Notre Dame de Rouen. The façade of the Gothic Church in France. Photographer: Hippo1947. Licence: SHUTTERSTOCK.

Tuesday, 10 May 2016

Saint Antoninus. Bishop And Confessor. Feast Day, Today, 10 May.


Text from The Saint Andrew Daily Missal,
unless otherwise stated.

Saint Antoninus.
Bishop and Confessor.
Feast Day 10 May.

Double.

White Vestments.




English: Church of Saint Antoninus, Alpes-Maritimes, France.
Français: Façade de l'église paroissiale Saint Antonin de Levens, Alpes-Maritimes, France.
Photo: 14 July 2007.
Source: Own work.
Author: Eric Coffinet.
(Wikimedia Commons)



At the age of sixteen, Saint Antoninus entered The Order of Saint Dominic. Having become Archbishop of Florence (Communion), he excelled in his Pastoral Office by the austerity of his life, his Charity, and his Sacerdotal zeal (Introit, Epistle, Alleluia).

His prudence earned for him the Title of "Antoninus of Counsel". He died, rich in merits, in 1459.

Mass: Státuit.
Commemoration: Saint Gordian and Saint Epimachus. Martyrs.




English: Church of Saint Antoninus, Immensen, Germany.
Deutsch: St. Antoniuskirche in Immensen.
Photo: 12 July 2013.
Source: Own work.
Author: Hydro.
(Wikimedia Commons)



The following Text is from Wikipedia - the free encyclopaedia.

Saint Antoninus of Florence, O.P. (1389 - 1459), was an Italian Dominican Friar, who ruled as an Archbishop of Florence. He is Venerated as a Saint by The Catholic Church.


He was born Antonio Pierozzi (also called de Forciglioni) on 1 March 1389 in the City of Florence, then Capital of an independent Republic, to Niccolò and Tomasina Pierozzi, prominent citizens of the City, Niccolò being a Notary.

The young Anthony was received into The Dominican Order in 1405, at the age of sixteen, at the new Priory of The Order in Fiesole, Florence, and given the Religious Habit by the Blessed John Dominici, Founder of the Community, becoming its first candidate. Soon, in spite of his youth, he was tasked with the administration of various Houses of his Order at CortonaNaples, as well as Florence, which he laboured zealously to reform. These Communities had become part of a new Dominican Congregation of Tuscany, established by John Dominici in order to promote a stricter form of life within The Order, which had been devastated through its division in the Western Schism of the preceding Century.



Borgo Val di Taro-chiesa sant'antonino-facciata1.jpg


English: Church of Saint Antoninus, Emilia Romagna, Italy.
Italiano: Chiesa di Sant'Antonino, Borgo Val di Taro, Emilia Romagna, Italia.
Photo: 11 July 2010.
Source: Own work.
Author: Davide Papalini.
(Wikimedia Commons)


From 1433-1446, Antoninus served as Vicar of The Congregation. In this Office, he was involved in the establishment of the Priory of St Mark, in Florence. The Priory's Cells, including one for Cosimo de' Medici, were painted in frescos by Fra Angelico and his assistants.

Antoninus was Consecrated Archbishop of Florence on 13 March 1446, at the Dominican Priory in Fiesole, on the initiative of Pope Eugene IV, who had come to admire him through his participation in the major Church Councils of the period. He came to win the esteem and love of his people, especially by his energy and resource in combating the effects of the plague and earthquake in 1448 and 1453. It was they who began the use of the diminutive form of his name which has come to prevail. Antoninus lived a life of austerity as Archbishop, continuing to follow The Dominican Rule. His relations with the Medici regime were close, but not always harmonious, with his serving several times as an Ambassador for The Republic to The Holy See during the 1450s.

Antoninus died on 2 May 1459, and Pope Pius II conducted his funeral. The Pope happened to be on his way to The Council of Mantua when he heard of the Archbishop's death. The Archbishop's wish was that he be buried at the Priory which he had Founded in the City.


Holiday Time.



Zephyrinus is off on his travels
Illustration: GENTLEMAN'S EMPORIUM

From London to Paris


Saved from
Illustration: PINTEREST

Go to the Opera


Chandeliers at The Opera Garnier,
Paris, France.
Architectural Photograph sold by
etsy.com
Illustration: PINTEREST

Sail to New York
Saved from Google.co.uk
Illustration: PINTEREST



Saved from flickr.com
Photo by Cooky Yoon on Flickr
Illustration: PINTEREST

"Did" New York


Radio City Music Hall.
Illustration: RADIO CITY MUSIC HALL



The Chrysler Building,
New York.
Saved from pixdaus.com
Illustration: PINTEREST



The Empire State Building.
Date: 2011.
Source: Own work.
Author: Iknowthegoods
(Wikimedia Commons)

Then on to Milwaukee


Then visit Milwaukee
on The Chicago, Milwaukee, Saint Paul and Pacific Railroad,
also known as The Milwaukee Road.
Saved from railmode.com
Illustration: PINTEREST



Chicago, Milwaukee, St. Paul and Pacific Logo.
Date: Pre-1980.
Source: Transferred from en.wikipedia to Commons
Author: Chicago, Milwaukee, St. Paul and Pacific Railroad.
(Wikimedia Commons)

Then on to Montana


Travelled to Montana on The Northern Pacific.
Saved from VIINTAGE.COM

Didn't forget to travel on Route 66


Spent some time on Route 66.
Saved from flickr.com
Photo by Alaskan Dude on Flickr.
Illustration: https://uk.pinterest.com/pin/416020084308252164/
(Wikimedia Commons)

Back to New York to pick up the Liner



Back to Southampton.
Saved from flickr.com
Photo by jericl cat on Flickr
Illustration: PINTEREST

Monday, 9 May 2016

Saint Gregory Nazianzen. Bishop. Confessor. Doctor Of The Church. Feast Day 9 May.


Text from The Saint Andrew Daily Missal,
unless otherwise stated.

Saint Gregory Nazianzen.
Bishop. Confessor.
   Doctor of The Church.
Feast Day 9 May.

Double.

White Vestments.
Gregor-Chora.jpg


Icon of Saint Gregory Nazianzen.
Fresco from Kariye Camii, Istanbul, Turkey.
This File: 5 April 2008.
User: Testus.
(Wikimedia Commons)





Sermon on Saint Gregory Nazianzen.
Available on YouTube at



Saint Gregory was born at Nazianzus in Cappadocia (Editor: Modern-day Turkey). He was educated at Athens in all the sciences, at the same time as Saint Basil the Great, with whom he was always united in the bonds of a holy friendship. Brothers in their studies, they remained brothers in their Monastic life and in the Episcopate.

Having become Bishop of Nazianzus, and, later, Patriarch of Constantinople (Communion), he was "the light which, raised on the candlestick, sheds its rays on all those who dwell in the house" (Gospel).

Filled with "the spirit of Wisdom and Intelligence" (Introit, Epistle), his profound knowledge of The Scriptures earned for him the Title of Doctor and Theologian, which The Church has confirmed. Saint Gregory Nazianzen died in 389 A.D.

Mass: In médio.

Day Return Ticket To Chipping Norton, Please.



In 1938, industrial designer Henry Dreyfuss was commissioned by The New York Central Railroad to design Streamlined Trains in Art Deco Style, with the Locomotive and Passenger Cars rendered in Blues and Greys (the colours of The New York Central Railroad).
Illustration: DIESELPUNKS

Sunday, 8 May 2016

Apparition Of Saint Michael The Archangel. Feast Day 8 May.


Roman Text is taken from The Saint Andrew Daily Missal.

Italic Text is taken from Wikipedia - the free encyclopaedia.

The Apparition of Saint Michael the Archangel.
Feast Day 8 May.

Greater-Double.

White Vestments.

File:Guido Reni 031.jpg

Saint Michael the Archangel.
Artist: Guido Reni (1575–1642).
Date: Circa 1636.
Current location: Church of Santa Maria della Concezione,
Rome, Italy.
Source/Photographer: The Yorck Project: 10.000 Meisterwerke der Malerei.
DVD-ROM, 2002. ISBN 3936122202. Distributed by
DIRECTMEDIA Publishing GmbH.
Permission: [1].
(Wikimedia Commons)





Saint Michael The Archangel Prayer.
Available on YouTube at


The Easter Feasts are those of Angelical Spirits, for The Resurrection "gives joy also to The Angels," says Saint Gregory, "because, in opening Heaven to us, again, it makes up for the losses which their ranks had sustained."

The Feast of The Apparition of Saint Michael, the Chief of The Celestial Hosts, shows forth, in this Paschaltide, all the grandeur of The Saviour's Triumph.

Saint Michael, himself, comes to defend us in battle (Alleluia). He came down from Heaven (Ibid) and appeared in Italy, towards 525 A,D,, under the Pontificate of Pope Gelasius I, in Apulia, on the summit of Monte Gargano, near the Adriatic and the ancient Sipontum.

He requested that a Sanctuary should be erected to him, where God should be Worshipped, in Memory of himself and all The Angels, and this place became celebrated on account of numerous Miracles.

Mass: Benedícite Dóminum.




English: Archangel Michael
saving Souls from Purgatory.
Artist: Jacopo Vignali.
Date: 17th-Century.
Italiano: Jacopo vignali. 

San michele arcangelo libera le anime del purgatorio.
Source: Giovanni Piccirillo (a cura di).
La chiesa dei Santi Michele e Gaetano,
Becocci Editore, Firenze 2006.
Author: sailko.
(Wikimedia Commons)


The following Text is from Wikipedia - the free encyclopaedia.

Saint Michael the Archangel is referred to in The Old Testament and has been part of Christian teachings since the earliest times. Throughout the Centuries, specific Roman Catholic Traditions and views on Saint Michael have taken shape, as recently as the 19th- and 20th-Centuries.

A specific "Prayer to Saint Michael" was promoted by Pope Leo XIII in 1886, and, as recently as 1994, was reinforced by Pope Saint John Paul II, who encouraged the Catholic Faithful to continue to Pray it, saying: "I ask everyone not to forget it and to recite it to obtain help in the battle against forces of darkness."

Saint Michael has specific roles, within Roman Catholic teachings, that range from, acting as the chief opponent of Satan, to saving Souls at the hour of death. Roman Catholic literature and Traditions continue to point to Saint Michael in contexts as varied as the protection of The Catholic Church, to The Consecration of Russia, by Pope Pius XII and Pope Saint John Paul II.



PRAYER TO SAINT MICHAEL THE ARCHANGEL

added by Pope Leo XIII, in 1886, to The Leonine Prayers,
at The Foot of The Altar, after Low Mass.



File:PapaleoXIII.jpg


Pope Leo XIII,
in 1880.
Source: 1880 book on Pope Leo XIII.
Author: Karl Benzinger.
(Wikimedia Commons)



Holy Michael Archangel,
defend us in the day of battle;

be our safeguard against the wickedness
      and snares of the devil.

May God rebuke him,
we humbly Pray,

and do thou,
Prince of the Heavenly host,

by the power of God,
thrust down to Hell,

Satan and all wicked spirits,
who wander through the world
      for the ruin of Souls.

Amen.




Čeština: Chrám svatého Michala v Kyjevě.
Photo: 2005.
Source: Own work.
Author: Dezidor.
(Wikimedia Commons)



The following Text is from Wikipedia - the free encyclopaedia.

The Prayer to Saint Michael is an Invocation, used mainly by Catholics, addressed to Michael the Archangel.

Pope Leo XIII added it, in 1886, to The Leonine Prayers, which he had directed to be said after Low Mass, two years earlier. Pope Saint John Paul II referred to The Saint Michael Prayer in his Regina Coeli Address of 24 April 1994, as follows:

"May Prayer strengthen us for the spiritual battle that The Letter to the Ephesians speaks of:
'Be strong in The Lord and in the strength of His Might' (Ephesians 6:10). The Book of Revelation refers to this same battle, recalling before our eyes the image of Saint Michael The Archangel (cf. Revelation 12:7).

Pope Leo XIII certainly had this picture in mind when, at the end of the 19th-Century, he brought in, throughout The Church, a special Prayer to Saint Michael: 'Saint Michael The Archangel, defend us in battle. Be our protection against the wickedness and snares of the devil . . .'

Although this Prayer is no longer recited at the end of Mass, I ask everyone not to forget it and to recite it to obtain help in the battle against the forces of darkness and against the spirit of this World."

Credo. I Believe.



The Credo.
Missa Papae Marcelli.
Palestrina.
The Tallis Scholars.
Available on YouTube at


The following Text is from Wikipedia - the free encyclopaedia.

Missa Papae Marcelli, or Pope Marcellus Mass, is a Mass by Giovanni Pierluigi da Palestrina. It is his most well-known and most often-performed Mass, and is frequently taught in University Courses on Music. It was sung at The Papal Coronation Masses (the last being the Coronation of Paul VI in 1963).

The Missa Papae Marcelli consists, like most Renaissance Masses, of a Kyrie, Gloria, Credo, Sanctus/Benedictus, and Agnus Dei, though the third part of The Agnus Dei is a separate movement (designated "Agnus II"). The Mass is freely composed, not based upon a Cantus Firmus or Parody.

Perhaps because of this, the Mass is not as thematically consistent as Palestrina's Masses based on Models. It is primarily a six-voice Mass, but voice combinations are varied throughout the piece; Palestrina scores Agnus II for seven voices, and the use of the full forces is reserved for specific climactic portions in the Text.



The Sanctus and Benedictus.
Missa Papae Marcelli.
Palestrina.
The Tallis Scholars.
Available on YouTube at


The Mass was composed in honour of Pope Marcellus II, who reigned for three weeks in 1555. Recent scholarship suggests the most likely date of composition is 1562, when it was copied into a Manuscript at the Basilica di Santa Maria Maggiore in Rome.

The third and closing sessions of The Council of Trent were held in 1562–1563, at which the use of polyphonic music in The Catholic Church was discussed. Concerns were raised over two problems: First, the use of music that was objectionable, such as secular songs provided with religious lyrics (contrafacta) or Masses based on songs with lyrics about drinking or love-making; and second, whether imitation in polyphonic music obscured the words of The Mass, interfering with the listener's devotion.

Some debate occurred over whether polyphony should be banned outright in Worship, and some of the auxiliary publications by attendants of The Council caution against both of these problems. However, none of the official proclamations from The Council mentions polyphonic music, excepting one injunction against the use of music that is, in the words of The Council, "lascivious or impure".



The Agnus Dei.
Missa Papae Marcelli.
Palestrina.
The Tallis Scholars.
Available on YouTube at


Starting in the Late-16th-Century, a legend began that the second of these points, the threat that polyphony might have been banned by The Council because of the unintelligibility of the words, was the impetus behind Palestrina's composition of this Mass. It was believed that the simple, declamatory style of Missa Papae Marcelli convinced Cardinal Carlo Borromeo, on hearing, that polyphony could be intelligible, and that music such as Palestrina's was all too beautiful to ban from The Church. In 1607, the composer Agostino Agazzari wrote:
Music of the older kind is no longer in use, both because of the confusion and babel of the words, arising from the long and intricate imitations, and because it has no grace, for with all the voices singing, one hears neither period nor sense, these being interfered with and covered up by imitations . . . And on this account music would have come very near to being banished from The Holy Church by a Sovereign Pontiff [Pius IV], had not Giovanni Palestrina founded the remedy, showing that the fault and error lay, not with the music, but with the composers, and composing in confirmation of this the Mass entitled Missa Papae Marcelli.
— Quoted in Taruskin, Richard, and Weiss, Piero. Music in The Western World:A History in Documents. Schirmer, 1984, p. 141.

Jesuit musicians of the 17th-Century maintained this rumour, and it made its way into music history books into the 19th-Century, when historian Giuseppe Baini, in his 1828 biography of Palestrina, couched him as the "saviour of polyphony" from a Council wishing to wipe it out entirely.



Missa Papae Marcelli.
Palestrina.
The Tallis Scholars.
Director: Peter Phillips.
Available on YouTube at


the tallis scholars early music vocal ensemble peter phillips

The Tallis Scholars.
Photo © Eric Richmond

Soprano:

Jane Armstrong,
Alison Gough,
Stephanie Sale,
Judy Stell.

Countertenor:

Matthew Bright,
Paul Bropy,
Joe Cooke,
David Cordier.

Tenor:

Joseph Cornwell,
Andrew King,
Rufus Müller.

Bass:

Colin Mason,
Francis Steele,
Julian Walker,
Jeremy White.

Peter Phillips, Director.

the tallis scholars early music vocal ensemble peter phillips

Photo © Eric Richmond

Saturday, 7 May 2016

Saint Stanislaus. Bishop And Martyr. Patron Saint Of Poland. Feast Day, Today, 7 May.


Text from The Saint Andrew Daily Missal,
unless otherwise stated.

Saint Stanislaus.
Bishop and Martyr.
Feast Day 7 May.

Double.

Red Vestments.




Saint Stanislaus.
Artist: Stanisław Samostrzelnik (1485–1541).
Date: 1530-1535.
Current location: National Library of Poland.
Source/Photographer: Polona.pl
(Wikimedia Commons)



Saint Stanislaus, born in Poland, was made Bishop of Cracow in 1072. He became an object of hatred to King Boleslas II, whom he reproached for his tyranny and dissolute life. One day, while the Saint was saying Mass, the King rushed at him and slew him (Collect). This was in 1079. Saint Stanislaus is the Patron of Poland.

Mass: Protexisti.




English: Coat-of-Arms of Poland.
Polski: Godło Rzeczypospolitej Polskiej.
Date: 17 December 2006 (published on Commons).
Author: Original; Polish Government.
Smoothing by Maciej Jaros (Commons: Nux, wiki-pl: Nux).
(Wikimedia Commons)





Polish National Anthem.
Available on YouTube at



The following Text is from Wikipedia - the free encyclopaedia.

Stanislaus of Szczepanów, or Stanisław Szczepanowski, (26 July 1030 – 11 April 1079) was a Bishop of Kraków, known chiefly for having been Martyred by the Polish King, Bolesław II the Bold. Stanislaus is Venerated in The Roman Catholic Church as Saint Stanislaus the Martyr (as distinct from Stanislaus Kostka).

According to Tradition, Stanisław was born at Szczepanów, a village in Lesser Poland, the only son of the noble and pious Wielisław and Bogna. He was educated at a Cathedral School in Gniezno (then the Capital of Poland) and, later, according to different sources, in Paris or Liège. On his return to Poland, Stanisław was Ordained a Priest by Lambert II Suła, Bishop of Kraków.

After the Bishop's death (1072), Stanisław was elected his successor, but accepted the Office only at the explicit command of Pope Alexander II. Stanisław was one of the earliest native Polish Bishops. He also became a Ducal Advisor and had some influence on Polish politics.

Stanisław's major accomplishments included bringing Papal Legates to Poland, and the re-establishment of a Metropolitan See, in Gniezno. The latter was a precondition for Duke Bolesław's Coronation as King, which took place in 1076. Stanisław then encouraged King Bolesław to establish Benedictine Monasteries to aid in the Christianisation of Poland.





Forty-Five Interesting Facts About Poland.
Available on YouTube at


Solemn Vespers. Saturday, 7 May 2016. Monastery Of The Holy Cross, Chicago.



Illustration: NEW LITURGICAL MOVEMENT


Solemn Vespers.
Saturday, 7 May 2016.
1715 hrs.
Monastery Of The Holy Cross,
3111 S Aberdeen Street,
Chicago, Illinois.

Web-Site


This Article can be read in full at

Solemn High Mass In New Jersey.



Friday, 6 May 2016

Saint-John-Before-The-Latin-Gate. San Giovanni A Porta Latina. Feast Day 6 May.


Text is taken from The Saint Andrew Daily Missal,
unless otherwise stated.

Saint-John-Before-The-Latin Gate.
Feast Day 6 May.

Greater-Double.

Red Vestments.



English: Basilica of Saint-John-Before-The-Latin-Gate
Italiano: San Giovanni a Porta Latina.
Français: Facade de l'Église San Giovanni a Porta Latina.
Photo: July 2009.
Source: Own work.
Author: LPLT.
(Wikimedia Commons)


Jesus had promised James and John, sons of Zebedee, that they should drink the chalice of His Passion, so as to participate in the triumph of His Resurrection (Gospel).

The Emperor Domitian caused John to be brought to Rome and condemned him to be plunged into a cauldron of boiling oil.

But Saint John, by a striking Miracle, came forth from this torment more healthy and vigorous than before. A Sanctuary was built on this spot near The Latin Gate and Dedicated to The Holy Apostle.

There is held The Station on Passion Sunday.

Mass: Protexísti.



English: The Nave of the Basilica of Saint-John-Before-The-Latin-Gate, Rome.
Français: Nef de l'église San Giovanni a Porta Latina à Rome.
Photo: July 2009.
Source: Own work.
Author: LPLT.
(Wikimedia Commons)


The following Text is taken from Wikipedia - the free encyclopaedia.

San Giovanni a Porta Latina (Italian: "Saint-John-Before-The-Latin-Gate") is a Basilica Church in Rome, Italy, near the Porta Latina (on the Via Latina) of the Aurelian Wall. It is currently the Titular Church of Cardinal Franciszek Macharski, former Archbishop of Kraków.

According to Tertullian, as quoted by Saint Jerome, in the year 92 A.D., Saint John the Evangelist survived Martyrdom at Rome, under the Emperor Domitian, by being immersed in a vat of boiling oil, from which he emerged unharmed. He was later exiled to the island of Patmos.

This event was Traditionally said to have occurred at The Latin Gate (located on the Southern portion of The Roman Wall). The nearby Chapel of San Giovanni in Oleo is said to be on this very spot. The event was referred to in The Roman Martyrology, which was begun in the 7th-Century A.D., when already there was a Celebration of the event. A Feast Day in The Roman Calendar also Celebrated the event until 1960, when Pope Saint John XXIII removed most Second Feasts of a single Saint.




English: Frescoes in the Apse of the Basilica of
Saint-John-Before-The-Latin-Gate, Rome.
Français: Fresques de l'abside de l'église San Giovanni a Porta Latina de Rome.
Photo: November 2008.
Source: Own work.
Author: LPLT.
(Wikimedia Commons)


The Tradition for the building of the Basilica of Saint-John-Before-The-Latin-Gate places its construction during the Pontificate of Pope Gelasius I (492 A.D. - 496 A.D.). This is consistent with the oldest of the roof tiles, which have the imprint of a taxation stamp for the Ostrogoth King and Ruler of Italy, Theodoric the Great (Reigned 493 A.D. -526 A.D.). One of these ancient roof tiles is now used in the Basilica as a Lectern.

In the 8th-Century A.D., the Basilica was restored by Pope Adrian I, and later the Bell-Tower and Portico were added, and, at the end of the 12th-Century, the Basilica was re-Consecrated by Pope Celestine III. In the 16th- and 17th-Centuries, a Baroque Ceiling and other Baroque features were added to the Interior.

In 1940-1941, the Baroque features were removed and the Basilica was returned to a more primitive simplicity. This last renovation was carried out by the Rosminian Fathers, who, in 1938, were given care of the Basilica and the nearby building, where they opened the Collegio Missionario Antonio Rosmini, which houses their International House of Studies.



Columns in the Nave of Saint-John-Before-The-Latin-Gate, Rome.
Photo: May 2009.
Source: Own work.
Author: LPLT.
(Wikimedia Commons)


The main entrance to the Basilica is fronted by a small Square, with a 100-year-old Cedar Tree and an 8th-Century Well-Head, nearly reproducing the aspect of the Basilica that would have been seen at the re-Consecration by Pope Celestine III in the 12th-Century.

The Portico (or Porch) of the Basilica is supported by four re-used Classical Columns (each of a different marble) supporting five Arches. The Main Door is framed with a simple mosaic of Red and Green Porphyry.

The Well-Head, from the time of Pope Adrian I, has a double row circular design around its barrel, and a Latin inscription completely around its crown: IN NOMINE PAT[RIS] ET FILII ET SPI[RITUS SANT]I - "In the name of The Father, of The Son, and of The Holy Ghost" - and a quote from the Prophet Isaiah: OMN[E]S SITIE[NTES VENITE AD AQUAS] - "All you who are thirsty come to the water", and the name of the stone-carver - EGO STEFANUS - "I am Stephen".



English: One of the oldest of the roof tiles from 

Saint-John-Before-The-Latin-Gate, Rome,
which has the imprint of a taxation stamp for the Ostrogoth King and Ruler of Italy, Theodoric the Great (Reigned 493 A.D. -526 A.D.). This ancient roof tile is now used in the Basilica as a Lectern.
Français: Lutrin de l'Église San Giovanni a Porta Latina de Rome.
Photo: July 2009.
Source: Own work.
Author: LPLT.
(Wikimedia Commons)


The Interior of the Basilica is divided into three Naves, divided by two rows of Columns, on which rest semi-circular Arches. The two Columns closest to the Sanctuary are of White Marble with deep fluting. The other Columns are of various types of Marble and Granite, capped with a diverse collection of Ionic Capitals. The Central Nave terminates with a half-hexagon Apse. Each of the three sides of the Apse opens with a large window filled with Honey-Coloured Onyx.

Occupying the ledge of the Central Window is a carved wooden Crucifixion Scene, including Saint John the Evangelist and The Blessed Virgin Mary. In front of the Altar, is a mosaic Pavement in Cosmatesque-style. The geometric pattern of Red and Green Porphyry, framed in White Marble (as well as re-used fragments of White Marble with Latin lettering), is thought to have been created before the 12th-Century. Inserted in the front step of the Altar, is the Titulus of the Basilica, of ancient origin, discovered during the renovations of 1940: "TIT. S. IOANNIS ANTE PORTAM LA[TINAM]" - "Saint John before the Latin Gate".

In 1913-1915, recently-discovered frescoes were restored above the High Altar. After this work, another search along the face of the Central Nave revealed the presence of a full circle of Mediaeval frescoes. The restoration of these frescoes was completed with the full restoration of the Basilica in 1940-1941. The Central Nave is decorated with about fifty scenes representing The Old and New Testaments, from The Creation of the World to the glorious Apocalypse of The New Jerusalem. The frescoes were executed by several artists under the direction of one Master.

Thursday, 5 May 2016

The Ascension Of Our Lord.


Text is from The Saint Andrew Daily Missal,
unless otherwise stated.

The Ascension of Our Lord.
   Station at Saint Peter's.
   Plenary Stational Indulgence.

Double of The First-Class
   with Privileged Octave of The Third Order.

White Vestments.

[Editor: The Paschal Candle is extinguished after The Gospel.]



While they looked on, He was raised up.
Artist: Rene de Cramer.
"Copyright Brunelmar/Ghent/Belgium".
Used with Permission.


It is in the Basilica of Saint Peter's, Rome, Dedicated to one of the chief witnesses of Our Lord's Ascension, that this Mystery, which marks the end of Our Lord's Earthly Life, is "this day" (Collect) kept.

In the forty days, which followed His Resurrection, Our Redeemer laid the foundations of His Church to which He was going to send The Holy Ghost.



The Introit at The Ascension Day Latin Mass,
at The Institute Saint Philipp Neri, Berlin, Germany.
Available on YouTube at

If you want to support the Institute St. Philipp Neri, you can make a donation at the following banking account: Freundeskreis St. Philipp Neri e.V. PAX-Bank e.G., Berlin Kontonummer 600 2557 019 Bankleitzahl 370 601 93
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AUF IHRE UNTERSTÜTZUNG ANGEWIESEN.


All The Master's teachings are summed up in the Epistle and Gospel for today. Then, He left this Earth and the Introit, Collect, Epistle, Alleluia, Gospel, Offertory, Secret, Preface and Communion, celebrate His Glorious Ascension into Heaven, where the Souls He had freed from Limbo escort Him (Alleluia), and enter in His train into the Heavenly Kingdom, where they share more fully in His Divinity.

The Ascension sets before us the duty of raising our hearts to God. So, in the Collect, we are led to ask that we may dwell with Christ in Spirit in the Heavenly Realms, where we are called one day to dwell in our Risen Bodies.

During The Octave, the Credo is said: "I believe in one Lord Jesus Christ, the only-begotten Son of God . . . Who ascended into Heaven . . . He sitteth at the Right-Hand of The Father". The Gloria speaks in the same sense: "O, Lord Jesus Christ, the only-begotten Son . . . Who sittest at the Right-Hand of The Father, have mercy upon us."



The Gloria at The Ascension Day Latin Mass,
at The Institute Saint Philipp Neri, Berlin, Germany.
Available on YouTube at


In the Proper Preface, which is said until Pentecost, we give thanks to God because His Son, The Risen Christ, "after His Resurrection, appeared and showed Himself to all His Disciples; and, while they beheld Him, was lifted up into Heaven".

In the same way, during the whole Octave, a Proper Communicantes of The Feast is said, in which The Church reminds us that she is keeping the day on which the only-begotten Son of God set at the Right-Hand of His Glory the substance of our frail human nature, to which He had united Himself in the Mystery of The Incarnation.



The Collect and Epistle at The Ascension Day Latin Mass,
at The Institute Saint Philipp Neri, Berlin, Germany.
Available on YouTube at


We are reminded daily in The Liturgy, at the Offertory Suscipe Sancta Trinitas, and in the Canon Unde et memores, that, at Our Lord's command, The Holy Sacrifice is being offered in memory of "The Blessed Passion of the same Christ, Thy Son, Our Lord," and also His Resurrection from Hell and His Glorious Ascension into Heaven.

The truth is that man is saved only by the Mysteries of The Passion and Resurrection united with that of The Ascension. "Through Thy Death and Burial, through Thy Holy Resurrection, through Thy Admirable Ascension, deliver us, O Lord" (Litany of The Saints).



The Credo at The Ascension Day Latin Mass,
at The Institute Saint Philipp Neri, Berlin, Germany.
Available on YouTube at


Let us offer The Divine Sacrifice to God in memory of The Glorious Ascension of His Son (Suscipe, Unde et memores); while we nourish within our Souls an ardent desire for Heaven, that "delivered from present dangers," we may "attain to Eternal Life" (Secret).

Every Parish Priest Celebrates Mass for the people of his Parish.

Mass: Viri Galilaéi.

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