Notre Dame de Rouen. The façade of the Gothic Church in France. Photographer: Hippo1947. Licence: SHUTTERSTOCK.

19 August, 2026

Fifth Day Within The Octave Of The Assumption. 19 August.



English: The Assumption of The Virgin Mary.
Deutsch: Maria Himmelfahrt.
Hochaltar für St. Maria Gloriosa dei Frari, Venedig.
Français: L’Assomption de la Vierge.
Artist: Titian (1490–1576).
Date: 1516-1518.
Current location:
Source/Photographer: The Yorck Project:
10.000 Meisterwerke der Malerei.
DVD-ROM, 2002. ISBN 3936122202.
Distributed by DIRECTMEDIA Publishing GmbH.
(Wikimedia Commons)


Text from “The Liturgical Year”.
   By: Abbot Guéranger, O.S.B.
   Volume 13.
   Time After Pentecost.
   Book IV.


“It is a great thing for a Saint to have as much Grace as would suffice for many; but if he had sufficient for all men in the World, that would be fullness of measure: And this is the case with Jesus Christ and The Blessed Virgin.” [Thomas Aquinas. Opusc. in Salutat. Angelicam.]

So speaks the Prince of Theologians with regard to her whom Suarez salutes as the “Universal Cause, intimately united to The Lord Her Son.”

A higher authority than that of the School has confirmed this teaching of The Angelic Doctor; in his Encyclical “Magnæ Dei Matris”, the Sovereign Pontiff Leo XIII has deigned to make his own the words we have just quoted: and he adds: “When, therefore, we hail Mary as Full of Grace, we awaken the recollection of her sublime dignity and of the redemption of the human race, wrought by God through her intermediary; moreover, we call to mind the Divine and Eternal relationship whereby she is associated to Christ in His Joys and His Sorrows. His Humiliations and His Triumphs, in ruling and aiding men with a view to their eternal welfare.” [Papal Encyclical 8 September 1892.]


Saint Bernardine of Siena compares Our Lady to the fountain mentioned in Genesis, which sprang from the Earth and watered its whole surface.

And as it is well to know the different expressions of the different schools, we may add that the illustrious representative of the Seraphic Order recognises in Mary what he calls “a sort of juridiction or authority over every temporal procession of The Holy Ghost,” because, he continues: “She is the Mother of God from Whom The Holy Ghost proceeds; and therefore all the Gifts, Graces, and Virtues of this Holy Spirit are administered by her hands, distributed to whom she wills, when she wills, and as she wills, and as much as she wills.”

We must not, however, conclude from these words that The Blessed Virgin has a right, properly so called, over The Holy Ghost or His Gifts.


Nor may we ever consider Our Lady to be in any way a principle of The Holy Ghost, any more than she is of The Word Himself as God.

The Mother of God is great enough not to need any exaggeration of her Titles. All that she has, she has, it is true, from her Son by Whom she is the first redeemed.

But in the historical order of the accomplishment of our salvation, the Divine Predilection, whereby she was chosen to be Mother of The Saviour, made her to be “the source of the source of life,” according to the expression of Saint Peter Damian.


Moreover, being Bride as perfectly as she was Mother, and united, in the fulness of all her powers of nature and of Grace to all the Prayers, to all the sufferings, to the whole oblation of The Son of Man, as His Truly Universal Co-Operatrix in the time of His Sorrow: What wonder that she should in the days of His Glory have a Bride’s full share in the dispensation of the goods acquired in common, though differently, by the new Adam and the new Eve ?

Even if Jesus were not bound in justice to give it to her, who would expect such a Son to act otherwise ?

Bossuet, who cannot be suspected of being carried away, and whom we therefore quote by preference, did not consider his necessary controversies with heresy an excuse for not following the Doctrine of the Saints.


“God”, says he, “having once willed to give us Jesus Christ by The Holy Virgin, the gifts of God are without repentance, and this order remains unchanged. It is and ever will be true, that having received by her Charity the universal principle of Grace, we also receive through her Mediation its various applications in all the different states whereof the Christian life is made up.

Her Maternal Love having contributed so much to our salvation in the Mystery of The Incarnation, which is the universal principle of Grace, she will eternally contribute to it in all the other operations, which are but dependent on the first.

“Theology recognises three principal operations of the Grace of Jesus Christ: God calls us, justifies us, gives us perseverance. Vocation is the first step; justification is our progress; perseverance ends the voyage, and gives us in our true country glory and rest, which are not to be found on Earth.



“Mary’s Charity takes part in these three works. Mary is the Mother of the called, of the justified, and of the persevering; her fruitful Charity is an universal instrument of the operations of Grace.” [Bossuet. Sermon sur la dévotion à la Sainte Vierge, pour la fête de la Conception. 9 December 1669.]

This noble language is an authentic testimony to the Tradition of the Holy Church of Gaul, which by its Iranæus, its Bernard, its Anselm, and so many others, made France the Kingdom of Mary.

May the present teachers put to profit what they have inherited from their great predecessors, and continue to sound the inexhaustible depths of Mystery in Mary; so that one day they may deserve to hear from her lips that word of Eternal Wisdom: “They that explain me shall have Life Everlasting.”

Neuschwanstein Castle, Schwangau, Bavaria, Germany. King Ludwig II Of Bavaria’s Creation. (Part Seven).



Photo: 31 July 2013.
Source: Own work.
This File is licensed under the
Attribution:
© Thomas Wolf, www.foto-tw.de
(Wikipedia)



The Throne Hall, Neuschwanstein Castle.
Photograph by Joseph Albert 1886. 
Postcard published 1890 - 1900. 
Detroit Publishing Co. Print No. 17479.
Date: 1886.
Source:
Photochrom from Photoglob AG Zürich (PZ, 17479); Views of Germany in the Photochrom Print Collection. This image is available from the United States Library of Congress's Prints and Photographs division under the digital ID ppmsca.00180.
Author: Josef Albert (1825–1886).
(Wikimedia Commons)


Text is from Wikipedia - the free encyclopædia,
unless stated otherwise.

In June 1886, the Bavarian Government decided to depose the King, who was living at Neuschwanstein at the time. 

On 9 June 1886, he was incapacitated and on 10 June 1886, he had the Deposition Commission arrested in the Gatehouse.[39] 



An Eastward view over the Village of Hohenschwangau 
and the Alpsee (Alpen Lake) towards the Tyrolean Alps, 
with the two Castles of Neuschwanstein (White; Left) 
and Hohenschwangau (Yellow; Right). Also visible is 
the smaller Schwansee (Swan Lake), to the Right.
Luftbild von Dorf Hohenschwangau mit beiden Königsschlössern.
Photo: 4 June 2021.
Source: Own work.
This File is licensed under the 
Author: BDAttitude.
(Wikimedia Commons)

In expectation of the Commission, he alerted the Gendarmerie and Fire Brigades of surrounding places for his protection.[36] 

A second Commission, headed by Bernhard von Gudden, arrived the next day, and the King was forced to leave the Palace that night. 

Ludwig II was put under the supervision of Gudden. On 13 June 1886, both died under mysterious circumstances in the shallow waters of Lake Starnberg, near Berg Castle.

At the time of King Ludwig’s death, the Palace was far from complete. The external structures of the Gatehouse and the Palace were mostly finished, but the Rectangular Tower was still scaffolded. 



Neuschwanstein Castle Project drawing 
(Christian Jank 1869).
Entwurf “Neue Burg Hohenschwangau” 
(Schloss Neuschwanstein).
Artist: Christian Jank (1833 – 1888).
Date: 1869.
Collection: Bayerische Schlösserverwaltung.
Source/Photographer: This File was derived from: 
(Wikimedia Commons)

Work on the Bower had not started, but was completed in a simplified form by 1892 without the planned figures of female Saints. 

The Knights’ House was also simplified. Only the Foundations existed for the core of the Palace complex: A Keep of ninety metres (300 feet) height, planned in the Upper Courtyard, resting on a Three-Nave Chapel. 

This was not realised,[17] and a connecting Wing between the Gatehouse and the Bower saw the same fate.[40] 

Plans for a Castle Garden with Terraces and a Fountain, West of the Palace, were also abandoned after the King’s death.



Neuschwanstein Castle under construction:
Upper Courtyard circa 1886.
Bayerische Königsschlösser, Neuschwanstein – 
Blick in den oberen Schlosshof.
Date: 1886.
Source: Stadt- und Staatsbibliothek, Augsburg, [1]
Author: Josef Albert (1825 – 1886).
(Wikimedia Commons)

The Interior of the Royal living space was mostly completed in 1886; the Lobbies and Corridors were painted in a simpler style by 1888.[41] 

The Moorish Hall, which was desired by the King and planned below the Throne Hall, was not realised any more than the Knights’ Bath, which was modelled after the Knights’ Bath in the Wartburg, and was intended to render homage to the Knights’ cult as a Mediæval Baptismal Bath. 

A Bride Chamber in the Bower (after a location in Lohengrin),[23] Guest Rooms on the First-Floor and Second-Floor of the Palace, and a great Banquet Hall, were further abandoned Projects.[33] 

In fact, a complete development of Neuschwanstein had never even been Planned, and, at the time of the King’s death, there was not a utilisation concept for numerous rooms.[29]



Neuschwanstein Castle under construction 1886.
Schloss Neuschwanstein.
Date: 6 December 2005 (original upload date).
Source: König Ludwig II., Hans Rall/Michael Petzet, 
Schnell & Steiner - München;.
Author: The original uploader was 
(Wikimedia Commons)

The King never intended to make the Palace accessible to the Public.[30] No more than six weeks after the King’s death, the Prince-Regent, Luitpold, ordered the Palace to be opened to paying visitors.

PART EIGHT FOLLOWS.

Westminster. Rouen. Chinon. Poitiers. The Four Centres Of Power For Henry II Plantagenet. Mediæval King Of England 1154 – 1189. Friend And Foe Of Thomas à Becket. (Part Six).





Soundtrack from Simon Schama’s
“A History of Britain”,
which included King Henry II’s reign.
Sung by Emma Kirkby and Lucie Skeaping.
Music by John Harle.
Available on YouTube


Text from Wikipedia - the free encyclopædia,
unless stated otherwise.

Rouen was the Seat of the Exchequer of Normandy during the Middle Ages. It was one of the Capitals of the Anglo-Norman dynasties, which ruled both England and large parts of modern France from the 11th-Century to the 15th-Century.

The Duchy of Normandy grew out of the 911 A.D. Treaty of Saint-Clair-sur-Epte, between King Charles III of West Francia and Rollo, leader of the Vikings. From 1035 to 1135, it was held by the Norman Kings of England, and then, after fifteen years of government by Stephen of Blois and Geoffrey Plantagenet, it was held by the Angevin Kings of England from 1150 to 1204.


English: 
The Church was the tallest building in the World,
from 1876-1880, with a height of 151 metres (496 feet).
Français: 
Photo: 15 February 2014.
Source: Own work.
Author: DXR.
(Wikimedia Commons)


Normandy was conquered by King Philip II of France in 1204 and remained disputed territory until the Treaty of Paris of 1259, when the English Sovereigns ceded their claim, except for the Channel Islands.

The Title of “Duke of Normandy” was then sporadically conferred in the Kingdom of France as an honorific, but non-feudal, Title, the last one having been Louis XVII of France from 1785 to 1789.


The Nave,
Rouen Cathedral, France.
Photo: 14 May 2014.
Source: Own work.
Author: DXR.
(Wikimedia Commons)


The name Westminster originated from the informal description of the Abbey Church and Royal Peculiar of Saint Peter’s (Westminster Abbey), literally West of the City of London; indeed, until the Reformation, there was a reference to the “East Minster” at Minories (Holy Trinity Priory, Aldgate), East of the City; the Abbey was part of the Royal Palace that had been created here by Edward the Confessor.

PART SEVEN FOLLOWS.

Saint Bernard Of Clairvaux Says It All.




English: The Assumption of The Virgin Mary.
Deutsch: Maria Himmelfahrt.
Hochaltar für St. Maria Gloriosa dei Frari in Venedig.
Français: L'Assomption de la Vierge.
Artist: Titian (1490–1576).
Date: 1516-1518.
Current location:
Source/Photographer: The Yorck Project:
10.000 Meisterwerke der Malerei.
DVD-ROM, 2002. ISBN 3936122202.
Distributed by DIRECTMEDIA Publishing GmbH.
(Wikimedia Commons)




Saint Bernard of Clairvaux (1090-1153).
Cistercian Monk and Abbot.
Illustration: BRITANNICA


This Article is taken from, and can be read in full at, 
FR HUNWICKE'S MUTUAL ENRICHMENT

Saint Bernard Says It All.

An unofficial translation of a Reading in both forms of The Divine Office for The Most Holy Name of Mary, Feast Day
12 September.

From the Homilies, in praise of The Virgin Mother, of Saint Bernard the Abbot [Editor: Saint Bernard of Clairvaux].

“And”, the Gospel writer says, “The Virgin’s name was Mary”.





Let us say a few things about this Name, also, which is said to mean Star of the Sea, and very suitably fits The Virgin Mother.


For she is very suitably compared to a star, since, just as without any loss to itself, a star sends out its ray, so, without suffering any loss to her virginity, The Virgin bears a Son.

Nor does the ray lessen the brightness of the star; and neither does The Son lessen the integrity of His Virgin Mother.


So, she is that noble Star risen from Jacob, whose ray pours light upon the whole World, whose splendour shines before all other things in the heavens above and penetrates to the lowest places below, shining also throughout all lands and warming minds rather than bodies; fosters virtues; burns away vices.

She, I say, is the distinguished and special star raised above this great and broad sea, shining with her merits, shedding light by her examples.

Whoever you are who understand that in the floods of this age you are walking among squalls and storms, rather than on land, do not turn your eyes from the brightness of this star, if you do not wish to be overwhelmed by the squalls.


If gales of temptations arise, if you run aground on rocks of tribulations, look upon this star, call upon Mary.

If you are tossed around by waves of pride, or ambition, or depression, or envy, look upon the star, call upon Mary.


If anger or greed or the lure of the flesh strike the poor little ship of your mind, look upon Mary.


If you are thrown into confusion by a great mass of sins, or bewildered by a sense of disgust in your conscience, or terrified by a horror of judgement, and you begin to be sucked down by a whirlpool of grief or an abyss of desperation, think upon Mary.

In dangers, in tight corners, in dubious matters, think upon Mary, call upon Mary.

Let her not leave your lips, let her not leave your heart, and, so that you may win the help of her Prayer, do not abandon the example of her way of life.


As long as you follow her, you have not strayed from the path;

as long as you call upon her, you are not without hope;

as long as you think upon her, you are not lost;


if she holds you fast, you do not fall to the ground; 

as she protects you, you are without fear;

with her as your guide, you are not wearied;


with her favour, you reach your destination and, thus, experience within yourself how fittingly it was said: “And the Virgin’s name was Mary”.


The following Text is from Wikipedia - the free encyclopædia.

The Feast of The Most Holy Name of The Blessed Virgin Mary is an Optional Memorial Celebrated in the Liturgical Calendar of The Catholic Church on 12 September.

It has been a universal Roman Rite Feast since 1684, when Pope Innocent XI included it in the General Roman Calendar to Commemorate the victory at the Battle of Vienna in 1683.[1]

It was removed from the Church Calendar in the Liturgical reform following Vatican II, but restored by Pope John Paul II in 2002, along with The Feast Of The Holy Name of Jesus.

[Editor: It is surely beyond comprehension how the so-called “experts” during Vatican II decided in “their so-called wisdom” to eradicate the Feast of The Most Holy Name Of Mary.
By their actions will they be known.]

“Nighthawks”. Edward Hopper.



“Nighthawks”.
Artist: Edward Hopper (1882–1967).
Date: 21 January 1942.
Source/Photographer: 
(Wikimedia)


Edward Hopper.
Date: 1937.
Source: Library of Congress.
Author: Harris & Ewing, photographer
(Wikimedia Commons)


“New York Movie”.
Artist: Edward Hopper.
Date: 1 January 1939.
Source: 
Author: Edward Hopper.
(Wikimedia Commons)

The following Text is from Wikipedia - the free encyclopædia.

Edward Hopper (22 July 1882 – 15 May 1967) was an American realist painter and printmaker. While he is widely known for his oil paintings, he was equally proficient as a watercolourist and printmaker in etching.

Hopper created subdued drama out of commonplace subjects layered with a poetic meaning, inviting narrative interpretations. He was praised for “complete verity” in the America he portrayed.


His career benefited significantly from his marriage to fellow artist Josephine Nivison, who contributed much to his work, both as a life-model and as a creative partner.


Hopper is one of America’s most renowned artists. His influence on art and popular culture has been substantial.

Among his best-known paintings are “New York Movie” (1939) and “Nighthawks” (1942).

Saint John Eudes. Confessor. Whose Feast Day Is, Today, 19 August. White Vestments.


Text from The Saint Andrew Daily Missal,
unless otherwise stated.

Saint John Eudes.
   Confessor.
   Feast Day 19 August.

Double.

White Vestments.


English: Portrait of Saint John Eudes.
Nederlands: Portret Jean Eudes ca. 1673 -
publiek domein, ouderdom.
This File: 4 March 2011.
(Wikimedia Commons)



Saint John Eudes and The Immaculate Heart of Mary.
Available on YouTube

Born at Rye, France, on 14 November 1601, Saint John Eudes had a special Devotion to the Blessed Virgin from his very childhood. At the age of fourteen, he Consecrated himself to her by a Vow of Perpetual Chastity.

On Christmas Day, 1625, he was Ordained Priest; in 1643, he Founded the Congregation of Jesus and Mary, usually known as “Eudists”, and, in 1644, the Congregation of the Sisters of Our Lady of Charity, known as the Sisters of the Good Shepherd.


English: Church of Saint John Eudes, Caen, France.
Français: Église Saint-Jean Eudes à Caen
construite entre 1933 et 1944.
Photo: 25 September 2008.
Source: Own work.
Author: Karldupart
(Wikimedia Commons)

Saint John Eudes Founded several Seminaries and Preached many Missions in France, but his grandest Title is that given him by Pope Saint Pius X: “Father, Doctor, and Apostle of The Liturgical Worship of The Sacred Hearts of Jesus and Mary.”

He died on 19 August 1680 at Caen, France. He was Beatified on 25 April 1909 by Pope Saint Pius X, and, on 31 May 1925, was Canonised by Pope Pius XI.

Mass: Os justi.
Commemoration: The Octave of the Assumption.

18 August, 2026

“Salve Regina” (Hail, Holy Queen). Add This Beautiful Marian Hymn To Your Daily Devotions During The Octave Of The Assumption.



“Salve Regina”
(Hail, Holy Queen).
Traditional Gregorian Chant.
Available On YouTube


SALVE REGINA
(Hail, Holy Queen).

Salve Regina,
Mater misericordiæ.
Vita, dulcedo, et spes nostra, salve.
Ad te clamamus exsules filii Hevæ.
Ad te Suspiramus,
gementes et flentes in hac lacrimarum valle.
Eia ergo, Advocata nostra,
illos tuos misericordes oculos ad nos converte.
Et Iesum, benedictum fructum ventris tui,
nobis post hoc exsilium ostende.
O clemens, O pia, O dulcis Virgo Maria.

V. Ora pro nobis, Sancta Dei Genitrix.
R. Ut digni efficiamur promissionibus Christi.


Immerse yourself in the timeless beauty of “Salve Regina”, one of the most beloved Marian Hymns of the Catholic Tradition.

This ancient Gregorian Chant, Traditionally sung in
Latin, is a Prayer of devotion to The Virgin Mary, 
seeking her intercession and comfort. 

“Salve Regina, mater misericordiæ . . .” — 
Hail, Holy Queen, Mother of Mercy.

Originating in the 11th-Century, this Sacred Piece has echoed through Centuries of Liturgy and Contemplation, offering solace and inspiration to the Faithful around the World.
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