Notre Dame de Rouen. The façade of the Gothic Church in France. Photographer: Hippo1947. Licence: SHUTTERSTOCK.

27 March, 2026

Elisabeth Schwarzkopf. Renée Fleming. Jessye Norman. They All Sing: Richard Strauss’ “Four Last Songs”. Utterly Unforgettable.



Richard Strauss (1864 - 1949).
Date: 1918.
Source/Photographer:
This File is made available under the
(Wikimedia Commons)


Text is from Wikipedia - the free encyclopædia,
unless stated otherwise.

Richard Georg Strauss (11 June 1864 – 8 September 1949) was a German Composer and Conductor known for his tone poems and operas

A leading figure of the Late-Romantic and Early-Modern era, and a successor to Richard Wagner and Franz Liszt,[1] he combined, along with his friend Gustav Mahler, subtleties of orchestration with an advanced harmonic style.

From May to September 1948, just before his death, Strauss composed “Four Last Songs”, which deal with the subject of dying. 


The last one, “Im Abendrot” (“At Sunset”), ends with the line “Is this perhaps death ?” 

The question is not answered in words, but, instead, Strauss quotes the “Transfiguration Theme” from his earlier Tone Poem “Death and Transfiguration”— meant to symbolise the Transfiguration and fulfilment of the Soul after death.

In June 1948, he was cleared of any wrong-doing by a “De-Nazification” Tribunal in Munich.[1] 

That same month, he orchestrated “Ruhe, meine Seele !” (“Peace, My Soul”), a song that he had originally composed in 1894.[1]

“Four Last Songs”.
Composer: Richard Strauss.
Sung By: Elisabeth Schwarzkopf.
Available On YouTube



“Four Last Songs”.
Composer: Richard Strauss.
Sung By: Renée Fleming.
Available On YouTube



“Four Last Songs”.
Composer: Richard Strauss.
Sung By: Jessye Norman.
Available On YouTube

Masses Are Live-Streamed From Sacred Heart Church, Limerick, Ireland. Every Day.



This Video shows the
2023 Novena to Saint Francis de Sales.
Day 9: Recapitulation.
Available on YouTube

To watch daily Masses from
The Sacred Heart Church,
Limerick, Ireland, visit

The Friday In Passion Week. The Feast Day Of Our Mother Of Sorrows.



Peterborough Cathedral.
© Chel@SweetbriarDreams
www.sweetbriardreams.blogspot.co.uk




Friday in Passion Week is the Feast Day of
The Seven Sorrows of The Blessed Virgin Mary.

Friday In Passion Week. The Seven Sorrows Of The Blessed Virgin Mary. White Vestments.



Peterborough Cathedral.
© Chel@SweetbriarDreams
www.sweetbriardreams.blogspot.co.uk



Text from The Saint Andrew Daily Missal for Friday in 
Passion Week, unless otherwise stated.

The Seven Sorrows of The Blessed Virgin Mary.

Friday in Passion Week.

Greater-Double.

White Vestments.


English: The Blessed Virgin Mary
surrounded by The Seven Sorrows.
Nederlands: Linkerluik van een diptiek
Onze-Lieve-Vrouw der Zeven Weeën door
Adriaen Isenbrant (1490-1551); KMSKB, Brussel.
Photo: June 2009.
Source: Own work.
Author: Georges Jansoone JoJan
-artwork by Adriaen Isenbrant.
(Wikimedia Commons)


The Christmas Cycle Celebrated the part taken by The Blessed Virgin in The Mystery of The Incarnation, glorifying both The Divinity of Jesus and The Divine Maternity of Mary.

The Easter Cycle tells us how The Mother of The Saviour co-operated in The Mystery of The Redemption. It shows her in this Season of The Passion at The Foot of The Cross, where Christ is dying (Introit, Sequence, Gospel). “An ineffable union is established between The Oblation of The Incarnate Word and that of Mary; The Divine Blood and The Tears of The Mother flow together and are mixed for the redemption of the human race.” [The quoted Text is taken from “The Liturgical Year” by Dom Guéranger: Friday in Passion Week.]

“The Prophecy of Simeon is fulfilled: A Sword of Grief pierces The Most Gentle Soul of The Glorious Virgin Mary (Collect), who, by her unequalled love, becomes The Queen of Martyrs” (Communion). [The quoted Text is taken from Saint Bernard of Clairvaux: Sixth Lesson at Matins.]


As Judith had delivered Israel by killing Holofernes (Epistle), The Virgin is our Deliverer, with Jesus. Wherefore, the Gospel shows us, at The Foot of The Tree of Passion, in a scene which recalls The Tree of Prevarication, The Maternity of Mary with regard to The Church personified by Saint John.

“Let us Venerate The Transfixion of The Glorious Virgin Mary at The Foot of The Cross, in order to gather the happy fruit of The Passion of her Son” (Collect).

Mass: Stabant juxta.
Commemoration: Of the Feria.
The rest of the Mass is identical with that of the other Feast 
of The Seven Sorrows of The Blessed Virgin Mary, on 
15 September, except the following:
Gradual: Dolorosa.
Tract: Stabat Sancta.
Sequence: After the Sequence, there is no Alleluia.
Preface: Of The Blessed Virgin Mary: “Et te in Transfixione”.
Last Gospel: The Gospel of the Feria.

Friday In Passion Week. The “Te Deum” Is Sung At Matins On The Feast Day Of The Seven Sorrows Of The Blessed Virgin Mary.



Peterborough Cathedral.
© Chel@SweetbriarDreams
www.sweetbriardreams.blogspot.co.uk




The Solemn “Te Deum” is sung
on all occasions of public Church rejoicing.
Available on YouTube


Text is taken from Wikipedia - the free encyclopædia,
unless otherwise stated.


When was the last time you heard the “Te Deum” sung in your Church ?

Why not ask your Parish Priest (Pastor) to arrange to have it sung in your Church ?


The “Te Deum” Stained-Glass Window, by 
Christopher Whall, Church of Saint Mary The Virgin,
Ware, Hertfordshire, England.
Author: Barking Tigs.
(Wikimedia Commons)




English: Saint Ambrose.
One of the Traditionally-ascribed authors
of the “Te Deum”, together with Saint Augustine.
Deutsch: hl. Ambrosius.
Artist: Francisco de Zurbarán (1598–1664).
Date: 1626-1627.
Current location:
Museo Provincial de Bellas Artes,
Seville, Spain.
Note: Deutsch: Urspr. für den Konvent San Pablo, Sevilla, Auftraggeber: Prior Diego de Bordas.
Source/Photographer:
The Yorck Project: 10.000 Meisterwerke der Malerei.
DVD-ROM, 2002. ISBN 3936122202.
Distributed by DIRECTMEDIA Publishing GmbH.
Permission: [1].
(Wikimedia Commons)




The “Te Deum” (also known as “The Ambrosian Hymn” or 
“A Song of The Church”) is an Early-Christian Hymn of Praise. The Title is taken from its opening Latin words, “Te Deum laudamus”, rendered as “Thee, O God, we Praise”.

The Hymn remains in regular use in the Catholic Church, in the Office of Readings (the Divine Office), found in the Liturgy of The Hours, and in thanksgiving to God for a special Blessing, such as the Election of a Pope, the Consecration of a Bishop, the Canonisation of a Saint, a Religious Profession, the publication of a Treaty of Peace, a Royal Coronation, etc. It is sung either after Mass or the Divine Office, or as a separate Religious Ceremony. The Hymn also remains in use in the Anglican Communion and some Lutheran Churches in similar settings.

In the Traditional Office, the “Te Deum” is sung at the end of Matins, on all days when the Gloria is said at Mass; those days are all Sundays, outside AdventSeptuagesimaLent, and Passiontide; on all Feasts (except the Triduum) and on all Ferias during Eastertide.



A Plenary Indulgence is granted, under the usual conditions, to those who recite it in public on New Year's Eve.

The “Te Deum” (see, below) is sung by the Benedictine Monks of the Abbey of Saint Maurice and Saint Maur, Clervaux. Luxembourg.

The “Te Deum” is attributed to two Fathers and Doctors of The Church, Saint Ambrose and Saint Augustine, and is one the most majestic Chants in the Liturgy of The Church. It is sung in Traditional Seminaries and Monastic Houses at the Divine Office and for Double Feasts of The First Class, The Nativity, Easter, Corpus Christi, Epiphany, Pentecost and those which have an Octave.


The Solemn “Te Deum” is sung
on all occasions of public Church rejoicing.
Available on YouTube


Authorship is traditionally ascribed to Saint Ambrose and Saint Augustine, on the occasion of the latter's Baptism by the former in 387 A.D. It has also been ascribed to Saint Hilary, but Catholic-Forum.com says “it is now accredited to Nicetas, Bishop of Remesiana (4th-Century A.D.)”.

The Petitions at the end of the Hymn (beginning “Salvum fac populum tuum”) are a selection of Verses from The Book of Psalms, appended subsequently to the original Hymn.

The Hymn follows the outline of the Apostles' Creed, mixing a poetic vision of the Heavenly Liturgy with its declaration of Faith. Calling on the Name of God, immediately, the Hymn proceeds to name all those who Praise and Venerate God; from the hierarchy of Heavenly Creatures, to those Christian Faithful already in Heaven, to The Church spread throughout the World.

The Hymn then returns to its Credal formula, naming Christ and recalling His Birth, Suffering and Death, His Resurrection and Glorification. At this point, the Hymn turns to the subjects declaiming the Praise, both The Universal Church and the singer, in particular, asking for Mercy on past sins, protection from future sin, and the hoped-for re-unification with The Elect.


Te Deum Laudamus:
te Dominum confitemur.
Te æternum Patrem
omnis terra veneratur.

Tibi omnes Angeli;
tibi cæli et universæ Potestates;
Tibi Cherubim et Seraphim
incessabili voce proclamant:

Sanctus, Sanctus, Sanctus,
Dominus Deus Sabaoth.
Pleni sunt cæli et terra
maiestatis gloriæ tuæ.



Te gloriosus Apostolorum chorus,
Te Prophetarum laudabilis numerus,
Te Martyrum candidatus laudat exercitus.
Te per orbem terrarum
sancta confitetur Ecclesia,

Patrem immensæ maiestatis:
Venerandum tuum verum et unicum Filium;
Sanctum quoque Paraclitum Spiritum.
Tu Rex gloriæ, Christe.

Tu Patris sempiternus es Filius.
Tu ad liberandum suscepturus hominem,
non horruisti Virginis uterum.
Tu, devicto mortis aculeo,
aperuisti credentibus regna cælorum.



Tu ad dexteram Dei sedes, in gloria Patris.
Iudex crederis esse venturus.
Te ergo quæsumus, tuis famulis subveni:
quos pretioso sanguine redemisti.
Aeterna fac cum sanctis tuis in gloria numerari.

[added later, mainly from Psalm Verses:]

Salvum fac populum tuum,
Domine, et benedic hereditati tuæ.
Et rege eos, et extolle illos usque in æternum.
Per singulos dies benedicimus te;

Et laudamus Nomen tuum in sæculum,
et in sæculum sæculi.
Dignare, Domine, die isto sine peccato nos custodire.
Miserere nostri Domine, miserere nostri.
Fiat misericordia tua,

Domine, super nos,
quemadmodum speravimus in te.
In te, Domine, speravi:
non confundar in æternum.



Translation from The Book of Common Prayer.

We Praise Thee, O God:
We acknowledge Thee to be The Lord.
All the Earth doth Worship Thee:
The Father Everlasting.

To Thee all Angels cry aloud:
The Heavens, and all The Powers, therein.
To Thee Cherubim and Seraphim
Continually do cry:
Holy, Holy, Holy: Lord God of Sabaoth;
Heaven and Earth are full of The Majesty
Of Thy Glory.



The glorious company of The Apostles Praise Thee.
The goodly fellowship of The Prophets Praise Thee.
The noble Army of Martyrs Praise Thee.
The Holy Church throughout all the World
Doth acknowledge Thee.

The Father Of an Infinite Majesty;
Thine Honourable, True, And Only Son;
Also, The Holy Ghost, The Comforter.
Thou art The King of Glory, O, Christ.

Thou art The Everlasting Son of The Father.
When Thou tookest upon Thee to deliver man:
Thou didst not abhor The Virgin's Womb.
When Thou hadst overcome the sharpness of death:
Thou didst open The Kingdom of Heaven to all believers.



Thou sittest at The Right Hand of God:
In The Glory of The Father.
We believe that Thou shalt come: To be our Judge.
We therefore Pray Thee, help Thy servants:
whom Thou hast Redeemed with Thy Precious Blood.
Make them to be numbered with Thy Saints:
In Glory Everlasting.

[These two verses were added later,
mainly from Psalm verses:]

O Lord, save Thy people:
and Bless Thine heritage.
Govern them: And lift them up for ever.
Day by day: We magnify Thee;
And we worship Thy Name: Ever World Without End.

Vouchsafe, O Lord: To keep us this day without sin.
O Lord, have mercy upon us: Have mercy upon us.
O Lord, let Thy mercy lighten upon us:
As our trust is in Thee.
O Lord, in Thee have I trusted:
Let me never be confounded.

The Ferial Mass Of The Friday In Passion Week. Lenten Station At Saint Stephen-In-The-Round. On Mount Cœlius. Violet Vestments.



Peterborough Cathedral.
© Chel@SweetbriarDreams
www.sweetbriardreams.blogspot.co.uk


Text from The Saint Andrew Daily Missal,
unless stated otherwise.

Ferial Mass of the Friday in Passion Week.

Station at Saint Stephen’s on Mount Cœlius.

Indulgence of 10 Years and 10 Quarantines.

Violet Vestments.


English: Basilica of Saint Stephen-in-the-Round, 
on Mount Cœlius, Rome.
Date: Circa 1880.
Source: Scanning of reproduction.
(Wikimedia Commons)



The Station is at the Church of Saint Stephen on Mount Coelius, called Saint Stephen-the-Round, on account of its circular form. It was Dedicated in the 5th-Century A.D. to The First of The Martyrs, whose Relics had been brought to Rome.

This Saint was The First Martyr, or Witness, of Christ. Whilst dying, he beheld The Saviour at The Right-Hand of The Father in Heaven. Thus, it was fitting to assemble in this Basilica at this Holy Time, Consecrated to the Memory of The Saviour’s Passion, which prepares us to Celebrate His Triumph at Easter.


English: Basilica of Saint Stephen-in-the-Round, 
on Mount Cœlius. Santo Stefano Rotondo is the most 
ancient example of a centrally-planned Church in Rome.
Photo: January 2006.
Source: Own work.
Author: Lalupa
(Wikimedia Commons)




The Gospel of today mentions The Sitting of The Sanhedrin, at which The Death of Jesus was irrevocably decreed by the Jewish priests. [Jesus having raised Lazarus from the dead, at the time that the Pilgrims were preparing to come in multitudes to Jerusalem for The Feast of The Passover, the Jewish authorities of The Sanhedrin assembled on The Mount of Evil Counsel, and, under pretext that the Romans, who had conquered Judea, would take umbrage at the influence of Christ and use repressive measures against the Jewish people, the High Priest declares that Jesus must die.]


English: Basilica of Saint Stephen-in-the-Round,
Mount Cœlius, Rome.
Italiano: Roma, Santo Stefano Rotondo al Celio.
Photo: June 2008.
Source: Own work.
Author: Lalupa
(Wikimedia Commons)



The Miracle of the resurrection of Lazarus they say, will excite such popular enthusiasm during the Paschal festivities, when crowds fill Jerusalem, that the Romans, uneasy for their authority, will destroy our City and Nation. It is therefore better, concludes Caiphas, that one man should disappear and that the Nation should be saved.

Jeremias, in the Epistle, and the Psalmist, in the Introit, the Gradual, the Offertory and the Communion, express the sorrows and anguish of Jesus, Who feels Himself surrounded by such treacherous and relentless enemies.

Let us participate in The Feelings of Christ, Who will soon atone for our sins by The Sufferings of His Passion. And may The Fear of Eternal Punishment make us accept the troubles of this life and the holy austerities of Lent (Collect).

Mass: Miserére mihi.
Preface: Of The Holy Cross.



Coat-of-Arms of Hungary.
English: Blazon: “Per Pale, the first Barry of eight 
Gules and Argent, the second Gules, on a Mount Vert, a Crown Or, issuant therefrom a Double Cross Argent. 
In Crest: The Holy Crown of Hungary.”
Magyar: CímerMagyarországCímerleírás A Magyar Köztársaság címere hegyes talpú, hasított pajzs. Első mezeje vörössel és ezüsttel hétszer vágott. Második, vörös mezejében zöld hármas halomnak arany koronás kiemelkedő középső részén ezüst kettős kereszt. A pajzson a magyar Szent Korona nyugszik. Hivatkozási A Magyar Köztársaság Alkotmánya - XIV. fejezet - A Magyar Köztársaság fővárosa 
Date: January 2009.
Author: Thommy
(Wikimedia Commons)





English: Cardinal Mindszenty was a Cardinal Priest
of the Titulus S. Stephani-in-Cœlio-Monte.
Magyar: Mindszenty József szobor (szobrász: Domonkos Béla, 2009). Állíttatta a „Hittel a nemzetért” alapítvány 2009-ben, október 26-án 220 centiméter magas bronzszobor, amely egy 80 centiméteres süttői mészkő alapon áll.
A szobor áldást emelő kézzel ábrázolja Mindszenty Józsefet. Mindszenty József szobor (szobrász: Domonkos Béla, 2009).
Photo: 8 November 2009 (original upload date).
Source: Transferred from hu.wikipedia; transferred to Commons by User: Csanády using CommonsHelper
Author: Original uploader was Misibacsi at hu.wikipedia
(Wikimedia Commons)

The Venerable József Mindszenty (29 March 1892 – 6 May 1975) was a Cardinal and the Head of the Roman Catholic Church in Hungary, as the Archbishop of Esztergom

He became known as a steadfast supporter of Church 
freedom and opponent of Communism and the brutal 
Stalinist persecution in his Country.

As a result, he was tortured and given a life sentence in a 1949 Show Trial that generated Worldwide condemnation, including a United Nations Resolution. Freed in the Hungarian Revolution of 1956, he was granted political asylum and lived in the U.S. Embassy in Budapest for fifteen years. He was finally allowed to leave the Country in 1971. He died in exile in 1975 in Vienna, Austria.


Basilica of San Stefano Rotondo.
Photo: March 2003.
Author: seier+seier
(Wikimedia Commons)




The following Text is from Wikipedia - the free encyclopædia.

The Basilica of Saint Stephen-in-the-Round on Mount Cœlius (Italian: Basilica di Santo Stefano al Monte Celio), (Latin: Basilica San Stephani in Cœlio Monte) is an ancient Basilica and Titular Church in Rome

Commonly named Santo Stefano Rotondo, the Church is the National Church in Rome of Hungary, dedicated to Saint Stephen and, also, Saint Stephen of Hungary

The Minor Basilica is also the Rectory Church of the Pontifical Collegium Germanicum et Hungaricum.

The earliest Church was Consecrated by Pope Simplicius between 468 A.D. and 483 A.D. It was dedicated to the Proto-Martyr, Saint Stephen, whose body had been discovered a few decades before in the Holy Land, and brought to Rome. 

The Church was the first in Rome to have a Circular Plan, inspired by the Church of The Holy Sepulchre in Jerusalem.


Illustration of Pope Saint John I, (523 A.D. - 526 A.D.), who embellished the Basilica di Santo Stefano-al-Monte-Celio.
He is the first Pope known to have visited Constantinople, while in Office.
Author: Artaud de Montor, Alexis François.
(Wikimedia Commons)



Santo Stefano was probably financed by the wealthy Valerius Family, whose estates covered large parts of the Cælian Hill. Their villa stood nearby, on the site of the present-day Hospital of San Giovanni - Addolorata. 

Saint Melania the Elder, a member of the family, was a frequent Pilgrim to Jerusalem and died there, so the family had connections to the Holy Land.

Originally, the Church had three concentric Ambulatories, flanked by twenty-two Ionic Columns, surrounding the central circular space, surmounted by a Tambour (22 metres high and 22 metres wide). 

There were twenty-two windows in the Tambour, but most of them were walled up in the 15th-Century restoration. The outermost corridor was later demolished.

The Church was embellished by Pope John I and Pope Felix IV in the 6th-Century A.D. 

In 1130, Pope Innocent II had three Transversal Arches added to support the Dome.


English: Pope Nicholas V, who Reigned from 6 March 1447 until his death in 1455. Born Tommaso Parentucelli, Nicholas was made a Cardinal for his diplomatic efforts by Pope Eugene IV. In 1454, Pope Nicholas V entrusted the ruined Church to the Pauline Fathers, the only Catholic Order Founded by
 Hungarians. This is why Santo Stefano Rotondo became the unofficial Church of Hungarians in Rome.
Nederlands: Paus Nicolas V.
Date of painting: 1612 - 1616.
Author: Peter Paul Rubens (1577–1640).
(Wikimedia Commons)





English: The Flag of Hungary, with the Coat-of-Arms, is used on Solemn occasions. In 1454, Pope Nicholas V entrusted the ruined Church of Santo Stefano Rotondo to the Pauline Fathers, the only Catholic Order Founded by HungariansThis is the reason why Santo Stefano Rotondo became the unofficial Church of Hungarians in Rome.
Magyar: Magyarország ünnepi zászlója (magyar zászló).
Esperanto: maloficiala solena flago de Hungario kun blazono.
Date: 5 July 2009.
Source: User:Thommy9’s Works.
Author: User:Orion 8
(Wikimedia Commons)



In the Middle Ages, Santo Stefano Rotondo was in the charge of the Canons of San Giovanni-in-Laterano, but, as time went on, it fell into disrepair. 

In the middle of the 15th-Century, Flavio Biondo praised the Marble Columns, Marble-covered-walls and Cosmatesque works-of-art of the Church, but he added that: “Unfortunately, nowadays, Santo Stefano Rotondo has no roof”.

Blondus claimed that the Church was built on the remains of an ancient Temple of Faunus

Excavations in 1969 to 1975 revealed that the building was never converted from a pagan temple, but was always a Church, erected under Emperor Constantine I in the first half of the 4th-Century A.D.


A model of a Renaissance Church
inside San Stefano Rotondo.
Photo: March 2003.
Author: seier+seier
(Wikimedia Commons)




In 1454, Pope Nicholas V entrusted the ruined Church to the Pauline Fathers, the only Catholic Order Founded by Hungarians. This is the reason why Santo Stefano Rotondo later became the unofficial Church of the Hungarians in Rome. The Church was restored by Bernardo Rossellino, it is presumed under the guidance of Leon Battista Alberti.

In 1579, the Hungarian Jesuits followed the Pauline Fathers. The Collegium Hungaricum, established here by István Arator that year, was soon merged with the Collegium Germanicum in 1580, which became the Collegium Germanicum et Hungaricum, because very few Hungarian students were able to travel to Rome from the Turkish-occupied Kingdom of Hungary.



English: Coat-of-Arms of Pope Nicholas V.
Français: Armoiries du pape Nicolas V:
De gueules à la clef d'argent posée en bande et à la clef d'or posée en barre toutes deux liées d'un cordon d'azur.
Source du blasonnement:
Date: August 2008.
Source: Own work.
Author: Odejea
(Wikimedia Commons)



The Cardinal Priest of the Titulus S. Stephani in Cœlio Monte has been Friedrich Wetter since 1985. His predecessor, József Mindszenty, was famous as the Persecuted Catholic leader of Hungary under the Communist dictatorship. Although the Interior of the Church is circular, the Exterior is cruciform.

The walls of the Church are decorated with numerous frescoes, including those of Niccolò Circignani (Niccolò Pomarancio) and Antonio Tempesta, portraying thirty-four scenes of Martyrdom, commissioned by Pope Gregory XIII in the 16th-Century. Each painting has a Titulus, or inscription, explaining the scene and giving the name of the Emperor who ordered the execution, as well as a quotation from The Bible. The paintings' naturalistic depictions of torture and execution are somewhat morbid.


English: Cardinal Friedrich Wetter,
Cardinal-Priest of the Titulus S. Stephani-in-Cœlio-Monte 
(as at 4 March 2025).
Deutsch: Kardinal Friedrich Wetter bei der Verleihung 
des Martinsmantels (Sankt Michaelsbund) in der Karmelitenkirche München.
Photo: November 2008.
Source: Transferred from de.wikipedia; transferred to Commons by User:Kurpfalzbilder.de using CommonsHelper.
(Original text : selbst fotographiert).
Author: Papiermond.
Orignal uploader was Papiermond at de.wikipedia
(Wikimedia Commons)




The Altar was made by the Florentine artist, Bernardo Rossellino, in the 15th-Century. The painting in the Apse shows Christ between two Martyrs. 

The mosaic/marble decoration is from 523 A.D. - 530 A.D. One mosaic shows the Martyrs, Saint Primus and Saint Felicianus, flanking a Crux Gemmata (Jewelled Cross).

There is a Tablet, recording the burial here, of the Irish King, Donough O'Brien, of Cashel and Thomond, who died in Rome in 1064. 

An ancient Chair of Pope Gregory The Great, from around 
580 A.D., is also preserved here.

The Chapel of Saints Primo e Feliciano has very interesting and rare mosaics from the 7th-Century A.D. The Chapel was built by Pope Theodore I, who brought the Relics of the Martyrs here and buried them (together with the remains of his father).




Our Lady Of The Atonement Cathedral,
Baguio, Philippines.
Photo: 29 March 2024.
Source: Own work.
This File is made available under the
Author: Galaxiaria
(Wikimedia Commons)



Wells Cathedral.
Photo: August 2006.
Source: Own work.
This File is licensed under the
Author: Steinsky
(Wikimedia Commons)
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