Notre Dame de Rouen. The façade of the Gothic Church in France. Photographer: Hippo1947. Licence: SHUTTERSTOCK.

31 October, 2026

“Asperges Me”.


“Asperges Me”.
Available On YouTube

Text from Wikipedia.

“Asperges Me” is a Latin Antiphon said or sung at a 
High Mass (or the Main Mass) in the Catholic and 
Evangelical-Lutheran Traditions during all Liturgical 
Seasons except Easter and Palm Sunday. 

It traditionally accompanies the Asperges, 
the ritual sprinkling of the Congregation by the Priest 
with Holy Water, as part of an Entrance Ritual, 
symbolising the cleansing of the people. 

Its words are taken from Psalm 51.

The Introit. “In Festo Omnium Sanctorum”. The Feast Of All Saints. 1 November.



The Introit.
“In Festo Omnium Sanctorum”.
The Feast Of All Saints.
1 November.
Illustration: 
Graduale Romanum. No. 696.
Date: 1924.


“Gaudeamus Omnes”.
The Introit for All Saints.
1 November.
Gregorian Chant.
Available On YouTube

Hereford Cathedral (Cathedral Of Saint Mary The Virgin And Saint Ethelbert The King). (Part Four).



Hereford Cathedral. South Aisle.
Monument to Bishop Mayo.
Date: 1814.
(Wikimedia Commons)



Text from Wikipedia - the free encyclopædia,
unless stated otherwise.

Excommunicated by John Peckham, Archbishop of Canterbury, he went to the Papal Court in Orvieto, Italy, to plead his case with the Pope.

He moved with the Court to Montefiascone, where, already ill, he died in 1282 before his case was fully resolved.

His bones were placed in a Shrine at Hereford Cathedral, where they became a focus of a large Pilgrimage cult. Rome was urged to Canonise him, and among the evidences of his Saintliness which his admirers appealed to, in addition to the Miracles of healing wrought at his Shrine, were the facts that he never ceased to wear his hair-shirt, and would never allow even his sister to kiss him.


Hereford Cathedral Choir Screen.
Forms part of “Views of The British Isles”, in the Photochrom print collection. Title from the Detroit Publishing Co., 1905. More information about the Photochrom Print Collection is available at http://hdl.loc.gov/loc.pnp/pp.pgz
Date: 1890-1900.
Source: Library of CongressCatalog: http://lccn.loc.gov/2002696800
Photographer: Photochrom Print Collection
(Wikimedia Commons)


The testimony was regarded as conclusive, and forty years after his death, in 1320, Cantilupe’s name was added to the Roll of Saints. His Coat-of-Arms were adopted for those of the See.

In the war between King and Parliament (the English Civil War) the City of Hereford fell into the hands first of one party, then of the other. Once, it endured a siege, and, when it was finally taken, the conquerors ran riot in the Cathedral and, in their fury, caused great damage which could never be repaired.


Hereford Cathedral.
Date: 1865-1885.
Collection: A. D. White Architectural Photographs, Cornell University Library Accession Number: 15/5/3090.01155
Source: This image is from the Cornell University Library's The Commons Flickr stream
(Wikimedia Commons)


In the early years of the 18th-Century, Philip Bisse (Bishop, 1712–1721), devised a scheme to support the Central Tower. He also had installed a large Altarpiece and an Oak Screen, and, instead of restoring the Chapter House, he allowed its stones to be utilised for alterations to the Bishop’s Palace.

It was during this period that his brother, Thomas Bisse, was the Chancellor of the Cathedral. In 1724, Thomas Bisse organised a “Music Meeting”, which subsequently became, with the Cathedrals at Worcester and Gloucester, the Three Choirs Festival.

PART FIVE FOLLOWS.

“Be Thou My Vision”. Catholic Music Initiative. Dave Moore, Lauren Moore.



“Be Thou My Vision”.
Catholic Music Initiative.
Dave Moore, Lauren Moore.
Available On YouTube

“When The Immensity Of Your Sins Weighs You Down . . . Think Of The Blessed Virgin Mary”. Saint Bernard Of Clairvaux.



Illustration: FR. Z’s BLOG


Reverend Fr. Timothy Finigan. Sermon On “The Mother Of Divine Grace”.



“The Mother of Divine Grace”.
Sermon by Fr. Timothy Finigan.
“A Day With Mary”.
Available on YouTube

“The Tallis Scholars Sing Palestrina”. Director Of Music: Peter Phillips.



“The Tallis Scholars Sing Palestrina”.
Director Of Music: Peter Phillips.
Available On YouTube

Allhallowtide.



The Church Triumphant.
The Church Militant.
The Church Suffering.
Illustration from UNA VOCE OF ORANGE COUNTY
who reproduce Text and Illustrations from
The Saint Andrew Daily Missal,
1952 Edition, with the kind permission of
Artist: René de Cramer.
“Copyright Brunelmar/Ghent/Belgium”.
Used with Permission.




“Allhallowtide”.
Available on YouTube




All Hallows’ Eve (31 October), All Saints’ Day (also known as All Hallow’s Day) (1 November), and All Souls’ Day
(2 November) are referred to as Allhallowtide and are a time of honouring The Saints and Praying for all departed Souls.

The term “Hallow” means “Holy”. It is recited in 
The Lord’s Prayer: “Our Father, Who art in Heaven,
hallowed be Thy Name” (Mt 6:9).

Indulgences for The Holy Souls In Purgatory: The month of November is dedicated to The Holy Souls in Purgatory and is a privileged time to Pray for them. The Church Commemorates all her Faithful children, who have departed from this life, but have not yet attained the joys of Heaven.

Saint Paul warns us that we must not be ignorant concerning the dead, nor sorrowful, “even as others who have no hope . . . The Lord, Himself, shall come down from Heaven . . .
and The Dead, who are in Christ, shall rise.”



The Church has always taught us to Pray for those who have gone into Eternity. Even in The Old Testament, Prayers and Alms were offered for The Souls of The Dead by those who thought "well and Religiously concerning The Resurrection." It was believed that "they, who had fallen asleep with Godliness, had great Grace laid up for them", and that "it is, therefore, a Holy and wholesome thought to Pray for The Dead, that they may be loosed from sins."

We know that a defiled Soul cannot enter into Heaven. God, Lord of Mercies, grant to the Souls of Your servants and handmaids, the place of refreshment, the bliss of Eternal Rest, and the splendour of Your Light.
Amen.

From 1 November through to 8 November,
if we visit a Cemetery in a spirit of piety and devotion, and Pray, even just mentally, for The Dead, we may gain a Plenary Indulgence for one Holy Soul on each Day of The Octave (on the usual conditions). This special Indulgence is only applicable to The Dead. 



We can Pray any of The Raccolta Prayers: Numbered 582-600, [Editor: From Wikipedia: The Raccolta (literally, "collection" in Italian) is a book, published from 1807 to 1950, that listed Roman Catholic Prayers and other Acts of Piety, such as Novenas, for which specific Indulgences were granted by Popes. In 1968, it was replaced by the Enchiridion Indulgentiarum, listing fewer specific Prayers, but including new general grants that apply to a wide range of
Prayerful actions. The Text was in Italian, with the Prayers given in Latin.] to accomplish this end, and especially
The Dies Iræ Sequence
(Raccolta: Number 587).



Using a Traditional Missal, one can Pray a number of the Prayers from the 2 November Mass or a Requiem Mass.

In The Catholic Bible (Douay Rheims), it is ideal to Pray
Psalm 129 “The De Profundis”. Also, on 2 November, we can gain a Plenary Indulgence for The Holy Souls by visiting a Church and piously Praying for The Dead, (One “Our Father” and “Creed” suffice), and fulfilling all the usual conditions
for a Plenary Indulgence.



The usual conditions for a Plenary Indulgence are:

1) Pray for the Pope 
(usually 1 x Our Father and 1 x Hail Mary);

2) Worthily receive Holy Communion
on the day of the Indulgence;

3) Make a Sacramental Confession
within a week (before or after);



4) Be free from all attachment to Sin, even Venial Sin. A sincere and devout act of the Will to this end suffices. * If we fail in the usual conditions, there is still merit in our good Pious Act, but usually only amounts to a Partial Indulgence.

It should be noted that, according to Traditional Church Discipline and Practice, Fasting and Partial Abstinence are OBLIGATORY on The Vigil of Pentecost and ALL SAINTS DAY. To read more about what The Catholic Church Traditionally teaches on Fasting and Abstinence, visit this
Web-Site: http://www.fisheaters.com/fasting.html

NOVEMBER: DEVOTION TO THE HOLY SOULS.

From Fr. Schouppe’s book, entitled “Purgatory”: “There is in Purgatory, as in Hell, a double pain - the pain of loss and the pain of sense. The pain of loss consists in being deprived from a time of the sight of God. It is a moral thirst which torments our Soul. The pain of sense, of sensible suffering, is the same as that which we experience in our flesh.” (p.32).



"Speaking in general, The Doctors [of The Church] agree
in saying that the pains are most excruciating. The same fire, says Saint Gregory, torments The Damned and purifies The Elect. “Almost all Theologians”, says Saint Robert Bellarmine, “teach that The Reprobate and The Souls in Purgatory suffer the action of the same fire.” It must be held as certain, writes the same Bellarmine, that there is no proportion between the sufferings of this life and those of Purgatory.

Saint Augustine declares precisely the same. They will be saved, no doubt, after The Trial of Fire, but that Trial will be terrible, that torment will be more intolerable than all the most excruciating sufferings in this World. Behold what Saint Augustine says, and what Saint Gregory, Venerable Bede, Saint Anselm, and Saint Bernard, have said, after him. Saint Thomas Aquinas goes even further; he maintains that the least pain of Purgatory surpasses all the sufferings of this life, whatsoever they may be.” (pp 33-34).

 Let us, therefore, offer fervent Prayers for The Holy Souls in Purgatory. Monthly Tridentine Masses are offered for all our Benefactors, who are also remembered in our Daily Prayers.
Deo grátias ! / Thank you !

Please visit our GoFundMe page; http://www.gofundme.com/bpq7mo


Our Lady Of Fatima, 1917: “In The End, My Immaculate Heart Will Triumph”.



Illustration: FR. Z’s BLOG

The Vigil Of All Saints. Violet Vestments.



Iona Abbey, Scotland.


Text is taken from The Saint Andrew Daily Missal,
unless otherwise stated.

The Vigil of All Saints.

Simple.

Violet Vestments.

The most illustrious Martyrs had at Rome, from the 4th-Century A.D., their Basilicas, where was Celebrated each Year the Anniversary of their death, or, rather, their birth in Heaven.

At that time, a number of Masses were prescribed without any fixed day in honour of those who had no public recognition. When, later, the names of Saints, who were not Martyrs, were introduced into the Ecclesiastical Calendar, a more Universal character was given to such Masses.


It is thus that, in the 8th-Century A.D., the Gregorian Sacramentary indicates among the Common Masses without a date: The Mass in Honour of All Saints.

Fixed in the following Century on 1 November, it became the Mass of All Saints’ Day, for which we are this day prepared by a Vigil.

This explains why the Mass of The Vigil, as well as that of the Feast, contains extracts from the Masses of the Common of Martyrs.

Mass: Judicant sancti gentes.
Gloria: Is not said.


The Church Triumphant.
The Church Militant.
The Church Suffering.
who reproduce Text and Illustrations from
The Saint Andrew Daily Missal
with the kind permission of
Artist: René de Cramer.
“Copyright Brunelmar/Ghent/Belgium”.
Used with Permission.


The following Text is taken from

The Vigil of All Saints is of Simple Rite and its Liturgical Colour is Violet. As with all Simple Rite Vigils, The Office runs from Mattins to None.

At Mattins, The Invitatory, Hymn, Antiphons, Psalms, Versicle and Response are from The Psalter for Friday. The Lessons, Proper to The Vigil, in The Nocturn, are a Homily of Saint Ambrose from The Common of Several Martyrs.

The Responsories are from The Friday of The Fifth Week of October. The Te Deum is not sung. The Second Scheme of Lauds for Friday is sung with Psalms 50, 142, 84, “Domine, audivi auditionem tuam”, and 147.



The Office Hymn is “Aeterna cæli gloria”. After the Antiphon on the Benedictus has been repeated, the Ferial Preces are sung, with the Choir kneeling. After The Collect of The Vigil, The Suffrage of The Saints is omitted (c.f. pre-1911-1913 praxis, when The Suffrages were sung).

At Prime, the Psalm displaced from Lauds by The Miserere is added to The Psalmody of The Day: Pss. 21(i), 21(ii), 21(iii), and 98. Both The Dominical and Ferial Preces are sung, with the Choir kneeling. At the other Hours, the short series of Ferial Preces are sung, again with the Choir kneeling, before The Collect of The Vigil.

Mass is sung after None. Following the normal rules for Vigils, four Candles are placed on the Altar, in contrast with two on ordinary Ferial Days. The Deacon and Sub-Deacon wear Violet Dalmatic and Tunicle, not Folded Chasubles. The Ferial Tone is used for The Orations and for The Preface and Pater Noster.



There is no Gloria. The Second Collect is of The Holy Ghost, “Deus, qui corda”, The Third Collect is “Ecclesiæ”. As it is a “Kneeling Day”, the Choir kneels for the Prayers and from the Sanctus until “Pax Domini”. As the Gloria is not sung, the dismissal is “Benedicamus Domino”.

Vespers are First Vespers of The Feast of All Saints, with a corresponding Colour change to Festive White. The Office is Proper and the Antiphons “Vidi turbam magnam”, etc, are sung, Doubled, with Pss. 109, 110, 111, 112 and 116. The Office Hymn is “Placare, Christe, servulis”. At Compline, The Dominical Psalms are sung.

In the “Liturgical Books of 1962”, The Vigil of All Saints has been abolished.

30 October, 2026

The Super-Chief.



The Super-Chief.
Illustration: PINTEREST



The Super-Chief.
Illustration: PINTEREST



The “Super-Chief”, in “War-Bonnet” livery, calls at 
Pasadena, before heading into Los Angeles Union Station. 

To the right of the Palm Trees, above the Locomotive, 
we can see the seventh floor of “The Castle Green”. 

The Moorish Colonial and Spanish Hotel was across 
the street from Pasadena’s Santa Fe Railroad Station. 

Pasadena was the “Gateway” to the 
San Fernando Valley, Hollywood and Beverly Hills.
Illustration: NEW YORK SOCIAL DIARY



The following Text is from Wikipedia - the free encyclopædia.

The Super-Chief was one of the Named Passenger Trains and the Flagship of the Atchison, Topeka and Santa Fe Railway. 

It claimed to be “The Train of the Stars” because of the celebrities it carried between Chicago, Illinois, and Los Angeles, California.

The Super-Chief (Nos. 17 and 18) was the first Diesel-Powered, All-Pullman Sleeping Car train in America, and it eclipsed the Chief as Santa Fe’s standard bearer. 


The History Of The Super-Chief.
Available On YouTube

The extra-fare ($10) Super-Chief left Dearborn Station in Chicago for its first trip on 12 May 1936. Before starting scheduled service in May 1937, the lightweight version of the Super-Chief ran 2,227 miles (3,584 km) from Los Angeles over recently-upgraded tracks in thirty-six hours and forty-nine minutes, averaging sixty mph (ninety-seven km/h) overall and reaching 100 mph (160 km/h).

With one set of equipment, the train initially operated once a week from both Chicago and Los Angeles. 

After more cars had been delivered, the Super-Chief ran twice-weekly, beginning in 1938, and daily after 1948. 

Adding to the train’s mystique were its gourmet meals and Hollywood clientele.



Competitors to the Super-Chief were the City of Los Angeles on the Chicago and North Western Railway and the Union Pacific Railroad, and (to a lesser extent) the Golden State on the Rock Island and Southern Pacific. 

The Santa Fe Super-Chief was one of the last passenger trains in the United States to carry an all-Pullman consist; only the Pennsylvania Railroad's Broadway Limited and the Illinois Central's Panama Limited survived longer. 

The train maintained its high level of service until the end of Santa Fe passenger operations on 1 May 1971.


The Train That Changed America.
The Super-Chief.
Available On YouTube

When Amtrak took over operation of the Nation’s passenger service on 1 May 1971, the thirty-five-year run of the Super-Chief on the Santa Fe Railroad ended, though Amtrak used the name on the same route for three years. 

In 1974, the Santa Fe Railroad withdrew permission to use the name, due to a perceived decline in service, so Amtrak renamed it Southwest Limited. 

Following the delivery of new Superliner equipment, the Santa Fe Railroad allowed Amtrak to call it the Southwest Chief in 1984.


Postcard photo of the San Francisco Chief
in California’s San Joaquin Valley.
Date: Circa 1950s.
The train was inaugurated in 1954
and had its last run in 1971.
Author: Fred Harvey
(Wikimedia Commons)

The following Text is from AMERICAN RAILS

Santa Fe’s “Warbonnet” Locomotives.
By: Adam Burns

While there were many, now-classic, paint schemes to grace Locomotives during the start of the Diesel and Streamliner age of the 1930s, none became as legendary as Santa Fe’s “Warbonnet’ (and most did not even receive a formal name).

The design was the creation of artist Leland A. Knickerbocker, who worked for General Motors.

During the Mid-1930s, the company needed a classy, matching livery to the Native-American-themed Train that the Santa Fe was planning to debut.

Of course, you probably know the name of this Train, the “Super-Chief”, which went on to become just as famous as the paint it wore.

The “Warbonnet” was shelved by the Railroad following the end of passenger service in 1971, but was re-adopted in the Late-1980s.

Following the creation of Burlington Northern Santa Fe in 1995, a version of the livery was briefly used but was finally dropped altogether.


In this eye-popping Electro-Motive photo, new Santa Fe F7’s show off their “Warbonnet” livery in May, 1950. Warren Calloway collection.
Illustration: AMERICAN RAILS

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