Notre Dame de Rouen. The façade of the Gothic Church in France. Photographer: Hippo1947. Licence: SHUTTERSTOCK.

04 October, 2026

Saint Francis Of Assisi. Confessor. Feast Day, Today, 4 October. White Vestments.


Text is from The Saint Andrew Daily Missal,
unless stated otherwise.

Saint Francis Of Assisi.
   Confessor.
   Feast Day 4 October.

Greater-Double.

White Vestments.


“Saint Francis in Meditation”.
Artist: Francisco de Zurbarán (1598–1664).
Date: 1635-1639.
Current location: National Gallery, London, England.
Source/Photographer: 
(Wikimedia Commons)



Saint Francis of Assist.
Artist: René de Cramer.
“Copyright Brunelmar/Ghent/Belgium”.
Used with Permission.

Born at Assisi, in Umbria, Italy, Saint Francis was raised up by God to work at the same time as Saint Dominic for the moral regeneration of the World at a most troublous period.

[Francis, says Dante, was a true Seraph by the love which devoured his Soul; Dominic, by his enlightened knowledge, ranks with the Cherubim. The former lived 1182-1225, the latter 1170-1221. It is related that Saint Louis, King of France, used to say that, if he could divide himself, he would give half of himself to Saint Dominic and half to Saint Francis].

He had been Christened “John”, but was called “Francis”, by his father, to celebrate his return from a successful business journey in France.

“The more the sublime enthusiast,” says Montalembert, “hid himself and depreciated himself to make himself worthy by humility and men’s contempt to be the vessel of Divine Love, the more, by a wonderful effort of of Grace, men rushed to follow him.”


Saint Francis of Assisi.
Illustration: PINTEREST

Francis soon had disciples (Communion) who reduced themselves to the same poverty as himself and shared his ardour for the conversion of the people. “My Brothers,” he would say, “let us Preach Penance, by example, rather than by word.”

He gave them a Rule, which was approved by Pope Innocent III in 1210. In the following year, he obtained from the Benedictines the little Church of Our Lady of the Angels, called “Portiuncula”, which was the cradle of his Order [The property of the Benedictines of Mount Subasio was thus called because it was made up of small portions of land. 


[After having restored the Church of Our Lady of the Angels, Saint Francis obtained from the Pope the grant of a Plenary Indulgence for all The Faithful who visited it on 2 August, the Anniversary of its Consecration. For the last few years, all Parish Churches enjoy the same privilege (Note: This Text was written in 1945)].

The new Religious Family, with which he enriched The Church (Collect), multiplied so rapidly that, at the General Chapter held at Assisi about ten years after its birth, there were five thousand Brothers.


Church of Saint Francis of Assisi,
Aleppo, Syria.
Photo: 8 January 2011.
Source: Own work.
Author: Preacher lad
(Wikimedia Commons)


[In 1264, the Franciscans possessed already 8,000 Houses. 
The Friars-Minor have given to The Church twenty-nine Saints, sixty Blesseds, five Popes, and many Cardinals, Bishops, and learned Men, such as Saint Bonaventure, Alexander of Hales, Roger Bacon, Duns Scotus.

[The Capuchins six Saints and eleven Blesseds. 

[The Conventuals one Saint and one Blessed. 

[In 1936, the Friars-Minor numbered about 24,500 Members, the Capuchins 13,500, and the Conventuals 3,000, not to mention the 83,000 Regular Tertiaries and the 1,904,000 Secular Tertiaries.]

Wishing to consider themselves the least among Religious, Saint Francis gave them the name of Friars-Minor, and he himself remained a Deacon all his life. After this First Order, he Founded a Second Order, “The Order of Poor Clares”, thus called after Saint Clare, the illustrious Virgin of Assisi (Feast Day 12 August).


Lastly, in 1221, he Founded a Third Order, called “The Order 
of Penance”, on which the Popes, and especially Pope Leo XIII, who considered it an honour to belong to it, lavished the greatest encouragement and the richest favours.

Saint Francis sent his disciples to France, Germany, Spain, Africa; he himself wanted to go to Palestine and Morocco, but Divine Providence stopped him on the way. The Divine Love which burned in him caused him to be surnamed “Seraphic”.

On 4 October 1226, he gave up his Soul to God while finishing the last Verse of Psalm 141: “Bring my Soul out of prison, 
O Lord, that I may praise Thy Name.”

Mass: Mihi autem.

Abbotsford. Country House In The Scottish Borders, Near Galashiels. Home Of Sir Walter Scott 1817-1825.



Abbotsford.
Formerly the home of Sir Walter Scott.
Date: 1880.
Source: Morris’s “Country Seats”.
This File: 7 February 2006.
(Wikimedia Commons)



Sir Walter Scott.
Date: 1820-1826.
Collection: Royal Collection.
This File: 10 July 2020.
(Wikimedia Commons)



Abbotsford.
Date: 4 August 2008.
Source: Own work.
This File is licensed under the 
3.0 Unported Licence.
Author: LeCardinal
(Wikimedia Commons)

Text from Wikipedia - the free encyclopædia,
unless stated otherwise.

Abbotsford is a historic Country House in the Scottish Borders, near Galashiels, on the South Bank of the River Tweed. 

Now open to the public, it was built as the residence of historical novelist and poet Sir Walter Scott between 1817 and 1825.[1] 

It is a Category A Listed Building[2] and the estate is listed in the Inventory of Gardens and Designed Landscapes in Scotland.[3]

The nucleus of the estate was a farm of 100 acres, called Cartleyhole, nicknamed Clarty (i.e., Muddy) Hole, and was bought by Scott on the lapse of his lease (1811) of the neighbouring house of Ashestiel.[4]

Scott renamed Cartleyhole “Abbotsford”, after a neighbouring Ford used by the Monks of Melrose Abbey.[5]


“If thou wouldst view fair Melrose aright,
Go visit it by the pale moonlight”
(Sir Walter Scott).
Painting: J. M. W. Turner’s “Melrose Abbey”.
Date: 1822.
Current location: The Clark Art Institute.
Source/Photographer:
(Wikimedia Commons)



Coat-of-Arms of Sir Walter Scott.
Date: 12 January 1822.
Source:
Lyon Register, vol. 2, folio 194 (reference)
This File: 19 April 2023.
User: Ravenpuff
(Wikimedia Commons)

Following a modest enlargement of the original farmhouse in 1811–1812, massive expansions took place in 1816–1819 and 1822–1824. 

In this mansion Scott gathered a large library, a collection of ancient furniture, arms and armour, and other relics and curiosities especially connected with Scottish history, notably the Celtic Torrs Pony-cap and Horns and the Woodwrae Stone, all now in the Museum of Scotland.[6][7] 

Scott described the resulting building as “a sort of romance in Architecture”[8] and “a kind of Conundrum Castle to be sure”.[9]

The last and principal acquisition was that of Toftfield (afterwards named Huntlyburn), purchased in 1817. The new house was then begun and completed in 1824.[4]



The Study, Abbotsford House.
Photo: 6 March 2018.
Source: Own work.
This File is made available under the 
(Wikimedia Commons)

The general ground-plan is a parallelogram, with irregular outlines, one side overlooking the River Tweed; and the Style is mainly the Scottish Baronial Style. 

With his architects William Atkinson and Edward Blore, Sir Walter Scott was a pioneer of the Scottish Baronial Style of architecture: The house is recognised as a highly-influential creation, with themes from Abbotsford being reflected across many buildings in the Scottish Borders and beyond.[10]

The manor as a whole appears as a “Castle-in-miniature”, with small towers and imitation battlements decorating the house and garden walls.[11] 

Into various parts of the fabric were built relics and curiosities from historical structures, such as the doorway of the old Tolbooth in Edinburgh.[4]


Date: 14 April 2012.
This File is licensed under the 
3.0 Unported Licence.
This File: 8 June 2023.
Author: 
University of Edinburgh Heritage Collections.
(Wikimedia Commons)

Scott collected many of these curiosities to be built into the walls of the South Garden, which previously hosted a colonnade of Gothic Arches along the garden walls. 

Along the path of the former colonnade sits the remains of Edinburgh’s 15th-Century Mercat Cross and several examples of classical sculpture.[12]

The estate and its Neo-Mediæval features nod towards Scott’s desire for a historical feel, but the writer ensured that the house would provide all the comforts of modern living. 

As a result, Scott used the space as a proving-ground for new technologies. The house was outfitted with early gas lighting and pneumatic bells connecting residents with servants elsewhere in the house.[13]

Scott had only enjoyed his residence for one year when, in 1825, he met with that reverse of fortune which involved the estate being in debt. 



The Walled Garden, Abbotsford.
Photo: 16 September 2007.
Source: PANORAMIO
This File is licensed under the 
Author: ingawh
(Wikimedia Commons)

In 1830, the library and museum were presented to him as a free gift by the creditors. The property was wholly disencumbered in 1847 by Robert Cadell, the publisher, who cancelled the bond upon it in exchange for the family’s share in the copyright of Sir Walter’s works.[4]

Scott’s only son, Walter, did not live to enjoy the property, having died on his way back from India in 1847. 

Among subsequent possessors were Scott’s grand-son, Walter Scott Lockhart (later Walter Lockhart Scott, 1826–1853), his younger sister Charlotte Harriet Jane Hope-Scott (née Lockhart) 1828–1858, J. R. Hope Scott, QC, and his daughter (Scott’s great-grand-daughter), the Hon. Mrs Maxwell Scott.[4]

The house was opened to the public in 1833, but continued to be occupied by Scott’s descendants until 2004. 

The last of his direct descendants to hold the Lairdship of Abbotsford was his great-great-great-grand-daughter Dame Jean Maxwell-Scott (8 June 1923 – 5 May 2004). 



Abbotsford House.
Date: 5.8.2005.
Source: Own work.
This File is licensed under the 
This File: 17 February 2006.
User: Fingalo
Author: Christian Bickel.
(Wikimedia Commons)

She inherited it from her elder sister Patricia Maxwell-Scott in 1998. The sisters turned the house into one of Scotland’s premier tourist attractions, after they had to rely on paying visitors to afford the upkeep of the house. It had electricity installed only in 1962.

Dame Jean was at one time a Lady-in-Waiting to Princess Alice, Duchess of Gloucester, Patron of the Dandie Dinmont Club, a breed of dog named after one of Sir Walter Scott’s characters; and a horse trainer, one of whose horses, Sir Wattie, ridden by Ian Stark, won two Silver Medals at the 1988 Summer Olympics.[14]

On Dame Jean’s death, the Abbotsford Trust was established to safeguard the estate.[5]

In 2005, Scottish Borders Council considered an application by a property developer to build a housing estate on the opposite bank of the River Tweed from Abbotsford, to which Historic Scotland and the National Trust for Scotland objected.[15][16] 

There have been modifications to the proposed development, but it is still being opposed in 2020.[17]



Signature of Sir Walter Scott.
Date: 1900 (facsimile from book).
Source: 
This File: 4 June 2019.
Author: 
Publisher: Houghton Mifflin, Boston, 1900.
(Wikimedia Commons)

Sir Walter Scott rescued the “jougs” from Threave Castle in Dumfries and Galloway and attached them to the castellated gateway he built at Abbotsford.[18]

Tweedbank Railway Station is located near to Abbotsford.

Abbotsford gave its name to the Abbotsford Club, Founded by William Barclay Turnbull in 1833 or 1834 in Scott’s honour, and a successor to the Bannatyne and Maitland Clubs.

It was a text publication society, which existed to print and publish historical works connected with Scott’s writings. Its publications extended from 1835 to 1864.[4]

In August 2012, a new Visitor Centre opened at Abbotsford, which houses a small exhibition, gift shop, and Ochiltree’s café, with views over the house and grounds. The house re-opened to the public after extensive renovations in July 2013.

In 2014 it won the European Union Prize for Cultural Heritage / Europa Nostra Award for its then recent conservation project.[19][20]

THIS CONCLUDES THE ARTICLE ON ABBOTSFORD COUNTRY HOUSE.

On Hearing Mass During The Time After Pentecost.




The High Altar,
Saint John Cantius Church,
Chicago, United States of America.
Photo Credit: www.pinterest.com


The Choir Screen, Hereford Cathedral.
Forms part of: Views of The British Isles, in the Photochrom print collection; Print no. “10810”; Title from the Detroit Publishing Co. Catalogue J-foreign section, Detroit, Mich. : Detroit Publishing Company, 1905.; More information about the Photochrom Print Collection is available at http://hdl.loc.gov/loc.pnp/pp.pgz
Date: 1890-1900.
This image is available from the United States
under the digital ID ppmsc.08439.
(Wikimedia Commons)



Text from “The Liturgical Year”.
By: Abbot Guéranger, O.S.B.
   Volume 11.
   Time After Pentecost.
      Book II.
      Chapter The Fifth.

Of all the good acts wherewith a Christian can sanctify his day, there is not one which bears comparison with that of Assisting at the Holy Sacrifice of The Mass.

It is in that Sacrifice, the Supreme Act of Religion, that is centred all the homage due from man to his Creator; and it is also from the same Sacrifice that God pours out profusely upon His creature man every sort of Blessing.

The very Son of God is really present there; there He is offered up to His Father, and the offering is always well-pleasing; and they who Assist at this Divine Immolation with Faith and Love receive into their Souls Graces of a far richer kind than are given by ordinary means.



Hereford Cathedral Altar.
Photo: 1865-1885.
Source: Hereford Cathedral
Author: Cornell University Library
(Wikimedia Commons)

The Assistance at Mass, if completed by the real participation of the Divine Victim, unites Man to God in an ineffable way by the renovation of his whole being, for it produces an intimate communion between him and The Word Incarnate.

But if the Christian who is Assisting at the Holy Sacrifice goes no further than the uniting of his intentions with those of the Divine Victim, even so, his mere presence at so great an act includes a true participation in the supreme Worship offered by this Earth of ours to The Majesty of God, in Christ, and by Christ.

So, too, he Solemnly Consecrates to God, by that same Holy Act, the day he has just begun.



English: 
Stained-Glass Window of Saint John Mary Vianney.
Parish Church of Saint Peter and Saint Paul, Jouarre, France.
Deutsch: Bleiglasfenster in der katholischen Pfarrkirche
Saint-Pierre-et-Saint Paul, Jouarre, Frankreich.
Darstellung: hl. Jean-Marie Vianney.
Photo: 30 May 2011.
Source: Own work.
(Wikimedia Commons)

We have devoted the days within the Octave of Corpus Christi to giving our Readers the fullest instructions regarding the Holy Sacrifice of The Mass.

As to the dispositions wherewith they should Assist at it, they are given in the present Chapter, in which we explain briefly, and yet, as we believe, completely, the meaning of each Ceremony and Expression.

Whilst thus endeavouring to initiate the Faithful into these sublime Mysteries, we have not given them a bare and indiscreet translation of the Sacred Formulæ, but have taken what seemed to us so much better a plan, of suggesting such acts as will enable those who hear Mass to enter into the Ceremonies and the spirit of The Church and of the Priest.



English: 
Saint John Mary Vianney.
Church of Saint Germain,
Saint-Germain-les-Belles, France.
Deutsch: Bleiglasfenster in der Kirche Saint-Germain 
Photo: 28 June 2013.
Source: Own work.
(Wikimedia Commons)

The conlusion to be drawn from this is one of great importance: It is that, in order to derive solid profit from Assisting at the Holy Sacrifice, the Faithful must attentively follow all that is being done at the Altar, and not stand aloof, as it were, by reading books which are filled with devotions of a private and unseasonable character.

On the Sundays, if the Mass at which the Faithful Assist be the Parochial, or, as it is often called, the public Mass, two Solemn Rites precede it, and they are full of instruction and Blessing: The Asperges, or sprinkling of the Holy Water, and the Procession.

During the Asperges, you should unite with the intentions which The Church has in this Ceremony, so venerable by its antiquity; You should Pray for that purity of heart which is needed for worthily Assisting at the Mysteries, wherein God Himself becomes present, and unites Heaven and Earth so closely together.



The High Altar,
Saint John Cantius Church,
Chicago, United States of America.
Photo Credit: www.pinterest.com

The Procession, which in many Churches immediately precedes a Solemn Mass is a prelude to the great act which is about to be accomplished. It originated from the practice used in Monasteries, of going through the Cloisters, every Sunday, chanting certain appointed Responsories; during which time, the Hebdomadarian went through all the Conventual places, Blessing each of them. The practice is still in use.

[Editor: A Hebdomadarian (or Hebdomadary) is a member of a Monastery or Convent, typically a Priest or a Religious, who is appointed to lead Liturgical services for a week at a time. 

Their duties include officiating at the Conventual Mass, intoning the various Canonical Hours of The Divine Office, and giving Blessings for that week. 

The term derives from the Greek word “Hebdomas”, meaning “a period of seven days”.]



The High Altar,
Saint John Cantius Church, Chicago.
Illustration:

But see, Christians ! The Sacrifice begins ! The Priest is at the foot of the Altar; God is attentive, the Angels are in Adoration, the whole Church is united with the Priest, whose Priesthood and action are those of the great High Priest, Jesus Christ.

Let us make the Sign of The Cross with him.


The remainder of this exquisite Article can be found in 

“The Liturgical Year”.
By: Abbot Guéranger, O.S.B.
   Volume 11.
   Time After Pentecost.
      Book II.
      Chapter The Fifth.

The Annual Holy Rosary Crusade Of Reparation. London, Saturday, 17 October 2026.



The Annual Holy Rosary Crusade Of Reparation.
London.
Available on YouTube


“We cannot with impunity disobey The Mother of God.”

The 2026 Holy Rosary Crusade of Reparation will be held on 
Saturday, 17 October 2026, starting at Westminster Cathedral (Ambrosden Avenue).

Assembly time is 1345 hrs outside Westminster Cathedral for a 1400 hrs departure.

Procession Route: From Westminster Cathedral to Brompton Oratory.

Activities at The Oratory:

Guest Speaker;
Scapular Enrolment (optional);
Confessions (optional);
Solemn Benediction.

This Annual event is a public Act of Reparation for sins committed against The Immaculate Heart of Mary and a powerful witness of Faith through Prayer and Procession.

For further information, contact The Latin Mass Society of England and Wales HERE
Telephone: 020 740 47284.

or E-Mail rosarycrusade@duc-in-altum.co.uk


“We cannot with impunity disobey The Mother of God.” — Fr. Hugh Thwaites S.J. (R.I.P.)

The following Text is from FR. Z's BLOG

A friend in London sent this video in 2022 (see, above) of the Procession of The Rosary Crusade of Reparation.

He wrote:

It’s held each year on the Saturday after The Feast of The Holy Rosary, and the March starts at Westminster Cathedral, London, and ends at the Brompton Oratory Church.

The Crusade was started in 1984 by a good Jesuit, Fr. Hugh Thwaites S.J., who was himself a Convert from Anglicanism HERE

[Editor: As Fr. Hugh Thwaites S.J. (R.I.P.) states in the Article referred to HERE

“We cannot with impunity disobey The Mother of God.”]


“We cannot with impunity disobey The Mother of God.”

In 2022, the Guest Speaker was the Provost of The London Oratory, Fr. Julian Large CO, and, despite a National Rail strike, attracted a considerable number of Faithful.

The Procession made its way through the busiest and most exclusive shopping district of Knightsbridge, passing shops that sell fashion items beyond the reach of many of the ordinary Catholics clutching their Rosaries, hemmed within two plastic ropes held by volunteer wardens.

However, many of the visiting Arab population, who make up the majority of buyers at these shops, stopped to take photos or respectfully stood by to see the Procession go past.


“We cannot with impunity disobey The Mother of God.”

Some, however, impatiently revved the engines of their Bugatti Veyrons or their Ferrari Purosangues, above the endless “Aves”.

It’s the only day of the year that Catholics get to stop the traffic in London, and show public witness to The Faith. And it certainly feels wonderful to be in their midst.

Thank you for publishing it, Father, for the greater edification of The Faithful.

“We Cannot With Impunity Disobey The Mother Of God” — Fr. Hugh Thwaites S.J.



Our Lady of Ushaw,
Saint Cuthbert’s Chapel,
Ushaw Seminary,
Durham, England.
Photo: April 2010.
Source: Own work.
Author: Zephyrinus.


The sculptor of the statue of Our Lady of Ushaw in Durham, was Karl Hoffmann. He is known as the “Sculptor of Ushaw” and created many significant sculptures for Ushaw College.

The majority of Ushaw’s significant sculptures were 
produced by Karl Hoffmann (1816-1872), colloquially 
known as the Sculptor of Ushaw.

In common with the paintings by von Rohden, the 
works were executed in Rome before being transported 
to Ushaw. Works including Our Lady of Clemency and 
Saint Joseph with the Lily can be viewed in the Chapels.


A full illustrated list of the wonderful 
fine art and artefacts at Ushaw can be seen

The following four paragraphs are from Copilot AI.

Karl Hoffmann (1816–1872), the German sculptor known 
for his Religious works, converted to Catholicism. He was originally Protestant, but converted in 1844 while in Rome.

His confirmation took place on 14 June 1844 at the Church of Sant’Ignazio di Loyola in Campo Marzio, and, notably, his sponsor was the Nazarene Painter, Friedrich Overbeck.

This conversion seems to have deeply influenced both his personal and artistic life. Many of Hoffmann’s sculptures — such as Our Lady of Clemency and Saint Joseph with the Lily — were created for Catholic institutions and are still housed at Ushaw Historic House, Chapels and Gardens, where he became known as the “Sculptor of Ushaw”.

His spiritual and artistic ties to Catholicism were further cemented when he crafted Overbeck’s epitaph in 1871, depicting the painter in eternal rest with a laurel-crowned palette at his feet



“Ave Regina Cœlorum”.
Sung by: The Tallis Scholars.
Composed by: Cipriano de Rore.
Available on YouTube
 
The Tallis Scholars:
Tessa Bonner; Deborah Roberts - soprano; 
Robert Harre-Jones; Michael Lees; Adrian Hill; 
Caroline Trevor - alto; Paul Agnew; Charles Daniels; 
Simon Davies; Leigh Nixon - tenor; Donald Greig; 
Francis Steele; Julian Walker; Adrian Peacock - bass.
 Directed by: Peter Phillips.
Score: www.cpdl.org (Daniel Mahraun).

Ave regina cœlorum,
Mater Regis angelorum,
O Maria flos virginum,
velut rosa vel lilium: 
funda preces ad Dominum 
pro salute fidelium.
Amen. 

Hail, Queen of Heaven, 
Mother of the King of Angels, 
Mary, Flower of Virgins, 
Like the Rose or the Lily: 
Pour forth your Prayers to the Lord
For the salvation of the Faithful. 
Amen.


Divine Holy Mass.
Saint Cuthbert’s Chapel,
Ushaw Seminary,
Durham, England.
Photo: April 2010.
Source: Own work.
Author: Zephyrinus.


Solemn Requiem Mass.
Saint Cuthbert’s Chapel, Ushaw Seminary,
Durham, England. 
With a very young Richard Hawker as Master of Ceremonies. Our Lady of Ushaw statue can be seen behind the Deacon, who is sitting on the Sedilia.
Saint Cuthbert’s Chapel,
Ushaw Seminary,
Durham, England.
Photo: April 2010.
Source: Own work.
Author: Zephyrinus.


Fr. Hugh Thwaites, S.J: An Anglican
Who Became A Catholic: The Journey Home.
Available On YouTube


Tribute to Rev. Fr. Hugh Thwaites SJ written on his 
95th Birthday 2012 (by Joseph Fromm, goodjesuitbadjesuit.blogspot.com).

One of England’s best-loved Priests will celebrate 
his 95th birthday on 21 July 2012. 

Known for his bright smile and infectious missionary spirit, Fr. Hugh Thwaites is a symbol of what one Priest’s unflagging commitment to evangelisation can achieve. 


Fr Hugh knows what it is to convert to Catholicism. He converted from Anglicanism when he was a passenger aboard a troop ship bound for Singapore during World War II. 

He spent three punishing years as a Japanese Prisoner-of-War, which gave him insight into human nature. “To see men in such extreme conditions is to see the very roots of their character,” he has said. 

In order to survive in the Prison Camp, Fr. Hugh sold his watch. After the War, he was ordained a Jesuit Priest. The zeal of the convert has never left Fr. Hugh, and he first asks new people he meets: “Are you a Catholic ?” If they reply “no”, then he asks: “But you would like to be, wouldn’t you ?”


Fr. Hugh is a champion of the Legion of Mary, an ardent supporter of the Extraordinary Form Mass, and renowned for his tenacity in spreading devotion to the Rosary. 

In his startling booklet, “Our Glorious Faith And How
To Lose It”, Fr. Hugh links the abandonment of the
Rosary with losing the Faith.

He explains that Our Lady has asked us to say the Rosary. “If we want in any way to be like Jesus”, he says, “we must do what His Mother asks. If we do not, can we expect things to go right ? We cannot with impunity disobey the Mother of God.” 

Fr. Hugh may be advanced in years and describes himself as “living on the edge of eternity”. But his many talks are available online and Blogs are buzzing with lively discussions about how he brought new people into The Church. 

[Rev. Fr. Hugh Thwaites SJ died on 21 August 2012.
Requiescat in pace].


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