Notre Dame de Rouen. The façade of the Gothic Church in France. Photographer: Hippo1947. Licence: SHUTTERSTOCK.

Tuesday, 20 October 2015

Saint John Cantius Church, Chicago. Restoring The Sacred. Feast Day Of Saint John Cantius, Today, 20 October.


Zephyrinus originally published this Article in October 2013. Because of the beauty of Saint John Cantius Church, Chicago, and the Sanctity and Profundity of The Liturgy within,
it is now re-published.

Today is The Feast Day of Saint John Cantius, Confessor.
Happy Feast to all Readers and to the Parishioners and Clergy of Saint John Cantius Church, Chicago, United States of America.

Text and Illustrations from Wikipedia - the free encyclopaedia,
unless otherwise stated.




Saint John Cantius Church, Chicago,
United States of America.
Catholic Faith.
Photo Credit: www.pinterest.com





The Baroque Interior of Saint John Cantius Church,
Chicago, Illinois, United States of America.
Photo: 23 March 2015.
Source: Own work.
Author: Sjcantius.
(Wikimedia Commons)



File:Kraków Kościół Świętej Anny 011.jpg

Polski: Kościół Świętej Anny w Krakowie.
English: Tomb of Saint John Cantius,
Church of Saint Anne, Kraków, Poland.
Deutsch: Krakau St. Annen Kirche.
Photo: 14 November 2009.
Source: Own work.
Author: Ludwig Schneider / Wikimedia, Ludwig Schneider.
(Wikimedia Commons)



The Limestone facade of Saint John Cantius Church,
Chicago, United States of America.
Photo: 2 September 2013.
Source: Own work.
Author: Victorgrigas.
(Wikimedia Commons)

Why not visit this beautiful Church's Web-Site, and store, at


Saint John Cantius Parish (Polish: Parafia Świętego Jana Kantego) is an historic Church of the Roman Catholic Archdiocese of Chicago, known for its opulence and grand scale as well its Solemn Liturgies and rich programme of Sacred Art and Music.

Along with such monumental Religious edifices as Saiint Mary of The Angels, Saint Hedwig's, or Saint Wenceslaus, it is one of the many Polish Churches that dominate over the Kennedy Expressway.





Solemn High Mass,
Saint John Cantius Church, Chicago,
United States of America.


The unique Baroque Interior has remained intact for more than a Century and is reminiscent of the sumptuous art and architecture of 18th-Century Krakow, Poland. Of all the “Polish Cathedral”-style Churches in Chicago, Saint John Cantius stands closest to Downtown. The imposing 130 ft. Tower is readily seen from the nearby Kennedy Expressway. Saint John's is particularly well-known for its programme of Solemn Liturgies and Devotions, Treasures of Sacred Art and Rich Liturgical Music.

In 2013, Saint John Cantius completed an ambitious Restoration, returning the lavish Interior to its original splendour.




Saint John Cantius Church, near Chicago/Ogden/Milwaukee (and the Gonnella bakery).
A Church, whose Parish was largely razed by highway construction.
At Polonia's peak, before World War I, as many as 23,000 people would attend
Sunday Mass here and doubtless similar numbers at five similarly-huge Churches
within a mile. Now the Parish survives by offering Mass
to Suburban-ites in Latin or Gregorian Chant.
Photo: 22 April 2005.
Source: Flickr.
Reviewer: Fruggo.
(Wikimedia Commons)


Designed by Adolphus Druiding, begun in 1893, and completed in 1898, Saint John Cantius Church took five years to build.

Saint John Cantius Church was founded in 1893, by The Congregation of The Resurrection, to relieve overcrowding at Saint Stanislaus Kostka, the City's first Polish Parish. The Parish retained its Polish character for years, but the building of the Kennedy Expressway, which cut through the heart of Chicago's Polonia, began a period of decline for the Parish, as many long-time residents were forced to relocate.




Holy Mass in the impressive Church of Saint John Cantius,
Chicago, United States of America.
Picture Credit: OFFERIMUS TIBI DOMINE



The Parish was slated for closure as Chicago's Inner City neighbourhoods declined further through the 1960s and 1970s. A revival of the Parish began in the Late-1980s, when the Parish became the focus of a renaissance of Traditional Catholic Rituals and Devotions that had fallen out of favour after the Second Vatican Council, such as The Tridentine Mass in Latin, as well as Vespers and Benediction, The Corpus Christi Procession, The Stations of The Cross, Tenebrae Services, and The Saint Joseph Novena and Saint Anne Novena.

Today, the Parish has a rich programme of Sacred Music, supported by seven Parish Choirs. The Parish is presently administered by The Canons Regular of Saint John Cantius, a Religious Community founded in the Parish in 1998.

Saint John Cantius Church has witnessed a number of famous visitors within its walls. In March 1989, the Parish hosted a visit by Tadeusz Mazowiecki, Prime Minister of the newly-Democratic Poland, while, in 1998, Józef Glemp, the Cardinal Primate of Poland, came to Celebrate a Mass of Thanksgiving and Bless the Church's new copper Cupola.




English: Church of Saint Anne,
and grave of Saint John Cantius,
13 sw. Anny street, Old Town, Krakow, Poland.
Polski: Kościół św. Anny, grób św. Jana z Kęt,
ul. św. Anny 13, Stare Miasto, Kraków.
Photo: 9 August 2012.
Source: Own work.
Author: Zygmunt Put Zetpe0202.
(Wikimedia Commons)


Although the Parish's School has closed, the building now houses the Chicago Academy for the Arts, often called the "Fame" school, and compared with New York City's High School of Performing Arts.

Saint John Cantius Church's majestic elegance has always drawn the attention of those who happened to pass by, making it an area landmark since its building, over a hundred years ago. Authors and filmmakers have seen it as natural to use the Church, both as a point-marking familiarity as well as from the purely aesthetic pleasure of its beauty. Some of the more notable examples are:

Saint John Cantius serves as the backdrop for Steffi Rostenkowski's great realisation in Nelson Algren's work "Never Come Morning", where, night after night, she heard the iron rocking of the Bells of Saint John Cantius. Each night, they came nearer, till the roar of The Loop was only a troubled whimper beneath the rocking of the Bells. "Everyone lives in the same big room", she would tell herself, as they rocked. "But nobody's speakin' to anyone else, an' nobody got a key".




This is another Church Dedicated to Saint John Cantius.
This Church is at Tremont, Cleveland,
Ohio, United States of America.
Photo: 12 January 2008.
Source: Flickr.
Author: Eddie~S.
(Wikimedia Commons)



Saint John Cantius Church, Chicago, has also been featured in two films that were both shot in the Summer and Fall of 1990. The first was a made-for-television movie, entitled "Johnny Ryan". The second was a major Hollywood film, entitled "Only the Lonely", directed by John Hughes and starring Maureen O'Hara and John Candy.

The Church building's design is by Adolphus Druiding. Work began on this grandiose structure in the Spring of 1893 and was completed by 1898. The building has a façade of rusticated stone, in the High Renaissance Style, which dictated the use of classical elements, such as Columns, Capitals and Arches. At the very top, is a monumental Pediment, decorated with the Coat-of-Arms of Poland's failed January Uprising (1863-1864), under which is found the Polish inscription "Boże Zbaw Polskę" (God Save Poland).




Solemn High Requiem Mass at Saint John Cantius,
Chicago, United States of America.
Picture Credit: NEW LITURGICAL MOVEMENT


Just below this, on the Entablature, is the Latin inscription "Ad Maiorem Dei Gloriam", a text which proclaims that this building is for "the Greater Glory of God", a Jesuit motto, popular in many Churches built around the start of the 20th-Century. Three Romanesque Portals, set in receding Arches, lead into the Interior. Like Saint Michael's, Chicago,, the entrance is flanked by two asymmetrical Towers, topped with copper Cupolas, styled after Saint Mary's Basilica in Kraków, Poland. The whole structure is 230 feet (70 m) long and 107 feet (33 m) wide and can easily accommodate 2,000 people.

The Interior reflects the High Renaissance Style of the Exterior. Eight stone Columns, with Corinthian Capitals, support the Vault. The present decoration is the result of several Interior decorations within the first forty years of completion. The Church's High Altar, as well as its matching two Side Altars, reputedly originate from the 1893 Columbian Exposition.

In 1903, the Interior was painted for the first time, and it was at this time that all the plaster and wood ornaments were added, and the Church received the character it has today. The Stained-Glass Windows were made by Gawin Co. of Milwaukee, while the Interior murals were painted by Lesiewicz, around 1920. In addition to religious scenes, such as The Resurrection under The High Altar, the artist decorated the side walls with paintings of Polish Patron Saints.




Saint John Cantius Church,
Chicago, United States of America.


A new inlaid hardwood floor was installed in Saint John Cantius Church in 1997, to a design by Jed Gibbons . Sixteen varieties of wood from around the World were used for the inlaid medallions. The floor is not only a beautiful contemporary work of Sacred Art, but it is also designed as a teaching tool. The medallions, inlaid into the main Aisle, tell the story of Salvation: Star of David - Jesus was born as a Jew; Three Crowns - with the arrival of The Three Kings, Jesus was made manifest to the World; Instruments of The Passion - Christ's suffering for our Salvation; Banner - The Resurrection; Star - Christ is The Light of the World. This floor, which is reputedly the only one of its kind in the United States, has already won three national awards.

In 2003, work was completed on a replica of the Veit Stoss Altar. Carved by artist Michał Batkiewicz over an eight-year period, this imposing one-third scale copy is the largest and most detailed work of its kind, and was commissioned as a tribute to the Galician immigrants who founded the Parish in 1893.




Polski: Kraków, ołtarz Wita Stwosza.
English: The Altarpiece of Veit Stoss (Polish: Ołtarz Wita Stwosza, German: Krakauer Hochaltar), also Saint Mary's Altar (Ołtarz Mariacki), is the largest Gothic Altarpiece in the World and a National Treasure of Poland. It is located behind The High Altar of Saint Mary's Basilica, Cracow, Poland. The Altarpiece was carved between 1477 and 1489 by the German sculptor Veit Stoss
(Wit Stwosz), who moved to the City around that time and lived there for the next twenty years.
The Retable was paid for by the Townspeople of Cracow.
In 1941, during the German occupation, the dismantled Altar was shipped to The Third Reich,
on the order of Hans Frank – the Governor-General of that part of occupied Poland. It was recovered in 1946, in Bavaria, South Germany, hidden in the basement of the heavily-bombed Nuremberg Castle. The High Altar underwent major restoration work in Poland and
was put back in its place at the Basilica ten years later.
Photo: June 2003.
Source: Own work.
Author: Pko
(Wikimedia Commons)


A permanent exhibit of Sacred Art, located in the Church's North Tower, is open on Sundays, as well as upon special request. The Collection's centerpiece is an elaborate Neapolitan "praesepio" (Italian creche) from Rome. Among Saint John Cantius's many other treasures are: A 19th-Century Copy of the icon of Our Lady of Częstochowa, adorned with jewelled Crowns, personally Blessed by Pope Saint John Paul II; a reproduction of the famous miraculous Crucifix from Limpus, Portugal; a 19th-Century Pietà from Bavaria, Germany; a hand-written Altar Missal; as well as several hundred authenticated Relics of Saints.




English: Marian Feast Day at Saint John Cantius, Chicago, United States of America.
España: Festival Mariano en San Juan Cantius (Chicago) | Una Voce Cordoba.



The following Text is from The Saint Andrew Daily Missal.

Saint John Cantius.
Confessor.
Feast Day 20 October.

Double.

White Vestments.




English: Saint John Cantius.
Polski: Saint Jan Kanty.
Photo: 3 December 2004.
Source: Own work.
Author: mzopw.
(Wikimedia Commons)



Born at Kenty, a Market Town in the Diocese of Cracow, Poland, Saint John was raised up by Providence to keep alight The Torch of Faith and The Flame of Christian Charity during the 15th-Century in Poland.

He obtained all the Academic Degrees at the University of Cracow, where he taught for several years. Ordained a Priest, he every day offered The Holy Sacrifice to appease Heavenly Justice, for he was deeply afflicted by the offences of men against God.

He shone especially by his exquisite Charity, which is shown in the Introit, the Collects, the Epistle, the Gradual, the Offertory and the Communion of his Mass. He took from his own food, to help those who were in need, and even gave them his clothes and shoes (Epistle); and he would let his cloak fall to the ground, so as not to be seen returning home bare-foot.

While on a Pilgrimage to Rome, he was robbed by brigands, and, when he declared that he had no other possessions, they allowed him to pursue his journey. The Saint, who had sewn some pieces of money into his cloak, suddenly remembered this, and, calling the thieves, he offered them the sum. But they, touched by his goodness and candour, gave him back all that they had taken.

Saint John Cantius died on Christmas Eve, 1473. He is especially invoked in cases of consumption. ["Owing to your Prayers, we see epidemics disappear, stubborn diseases averted, and the Blessing of health restored. Those whom consumption, fever and ulcers condemn to a painful end are, by you, delivered from the embraces of death." (Hymn of Second Vespers)].

Mass: Miserátio hóminis.

The Royal Breviary Of Saint Louis Of Poissy Is Up For Sale.


Article is taken from MEDIEVAL HISTORIES



King Philippe IV Prays to Saint Louis.
Illustration: MEDIEVAL HISTORIES


Classified as a “National Treasure”, in 2014, Bibliothèque nationale de France (BnF) is trying to raise the funds to buy the Royal Breviary of Saint-Louis of Poissy.

This Breviary was presented to the Abbey at Poissy, France, by the French King, Philippe IV (Philippe le Bel), who had it made in honour of his grandfather, Saint Louis. Written and illuminated between 1310 – 1315, it was a present to Marie de Clermont-Bourbon, another of the Saint’s grandchildren, who lived at the Priory in Poissy from the age of four.



Pretender to the French Throne since 1989.
One of several current Capetian Pretenders.
Français: Louis XX, duc d'Anjou, héritier du trône de France,
portant la plaque de chevalier de l'Ordre du Saint-Esprit.
Photo: 27 January 2014.
Source: Own work.
Author: Maclauren.
(Wikimedia Commons)


The Breviary was designed to promote the cult of Saint Louis and contains the Texts appropriate for the Celebrations of the Royal Saint. Thus, it contains The Liturgy of The Feast of Saint Louis on the Feast Day (25 August).

The Breviary consists of 600 sheets of parchment. The binding is from the 16th-Century.It measures 176 x 115 mm and is illustrated by Richard de Verdun (also known as the Maîtra de Jean Papealu). Among his extant works are a historical Bible (Bibliothèque de l’Arsenal) and five Bibles preserved in Paris (BnF), Berlin (Deutsche Staatsbibliothek), London (British Library), Harvard (Houghton Library) and at Lisbon (Fondation Goulbekian). He was a disciple of Maître Honoré.



Breviary of Saint Louis de Poissy (circa 1310 – 1315).
The Crown of Thorns.
Photo: Christie’s/ Anna Buklovska.
Illustration: MEDIEVAL HISTORIES


The Breviary testifies to the importance of Poissy as the centre of the cult of The Capetian Dynasty and their Royal Saint, Saint Louis. It belongs to a group of other important Manuscripts from the same milieu; the Breviary of Philippe IV, made by Maître Honoré, and the Belleville Breviary, painted by Jean Purcelle between 1323 – 1326, both kept at BnF. Part of the picture-programme in The Royal Breviary of Saint-Louis, from Poissy, is echoed in The Belleville Breviary, which is later. The importance for BnF, of the present Manuscript, is the way in which it can be used to trace the relationship and artistic collaboration in the Royal Workshop of Philippe IV.

Some of the Illuminations record the events of the life of Saint Louis (Saint-Louis feeds a leper; as a prisoner of the Muslims, etc.). Thus, it also preserves one of the very earliest Illustrations of the Relics, which Saint Louis acquired for Sainte-Chapelle, Paris, among which was The Crown of Thorns. Another story-line is the establishment of the cult of Saint-Louis and The Translation of his Relics to the Basilica of Saint-Denis, Paris.

It is possible to donate funds to BnF until 27 November 2015. Frenchmen, who donate, will receive a tax reduction of 66%. The price is set at Euro 1 million. It is currently in private possession.

SOURCE:

Le bréviaire royal de Saint-Louis de Poissy

God Bless The Little One.



A Four-Year-Old boy
scores a scintillating solo try
against the Queensland Legends.
Available on YouTube at

Monday, 19 October 2015

KAPOW !!! Take That All You Cunning People Trying To Undermine Christ And His Church !!!


This Article is taken from Fr John Zuhlsdorf's Blog, FR. Z's BLOG




Illustration: PINTEREST


URGENT: Romanian Greek Catholic Doctor’s speech to Synod! Members (all) get a serious talking to!

I saw this at Voice of the Family.  You can find it other places too.
The entire Synod of Bishops (and the fancy people running it) received a marvelously cold slap in the face with the wet towel of real “reality” in a speech by a lay woman from Romania.  She didn’t waste time or words, but laid right into them.
My emphases and comments:
The following intervention was made by Dr. Anca-Maria Cernea,  President of the Association of Catholic Doctors of Bucharest (Romania), at the Ordinary Synod on the Family on Friday.
Your Holiness, Synod Fathers, Brothers and Sisters, I represent the Association of Catholic Doctors from Bucharest.
I am from the Romanian Greek Catholic Church.
My father was a Christian political leader, who was imprisoned by the communists for 17 years. My parents were engaged to marry, but their wedding took place 17 years later.


My mother waited all those years for my father, although she didn’t even know if he was still alive. They have been heroically faithful to God and to their engagement.
Their example shows that God’s grace can overcome terrible social circumstances and material poverty.
We, as Catholic doctors, defending life and family, [that is, actually doingsomething] can see this is, first of all, a spiritual battle.
Material poverty and consumerism are not the primary cause of the family crisis. [BAM!]
The primary cause of the sexual and cultural revolution is ideological.  [BIF!]
Our Lady of Fatima has said that Russia’s errors would spread all over the world. [Do I hear an “Amen!”?]

 


It was first done under a violent form, classical Marxism, by killing tens of millions.
Now it’s being done mostly by cultural Marxism. There is continuity from Lenin’s sex revolution, through Gramsci and the Frankfurt school, to the current-day gay-rights and gender ideology[Naming names, too!]
Classical Marxism pretended to redesign society, through violent take-over of property.
Now the revolution goes deeper; it pretends to redefine family, sex identity and human nature.
This ideology calls itself progressive. But it is nothing else than the ancient serpent’s offer, for man to take control, to replace God, to arrange salvation here, in this world.
It’s an error of religious nature, it’s Gnosticism[KA-POW!]



It’s the task of the shepherds to recognize it, and warn the flock against this danger.[OORAH!  Is that what the Synod Fathers are doing?  I’m just asking.]
“Seek ye therefore first the Kingdom of God, and His justice, and all these things shall be added unto you.”
The Church’s mission is to save souls. Evil, in this world, comes from sin. Not from income disparity or “climate change”[Do I hear an “Amen!”?]
The solution is: Evangelization. Conversion.
Not an ever increasing government control. Not a world government. These are nowadays the main agents imposing cultural Marxism to our nations, under the form of population control, reproductive health, gay rights, gender education, and so on.
What the world needs nowadays is not limitation of freedom, but real freedom, liberation from sin. Salvation.



Our Church was suppressed by the soviet occupation. But none of our 12 bishops betrayed their communion with the Holy Father. Our Church survived thanks to our bishops’ determination and example in resisting prisons and terror.  [I guess they were culture warriors.]
Our bishops asked the community not to follow the world. Not to cooperate with the communists.  [Can we hand the Synod over to this gal?  Please?]
Now we need Rome to tell the world: “Repent of your sins and turn to God for the Kingdom of Heaven is near”. [Is this what you are hearing from your pastors these days?  Or are you getting a bunch of half-mumbled, mealy-mouthed temporizing?]
Not only us, the Catholic laity, but also many Christian Orthodox are anxiously praying for this Synod. Because, as they say, if the Catholic Church gives in to the spirit of this world, it is going to be very difficult for all the other Christians to resist it.  [THWACK!]



Forward this to everyone.
God bless Dr. Cernea!
I have an imagine of some of the bishops, especially those from a certain country, blinking faster and faster as the speech goes on and, perhaps, pawing the ground with one of their feet while their hands work, aimlessly.



Have You Been To Benediction, Recently ?






"O Salutaris Hostia".
Available on YouTube at



"O Salutaris Hostia"
and
"Tantum Ergo".
Available on YouTube at

"Adoremus in aeternum".
[At thirty minutes on this video.]
Available on YouTube at

"Sweet Sacrament Divine".
Available on YouTube at


The power of the Holy Eucharist


Anima Christi (Soul Of Christ). Thanksgiving After Holy Communion.


Text is taken from The Saint Andrew Daily Missal.





"Anima Christi".
By Fr. Marco Frisina.
Anima Cristi - Alma de Cristo
Oración compuesta por San Ignacio de Loyola
esta versión musical en latín dirigida por Fr. Marco Frisina.
Available on YouTube at


Anima Christi, sanctifica me.
Corpus Christi, salva me.
Sanguis Christi, inebria me.
Aqua lateris Christi, lava me.

Passio Christi, conforta me.
O bone Jesu, exaudi me.
Intra tua vulnera absconde me.
Ne permittas me separari a te.

Ab hoste maligno defende me.
In hora mortis meae voca me,
Et jube me venire ad te.
Ut cum Sanctis tuis laudem te.

In saecula saeculorum.

Amen.




Soul of Christ, Sanctify me.
Body of Christ, save me.
Blood of Christ, inebriate me.
Water from the Side of Christ, wash me.

Passion of Christ, strengthen me.
O good Jesu, hear me.
Within Thy Wounds, hide me.
Suffer me not to be separated from Thee.

From the malicious enemy, defend me.
In the hour of death, call me,
And bid me come unto Thee.
That with Thy Saints, I may praise Thee.

For ever and ever.

Amen.

An Indulgence of 300 days each time this Prayer is said.
An Indulgence of seven years, if said after Holy Communion.
If said every day during the month, a Plenary Indulgence,
subject to the usual conditions, on any day chosen.
(Blessed Pope Pius IX, 1854)

Sunday, 18 October 2015

Saint Luke. Evangelist. Feast Day 18 October.


Text from The Saint Andrew Daily Missal,
unless otherwise stated.

Saint Luke.
Evangelist.
Feast Day 18 October.

Double of The Second-Class.

Red Vestments.

Saint Luke.
Evangelist.
Feast Day 18 October.




English: Saint Luke.
Français: Saint Luc.
Artist: James Tissot (1836–1902).
Date: 1886-1894.
Current location: Brooklyn Museum,
New York, United States of America.
Credit line: Purchased by public subscription.
Source/Photographer: Online Collection
of Brooklyn Museum; Photo: Brooklyn Museum,
2007, 00.159.207_PS2.jpg
(Wikimedia Commons)


Saint Luke, originally a pagan, was born, according to Eusebius, at Antioch, the Capital of the Kings of Syria. Saint Paul tells us that he exercised the profession of a physician. He accompanied Saint Paul (The Apostle of the Nations) on his travels, and was with him during most of his Missions and when he was twice a prisoner in Rome.


Owing to his connection with this Master and the other Apostles, he was enabled to write The Third Gospel, which Saint Jerome and Saint John Chrysostom describe as "The Gospel of Saint Paul".

Like The Doctor of The Gentiles (Saint Paul), he addresses himself to pagans to show them that Salvation is brought by Jesus to all men, without exception, who believe in Him. He is symbolically represented as an Ox, one of the four animals in the Vision of Ezechiel [Third Lesson of The First Nocturn at Matins], because, at the beginning of his Gospel, he mentions the Priesthood of Zacharias, and because the Ox was usually the victim in the sacrifices of The Old Law.

The Mass of Saint Luke, like that of Saint Mark, offers this particular, that its Gospel refers to the instructions given by The Saviour to His seventy-two Disciples, both these Evangelists (Luke and Mark) not having been Apostles, but only Disciples of Our Lord.

Saint Jerome relates that Saint Luke died in Achaia, Greece, at the age off eighty-four.

Mass: Mihi autem nimis.


THE SAINT ANDREW DAILY MISSAL



THE SAINT ANDREW DAILY MISSAL

Available (in U.K.) from

Available (in U.S.A.) from


"Adore Te Devote". Eucharistic Hymn Written By Saint Thomas Aquinas (1225 - 1274).



Adore Te Devote.
By Saint Thomas Aquinas.
Available on YouTube at

English: Saint Thomas Aquinas is girded by Angels
with a Mystical Belt of Purity after his proof of chastity.
Español: Tentación de Santo Tomás d'Aquino.
Artist: Diego Velázquez (1599-1660).
Date: 1632.
Current location: 
Museo del Palacio Arzobispal de Orihuela,
Alicante, Spain.
(Wikimedia Commons)


Another Hymn from the great Saint Thomas Aquinas.
This version does not include the 3rd or 4th Verses.

The Illustrations in the YouTube video are:

"The Temptation of Saint Thomas Aquinas" by Diego Velazquez;
"Triumph of Saint Thomas Aquinas over the Heretics" by Filippino Lippi;
"The Apotheosis of Thomas Aquinas" by Francisco de Zurbaran.



English: Saint Thomas Aquinas.
Altarpiece in the Church of Saint Dominic, Ascoli, Italy.
Deutsch: Altar von San Domenico in Ascoli,
Polyptychon, linke äußere Aufsatztafel: Hl. Thomas von Aquin.
Artist: Carlo Crivelli (1435-1495).
Date: 1476.
Current location: National Gallery, London, England.
Source/Photographer: The Yorck Project: 10.000 Meisterwerke der Malerei. DVD-ROM, 2002.
ISBN 3936122202. Distributed by DIRECTMEDIA Publishing GmbH.
(Wikimedia Commons)


Adoro te devote, latens Deitas,
Quæ sub his figuris vere latitas;
Tibi se cor meum totum subjicit,
Quia te contemplans totum deficit.

Visus, tactus, gustus in te fallitur,
Sed auditu solo tuto creditur.
Credo quidquid dixit Dei Filius;
Nil hoc verbo veritátis verius.

O memoriale mortis Domini!
Panis vivus, vitam præstans homini!
Præsta meæ menti de te vívere,
Et te illi semper dulce sapere.

Pie Pelicane, Jesu Domine,
Me immundum munda tuo sanguine:
Cujus una stilla salvum facere
Totum mundum quit ab omni scelere.

Jesu, quem velatum nunc aspicio,
Oro, fiat illud quod tam sitio:
Ut te revelata cernens facie,
Visu sim beátus tuæ gloriæ.

Amen



I devoutly adore you, O hidden God,
Truly hidden beneath these appearances.
My whole heart submits to you,
And in contemplating you,
It surrenders itself completely.

Sight, touch, taste are all deceived
In their judgment of you,
But hearing suffices firmly to believe.
I believe all that the Son of God has spoken;
There is nothing truer than this word of truth.

O memorial of our Lord's death!
Living bread that gives life to man,
Grant my soul to live on you,
And always to savor your sweetness.

Lord Jesus, Good Pelican,
wash me clean with your blood,
One drop of which can free
the entire world of all its sins.

Jesus, whom now I see hidden,
I ask you to fulfill what I so desire:
That on seeing you face to face,
I may be happy in seeing your glory.

Amen


The Gradual Of Eleanor Of Brittany (Graduel D'Alienor De Bretagne). Mass: Orbis Factor. Kyrie Eleison.


Text and Illustrations from Wikipedia - the free encyclopaedia,
unless otherwise stated.



English: Fontevraud Abbey, whose Liturgical Psalmody and Hymns were used
in the construction of the Gradual of Eleanor of Brittany
(Graduel D' Alienor De Bretagne). It was here, in 1290,
that Eleanor of Brittany took her Vows.
Français: Abbatiale de Fontevraud.
Photo: 14 May 2010.
Source: http://fr.wikipedia.org/w/index.php?title=Discussion_
Wikip%C3%A9dia:Journ%C3%A9es_
europ%C3%A9ennes_
du_patrimoine&diff=59199367&oldid=59197783.
Author: Aurore Defferriere.
(Wikimedia Commons)



Mediaeval Chant of
The Gradual of Eleanor of Brittany
(13th-14th-Century).
"Kyrie Eleison"
from the Mass "Orbis Factor".
Performers: Ensemble Organum.
Director: Marcel Peres.
Available on YouTube at



Detail of The Gradual of Eleanor of Brittany.
Illustration from The Mediaeval Collection of Selected Manuscript Paintings bulletin,
April 1972, The Metropolitan Museum of Art, New York, United States of America.
http://www.metmuseum.org/


The Gradual of Eleanor of Brittany (Français: Graduel D'Alienor De Bretagne) is an Illuminated Manuscript containing the Psalmody and Hymns of The Liturgical Year as used by The Religious Order of Fontevraud Abbey, near Chinon, in Anjou, France.

Fontevraud Abbey was Founded by the itinerant reforming Preacher, Robert of Arbrissel, who had just created a new Order, The Order of Fontevrault [Editor: Alternate name for Fontevraud.]. The first permanent structures were built between 1110 and 1119.

Eleanor of Brittany (1275 - 16 May 1342 ), daughter of John II of Brittany and Beatrice of England, was the sixteenth Abbess of the Double Fontevriste Priory at Amesbury, England. On her death, she bequeathed to Fontevraud Abbey The Gradual of Eleanor of Brittany. [Editor: Fontevriste is the adjectival name taken from Fontevraud.]



Amesbury Abbey, England,
site of the Double Fontevriste Priory,
where Eleanor of Brittany was Abbess from 1304-1342.
Photo: 5 July 2010.
Source: originally posted to Flickr as Amesbury Abbey.
Author: Matthew Black.
(Wikimedia Commons)


In 1281, aged 7 years old, she entered the Convent of Ambresburg (Amesbury), a Double Fontevriste Priory, which was Founded in 1177, close to Stonehenge, by Audeburge Hautes-Bruyeres, third Abbess of The Order of Fontevrault. (Buried in this Convent was another Eleanor of Brittany (1185-1241), a prisoner there until the death of her uncle, King John of England, and also of her cousin, King Henry III of England).

The Gradual had been given to Eleanor, the daughter of John II of Brittany, on her arrival at the Abbey of Fontevraud, in 1290 . There, she took her Vows. In 1304, she became the sixteenth Abbess of the Double Fontevriste Priory at Amesbury, England. She died on 16 May 1342, bequeathing her Gradual, which carried her Coat-of-Arms, to Fontevraud Abbey.

The Gradual was made in Paris in 1250, before Eleanor was born. It was possibly made in the studio of Nicolas Lombard, perhaps for Eleanor's parents, John II of Brittany and Beatrice of England (the second daughter of King Henry III of England). It would have been entrusted to their daughter in 1290, when she arrived at Fontevraud Abbey to take her Vows.

The Gradual is currently in the Public Library of Limoges, France. The Public cannot see it, but it is possible to browse online.

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