Notre Dame de Rouen. The façade of the Gothic Church in France. Photographer: Hippo1947. Licence: SHUTTERSTOCK.

Saturday 26 October 2019

Two Ordo Or Not Two Ordo ? That Is The Question. Whether ’Tis Nobler In The Mind To Suffer The Slings And Arrows Of Outrageous “Missalettes” !!!


         

Illustration is of the 2016 Edition of The ORDO.

Available soon !!!

The ORDO 2020
for The Extraordinary Form of The Mass.

ORDO 2020 will be available for despatch very soon.

Please watch this space on THE SAINT LAWRENCE PRESS LTD

A new Cart for ORDO 2020 will be set up when it is available.
It would be much appreciated if people did not order the 2019 Edition, hoping to get 2020. 

It is gratifying and pleasing to see so many enquiries already about the 2020 Edition.
ORDO 2019 sold very well, with many new customers from around the World, as a new
generation starts to understand the richness of The Roman Liturgy and to follow
the Praxis of previous generations, now gone to The LORD.

November is, of course, a most suitable time to remember them.


Illustration is of the 2016 Edition of The ORDO.

In addition, Fr Hunwicke comments on HIS ORDO (see, below),
for The Ordinary Form of The Mass,

"For those who are Ordinary Form chaps and chappesses,
but would enjoy something which somewhat elevates bog-standard Bugnini,
I commend The ORDO which I still compile.

“Order for The Eucharist and for Morning and Evening Prayer
in The Church of England 2020.
It gives full information, both for The Novus Ordo Roman Rite
(Third Typical Edition of The Roman Missal)
and for The Church of England (Common Worship).
Tufton Books. (By the way, it starts with Advent.)"

Please NOTE: The above text for Fr. Hunwicke is taken from 2015.
No doubt, Fr Hunwicke's 2020 ORDO will be available soon.
Please keep an eye on his Blog


Illustration is of the 2016 Edition of The ORDO.

For those who are Ordinary Form chaps and chappesses,
but would enjoy something which somewhat elevates bog-standard Bugnini,
Fr. Hunwicke commends this ORDO.
Please NOTE: The 2020 Edition will be available very soon.
Illustration: TUFTON BOOKS


Two Ordo, or not Two Ordo: That is the question.
Whether ’tis nobler in the mind to suffer
The slings and arrows of outrageous “Missalettes”,
Or, to give arms against a sea of troubles,
And, by opposing, end them. To know what Feast it is.
And have a damn good read.

Shakespeare.
Hamlet.
(With Apologies)

Reclaim Halloween From The Secular Abuses Used Nowadays. Herewith, All Hallows' Eve In The Traditional Pre-1955 Liturgy.



A Jack o' Lantern made for the Holywell Manor Halloween celebrations.
Photo: 31 October 2003.
Source: Own work.
Illustration: Toby Ord
(Wikipedia)


“Halloween has always belonged properly to The Church, and, as such, it should be made a key strategic objective in a cultural “Reconquista”.”


This Article is taken from LITURGICAL ARTS JOURNAL


Halloween is a Liturgical holiday. Anyone would be forgiven for not knowing that, because almost nobody keeps it that way anymore—to such a degree that some Catholics are of the opinion that we should wash our hands of the whole business. But Halloween has always belonged properly to The Church, and, as such, it should be made a key strategic objective in a cultural “Reconquista”.

To help illustrate why, I’d like to walk through the day of 31 October, not as the World celebrates it, now, but as The Latin Church Celebrated it for Centuries, listed in The Martyrology as “Vigilia Omnium Sanctorum”.



The Morning Offices.

31 October would Traditionally have begun with The Office of Matins before Sun-Rise. Traditionally, Week-Days in October Matins featured Readings from The Book of Maccabees. But, on 31 October, the Readings switch to Luke 6 and Ambrose’s Homily (Sermon) on The Beatitudes.

These Lessons, appointed for Halloween, come from The Common Of Many Martyrs, and we will see this theme of The Beatitudes re-appear, not only later in The Vigil Day, but also in The Feast of All Saints, to follow.


from the translation of The Roman Breviary by John, The Marquess of Bute, 1890.

The other unique element of The Office for Halloween is The Collect, taken from The Mass, and referring to the joy of all The Saints and the “Glorious and Solemn Commemoration” of the next day. We will return to this Collect, later, but suffice it to say that we can already see, even before the Sun rises on 31 October, and really back to The Martyrology entry read at Prime on 30 October, that The Sacred Liturgy had set this day aside as something special.



The Mass.

As a Vigil, The Mass of Halloween saw the Altar and Priest Vested in Penitential Violet. It had its own dedicated set of Propers and Readings. Overall, they anticipate the joy of the subsequent Feast [Editor: All Saints], though often with a slightly different twist.

The beginning of the Halloween Introit, “Judicant sancti gentes, et dominantur populis” (The Saints judge Nations, and rule over people), strikes a more stern, Last-Judgement, tone than the purely jubilant All Saints Introit “Gaudeamus omnes in Domino” (Let us rejoice in The Lord), even though they both end on the same Psalm: “Exsultate, justi, in Domino” (Rejoice in The Lord, ye Just).




Beginning of The Mass of The Vigil, from The New Roman Missal of Fr. Lasance (1938).



In the Halloween Gradual and Offertory, note the grammatical tense in “exsultabunt and laetabuntur”: “The Saints shall rejoice in glory, they shall be joyful in their beds”. The future tense, here, seems to pull double duty, not only helping to point forward to the next day’s Feast (Editor: All Saints], but also inviting a comparison between what the Canonised Saints enjoy now and what the Christian Faithful and the Souls in Purgatory will one day attain.

The Halloween Mass marks the dramatic appearance of The Apocalypse (Revelations) in The Liturgical Readings. Instead of a Pauline Epistle, we are suddenly confronted with Saint John’s spectacular and cryptic imagery: A Lamb with seven Horns and seven Eyes, Harps and Choirs, Angels circling the Throne. It is a startling vision—and it will continue to unfold through the rest of Hallowtide.

But only here, in The Vigil, do we see the Doctrine of Intercessory Prayer take such picturesque form as the “Golden Vials, full of odours, which are the Prayers of The Saints.” The Lesson also presents us with a first taste of universality, or Catholicity, of The Saints—Christ has “redeemed us to God, in Thy blood, out of every tribe, and tongue, and people, and Nation,” a theme we will come back to at Vespers.


The Gospel of The Day, as at Matins, is drawn from Christ’s Sermon on The Plain, in Luke 6. It, therefore, nicely parallels the Gospel of All Saints’ Day, which presents The Sermon on The Mount from Matthew 5.

Both Texts give us The Beatitudes and point us toward The Path to Sainthood. But, intriguingly, Luke’s Sermon on The Plain also features an Exorcism: “And they that were troubled with unclean spirits were cured.” It is not a major theme of The Halloween Mass, to be sure, but its presence here is a well-timed reminder of our enemies in The Spiritual Battle—then, as now.

Another subtle hint can be found in The Communion Verse “Justorum animæ”, which reminds us that “the torment of malice” shall not touch The Just.



“Black Vespers”.

This strangely-named Office is really The Vespers of The Dead—“Black”, here, referring to the colour of The Vestments. These Vespers are not actually found on Halloween Day in any of The Church’s official Liturgical Books.

Their true Liturgical place is after Second Vespers of All Saints on 1 November. But I have included this Office, here, since there was a Breton Tradition of saying it on the afternoon of Vigil—apparently Devotionally (for historical references, see HERE and HERE). It may well have flourished in other places, as well, since Brittany was said to be particularly conservative in its retention of old Mediæval customs.


“Black Vespers” begins with the Antiphon “I will walk before The Lord in The Land of The Living”—and perhaps here we can see the origin of the idea that, on Halloween, The Departed Souls returned to Earth. Neo-pagans have made much of this Folk Belief, often claiming it to be a lingering vestige of the “old ways”—on slender evidence and over-optimistic assumptions of pagan survival. This Antiphon seems to offer a much more plausible source, and a better explanation, for the presence of this belief in disparate Countries.

In places where it was said, “Black Vespers” infused Halloween with the solemn spirit of All Souls’ Day—and reminded Catholics, looking toward Heaven, of their dear Departed still suffering in Purgatory. We can very much use this reminder, today, particularly as Catholic funerals have too often become deformed into pseudo-canonisations, with the Deceased rashly, and improperly, assumed to be enjoying Heaven, with no need of our Prayers.



First Vespers of All Saints.

Finally, we come to the actual appointed Vespers for 31 October: The First Vespers of All Saints’ Day. In the dimming light of Sunset, The Church officially begins its Celebration of that great Feast, having put aside the Penitential Violet Vestments and the Mournful Black Vestments, and Vesting in the exultant glory of White and Gold Vestments.

Re-echoing The Mass Lesson, its Antiphons boldly sweep up all history and all geography into The Heavenly Ranks: “I beheld, and, lo, a great multitude, which no man could number, of all Nations, and kindreds, and people, and tongues, stood before the Throne.”; “Thou, O, Lord God, hast redeemed us by Thy Blood, out of every kindred, and tongue, and people, and Nation, and hast made us a Kingdom unto our God.”

The Vespers of All Saints is presenting us with a cast of historical and other-Worldly characters of every type, arrayed before us in a great colourful pageant.


The Sequence, “Placare Christi”, addresses, in each Verse, The Angels, The Apostles, The Purpled Martyrs, The Choir of Virgins and Confessors. The Antiphon at The Magnificat barely names a class of Saints before it runs to the next class in sheer delight—“O ye Angels, ye Archangels….O ye Patriarchs and Prophets, ye Holy Teachers of The Law,—O ye Apostles,—O all ye Martyrs of Christ, ye holy Confessors, ye Virgins of The Lord, ye Hermits,—O all ye holy children of God”.

As Vespers came to a close, the Lay Catholic of bygone ages retired with all these great themes and concepts, fresh in his mind, preparing himself for the Festivities of the next day. He would have seen Priestly Vestments change through the day from Penitential Violet, to Sombre Black, to White or Gold.

And what, today, forms the Halloween colour palette ? Purple, Black, White and Orange—matching The Church’s Liturgy almost perfectly, save for the characteristic hue of The North American Autumn.




This is Halloween as Traditionally envisioned by The Church: A colourful pageant, where all the Nations, and even The Living, and The Dead, join together to give glory to God.

Regrettably, despite its long history and rich Tradition, The Eve of All Saints was one of The Vigils completely abolished in 1955. As a result, even Traditional Latin Mass Parishes, which generally use The 1962 Liturgical Books, do not offer The Liturgy that I have described above.

The First Vespers of All Saints still remains, of course, even in The 1970 Missal, but the abolition of The Vigil has turned the first part of The Day into simply another generic “Mass of The Season.”

The Triduum, and its subsequent Octave, are no more. Gone, too, are the Liturgical parallels between Halloween, All Saints, and All Souls, with their subtle variations and interwoven themes.



They are vestigially remembered though. Across the globe, the Liturgies of Hallowtide had long been imaginatively amplified by Folk Traditions and customs: “Souling” in The British Isles; “Pão-por-Deus”, in Portugal; “Dia de Muertos”, in Mexico; and “Pangangaluwa”, in The Philippines.

Praying for The Deceased of the family, and of neighbours, was a widespread phenomenon. In some areas, like Scotland and Ireland, children went “Guising”, or, “Masquerading”, after dark, carrying turnip lanterns, and singing, or reciting, Verses for “treats”.

But the original anchor for all of these customs was The Church’s Liturgy. Many of these customs were already seriously compromised after The Reformation—and, in England, Halloween customs had even been abolished by Law. But, when The Church, herself, pulled up the anchor, nothing could stop the various Folk Traditions in even Catholic Countries from drifting aimlessly.

What can we do ? Let us set a good example in our homes, first, restoring The Liturgical Halloween to our hearts and our hearths.



The Texts of this wonderful Vigil, from both The Mass and The Office, give us some excellent Devotions for the day. If you have a Pre-1955 Missal and Breviary, handy [Editor: Which I have, of course], the Prayers are readily available there for you to use.

Alternatively, you can access them On-Line using the Links, above. For convenience, I have also compiled them, and other Devotions, in a Small Booklet, soon to be available from Ancilla Press.

If, nothing else, we would do immense good by taking a few seconds that day, while we prepare for any Festivities, to Devoutly Pray The Collect of All Hallows Eve (Editor: As opposed to “Trick or Treating”).

“Oh, Lord, our God, multiply Thy Graces upon us, and grant that joy may follow in The Holy Praise of those whose glorious Festival we anticipate. Through Our Lord Jesus Christ, Thy Son, Who liveth and reigneth with Thee, in The unity of The Holy Ghost, one God, World Without End.

Amen.




Friday 25 October 2019

The Battle Of Agincourt. 604th Anniversary. Saint Crispin's Day. 25 October 1415.




The Morning of The Battle of Agincourt,
25th October 1415.
Artist: Sir John Gilbert (1817–1897).
Date: 1884.


Author: Sir John Gilbert (1817–1897).
(Wikimedia Commons)



The Agincourt Carol,
by Maddy Prior and June Tabor.
Available on YouTube at




The Thanksgiving Service on The Field of Agincourt.
Date: Pre-1909.
Source: Edmund Bleigh, Leighton (1909) "The Thanksgiving Service on the Field of Agincourt" in Cassell's History of England (Volume 1. The King's Edition ed.), London, New York, Toronto, Melbourne: Cassell and Company, p. 557 Retrieved on 19 June 2009.
Author: Edmund Leighton (1853–1922).
(Wikimedia Commons)




The Battle of Agincourt:
The Bloodiest Battle of The Mediaeval Age.
Available on YouTube at



                          

The Coats-of-Arms of the Commanders of the English Army at The Battle of Agincourt, 1415.

On the Left:
King Henry V of England.

In the Middle:
Edward of Langley, 2nd Duke of York.
(Killed at Agincourt).

On the Right:
Humphrey of Lancaster, 1st Duke of Gloucester.

Illustration Credits:

King Henry V of England.
Date: 20 July 2010. Source: Own work.
Author: Sodacan. (Wikimedia Commons).

Edward of Langley, Duke of York.
Date: 28 October 2007. Source: Elements from 50px and
[Image: Blason Beaumont sur Sarthe 7].
Author: Ipankonin. (Wikimedia Commons).

Humphrey of Lancaster, Duke of Gloucester.
Date: 16 July 2013. Source: Own work.
Author: Sodacan. (Wikimedia Commons).


Henry V (16 September 1386 – 31 August 1422) was King of England from 1413 until his death at the age of thirty-five in 1422. He was the second English Monarch who came from the House of Lancaster.

After military experience fighting the Welsh during the Revolt of Owain Glyn Dwr, and against the powerful aristocratic Percys of Northumberland at The Battle of Shrewsbury, Henry came into political conflict with his father, whose health was increasingly precarious from 1405 onward. After his father's death in 1413, Henry assumed control of The Country and embarked on war with France in the ongoing Hundred Years' War (1337–1453) between the two Nations. His military successes culminated in his famous victory at The Battle of Agincourt (1415) and saw him come close to conquering France.

Edward of Langley, 2nd Duke of York, KG (c.1373 – 25 October 1415), was the eldest son of Edmund of Langley, 1st Duke of York, by his first wife Isabella of Castile, and the grandson of Edward III. He held significant appointments during the reigns of three monarchs, Richard II, Henry IV, and Henry V, and was slain at the Battle of Agincourt in 1415.

Humphrey of Lancaster, 1st Duke of Gloucester, 1st Earl of Pembroke, KG (3 October 1390 – 23 February 1447), was "son, brother and uncle of Kings", being the fourth and youngest son of King Henry IV of England by his first wife, Mary de Bohun, brother to King Henry V of England, and uncle to the latter's son, King Henry VI of England.

As a son of The Sovereign, Humphrey bore The Arms of The Kingdom, Differenced by a Bordure Argent. [A Bordure Argent is a Silver Border]



Facsimile of The Agincourt Carol (15th-Century).
Oxford, Bodleian Library, Manuscript Archives.
Source: English Carols of the Fifteenth Century.
(Wikimedia Commons)




The Battle of Agincourt.
Henry V.
1944.
Sir William Walton.
Available on YouTube at




"Cry God For Harry, England, and Saint George".
Henry V.
Sir Laurence Olivier.
1944.
Available on YouTube at



Once more, unto the breach, dear friends, once more;
Or close the wall up with our English dead !

In Peace, there's nothing so becomes a man
As modest stillness and humility:

But when the blast of war blows in our ears,
Then imitate the action of the tiger;

Stiffen the sinews, summon up the blood,
Disguise fair nature with hard-favour'd rage;

Then lend the eye a terrible aspect;
Let it pry through the portage of the head

Like the brass cannon; let the brow o'erwhelm it
As fearfully as doth a galled rock

O'erhang and jutty his confounded base,
Swill'd with the wild and wasteful ocean.

Now set the teeth and stretch the nostril wide,
Hold hard the breath and bend up every spirit

To his full height. On, on, you noblest English.
Whose blood is fet from fathers of war-proof !

Fathers that, like so many Alexanders,
Have in these parts from Morn' till Even' fought

And sheathed their swords for lack of argument:
Dishonour not your mothers; now attest

That those whom you call'd fathers did beget you.
Be copy now to men of grosser blood,

And teach them how to war. And you, good Yeomen,
Whose limbs were made in England, show us here

The mettle of your pasture; let us swear
That you are worth your breeding; which I doubt not;

For there is none of you so mean and base,
That hath not noble lustre in your eyes.

I see you stand like greyhounds in the slips,
Straining upon the start. The game's afoot:

Follow your spirit, and upon this charge

Cry ' God for Harry, England, and Saint George ! '



Saint Crispin's Day Speech.
Henry V.
Sir Laurence Olivier.
1944.
Available on YouTube at



What's he that wishes so ?
My cousin Westmoreland ? No, my fair cousin:

If we are mark'd to die, we are enough
To do our Country loss; and if to live

The fewer men, the greater share of honour.
God's will !, I pray thee, wish not one man more.

Rather proclaim it, Westmoreland, through my host,
That he which hath no stomach to this Feast,

Let him depart; his passport shall be drawn
And crowns for convoy put into his purse:

We would not die in that man's company
That fears his fellowship to die with us.

This day is called The Feast of Crispian:
He that outlives this day, and comes safe home,

Will stand a tip-toe when this day is named,
And rouse him at the name of Crispian.

He that shall live this day, and see old age,
Will yearly, on The Vigil, feast his neighbours,

And say 'To-morrow is Saint Crispian':
Then will he strip his sleeve and show his scars.

And say: 'These wounds I had on Crispin's Day.'
Old men forget: yet all shall be forgot,

But he'll remember with advantages
What feats he did that day: then shall our names.

Familiar in his mouth as household words
Harry the King, Bedford and Exeter,

Warwick and Talbot, Salisbury and Gloucester,
Be in their flowing cups freshly remember'd.

This story shall the good man teach his son;
And Crispin Crispian shall ne'er go by,

From this day to the ending of the World,
But we in it shall be remember'd;

We few, we happy few, we band of brothers;
For he to-day that sheds his blood with me
Shall be my brother; be he ne'er so base,

And gentlemen in England now a-bed
Shall think themselves accursed they were not here,

And hold their manhoods cheap while any speaks

That fought with us
upon Saint Crispin's Day.



                         


The Coats-of-Arms of the Commanders of the French Army at The Battle of Agincourt, 1415.

On the Left:
Charles d'Albret, Constable of France.
Co-Commander of Army).
(Killed at Agincourt).

In the Middle:
Jean II Le Maingre, called Boucicaut. Marshal of France.
(Captured at Agincourt).

On the Right:
Charles of Orléans. Duke of Orléans.
(Captured at Agincourt).


Illustration Credits:

Charles d'Albret, Constable of France.
Date: 21 January 2006. Source: Own work.
Author: Odejea. (Wikimedia Commons).

Jean II Le Maingre, called Boucicaut. Marshal of France.
Date: 24 May 2007. Source: Perso Inkscape.
Author: Patrice Panaget. (Wikimedia Commons).

Charles of Orléans. Duke of Orléans.
Date: 6 July 2007. Source: Own work.
Author: Syryatsu. (Wikimedia Commons).


Charles d'Albret (died 25 October 1415) was Constable of France from 1402 until 1411, and again from 1413 until 1415. He was also the Co-Commander of the French Army at the Battle of Agincourt, where he was killed by the English Army led by King Henry V.

Jean II Le Maingre (in Old French, Jehan le Meingre), called Boucicaut (1366 — 1421) was Marshal of France and a Knight renowned for his military skill. In the Battle of Agincourt, 1415, he Commanded the French Vanguard, but was captured by the English and died six years later in Yorkshire.

Charles of Orléans (1394 – 1465) was Duke of Orléans from 1407. Charles was one of the many French noblemen at the Battle of Agincourt. He was discovered unwounded, but trapped under a pile of corpses, incapacitated by the weight of his own armour. He was taken prisoner by the English, and spent the next twenty-four years being moved from one Castle to another in England.




The Morning of The Battle of Agincourt,
25th October 1415.
Artist: Sir John Gilbert (1817–1897).
Date: 1884.


Author: Sir John Gilbert (1817–1897).
(Wikimedia Commons)



The Agincourt Carol,
by Maddy Prior and June Tabor.
Available on YouTube at




The Thanksgiving Service on The Field of Agincourt.
Date: Pre-1909.
Source: Edmund Bleigh, Leighton (1909) "The Thanksgiving Service on the Field of Agincourt" in Cassell's History of England (Volume 1. The King's Edition ed.), London, New York, Toronto, Melbourne: Cassell and Company, p. 557 Retrieved on 19 June 2009.
Author: Edmund Leighton (1853–1922).
(Wikimedia Commons)

Saint Chrysanthus And Saint Daria. Martyrs. Feast Day 25 October.


Text from The Saint Andrew Daily Missal,
unless stated otherwise.

Saint Chrysanthus And Saint Daria. 
   Martyrs. 
   Feast Day 25 October.

Simple.

Red Vestments.


Martyrdom of Saint Chrysanthus and Saint Daria.
From a 14th-Century Manuscript.
This File: 8 November 2006.
User: Polylerus.
(Wikimedia Commons)

"At Rome," says The Roman Martyrology, "the triumph of Saint Chrysanthus and his wife, Saint Daria, Martyrs. After several torments, which they endured for Jesus Christ, under The Prefect Celerinus, they were condemned by The Emperor Numerian to be thrown into a Sandpit, on The Salerian Way, and buried alive there under a heap of earth and stones". This was in 283 A.D.

Mass: Intret.
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