Notre Dame de Rouen. The façade of the Gothic Church in France. Photographer: Hippo1947. Licence: SHUTTERSTOCK.

14 September, 2026

The Exaltation Of The Holy Cross. Feast Day, Today, 14 September. Red Vestments.




Illustration: CAMILLUS HOUSE


Text from “The Liturgical Year”.
   By: Abbot Guéranger, O.S.B.
   Volume 14.
   Time After Pentecost.
   Book V.


“Through Thee, The Precious Cross is honoured and worshipped throughout the World.” [Cyril of Alexandria. Hom. iv. Ephesi habita.]

Thus did Saint Cyril of Alexandria apostophise Our Lady on the morrow of that great day, which saw her Divine Maternity vindicated at Ephesus.

Eternal Wisdom has willed that the Octave of Mary’s birth should be honoured by the Celebration of this Feast of the Triumph of The Holy Cross.



The Cross, indeed, is the Standard of God’s Armies, whereof Mary is the Queen; it is by The Cross that she crushes the serpent’s head, and wins so many victories over error, and over the enemies of the Christian Name.

“By this Sign, thou shalt conquer.” Satan had been suffered to try his strength against The Church by persecution and tortures; but his time was drawing to an end.

By the Edict of Sardica, which emancipated the Christians, Galerius, when about to die, acknowledged the powerlessness of Hell. Now was the time for Christ to take the offensive, and for His Cross to prevail.

Towards the close of 311 A.D., a Roman army lay at the foot of the Alps, preparing to pass from Gaul into Italy. Constantine, its Commander, thought only of revenging himself for an injury received from Maxentius, his political rival; but his soldiers, as unsuspecting as their Chief, already belonged henceforward to the Lord of Hosts.



The Son of The Most High, having become, as Son of Mary, King of this World, was about to reveal Himself to His First Lieutenant, and, at the same time, to discover to His first army the Standard that was to go before it.

Above the Legions, in a cloudless sky, The Cross, proscribed 
for three very long Centuries, suddenly shone forth; all eyes beheld it, making the Western Sun, as it were, its footstool, and surrounded with these words in characters of fire: 
“IN HOC VINCE: BY THIS BE THOU CONQUEROR !”

A few months later, 27 October 312 A.D., all the idols 
of Rome stood aghast to behold, approaching along the Flaminian Way, beyond the Bridge Milvius, the Labarum [Editor: Imperial Standard/Flag] with its Sacred Monogram, now become the Standard of the Imperial Armies.

On the morrow was fought the decisive battle, which opened the gates of the Eternal City to Christ, The Only God, The Everlasting King.



“Hail, O Cross, formidable to all enemies, bulwark of The Church, strength of Princes; hail in thy triumph ! The Sacred Wood still lay hidden in the earth, yet it appeared in the Heavens announcing victory; and an Emperor, become Christian, raised it up from the bowels of the Earth.”

Thus sang the Greek Church, yesterday, in preparation for the joys of today; for the East, which has not our peculiar Feast of 3 May [Editor: Feast Day Of The Finding Of The Holy Cross], Celebrates on this one Solemnity both the overthrow of idolatry by the sign of Salvation revealed to Constantine and his army, and the discovery of The Holy Cross a few years later in the cistern of Golgotha.

But another Celebration, the memory of which is fixed by the Menology on 13 September, was added in 335 A.D. to the happy recollections of this day; namely, the Dedication of the Basilicas raised by Constantine on Mount Calvary and over the Holy Sepulchre, after the precious discoveries made by his mother, Saint Helena.

In the very same Century that witnessed all these events, a pious Pilgrim, thought to be Saint Silvia, sister of Rufinus, the Minister of Theodosius and Arcadius, attested that the anniversary of this Dedication was Celebrated with the same Solemnity as Easter and the Epiphany.



There was an immense concourse of Bishops, Clerics, Monks, and Seculars of both sexes, from every Province; and the reason, she says, is that “The Cross was found on this day”; which motive had led to the choice of the same day for the primitive Consecration, so that the two joys might be united into one.

Through not being aware of the nearness of the Dedication of the Anastasia, or Church of The Resurrection, to the Feast of The Holy Cross, many have misunderstood the discourse pronounced on this Feast by Sophronius, the Holy Patriarch of Jerusalem.

“It is the Feast of The Cross; who would not exult ? It is the triumph of The Resurrection; who would not be full of joy ? Formerly, The Cross led to The Resurrection; now, it is The Resurrection that introduces us to The Cross.

Resurrection and Cross: Trophies of our Salvation !” [Sophronius. In exaltat. venerandæ crucis.] And the Pontiff and Patriarch of Jerusalem then developed the instructions resulting from this connection.



It appears to have been about the same time that the West also began to unite in a certain manner these two great Mysteries; leaving to 14 September the other memories of The Holy Cross, the Latin Churches introduced into Paschal Time a special Feast of The Finding Of The Wood Of Redemption.

In compensation, the present Solemnity acquired a new lustre to its character of triumph by the contemporaneous events which, as we shall see, form the principal subject of the historical legend in the Roman Liturgy.

A Century earlier, Saint Benedict had appointed this day for the commencement of the period of Penance known as the “Monastic Lent”, which continues till the opening of Lent proper, when the whole Christian Army joins the ranks of the Cloister in the campaign of Fasting and Abstinence.

“The Cross”, says Saint Sophronius, “is brought before our minds; who will not crucify himself ? The true worshipper of The Sacred Wood is he who carries out his worship in his deeds.”



The historical legend in the Roman Liturgy, referred to above, regales Emperor Heraclius regaining The Cross from the Persians and then attempting to replace it on Calvary, from whence the Persians had stolen it.

Carrying The Cross, himself, Heraclius attempted to pass through the gate leading up to Calvary. He found himself totally unable to walk or move through the gate.

It was not until he was told by Zacharias, the Bishop of Jerusalem, that, unlike the poverty and humility of Jesus Christ when He carried The Cross, Haraclius was clothed in Emperor’s Gold Robes and adorned with Precious Stones.



Haraclius immediately laid aside his magnificent apparel and, walking barefoot and clothed in mean attire, he easily completed carrying The Cross and replacing it in the same place on Mount Calvary, whence it had been carried off by the Persians.

The victory thus chronicled in the Sacred Books of The Church was not, O Cross, thy last triumph; nor were the Persians thy latest enemies. At the very time of the defeat of these fire-worshippers (Editor: The Persians], the Prince of Darkness was raising up a new Standard; the Crescent.

By the permission of God, Whose Ensign thou art, and Who, having come on Earth to struggle like us, flees not befoe any foe, Islam also was about to try its strength against thee: A two-fold power, the Sword and the Seduction of the Passions.

But, here again, alike in the secret combats between the Soul and Satan, as in the great battles recorded in history, the final success was due to the weakness and folly of Calvary.

G. K. Chesterton.




G. K. Chesterton.
Photo: 4 April 2013.
Source:
Author: Unknown.
(Wikimedia Commons)


The following Text is from Wikipedia - the free encyclopædia.

Gilbert Keith Chesterton KC*SG (29 May 1874 – 14 June 1936) was an English writer,[2] philosopher, Lay Theologian, and Literary and Art Critic. He has been referred to as the “Prince of Paradox”.[3]

Time Magazine observed of his writing style: “Whenever possible, Chesterton made his points with popular sayings, proverbs, allegories—first carefully turning them inside out”.[4]

Chesterton created the fictional Priest-Detective, Father Brown,[5] and wrote on Apologetics. Even some of those who disagree with him have recognised the wide appeal of such works as Orthodoxy and The Everlasting Man.[4][6]



Chesterton routinely referred to himself as an “Orthodox” Christian, and came to identify this position more and more with Catholicism, eventually converting to Catholicism from High Church Anglicanism.

Biographers have identified him as a successor to such Victorian authors as Matthew Arnold, Thomas Carlyle, Cardinal John Henry Newman, and John Ruskin.[7]


On his contributions, T. S. Eliot wrote:

“He was importantly and consistently on the side of the Angels. Behind the Johnsonian fancy-dress, so reassuring to the British public, he concealed the most serious and revolutionary designs — concealing them by exposure . . . Chesterton’s social and economic ideas . . . were fundamentally Christian and Catholic.

“He did more, I think, than any man of his time — and was able to do more than anyone else, because of his particular background, development and abilities as a public performer — to maintain the existence of the important minority in the modern World.

“He leaves behind a permanent claim upon our loyalty, to see that the work that he did in his time is continued in ours”.[8]

Jacqueline Hurley. The Artist And Her Work. “Remembrance Day Is Every Day”.



“The Scarlet Corn Poppy”.
The Scarlet Corn Poppy, which is one of the features of Jacqueline Hurley’s work, grows naturally in conditions of disturbed earth throughout Western Europe. Its use as a symbol of remembrance was first inspired by The World War I poem “In Flanders Fields”, by Lieutenant Colonel John McCrae, after witnessing the death of his friend, a fellow soldier, on 2nd May 1915.
Illustration: POSH ORIGINAL ART



Jacqueline Hurley's War Poppy Collection is available at POSH ORIGINAL ART

Jacqueline started painting The War Poppy Collection in 2014. Her first work, ‘We Remember, We Fight On’ was painted as a tribute to her friend, Royal Marine Neil Dunstan, who tragically lost his life in an IED explosion whilst serving in Afghanistan in 2008.

Since then, Jacqueline’s artwork has helped raise over £230,000 for Military Charities.

Being one of the final generation whose grandparents served during The Second World War, and whose great grandparents served during The First World War, Jacqueline has a strong desire to remind people, through her imagery, that the freedom they are blessed with today wasn’t free.



Jacqueline’s Military Poppy Prints have been well received by an international audience, and have very quickly proved extremely popular; she is now widely regarded as the country’s foremost Remembrance Artist.

Jacqueline paints in both expressionism and impressionism styles. Her original works are painted impasto in acrylic, using texture to create mood and depth, with Red Remembrance Poppies juxtaposed against gritty impressionistic landscapes.

Her paintings feature silhouettes, which help her audience connect with the works in a more personal, emotional and sentimental way; encouraging the people she paints for to relate to the subjective nature of the paintings.

Jacqueline's War Poppy Collection can be viewed at the Web-Site Shop at SHOP

The Exaltation Of The Holy Cross. Feast Day, Today, 14 September. Red Vestments.


Text from The Saint Andrew Daily Missal,
unless otherwise stated.

The Exaltation of The Holy Cross.
 
Feast Day 14 September.

Greater-Double.

Red Vestments.


The Exaltation of The Holy Cross.
Artist: René de Cramer.
“Copyright Brunelmar/Ghent/Belgium”.
Used with Permission.



English: The High Altar,
Church of The Holy Cross, Regensburg, Germany.
Deutsch: Altar Heilig Kreuz.
Photo: 23 July 2015.
Source: Own work.
Author: Dirsch
(Wikimedia Commons)


The Exaltation of The Holy Cross.
Solemn Pontifical Mass in The Extraordinary Form of The Roman Rite in Thanksgiving for the 10th Anniversary of Summorum Pontificum. Celebrated by The Most Reverend Joseph N. Perry, Auxiliary to The Archbishop of Chicago at The Cathedral Basilica of Saints Peter and Paul, Philadelphia, Pennsylvania. 14 September 2017.
Available on YouTube

On 14 September 335 A.D., there took place The Dedication of Constantine's Basilica, which enclosed both Calvary and The Holy Sepulchre. “At this date,” says Etheria, “The Cross was discovered. And the Anniversary is Celebrated with as much Solemnity as Easter or The Epiphany”.

Such was the origin of The Feast of The Exaltation of The Cross. "When I shall be raised on high, I shall draw everything unto Me" (Gospel), Jesus had said.

It is because The Saviour humbled Himself, being obedient even to the Death of The Cross, that God exalted Him and gave Him a name above all other names (Epistle). Wherefore, we must glory in The Cross of Jesus, for He is our Life and our Salvation (Introit) and He protects His servants against the wiles of their enemies (Offertory, Communion, Postcommunion).



Towards the end of the reign of Phocas [Editor: Byzantine Emperor, 602 A.D. - 610 A.D.], Chosroes, King of Persia, says the legend of The Breviary, took Jerusalem, where he put to death several thousand Christians and carried off to Persia The Cross of Our Lord Jesus Christ, which Saint Helen had placed on Mount Calvary.

Heraclius, the successor of Phocas, had recourse to many Fasts and Prayers, imploring with great fervour the help of God. He assembled an army and defeated Chosroes. He then insisted on the restitution of The Cross of The Lord.

Thus, the precious Relic was recovered after an interval of fourteen years. On his return to Jerusalem, Heraclius carried it on his shoulders, in great pomp, to the Mount where the Saviour, Himself, had borne it (629 A.D.).



An extraordinary Miracle marked the occasion. Heraclius, who was loaded with ornaments of gold and precious stones, was held back by an invisible force at the entrance gate of Mount Calvary, and vain were his efforts to enter.

As the Emperor and all those who witnessed the scene were astonished, Zacharias, Bishop of Jerusalem, said to him: “Consider, Oh, Emperor, that, with these triumphal ornaments, you are far from imitating the poverty of Jesus Christ and His humility in bearing His Cross”.

Heraclius, thereupon, doffed his splendid garb and walked barefoot with a common cloak on his shoulders to Calvary, where he again deposited The Cross. The Feast of The Exaltation of The Holy Cross on the original spot, the Anniversary of which was Celebrated on this day, became of great importance.



Let us join, in spirit, The Faithful, who, in the Church of The Holy Cross, at Rome, Venerate on this day the Relics of The Sacred Wood, exposed for the occasion, so that, having been privileged to adore it on this Feast, when we rejoice for its Exaltation, we may, likewise, possess for all Eternity the Salvation and Glory that The Cross has won for us (Collect, Secret).

Mass: Nos autem gloriari oportet in Cruce Domini nostri Jesu Christi (“But it behoves us to glory in The Cross of Our Lord Jesus Christ”).
Creed.
Preface: Of The Holy Cross.



“The Exaltation of The Holy Cross”,
This File: 14 April 2005.
(Wikimedia Commons)


The following Text is from Wikipedia - the free encyclopædia.

In Roman Catholic Liturgical Observance, Red Vestments are worn at Church Services conducted on this day, and, if the day falls on a Sunday, its Mass Readings are used instead of that for the occurring Sunday in Ordinary Time. The Lectionary of The Church of England (and other Anglican Churches) also stipulates Red as The Liturgical Colour for “Holy Cross Day”.

14 September is The Titular Feast of The Congregation Of Holy Cross, The Companions Of The Cross and The Episcopal Church’s Order Of The Holy Cross. This date also marked the beginning of the period of Fasting, except on Sundays, and ending on Easter Sunday, that was stipulated for Carmelites in The Carmelite Rule Of Saint Albert of 1247.

The Rule Of Saint Benedict also prescribes this day as the beginning of Monastic Winter (i.e., the period when there are three Nocturns of Psalms and Readings at Matins), which also ends at Easter.


“The Mass Of The Foundation Of The Trinitarian Order”.
Artist: Juan Carreño de Miranda.
Illustration: LOUVRE




THE SAINT ANDREW DAILY MISSAL



THE SAINT ANDREW DAILY MISSAL

Available (in U.K.) from
Available (in U.S.A.) from

13 September, 2026

Earl Of Shrewsbury. Earl Of Waterford. Earl Talbot. (Part Four).



Arms of Talbot-Chetwynd.

Quarterly: 
1st and 4th: Gules, a Lion Rampant 
within a Bordure Engrailed Or (for Talbot).
2nd and 3rd: Azure, a Chevron 
between three Mullets Or (for Chetwynd).
Date: 25 June 2017.
Source: Own work.
This File is licensed under the 
Author: Wikimandia.
(Wikimedia Commons)


Text from Wikipedia - the free encyclopædia,
unless stated otherwise.

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ROBES OF THE BRITISH PEERAGE.

Peerage Robes are worn in the United Kingdom by Peers and are of two varieties for two occasions: Parliament Robes, worn on ceremonial occasions in the House of Lords, and Coronation Robes, worn at Coronations of Monarchs.

Peers wear a Robe differentiated by features identifying their Rank.

Since at least the Early Middle Ages, Robes have been worn as a sign of Nobility. At first, these seem to have been bestowed on individuals by the Monarch or Feudal Lord as a sign of special recognition; but, in the 15th-Century, the use of Robes became formalised, with Peers all wearing Robes of the same design, though varied according to the Rank of the wearer.[1]


wearing Parliamentary Robes of a Baron.
Date: 1991.
Source: Own work.
This File is licensed under the 
Author: Allan warren.
(Wikimedia Commons)

Two distinct forms of Robe emerged, and these remain in current use: One is worn for Parliamentary occasions (such at the State Opening of Parliament); the other is generally worn only at Coronations. (Formerly, new Peers were invested with their Coronation Robe by the Monarch, but this Investiture ceremony has not taken place since 1621.)

Coronets are worn with the Coronation Robe; the Robes and Coronets used at Queen Elizabeth II’s Coronation in 1953 cost about £1,250[2] (roughly £46,000 in 2026).[3] (Peers under the Rank of an Earl, however, were allowed in 1953 to wear a cheaper “Cap of Estate” in place of a Coronet, as were Peeresses of the same Rank, for whom a simpler Robe was also permitted: A one-piece Gown with wrap-around Fur Cape, designed by Norman Hartnell.)[1]

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He was succeeded in his other titles by his first cousin, the thirteenth Earl. He was the son of the Hon. Gilbert Talbot, second son of the tenth Earl.

Lord Shrewsbury was in Holy Orders of the Church of Rome. On his death, the titles passed to his nephew George, the fourteenth Earl (who was the son of the Hon. George Talbot). 



Coat-of-Arms of Sir George Talbot, 4th Earl of Shrewsbury, KG. See his Stall Plate, still intact, within its original Stall at Saint George’s Chapel, Windsor. 
Quarterly of six: 1: Azure, a Lion Rampant and a Bordure Or (Belleme); 2: Gules, a Lion Rampant Or a Bordure Engrailed of the last (Talbot (modern/Mechyll); for Talbot i.e. Rhys ap Griffith); 3: Gules, a Saltire Argent a Martlet Sable for difference (Neville, Baron Furnival; First adopted by 
Thomas Neville, jure uxoris 5th Baron Furnival (1364-1425), 2nd son of John Neville, 3rd Baron Neville of Raby, and younger brother of Ralph Neville, 1st Earl of Westmorland. He married Joan Furnival, suo jure 5th Baroness Furnival, the daughter and heiress of William Furnival, 4th Baron Furnival. The marriage produced one daughter and sole heiress, Maud Neville, suo jure 6th Baroness Furnival, who married w:John Talbot, 1st Earl of Shrewbury (1387-1453). It is believed the Martlet for difference derives from the Arms of Furnival (Argent, a Bend between six Martlets Gules). Quartered by Talbot, Earl of Shrewsbury 4: Argent, a Bend between six Martlets Gules (Furnival); 5: Or Fretty Gules (Verdon, heiress of Furnival) 6: Argent, two Lions Passant in Pale Gules (Strange of Blackmere).
Date: 6 November 2013,
Source: Own work.
This File is licensed under the 
Author: Rs-nourse
(Wikimedia Commons)


He was childless and was succeeded by his nephew Charles, the fifteenth Earl (who was the son of Charles Talbot). 

He began in 1812 the creation of the extensive gardens at Alveton Lodge, Staffordshire (later renamed Alton Towers), which estate had been in the family since the 15th-Century.

PART FIVE FOLLOWS.
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