Notre Dame de Rouen. The façade of the Gothic Church in France. Photographer: Hippo1947. Licence: SHUTTERSTOCK.

07 August, 2026

Westminster. Rouen. Chinon. Poitiers. The Four Centres Of Power For Henry II Plantagenet. Mediæval King Of England, 1154 – 1189. Friend And Foe Of Thomas à Becket. (Part Two).





Soundtrack from Simon Schama’s
“A History of Britain”,
which included King Henry II's reign.
Sung by Emma Kirkby (Soprano)
Music by John Harle.
Available on YouTube


Text from Wikipedia - the free encyclopædia,
unless stated otherwise.

Henry was an energetic and sometimes ruthless Ruler, driven by a desire to restore the lands and privileges of his Royal Grandfather, King Henry I. During the early years of the younger Henry's Reign, he restored the Royal Administration in England, re-established hegemony over Wales, and gained full control over his lands in Anjou, Maine and Touraine, all in France.


Henry’s desire to reform the relationship with The Church led to conflict with his former friend, Thomas Becket, the Archbishop of Canterbury. This controversy lasted for much of the 1160s and resulted in Becket's murder in 1170. Henry soon came into conflict with King Louis VII of France, and the two Rulers fought what has been termed a "Cold War" over several decades.

Henry expanded his Empire, often at Louis’ expense, taking Brittany, and pushing East into Central France and South into Toulouse.

Despite numerous Peace Conferences and Treaties, no lasting agreement was reached. By 1172, he controlled England, large parts of Wales, the Eastern half of Ireland and the Western half of France, an area that would later come to be called the Angevin Empire.


Henry and Eleanor had eight children. As they grew up, tensions over the future inheritance of The Empire began to emerge, encouraged by King Louis of France and his son, King Philip II

In 1173, Henry’s heir apparent, “Young Henry”, rebelled in protest; he was joined by his brothers, Richard and Geoffrey, and by their mother, Eleanor.

France, Scotland, Flanders, and Boulogne, allied themselves with the Rebels. The Great Revolt was only defeated by his vigorous military action and talented local commanders, many of them “new men” appointed for their loyalty and administrative skills. Young Henry and Geoffrey revolted again in 1183, resulting in Young Henry’s death.

PART THREE FOLLOWS.

The Feast Of The Immaculate Heart Of Mary. White Vestments.



The Blessed Virgin Mary.
Illustration: WALLPAPER CAVE


Text from The Saint Andrew Daily Missal,
unless stated otherwise.

The Immaculate Heart of The Blessed Virgin Mary.
Feast Day (Various. See, below):

Being somewhat confused by the various Feast Days accorded to this particular Feast of Our Lady, Zephyrinus had recourse to consult The Saint Lawrence Press Ltd Blog at https://ordorecitandi.blogspot.com/


The Blessed Virgin Mary is Crowned
Queen of Heaven by Her Beloved Son.
Illustration: CALEFACTORY.ORG

Zephyrinus was delighted to learn the many varied and historical dates for this Feast as follows:

From 1970 to 2026:
Saturday within the Octave of The Sacred Heart;

From 1944 to 1969:
22 August.

From 1648 to 1944:
8 February (Feast of The Most Pure Heart of Mary. Kept “pro aliquibus locis” [Local Feasts] by The Eudists and certain Dioceses, but not in the Universal Calendar. Some Dioceses observed different dates, but the most common being the Saturday within the Octave of The Sacred Heart.

Double of The Second-Class.

White Vestments.



“Regina Cæli”
(Queen of Heaven).
By Marco Frisina.
Available on YouTube




“Regina Cæli”
(Queen of Heaven).
By Marco Frisina.
Available on YouTube

According to a Tradition, sanctioned by authority, it was at Jerusalem, near the room of The Last Supper, at the spot where now stands a Church committed to the care of The Benedictines, that Mary breathed her last (Secret).

And it is at the foot of The Mount of Olives, in a place where, about 1130, a Monastery of The Benedictine Monks of Cluny was built, that her mortal remains were laid and “she was carried up to Heaven” (Alleluia).

The Pilgrimages, made to this tomb, originated the Feast of The Assumption, which was already Solemnised in The East at the end of the 6th-Century A.D. At the beginning of the 7th-Century A.D., the Feast was also Solemnised at Rome, and it spread with the Roman Liturgy over The West. Pope Leo IV instituted the Octave in 847 A.D.


The Virgin and Infant with Angels.
Artist: William-Adolphe Bouguereau (1825–1905).
Date: 1900.
Current location: Petit Palais, Paris, France.
Source/Photographer: Art Renewal Center
Copied from English Wikipedia to Commons.
(Wikipedia Commons)

“We have accompanied thee with all our Prayers, when thou didst ascend towards thy Son,” says Saint Bernard of Clairvaux, “and we have at least followed thee at a distance, O, Blessed Virgin ! May thy goodness make known to the World, the Grace bestowed on thee by God: Obtain by thy Holy Prayers, the forgiveness of the guilty, health for the sick, strength for weak Souls, consolation for the afflicted, help and deliverance for those in peril.

“O, Mary, Queen of Clemency, on this joyful Solemnity, may thy humble servants, who praise and invoke thy sweet name, be overwhelmed with Graces by Jesus Christ thy Son, Our Lord, Who is The Sovereign God, Blessed throughout the ages. Amen.” [Fifth and Sixth Lessons at Matins.]

Let us honour Mary with special confidence during these Feasts, which Celebrate her Triumph.

Mass: Adeámus.
Commemoration: Saints Timothy, Hippolytus and Symphorian. Martyrs.
Creed. Is said.
Preface: The Blessed Virgin Mary: [Et te in Festivitáte].



The Virgin and Infant of The Lilies.
Artist: William-Adolphe Bouguereau (1825–1905).
Date: 1899.
(Wikimedia Commons)


The Liturgical worship of “The Most Pure Heart of Mary” was suggested by The Fathers who commented The Canticle of Canticles; it was first joined to that of The Sacred Heart of Jesus, in the 17th-Century, by Saint John Eudes; however, it was only at the beginning of the 19th-Century that Pope Pius VII allowed some places to keep a Feast in its honour, on The Sunday after The Octave of her Assumption.

Blessed Pope Pius IX granted it a Proper Mass and Divine Office (Mass: Omnis Gloria).

In other places, it was kept on the Sunday, or, rather, (since the present Edition of The Roman Missal, made in 1920 in the spirit of Pope Saint Pius X) [Editor: This Text is from the 1945 Edition of The Saint Andrew Daily Missal] on The Saturday after The Feast of The Sacred Heart of Jesus.


“Regina Cæli”
(Queen of Heaven).
By Marco Frisina.
Available on YouTube


On 8 December 1942 [Editor: The Feast Day of The Immaculate Conception], during the terrible World War, Pope Pius XII Consecrated the whole of mankind to “The Immaculate Heart of Mary”; consequently, he extended the Feast to The Universal Church and gave it a new Mass and Divine Office by Decree of 4 May 1944.

That Feast, of The Immaculate Heart, is fixed, not to a Sunday, but to the very Octave-Day of The Assumption: Mary in Heaven goes on interceding lovingly on our behalf. Her Heart is the symbol of the ardent love, which she fosters first for God and for her Divine Son (Epistle), but also of her maternal care for all human Souls, which Jesus entrusted her when He died (Gospel, Communion).

We exalt the particular Holiness of her Heart (Gradual, Offertory), and we Pray her (Introit, Collects) to obtain “Peace for all Nations, freedom for The Church, conversion for the sinners and for all Faithful, love for Chastity, and the practice of all Virtues” (Decree 4 May 1944).



The following Text is from DRUMCREE PARISH

In the midst of the Second World War, Pope Pius XII made an Act of Consecration of The Church and The Whole World to The Immaculate Heart on 31 October 1942, which was then Solemnly proclaimed on 8 December 1942.

Two years later, by a Decree of 4 May 1944, The Holy Father extended the Feast of The Immaculate Heart of Mary to The Universal Church.

[Editor: Prior to which, 22 August had been “The Octave Day of The Assumption”. Greater-Double. White Vestments.]


“Regina Cæli”
(Queen of Heaven).
By Marco Frisina.
Available on YouTube

Saint Donatus. Bishop And Martyr. Feast Day, Today, 7 August. Red Vestments.


Text from The Saint Andrew Daily Missal,
unless otherwise stated.

Saint Donatus.
   Bishop and Martyr.
   Feast Day 7 August.

Simple.

Red Vestments.


“The Miracle of Saint Donatus”.
Artist: José de Ribera (1591–1652).
Amiens, Museum of Picardy.
Date: 17th-Century.
Author: José de Ribera (1591–1652).
(Wikimedia Commons)

Saint Donatus, Bishop of Arezzo, Tuscany, Italy, was arrested under the Emperor, Julian the Apostate, and was beheaded in 362 A.D.

Mass: Sacerdótes Dei.


Venice, Italy.
Photo: 30 December 2003.
Source: Own work.
Author: User:Blorg
(Wikimedia Commons)

The following Text is from Wikipedia - the free encyclopædia.

Donatus was Ordained a Deacon and Priest by Saint Satyrus of Arezzo, Bishop of that City, and continued to Preach in the City and in the surrounding region. At the death of Satyrus, Donatus was appointed a Bishop by Pope Julius I. A man named Anthimus was Donatus’ Deacon.

During a Celebration of Mass, at the moment of the giving of Communion, in which a glass Chalice was being administered, some pagans entered the Church and shattered the Chalice in question. Donatus, after intense Prayer, collected all of the fragments and joined them together. There was a piece missing from the bottom of the Chalice; miraculously, however, nothing spilled from it. Astounded, seventy-nine pagans converted to Christianity.

After a month, the Prefect of Arezzo, Quadratian, arrested Hilarian the Monk, and Donatus. Hilarian the Monk was Martyred on 16 July 362 A.D. and Donatus was also beheaded on 7 August 362 A.D., at Arezzo, Italy.


Saint Donatus Catholic Church,
Bellevue, Iowa, United States of America.
Photo: 1 January 1970.
Photographer: Gary Schekel.
Illustration: GOOGLE+

Neuschwanstein Castle, Schwangau, Bavaria, Germany. King Ludwig II Of Bavaria’s Creation. (Part Three).



Photo: 31 July 2013.
Source: Own work.
This File is licensed under the
Attribution:
© Thomas Wolf, www.foto-tw.de
(Wikipedia)



The Throne Hall, Neuschwanstein Castle.
Photograph by Joseph Albert 1886.
Postcard published 1890 - 1900.
Detroit Publishing Co. Print No. 17479.
Date: 1886.
Source:
Photochrom from Photoglob AG Zürich (PZ, 17479); Views of Germany in the Photochrom Print Collection. This image is available from the United States Library of Congress's Prints and Photographs division under the digital ID ppmsca.00180.
Author: Josef Albert (1825–1886).
(Wikimedia Commons)


Text is from Wikipedia - the free encyclopædia,
unless stated otherwise.

In a letter to Richard Wagner in May 1868, Ludwig wrote:

“It is my intention to rebuild the old Castle ruin of Hohenschwangau, near the Pöllat Gorge, in the authentic style of the old German Knights’ Castles, and I must confess to you that I am looking forward  to living there one day (in three years) . . .


“You know the revered guest I would like to accommodate there; the location is one of the most beautiful to be found, holy and unapproachable, a worthy temple for the divine friend who has brought salvation and true Blessing to the World. 



The Gatehouse, Neuschwanstein Castle.
Photo: 23 August 2008.
Source: Own work.
This File is licensed under the 
Author: Hedwig Storch.
(Wikimedia Commons)

“It will also remind you of “Tannhäuser” (Singers’ Hall with a view of the Castle in the background), and “Lohengrin” ”[14]

The building design was drafted by the Stage Designer, Christian Jank, and realised by the architect, Eduard Riedel.[15] 

For technical reasons, the ruined Castles could not be integrated into the Plan. 

Initial ideas for the Palace drew stylistically on Nuremberg Castle and envisaged a simple building in place of the old Vorderhohenschwangau Castle, but they were rejected and replaced by increasingly extensive drafts, culminating in a bigger Palace modelled on the Wartburg.[16] 



Sängerhalle (Singer’s Hall, Music Room), Neuschwanstein Castle, Bavaria, Germany. Photograph by Joseph Albert 1886.
Postcard published circa 1890 — 1900. Detroit Publishing Co. Print No. 17484.
Source: Photochrom from Photoglob AG Zürich (PZ, 17484); Views of Germany in the Photochrom print collection, Library of Congress, Reproduction number LC-DIG-ppmsca-00185.
Author: Josef Albert (1825 — 1886).
(Wikimedia Commons)

The King insisted on a detailed Plan and on personal approval of each and every draft.[17] 

Ludwig’s control went so far that the Palace has been regarded as his own creation rather than that of the architects involved.[18] 

Whereas contemporary architecture critics derided Neuschwanstein, one of the last big Palace building projects of the 19th-Century, as kitsch, Neuschwanstein and Ludwig II’s other buildings are now counted among the major works of European historicism.[19][20] 

For financial reasons, a project similar to Neuschwanstein — Falkenstein Castle — never got past the Planning stages.[21]



Pictures of the Lohengrin saga. Drawing Room, Neuschwanstein Castle, Bavaria, Germany. Photograph by Joseph Albert 1886. Postcard published circa 1890 — 1900. Detroit Publishing Co. Print No. 17481.
Source: Photochrom from Photoglob AG Zürich (PZ, 17481); Views of Germany in the Photochrom print collection. Library of Congress. Reproduction number LC-DIG-ppmsca-00182.
Author: Josef Albert (1825 — 1886).
(Wikimedia Commons)

The Palace can be regarded as typical of 19th-Century architecture. The shapes of Romanesque (simple geometric figures such as Cuboids and Semi-Circular Arches), Gothic (upward-pointing lines, slim Towers, delicate embellishments), and Byzantine architecture and art (the Throne Hall décor) were mingled in an eclectic fashion and supplemented with 19th-Century technical achievements.

The Patrona Bavariæ and Saint George on the Court face of the Palace (main building) are depicted in the local Lüftlmalerei Style, a fresco technique typical for Allgäu farmers’ houses, while the unimplemented drafts for the Knights’ House gallery foreshadow elements of Art Nouveau.[22]

PART FOUR FOLLOWS.

Saint Cajetan. Confessor. Feast Day 7 August. White Vestments.


Text from The Saint Andrew Daily Missal,
unless otherwise stated.

Saint Cajetan.
   Confessor.
   Feast Day 7 August.

Double.

White Vestments.


English: Saint Cajetan.
Italian: San Gætano di Thiene.
Latin: Sanctus Caietanus.
Artist: Francesco Solimena (1657–1747).
This File: 22 February 2006.
(Wikimedia Commons)


The Theatine Order of Priests.
Montelores Catholic Community,
Colorado, United States of America.


Saint Cajetan.
Illustration: 

Saint Cajetan Founded the first Congregation of Clerks Regular, who endeavour to imitate the manner of life of the Apostles (Collect). Trust in God, which the Gospel recalls, was their great law; they therefore refrained from begging alms and waited until The Faithful brought them help of their own accord. They are also called Theatines.

This Saint’s zeal for others’ Salvation caused him to be 
called The Hunter of Souls. It was said that he was an Angel 
at the Altar and an Apostle in the Pulpit. He died at Naples 
on 7 August 1547.

Mass: Os justi.
Commemoration: Saint Donatus.


Saint Cajetan Thiene.
Born 1 October 1480. Died 7 August 1547, Naples, Italy. 
Feast Day 7 August. Canonised: 12 April 1671 by Pope 
Clement X. Statue created circa 1671. The statue is part of a group of sixteen statues that were installed between August 1670 and March 1673. The Sculptor, Lazzaro Morelli, worked from January to March 1671 on the statue. He was paid 80 scudi for the work. The Saint is in the act of writing out The Rule for his Religious Order. Saint Cajetan, originally from Naples, was the Founder of The Congregation of Clerics Regular, also known as The Theatines. He also worked as a diplomat for Pope Julius II, and was fortunate to escape with his life during the Sack of Rome in 1527.


The following Text is from Wikipedia - the free encyclopædia.
Gætano dei Conti di Thiene (1 October 1480 – 7 August 1547) was an Italian Catholic Priest and Religious Reformer,
Co-Founder of The Theatines. He is recognised as a Saint in The Catholic Church, and his Feast Day is 7 August.



The following Text is from CATHOLIC CULTURE

Saint Cajetan was Ordained Priest in 1516. He left the Papal Court and dedicated himself entirely to the service of The Lord. With his own hands, he cared for the sick. Such zeal did he show for the salvation of his fellowmen, that he was surnamed the “huntsman for Souls.”

Saint Cajetan often Prayed eight hours daily. While attending the Christmas Celebration at Saint Mary Of The Crib, he is said to have been given the Grace of receiving from Mary the Child Jesus into his arms.

Saint Cajetan Founded, in 1524, a Community of Priests who were to lead an Apostolic life. They were to look with disdain on all Earthly belongings, to accept no salaries from The Faithful; only from that which was freely donated were they allowed to retain the means of livelihood.

He founded a Bank to help The Poor and offer an alternative to usurers (loan sharks). It later became The Bank of Naples. His concern for the unemployed, giving them the necessary financial help in their time of need, made him their Patron. His Feast Day is Celebrated on 7 August.

06 August, 2026

Pope Saint Sixtus II. Saint Felicissimus. Saint Agapitus. Martyrs. Feast Day 6 August. Red Vestments.


Text from The Saint Andrew Daily Missal,
unless otherwise stated.

Pope Saint Sixtus II.
   Saint Felicissimus.
   Saint Agapitus.
   Martyrs.
   Feast Day 6 August.

Simple.

Red Vestments.



Pope Saint Sixtus II and companions.
(Cote Français 185, Fol. 96v. Vies de saints,
Paris, XIVe siècle,
Richard de Montbaston et collaborateurs.)

Pope Saint Sixtus II was Consecrated Bishop of The Church 
of Rome in 257 A.D. The following year, while Celebrating the Sacred Liturgy, over the tomb of a Martyr, in the Cemetery, or Catacombs, of Saint Callistus, he was arrested by soldiers carrying out the edict of the Emperor, Valerian.

On the same day, 6 August, he was put to death 
and buried in the same Cemetery, along with “The Holy Martyrs Felicissimus and Agapitus, Deacons of Blessed Sixtus; Januarius, Magnus, Vincent, and Stephen, Sub-Deacons, all of whom were beheaded with him and buried in the Cemetery of Prætextatus. With them suffered also Blessed Quartus, as is related by Saint Cyprian”. (Roman Martyrology).

Three days later, his famous Arch-Deacon, Saint Lawrence, was Martyred.

Illustration and Caption: CHRIST BEARERS

Laurence, his first Deacon, seeing him led to death, exclaimed: “Why do you abandon me, Father, you who never offer 
The Holy Sacrifice without your Deacon ?”

“You will follow me in three days,” replied Sixtus.

The Anniversary of the Martyrdom of Saint Laurence 
will be Solemnised in three days.

Mass: Sapiéntiam.

The Transfiguration Of Jesus. The Terrible Beauty Of God.



The Transfiguration Of Jesus.
Artist: Carl Bloch (1834–1890).
Date: 1800s.
(Wikimedia Commons)


This Article is taken from, and can be read in full at,
RORATE CÆLI

Sermon for the Second Sunday in Lent: The Terrible Beauty of God.

“Jesus took Peter, James, and his brother, John, and led them up on a high mountain by themselves. He was Transfigured before their eyes. His face became as dazzling as the Sun and his clothes radiant as the light”. (Matthew 17: 1-3).

From an ancient Letter, dated 90 A.D., from Saint John the Evangelist, to Lydia.


Dear Lydia,

You ask me in your letter to tell you what we saw that day on the mountain, what the experience was like. I am old now and near death. Much has happened to me, and for all that I have been given, and it is so much, I thank the Lord Jesus Christ. But even in death I shall never forget what happened on that mountain.

We climbed in silence, for we were in a state of gloom. The Lord had told us three times that He had to suffer and die and then rise again. Peter became almost violent, and told Jesus that this talk must be stopped. And Jesus rebuked him with anger, one of the few times I saw him truly angry. And so we retreated into silence, a silence of fear and despair, unrelieved by the harsh landscape of that mountain.


When we reached the summit, it was deathly quiet. There was no wind, no sound. We knelt down to Pray, for we said to ourselves, that is why He brought us up here, to Pray. 

But when we looked up — I cannot adequately describe what I saw, but the Lord seemed to radiate an intense light, it was as if He was bathed in the sparkle of a diamond, a light that was as bright as the Sun but at which we could look directly.

And within this light which came from Him were Moses and Elijah. The three were talking to each other, but the talking did not break the silence. The talk came out of the silence and was silence. I said I could not describe to you in words what happened on that mountain, and as I write this down, I see that I cannot.

Fear seized us all. We trembled as we gazed on this sight. Our hearts seemed to be trying to leap out of our bodies as we heard the voice, the voice again from and in the silence: “This is My beloved Son.” And then it was over. The Lord came to us to help us up off the ground and told us: “Do not be afraid.”


What did we see on that mountain ? When we talked about it later, for we did, we talked perhaps too much about it, we spoke of it in different ways. But we agreed on one thing: That the experience on that mountain somehow prepared us for the rest, that the fear we felt — and it was fear — had somehow been transformed into an inner peace, a peace that did at times seem to retreat but always finally came back.

Whatever we saw there, the Lord allowed us to see it to strengthen us for what He had to endure and what most of us had to endure. But what did I see on that mountain ? What I told Peter, what I tell you now is this: We saw the beauty of God. Yes, that is the term that I used then, and it is even more true to me today: What we saw on that mountain was the terrible beauty of God.


Why do I call it terrible ? Because it filled us with terror when we were in its presence, but it was not the terror of battle or of illness, or anything like that, but the — what shall I call it ? — the holy terror of knowing that one is in the presence of God.

To behold the beauty of God as we did changes one’s life forever, for after one has seen that beauty, everything else has little appeal. We walk through life looking and hearing and using all of our sense. 

We see the beautiful sunsets, we look at the perfection of a rose and smell its perfume, we see the beauty of a lovely woman or a handsome man, we hear the beauty of music: But they mean nothing to us, nothing not because they are not beautiful and to be enjoyed and marvelled at: But nothing because we have seen the beauty of God and nothing else will every satisfy us again.


But I have to write you this as well. I experienced that beauty again, this time not on a mountain but on a hill. You know the hill I am talking about. I need not say more. It was where I least expected to be once again confronted with the beauty of God, for it was a time of the deepest sorrow.

My heart was wrenched and drained of its lifeblood, it seemed to me. The stench of death, the dirt, the blood, the jeering crowd, the gathering storm, the darkness, all spoke of the darkness that I felt. Oh, God, forgive that darkness that I felt, for I forgot the light !


But standing there after He had died, standing there with Mary, I look up at the Lord hanging from that Cross, the blood still flowing down in a trickle from His hands and His feet and His side. And what I saw — and Mary saw this too as she told me when we spoke later — was the beauty of God.

There was no intense light, no Moses and Elijah, but what I saw, what I saw, as I looked on Jesus hanging dead on that Cross, I saw in my deepest being, in my very Soul, I saw there what I saw on the mountain, I saw the terrible beauty of God.

But this time there was no terror, there was no fear. There was an emptiness, a calm, a feeling of knowing. Am I explaining this in a sensible way at all to you, dear Lydia ? Does it make sense to you that the Cross of Christ, even more than what we experienced on the mountain, is where the terrible beauty of God is seen, where I saw it ?


You know, when I first saw the Lord after His Resurrection, I laughed. I laughed because I knew what I would see, and I was not wrong. I laughed with the laughter of a man who is so happy that if he did not laugh, he would cry and die of happiness.

For when the Lord came into that room through the locked doors where we were all assembled, the mountain and the hill came together, and I saw there what I knew I would see, but this time in a way that was total, that was real, was forever, never to be taken away again, for when He came into that room, I knew I was in the presence of the beauty of God. 

Father Richard Gennaro Cipolla.

The Transfiguration Of Our Lord Jesus Christ. Feast Day 6 August. White Vestments.


Text from The Saint Andrew Daily Missal,
unless otherwise stated.

The Transfiguration of Our Lord Jesus Christ.
   Feast Day 6 August.

Double of The Second-Class.

White Vestments.



“This is My Beloved Son, in Whom I am well pleased:
Hear ye Him.”
Artist: René de Cramer.
“Copyright Brunelmar/Ghent/Belgium”.
Used with Permission.


The Transfiguration of Our Lord Jesus Christ.
Available on YouTube


To Commemorate the Victory which arrested, near Belgrade, in 1456, the invading tide of Islam, and which was announced at Rome on 6 August, Pope Callistus III extended The Feast to the whole Church.

It is The Feast of many Churches under The Title of Saint Saviour. This is why Pope Saint Pius X raised it to the Rank of Double of The Second-Class, for it is the old Title of the Cathedral of Rome, Saint John Lateran, formerly called the Basilica of Saint Saviour (Feast Day 9 November).

Mass: Illuxérunt.
Commemoration: (In Low Masses). The Holy Martyrs, Pope Saint Sixtus II, Saint Felicissimus, and Saint Agapitus.
Creed: Is said.
Preface: Of The Nativity.





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