Notre Dame de Rouen. The façade of the Gothic Church in France. Photographer: Hippo1947. Licence: SHUTTERSTOCK.

23 August, 2026

When Modernism Infiltrates Insidiously: Bring Back The Sacred; And Pray The Holy Rosary.



Illustration: IGNATIUS HIS CONCLAVE


The Descent Of The Modernists.
Illustration: RORATE CAELI

The following Text is from Wikipedia - the free encyclopaedia,
unless stated otherwise.

The Sedia Gestatoria (Chair for Carrying) was a Ceremonial Throne on which Popes were carried on shoulders until 1978, and later replaced with the Popemobile.

It consists of a richly-adorned, silk-covered armchair, fastened on a Suppedaneum, on each side of which are two gilded rings; through these rings pass the long rods with which twelve footmen (Palafrenieri), in red uniforms, carry the Throne on their shoulders. On prior occasions, as in the case of Pope Stephen III, Popes were carried on the shoulders of men.

The Sedia Gestatoria is an elaborate variation on the Sedan Chair. Two large fans (Flabella), made of white Ostrich feathers — a relic of the ancient Liturgical use of the Flabellum, mentioned in the Constitutiones Apostolicae — were carried at either side of the Sedia Gestatoria.


Pope Pius XII on the Sedia Gestatoria.
Date: Unknown.
This File: 26 February 2008.
User: Melesse
(Wikimedia Commons)


The Sedia Gestatoria of Pope Pius VII (1800 - 1823). 
Exhibition of Thrones in Galerie des Glaces of 
Château de Versailles, France. 
La Sedia Gestatoria (Chaise à porteurs) du Pape Pie VII 
(1800 - 1823). Bois sculpté et doré, velours de soie 
cramoisi sur âme de bois, passementerie en fils d’or, bronze doré. Exposition "le Trône en Majesté", Château de Versailles.
La sedia gestatoria di Papa Pio VII.
Photo: 20 March 2011.
Source: Own work.
Author: Jebulon.
(Wikimedia Commons)






Zephyrinus commends the following Article to Readers.

The Article, dated 8 February 2013, from RORATE CAELI
can be read in full HERE


by Fr. Giovanni Cavalcoli, O.P.


The following Text is from Wikipedia - the free encyclopædia,
unless stated otherwise.

Pope Saint Pius X’s Papacy featured vigorous condemnation of what he termed “Modernists” and “Relativists”.

Pope Leo XIII had sought to revive the inheritance of Thomas Aquinas’s “the marriage of Reason and Revelation”, as a response to Secular “Enlightenment”.

Under the Pontificate of Pope Saint Pius X, Neo-Thomism became the blueprint for an approach to Theology. 

Pius X’s Papacy featured vigorous condemnation of what he termed “Modernists” and “Relativists”, whom he regarded as dangers to The Catholic Faith (see, for example, his Oath Against Modernism).


This is perhaps the most controversial aspect of his Papacy. He also encouraged the formation and efforts of Sodalitium Pianum (or League of Pius V), an Anti-Modernist network of informants, which was seen negatively by many people due to its accusations of heresy against people on the flimsiest evidence.

This campaign against Modernism was run by Umberto Benigni in the Department of Extraordinary Affairs in the Secretariat of State, distributing Anti-Modernist propaganda and gathering information on “culprits”. 

Benigni had his own secret code — Pope Pius X was known as “Mama”.


Pope Saint Pius X. Official portrait taken 
shortly after his Enthronement in August 1903.
Papst Pius X. Offizielles Porträt, 
aufgenommen kurz nach Inthronisation (August 1903).
El papa Pío X. Retrato oficial, hecho pocos días después 
de su entronización como papa el 9 de agosto de 1903.
Le pape Pie X. Portrait officiel du 14 août 1903, 
après son inthronisation.
Photo: 14 August 1903.
Source: Web.
Author: Giuseppe Felici (1839-1923).
(Wikimedia Commons)


Pope Saint Pius X’s attitude toward the Modernists was uncompromising. 

Speaking of those who counselled compassion to the “culprits”, he said: “They want them to be treated with oil, soap and caresses. But they should be beaten with fists. In a duel, you don’t count or measure the blows, you strike as you can.”

The Modernist movement was linked especially with certain Catholic French scholars, such as Louis Duchesne, who questioned the belief that God acts in a direct way in the affairs of Humanity, and Alfred Loisy, who denied that some parts of Scripture were literally, rather than perhaps metaphorically, true.


Signature of Pope Saint Pius X.
Date: 1906.
Author: Pope Pius X.
Created in Vector format by Scewing
(Wikimedia Commons)

In contradiction to Thomas Aquinas, they argued that there was an unbridgeable gap between natural and supernatural knowledge. 

Its unwanted effects, from the Traditional viewpoint, were Relativism and Scepticism. 

Modernism and Relativism, in terms of their presence in The Church, were Theological trends that tried to assimilate modern philosophers, like Kant, as well as Rationalism into Catholic Theology.

Modernists argued that beliefs of The Church have evolved throughout its history and continue to evolve. 

Anti-Modernists viewed these notions as contrary to the Dogmas and Traditions of The Catholic Church.


“Habemus Papam”.
Cardinal Luigi Macchi announces the 
Election of Cardinal Sarto as the new Pope.
As Proto-Deacon since 1899, Cardinal Macchi announced 
the Election of Cardinal Giuseppe Sarto at the end of the Conclave of 1903 and Crowned him on 9 August 1903.
Photo: 9 August 1903.
Source: Originally from hu.wikipedia
description page is/was here.
Author: Unknown, original 
uploader was User:Czinitz at hu.wikipedia.
(Wikimedia Commons)

In a Decree, entitled “Lamentabili Sane Exitu” (“A Lamentable Departure Indeed”), issued 3 July 1907, Pope Saint Pius X formally condemned sixty-five Modernist or Relativist propositions concerning the Nature of The Church, Revelation, Biblical Exegesis, the Sacraments, and the Divinity of Christ.

This was followed by the Encyclical “Pascendi Dominici Gregis” (“Feeding The Lord’s Flock”), which characterised Modernism as the “Synthesis of all Heresies.” 

Following these, Pope Saint Pius X ordered that all Clerics take the “Sacrorum Antistitum”, an Oath against Modernism. 

Pope Pius X’s aggressive stance against Modernism caused some disruption within The Church. 

Although only about forty Clerics refused to take the Oath, Catholic scholarship with Modernistic tendencies was substantially discouraged. 

Theologians who wished to pursue lines of inquiry in line with Secularism, Modernism, or Relativism, had to stop, or face conflict with the Papacy, and possibly even Excommunication.

A Glimpse Of London In The 1930s.



A Glimpse of London in the 1930s.
Available on YouTube

Saint Philip Benizi. Confessor. General Superior Of The Servites. Feast Day 23 August. White Vestments.



Saint Philip Benizi.
Illustration: LIVES OF THE SAINTS


Text from “The Liturgical Year”.
   By: Abbot Guéranger, O.S.B.
   Volume 14.
   Time After Pentecost.
   Book V.


Our Lady is now reigning in Heaven. Her triumph over death cost her no labour; and yet it was through suffering that she, like Jesus, entered into her glory.

We, too, cannot attain eternal happiness otherwise than did the Son and the Mother.

Let us keep in mind the sweet joys we have been tasting during the past week; but let us not forget that our own journey to Heaven is not yet completed.


“Why stand ye looking up into Heaven ?” said the Angels to the Disciples on Ascension Day, in the name of the Lord Who had gone up in a cloud; for the Disciples, who had for an instant beheld the threshold of Heaven, could not resign themselves to turn their eyes once more down to this valley of exile.

Mary, in her turn, sends us a message today from the bright land whither we are to follow her, and where we shall surround her after having in the sorrows of exile merited to form her Court: Without distracting us from her, the Apostle of her dolours, Philip Benizi, reminds us of our true condition of strangers and Pilgrims upon Earth.

Combats without, fears within: Such for the most part was Philip’s life, as it was also the history of his native City of Florence; of Italy, too, and indeed of the whole Christian World, in the 13th-Century.


At the time of his birth, the City of Flowers [Editor: Florence] seemed a new Eden for the blossoms of Sanctity that flourished there; nevertheless, it was a prey to bloody factions, to the assaults of heresy, and to the extremity of every misery.

Never is Hell so near us as when Heaven manifests itself with greatest intensity; this was clearly seen in that age, when the serpent’s head came in closest contact with the heel of the woman.

The old enemy, by creating new sects, had shaken the Faith in the very centre of the Provinces surrounding the Eternal City.


While, in the East, Islam was driving back the last Crusaders, in the West, the Papacy was struggling with the Holy Roman Empire, which Emperor Frederick III had made as a fief of Satan.

Throughout Christendom, social union was undone, Faith had grown weak, and love cold; but the old enemy was soon to discover the power of the reaction Heaven was preparing for the relief of the aged World.

Then it was that Our Lady presented to her angered Son, Dominic, and Francis, that, by uniting science with self-abnegation, they migh counterbalance the ignorance and luxury of the World; then, too, Philip Benizi, the Servite of The Mother of God, received from her the Mission of Preaching through Italy, France, and Germany, the unspeakable sufferings whereby she became the Co-Redemptress of the human race.

Vigil Of Saint Bartholomew. Apostle. 23 August. Violet Vestments.


Text from The Saint Andrew Daily Missal,
unless otherwise stated.

Vigil Of Saint Bartholomew.
   Apostle.
   23 August.

Violet Vestments.


Saint Bartholomew.
Artist: René de Cramer.
"Copyright Brunelmar/Ghent/Belgium".
Used with Permission.



English: Saint Bartholomew the Apostle.
By Pierre Le Gros the Younger.
Nave of the Basilica of Saint John Lateran, Rome.
Français: Saint Barthélemy par Pierre Le Gros le Jeune.
Photo: 7 September 2006.
Source: Own work.
Author: Jastrow
(Wikimedia Commons)


The Feasts of The Apostles are spread throughout The Liturgical Cycle, as if to show that The Apostles are The Foundation on which the whole Church rests.

Saint Bartholomew is the sixth in The List of The Twelve Apostles, as given by The Evangelists.

Like the other Apostles, he learned the secrets of The Divine Law and made them known to the World, confirming them by his Martyrdom (Gospel). On this day, The Liturgy prepares us for his Feast of tomorrow (Collect).

Mass: Ego autem.

Boys’ Comics And Annuals: The Lion.




The first Lion comic (Number 1), 
23 February 1952.
Illustration: COMIC BOOK PLUS


Text from Wikipedia - the free encyclopædia,
unless stated otherwise.

Lion was a weekly British comics periodical published by Amalgamated Press (and later Fleetway Publications and IPC Magazines) from 23 February 1952 to 18 May 1974.

A boys' adventure comic, Lion was originally designed to compete with Eagle, the popular weekly comic published by Hulton Press that had introduced Dan Dare.

It debuted numerous memorable characters, including Captain Condor, Robot Archie, Paddy Payne and the Spider.

Lion lasted for 1,156 issues before being merged with stablemate Valiant.


Lion Annual 1955.
Illustration: BIBLIO

In 1952, Amalgamated Press (AP) editor Reg Eves ran an internal competition to come up with a competitor for the wildly successful Eagle. Bernard Smith, who had been with the company since 1922, won with the suggestion of Lion, and was rewarded with both a £5 prize and the role of editor of the new title.[1] 

Smith had experience with boys' papers, having worked on AP's Young Britain and The Champion titles.[2] Whereas those titles had featured text comics, Lion would mimic Eagle by switching to comic strips featuring speech bubbles rather than text captions.


Front Cover of The Champion.
Vol XV. Number 374.
Date: 30 March 1929.
Author: The Champion.
(Wikimedia Commons)

The Champion was a British weekly Boys' story paper published by Amalgamated Press, which ran from 
28 January 1922, until 19 March 1955.[1]

Its original editor was Francis Addington Symonds. From 1929 until 1940 it had a monthly, pocket-sized companion paper, The Champion Library, containing characters from The Champion and its sister paper The Triumph.[2] The Triumph eventually was merged into The Champion in 1942.

The title was revived as a comics magazine in 1966 for a short-lived publication which merged with Lion later that year.

By using cheaper paper stock and fewer colour pages, AP hoped to undercut Eagle with Lion, which would be priced at 3d - a full penny cheaper than the Hulton title while matching its 24 pages. 

The cover proclaimed Lion to be "King of the Picture Story Pages". Like Eagle, most of the stories - bar the occasional humour strip - ran in weekly episodes of two to three pages.[1]



Lion Comic Number 71.
27 June 1953.
Illustration: EBAY

AP identified Dan Dare as Eagle's biggest attraction. Despite having no interest in science fiction, Eves was under orders from management to have a space hero to compete with Dare, and commissioned Captain Condor from writer Frank S. Pepper[3] as a direct rival.[4] 

Initially drawn by Ron Forbes, Condor started out - in Pepper's words - as "a non-character", but gradually developed a following of his own,[1] though never matching Dare's fame and popularity.[5] 


Victor Book For Boys Annual.
1985.
Illustration: E-BAY

Despite most of the characters being created on a work-for-hire basis, Pepper was allowed to retain ownership of Captain Condor.[1] 

Other comic strips in the first issue were Barry Nelson’s “Sandy Dean's First Term”, the first of several serials featuring the titular schoolboy; World War II strip “The Lone Commandos” by Edward R. Home-Gall; Scotland Yard ace “Brett Marlow - Detective” in the first of several cases; and Ted Cowan and Ted Kearon’s “The Jungle Robot”, which introduced Robot Archie.



Lion Comic Number 65.
16 May 1953.
Illustration: EBAY

This was rounded out by prose stories "Rod of the Trading Post", “Big Hank” and “Jingo Jones and His Invisibiliser”, as well as factual pages - in this case features on sport in Ancient Rome, police reaction to 999 calls and unusual inventions - and enticements to enter a competition (prizes included bicycles, footballs and jack-knives) and join the 'Lion Club'. Readers letters were handled by Reg "Skipper" Clarke.[6]

The first issue sold 900,000 copies before circulation settled to around 750,000. While failing to match Eagle's sales - which were typically around one million an issue - this was nevertheless a good figure for AP, and the comic would remain a strong seller for the rest of the decade.


“Every Boy’s Annual”.
1889.
Published by: Routledge.
Illustration: E-BAY

As the comic evolved, strips came and went, though it retained a general mix of war, frontier era and science fiction strips. "The Jungle Robot" ended after six months before Robot Archie and his pals returned in 1957, and would run as one of Lion's star features until its final issue. 1957 also saw the debut of Paddy Payne, a World War II RAF pilot; drawn by Joe Colquhoun, Payne displaced Captain Condor from the cover for the first time and would remain a staple until 1969.[1]

AP was acquired by IPC/Fleetway in 1959. Eves retired, while Smith guided Lion through the upheaval. This included a merger with Sun as part of the re-organisation; for several months the cover bore the title Lion and Sun before reverting to simply Lion. By the end of the ’50s, prose stories had disappeared in favour of either strip material or factual features. Popular additions over this period included stuntman Rory MacDuff and Norse saga "Karl the Viking", while Barrie Tomlinson joined the editorial staff in 1961.[1][2]


Lion Annual 1954.
Illustration: BIBLIO

Several strips of the era would benefit from IPC's policy of moving towards cheaper artists based in Spain;[7] this saw the likes of Alfonso Font, Víctor de la Fuente, Francisco Cueto and Jose Ortiz work on various Lion stories.[8]

In 1962, Smith left the title to oversee Air Ace Library, before retiring. George Beal was appointed his replacement as editor, though he delegated most of the work to assistant Geoff Kemp. Recognising the growing foothold of imported American Silver Age comics on the British market - particularly rivals Odhams Press' line of Power Comics featuring Marvel reprints - Kemp responded by adding more fantastical strips to Lion. 

"The Amazing Jack Wonder" was short-lived, but more success was found by anti-heroes like "The Sludge" and "The Spider".[9] The latter was created by Ted Cowan and featured artwork from Reg Bunn, covering the escapades of the eponymous arrogant criminal genius. 

The Spider's memorable status was sealed when Superman co-creator Jerry Siegel arrived looking for work and chose to write the character.[1][10] Siegel would later also devise "Gadgetman and Gimmick Kid" for Lion.[10][11]


IPC's short-lived revival of The Champion was folded into Lion in 1966; the influx from that title's roster included "The Phantom Viking", heavily indebted to Marvel's version of Norse deity Thor.

The Champion merger also brought in a then-rare licensed story in the form of "Danger Man", featuring new adventures of Patrick McGoohan's television secret agent John Drake drawn by Jesús Blasco.[12] 


The Wizard Annual.

Another new face was Electra Glide-riding Highway patrolman Zip Nolan. Initially introduced as a straightforward action strip in 1963, the following year it was revamped as "Spot the Clue with Zip Nolan", with readers encouraged to solve crimes by hints provided in the story - an idea previously used in a 1957 strip featuring detective Bruce Kent. 

Inevitably some mainstays had to make way for the new direction. In 1964 "Captain Condor" switched to reprinting earlier stories before being retired from the weekly two years later; Sandy Dean's adventures concluded in 1965, and in 1969 Paddy Payne stepped down from duty, having been dropped from the hallowed front page in favour of factual military feature Badges of the Brave.[2]



Lion Annual 1956.
Illustration: EBAY

From early 1965 the cover switched to a splash illustration, rotated between various features.[1] Spin-off titles included the hardback Lion Annuals (issued every autumn, ahead of the Christmas gift market), various specials and the Lion Picture Library series of digest-sized comics. Unlike the weekly, these featured self-contained stories, and would often feature characters that had been dropped from the weekly.[1]

1969 saw another merger, this time with Eagle.[1][13] Throughout the ’60s, sales of Eagle had dwindled considerably as successive owners sought to cut costs; notably since 1967 Dan Dare had been switched to reprint status, and with its circulation dropping to an unsustainable 40,000 it was subsumed by the title created to rival it. 

As well as continued Dare reprints,[14] the retitled Lion and Eagle brought in "The Waxer". The first Lion and Eagle also introduced "Turville's Touchstone"; retitled "Spellbinder" shortly into its run, the story would be one of the most popular Lion features over the next five years.[1] IPC had merged IPC/Fleetway and Odhams into IPC Magazines in 1969, and a slew of new titles followed.

Despite the reorganisation with a former rival causing some internal friction,[11] Lion continued, and in 1971 absorbed young rival Thunder. The merger brought six new stories to Lion, some of which – such as "Adam Eterno", "Black Max" and "Sam" – would be mainstays, while the Lion and Thunder name would stick until cancellation.[15] Between November 1970 and February 1971, no new issues were printed due to IPC being in dispute with their printers.[16] Future Action and 2000 AD creator Pat Mills would produce some of his earliest work for Lion, creating "The Can-Do Kids" in 1971.[17]


The title soldiered on until 1974, when it was finally folded into Valiant from 25 May 1974 after 1,156 issues.[18] This merger was not without controversy, with Lion's final assistant editor Chris Lowder ascribing it to internal politics. Lowder has stated it was outselling Valiant at the time, and that Jack Le Grand – responsible for launching Valiant and now managing director of Fleetway – ensured the comic he had helped devise survived.

Lowder recalled he and Kemp took Le Grand to lunch to state their case, and were told they "just had to deal with it".[1][19] 

The final line-up consisted of the doughty "Robot Archie, "Steel Commando", "Spellbinder", super-villain team-up "Masters of Menace", "Marty Wayne", "Sark the Sleeper", "The Team Terry Kept in a Box", "The Last of the Harkers", reprint "The 10,000 Disasters of Dort", "Adam Eterno", "Spot the Clue with Zip Nolan" and "Mowser".[20] Only the latter trio would migrate to Valiant, while the Steel Commando would become a guest character in "Captain Hurricane".

"Spellbinder" was instead allotted to the short-lived Valiant Book of Mystery and Magic, originally created as a Lion spin-off.[1] As was common for cancelled IPC titles, the Lion Annual continued to be created for the lucrative Christmas market until 1983, albeit with an ever-increasing focus on reprints.[21]



Lion Annual 1957.
Illustration: EBAY

In 1991, the post-1970 libraries of IPC and Fleetway had been combined and sold to Egmont UK, being rebranded Fleetway Editions. The following year 2000 AD revived several classic characters for the 2000 AD Summer Special before belatedly realising they did not have the rights to most of them; IPC in fact retained ownership of the pre-1970 characters and stories (bar Dan Dare, who was sold off separately).

In 2001, IPC were purchased by Time Inc., part of the TimeWarner group. This put the titles under the same umbrella as DC Comics, and allowed editor Andrew Sumner to interest the American publisher to produce new material based on the characters.

As a result the 2005 limited series Albion featured sizeable roles for several former Lion characters.[22] A short round of spin-offs and reprints followed before activity tailed off.

Having purchased the post-1970 library in 2016, Rebellion Developments were able to purchase the balance of the material in 2018, giving them rights to Lion and most of its contents.[23] Selected Lion stories have since been collected as part of Rebellion's Treasury of British Comics series.


Other memorable Boys’ Comics included: Victor; Hotspur; Eagle; Adventure; Wizard; Topper; Beezer. Plus, Buffalo Bill Annuals.

Further Boys’ Comics and Annuals will be highlighted in forthcoming Articles on this Blog.

Do let us know what your favourite Comic was.

Watch this space for further Articles !!!

Saint Philip Benizi. Confessor. Whose Feast Day Is, Today, 23 August. White Vestments.


Text from The Saint Andrew Daily Missal,
unless otherwise stated.

Saint Philip Benizi.
   Confessor.
   Feast Day 23 August.

Double.

White Vestments.


Saint Philip Benizi.
Illustration: LIVES OF THE SAINTS


Saint Philip Benizi.
Confessor.
Available on YouTube

We honour on this day a Saint to whom The Blessed Virgin Mary appeared, to announce to him that he was to enter The Order of Servites, whose object is to honour The Sorrows, through which The Virgin attained the Glory that we have rejoiced in (Editor: The Assumption) during the last eight days.

Born at Florence, Italy, of the illustrious family of Benizi, Saint Philip gave signs from the cradle of his future holiness. The Order of The Servants of The Virgin Mary, called The Servites, had been instituted fifteen years before. The little Convent was not far from his town. There, while hearing Mass on The Thursday in Easter Week, Saint Philip was struck by the words of the Epistle, addressed by The Holy Ghost to Philip The Deacon.

As he bore that name, he applied to himself the Scriptural Text, and, feeling himself invited by The Holy Ghost to enter that Order, he left everything to purchase the Imperishable Treasure of Heaven (Gospel). Entering as a Lay Brother, he was, later on, Ordained a Priest, and became General of The Servites.


English: Statue of Saint Philip Benizi
on The Charles Bridge, Prague, The Czech Republic.
Čeština: Sousoší Svatého Filipa Benicia na Karlově mostě.
Date: 31 July 2006 (original upload date).
Source: Originally from cs.wikipedia
description page is/was here
Author: Zp, cropped by Diligent
(Wikimedia Commons)

The Cardinals, assembled at Viterbo, wished to Elect him Pope, but, out of humility (Collect), he refused the honour and hid himself in the mountains. There, he flourished like the Palm Tree and grew like the Cedar of Libanus (Introit). God then called him to evangelise Italy, France, and Germany. On his return, he was confirmed in his Office for life.

He tried to calm the animosity which existed between the Guelfs, partisans of the Pope, and the Ghibellines, partisans of the Emperor, and ran serious danger to which the Epistle alludes.

He was seized by a burning fever on Assumption Day, and died at Todi, in 1285, on The Day of The Octave, contemplating The Crucifix.

Let us ask God to grant us the humility of Saint Philip Benizi, so that, despising, as he did, the riches of the World, we may always seek the riches of Heaven (Collect).

Mass: Justus.
Commemoration: The Vigil of Saint Bartholomew, from The Collects of The Mass: Ego autem, of which the Gospel is read at the end of Mass.


Saint Philip Benizi.
One of the 140 Saints on The Colonnade
of Saint Peter's Basilica, Rome. Statue created 1671.
The statue is part of a group of sixteen that were installed between August 1670 and March 1673. It was made immediately after the statues of Saint Cajetan and Saint Philip Neri, and simultaneously with Saint Anthony of Padua and Saint Charles Borromeo. Sculptor - Lazzaro Morelli.
The Saint, in the Habit of The Servite Order, holds a Crucifix in his Left hand. At his feet, is the Papal Tiara that he shunned. Philip Benizi, a Florentine physician, became the fifth Superior-General of the Order of Servites. The story is that he tried to become a Lay Brother by pretending to be illiterate, but was found out and told that he could only remain in the Order if he were Ordained.
When a Cardinal named him as a possible Papal candidate, Philip was so distressed by the idea that he hid in a cave until the Papal Election was over.
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