Notre Dame de Rouen. The façade of the Gothic Church in France. Photographer: Hippo1947. Licence: SHUTTERSTOCK.

29 June, 2026

The Holy Apostles Peter And Paul. Feast Day, Today, 29 June. Red Vestments.


Text from The Saint Andrew Daily Missal,
unless otherwise stated.

The Holy Apostles Peter and Paul.
   Feast Day 29 June.

Double of The First-Class
   with a Common Octave.

Red Vestments.


Saint Peter and Saint Paul.
Illustration: CATHOLICTRADITION.ORG


Liturgy for the Catechumens: 
No. 1, Initial Blessing and Litany.
The Russian Patriarchate Choir: Anatoly Grindenko.
Divine Liturgy: Feast of Saint Peter and Saint Paul.
Available on YouTube


Saint Peter and Saint Paul.
Artist: El Greco (1541–1614).
Current location: Hermitage Museum
Saint Petersburg, Russia.
Source/Photographer; Hermitage Torrent
(Wikimedia Commons)

Today, the whole Church rejoices, for "God has Consecrated this day by the Martyrdom of The Apostles Peter and Paul" (Collect). In both the Grand Basilicas erected at Rome over the tombs "of these two Princes, who, by The Cross and The Sword, have obtained their seat in The Eternal Senate," [Hymn at Vespers] this double Martyrdom was Celebrated.

Later, on account of the distance which separates the two Churches, the Festival was divided, Saint Peter being more specially honoured on 29 June and Saint Paul on 30 June.

Saint Peter, Bishop of Rome, is the Vicar, that is to say the visible representative of Christ. As is shown in the Preface, Alleluia, Gospel, Offertory and Communion, the Jews had rejected Jesus. They also rejected His successor (Epistle). Displacing the religious centre of the World, Saint Peter then left Jerusalem for Rome, which became The Eternal City and The Seat of The Popes.


Liturgy for the Catechumens: No. 5,
"One and Only Son" (Hymn).
The Russian Patriarchate Choir: Anatoly Grindenko.
Divine Liturgy: Feast of Saint Peter and Saint Paul.
Available on YouTube


Saint Peter and Saint Paul.
Artist: René de Cramer.
“Copyright Brunelmar/Ghent/Belgium”.
Used with Permission.


Liturgy for The Catechumens: No. 9.
Troparion of The Dedication of the Church 
of The Resurrection of Christ.
Mode 4.
The Russian Patriarchate Choir: Anatoly Grindenko.
Divine Liturgy: Feast of Saint Peter and Saint Paul.
Available on YouTube

Saint Peter, the first Pope, speaks in the name of Christ, Who has communicated to him His Doctrine of Infallibility. He is not guided by flesh and blood, but by the Heavenly Father, Who does not permit The Gates of Hell to prevail against The Church of which he is the foundation (Gospel).

Saint Peter, on receiving The Keys, is placed at the head of the “Kingdom of Heaven” upon Earth, that is to say The Church, and he reigns in the name of Christ, Who has invested him with His Power and Supreme Authority (Gospel).

The names of Saint Peter and Saint Paul head the names of The Apostles in The Canon of The Mass (First List).

With "The Church, which did not cease Praying to God for Saint Peter" (Epistle), let us Pray for his successor “the Servant of God, our Holy Father the Pope” (Canon of The Mass).

Every Parish Priest Celebrates Mass for the people of his Parish.

Mass: Nunc scio.
The Creed is said throughout the Octave.
The Preface of The Apostles is said throughout the Octave.

The Imperial Abbey Of Zwiefalten.



English: Zwiefalten Abbey.
Deutsche: Zwiefalten: Ehemalige Benedektinerabtei, Das Innere des MünstersFresken von Franz Joseph Spiegler, 
Stuck von Johann Michael Feuchtmayer d. J.
Photo: March 2003.
Source: Own work.
Author: Andreas Praefcke.
(Wikimedia Commons)



English: The Minster of Our Lady, Zwiefalten, Germany.
Deutsch: Münster Unserer Lieben Frau in der Benediktinerabtei Zwiefalten.
Photo: 13 August 2021.
Source: Own work.
Author: Dionysos1970.
(Wikimedia Commons)



English: The Minster of Our Lady, Zwiefalten, Germany.
Deutsch: Münster Unserer Lieben Frau in Zwiefalten, 
Baden-Württemberg.
Photo: 6 February 2020.
Source: Own work.
Author: Olga Ernst.
(Wikimedia Commons)


Text from Wikipedia - the free encyclopædia,
unless otherwise stated.

Zwiefalten Abbey (German: Kloster Zwiefalten, Abtei Zwiefalten, or, after 1750, Reichsabtei Zwiefalten) is a former Benedictine Monastery situated at Zwiefalten, near Reutlingen, in Baden-Württemberg, Germany.

Zwiefalten is on the Upper Swabian Baroque Route. The Monastery was Founded in 1089 at the time of the Investiture Controversy by Counts Gero and Kuno of Achalm, advised by Bishop Adalbero of Würzburg and Abbot William of Hirsau.



Side Chapels, Zwiefalten Abbey.
Photo: 10 June 2010.
Source: Own work.
Author: Gregor Kollmorgen.

The first Monks were also from Hirsau Abbey, home of the Hirsau Reforms (under the influence of the Cluniac Reforms), which strongly influenced the new foundation. Noker von Zwiefalten was the first Abbot from 1065 – 1090. Zwiefalten adopted the “Hirsau Reforms” of Abbot William of Hirsau.[1]

Starting around 1100, Zweifalten was, for a time, a Double-Abbey. Gertrude ( 1160), daughter of Duke Bolesław III Wrymouth of Poland, was a Nun at Zweifalten. Her mother, Salomea of Berg, was a generous patron.[2]


Zwiefalten Abbey,
Baden Württemberg, Germany.
Available on YouTube

The Monk, Ortlieb, wrote a history of the Monastery in the Early-12th-Century. Berthold continued it to 1137–1138.[3]

During the 12th-Century, Saint Ernest ( 1148)[4] was Abbot. Between 1145 and 1149, he participated in The Second Crusade to regain The Holy Land.[5]



The Pulpit, Zwiefalten Abbey.
Photo: 10 June 2010.
Source: Own work.
Author: Gregor Kollmorgen.

Although Pope Urban VI granted special privileges to it, Zwiefalten Abbey was nevertheless the private Monastery of the Counts of Achalm, later succeeded by the Counts of Württemberg. The Abbey was plundered in 1525 during the German Peasants' War.

Christoph Rassler was Abbot from 1658–1675 and Augustin Stegmüller was Abbot in the 18th-Century. In 1739, work commenced on the Abbey, which continued by Johann Michael Fischer until 1765. It is considered a model of integrated Baroque design. Frescoes in the Church by Franz Joseph Spiegler are considered his best work.[6]



The High Altar in Zwiefalten Münster, combining
a Gothic statue of Mary (1430) with Baroque additions 
by Joseph Christian, circa 1750.
Photo: 3 June 1990.
Source: Own work.
(Wikimedia Commons)

In 1750, the Abbey was granted the status of Reichsabtei, which meant that it had the status of an Independent Power, subject only to the Imperial Crown, and was free of the rule of Württemberg.

Benedictine Ernest Weinrauch was a highly-respected Organ player and Contrapuntist, who composed an Oratorio at Zwiefalten.



This Confessional in Zwiefalten Abbey, Germany, 
must be the most beautiful Confessional in the World.
Go to Confession in luxury and style !!!
Photo: 10 June 2010.
Source: Own work.
Author: Gregor Kollmorgen.

On 25 November 1802, however, it was secularised and dissolved, and became a lunatic asylum and, later, psychiatric hospital, which it is today, as well as the site of the Württemberg Psychiatry Museum.

The present buildings were constructed in German Baroque Style from 1739 – 1747 under the direction of Johann Michael Fischer (1692 – 1766) of Munich, who began overseeing the work in 1741.



The Nave, Zwiefalten Abbey.
Photo: 10 June 2010.
Source: Own work.
Author: Gregor Kollmorgen.

The Interior, considered a model of Baroque design, is filled with ornate Chapels and gilded Balustrades, dominated by The High Altar, which combines a Gothic statue of The Virgin Mary, dating from 1430, with Baroque additions (dating from about 1750) by Johann Joseph Christian (1706 – 1777). The elaborate frescoes are by Franz Joseph Spiegler (1691 – 1757).[7]



Zwiefalten Abbey.
Photo: March 2003.
Source: Own work.
Author: Andreas Praefcke.
(Wikimedia Commons)


The Imperial Abbey of Zwiefalten.
Available on YouTube


28 June, 2026

The Great Coat-Of-Arms Of The Kingdom Of The Two Sicilies.



Great Coat-of-Arms of the Kingdom of the Two Sicilies (Modern and Right Heraldic Design). Used by Prince 
Pedro, Duke of Calabria, Spanish line claim. Used in Spain 
as claim and Grand Master of the former Kingdom of the 
Two Sicilies Chivalric Orders and Prince Carlo, 
Duke of Castro, Neapolitan line claim.
Stemma del Regno delle Due SiciliePedro di Borbone-Due Sicilie. Pretendente del ramo spagnolo usato come Gran Maestro ordine equestre di collazione dalla casata dei Borbone di Due Sicilie. Carlo di Borbone-Due Sicilie, Duca di Castro, Pretendente del ramo napoletano.
Escudo Grande del Reino de las Dos Sicilias. Usado por Pedro de Borbón-Dos Sicilias, Duque de Calabria, Pretendiente de la rama española al Trono de las Dos Sicilias. Usado oficiosamente en España como maestre de las órdenes de caballería de este reino desaparecido. También empleado por Carlos de Borbón-Dos Sicilias, Duque de Castro, Pretendiente de la rama napolitana al Trono de las Dos Sicilias,



Description of the Arms appearing 
in the Great Coat-of-Arms (above).
This File: 7 October 2021.
(Wikimedia Commons)



Numeral positions for the Blazon 
of the Great Coat- of-Arms of the 
(Modern and Right Heraldic Design).
Posizioni numerali per la blasonatura 
dello Stemma del Regno delle Due Sicilie.
Numeración para descripciones de las partes Grande del Reino de las Dos Sicilias. Usado por Carlos de Borbón-Dos Sicilias, Duque de Calabria, Pretendiente de la rama española al 
Trono de las Dos Sicilias. Usado en España como maestre de las órdenes de caballería de este reino desaparecido.
También empleado por Carlos de Borbón-Dos Sicilias, 
Duque de Castro, Pretendiente de la rama napolitana 
al Trono de las Dos Sicilias.
Legend:
2 y 10. Austria
15. Tirol
Date: March 2013.
Source: pag. 12
This File is licensed under the
Creative Commons Attribution-
Share Alike 3.0 Unported,
and 1.0 Generic Licence.
Author: Heralder.
Permission: Own work.
(Wikimedia Commons)


This Post was generated after reading an outstanding Article on the same subject on one of Zephyrinus’s favourite Blogs, entitled ONCE I WAS A CLEVER BOY, which can be read HERE

Text from Wikipedia - the free encyclopædia,
unless stated otherwise.

The Kingdom of the Two Sicilies (Italian: Regno delle Due Sicilie)[b] was a Kingdom in Southern Italy from 1816 to 1861 under the control of the House of Bourbon-Two Sicilies, which was a Cadet Branch of the Bourbons.[3] 

The Kingdom was the largest Sovereign State by population and land area in Italy before Italian unification, comprising Sicily and most of the area of today’s Mezzogiorno (Southern Italy) and covering all of the Italian Peninsula South of the former Papal States.


The Kingdom was formed when the Kingdom of Sicily merged with the Kingdom of Naples, which was officially also known as the Kingdom of Sicily.

Since both Kingdoms were named after Sicily, they were collectively known as the “Two Sicilies” (Utraque Sicilia, meaning “both Sicilies”), and the unified Kingdom adopted this name. 

The King of the Two Sicilies was overthrown by Giuseppe Garibaldi in 1860, after which the people voted in a Plebiscite to join the Kingdom of Sardinia


The annexation of the Kingdom of the Two Sicilies completed the first phase of Italian unification, and the new Kingdom of Italy was proclaimed in 1861 after uniting with other Italian States.

The name “Two Sicilies” originated from the partition of the Mediæval Kingdom of Sicily

Until 1285, the island of Sicily and the Mezzogiorno were constituent parts of the Kingdom of Sicily. 


As a result of the War of the Sicilian Vespers (1282–1302),[4] the King of Sicily lost the Island of Sicily (also called Trinacria) to the Crown of Aragon, but remained Ruler over the Peninsular part of the Realm.

Although his territory became known unofficially as the Kingdom of Naples, he and his successors never renounced the title King of Sicily and still officially referred to their Realm as the Kingdom of Sicily. 

At the same time, the Aragonese rulers of the Island of Sicily also called their realm the Kingdom of Sicily. 

Hence, the Kingdom that resulted from their re-unification was named the Kingdom of the Two Sicilies.[4]

Our Lady Speaks At Akita, Japan, To Sister Agnes Sasagawa.


“The Smoke Of Satan Has Entered The Temple Of God”. — Pope Paul VI.


Metropolitan Cathedral-Basilica Of The Nativity Of Saint Mary, Milan. Basilica Cattedrale Metropolitana Di Santi Maria Nascente, Milano. (Part Ten).



English: Milan Cathedral.
Italiano: Milano - Duomo.
This File: 30 January 2014.
Source: Own work.
This file is licensed under the
(Wikimedia Commons)



Duomo of Milan.
The Church That Took 600 Years To Finish.
Available on YouTube

The following Text is from Wikipedia - the free encyclopaedia,
unless stated otherwise.



Milan Cathedral at night.
Photo: 1 May 2011.
Source: 
Author: 7777777kz
(Wikimedia Commons)

The Cathedral’s five broad Naves, divided by forty Pillars, are reflected in the hierarchic openings of the façade. Even the Transepts have Aisles. The Nave Columns are twenty-four metres (80 ft) high, and the Apsidal Windows are huge. 

Milan Cathedral is a brick building, faced with Marble from the quarries which Gian Galeazzo Visconti donated in perpetuity to the Cathedral Chapter.

In 2015, Milan’s Cathedral developed a new lighting system using LEDs.[18]



Milan Cathedral at night.
Photo: 10 December 2022.
Source: Own work.
Author: Al*from*Lig
(Wikimedia Commons)

The Cathedral was built over several hundred years in a number of contrasting styles. Reactions to it have ranged from admiration to disfavour. The Guida d’Italia: Milano 1998 (Touring Club Editore) points out that the early Romantics tended to praise it in “the first intense enthusiasm for Gothic”. As the Gothic Revival brought in a purer taste, condemnation was often equally intense.

John Ruskin commented acidly that the Cathedral steals “from every style in the World: And every style spoiled.

“The Cathedral is a mixture of Perpendicular Style with Flamboyant Style; the latter being peculiarly barbarous and angular, owing to its being engrafted, not on a pure, but a very early, penetrative Gothic Style.

PART ELEVEN FOLLOWS.

John Atkinson Grimshaw (1836-1893). Victorian Artist.






"November".
Artist: John Atkinson Grimshaw (1836–1893).
Date: 1879.
This File: 19 September 2013.
(Wikimedia Commons)

Absurd Victorian Occupations.


Saint Irenæus. Bishop And Martyr. Feast Day, Today, 28 June. Red Vestments.


Text from The Saint Andrew Daily Missal,
unless otherwise stated.

Saint Irenæus.
   Bishop and Martyr.
   Feast Day 28 June.

Double.

Red Vestments.


Engraving of Saint Irenæus (circa 130 A.D. - 202 A.D.).
Bishop of Lugdunum in Gaul (now Lyons, France).
(Wikipedia)

Towards the end of the Second Century A.D., when Gnostic Sects endeavoured to undermine the basis of The Christian Religion, God raised up Saint Irenæus to oppose them. "He granted him the Grace to destroy the Heresies by the Truth of his doctrine" (Collect).

Succeeding Saint Pothinus in the See of Lyons, in 177 A.D., Saint Irenæus "Preached in Season and out of Season", as Saint Paul prescribes (Epistle) and constituted himself defender of Christ (Gospel) and of His Spouse.

"The Church", he declares, "disseminated throughout the World, to the extremities of the Earth, professes The Faith she has received from The Apostles, who themselves received it from The Son of God." This Church has its centre at Rome. "With her, every Church must be in agreement because of her primacy; for, through the succession of Roman Pontiffs, the Apostolic Tradition of The Church has come down to us."

An ardent apologist, Saint Irenæus was also a profound Theologian. He has been called the Father of the Catholic Theology and the golden link binding the spirit of the Gospel to the Doctrine of The Fathers. With his ears still full of the last echoes of Apostolic Teaching (Alleluia), he was the first to write a reasoned summary of our Faith. His Treatise "False Doctrine Unmasked and Refuted", also called “Against Heresies”, gave the death blow to the Gnostic Heresy.

Saint Jerome gives him the glorious title of Martyr. He died, as is believed, during The Persecution of Emperor Septimus Severus in 202 A.D. Pope Benedict XV extended his Feast to the Universal Church.

Mass: Lex veritátis.
Commemoration: Octave of Saint John the Baptist.
Commemoration: Vigil of the Apostles.
Last Gospel: Gospel of the Vigil.

27 June, 2026

The Victoria Cross: A Grand Occasion.



The Victoria Cross.
Awarded to 
Boatswain’s Mate, Henry Curtis VC 
- Royal Navy (Naval Brigade ).
Illustration: VICTORIA CROSS



Queen Victoria Awards The Victoria Cross 
To Recipients In Hyde Park, London.
Artist: George Housman Thomas.
Date: 1857. 
Royal Collection Trust.



Queen Victoria Awards The Victoria Cross 
To Recipients In Hyde Park, London.
Artist: George Housman Thomas.
Date: 1857. 
Royal Collection Trust.


This Article is taken from, and can be read in full at,
London Historians' Blog
HERE


The Victoria Cross: A Grand Occasion

Today, 26 June, marks the first public presentation in 1857 of the new Victoria Cross. 

The carefully-planned and choreographed open-air event took place in Hyde Park, London, where sixty-two of the earliest recipients of the Medal assembled to receive their award. 

The Queen — who, with Prince Albert, had been closely involved in every stage of the Victoria Cross’s (VC’s) introduction — insisted on pinning the VCs, personally, on the chests of her brave Servicemen. 


Her Majesty was on horseback. Seemingly to the surprise of the organisers. 

This may explain an unfortunate mishap when it is said Her Majesty had inadvertently pierced both the tunic and living flesh of Commander Henry Raby of the Royal Navy. 

Of course, the courageous Sailor endured it manfully, no doubt through gritted teeth. 



Commander Henry RABY. 
Royal Navy.

Commander John BYTHESEA. 
Royal Navy.

Commander Hugh BURGOYNE. 
Royal Navy.

Lieutenant Charles LUCAS. 
Royal Navy.

Lieutenant William HEWETT. 
Royal Navy.

Gunner John ROBARTS. 
Royal Navy.

Boatswain Joseph KELLAWAY. 
Royal Navy.

Boatswain Henry COOPER. 
Royal Navy.

Seaman Joseph TREWAVAS. 
Royal Navy.

Seaman Thomas REEVES. 
Royal Navy.

Bosun’s Mate Henry CURTIS. 
Royal Navy.

Captain-of-the-Mast George INGOUVILLE. 
Royal Navy.

Lieutenant George DOWELL. 
Royal Marine Artillery.

Bombadier Thomas WILKINSON. 
Royal Marine Artillery.

Sergeant-Major John GRIEVE. 
2nd Dragoons.

Private Samuel PARKES. 
4th Dragoons.

Lieutenant Alexander DUNN. 
11th Hussars.

Troop-Sergeant-Major John BERRYMAN. 
17th Lancers.

Colonel Collingwood DICKSON. 
Royal Artillery.

Captain Andrew HENRY. 
Royal Artillery.

Captain Gronow DAVIS. 
Royal Artillery.

Master-Gunner Daniel CAMBRIDGE. 
Royal Artillery.

Gunner Thomas ARTHUR. 
Royal Artillery.

Lieutenant Gerald GRAHAM. 
Royal Engineers.

Corporal John ROSS. 
Royal Engineers.

Corporal William LENDRIM. 
Royal Engineers.

Sapper John PERIE. 
Royal Engineers.

Colonel Henry PERCY. 
Grenadier Guards.

Brevet-Major Charles RUSSELL. 
Grenadier Guards.

Sergeant Alfred ABLETT. 
Grenadier Guards.

Private Anthony PALMER. 
Grenadier Guards.

Brevet-Major Gerald GOODLAKE. 
Coldstream Guards.

Brevet-Major John CONOLLY. 
Coldstream Guards.

Private George STRONG. 
Coldstream Guards.

Brevet-Major Robert LINDSAY. 
Scots Fusilier Guards.

Sergeant James MCKECHNIE. 
Scots Fusilier Guards.

Private William REYNOLDS. 
Scots Fusilier Guards.

Private Thomas GRADY. 
4th Regiment (King’s Own Regiment).

Lieutenant William HOPE. 
7th Regiment (Royal Fusiliers).

Assistant Surgeon Thomas HALE. 
7th Regiment (Royal Fusiliers).

Private Matthew HUGHES. 
7th Regiment (Royal Fusiliers).

Private William NORMAN. 
7th Regiment (Royal Fusiliers).

Ensign Andrew MOYNIHAN. 
8th Regiment (King’s (Liverpool) Regiment).

Private Samuel EVANS. 
19th Regiment (Yorkshire Regiment).

Private John LYONS. 
19th Regiment (Yorkshire Regiment).

Lieutenant Luke O’CONNOR. 
23rd Regiment (Royal Welch Fusiliers).

Corporal Robert SHIELDS. 
23rd Regiment (Royal Welch Fusiliers).

Private William COFFEY. 
34th Regiment (Border Regiment).

Private John SIMS. 
34th Regiment (Border Regiment).

Sergeant William MCWHEENEY. 
44th Regiment (Essex Regiment).

Sergeant George WALTERS. 
49th Regiment (Royal Berkshire Regiment).

Corporal James OWENS. 
49th Regiment (Royal Berkshire Regiment).

Brevet-Major Charles LUMLEY. 
97th Regiment 
(Queen’s Own Royal West Kent Regiment).

Sergeant John COLEMAN. 
97th Regiment 
(Queen’s Own Royal West Kent Regiment).

Brevet-Major Henry CLIFFORD. 
1st Battalion The Rifle Brigade.

Private Joseph BRADSHAW. 
2nd Battalion The Rifle Brigade.

Private Francis WHEATLEY. 
2nd Battalion The Rifle Brigade.

Captain William CUNINGHAME. 
2nd Battalion The Rifle Brigade.

Lieutenant John KNOX. 
2nd Battalion The Rifle Brigade.

Private Roderick MCGREGOR. 
2nd Battalion The Rifle Brigade.

Private John HUMPSTON. 
2nd Battalion The Rifle Brigade.

Brevet-Major Claud BOURCHIER. 
3rd Battalion The Rifle Brigade.


NOT PERMITTED TO ATTEND THE INVESTITURE 
OWING TO HAVING BEEN RECENTLY PUNISHED BY 
HIS COMMANDING OFFICER FOR THEFT.
Private William STANLAKE. 
Coldstream Guards.


All of the VCs awarded in this Ceremony were 
for Actions in the recently-concluded Crimean War. 

It was from this particular conflict that the 
grim conditions Servicemen had to endure 
in far-flung Wars came to be fully appreciated 
by all sections of society. 

This was largely thanks to the advent of the telegraph 
and, for the first time, “embedded” News Reporters, 
notably in this case William Howard Russell of The Times.

Unlike other European powers, Britain lacked 
any Military Award open to All Ranks. 

Questions were asked in Parliament, 
to which The War Office was obliged to reply. 


The Queen and her Consort, Prince Albert, 
became involved very early on. 

Prince Albert was virtually in daily 
correspondence with Ministers, leading to the swift establishment of the eponymous Bronze Medal for Valour, Officially Warranted on 29 January 1856. 

The London Jewellers, Hancocks, were commissioned 
by the Minister for War Lord Panmure to produce the VC. 
They have done so ever since.

The Queen described 26 June 1857 as being: 
“A thick, heavy, morning. The heat was very great, 
but I felt it less than I expected.”

She was accompanied by Albert, several of 
her children, Lord Panmure, other Government 
Ministers, plus sundry noteworthies. 


And, of course, the recipients themselves, 
some of whom were by now dressed in civilian clothing. 

Including the public, the entire attendance 
was estimated at around 100,000. 

The whole event was enthusiastically accompanied by Military Bands and copious cheering from the audience. 

This was an auspicious beginning for the Victoria Cross, 
which has subsequently and rightly become a powerful component in this Nation’s Military Story.



The first Victoria Cross. 
Quick-thinking Lieutenant Charles Lucas 
of the Royal Navy, who attended the Ceremony, 
throws an enemy bomb overboard. 
21 June 1854.
Illustrated London News.

The LONDON HISTORIANS' BLOG can be read
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