Notre Dame de Rouen. The façade of the Gothic Church in France. Photographer: Hippo1947. Licence: SHUTTERSTOCK.

24 June, 2026

Gothic By Design: The Dawn Of Architectural Draftsmanship.



Engraving of a Thurible 
by Martin Schongauer (15th-Century).






This Article is taken from, and can be read in full at,

A most unusual exhibition can be seen at the Metropolitan Museum of Art, New York City, until 19 July 2026. 

It displays Mediæval and Early-Renaissance designs for Works of Gothic Architecture and Art.

Many of these Architectural drawings are actual working documents for the creators of the Gothic Cathedrals. 

Some of them are of considerable size. The condition of the drawings is astoundingly good, the penmanship incredibly precise.

The Nativity Of Saint John The Baptist. Feast Day, Today, 24 June. White Vestments.



English: The “Voice in the Desert”.
Français: La voix dans le désert.
Artist: James Tissot (1836-1902).
Date: Between 1886 and 1894.
Current location: Brooklyn Museum, New York City
Credit line: Purchased by public subscription.
Source/Photographer: 
(Wikimedia Commons)


And thou, child,

wilt be called the Prophet of The Most High;

for thou wilt go before the Lord to prepare His ways,

to give knowledge of salvation to His people 

in the forgiveness of their sins,

through the tender mercy of our God,

when the day shall dawn upon us from on high,

to give light to those who sit in darkness

and in the shadow of death,

to guide our feet into the way of peace.

(Lk 1:76-79)


Sermon Of The Right Reverend Dom Jean Pateau. Abbot Of Our Lady of Fontgombault, France. Feast Of Saint John The Baptist, 24 June 2024.



Fontgombault Abbey, France.
Illustration: FONTGOMBAULT ABBEY

This Article is reprinted from 2024.


Text from RORATE CÆLI

Dear Brothers and Sisters.
My dearly beloved Sons, 
and most especially you, who are going to take your vows of Religion.

Quis . . . puer iste erit ?
What then will this child be ?
(Lk 1:66)

This question sounds trite, commonplace, as the still virgin leaf of a new life has just received its first lines. Yet, if the people from the nearby country ask themselves this question, it is because the events surrounding the Precursor’s birth are a token of God’s special benevolence towards this child: “For the hand of the Lord was with him.” (Lk 1:66.)

And, indeed, John will be, among the Prophets, the only one “who both foretold the coming of the Saviour of the World, and pointed Him out when come.” (Secret of the Mass) 

In John’s life, as well as in that of Mary, the Mother of God, resounds the perfect chord stemming from the perfect harmony between grace and human freedom. 


When man welcomes the Divine Gifts, the Bread coming down from Heaven that ensures food for his heart in the present moment, and when he gives his agreement to God’s plan, he takes part in the edification of his own greatness and in the fecundity of God’s mercies, extending over the World from generation to generation.

Each human life, each vocation, is a mystery. 

It is born in a free way in the heart of God and in the love of two beings. Bless your parents for this gift. This life, this vocation, develops inside a family as in a nutritive soil, it is built up with encounters and friendships. Above all, it is called day after day to climb the sometimes very steep path towards eternal salvation.

However, nobody is an island, and salvation is never the work of an isolated individual, but one must be helped by one’s neighbours, and the Lord likes to associate our neighbours to His works. 


Therefore, all have the duty of justice to announce God’s wonderful works, and to proclaim His greatness.

You have chosen to live this path in a special place, the Monastery, and in the school of a rule, the Rule of Saint Benedict. 

Engrave in your heart the holy Precursor’s motto: “He must increase, that I must decrease.” (Jn 3:30)

As testified by the Lord, John lived according to his own teaching: “For I say to you: Among those born of women, none is greater than John.” (Lk 7:28)


But John’s life is also akin to Monastic life, to such an extent that Dom Delatte, the third Abbot of Solesmes, felt justified to call him “the first Monk of the New Testament.” 

Let us ponder on that.

“Any normal Monk should have three hearts.” This principle, which is not literally present in the Rule of Saint Benedict, is nonetheless the expression of a well-established tradition, still staunchly upheld by many Monks. 


Indeed, a Benedictine Monk should have three hearts: 

A heart of iron for himself; 

A liquid heart for his neighbour;

A heart of fire for God.

These three hearts were beating in John’s chest. He exercised his heart of iron through his life of Penance, by renouncing everything for God. 

His only roof was the sky of the wilderness. His garment was made of camel’s hair, and of a leather girdle around his waist; and his food consisted in locusts and wild honey. 


The Church was not mistaken when she applied to the Precursor the words addressed to the Prophet Jeremiah: “Thou shalt go to all that I shall send thee: And whatsoever I shall command thee, thou shalt speak.” (Jr 1:7) 

A faithful friend of the Bridegroom, perfectly obedient, John carried out his mission to its very end. He didn’t even keep for himself his own disciples. He gave them up, leading them to the Bridegroom with words the Church repeats in every Liturgy to those who wish to receive the Body and Blood of Christ: 

“Behold, the Lamb of God, Who takes away the sin of the World.” (Jn 1:29) 

Even now, John still points out the Saviour.


If John had for himself a heart of iron, his liquid heart asserted itself for his neighbour, who had come to him to receive a Baptism of conversion heralding the forgiveness of sins. 

Through his unstinted compassion, John pointed out Christ with words and deeds to men of his time:
And thou, child, wilt be called the Prophet of The Most High; for thou wilt go before the Lord to prepare His ways, to give knowledge of salvation to His people in the forgiveness of their sins, through the tender mercy of our God, when the day shall dawn upon us from on high, to give light to those who sit in darkness and in the shadow of death, to guide our feet into the way of peace. (Lk 1:76-79)
This liquid heart led him to Martyrdom and death.

Such is the price of true Charity.


But John the Baptist had above all a heart of fire for God, and that from the very dawn of his life. Elizabeth, his mother, was the first one to realise this fact. 

When she heard the greeting of Mary, who had come to visit her, the child that the old woman was bearing in her womb leaped. 

The life of the Precursor was from now on marked out: “To bear witness to the Light, that all might believe through Him.” (Jn 1:7.)


Having three hearts might make for a difficult life. It was not the case for John, nor for those whose three hearts are fed by a same love, the love of God. This love had invaded everything, to such an extent that Saint Matthew refers to John with the words uttered by the prophet Isaiah: “A voice cries in the wilderness prepare the way of the Lord, make straight in the desert a highway for our God.” (Is 40:3.)

John is but a voice crying in the wilderness. In the eyes of the World, John is useless. He serves God only. And John was aware that he was loved by this same God: “The friend of the bridegroom, who stands and hears him, rejoices greatly at the bridegroom’s voice; therefore, this joy of mine is now full.” (Jn 3:29)

Thus, having three hearts would not be enough to be a good Monk, if this Monk were to forget that these three hearts are a gift from God. 


More than any other man, a good Monk believes that he is loved with a unique love, loved by a God who Himself has a heart of fire. 

John was the privileged witness to this love. His whole life was a hymn to the dawn of salvation.

In the school of John, the task of a Monk is to contemplate this incipient dawn that keeps rising in his heart, and that until the full noon of the Face to Face in eternity.


Day after day, the life of a Monk is consumed in the fire of Divine Love, the inexhaustible fount of the Spiritual Joys implored by today’s Mass in the Collect. 

May you remain a witness to this dawn rising upon your life, as a disciple of John, as a disciple of Christ.

Amen.

El Mezquita-Iglesia de El Salvador (The Mosque-Church Of The Saviour), Toledo, Spain. Completed In 1159 On The Site Of A Previous Mosque and A Visigoth Religious Building.



English: The High Altar,
El Mezquita-Iglesia de El Salvador
(The Mosque-Church Of The Saviour),
Toledo, Spain.
Português: Iglesia del Salvador.
Photo: 1 February 2013.
Source: Own work.
Attribution: 
© José Luiz Bernardes Ribeiro / 
Author: José Luiz
(Wikimedia Commons)



“Cor Iesu Sacratissimum
adveniat regnum tuum”.
The Benediction Hymn sung at
El Mezquita-Iglesia de El Salvador
(The Mosque-Church Of The Saviour),
Toledo, Spain.
Available on YouTube

Este vídeo ha sido grabado en la 
Santa Misa Cantada celebrada en la Iglesia del Salvador de Toledo. Este Comunidad Sacerdotal en formación tiene como uso propio en el Oficio y la Santa Misa la Forma Extraordinaria del Rito Romano:


The following Text is from Wikipedia - the free encyclopædia,
unless stated otherwise.

The Mezquita-Iglesia de El Salvador is a Church in Toledo, Spain, completed in 1159. The Priestly Order only Celebrate The Divine Mass in The Extraordinary Form.

Although the Church is small, it is an exceptional building, because it is the site of four successive constructions, one 
on other and so on. It’s a 12th-Century Church, built on an 11th-Century Taifa Mosque, which was an expansion of a 
9th-Century A.D. Umayyad Mosque, and, in turn, on a Visigoth religious building.[2][1] Also, these civilisations 
re-used 2nd-Century A.D. Roman elements of the buildings.

It is most unusual, in Andalusia, Spain, that Muslims were happy to build on top of Visigoth buildings.



The Arcade of the former Mosque blended in the Church. 
Its Horseshoe Arches rest on six re-used Roman Capitals 
and Columns and one Visigoth Pilaster[1]
Photo: 18 June 2013.
Source: Own work.
Author: PMRMaeyaert
(Wikimedia Commons)

The large number of Visigoth Decorative Reliefs, forming Friezes, and Roman Cornices embedded in the Walls, is surprising.[3]

The current Church is oriented South-East, in the direction of Mecca. It survived the conquest of Toledo by Christian Armies in 1085, to be subsequently turned into a Church in 1159. One of the most characteristic elements of the Church is a Visigoth Pilaster, with intricate Relief Carvings.[4]

As a Christian Church, from around 1180 to the Late-15th-Century, it began to be used as a Cemetery with anthropomorphic Tombs, above which were placed more burials, in which some Grave Goods have been found.


The Divine Mass for
The Feast Day of Saint Paulinus of Nola,
22 June 2020.
Followed by The Holy Rosary.
Celebrated at El Mezquita-Iglesia de El Salvador
(The Mosque-Church Of The Saviour),
Toledo, Spain.
Available on YouTube

Este vídeo ha sido grabado en la Iglesia del Salvador de Toledo, iglesia dedicada a la celebración de la sagrada Liturgia según la Forma Extraordinaria del Rito Romano (misa tridentina o misal de 1962) en la Archidiócesis primada de Toledo (España).
 
VISITE NUESTROS SITES:
 


English: 
El Mezquita-Iglesia de El Salvador
(The Mosque-Church Of The Saviour),
Toledo, Spain.
Español: 
Photo: 14 March 2009.
Source: Own work.
(Wikimedia Commons)



The 8th-Century A.D. Visigoth Pilaster beside 
The Lady Altar, El Mezquita-Iglesia de El Salvador 
(The Mosque-Church Of The Saviour), Toledo, Spain.
Photo: 29 May 2016.
Source: Own work.
Author: Ziegler175
(Wikimedia Commons)

“Ut Queant Laxis”. Hymn To Saint John the Baptist. Feast Day 24 June.



“Ut Queant Laxis”.
Hymn to Saint John the Baptist.
Sung by: Donna Stewart.
Available on YouTube

The Nativity Of Saint John The Baptist. Feast Day, Today, 24 June. White Vestments.


Text from The Saint Andrew Daily Missal,
unless otherwise stated.

The Nativity of Saint John the Baptist.
   Feast Day 24 June.

Double of The First Class.
   With a Common Octave.

White Vestments.


English: The “Voice in the Desert”.
Français: La voix dans le désert.
Artist: James Tissot (1836-1902).
Date: Between 1886 and 1894.
Current location: Brooklyn Museum, New York City
Credit line: Purchased by public subscription.
Source/Photographer: 
(Wikimedia Commons)


“Ut Queant Laxis”.
The Hymn to Saint John the Baptist.
Available on YouTube


Saint John the Baptist.
Illustration: PINTEREST


English: Saint John the Baptist Church, Konigsberg. Königsberg is the historical name for the present-day City of Kaliningrad, Russia. Originally a Sambian, or Old Prussian City, it later belonged to the Monastic State of The Teutonic Knights, the Duchy of Prussia, the Kingdom of Prussia, the Russian Empire, and Germany, until 1946. 
After being destroyed in World War II by Soviet forces 
and annexed by the Soviet Union, thereafter, the City 
was re-named Kaliningrad. Few traces of the former Königsberg remain today.
Deutsch: Im Innern der Probsteikirche in Königsberg.
Date: 1904.
Source: http://www.bildarchiv-ostpreussen.de/index.html
Author: Herausgeber: Landsmannschaft Ostpreußen e.V. Parkallee 84/86 20144
Hamburg HRA VR4551 Ust-ID-Nr.: DE118718969Bundesgeschäftsführer:
Dr. Sebastian Husen.
(Wikimedia Commons)

“A Prophet of The Most High” (Alleluia), Saint John is 
pre-figured by Isaias and Jeremias (Introit, Epistle, Gospel); moreover, he was Consecrated before birth to announce Jesus (Secret) and to prepare Souls for His coming.

The Gospel narrates the prodigies which accompanied his birth. Zachary gives his child the name which Saint Gabriel has brought him from Heaven, which signifies: “The Lord has pardoned”. He immediately recovers his speech and, filled with The Holy Ghost, he foretells the greatness of his son: “He shall walk before The Face of The Lord, to give unto the people the knowledge of Salvation.”


The Virgin and Child, with The Infant Saint John,
appearing to Saint Jerome and Saint Anthony.
Artist: Andrea Celesti (1637-1712).
Date: Circa 1700.
Current location: Santa Maria dei Derelitti, Venice.
Source/Photographer: Web Gallery of Art
(Wikimedia Commons)


The Angel Gabriel had announced to Zachary that “many would rejoice in the birth of Saint John the Baptist”. Indeed, not only “the neighbours and relations of Elizabeth” Solemnised the event, but every year, on its Anniversary, the whole Church invites her children to share in this Holy Joy. She knows that the Nativity “of this Prophet of The Most High”, at this “Summer Christmas”, is intimately connected with the Advent of The Messias.

After the Feast of the Nativity of Saint John the Baptist, the days become shorter, while, on the contrary, after the Nativity of The Saviour, of which this Feast is the prelude, the days become longer. The Precursor must efface himself before Jesus, Who is The True Light of Faith. “He must increase,” says Saint John, “and I must decrease.”

The Solstices were the occasion of pagan feasts, when fires were lighted to honour the orb which gives us light. The Church Christianised the Rites, seeing in them a symbol of Saint John, who was “a burning and brilliant lamp”.


Artist: Caravaggio (1573-1610).
Date: 1608.
Current location: 
Saint John’s Co-Cathedral, Valletta, Malta.
Source/Photographer: The Yorck Project: 
10.000 Meisterwerke der Malerei.
DVD-ROM, 2002. ISBN 3936122202.
Distributed by DIRECTMEDIA Publishing GmbH.
(Wikimedia Commons)

Indeed, “she encouraged this kind of manifestation, which corresponds so well with the character of the Feast. The Saint John bonfires happily completed the Liturgical Solemnity: They showed The Church and the Earthly City united in one thought.” [“The Liturgical Year” by Dom Guéranger: The Nativity of Saint John the Baptist.]

The name of The Precursor is inscribed in the Canon of The Mass at the Head of the Second List.

Formerly, on his Feast Day, three Masses were Celebrated in his honour, and numerous Churches were dedicated to him. Parents loved to give his name to their children.


Gregorian Chant.
The Life of Saint John the Baptist.
La vie de saint Jean-Baptiste.
Available on YouTube

Paul the Deacon, a Monk of Monte Cassino, Italy, and a friend of Charlemagne, had composed, in honour of Saint John the Baptist, the Hymn: "Ut queant laxis." In the 13th-Century, the Benedictine Monk, Guy of Arezzo, noticed that the notes, sung on the first syllables, formed the sequence of the first six degrees of The Scale. He named each degree by the corresponding syllable: "Ut, re, mi, fa, sol, la, si" and thereby greatly facilitated the study of musical intervals.

Ut queant laxis resonare fibris [Do - Re]
Mira gestorum famuli tuorum [Mi - Fa]
Solve polluti labii reatum [Sol - La]
Sancte Johannes [Si] (S J makes Si)

“Unloose, great Baptist, our sin-fettered lips; That with enfranchis’d voice we may proclaim, The Miracles of thy transcendent life, Thy deeds of matchless fame.” “That thy servants may sing with full voice the marvels of thy works, purify their sullied lips, O Saint John.”

Immediately, Zachary made signs that he wished to call his son “John”, he recovered his speech; and Lo !, a Hymn composed in honour of The Prophet, whose voice resounds in the desert, becomes the occasion of a new progress in music.

Every Parish Priest Celebrates Mass for the people of his Parish.

Mass: De ventre.
Creed: Is Sung.


English: Chapel of Saint John and Saint Paul, 
Szekszárd, Hungary.
Magyar: A barokk stílusú Szent János 
és Pál kápolna Szekszárdon
Esperanto: Kapelo Sanktaj Johano 
kaj Paŭlo en Szekszárd, Hungario.
Photo: 4 October 2010.
Source: Hungarian Wikipedia, file 
(Wikimedia Commons)

23 June, 2026

Beautiful Typographical Design Work In Zephyrinus’s 1936 Saint Andrew Daily Missal.



Such beautiful typographical design work in 
Zephyrinus’s 1936 Saint Andrew Daily Missal.
You don’t get such a beautiful aid 
to one’s Prayer Life in a Missalette !!!
Illustration: Zephyrinus.

Division Of The Ecclesiastical Year (Continued): The Sanctoral Cycle.

 


High Altar, Church of Saint John Cantius, Chicago.


Text from The Saint Andrew Daily Missal,
unless stated otherwise.

The Ecclesiastical Year begins on The First Sunday of Advent and ends on the Saturday following The Twenty-Fourth Sunday After Pentecost.

It is composed of Liturgical Seasons, or Times.

THE TEMPORAL CYCLE, or, PROPER OF THE TIME, reveals 
Our Lord to us in the Traditional setting of the 
great mysteries of our Holy Religion.

Simultaneously with this TEMPORAL CYCLE, is a secondary one, called THE SANCTORAL CYCLE, or, PROPER OF THE SAINTS, because it is composed of all the Feasts of those Blessed Souls in which the work of the redemption is already accomplished.



Pope Saint Pius X, in his Bull “Divino Afflatu”, points out the order to be observed in the Celebration of the Feasts of Saints which, in the course of the year, come in among those of the Cycle of the Mysteries of Our Lord’s life.

The first place is given to The Blessed Virgin Mary.

Then come the Holy Angels.

Next, according to the greater or less share 
they have in the plan of The Incarnation:

Saint John the Baptist, the Precursor of The Messias;


Saint Joseph;

Saint Peter and Saint Paul;

and the other Apostles, whose Feasts have 
always been Celebrated with special Solemnity.

The Feasts of National Saints, Patrons of Dioceses and Parishes, come in the First Rank because of special 
gratitude due to them.



Next, come:

Feasts of Dedication of Churches;

Martyrs;

Pontiffs, i.e., Popes or Bishops;

Doctors, i.e., Fathers of The Church, 
the authorised interpreters of The Word of God;

Confessors, i.e., those who, by their life or doctrine, 
have Confessed Christ;

Virgins and other Holy Women.



The most important and the most numerous Solemnities of 
this Cycle, especially those of the Time after Pentecost, bring into full light the Cycle of Christ, for it is by Him that the 
World must be renewed: “Instaurare Omnia In Christo”.


[Editor: The following is taken from “Catholic Insight” 

 [“Instaurare Omnia In Christo” was Pope Saint Pius X’s chosen Motto — “To Restore All Things In Christ” — one 
to which he lived admirably, reforming The Church 
from the inside out: Soon after being elected, he penned 
Tra le Sollecitudini”, (22 November 1903), re-instating Gregorian Chant and Polyphony and the Solemn 
Splendour of Liturgy and The Mass. 

[Against the dour rigorism of Jansenism, he promoted 
daily reception of Holy Communion – nearly unheard of – 
and clarified the simple requirements to receive – at the Age 
of Reason, and being free from Mortal Sin, that The Bread of Life is Medicine for Sin, and Supernatural Sustenance for Eternal Life, and not a reward for being virtuous].



Resting one upon the other, these two Cycles form, as it were, an immense Monstrance set with precious stones. In the centre is the Host, or The Mass of The Faithful with the three parts which constitute it; 

The Offertory;

The Consecration;

The Communion.

Around it is The Mass of The Catechumens, which varies every day, whereby at the Altar, as with luminous rays, we are shown the different Mysteries on each Sunday and Solemnity of the Proper of the Time. Then, in the intervals left free, like lesser rays, shine the Feasts in honour of the Saints.

The Church carries this Divine Sun through the World 
in all times, raises it daily toward Heaven in her Liturgical Worship, that, by it, we may offer to God an ever-renewed homage of our gratitude, and receive from it the treasures 
of Grace and Holiness.


The Occurrence and Concurrence of Feasts.

In this simultaneous movement of the Temporal 
and Sanctoral Cycles, it happens that Feasts of 
the Proper of the Time and those of the Proper 
of the Saints fall upon the same day.

This is called “Occurrence of Feasts”.


When the Second Vespers of a Feast coincide 
with the First Vespers of the following Feast, 
it is called “Concurrence of Feasts”.

It should be noted that First Vespers are said on the 
Eve of a Feast and the Second Vespers on the Feast, itself.

When two Feasts “Occur”, the lesser 
Feast gives place to the greater Feast.

When two Feasts “Concur”, the greater Feast 
supersedes the lesser Feast, and if they are of 
the same degree (Rank), they share Vespers.

The Vigil Of Saint John The Baptist. 23 June. Violet Vestments.


Text from The Saint Andrew Daily Missal,
unless otherwise stated.

The Vigil of Saint John the Baptist.
   23 June.

Simple.

Violet Vestments.



The Sermon of Saint John the Baptist (detail).
Artist: Pieter Breughel the Elder (1526-1569).
Date: 1566.
Photo: 20 July 2013.
Current location: Szépművészeti Múzeum
(Museum of Fine Arts), Budapest, Hungary.
Source: Own work.
Author: Yelkrokoyade
(Wikimedia Commons)



Feast Day Procession of Saint John the Baptist,
Patron Saint of Florence, June 2017.
Available on YouTube


The Infant Jesus and John the Baptist.
Artist: Bartolomé Esteban Murillo (1617-1682).
Date: 1600s.
Source: 
(Wikimedia Commons)


In the Gospel of 25 March, we read that The Angel Gabriel announced to Mary that, three months later, Elizabeth, in virtue of a Divine Miracle, would have a son. This is why The Nativity of Saint John the Baptist is Celebrated towards the end of June.

This important Feast is preceded by a Vigil.

Mass: Ne tímias.



Fresco of The Birth of Saint John the Baptist.
Date: 1486-1490.
Current location: Tornabuoni Chapel,
Church of Santa Maria Novella, Florence, Italy.
(Wikimedia Commons)

The Tornabuoni Chapel (Italian: Cappella Tornabuoni) is the main Chapel (or Chancel) in the Church of Santa Maria Novella, Florence, Italy. It is famous for the extensive and well-preserved fresco cycle on its walls, one of the most complete in the City, which was created by Domenico Ghirlandaio and his workshop between 1485 and 1490.


The following Text is from Wikipedia - the free encyclopædia.

At the Annunciation, when the Angel Gabriel appeared to The Virgin Mary to inform her that she would conceive of The Holy Ghost, he also informed her that Elizabeth, her cousin, was already six months pregnant (Luke 1:36). Mary then journeyed to visit Elizabeth. Luke’s Gospel recounts that the baby “leapt” in Elizabeth’s womb at the greeting of Mary (Luke 1:44).

The Nativity of John the Baptist, on 24 June, comes three months after the Celebration on 25 March of the Annunciation, when the Angel Gabriel told Mary that her cousin Elizabeth was in her sixth month of pregnancy, and six months before the Christmas Celebration of the Birth of Jesus. The Nativity of John the Baptist Anticipates the Feast of Christmas.


Vespers for the Feast of Saint John the Baptist.
Recorded on 19 June 2014, Church of Saint Jean Baptiste,
New York City, by Tom Durack, Michael McGuinnes, and
video editing by Anthony Indelicato.
Available on YouTube


The Nativity of John the Baptist is one of the oldest Festivals of the Christian Church, being listed by The Council of Agde, in 506 A.D., as one of that region’s principal Festivals, where it was a Day of Rest and, like Christmas, was Celebrated with three Masses: A Vigil Mass; a Dawn Mass; and a Mid-Day Mass. This Feast of the Nativity of Saint John is one of the Patronal Feasts of the Order of Malta.

Ordinarily, the day of a Saint’s death is usually Celebrated as his or her Feast Day, because that day marks their entrance into Heaven. To this rule there are two notable exceptions: The Birthday (Nativity) of The Blessed Virgin Mary (8 September); and the Birthday (Nativity) of Saint John the Baptist
(24 June).

According to Catholic Tradition and teaching, Mary, already, in the first moment of her existence, was free from Original Sin (her Conception, itself, is Commemorated by a separate Feast (8 December)), while Saint John the Baptist was cleansed of Original Sin in the womb of his mother.

The Nativity of John the Baptist, though not a widespread public holiday outside of Quebec, Canada, is a high-ranking Liturgical Feast, kept in Roman Catholic, Anglican and Lutheran Churches.

In the Roman Rite, it is Celebrated, since 1970, as a Solemnity. In the 1962 Missal, it is a Feast of the First-Class and, in still-earlier Missals, as a Double of the First-Class with a Common Octave.

Like the Birth of The Virgin Mary, the subject is often shown in art, especially from Florence, whose Patron Saint is John the Baptist.
Related Posts Plugin for WordPress, Blogger...