Notre Dame de Rouen. The façade of the Gothic Church in France. Photographer: Hippo1947. Licence: SHUTTERSTOCK.

15 November, 2026

Church Of Sant’Ivo Alla Sapienza, Rome.



Church of Sant’Ivo alla Sapienza, Rome.
Illustration: FR. Z’s BLOG

Text is from Wikipedia - the free encyclopædia,
unless stated otherwise.

Sant’Ivo alla Sapienza is a Catholic Church in Rome. 

Built in 1642 – 1660 by the architect Francesco Borromini, 
the Church is widely regarded a masterpiece of Roman Baroque architecture.



Church of Sant’Ivo alla Sapienza, Rome.
Date: 25 March 2018.
Source: Own work.
This File is licensed under the 
(Wikimedia Commons)

“Nota Bene: In A Music Of Worship, God Is Always Present With His Grace” — Johann Sebastian Bach. “Mass in B Minor”.



Johann Sebastian Bach, aged sixty-one, in a portrait by 
Elias Gottlob Haussmann, second version of his 1746 canvas. Bach is holding a copy of the six-part Canon BWV 1076.
Artist: Elias Gottlob Haussmann (1695–1774).
Date: 1748.
Collection: Bach-Archiv Leipzig.
Source/Photographer: https://www.jsbach.net/
(Wikimedia Commons)



“Mass in B Minor”.
Composer: Johann Sebastian Bach.
Sir John Eliot Gardiner and Monteverdi Choir.
Watch on YouTube

Philharmonie de Paris, 2015.
Available on YouTube



English: Signature of Johann Sebastian Bach.
Português: Assinatura de Johann Sebastian Bach.
Русский: Подпись Иоганна Себастьяна Баха.
Date: 4 October 2010.
Source: Own work, traced from https://www.bach.de/leben/pics/signature.gif
Author: Morn.
(Wikimedia Commons)


Johann Sebastian Bach’s Mass in B minor,
one of the greatest Sacred compositions ever written,
was completed in 1749, just a year before his death.


English: 
tested by Bach in 1717.
Deutsch: 
Kupferstich der Scheibe-Orgel in der 
Paulinerkirche Leipzig, Sachsen, Deutschland.

Bach created this masterpiece by revisiting 
and expanding on music he had written earlier in his life. 


Zimmermann's Coffee-House, Leipzig. Engraving 
by Johann George Schreiber (Detail). Important in 
Johann Sebastian Bach’s life as a  meeting-place of 
his Collegium Musicum since 1729.
Date: Circa 1720.
Author: Johann Georg Schreiber (1676–1750).
(Wikimedia Commons)

This is a memorable and honourable performance under 
the baton of Sir John Eliot Gardiner, a conductor renowned 
for his historically-informed interpretations of Bach.



A hand-written note by Bach 
in his copy of the Calov Bible. 
The note next to 2 Chronicles 5:13 reads: 
“NB Bey einer andächtigen Musiq ist allezeit 
Gott mit seiner Gnaden Gegenwart”.
“N(ota) B(ene) In a music of Worship, 
God is always present with His Grace”.
Date: Before 1750.
Author: Martin Luther (1483-1546), Abraham Calov 
(1612-1686), Johann Sebastian Bach (1685-1750).
(Wikimedia Commons)

Absurd Victorian Occupations.


The Divine Beauty For The Divine Liturgy. Where One Hears The Divine Word.



The High Altar,
Damenstiftskirche Sankt Anna,
Photo: 26 June 2007.
Source: Own work.
Author: Rufus46
(Wikimedia Commons)



Christmas Mass 2014,
Damenstiftskirche Sankt Anna,
Illustration: CATHOLIC NEWS


The following Text is from Wikipedia - the free encyclopædia.

Damenstiftskirche Sankt Anna is a Church in Munich, Germany. It was commissioned in the 18th-Century by the Elector, Charles Albert (later, the Emperor Charles VII), and the cornerstone was laid in 1733.

A Monastery, in the legal form of a Chapter of Nuns, was set up. The architect was Johann Baptist Gunetzrhainer, while the Asam brothers were responsible for the interior. The Women’s Collegiate Church was Consecrated in 1735.


All but the outer walls were destroyed in World War II. The interior was restored from old photographs in 1980, but the murals are now painted in Black and White.

On 1 September 2014, Reinhard Cardinal Marx, Metropolitan Archbishop of München-und-Freising, permanently entrusted the Church to the Priestly Fraternity of Saint Peter (FSSP).

Since then, daily Mass has been exclusively offered in The Extraordinary Form.

The Web-Site of Damenstiftskirche Sankt Anna can be found HERE


The High Altar,
Damenstiftskirche Sankt Anna,
Palm Sunday 2019.

Saint Albert The Great (1200-1280). Bishop. Confessor. Doctor Of The Church. Feast Day, Today, 15 November. White Vestments.


Text from The Saint Andrew Daily Missal,
unless otherwise stated.

Saint Albert the Great.
   Bishop.
   Confessor.
   Doctor of The Church.
   Feast Day 15 November.

Double.

White Vestments.


Saint Albert the Great
(Albertus Magnus).
Illustration: RELEASING THE ARROW


Saint Albert the Great
(Albertus Magnus).
Artist: Tommaso da Modena (1326–1379).
Date: 1352.
Current location: Chiesa di San Nicolò, Treviso, Italy.
Source/Photographer: Kapitelsaal des ehemaligen
Dominikanerklosters San Niccolò in Treviso.
First uploaded by sv:Användare:Lamré to 
Swedish Wikipedia as sv:Bild:AlbertusMagnus.jpg
(Wikimedia Commons)

Born in Swabia, Bavaria, Germany, circa 1200, Albert, even as a child, loved The Blessed Virgin in a special manner. He resolved to enter The Order of Saint Dominic, but, tempted by the devil, he gave up the idea.

Ultimately, however, at the earnest entreaty, and through the ardent Prayers, of Blessed Jourdan of Saxony, he resolved definitely to enter The Order of Saint Dominic. He studied Philosophy at Cologne, then at Paris, where he became one of the most renowned Professors of the University.

Saint Thomas Aquinas was one of his students. He was made Bishop of Ratisbon (Regensburg) by Pope Urban IV and defended The Church against the errors of Guillaume de Saint-Amour and died at Cologne in 1280.

He was Canonised and proclaimed Doctor of The Church in 1931.

Mass: In médio (from the Common of Doctors).


The Tympanum and Archivolts of Strasbourg Cathedral, France, with iconography inspired by Albertus Magnus (Albert the Great).
Photo: 22 July 1989.
Source: Own work.
(Wikimedia Commons)

The following Text is from Wikipedia - the free encyclopædia.

Albertus Magnus, O.P. (circa 1200 – 15 November 1280), 
also known as Albert the Great, and Albert of Cologne, is 
a Catholic Saint. He was a German Dominican Friar and a Catholic Bishop. He was known during his lifetime as “Doctor Universalis” and “Doctor Expertus”, and, late in his life, the term “Magnus” (Great) was appended to his name.

Scholars, such as James A. Weisheipl and Joachim R. Söder, have referred to him as the greatest German Philosopher and Theologian of the Middle Ages. The Catholic Church honours him as a Doctor of The Church, one of only thirty-eight persons so honoured (as at 2025). [Editor:
The most recent Doctors of The Church being Saint Irenæus of Lyon and Saint John Henry Newman].

The Catholic Doctors of The Church (as at 2025) are:

Saint Gregory the Great;
Saint Ambrose;
Saint Augustine;
Saint Jerome;
Saint Thomas Aquinas;
Saint John Chrysostom;
Saint Basil the Great;
Saint Gregory of Nazianzus;
Saint Athanasius;
Saint Bonaventure;
Saint Anselm;
Saint Isidore of Seville;
Saint Peter Chrysologus;
Saint Leo the Great;
Saint Peter Damian;
Saint Bernard of Clairvaux;
Saint Hilary of Poitiers;
Saint Alphonsus Liguori;
Saint Francis de Sales;


Saint Cyril of Alexandria;
Saint Cyril of Jerusalem;
Saint John Damascene;
Saint Bede the Venerable;
Saint Ephrem;
Saint Peter Canisius;
Saint John of The Cross;
Saint Robert Bellarmine;
Saint Albert the Great;
Saint Anthony of Padua;
Saint Lawrence of Brindisi;
Saint Teresa of Avila;
Saint Catherine of Siena;
Saint Thérèse of Lisieux;
Saint John of Avila;
Saint Hildegard von Bingen;
Saint Irenæus of Lyon;
Saint Gregory of Narek.
Saint John Henry Newman.

14 November, 2026

The New York Central Railroad. “The Twentieth-Century Limited”.




NYC Hudson Locomotive, built with iconic 
Streamlining designed by Henry Dreyfuss, used to haul 
The 20th Century Limited Train, starting in 1938.
Photo courtesy SMU.
Date: 1938.
Source: Southern Methodist University,
Central University Libraries, DeGolyer Library.
Author: Robert Yarnall Richie (1908-1984).
(Wikimedia Commons)



The New York Central Railroad’s Streamlined Steam Locomotive, “Commodore Vanderbilt”,
as it left Chicago’s LaSalle Street Station, pulling
“The 20th Century Limited” Train.
Photo: 22 February 1935.
Source: eBay
Author: International News Photos.
(Wikimedia Commons)

Commemoration Of All Souls Of The Benedictine Order (O.S.B.). 14 November. Black Vestments.




Text from The Saint Andrew Daily Missal,
unless stated otherwise.

In the Supplement tor The Order Of Saint Benedict, contained within The Saint Andrew Daily Missal, there is listed all the Feasts associated with that Order.

Commemoration of All Souls of The Benedictine Order (O.S.B.).
   14 November.

Double.

Black Vestments.



Mass: Requiem, as on All Souls’ Day (2 November), except:
Collect: Deus, véniæ.
Secret: Deus, cujus.
Postcommunion: Præsta, quaésumus.


When The Bishop Of Exeter Threatened To Excommunicate The Archbishop Of Canterbury.




Reverend George Cornelius Gorham.
Date: 18 May 1850.
Source/Photographer:
Originally uploaded on en.wikipedia 
(Wikimedia Commons)


Text from Wikipedia the free encyclopædia,
unless stated otherwise.


George Cornelius Gorham (1787–1857) was a Priest in the Church of England. His legal recourse to being denied a certain Post, decided subsequently by a Secular Court, caused great controversy.

George Cornelius Gorham was born on 21 August 1787 in St Neots, Huntingdonshire, to Mary (née Greame) and George James Gorham.[1]

He entered Queens' College, Cambridge, in 1805, graduating with a Bachelor of Arts degree as third wrangler and Smith's prizeman in 1809.[2]



He was ordained as a Deacon on 10 March 1811,[2] despite the misgivings of the Bishop of Ely, Thomas Dampier, who found Gorham’s opinions at odds with Anglican doctrine.[3]

Gorham’s views on Baptism had caused comment, particularly his contention that, by Baptism, infants do not become Members of Christ and The Children of God.[4]

After being Ordained as a Priest on 23 February 1812[2] and serving as a Curate in several Parishes, he was instituted as Vicar of St Just in Penwith by Henry Phillpotts, Bishop of Exeter, in 1846.[5]


In 1847, Gorham was Presented by the Earl of Cottenham, the Lord Chancellor, to the Vicarage of Brampford Speke, a Parish in a small Devon Village, near Exeter,[6] which has a Parish Church Dedicated to Saint Peter.[7]

The Bishop argued that Gorham’s Calvinistic view of Baptism made him unsuitable for the Post.[8]

Gorham appealed to the Ecclesiastical Court of Arches to compel the Bishop to institute him, but the Court confirmed the Bishop’s decision and awarded costs against Gorham.[9]



Gorham then appealed to the Judicial Committee of the Privy Council, which caused great controversy about whether a Secular Court should decide the doctrine of the Church of England.[10]

The Ecclesiastical Lawyer, Edward Lowth Badeley, a member of the Oxford Movement, appeared before the Committee to argue the Bishop’s cause, but the Committee (Knight Bruce,
V-C dissenting)[11] [12] eventually reversed the Bishop’s, and the Arches’, decision on 9 March 1850 and granted Gorham his institution.[13]

Phillpotts repudiated the judgment and threatened to Excommunicate the Archbishop of Canterbury and anyone who dared to institute Gorham.[14]


Fourteen prominent Anglicans, including Henry Edward Manning, requested that the Church of England repudiate the opinion that the Privy Council had expressed concerning Baptism.[15]

As there was not any response from the Church, apart from Phillpotts’ protestations, they quit the Church of England and joined The Catholic Church.



Gorham spent the rest of his life at his Post in Brampford Speke. As Vicar, Gorham restored the Church building, entirely rebuilding the Tower, for which Phillpotts gave some money.

He was an antiquary and botanist of some reputation, as well as the author of a number of pamphlets.[16] He died on 19 June 1857 in Brampford Speke.[17]

Saint Josaphat. Bishop And Martyr. Feast Day, Today, 14 November. Red Vestments.


Text from The Saint Andrew Daily Missal,
unless stated otherwise.

Saint Josaphat.
   Bishop And Martyr.
   Feast Day 14 November.

Double.

Red Vestments.


Martyrdom of Josaphat Kuntsevych.
Artist: Józef Simmler (1823–1868).
Date: Circa 1861.
Current location: National Museum in Warsaw, Poland.
Source/Photographer: cyfrowe.mnw.art.pl
(Wikimedia Commons)

A native of Wladimir, in Volhynia (then Poland, now Ukraine), and belonging to a noble family, Josaphat Kuncewitcz embraced Monastic Life in The Order of Saint Basil. He always kept fresh the flower of his Chastity, which he had from his youth Consecrated to Mary.

Commissioned in spite of his early age to govern the Monastery of Bytene, he became shortly afterwards Archimandrite of Vilna and, lastly, very much against his wish, Archbishop of Polotzk, of The Ruthenian Rite.

The Apostolic zeal of the youthful Archbishop excited against him the hatred of Hell. Attacked at Vitebsk by the Schismatics, he was cruelly put to death in 1623, and obtained from God the conversion of his murderers.

Mass: Gaudeámus omnes in Dómino.


The Basilica of Saint Josaphat,
Milwaukee, Wisconsin, United States of America.
Copyright © 2005 Sulfur
Date: 4 March 2007 (original upload date).
Source: Transferred from en.wikipedia 
to Commons by James Steakley.
Author:
Original uploader: Sulfur at English Wikipedia
(Wikimedia Commons)

The following Text is from Wikipedia - the free encyclopædia.

Josaphat Kuntsevych, O.S.B.M., (1580 – 12 November 1623) (Belarusian: Язафат Кунцэвіч, Jazafat Kuncevič, Polish: Jozafat Kuncewicz, Ukrainian: Йосафат Кунцевич, Josafat Kuntsevych) was a Monk and Archeparch (Archbishop) of the Ukrainian Greek Catholic Church, who was killed at Vitebsk, Vitebsk Voivodeship, in the Polish-Lithuanian Commonwealth (now in Belarus), on 12 November 1623. 

He is “the best-known victim” of sectarian violence related to implementing the Union of Brest, and is declared a Martyr and Saint of The Catholic Church.

The Order of Saint Basil the Great (O.S.B.M. Latin: Ordo Sancti Basilii Magni, Portuguese: Ordem de São Basílio Magno, Ukrainian: Чин Святого Василія Великого, Chyn Sviatoho Vasyliia Velykoho), also known as the Basilian Order of Saint Josaphat, is a Monastic Religious Order of the Greek Catholic Church that is present in many Countries and has its Mother House in Rome (Santi Sergio e Bacco degli Ucraini).

The Order received approbation on 20 August 1631. Its Monks, Brothers, and Priests, work primarily with Ukrainian Catholics and are also present in other Greek-Catholic Churches in Central and Eastern Europe.

13 November, 2026

“Se Pietà Di Me Non Senti”. Sung By: Sabine Devieilhe. From Handel’s “Giulio Cesare In Egitto” (“Julius Caesar In Egypt”). Plus, “Ombra Mai Fu”. From Handel’s “Xerxes”. Sung By: Andreas Scholl.



George Frideric Handel’s Opera “Giulio Cesare in Egitto” (“Julius Caesar in Egypt”). 
First Edition manuscript published by Cluer in 1724.
Source: Scanned image, Bonhams.
Author: Cluer.
(Wikimedia Commons)



“Se pietà di me non senti”.
Sung By: Sabine Devieilhe.
From Handel’s “Giulio Cesare in Egitto”.
Available on YouTube


Text is from Wikipedia - the free encyclopædia,
unless stated otherwise.

“Giulio Cesare in Egitto” (“Julius Caesar in Egypt”), 
commonly known as “Giulio Cesare”, is a dramma per musica (opera seria) in three acts composed by George Frideric Handel for the Royal Academy of Music in 1724. 

The libretto was written by Nicola Francesco Haym, who used an earlier libretto by Giacomo Francesco Bussani, which had been set to music by Antonio Sartorio (1676). 

The opera was a success at its first performances, was frequently revived by Handel in his subsequent opera seasons, and is now one of the most often performed Baroque operas.

The opera’s plot is loosely based on historical events during the Roman Civil War of 49 B.C. — 45 B.C.




“Ombra mai fu”.
From Handel’s “Xerxes”.
Sung by: Andreas Scholl.
Available on YouTube


Text is from Wikipedia - the free encyclopædia,
unless stated otherwise.

“Ombra mai fu” (“Never was a shade”), also known as “Largo from Xerxes” or “Handel’s Largo”, is the opening aria from the opera Serse (Xerxes) (1738) by George Frideric Handel.

The opera was a commercial failure, lasting only five performances in London after its premiere. 

In the 19th-Century, however, the aria was re-discovered and became one of Handel’s best-known pieces. 

Handel adapted the aria from the setting by Giovanni Bononcini, who, in turn, adapted it from the setting by Francesco Cavalli. 

All three composers had produced settings of the same opera libretto by Nicolò Minato.
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