Notre Dame de Rouen. The façade of the Gothic Church in France. Photographer: Hippo1947. Licence: SHUTTERSTOCK.

16 May, 2026

Lay Movement Launches International Campaign For “Total Freedom Of The Traditional Liturgy”.


Illustration: EP.


This Article is taken from, and can be read in full at,
EDWARD PENTIN


Being a Catholic in 2024 is no easy endeavour. The West is undergoing a massive de-Christianisation, so much so that Catholicism appears to be vanishing from the public sphere.

Elsewhere, the number of Christians being persecuted for their Faith is on the rise. What’s more, The Church has been struck by an internal crisis that manifests itself in a decline in Religious practice, a downswing in Priestly and Religious vocations, a decrease in Sacramental practice, and even a growing dissension between Priests, Bishops and Cardinals which, until very recently, was utterly unthinkable.

Yet, among all the things that can contribute to the internal revival of The Church and to the renewal of her missionary zeal, there is, above all, the worthy and reverent Celebration of her Liturgy, which can be greatly fostered thanks to the example and the presence of the Traditional Roman Liturgy.



Despite all the attempts that have been made to suppress it, especially during the present Pontificate, it lives on, continuing to spread and to sanctify the Christian people who are Blessed to be able to benefit from it. 

It bears abundant fruits of piety, as well as an increase of vocations and of conversions. It attracts young people and is the fount of many flourishing works, especially in schools, and is accompanied by a solid catechesis. 

No-one can deny that it is a vector for the preservation and transmission of The Faith and Religious practice in the midst of a waning of Religious belief and a dwindling number of believers. 



This Mass, due to its venerable antiquity, can boast of having sanctified countless Souls over the Centuries. Among other vital forces still active in The Church, this form of Liturgical life stands out because of the stability given to it by an uninterrupted “Lex Orandi”.

Certainly, some places of Worship have been granted, or rather tolerated, where this Liturgy can be Celebrated, but too often what has been given by one hand is taken back by the other, without, however, ever managing to make it vanish.

Since the massive decline during the period immediately following the Second Vatican Council, every attempt has been made on numerous occasions to revive Religious practice, to increase the number of Priestly and Religious vocations, and to preserve The Faith of the Christian people.



Everything, except letting the people experience the Traditional Liturgy, by giving the Tridentine Liturgy a fair chance. Today, however, common sense urgently demands that all the vital forces in The Church be allowed to live and prosper, and in particular the one which enjoys a Right dating back to over a millennium.

Let there be no mistake: The present appeal is not a petition to obtain a new tolerance as in 1984 and 1988, nor even a restoration of the status granted in 2007 by the Motu Proprio “Summorum Pontificum”, which, recognising in principle a Right, has in fact been reduced to a regime of meagrely-granted permissions.

As Lay People, it is not for us to pass judgement on the Second Vatican Council, its continuity or discontinuity with the previous teaching of The Church, the merits, or not, of the reforms that resulted from it, and so on.



On the other hand, it is necessary to defend and transmit the means that Providence has employed to enable a growing number of Catholics to preserve The Faith, to grow in it, or to discover it.

The Traditional Liturgy plays an essential role in this process, thanks to its transcendence, its beauty, its timelessness and its doctrinal certainty.

For this reason, we simply ask, for the sake of the true freedom of the children of God in The Church, that the full freedom of the Traditional Liturgy, with the free use of all its Liturgical Books, be granted, so that, without hindrance, in the Latin Rite, all The Faithful may benefit from it and all Clerics may Celebrate it.

Jean-Pierre Maugendre, Managing Director of Renaissance Catholique, Paris, France.

22 April 2024.



This appeal is not a petition to be signed, but a message to be disseminated, possibly to be taken up again in any form that may seem appropriate, and to be brought and explained to the Cardinals, Bishops, and Prelates, of The Universal Church.

Si Renaissance catholique a l’initiative de cette campagne, c’est uniquement pour se faire l’interprète d’un large désir en ce sens qui se manifeste dans l’ensemble du monde catholique. Cette campagne n’est pas la sienne, mais celle de tous ceux qui y participeront, la relayeront, l’amplifieront, chacun à leur manière.

Renaissance Catholique is a Paris-based movement of Lay People working to re-establish the social reign of Christ.

Saint Simon Stock. Confessor. Feast Day 16 May. White Vestments.



Missæ propriæ pro diœcesibus Britanniæ, 1947

Text and Illustrations from SOCIETY OF ST. BEDE

For Every Day In The Year, 


Saint Ubaldus (1084-1160). Bishop And Confessor. Feast Day 16 May. White Vestments.


Text is taken from The Saint Andrew Daily Missal,
unless otherwise stated.

Saint Ubaldus.
   Bishop and Confessor.
   Feast Day 16 May.

Semi-Double.

White Vestments.


Fresco of Saint Ubaldus at Gubbio, Umbria, Italy.
Source: 
http://www.ilmiositoweb.it/santubaldo/Santo.htm
(Wikimedia Commons)



The Race Of The Ceri.
La Calata, Gubbio, Italy.
Available on YouTube

Saint Ubaldus, born at Gubbio, Umbria, Italy, received Episcopal Consecration (Introit, Epistle, Alleluia) and was obliged, by Pope Honorius II, to take the government of that Church (Communion).

After having, under the guidance of The Holy Ghost, by his Charity and Apostolic zeal, put to full advantage the talents which God had entrusted to him, he piously fell asleep and “entered into the joy of his Lord” (Gospel) on Whit-Sunday evening.

He died in 1160 and his body has remained intact up to our time. Let us ask this Saint, to whom God gave special power against Satan, to preserve us from all the malice of the devil (Collect).

Mass: Státuit.


The Festival of La Corsa dei Ceri, at Gubbio, Italy.
The statue of Saint Ubaldo leads the Procession, 
followed by Ceri, topped with the statues of 
Date: 2000.
This File: 29 April 2006.
User: Starlight
(Wikimedia Commons)


The following Text is from Wikipedia - the free encyclopædia.

The Basilica is the finishing-point for the annual Saint Ubaldo Day Procession on 15 May (in Italian, La Corsa dei Ceri). The Procession includes a race between three teams of men, each representing one of the Town's three Guilds:

The Masons (in Gold) with a statue of Saint Ubaldo;
The Merchants (in Blue) with a statue of Saint George;
The Peasants (in Black) with a statue of Saint Anthony.

The participants dress in colourful "Ceraioli" and carry three, nearly-900-pound, wooden stands and statues (Ceri) of their Saints through the City to the City Gates. Thereafter, the teams sprint up Mount Ingino to the Basilica, where the statues remain until the following May. A similar Festival is celebrated in Jessup, Pennsylvania, United States of America. The event is considered an important contribution to the Town's tourism industry.


Courtyard; Basilica of Sant’Ubaldo.
Basilica di S. Ubaldo, Gubbio, Umbria.
Photo: August 2009.
Source: Own work.
Author: Geobia
(Wikimedia Commons)


Ubaldo of Gubbio (Italian: Ubaldo; Latin: Ubaldus; French: Ubalde; circa 1084–1160) was a Mediæval Bishop of Gubbio, in Umbria, today Venerated as a Saint by The Catholic ChurchSaint Ubaldo Day is still Celebrated at the Basilica of Sant'Ubaldo, in Gubbio, in his honour, as well as at Jessup, Pennsylvania.

Born Ubaldo Baldassini, of noble parents, at Gubbio, Italy, Ubaldo lost his father while still very young. He was educated by the Prior of the Cathedral Church of his native City, where he also became a Canon RegularSaint Sperandia was a relative of Ubaldo.

He felt a Vocation to become a Monk, and entered the Monastery of Saint Secondo in the same City, where he remained for some years. Recalled by his Bishop, he returned to the Cathedral Monastery, where he was made Prior. 

Having heard that, at Vienna, Blessed Peter de Honestis, some years before, had established a very fervent Community of Canons Regular, to whom he had given special statutes which had been approved by Pope Paschal II, Ubaldo went there, remaining with his Brother Canons for three months, to learn the details and the practice of their rules, wishing to introduce them among his own Canons of Gubbio.


Courtyard of the Basilica of Sant’Ubaldo.
Basilica di S. Ubaldo, Gubbio, Umbria.
Photo: August 2009.
Source: Own work.
Author: Geobia
(Wikimedia Commons)


This he did at his return. He earned a reputation for piety, poverty (for all his rich patrimony, he had given to The Poor and to the restoration of Monasteries), humility, mortification, meekness, and fervour, and the fame of his Holiness spread in the Country, and several Bishoprics were offered to him, but he refused them all.

Ubaldo is said to have prevented Frederick Barbarossa from sacking Gubbio, as the Emperor had sacked Spoleto in 1155.

However, the Episcopal See of Gubbio becoming vacant, he was sent, with some Clerics, by the population to ask for a new Bishop from Pope Honorius II, who, having Consecrated him, sent him back to Gubbio. To his people, he became a perfect pattern of all Christian virtues, and a powerful protector in all their Spiritual and Temporal needs.

He died after a long and painful illness of two years.


Glass sarcophagus of Saint Ubaldo, Gubbio, Umbria.
Urna con le spoglie di S. Ubaldo, Basilica di S. Ubaldo.
Date: August 2009.
Source: Own work.
Author: Geobia
(Wikimedia Commons)


Numerous Miracles were attributed to him during his life and after his death. At the solicitation of Bishop Bentivoglio, Pope Celestine III Canonised him in 1192. 

His power, as we read in the Office for his Feast, is chiefly manifested over the evil spirits, and the Faithful are instructed to have recourse to him “contra omnes diabolicas nequitias”.

The Life of the Saint was written by Blessed Theobaldus (Theobald, Teobaldo), his immediate successor in the Episcopal See, and, from this source, is derived all the information given by his numerous biographers. 

The body of Ubaldo, which had at first been buried in the Cathedral Church by the Bishops of Perugia and Cagli, at the time of his Canonisation was found flexible and incorrupt, and was then placed in a small Oratory on the top of the hill overlooking the City, where, in 1508, at the wish of the Duke of Urbino, the Canons Regular built a Church, now frequented by numerous Pilgrims who come to visit the Relics.


Basilica of Saint Ubaldo, Gubbio, Umbria.
Basilica di S. Ubaldo.
Date: August 2009.
Source: Own work.
Author: Geobia
(Wikimedia Commons)


The devotion to the Saint is very popular throughout Umbria, but especially at Gubbio, where, in every family, at least one member is called Ubaldo. 

The Feast of their Patron Saint is Celebrated by the inhabitants of the country around with great Solemnity, there being Religious and Civil Processions which call to mind the famous Festivities of the Middle Ages in Italy.

The Basilica of Sant'Ubaldo is a Sanctuary atop Monte Ingino, just above the City. 

Noteworthy, are the Marble Altar and the Great Windows with episodes of the Life of Ubaldo. The finely-sculpted Portals and the fragmentary frescoes give a hint of the magnificent 15th-Century decoration once boasted by the Basilica.

Outside of Italy, a finger Relic of Saint Ubaldus is Venerated in the Saint-Theobald Collegiate Church of Thann, Haut-Rhin, France.

“The Ascension And Heavenly Liturgy”. Presentation By: Rev. Fr. Timothy Finigan.



“The Ascension And Heavenly Liturgy”.
By: Rev. Fr. Timothy Finigan.
Available on YouTube

15 May, 2026

“Méditation”. From The Opera “Thaïs”, By Jules Massenet.


“Méditation”.
From the Opera “Thaïs”, by Jules Massenet.
Soloist: Anna Tifu.
Orchestra: Del Teatro Lirico di Cagliari.
Director: Massimiliano Carraro.
 Available on YouTube

“Ladies In Lavender”. Joshua Bell.



“Ladies In Lavender”. 
Joshua Bell.
Available On YouTube

“Ladies in Lavender” is a 2004 British drama film, 
written and directed by Charles Dance, who based his screenplay on a short story by William J. Locke. 

Set in picturesque coastal Cornwall, in a tight-knit fishing village in 1936, “Ladies in Lavender” stars Judi Dench and Maggie Smith playing the leading roles of sisters Ursula (Dench) and Janet Widdington (Smith). 

Joshua Bell played the Original Sound Track for the movie. 

Joshua Bell, born in 1967 in Bloomington, Indiana, 
made his Carnegie Hall debut in 1985 with the 
Saint Louis Symphony Orchestra. 

He has since performed with almost all 
of the World’s major orchestras and conductors.

Renaud Capuçon Records The Main Theme, “Gabriel’s Oboe”, From “The Mission”. (Ennio Morricone).


Renaud Capuçon Records The Main Theme,
“Gabriel’s Oboe”, From “The Mission”.
(Ennio Morricone).
Available on YouTube

Gustav Mahler. Symphony No.5. Adagietto. Vienna Philharmonic Orchestra. Leonard Bernstein. 1973.



Gustav Mahler - Adagietto. Symphony No. 5 in C sharp minor. Wiener Philharmoniker, Vienna Philharmonic Orchestra, Leonard Bernstein, 1973.
Available on YouTube


Text from Wikipedia - the free encyclopædia,
unless stated otherwise.

Symphony No.5 by Gustav Mahler was composed in 1901 and 1902, mostly during the Summer months at Mahler’s holiday cottage at Maiernigg

Among its most distinctive features are the trumpet solo that opens the work with a rhythmic motif similar to the opening of Ludwig van Beethoven’s Symphony No. 5, the horn solos in the third movement and the frequently performed Adagietto.

On The Office Of Vespers For Sundays And Feasts During The Time After Pentecost.



English: Vespers for Sunday.
Deutsch: Vesper vom Sonntag - 
Liber usualis (1954) S. 250f.
Photo: 16 September 2016.
Source: Own work.
(Wikimedia Commons)



English: Second Vespers of The Fourth Sunday After Easter.
From the Church of Saint-Eugène - Sainte-Cécile, Paris.
Français: Secondes vêpres du IVème dimanche après Pâques.
Available on YouTube

The following Text is from Wikipedia - the free encyclopædia,
unless stated otherwise.

Vespers is a Service of Evening Prayer, one of The Canonical Hours in Eastern Orthodox, Oriental Orthodox, Catholic (both Latin and Eastern), Lutheran, and Anglican Liturgies.

The word for this Fixed Prayer Time comes from the Latin “Vesper”, meaning “Evening”.[1]

Vespers typically follows a set order that focuses on the performance of Psalms and other biblical Canticles.

Eastern Orthodox Services advertised as “Vespers” often conclude with Compline, especially the All-Night Vigil.[2]


Performing these Services together without break was also a common practice in Mediæval Europe, especially Secular Churches and Cathedrals.[3]

Old English Speakers translated the Latin word “Vesperas” as “æfensang”, which became Evensong in Modern English.

The term is now usually applied to the Anglican variant of the Service that combines Vespers with Compline, following the conception of Early-16th-Century worshippers that conceived these as a single unit.

The term can also apply to the Pre-Reformation form of Vespers or forms of Evening Prayer from other denominations.[4]

Vespers is usually Prayed around Sunset. In Oriental Orthodox Christianity and Oriental Protestant Christianity, the Office is known as “Ramsho” in the Indian and Syriac Traditions; it is Prayed facing The East by all members in these denominations, both Clergy and Laity, being one of the Seven Fixed Prayer Times.[5][6]



The following Text is from “The Liturgical Year”.
   By: Abbot Guéranger, O.S.B.
   Volume 10.
   Time After Pentecost.
   Book I.

The Office of Vespers, or Evensong, consists firstly of the five following Psalms. For certain Feasts, some of these Psalms are changed for others, which are more appropriate for these Feasts.

After The Pater and The Ave have been said in secret, The Church commences this Hour with her favourite supplication:

Versicle: Deus, in adjutorium meum intende.
Response: Domine, ad adjuvandum festina.

Gloria Patri, et Filio, et Spiritui Sancto,
Sicut erat in principio, 
et nunc et semper, 
et in sæcula sæculorum.

Amen.
Alleluia.

Antiphon: Dixit Dominus.

The first Psalm (Psalm 109) is a Prophecy of the future glories of the Messias. The Son of David shall sit on the Right-Hand of the Heavenly Father. He is King; He is Priest; He is the Son of Man, and the Son of God.

His enemies will attack Him, but He will crush them. He will be humbled, but this voluntary humiliation will lead Him to the Highest Glory.


Psalm 109.

Dixit Dominus Domino meo:
Sede a dextris meis.

Donec ponam inimicos tuos:
Scabellum pedum tuorum.
Virgam virtutis tuæ emittet Dominus ex Sion:
Dominare in medio inimicorum tuorum.

Tecum principium in die virtutis tuæ ub splendoribus sanctorum:
Ex utero ante luciferum genui te.

Juravit Dominus, et non pœnitebit eum:
Tu es Sacerdos in æternum secundum ordinem Melchisedech.

Dominus a dextris tuis;
Confregit in die iræ suæ reges.

Judicabit in nationibus, implebit ruinas:
conquassabit capita in terra multorum.

De torrente in via bibet:
propterea exaltabit caput.

Antiphon: Dixit Dominus Domino meo,
Sede a dextris meis.

Antiphon: Magna opera Domini.

The following Psalm (Psalm 110) commemorates The Mercies of God to His people, The Promised Covenant, The Redemption, His Fidelity to His Word.

But it also tells us that The Name of The Lord is terrible, because it is Holy; and concludes by admonishing us, that The Fear of The Lord is the beginning of Wisdom.



Psalm 110 is then sung.

The next Psalm (Psalm 111) sings the happiness of the Just Man, and his hopes on the day of his Lord's coming. It tells us, likewise, of the confusion of the sinner who shall have despised the Mysteries of God's love towards mankind.


Psalm 111 is then sung.

The next Psalm (Psalm 112), Laudate Pueri, is a Canticle of Praise to The Lord, Who, from His High Heaven, hath taken pity on the human race, and has vouchsafed to honour it by The Incarnation of His Own Son.


Psalm 112 is then sung.

The fifth Psalm (Psalm 113), In Exitu, recounts the prodigies witnessed under the ancient Covenant: They were figures, whose realities were to be accomplished in the mission of The Son of God, Who came to deliver Israel from Egypt, emancipate The Gentiles from their idolatry, and pour out a Blessing on every man who would consent to fear and love The Lord.



Psalm 113 is then sung.

After the five Psalms (above), a short Lesson from The Holy Scriptures is read. It is called Capitulum, or, Little Chapter, because it is always very short. Those Capitulums for the several Festivals are given in The Propers of each.


The Capitulum is then read.

Then follows the Hymn. We here give the one for Sundays (Lucis Creator). It was composed by Saint Gregory the Great. It sings of Creation, and celebrates the praises of that portion of it which was called forth on this first day, viz, The Light.


The Hymn is then sung.

The Versicle, which follows the Hymn, and which we give here, is that of the Sunday; those for the Feasts are given in their Propers.

Versicle: Dirigatur, Domine, oratio mea.

Response: Sicut incensum in conspectu tuo.



Then is said the Magnificat Antiphon, which is to be found in the Propers.

After this, The Church sings the Canticle of Mary, The Magnificat, in which are Celebrated The Divine Maternity and all its consequent Blessings. This exquisitely sweet Canticle is an essential part of The Office of Vespers. It is the Evening Incense, just as the Canticle Benedictus, at Lauds, is that of the Morning.


The Magnificat Antiphon is then repeated.

The Prayer, or, Collect, is then said. It is given in The Proper of each Feast and Sunday.

Versicle: Benedicamus Domino.

Response: Deo Gratias.

Versicle: Fidelium animæ per misericordiam Dei, requiescant in pace.

Response: Amen.

Thus ends Vespers.


“The Liturgical Year”.
By: Abbot Guéranger.
Available from

Patron Saints Of The Latin Mass Society.



Saint Margaret Clitherow
“The Pearl of York”.
Artist: Gwyneth Thompson-Briggs, 
whose Web-Site can be found HERE
Illustration: LATIN MASS SOCIETY












Text and Illustrations are from The Latin Mass Society of England and Wales, whose Web-Site can be found HERE




The “Pearl of York” married a York butcher, John Clitherow, in 1571 and converted to Catholicism in 1574.

Following the practice of some other families with Catholic sympathies, her husband continued to attend Anglican Services, but paid the fines for Margaret’s Recusancy (refusal to attend Anglican Services), and allowed her to maintain a secret Chapel and to harbour Priests.

Her house was, in time, raided; evidence of Catholic Worship was discovered and Margaret was arrested. At her trial, she refused to plead; the most likely explanation is that she did not want her children to be forced to testify against her.


The penalty for refusing to plead was death, with a special method of execution. She was accordingly taken to Ouse Bridge, in York, laid on the ground with a sharp stone under her back, and a door placed upon her. This was loaded with heavy weights until she died.

This took place on the Feast of the Annunciation, Lady Day, 
25 March 1586, which that year fell on Good Friday.

She was Beatified in 1929 and Canonised in 1970.


An Annual Pilgrimage is held in her honour by the York Oratory; her Shrine is in the York Shambles, the old butchers’ quarter, and a plaque commemorates her Martyrdom on Ouse Bridge. Her hand is preserved in the Bar Convent in York.

The image (above) was commissioned by The Latin Mass Society from the artist Gwyneth Thompson-Briggs in 2024.

The Prayer shown is the Collect of a Martyr not a Virgin from the 1962 Missal, used at Masses in her honour. 


The Church emphasises, in honouring female Martyrs, that God’s “power is made perfect in weakness’”(“virtus in infirmitate perficitur”: 2 Corinthians 12:9).

DEUS, qui inter cétera poténtiæ tuæ mirácula étiam in sexu frágili victóriam martýrii contulísti: concéde propítius; ut, qui beátæ Margarétæ Mártyris tuæ natalítia cólimus, per eius ad te exémpla gradiámur, per Christum Dóminum nostrum. 

Amen.

O GOD, Who, amongst other marvels of Thy power, hast bestowed also to the weaker sex victory in Martyrdoms, graciously grant that we, who cherish the Heavenly birthday of Blessed Margaret Thy Martyr, may advance towards Thee through her example, through Christ our Lord. 

Amen.


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