, Milano. (Part Seven ).



English: Milan Cathedral.
Italiano: Milano - Duomo.
This File: 30 January 2014.
Source: Own work.
This file is licensed under the
(Wikimedia Commons)


The following Text is from Wikipedia - the free encyclopaedia,
unless stated otherwise.


In 1577, Borromeo finally Consecrated the whole edifice as a new Church, distinct from the old Santa Maria Maggiore and Santa Thecla (which had been unified in 1549 after heavy disputes).

At the beginning of the 17th-Century, Federico Borromeo had the Foundations of the new façade laid by Francesco Maria Richini and Fabio Mangone. Work continued until 1638 with the construction of five Portals and two Middle Windows.

In 1649, however, the new Chief Architect, Carlo Buzzi, introduced a striking revolution: The façade was to revert to the original Gothic Style, including the already finished details within big Gothic Pilasters and two giant Belfries.



Milan Cathedral at night.
Photo: 22 February 2014.
Source: Own work.
Attribution:
© José Luiz Bernardes Ribeiro /CC BY-SA 3.0
Author: José Luiz.
(Wikimedia Commons)

Other designs were provided by, among others, Filippo Juvarra (1733) and Luigi Vanvitelli (1745), but all remained un-applied. In 1682, the façade of Santa Maria Maggiore was demolished and the Cathedral’s Roof covering was completed.

In 1762, one of the main features of the Cathedral, the Madonnina’s Spire, was erected at the dizzying height of 108.5 metres (355 feet high). The Spire was designed by Carlo Pellicani and has, at the top, a famous polychrome Madonnina statue, designed by Giuseppe Perego, that befits the stature of the Cathedral.[13]

Given Milan’s notoriously damp and foggy climate, the Milanese consider it a fair-weather day when the Madonnina is visible from a distance, as it is so often covered by mist.



The Apse Ceiling of Milan Cathedral.
Photo: 27 June 2016.
Source: Own work.
Author: Darafsh
(Wikimedia Commons)

PART EIGHT FOLLOWS.

“El Cant De La Sibilla”. Catalunya. Montserrat Figueras (Soprano). La Capella Reial De Catalunya. Director: Jordi Savall.



“El Cant de la Sibilla”.
Catalunya.
Montserrat Figueras (Soprano).
 La Capella Reial de Catalunya.
Director: Jordi Savall.
Available on YouTube

Montserrat Figueras i García, 15 March 1942 – 23 November 2011, was a Catalan Soprano, who specialised in Early Music.

Figueras was born 15 March 1942 in Barcelona, Spain.[1][3] 

After initially training as an actress, she began studying Early Singing techniques in 1966, together with her sister, Pilar Figueras, and developed an approach and technique for singing Early Music which combined historical fidelity with vitality.[4][5]

In 1974, she and Jordi Savall, her husband since 1968, 
Lorenzo Alpert and Hopkinson Smith formed Hespèrion XX (later, Hespèrion XXI), an Early Music ensemble. 


English: 
The Cloisters of Santa Maria de Pedralbes Monastery, Barcelona, Catalonia, Spain. The funeral of Montserrat Figueras was held in this Monastery in November 2011.
Català: 
Claustre del monestir de Santa Maria de Pedralbes, Barcelona.
Photo: 22 September 2006.
Source: Own work.
This File is licensed under the 
Author: Marc Figueras: Oersted.
(Wikimedia Commons)

Figueras and her husband also Founded the groups La Capella Reial de Catalunya and Le Concert des Nations.

Figueras performed and recorded regularly as a solo artist, and she and her husband also performed with their children, daughter Arianna and son Ferran.[6]

She died on 23 November 2011 in Cerdanyola del Vallès, surrounded by her family, after a long battle with Cancer.[2][7] 

The funeral was held at the Monastery of Pedralbes in Barcelona.[8]

Saint Gervase And Saint Protase. Martyrs. Feast Day, Today, 19 June. Red Vestments.


Text from The Saint Andrew Daily Missal,
unless otherwise stated.

Saint Gervase And Saint Protase.
   Martyrs.
   Feast Day 19 June.

Simple.

Red Vestments.



Saints Gervasius and Protasius.
Detail from the Apparition to Saint Ambrose.
Artist: Philippe de Champaigne (1602–1674).
Date: 1658.
Source: Own work.
Author:
(Wikimedia Commons)


Sons of Saint Vitalis and Saint Valeria, these two Saints were Martyred under Emperor Nero at Milan (1st-Century A.D.). Saint Gervase was beaten to death, and Saint Protase, after having been scourged, was beheaded.

Saint Ambrose discovered their bodies in 368 A.D.

Their names are included in the Litany of the Saints.

Mass: Loquétur Dominus.
Collects: Of the Mass: Salus Autem, but the names of the Saints are omitted in the Secret.


The following Text is from Wikipedia - the free encyclopædia.

Saints Gervasius and Protasius (also Saints Gervase and Protase, Gervasis and Prothasis, and, in French, Gervais and Protais) are Venerated as Christian Martyrs, probably of the 2nd-Century A.D.

They are the Patron Saints of Milan and of Hay Makers, and are invoked for the discovery of thieves. Their Feast Day in the Latin Rite of the Catholic Church is 19 June, the day marking the Translation of their Relics.

In the Eastern Orthodox Church and in the Eastern Rites of the Catholic Church, their Feast takes place on 14 October (O.S.) / 24 October (N.S.), the Traditional day of their death. In Christian iconography their emblems are the Scourge, the Club and the Sword.

Church Of Santa Maria Di Monserrato, Rome.



English: Church of Santa Maria di Monserrato, Rome.
Deutsch: Rom, die Kirche Santa Maria di Monserrato.
Photo: 28 January 2015.
Source: Own work.
Author: Dguendel
(Wikimedia Commons)


Text from Wikipedia - the free encyclopædia,
unless stated otherwise.

The Spanish National Church of Santiago and Montserrat, in Rome, known as the Church of Holy Mary in Monserrat of the Spaniards (Italian: Santa Maria in Monserrato degli Spagnoli, Spanish: Santa María de Montserrat de los Españoles, Latin: S. Mariæ Hispanorum in Monte Serrato) is a Roman Catholic Titulus Church and National Church in Rome of Spain, dedicated to the Virgin of Montserrat


It was established as a Titular Church in 2003. In May 2025, the Cardinal Priest of the Titulus S. Mariae Hispanorum in Monte Serrato is José Cobo Cano.[1]

San Giacomo degli Spagnoli was erected in 1450 on the site of an earlier Church. By 1506, it was the location of two hospices for Spanish Pilgrims and the National Church of the Crown of Castile in Rome.[2]


Santa Maria in Monserrato degli Spagnoli was Founded in 1506, when the Brotherhood of the Virgin of Montserrat in Catalonia built a hospice for Spanish Pilgrims.[3] It served as the National Church and hospital for the Aragonese community in Rome.

When Santa Maria in Monserrato degli Spagnoli was completed in the 17th-Century, the focus of the community shifted to that Church.

San Giacomo degli Spagnoli was in poor repair, and many of the furnishings and artworks were transferred to Santa Maria in Monserrato, which is now the Spanish National Church. San Giacomo degli Spagnoli was later de-Consecrated and the building sold to the Missionaries of The Sacred Heart.[4]

Saint Juliana Falconieri (1270-1340). Virgin. Feast Day, Today, 19 June. White Vestments.


Text is from The Saint Andrew Daily Missal,
unless otherwise stated.

Saint Juliana Falconieri.
   Virgin.
   Feast Day 19 June.

Double.

White Vestments.



Born at Florence, Italy, in 1270, of the illustrious family of Falconieri, Juliana, from childhood, gave such signs of Holiness that her uncle, Saint Alexis Falconieri, declared to her mother that she had given birth to an Angel. Never in the course of her life did she raise her eyes to look at a man's face, and to hear sin spoken of made her tremble (Introit).

At the age of fifteen, she Solemnly Consecrated her Virginity to God (Epistle, Gospel).

"O, Juliana, only longing for the nuptials of The Heavenly Lamb, you leave your paternal roof and conduct a Choir of Virgins. You sigh night and day for the sorrows of your Spouse, nailed to The Cross, and you shed tears at the feet of The Mother of God, whose heart is pierced by Seven Swords." [Hymn at First Vespers.]


English: The Basilica Santissima Annunziata, Florence, Italy.
Saint Juliana Falconieri's major Shrine is in this Basilica.
Italiano: Basilica della santissima annunziata.
Photo: 3 June 2007.
Source: Own work.
Author: sailko
(Wikimedia Commons)

Having Founded The Order of Mantellate [Editor: They were called Mantellate on account of the short Mantle they wore], she was asked by Saint Philip Beniti to take charge of the whole Order of Servites, which honours in a special manner The Sorrows of The Virgin.

On two days a week her only food was The Bread of Angels. At the age of seventy, not being able to retain any food, she lamented the impossibility of receiving Holy Communion. She asked that at least The Blessed Sacrament should be held near her heart and The Sacred Bread miraculously disappeared, leaving an impression in the shape of a Host representing the image of Jesus crucified (Collect). She then breathed her last and was joyfully conducted to The Throne of The Divine King (Gradual). It was 19 June 1341.

Let us beseech The Holy Ghost to grant that we may, like Saint Juliana, be nourished and strengthened in our agony by The Body of Christ, Which will be our viaticum to The Heavenly Home (Collect).

Mass: Dilexísti.
Commemoration: Saint Gervase and Saint Protase. Martyrs.


Red Cloud, Nebraska, United States of America.
This 1883 Church is Listed in the 
Photo: 4 September 2010.
Source: Own work.
Author: Ammodramus
(Wikimedia Commons)

The following Text is from Wikipedia - the free encyclopædia.

Juliana Falconieri, O.S.M., (1270 – 1341) was the Italian Foundress of the Religious Sisters of the Third Order of Servites (or the Servite Tertiaries).

The Servite Order was approved by Pope Martin V in 1420. Pope Benedict XIII recognised the devotion long paid to her and granted the Servites permission to Celebrate the Feast of the Blessed Juliana.

Pope Clement XII Canonised her in 1737, and extended the Celebration of her Feast Day, 19 June, to the Entire Church. Saint Juliana is usually represented in the Habit of her Order, with a Host upon her breast. Truly, a most excellent Saint.

Saint Juliana Falconieri was Beatified on 26 July 1678, in Rome, by His Holiness Pope Innocent XI.

She was Canonised on 16 June 1737, in Rome, by His Holiness Pope Clement XII.

Her major Shrine is in the Basilica of the Santissima Annunziata, Florence, Italy.

18 June, 2026

Saint Mark And Saint Marcellianus. Martyrs. Feast Day, Today, 18 June. Red Vestments.


Text from The Saint Andrew Daily Missal,
unless otherwise stated.

Saint Mark And Saint Marcellianus.
   Martyrs.
   Feast Day 18 June.

Simple.

Red Vestments.


Saint Mark and Saint Marcellianus.
Illustration: CATHOLICSAINTS.INFO

Brothers by birth, Mark and Marcellianus were brothers especially because they generously shed their blood for the sake of Christ (Alleluia). Persecuted for their Faith, like the Prophets and the Apostles (Gospel), they were arrested under Emperor Diocletian and were nailed by the feet to a post, where they remained hanging.

The Holy Ghost, Who filled their hearts with the Holy Love of God and the hope of an Eternal reward, sustained them in their torments (Epistle) and protected them in their tribulations (Introit). “Never”, they exclaimed, “have we enjoyed such delights as those we feel in suffering for Jesus Christ.”

After a day and night of suffering, they were pierced with arrows, in 286 A.D., and their Souls, “delivered like the sparrow from the bird-catcher’s net” (Offertory), entered for ever “into the Kingdom which had been prepared for them from the beginning of the World” (Communion).

On this day, The Anniversary of the Heavenly Birth of these two Holy Martyrs, let us ask God, through their Intercession, to deliver us from all the ills that threaten us (Collect).

Mass: (In Paschaltide): Sancti tui.
Mass: (Out of Paschaltide): Salus autem.
Rest of the Mass is Proper to the Feast.

Saint Ephrem. Deacon. Confessor. Doctor Of The Church. Feast Day 18 June. White Vestments.


Text from The Saint Andrew Daily Missal,
unless otherwise stated.

Saint Ephrem.
   Deacon.
   Confessor.
   Doctor of The Church.
   Feast Day 18 June.

Double.

White Vestments.


English: Roumanian Icon of Saint Ephrem-the-Syrian.
Français: Photo d'une icône roumaine de St Ephrem le Syrien (diacre et docteur de l'Eglise dit "La Harpe de l'Esprit" ou encore "La cithare de Marie"), icône écrite par une sœur orthodoxe près d'Oradea en avril 2005, prise de vue par Geoffroy Blanc (le propriétaire de l'icône).
Date: 7 June 2006 (original upload date).
Source: Transferred from fr.wikipedia
Transferred to Commons by 
Author: Original uploader 
(Wikimedia Commons)


Newly-excavated Church of Saint Jacob (`Idto d-Mor Y`aqub),
in Nisibis, Turkey, where Saint Ephrem taught and ministered.
Photograph by Gareth Hughes
Photo: 12 April 1999.
Source: Own work assumed (based on Copyright claims).
Author: Garzo assumed (based on Copyright claims).
(Wikimedia Commons)

Saint Ephrem was born in Nisibis, Mesopotamia, and was one of the Lights of The Church (Gospel). His father, a pagan priest, cast him out of his home. He then went as a Hermit in the desert and was Ordained Deacon of Edessa (Communion).

Led by The Holy Ghost to Caesarea, in Cappadocia, he there met Saint Basil. In order to refute the numerous errors which were being spread by the prayers and canticles of the Heretics, he wrote poems and Christian Hymns, celebrating the Mysteries of The Lives of Christ, The Blessed Virgin Mary, and The Saints. That is why he is called "The Harp of The Holy Ghost". He always had a great devotion to Our Lady.

He died at Edessa in 375 A.D., under the Emperor Valens. Pope Benedict XV proclaimed him a Doctor of The Universal Church (Collect).

Let us ask God, through the intercession of Saint Ephrem, to defend His Church against the snares of error and wickedness (Collect).

Mass: In médio.
Commemoration: Saint Mark and Saint Marcellianus. Martyrs.

17 June, 2026

“Missa Papæ Marcelli”. Composer: Giovanni Pierluigi da Palestrina. Sung By: The Tallis Scholars. Director Of Music: Peter Phillips.




“Missa Papæ Marcelli”.
Composer: Giovanni Pierluigi da Palestrina.
Sung By: The Tallis Scholars.
Director of Music: Peter Phillips (conducting).
Available on YouTube

“Missa Papæ Marcelli”.
Giovanni Pierluigi da Palestrina 
(circa 1525 – 2 February 1594).

Sistine Chapel ceiling fresco painting by Michelangelo (between 1508 and 1512) is displayed on the right side 
of the video and the music on the left. 

On Saturday, 28 April 1565, by order of Cardinal 
Vitellozzi, all the singers of the Papal Chapel were 
gathered together at his residence. 

Cardinal Borromeo was already there, together 
with all the other six Cardinals of the Papal Commission. 

Palestrina was there as well . . . they sang three 
Masses, of which the “Pope Marcellus Mass” 
(“Missa Papæ Marcelli”) was the last.

The greatest and most incessant praise was given 
to the third Mass, which was extraordinarily acclaimed 
and, by virtue of its entirely novel character, astonished 
even the performers themselves. 

Their Eminences heaped their congratulations on the Composer, recommending to him to go on writing in that style and to communicate it to his pupils. — Quoted in Taruskin, Richard, and Weiss, Piero. Music in the Western World: 
A History in Documents. Schirmer, 1984, p.142. 

One of Palestrina’s most important works, 
the “Missa Papæ Marcelli” (“Pope Marcellus Mass”) has 
been historically associated with erroneous information involving the Council of Trent. 

According to this tale (which forms the basis of Hans 
Pfitzner’s Opera “Palestrina”), it was composed in order 
to persuade the Council of Trent that a draconian ban 
on the polyphonic treatment of text in Sacred Music 
(as opposed, that is, to a more directly intelligible 
homophonic treatment) was unnecessary. 

However, more recent scholarship shows that this 
Mass was in fact composed before the Cardinals convened 
to discuss the ban (possibly as much as ten years before). 

Historical data indicates that the Council of Trent, as an Official Body, never actually banned any Church Music and failed to make any ruling or official statement on the subject. 

These stories originated from the unofficial points-of-view 
of some Council attendees, who discussed their ideas 
with those not privy to the Council’s deliberations. 

Those opinions and rumours have, over Centuries, 
been transmuted into fictional accounts, put into print, 
and often incorrectly taught as historical fact. 

While Palestrina’s compositional motivations are not known, he may have been quite conscious of the need for intelligible text; however, this was not to conform with any doctrine of the Counter-Reformation, because no such doctrine exists. 

xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx

From notes of Peter Philllips 
(Director of Music. The Tallis Scholars) © 2007.

The story of the “Missa Papæ Marcelli” is difficult to fix in fact. 

The myth holds that the Cardinals attending the Council of Trent were about to decide that singing Polyphony in Church Services was unacceptable, for reasons ranging from the inaudibility of the texts to the complaint that Polyphony was too sensuous and too intellectualised (quite a complaint !). 

There was a move to re-instate Plainchant 
as the only permissible Church Music. 

One of the leading figures in the debate was the man who became Pope Marcellus II in 1555, and it is probable, given the title of the eventual composition, that Marcellus asked Palestrina to write a piece which would show the World that part-music could be both concise and musically valuable. 

Certainly in two of its movements—the Gloria and Credo—the “Missa Papæ Marcelli” has a precision of word-setting which was innovative, though the other three movements are much more elaborate, and the second Agnus Dei possibly the most mathematically complex movement Palestrina ever wrote. 

The evidence is rather confused, then, though it is 
surely significant that the syllabic style of the Gloria 
and Credo was recognised at the time as being novel.

When the Mass came to be published in 1567, it was 
prefaced with the words “novo modorum genere” 
(broadly speaking “a new form of expression”).

“Song Of Songs”. Composed By: Palestrina. Sung By: The Sixteen.



“Song Of Songs”.
Composed By: Palestrina.
Sung By: The Sixteen.
Available On YouTube

Absurd Victorian Occupations.


Hospital Stops Abortions After Every Single Doctor Signs Pledge Refusing to Do Them. You See. It Can Be Done !!!




Illustration: LIFE NEWS

Please note: This Article is a Re-Post from 2016.

This Article can be read in full at LIFE NEWS

INTERNATIONAL STEVEN ERTELT 31 MAY 2016 | 11:23AM WARSAW, POLAND

A hospital in Poland has stopped doing ABORTIONS, after every single Physician there signed a pledge refusing to do them.

This good news is a lesson for The United States and other Countries where ABORTION is legal — that getting Doctors to stand up for Life and The Hippocratic Oath is a method of protecting Women and unborn Children.


16 June, 2026

Metropolitan Cathedral-Basilica Of The Nativity Of Saint Mary, Milan, Italy. Basilica Cattedrale Metropolitana Di Santi Maria Nascente, Milano. (Part Six).



English: Milan Cathedral.
Italiano: Milano - Duomo.
This File: 30 January 2014.
Source: Own work.
This file is licensed under the
(Wikimedia Commons)


The following Text is from Wikipedia - the free encyclopaedia,
unless stated otherwise.

After the accession of Carlo Borromeo to the Archbishop’s Throne, all Lay Monuments were removed from the Duomo. These included the tombs of Giovanni, and Filippo Maria Visconti, Francesco I and his wife Bianca, Galeazzo Maria, which were taken to unknown destinations.

However, Borromeo’s main intervention was the appointment, in 1571, of Pellegrino Pellegrini as Chief Engineer — a contentious move, since to appoint Pellegrino, who was not a Lay Brother of the Duomo, required a revision of the Fabbrica’s statutes.

Borromeo and Pellegrini strove for a new Renaissance appearance for the Cathedral, that would emphasise its Roman / Italian nature, and subdue the Gothic Style, which was now seen as foreign.



English: The Nave, Milan Cathedral.
Italiano: Interno del Duomo di Milano.
Photo: 13 January 2007.
Source: Own work.

As the façade still was largely incomplete, Pellegrini designed a “Roman” Style, with Columns, Obelisks, and a large Tympanum.

When Pellegrini’s design was revealed, a competition for the design of the façade was announced, and this elicited nearly a dozen entries, including one by Antonio Barca.[12]

This design was never carried out, but the interior decoration continued: During 1575-1585, the Presbytery was rebuilt, while new Altars and the Baptistry were added. The wooden Choir Stalls were constructed by 1614 for the High Altar by Francesco Brambilla.




Milan Cathedral.
Date: 1870s.
English:
Giacomo Brogi (1822-1881) - “Milan - The Cathedral”. Catalogue # 3818a.
Italiano: Giacomo Brogi (1822-1881) - “Milano
La Cattedrale”. Numero di catalogo: 3818a.
(Wikimedia Commons)

PART SEVEN FOLLOWS.

“The Miracle On The Vistula”: When Our Lady Saved Poland (And The World) From The Scourge Of Communism.

 


English: State flag of Poland with Coat-of Arms, 
symbolic version. Based on Image:Flag of Poland.svg 
Note: the Coat-of-Arms used here is not the official, 
accurate version. The official one is still not available in vector format, hence the alternative image in PNG format below, featuring the correct Coat-of-Arms.
Polski: Flaga Polski z godłem, wersja symboliczna. Oparta na Image:Flag of Poland.svg i Image:Herb Polski.svg. Uwaga: godło użyte w tej grafice nie jest oficjalne. Oficjalna wersja godła nie jest jeszcze dostępna w formacie wektorowym, stąd zamieszczono poniżej dodatkową wersję tej grafiki w formacie PNG, w której użyto poprawnego wizerunku godła.
Date 26 June 2007
Source: Own work.
Author: Aotearoa, Wanted
(Wikimedia Commons)

“Miracle On The Vistula”: When Our Lady Saved The World
From Communism. In 1920, in the face of Soviet aggression, Catholic Poland stood alone.

The following Text is from EWTN


LEFT: The Black Madonna of Częstochowa.
RIGHT: A Polish 120 mm Artillery piece 
during The Battle of Warsaw in 1920.


The Article is taken from, and can be read in full at,
Fr. Timothy Finigan's Twitter thingy at
In 1920, in the face of Soviet aggression, Catholic Poland stood alone.

K.V. Turley, 2 June 2021.


The first victim of the Soviet Union’s international socialist crusade was Catholic Poland. By the spring of 1920 Poland was under attack from the Soviet Red Army.

At the national Marian shrine of Częstochowa candles were lit and desperate prayers intoned beside the icon of the Black Madonna. The intercession of Our Lady of Częstochowa was never more needed.

On 20 May 1920, the newly-created Red Army crashed through the Polish frontier with one intention: to destroy all before it.

Bolshevik leaders meeting in Moscow for the Second Congress of the Communist International had already begun to prepare plans for a Communist-inspired world revolution starting with the nations of Central and Western Europe. Lenin had ordered that Warsaw be taken without delay.

 
Now the Red Army raced toward Warsaw, advancing to the banks of the Vistula River that flows through Poland from the Baltic to the southernmost part of the land. For the Poles, all looked lost — especially as their pleas for help to the Western powers went unheeded. Prime Minister Lloyd George told the British Parliament that Poland had to accept “her fate.”

Now only a miracle could save Poland.

On 5 August 1920, sensing the urgency of the situation, Pope Benedict XV exhorted all to Pray for “God’s mercy for Poland … to join all the faithful in imploring the Most High God that through the intercession of the Most Blessed Virgin Mary may save the Polish Nation from her final defeat and may turn away this new plague from Europe.”


With no military aid offered from abroad, Poland’s leader, General Piłsudski, realized that this might be his nation’s last stand. After spending a night in prayer, Piłsudski began to assemble soldiers — as many as could be spared for a major assault on the Soviet left flank. The plan appeared foolhardy, an imprudent last-ditch attempt at survival.
 
On 10 August 1920, the British government sent a telegram to the Polish government urging it to surrender to the Soviets to avoid annihilation. Instead, Piłsudski began to handpick his favourite Military Divisions to join those assembling near Lublin for the proposed counter-attack scheduled to begin on 17 August 1920.


Opposing him stood a 100,000-strong Red Army, soldiers filled with revolutionary fervour, ready to destroy Warsaw and all those whom they found there.

On 12 August 1920, Piłsudski prepared to leave Warsaw to join his strike force aiming to counter-attack the Soviets. As he departed, Piłsudski turned to his wife Aleksandra saying, “It is in the hands of God.”

On 13 August 1920, the Soviets attacked Warsaw. Meeting little resistance, they captured the outer suburbs in the South-East and North-West of the City. Everywhere, it appeared Polish forces were in flight. The Soviet artillery unleashed a devastating bombardment upon all those now left in central Warsaw.

Warsaw began to take on a surreal appearance. The City was swollen with terrified refugees, with people camped out in public parks next to hastily-prepared and wholly-inadequate defences.


A special train carrying almost the entire foreign diplomatic corps left the Capital bound for Poznan. One of the few foreigners who remained was Poland’s then-Papal Nuncio, Cardinal Achille Ratti, the future Pope Pius XI.

Ratti organised a Perpetual Prayer for deliverance and, with Monstrance held high, he led a Eucharistic Procession through Warsaw’s streets as the Soviet shells rained down.

Polish Generals, seeing that Warsaw could not hold out until relief from Piłsudski’s flanking manoeuvre arrived, urgently telegraphed him: “Attack !”

Piłsudski was shocked to hear the rapid deterioration of conditions in the Polish Capital, but agreed to launch his assault.


On the morning of 15 August 1920, the Feast of The Assumption, wave upon wave of Soviet soldiers continued to attack Warsaw. Yet, that morning, from within the City, Polish forces managed somehow to stem their advance.

And then, against all odds, they began to retake ground that the Red Army had won. The Soviets started to wonder how the Polish Army, which they had seen defeated for many weeks, had begun to fight back with fresh heart against a superior foe.

A Soviet counter-attack ensued, but it was futile. The Red Army was unable to vanquish the defending Poles. In fact, as the day of 15 August 1920 progressed, Polish soldiers seemed to become bolder in counter-attacking.

Strange rumours began to circulate in Warsaw. Some claimed that, in the sky above the Polish lines, had appeared The Black Madonna of Częstochowa.


While the Poles fought with a new resolve, the Soviets, curiously, lost theirs. One Russian rifleman was later to comment that, by the afternoon of 15 August 1920, “the moment had come when, not only individual units, but the whole mass of the Army suddenly lost faith in the possibility of success against the enemy. It was as though a cord that we had been stretching since the [invasion] had suddenly snapped.”

To relieve Warsaw and to break the Soviet advance, the counter-attack had begun with Piłsudski at its head. Expecting to discover a significant Soviet force at any moment, the charging Poles were surprised to find their path mysteriously clear.

As they advanced further, they found themselves all but unopposed. Piłsudski was worried that the Soviets were setting a trap — that they were planning to encircle his men with a superior force once they had advanced sufficiently and escape was impossible.

Yet for almost two days, Polish forces raced onward, brushing aside what few Bolshevik units they encountered. Piłsudski could not believe his eyes.


On the night of 17 August 1920, Polish forces finally made contact with significant concentrations of Soviet troops. But the Soviets were taken unawares by the sudden appearance of this major Polish force.

The outcome for the Red Army was catastrophic: Many were killed, including large numbers of high-ranking officers. On the banks of the River Vistula, the Polish strike effectively eliminated the massed Soviet troops, as well as disrupting their communication lines, thus preventing incoming Soviet reserves from reaching Warsaw.

In the days that followed, the seemingly invincible Red Army slouched back Eastward, whence it had come. On hearing of what had happened on the banks of the River Vistula, Lenin declared that the Army had suffered an “enormous defeat” and promptly put on hold his plans for a bloody World revolution.


Meanwhile, Poles returned to the shrine of Częstochowa. Again, candles were lit, once more to cast a faint glow upon the enigmatic face of The Black Madonna.

* * * * * * *

Many years later, Pope Saint John Paul II wrote:

“You know that I was born in 1920, in May, when the Bolsheviks marched toward Warsaw. And that’s why, since my birth, I have carried the great debt toward those who died fighting against the aggressor and who won, giving their lives for their Country …

“Then … Communism appeared as very strong and dangerous. It seemed that the Communists would conquer Poland and would march to Western Europe, that they would conquer the World.

“But it did not happen.

“The Miracle on The Vistula — the victory of Marshal Piłsudski in the battle against The Red Army — stopped the Soviets”. 

What Are Ember Days ? “Fasting Days And Emberings Be, Lent, Whitsun, Holyrood, Lucie”. Even A Shorter Mnemonic: “Lenty, Penty, Crucy, Lucy”.




Illustration: THE MISSIVE


This Article, dated 13 March 2019, is taken from, and can be read in full at, THE MISSIVE

In the most recent edition of “Meménto”, we included the following Article by FSSP Quincy Pastor and former Superior General Fr. Arnaud Devillers, who explains the history of The Ember Days and their place in The Liturgical Calendar.

By Fr. Arnaud Devillers, FSSP.

What are Ember Days ? 

Ember Days are three days (Wednesday, Friday and Saturday) set apart in each of the four Seasons for Fasting, Abstinence and Prayer. 

Tied to the Seasonal Cycles of farming and harvesting, the purpose of Ember Days is to render thanks to God for the gifts of Creation and to ask His help in using them well. 

Since 1966 [Editor: Post-Vatican II, of course], the Fasting and Abstinence are no longer prescribed, but still encouraged.

What is the origin of Ember Days ? 

Pin-pointing the exact date may be challenging, but what is certain is that they originated in Rome within the first Centuries of The Church. 

Pope Saint Leo the Great (Mid-5th-Century A.D.) has left a series of beautiful Sermons for these days, and he thought they had been instituted by the Apostles. 

The “Liber Pontificalis” dates their institution to Pope Saint Calixtus (218 A.D. - 225 A.D.), though they were more probably instituted by Pope Siricius (384 A.D. - 399 A.D.).


Illustration: THE MISSIVE


In her early days, The Church in Rome was confronted with a number of pagan religious nature festivals. 

Outstanding among them was the threefold Seasonal observance of prayer and sacrifices to obtain the favour of the gods upon sowing and harvest.

The first of these Seasonal celebrations occurred at various dates between the middle of November and the Winter Solstice. It was a time of prayer for successful sowing (“Feriæ Sementivæ”: Feast of Sowing).

The second festival was held in June for the grain harvest (“Feriæ Messis”: Harvest Feast).

The third festival came before the Autumnal Equinox (September) and was motivated by the grapes harvest (“Feriæ Vindimiales”: Feast of Wine).


As the Roman Empire became officially Christian, The Church tried to Sanctify these Seasonal festivals. The first regulations mention only “Three Seasons”. Eventually, The Church added a fourth Prayer Period (in March).

This change seems to have been motivated by the fact that the year contains four natural Seasons [Editor: Spring; Summer; Autumn; Winter], and also by the mention of four Fasting Periods in The Book of Zechariah (8:19).

At about the same time, each period was extended over the three Traditional Station Days (Wednesday, Friday, Saturday). 

While the Station Fast, at other times was expected, but not strictly prescribed, this Seasonal observance imposed Fasting by obligation. 

The Eucharistic Sacrifice was Offered after having Fasted the whole of Saturday and having performed a long Vigil Service of Prayers and Readings, lasting the greater part of the night.


FSSP Ordinations,
Ember Saturday of Pentecost, 
26 May 2018.
Illustration: THE MISSIVE


In 494 A.D., Pope Gelasius I prescribed that the Sacrament of Holy Orders be conferred on Ember Saturdays. Thus, the Prayer and Fasting of Ember Week acquired added importance, for Apostolic Tradition demanded that Ordinations be preceded by Fast and Prayer (Acts 13:3).

Not only did the candidates, themselves, Fast and Pray, for a few days in preparation for Holy Orders, but the whole Clergy and People joined them to obtain God’s Grace and Blessing upon their Calling. 

Thus, Embertides became like Spiritual Exercises for all, similar in thought and purpose to our modern Retreats and Missions. 

Ember Days have been used at times as Special Prayers by the Faithful for Vocations to the Priesthood and for the Sanctification of Priests.


Why are they called “Ember Days” ? 

The words have nothing to do with embers, or, ashes. It may be from the Anglo-Saxon “Ymbren”, meaning a circle, or, revolution; or, more likely, it may be a corruption of the Latin “Quatuor Tempora” [Editor: “Four Seasons”, or, “Four Times”] through Dutch, Danish or German (“Quatember”).

What are the dates of Ember Days ? 

They have fluctuated throughout history. The Ember Days of Lent were not originally linked to the First Week of Lent, but to the First Week in March. 

Francis Mershman, in the Catholic Encyclopedia (1908), affirms: “They were definitely arranged and prescribed for the Entire Church by Pope Gregory VII (1073-1085) for the Wednesday, Friday, and Saturday, after 13 December (Sancta Lucia) [Editor: Feast Day of Saint Lucy], after Ash Wednesday, after Whitsunday, and after 14 September (the Exaltation of The Holy Cross).” 

This was expressed in the old English rhyme:


“Fasting Days and Emberings be,
Lent, Whitsun, Holyrood, Lucie”.

Or, a shorter mnemonic:
“Lenty, Penty, Crucy, Lucy”.

Since the publishing of the Catholic Encyclopedia, the dates have changed again. 

According to the Extraordinary Form of the Roman Missal (1962):

The Advent Ember Days are the Wednesday, Friday, and Saturday, of the Third Week of Advent;

The September Ember Days are the Wednesday, Friday, and Saturday, of the Third Week of September;

Ember Days remind us of a time when Society was mostly rural. 

In our Urban Society. nowadays, the connection between Ember Days and the Cycle of sowing and harvest does not speak to most of us any longer. 

However, the association of Ember Days and Ordinations could give a new purpose to Ember Days as voluntary Days of Penance by Clergy and Faithful, together, to, not only Confess and atone for sins of the past, but, also, to Pray for more Vocations to the Priesthood and the Sanctification of the Clergy.

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