Notre Dame de Rouen. The façade of the Gothic Church in France. Photographer: Hippo1947. Licence: SHUTTERSTOCK.

25 March, 2026

Lay Movement Launches International Campaign For “Total Freedom Of The Traditional Liturgy”.


Illustration: EP.


This Article is taken from, and can be read in full at,
EDWARD PENTIN


Being a Catholic in 2024 is no easy endeavour. The West is undergoing a massive de-Christianisation, so much so that Catholicism appears to be vanishing from the public sphere.

Elsewhere, the number of Christians being persecuted for their Faith is on the rise. What’s more, The Church has been struck by an internal crisis that manifests itself in a decline in Religious practice, a downswing in Priestly and Religious vocations, a decrease in Sacramental practice, and even a growing dissension between Priests, Bishops and Cardinals which, until very recently, was utterly unthinkable.

Yet, among all the things that can contribute to the internal revival of The Church and to the renewal of her missionary zeal, there is, above all, the worthy and reverent Celebration of her Liturgy, which can be greatly fostered thanks to the example and the presence of the Traditional Roman Liturgy.



Despite all the attempts that have been made to suppress it, especially during the present Pontificate, it lives on, continuing to spread and to sanctify the Christian people who are Blessed to be able to benefit from it. 

It bears abundant fruits of piety, as well as an increase of vocations and of conversions. It attracts young people and is the fount of many flourishing works, especially in schools, and is accompanied by a solid catechesis. 

No-one can deny that it is a vector for the preservation and transmission of The Faith and Religious practice in the midst of a waning of Religious belief and a dwindling number of believers. 



This Mass, due to its venerable antiquity, can boast of having sanctified countless Souls over the Centuries. Among other vital forces still active in The Church, this form of Liturgical life stands out because of the stability given to it by an uninterrupted “Lex Orandi”.

Certainly, some places of Worship have been granted, or rather tolerated, where this Liturgy can be Celebrated, but too often what has been given by one hand is taken back by the other, without, however, ever managing to make it vanish.

Since the massive decline during the period immediately following the Second Vatican Council, every attempt has been made on numerous occasions to revive Religious practice, to increase the number of Priestly and Religious vocations, and to preserve The Faith of the Christian people.



Everything, except letting the people experience the Traditional Liturgy, by giving the Tridentine Liturgy a fair chance. Today, however, common sense urgently demands that all the vital forces in The Church be allowed to live and prosper, and in particular the one which enjoys a Right dating back to over a millennium.

Let there be no mistake: The present appeal is not a petition to obtain a new tolerance as in 1984 and 1988, nor even a restoration of the status granted in 2007 by the Motu Proprio “Summorum Pontificum”, which, recognising in principle a Right, has in fact been reduced to a regime of meagrely-granted permissions.

As Lay People, it is not for us to pass judgement on the Second Vatican Council, its continuity or discontinuity with the previous teaching of The Church, the merits, or not, of the reforms that resulted from it, and so on.



On the other hand, it is necessary to defend and transmit the means that Providence has employed to enable a growing number of Catholics to preserve The Faith, to grow in it, or to discover it.

The Traditional Liturgy plays an essential role in this process, thanks to its transcendence, its beauty, its timelessness and its doctrinal certainty.

For this reason, we simply ask, for the sake of the true freedom of the children of God in The Church, that the full freedom of the Traditional Liturgy, with the free use of all its Liturgical Books, be granted, so that, without hindrance, in the Latin Rite, all The Faithful may benefit from it and all Clerics may Celebrate it.

Jean-Pierre Maugendre, Managing Director of Renaissance Catholique, Paris, France.

22 April 2024.



This appeal is not a petition to be signed, but a message to be disseminated, possibly to be taken up again in any form that may seem appropriate, and to be brought and explained to the Cardinals, Bishops, and Prelates, of The Universal Church.

Si Renaissance catholique a l’initiative de cette campagne, c’est uniquement pour se faire l’interprète d’un large désir en ce sens qui se manifeste dans l’ensemble du monde catholique. Cette campagne n’est pas la sienne, mais celle de tous ceux qui y participeront, la relayeront, l’amplifieront, chacun à leur manière.

Renaissance Catholique is a Paris-based movement of Lay People working to re-establish the social reign of Christ.

Holy Week And Easter Services At The Shrine Of Saint Augustine And The National Pugin Centre, Ramsgate, Kent.





The Web-Site of The Shrine of Saint Augustine and The National Pugin Centre at Ramsgate, Kent, can be found

The Annunciation Of The Blessed Virgin Mary. Feast Day 25 March. White Vestments.



“The Annunciation”.
Date: 1712.
Current location: Saint Louis Art Museum,
Missouri, United States of America.
Source/Photographer: 
(Wikimedia Commons)


“Sequentia Flos Carmeli”
(Flower of Carmel).
Performed by:
Schola Cantorum de Regina Pacis
(Klaipeda, Lithuania)
www.regina-pacis.org
Available on YouTube



Illustration: ZEPHYRINUS

Text from Wikipedia - the free encyclopædia,
unless otherwise stated.

The Annunciation (Anglicised from the Latin Vulgate, Luke 1:26-39, Annuntiatio nativitatis Christi), also referred to as the Annunciation to The Blessed Virgin Mary, or, the Annunciation of The Lord, is the Christian Celebration of the Announcement, by the Angel Gabriel to The Virgin Mary, that she would conceive and become The Mother of Jesus, The Son of God, marking His Incarnation.

Gabriel told Mary to name her Son, Jesus, meaning “Saviour”. Many Christians observe this event with the Feast Of the Annunciation on 25 March, nine full months before Christmas, the Ceremonial Birthday of Jesus.

According to Luke 1:26, the Annunciation occurred “in the sixth month” of Elizabeth’s pregnancy with John the Baptist. Irenæus (circa 130 A.D. - 202 A.D.), of Lyon, regarded the Conception of Jesus as 25 March, coinciding with The Passion.


Our Lady of Ushaw,
Durham, England.
Photo: April 2010.
Source: Own work.
Illustration: ZEPHYRINUS

Approximating the Northern Vernal Equinox, the date of the Annunciation also marked the New Year in many places, including England, where it is called Lady Day.

Both the Roman Catholic Church and Eastern Orthodox Church hold that the Annunciation took place at Nazareth, but differ as to the precise location. The Basilica of The Annunciation marks the site preferred by the former, while the Greek Orthodox Church of The Annunciation marks that preferred by the latter.

The Annunciation has been a key topic in Christian Art, in general, as well as in Marian Art in The Catholic Church, particularly during The Middle Ages and The Renaissance.


Illustration: ZEPHYRINUS


Illustration: ZEPHYRINUS



The Annunciation Of The Blessed Virgin Mary.
Illustration: THE RACCOLTA
Artist: René de Cramer.
“Copyright Brunelmar/Ghent/Belgium”.
Used with Permission.

The following Text is taken from The Saint Andrew Daily Missal.

The Annunciation Of The Blessed Virgin Mary.
   Feast Day 25 March.

Double of The First-Class.

White Vestments.


This Feast, prepared by the Feast of Saint Gabriel, yesterday, recalls the greatest event in history, The Incarnation of Our Lord (Gospel) in the womb of a Virgin (Epistle). On this day, The Word Was Made Flesh, and united to Itself for ever The Humanity of Jesus.

25 March is, indeed, the Anniversary of the Ordination of Christ as Priest, for it is by the Anointing of the Divinity that He has become Supreme Pontiff, Mediator between God and man.

[Should it not be possible, on account of 25 March falling in Holy Week or Easter Week, to keep The Feast of The Annunciation on that day, it is Celebrated on The Monday after Low Sunday.]


English: Innocence.
Français: L’Innocence.
Русский: "Невинность", картина Виллиама Бугро
И маленький ребёнок, и ягнёнок — символы невинности
Artist: William-Adolphe Bouguereau (1825–1905).
Date: 1893.
Source/Photographer: http://www.illusionsgallery.com
(Wikimedia Commons)


The Mystery of the Incarnation has earned, for Mary, her Most Glorious Title, that of “Mother of God” (Collect), in Greek “Theotokos”, a name which the Eastern Church always inscribed in Letters of Gold, like a Diadem, on the forehead of her images and statues.

“Standing on the threshold of Divinity” [Saint Thomas], since she gave to The Word of God the Flesh to which He was hypostatically united, The Virgin has always been honoured by a super-eminent Veneration, that of Hyperdulia.


English: “The Virgin With Angels”.
Latin: Latina: “Regina Angelorum”.
Artist: William-Adolphe Bouguereau (1825–1905).
Date: 1900.
Current location: Petit PalaisParis
Source/Photographer: Art Renewal Center
Copied from English Wikipedia to Commons.
(Wikimedia Commons)

“The Son of The Father and The Son of The Virgin naturally became a single and identical Son”, says Saint Anselm; hence, Mary is Queen of the Human Race and is to be Venerated by all (Introit).

To 25 March, will correspond, nine months later, 25 December, the day on which will be manifested to the World the Miracle as yet only known to Heaven and to the Humble Virgin.

Since the Title of Mother of God makes Mary All Powerful with her Son, let us have recourse to her intercession with Him (Collect), so that, by the Merits of His Passion and Crucifixion, we may have a part in the Glory of His Resurrection (Postcommunion).

Every Parish Priest Celebrates Mass for the people of his Parish.

Mass: Vultum tuum.
Commemoration (in Lent): Of the Feria.
Creed: Is said.
Preface: Of The Blessed Virgin Mary.
Last Gospel (in Lent): Of the Feria.

Wednesday In Passion Week. The Lenten Station Is At The Church Of San Marcello-Al-Corso (Saint Marcellus). Violet Vestments.



Peterborough Cathedral.
© Chel@SweetbriarDreams
www.sweetbriardreams.blogspot.co.uk


Text from The Saint Andrew Daily Missal,
unless otherwise stated.

Wednesday in Passion Week.

Station at Saint Marcellus’s.

Indulgence of 10 Years and 10 Quarantines.

Violet Vestments.



English: Church of San Marcello-al-Corso.
Façade by Carlo Fontana
Italiano: San Marcello-al-Corso è una chiesa di Roma.
Photo: November 2005.
Source: Own work.
(Wikimedia Commons)



The Church of Saint Marcellus, where today’s Lenten Station is held, was one of the twenty-five Parish Churches of Rome in the 5th-Century A.D. Originally the house of the holy matron, Lucina, where she received Saint Marcellus, it was transformed by her into a Sanctuary and Dedicated to this Holy Pope, whose body rests under The High Altar.

The Mass of today shows us the obstinacy of the Jews in rejecting Jesus, as they had already rejected His Father. The Divine Law, given by Him Whom the Epistle calls six times “The Lord”, “Whose word is stable” declared formally “that one may not shed his neighbour’s blood, nor hate his father in his heart”.

The Members of the Sanhedrin, on the contrary, hated Christ and sought to stone Him (Gospel). Unfaithful to God, “Who orders His laws to be kept” (Epistle), they blamed Jesus “Whom The Father has sent” and Who is The Son of God. “The Father and I are One. The Miracles that I have worked come from My Father.” “Rejecting the legitimate pastor of their Souls, they are no longer His sheep,” and will be replaced by the Gentiles, who, Baptised or reconciled to God at The Easter Festival, are “the sheep who hear His voice and to whom He gives Eternal Life” (Gospel).


The High Altar,
Basilica of San Marcello-al-Corso.
Photo: July 2007.
Source: Own work.
Author: SteO153
Permission: CC-BY-SA-2.5.
(Wikimedia Commons)




Let us be faithful to Jesus and Pray God “to Sanctify our Fast and illumine our hearts” (Collect), in order that, delivered from the abyss into which our sins had made us fall (Gradual), we “may wash our hands among the innocent and proclaim the wondrous works of God” (Communion).

Three Feasts called the Jews to Jerusalem:

1. In The Spring.

The Feast of The Passover:
Instituted to commemorate the departure from Egypt;

2. In The Autumn.

The Feast of Tabernacles:
In commemoration of the sojourn of the Jews in tents in the desert;

3. In The Winter (Middle Of December).

The Feast of The Anniversary of The Dedication of The Temple:
Which The Machabees had purified after their victory. It was on the occasion of this last Feast, that Jesus, in the Third Year of His Ministry, spoke the words in today’s Gospel. He was then under Solomon’s Porch, which faces the ravine of Cedron.

Mass: Liberátor meus.
Preface: Of The Holy Cross.


The Apse,
Church of Saint Marcellus.
Photo: July 2007.
Source: Own work.
Author: SteO153
(Wikimedia Commons)




The following Text is from Wikipedia.

San Marcello-al-Corso is a Church in Rome, Dedicated to Pope Marcellus I. It is located in Via-del-Corso, the ancient Via-Lata, connecting Piazza Venezia to Piazza del Popolo. It stands diagonally from the Church of Santa Maria-in-Via-Lata (see yesterday's Post).

While Tradition holds that the Church was built over the prison of Pope Marcellus I (who died in 309 A.D.), it is known that the "Titulus Marcelli" was already present in 418 A.D., when Pope Boniface I was Elected here.

Pope Adrian I, in the 8th-Century A.D., built a Church in the same place, which is currently under the modern Church.

The corpse of Cola di Rienzo (an Italian Mediæval politician), was held in the Church for three days after his execution in 1354. In 1519, a fire destroyed the Church. The money collected for its rebuilding was used to bribe the Landsknechts, who were pillaging the City during the Sack of Rome (1527).

The original plan to rebuild the Church was designed by Jacopo Sansovino, who fled the City during The Sack and never returned to finish it. The work was continued by Antonio da Sangallo the Younger, who rebuilt the Church, but a Riber Tiber flood damaged it again in 1530. It was only in 1592 that the Church was completed, and, later, Carlo Fontana built the façade.


Sacristy Ceiling fresco: “Gloria di San Marcello”, 
Church of San Marcello-al-Corso.
Photo: November 2005.
Source: Flickr
Author: antmoose
Reviewer: Mac9
(Wikimedia Commons)



Under The High Altar, decorated with 12th-Century opus sectile, are the Relics of several Saints, which include those of Pope Marcellus, as well as Digna and Emerita.

The last Chapel on the Left is Dedicated to Saint Philip Benizi. The Late-Baroque decoration contains sculptures by Francesco Cavallini and Reliefs by Ercole Ferrata and Antonio Raggi. The first Chapel on the Left has the double tomb of Cardinal Giovanni Michiel and his grandson, Antonio Orso, sculpted by Jacopo Sansovino.

Behind the façade is a Crucifixion (1613) by Giovanni Battista Ricci. Along the first Chapel is an Annunciation by Lazzaro Baldi; in the second Chapel, a Martyrdom of Saints Digna and Emerita (1727) by Pietro Barbieri; in the third Chapel, a Madonna with Child, a fresco of the Late-14th-Century, episodes of The Life of The Virgin by Francesco Salviati, fresco and paintings by Giovan Battista Ricci.

In the fourth Chapel, a Creation of Eve and the Evangelists, Mark and John, frescoes by Perin del Vaga, Matthew and Luke, begun by Perin del Vaga and finished by Daniele da Volterra.


“Saint Philip Benizi refuses The Papal Tiara”,
by Antonio Raggi (1686). 
The Church of Saint Marcellus.
Photo: October 2005.
Source: Own work.
(Wikimedia Commons)




Inside, is a Ciborium (1691) designed by Carlo Bizzaccheri; in the fifth Chapel, is a Monument to Cardinal Fabrizio Paolucci (1726) by Pietro Bracci and a Monument to Cardinal Camillo Paolucci by Tommaso Righi (1776) and Wall Paintings by Aureliano Milani.

On the Left Nave, in the fifth Chapel, is a San Filippo Benizi (1725), by Pier Leone Ghezzi; in the fourth Chapel, the Conversion of Saint Paul (1560) by Federico Zuccari and his brother, Taddeo, and, on the sides, a History of Saint Paul.

The inside of the Chapel has Busts of Muzio, Roberto, Lelio Frangipane by Alessandro Algardi (1630-1640). 

In the third Chapel, on the Left, is a “Doloroso” by Pietro Paolo Naldini, Sacrifice of Isaac and discovery of Moses by Domenico Corvi; in the first Chapel, a Madonna and Seven Saints by Agostino Masucci.

The Church has been administered and owned by the Servite Order since 1369.



Our Lady Of The Atonement Cathedral,
Baguio, Philippines.
Photo: 29 March 2024.
Source: Own work.
This File is made available under the
Author: Galaxiaria
(Wikimedia Commons)



Wells Cathedral.
Photo: August 2006.
Source: Own work.
This File is licensed under the
Author: Steinsky
(Wikimedia Commons)
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