Notre Dame de Rouen. The façade of the Gothic Church in France. Photographer: Hippo1947. Licence: SHUTTERSTOCK.
Showing posts with label The Blessed Virgin Mary. Show all posts
Showing posts with label The Blessed Virgin Mary. Show all posts

Friday 17 May 2013

The Blessed Virgin Mary (Part Two).


Text and Illustrations from Wikipedia - the free encyclopaedia,
unless otherwise stated.




English: The Virgin, The Infant Jesus and Saint John The Baptist.
Francais: La Vierge, L'Enfant Jésus et Saint Jean-Baptiste.
Date: 1875.
Artist: William-Adolphe Bouguereau (1825–1905).
Source: William Bouguereau, Originally from en.wikipedia.
(Wikimedia Commons)


The development of this approach continued into the 20th-Century, e.g., in his 1946 publication, Compendium Mariologiae, the respected Mariologist, Gabriel Roschini, explained that Mary not only participated in the birth of the physical Jesus, but, with conception, she entered with Him into a Spiritual Union. The Divine Salvation Plan, being not only material, includes a permanent Spiritual Unity with Christ. Cardinal Joseph Ratzinger (later Pope Benedict XVI) wrote: It is necessary to go back to Mary, if we want to return to that "Truth about Jesus Christ," "Truth about the Church" and "Truth about man", when he suggested a redirection of the whole Church towards the Programme of Pope John Paul II, in order to ensure an authentic approach to Christology, via a return to the "whole Truth about Mary".

From Veneration to Theology.

Marian venerative practices pre-dated both the Liturgical developments and theological definitions relating to the Virgin Mary. While the venerative practices date back to the 2nd-Century, the first theological definitions started only in the 5th-Century. Thereafter, venerative and devotional practices have often preceded formal theological declarations by the Magisterium.

The veneration of the Blessed Virgin takes place in various ways. Marian Prayers and Hymns usually begin with a praise of her, followed by petitions. The number of Marian Titles continued to grow, as of the 3rd-Century, and many Titles existed by the 5th-Century, growing especially during the Middle Ages.


File:Jacinta-marto-fatima-portugal-1917.jpg


Jacinta Marto, to whom Our Lady of the Rosary appeared in 1917.
Shortly before her death, at age 9, Blessed Jacinta Marto of Fátima asked 
that everyone consecrate themselves to the Immaculate Heart of Mary.
Photo: 1917.
Author: Unknown.
(Wikimedia Commons)


File:Virgen de Fátima.JPG


Our Lady of Fátima, as described and personally approved by Sister Lúcia
one of the three children to whom Our Lady of Fatima 
(Our Lady of the Rosary) appeared in 1917 in Fatima, Portugal.
Photo: 15 April 2004.
Photographer: © Manuel González Olaechea y Franco.
(Wikimedia Commons)


Early Veneration in Rome.

Early veneration of the Blessed Virgin is documented in Roman Catacombs, underground cemeteries, where Christians hid in times of persecution. In the Catacombs, paintings show the Blessed Virgin holding the Christ Child. More unusual, and indicating the burial ground of Saint Peter, excavations in the Crypt of Saint Peter's Basilica discovered a very early fresco of Mary together with Saint Peter.

The Roman Priscilla Catacombs depict the oldest Marian paintings, from the middle of the 2nd-Century. Mary is shown with Jesus on her lap, a standing man with tunic (left hand), a book (right hand), a star over His head (symbol of Messiahs). Priscilla also has a depiction of the Annunciation.

After the Edict of Milan, in 313 A.D., Christians were permitted to worship openly. The veneration of Mary became public, as well. In the following decades, Cathedrals and Churches were built for public worship. The first Marian Churches in Rome date from the 5th- and 6th-Centuries; Santa Maria in TrastevereSanta Maria Antiqua and Santa Maria Maggiore. However, the very earliest Church, dedicated to the Virgin Mary, dates to the Late-4th-Century, in Syria, where an inscription, dedicating it to the Theotokoswas found among the ruins.


PART THREE FOLLOWS.


Wednesday 15 May 2013

The Blessed Virgin Mary (Part One).


Text and Illustrations from Wikipedia - the free encyclopaedia,
unless otherwise stated.




The Virgin at Prayer.
Artist: Giovanni Battista Salvi da Sassoferrato (1609–1685).
Description: Giovanni Battista Salvi "Il Sassoferrato", Jungfrun i bön (1640-1650).
Date: Between 1640 and 1650.
Current location: National Gallery, London.
(Wikimedia Commons)


Roman Catholic veneration of the Blessed Virgin Mary (the Mother of Jesus) is based on Dogma, as well as Scripture. The Incarnation of the Son of God, through Mary, thus signifies her honour as Mother of God. From the Council of Ephesus in 431 A.D., which Dogmatised this belief, to the Second Vatican Council and Pope John Paul II's Encyclical, Redemptoris Mater, the Virgin Mary has come to be seen and venerated,  not only as the Mother of God, but also as the Mother of the Church.

As the Mother of Jesus, Mary has a central role in the Roman Catholic Church. The Church's veneration of her, as the Blessed Virgin Mary, has grown over time, both in importance and manifestation, not only in Prayer but in art, poetry and music. Popes have encouraged this veneration, but, from time to time, have also taken steps to reform it. Overall, there are significantly more Titles, Feasts and venerative Marian practices,  among Roman Catholics, than any other Christian tradition. Pope Benedict XVI maintains that the Virgin Mary possesses Divine Motherhood, which she continues to bestow, as intercessory "Graces, associated with God's Blessing."

The key role of the Virgin Mary in Roman Catholic beliefs, her veneration, and the growth of Roman Catholic Mariology, have not only come about by official statements made in Rome, but have often been driven from the ground up, by the Marian writings of the Saints, and from the masses of believers, and at times via reported Marian apparitions to young and simple children on remote hilltops. The Holy See continues to approve of Marian apparitions on remote mountains, the latest approval being as recent as May 2008. Some apparitions, such as Fatima, have given rise to Marian Movements and Societies with millions of members, and many other Marian societies exist around the world.


File:Raphael - Madonna dell Granduca.jpg


Granduca Madonna.
Artist: Raphael (1483–1520).
Date: 1505.
Current location: Institution:Galleria Palatina, Florence, Italy.
Source/Photographer: [1].
(Wikimedia Commons)


Theological Basis for the Veneration of Mary.

The Catholic veneration of Mary is based on two aspects: The workings of God, who made a virgin the Mother of God, and the Biblical view of Mary as the selected Maiden of the Lord, who is greeted and praised by both Elisabeth and the Angel Gabriel. God's work is further illuminated in the Marian Dogmas of the Roman Catholic Church, such as the Immaculate Conception and the Assumption, the factual basis of both taking place in Apostolic time and are, in the Roman Catholic view, part of the Apostolic tradition and Divine Revelation.

Mysteries of Christ and Mary.

In Roman Catholic teachings, the veneration of Mary is a logical and necessary consequence of Christology: Jesus and Mary are Son and Mother, Redeemer and Redeemed. This sentiment echoed loudly through Saint Peter's Basilica in Rome on 25 March, 1987, as Pope John Paul II delivered his Encyclical Redemptoris Mater and said: At the centre of this Mystery, in the midst of this wonderment of Faith, stands Mary. As the loving Mother of the Redeemer, she was the first to experience it:  "To the wonderment of nature, you bore your Creator" !

In the Roman Catholic tradition, Mariology is Christology developed to its full potential. Mary and her Son,  Jesus, are very close, but not identical, in Catholic theology. Mary contributes to a fuller understanding of her Son, who Christ is, and what He did. A Christology without Mary is erroneous in the Roman Catholic view, because it is not based on the total revelation of the Bible. Traces of this parallel interpretation go back to the early days of Christianity and numerous Saints have since focused on it.


PART TWO FOLLOWS.


Saturday 15 September 2012

Stabat Mater


The Stabat Mater (the Mother stood) is the Sequence 
for today's Mass (15 September) of the Seven Sorrows of the Blessed Virgin Mary.







Stabat Mater dolorosa,
Juxta crucem lacrimosa,
Dum pendebat Filius.

At the Cross, her station keeping,
Stood the mournful Mother weeping,
Close to Jesus to the last.

Cujus animam gementem,
Contristatam et dolentem,
Pertransivit gladius.

Through her heart, His sorrow sharing,
All His bitter anguish bearing,
Now at length the sword had passed.

O quam tristis et afflicta,
Fuit illa benedicta,
Mater Unigeniti !

Oh, how sad and sore distress'd,
Was that Mother, highly blest
Of the sole-begotten One !

Quae maerebat, et dolebat,
Pia Mater dum videbat
Nati poenas inclyti.

Christ above in torment hangs;
She beneath beholds the pangs
Of her dying glorious Son.






Quis est homo, qui non fleret,
Matrem Christi si videret
In tanto supplicio ?

Is there one who would not weep
Whelm'd in miseries so deep
Christ's dear Mother to behold ?

Quis non posset contristari,
Christi Matrem contemplari
Dolentem cum Filio ?

Can the human heart refrain
From partaking in her pain,
In that Mother's pain untold ?

Pro peccatis suae gentis
Vidit Jesum in tormentis
Et flagellis subditum.

Bruis'd, derided, curs'd, defil'd,
She beheld her tender child:
All with bloody scourges rent.

Vidit suum dulcem natum
Moriendo desolatum,
Dum emisit spiritum.

For the sins of His own nation,
Saw Him hang in desolation,
'Til His spirit forth He sent.






Eia Mater, fons amoris,
Me sentire vim doloris
Fac, ut tecum lugeam.

O thou Mother, fount of love !
Touch my spirit from above;
Make my heart with thine accord.

Fac ut ardeat cor meum
In amando Christum Deum,
Ut sibi complaceam.

Make me feel as thou hast felt;
Make my soul to glow and melt
With the love of Christ Our Lord.

Sancta Mater, istud agas,
Crucifixi fige plagas
Cordi meo valide.

Holy Mother ! Pierce me through;
In my heart each wound renew
Of my Saviour crucified.

Tui nati vulnerati,
Tam dignati pro me pati,
Poenas mecum divide.

Let me share with thee His pain,
Who for all my sins was slain,
Who for me in torments died.






Fac me tecum pie flere,
Crucifixo condolere,
Donec ego vixero.

Let me mingle tears with thee,
Mourning Him who mourn'd for me,
All the days that I may live.

Juxta crucem tecum stare,
Et me tibi sociare
In planctu desidero.

By the Cross with thee to stay,
There with thee to weep and pray,
Is all I ask of thee to give.

Virgo virginum praeclara,
Mihi jam non sis amara:
Fac me tecum plangere.

Virgin of all virgins best,
Listen to my fond request:
Let me share thy grief divine.

Fac ut portem Christi mortem,
Passionis fac consortem,
Et plagas recolere.

Let me, to my latest breath,
In my body bear the death
Of that dying Son of thine.







Fac me plagis vulnerati
Fac me cruce inebriari,
Et cruore Filii.

Wounded with his every wound,
Steep my soul 'til it hath swoon'd
In His very blood away.

Flammis ne urar succensus,
Per te, Virgo, sim defensus,
In die judicii.

Be to me, O Virgin, nigh,
Lest in flames I burn and die,
In His awful Judgment Day.

Christe, cum sit hinc exire,
Da per Matrem me venire
Ad palmam victoriae.

Christ, when Thou shalt call me hence,
Be Thy Mother my defence,
Be Thy Cross my victory.

Quando corpus morietur,
Fac ut animae donetur
Paradisi gloria.

Amen. Alleluia.

While my body here decays,
May my Soul Thy goodness praise,
Safe in Paradise with Thee.

Amen. Alleluia.

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