Notre Dame de Rouen. The façade of the Gothic Church in France. Photographer: Hippo1947. Licence: SHUTTERSTOCK.

Wednesday 23 November 2016

Miss Marple Always Caught The 07.30 hrs Train When Travelling Up To London From Saint Mary Mead.



Illustration: PINTEREST


Joan Hickson.
The definitive Miss Marple.
Copyright holder: BBC Enterprises.
(Wikipedia)

The following Text is from Wikipedia.

The character of Jane Marple in the first Miss Marple book, The Murder at the Vicarage, is markedly different from how she appears in later books. This early version of Miss Marple is as a gleeful gossip and not an especially nice woman. The citizens of Saint Mary Mead like her, but are often tired by her nosy nature and how she seems to expect the worst of everyone. In later books, she becomes more modern and a kinder person.

Miss Marple solves difficult crimes because of her shrewd intelligence, and Saint Mary Mead, over her lifetime, has given her seemingly infinite examples of the negative side of human nature. Crimes always remind her of a parallel incident, although acquaintances may be bored by analogies that often lead her to a deeper realisation about the true nature of a crime.

She also has a remarkable ability to latch onto a casual comment and connect it to the case at hand. In several stories, she is able to rely on her acquaintance with Sir Henry Clithering, a retired Commissioner of The Metropolitan Police, for official information when required.


Joan Hickson's Gravestone.
"The archetypal Miss Marple".
Devon, 
England.
Died 17 October 1998, aged 92.
Illustration: FIND A GRAVE

Miss Marple never married and has no close living relatives. Her nephew, the "well-known author" Raymond West, appears in some stories, including Sleeping Murder and Ingots of Gold, which also feature his wife, Joan, a modern artist (though prior to their marriage she is referred to as "Joyce Lemprière", in The The Thirteen Problems stories).

Raymond overestimates himself and underestimates his aunt's mental acuity. Miss Marple employs young women (Clara, Emily, Alice, Esther, Gwenda, and Amy) from a nearby orphanage, whom she trains for service as general housemaids after the retirement of her long-time maid-housekeeper, faithful Florence. She was briefly looked after by her irritating maid, Miss Knight. In her later years, companion Cherry Baker, first introduced in The Mirror Crack'd From Side to Side, lives in.

Miss Marple has never worked for her living and is of independent means, although she benefits in her old age from the financial support of Raymond West, her nephew (A Caribbean Mystery, 1964). She is not from the aristocracy or landed gentry, but is quite at home among them and would probably have been happy to describe herself as "genteel"; indeed, a gentlewoman.


Miss Marple,
played by Joan Hickson,
in 
Agatha Christie's
"The Mirror Crack'd from Side to Side".
Available on YouTube at

Miss Marple may thus be considered a female version of that staple of British detective fiction, the gentleman detective. She demonstrates a remarkably thorough education, including some art courses that involved study of human anatomy through the study of human cadavers. In They Do It with Mirrors (1952), it is revealed that Miss Marple grew up in a Cathedral Close, and that she studied at an Italian finishing school with Americans Ruth Van Rydock and Caroline "Carrie" Louise Serrocold.

While Miss Marple is described as 'an old lady' in many of the stories, her age is mentioned in "At Bertram's Hotel", where it is said she visited the hotel when she was fourteen and almost sixty years have passed since then. Excluding "Sleeping Murder", forty-one years passed between the first and last-written novels, and many characters grow and age. An example would be the Vicar's nephew: In The Murder at the Vicarage, the Reverend Clement's nephew, Dennis, is a teenager; in The Mirror Crack'd from Side to Side, it is mentioned that the nephew is now grown and successful and has a career. The effects of ageing are seen on Miss Marple, such as needing a holiday after illness in
A Caribbean Mystery.

Little is known about Miss Marple's background, except that she has two younger sisters. One of them is the mother of Raymond, and the other is mother to Mabel Denham, a young woman who was accused of poisoning her husband Geoffrey (The Thumb Mark of Saint Peter).


Joan Hickson
as Agatha Christie's
Miss Marple.
Available on

Joan Bogle Hickson, OBE (5 August 1906 – 17 October 1998) was an English actress of theatre, film and television. She was particularly known for her role as Agatha Christie's Miss Marple in the television series Miss Marple. As well as portraying Miss Marple on television, Hickson also narrated a number of Miss Marple stories on audio books.
Born in Kingsthorpe, Northampton, Joan Hickson was a daughter of Edith Mary (née Bogle) and Alfred Harold Hickson, a shoe manufacturer. She made her stage debut in 1927, and for several years worked throughout The United Kingdom and achieved success playing comedic, often eccentric characters in London's West End, including the role of the cockney maid, Ida, in the original production of See How They Run, at The Q Theatre in 1944, and then at The Comedy Theatre in January 1945.

She made her first film appearance in 1934. The numerous supporting roles of her career included several Carry On films, including playing The Nursing Sister in Carry On Nurse.


Miss Marple,
played by Agatha Christie's
Joan Hickson.
Available on YouTube at

In the 1940s, she appeared on-stage in an Agatha Christie play, Appointment with Death, which was seen by Christie, who wrote in a note to her, "I hope one day you will play my dear Miss Marple". From 1963–1966, she played Mrs. Peace, housekeeper to Reverend Stephen Young (played by Donald Sinden) in the highly-rated TV series Our Man At Saint Mark's. Hickson played the housekeeper in the Marple film Murder, She Said, in 1961, (based on Agatha Christie's original novel 4.50 From Paddington), which starred Margaret Rutherford as Miss Marple.

From 1970–1971, she played Mrs Pugsley in Bachelor Father. Hickson played Mrs Chambers in Whatever Happened to The Likely Lads ? In 1986, she played the part of Mrs. Trellis in Clockwise.

Her stage career included roles in Noël Coward's Blithe Spirit, the Tony Hatch-Jackie Trent 1975 musical The Card, and Alan Ayckbourn's Bedroom Farce, for which she won a 1979 Tony Award for 'Best Featured Actress in a Play'. In 1980, she appeared in yet another Agatha Christie production, as Mrs. Rivington in Why Didn't They Ask Evans?.


The BBC began filming the works of Agatha Christie in the Mid-1980s, and were conscious of the criticism that had been levelled at the most famous portrayal of Miss Marple given by Margaret Rutherford.

In making a new series, the makers determined to remain faithful to the plotlines and locales of Christie's stories, and most importantly to represent Miss Marple as written. Hickson played the role in all twelve adaptations of the novels produced from 1984 to 1992, and received two BAFTA nominations for Best TV Actress, 1987 and 1988.
When the OBE was bestowed on Hickson in June 1987, Queen Elizabeth II was reported to have said: "You play the part just as one envisages it." When Joan Hickson retired from the role, believing that she should stop while the programme was still at the peak of its popularity, she stated that she had no intention of retiring from acting altogether.

Tuesday 22 November 2016

“Cast Your Burden Upon The Lord, And He Will Sustain You”. On Cleaving To God. Saint Albert The Great.


This Article is taken from ENLARGING THE HEART


English: Saint Albert the Great
(Albertus Magnus).
Deutsch: Albertus Magnus, Tafelgemälde des Joos (Justus) van Gent, Urbino.
Artist: Justus van Gent (circa 1410–1480).
Date: Circa 1475.
(Wikimedia Commons)

There, in the presence of Jesus Christ, with everything, in general and individually, excluded and wiped out, the mind alone turns in security confidently to The Lord its God with its desire.

In this way, it pours itself forth into Him in full sincerity with its whole heart and the yearning of its love, in the most inward part of all its faculties, and is plunged, enlarged, set on fire and dissolved into Him.

Certainly, anyone who desires and aims to arrive at, and remain in, such a state, must needs above all have eyes and senses closed and not be inwardly involved or worried about anything.


Saint Albert the Great
(Albertus Magnus).
Artist: Tommaso da Modena (1326–1379).
Date: 1352.
Current location: Treviso - Chiesa di San Nicolò,
Sala del Capitolo (Seminario di Treviso), Italy.
Source/Photographer: Kapitelsaal des ehemaligen Dominikanerklosters San Niccolò in Treviso.
First uploaded by sv:Användare:Lamré to Swedish Wikipedia as sv:Bild:AlbertusMagnus.jpg.
(Wikimedia Commons)

He should not be concerned or occupied with anything, but should completely reject all such things as irrelevant, harmful and dangerous.

Then he should withdraw himself totally within himself, and not pay any attention to any object entering the mind except Jesus Christ, The Wounded One, alone.

And so he should turn his attention with care and determination through Him into Him – that is, through the man into God, through the wounds of His humanity into the inmost reality of His Divinity.

Here, he can commit himself and all that he has, individually and as a whole, promptly, securely and without discussion, to God’s unwearying providence, in accordance with the words of Peter, cast all your care upon Him (1 Peter 5.7), Who can do everything.


And, again. In nothing be anxious (Philippians 4.6), or what is more, Cast your burden upon The Lord, and He will sustain you (Psalm 55.22).

[ . . . ] The bride, too, in The Song of Songs, says: "I have found Him Whom my Soul loves"(Canticle 3.4), and, again, "All good things came to me along with her" (Wisdom 7.11).

This, after all, is the hidden Heavenly Treasure, none other than The Pearl of Great Price, which must be sought with resolution, esteeming it in humble faithfulness, eager diligence, and calm silence before all things, and preferring it even above physical comfort, or honour and renown.


For what good does it do a Religious, if he gains the whole World but suffers the loss of his Soul ? Or what is the benefit of his state of life, the holiness of his profession, the virtue of his Habit and Tonsure, or the outer circumstances of his way of life, if he is without a life of spiritual humility and truth in which Christ abides through a Faith created by love.

This is what Luke means by, The Kingdom of God (that is, Jesus Christ) is within you (Luke 17.21).

Albert the Great (1193/1206–1280) [attributed]: On Cleaving to God, 1 and 2.

The World Health Organization Declares An End To Global Health Emergency Over The Zika Virus. Deo Gratias. But Keep Praying.



Nine photos taken in September 2016 of infants, who were born with microcephaly,
in Pernambuco State, Brazil. The World Health Organisation declared an end to the
global health emergency for the virus on 18 November 2016.
Photo Credit: Felipe Dana/Associated Press.
Illustration: THE NEW YORK TIMES

The World Health Organisation (W.H.O.) declared an end to its global health emergency over the spread of the Zika virus on Friday, 18 November 2016, prompting dismay from some public health experts still wrestling with the epidemic.

An agency advisory committee said it ended the emergency — formally known as a Public Health Emergency of International Concern — because Zika is now shown to be another dangerous mosquito-borne disease like malaria or yellow fever, and should be treated, like them, as an ongoing problem, not an exceptional situation.

The experts who recommended ending the emergency were at pains to explain that they did not consider the current Zika crisis over.

“We are not downgrading the importance of Zika,” said Dr. Peter Salama, executive director of the W.H.O.’s emergencies programme. “We are sending the message that Zika is here to stay and the W.H.O. response is here to stay.”

Like other mosquito-borne diseases, Zika is seasonal and can be expected to return, Dr. Salama added, and Countries now need to consider it an endemic disease and respond accordingly, with help from the W.H.O.

Saint Cecilia. Virgin And Martyr. Feast Day, Today, 22 November.


Text from The Saint Andrew Daily Missal,
unless otherwise stated.

Saint Cecilia.
Virgin and Martyr.
Feast Day 22 November.

Double.

Red Vestments.


Saint Cecilia.
Church of Saint Cecilia, Trastevere, Rome, Italy.
In the sculpture, by Stefano Maderno (1576-1636), Saint Cecilia extends three fingers with her
Right Hand and one with her Left Hand, testifying to The Trinity. The sculptor attested that
this was how the Saint's body looked when her tomb was opened in 1599.
Photographed at the Church of Saint Cecilia,
Trastevere, Rome, Italy, by Richard Stracke.
Please credit the photographer and the Church.
Date: 26 September 2011 (original upload date).
Source: Transferred from en.wikipedia to Commons by
(Wikimedia Commons)

Born at Rome, of the illustrious family of the Coecilli,, Cecilia, as a child, consecrated her Virginity to God. When she was forced to marry Valerian, a young pagan, she said to him on the night of the wedding: "Valerian, I am placed under the guardianship of an Angel, who protects my Virginity; therefore, do not attempt anything which may bring down on thee God's anger."

Valerian dared not approach her and declared that he would believe in Jesus Christ if he saw the Angel. Cecilia assured him that this was impossible unless he was first Baptised, and sent him to Pope Urban I, who lived hidden in The Catacombs, on account of the persecutions.

Pope Urban I Baptised him and Valerian saw, near his Virginal Spouse, an Angel, brilliant with a Divine Light. Cecilia also instructed Tiburtius, the brother of Valerian, in the Faith of Jesus Christ, and Tiburtius, having been Baptised, also saw Cecilia's Angel. A short time after, both brothers were Martyred under the Prefect Almachius.



The Church of Saint Cecilia,
Trastevere, Rome, Italy.
The body of the Saint lies beneath The High Altar.
The Station on The Wednesday in
The Second Week of Lent is held here.
Illustration: LITURGIA LATINA

Finally, the last-named arrested Cecilia and ordered her to be put to death in her house. This was about 230 A.D.

Her body was discovered in 1599 by Cardinal Sfondrati, just as it was at the moment of her death. Stefano Maderno sculptured a famous reproduction of the body, which is seen under The High Altar of her Church in Rome.


Her house was transformed into a Church, where her body lies. For many Centuries, a number of Virgins of The Order of Saint Benedict have watched over this treasure. The Church is one of the two ornaments of The Trastevere, the other being Saint Mary's. Here is held The Station on The Wednesday in The Second Week of Lent. The name of Saint Cecilia is mentioned in The Canon of The Mass (Second List).

"To the sound of musical instruments," says The First Antiphon at Vespers, "the Virgin Cecilia sang to God in her heart." On this account, she has been chosen as The Patroness of Musicians.

Mass: Loquébar de testimóniis.


THE SAINT ANDREW DAILY MISSAL



THE SAINT ANDREW DAILY MISSAL

Available (in U.K.) from

Available (in U.S.A.) from

The Anglican Cathedral In Norwich.



Norwich Cathedral.
Illustration: PINTEREST


The Nave,
Norwich Cathedral.
Photo: 29 July 2014.
Source: Own work.
Author: Diliff.
Attribution: "Photo by DAVID ILIFF.
License: CC-BY-SA 3.0"
(Wikimedia Commons)


The history of Norwich Cathedral.
Available on YouTube at


Anglican Chant:
Psalm 124 (Nisi Quia Dominus).
Choir of Norwich Cathedral.
Available on YouTube at


English: The view of the Spire of Norwich Cathedral from The Cloisters.
Français: La tour, la flèche et le transept sud de la cathédrale de Norwich, vus depuis le cloître.
Photo: 29 July 2014.
Source: Own work.
Author: Diliff.
Attribution: "Photo by DAVID ILIFF.
License: CC-BY-SA 3.0"
(Wikimedia Commons)

The following Text is from Wikipedia - the free encyclopaedia.

Norwich Cathedral is a Cathedral, located in Norwich, Norfolk, England. Dedicated to The Holy and Undivided Trinity. It is the Cathedral Church for The Church of England Diocese of Norwich and is one of the Norwich Twelve Heritage Sites.

The Cathedral was begun in 1096 and constructed out of flint and mortar and faced with a cream-coloured Caen limestone. A Saxon settlement and two Churches were demolished to make room for the buildings. The Cathedral was completed in 1145, with the Norman Tower, still seen today, topped with a wooden Spire, covered with lead. Several episodes of damage necessitated rebuilding of The East End and Spire, but, since the final erection of the Stone Spire in 1480, there have been few fundamental alterations to the fabric.


The Choir,
Norwich Cathedral.
Photo: 29 July 2014.
Source: Own work.
Author: Diliff.
Attribution: "Photo by DAVID ILIFF.
License: CC-BY-SA 3.0"
(Wikimedia Commons)

The large Cloisters have over 1,000 Bosses, including several hundred carved and ornately-painted.

Norwich Cathedral has the second-largest Cloisters in England, only smaller to Salisbury Cathedral. The Cathedral Close is one of the largest in England, and one of the largest in Europe, and has more people living within it than any other Close.

The Cathedral Spire, measuring 315 ft (96 m), is the second-tallest in England, despite being partly rebuilt after being struck by lightning in 1169, just twenty-three months after its completion, which led to the building being set on fire.

Measuring 461 ft (140.5 m) long and, with The Transepts, 177 ft (54 m) wide, Norwich Cathedral was the largest building in East Anglia.


The Cloisters,
Norwich Cathedral.
Photo: 24 July 2011.
Source: Own work.
Author: .
(Wikimedia Commons)

The structure of the Cathedral is primarily in The Norman Style, having been constructed at the behest of Bishop Herbert de Losinga who had bought the Bishopric for £1,900 before its transfer from Thetford.

Building started in 1096 and the Cathedral was completed in 1145. It was built from flint and mortar and faced with cream-coloured Caen limestone. It still retains the greater part of its original stone structure. An Anglo-Saxon settlement and two Churches were demolished to make room for the buildings. A Canal was cut to allow access for the boats bringing the stone and building materials, which were taken up The River Wensum and unloaded at Pulls Ferry, Norwich.

The Ground Plan remains almost entirely as it was in Norman times, except for that of the Eastern-most Chapel. The Cathedral has an unusually long Nave of fourteen Bays. The Transepts are without Aisles and The East End terminates in an Apse with an Ambulatory. From the Ambulatory, there is access to two Chapels of unusual shape, the Plan of each being based on two intersecting circles.This allows more correct orientation of the Altars than in the more normal kind of radial Chapel.

The Crossing Tower was the last piece of the Norman Cathedral to be completed, around 1140. It is boldly-decorated with circles, lozenges and interlaced Arcading. The present Spire was added in the Late-15th-Century.


"Abide With Me".
Sung by The Choir of Norwich Cathedral.
Available on YouTube at

Monday 21 November 2016

The Latin Mass Society's Booklet Missal.


This Article is taken from RORATE CAELI
and is reprinted from 2015.


Illustration: RORATE CAELI

Members of The Latin Mass Society are this weekend receiving their copies of the quarterly magazine, Mass of Ages; with this edition, is enclosed a brand-new Booklet Missal, or "Missalette", with Ordinary Prayers of The Mass, Benediction, and other Prayers and Devotions.

This new book has a clear, accurate, and readable new translation of all The Ordinary of The Mass, taking account of the improved ICEL translation of The Novus Ordo, where applicable, but using Traditional language ('Thee' and 'Thou', etc.).

It has new illustrations showing the postures of the Priest at different points during The Mass. It includes variants for High Mass and Pontifical Mass, so the Book won't let you down on special occasions; for example, it gives The Pontifical Blessing at the end of Mass.


It includes the Texts for The Angelus and for Benediction, in both Latin and English; if you want to use the lovely Chant Setting of The Divine Praises in Latin, for example, the Text is there.

It also includes two Chant Mass Ordinaries, those most commonly used on Sundays - Mass XI and Mass XVII (for Advent and Lent) - and The Four Marian Anthems.

It has a number of things particularly useful for Catholics who are attached to The Traditional Mass specific to England and Wales, such as The Prayer for The Queen, The Prayer for England (given to us by Pope Leo XIII and commonly said during Benediction, and The 'Long Prayer for England', a charming Prayer ordered by Cardinal Wiseman to be said in Benediction on The Second Sunday of the month.


It also has the authentic version of The Prayer for Wales, in Welsh. Modern books with The Welsh Prayer for Wales use a variety of edited versions, which exclude the petition that The Welsh return to their ancient Catholic Faith. Our version is that used in The Welsh CTS Simple Prayer Book, issued in the 1950s.

Such a Booklet can't include everything, but we have the modest hope that it will set a new standard for such Aids to Devotion.

You can order your Copies HERE
Talk to The LMS Office about bulk discounts.

The Presentation Of The Blessed Virgin Mary. Feast Day 21 November.


Text from The Saint Andrew Daily Missal,
unless otherwise stated.

The Presentation of The Blessed Virgin Mary.
Feast Day 21 November.

Greater-Double.

White Vestments.




English: The Presentation of The Virgin Mary (detail).
Titian (1490–1576).
Italiano: Tiziano. Presentazione al Tempio (dettaglio).
Date: 1534 - 1538.
Current location: Accademia of Venice, Italy.
Source: Gallerie dell'Accademia, Venice, Italy.
(Wikimedia Commons)

After having Solemnised, on 8 September, The Nativity of The Blessed Virgin, and, four days later, The Feast of The Holy Name of Mary, a name given to her a short time before her Birth, The Cycle celebrates on this day The Presentation in the Temple of The Child of Benediction.

These first three Feasts of Mary's Cycle are an echo of The Christological Cycle, which, likewise, celebrates: The Birth of Jesus, 25 December; The Imposition of His Holy Name, 2 January; and His Presentation in the Temple, 2 February.



English: The Presentation of The Blessed Virgin Mary in the Temple.
Italiano: Presentazione di maria al tempio.
Artist: Alfonso Boschi.
Date: 17th-Century.
Source: Giovanni Piccirillo (a cura di),
La chiesa dei Santi Michele e Gaetano,
Becocci Editore, Firenze 2006.
Author: sailko.
(Wikimedia Commons)

The Feast of The Presentation of Mary is founded on a pious Tradition, originated by two apocryphal Gospels, which relate that The Blessed Virgin was Presented in the Temple of Jerusalem, when three years old, and that she lived there, with other girls and the Holy Women, who had them in their care. Already in the 6th-Century A.D., the event is Commemorated in The East and the Emperor, Michael Comnenus, alludes to it in a Constitution of 1166.



English: Fresco of The Presentation of The Blessed Virgin Mary.
The Monastery Church of The Assumption,
der Dillinger Franziskanerinnen in Dillingen an der Donau,
Fresko mit der Darstellung des Tempelganges Mariens.
Photo: 26 September 2010.
Source: Own work.
Author: GFreihalter.
(Wikimedia Commons)

A French nobleman, Philippe de Maizières, who was Chancellor at the Court of the King of Cyprus, having been sent in 1372 as Ambassador to Pope Gregory XI, at Avignon, related to the Pope with what magnificence The Feast was Solemnised in Greece, on 21 November. His Holiness introduced The Feast at Avignon and Pope Sixtus V introduced it at Rome in 1585. Pope Clement VIII raised it to the Rank of Greater-Double and re-arranged The Office.

Mass: Salve, Sancta Parens.
Preface: Of The Blessed Virgin Mary: Et te in Praesentatione.


THE SAINT ANDREW DAILY MISSAL



THE SAINT ANDREW DAILY MISSAL

Available (in U.K.) from

Available (in U.S.A.) from

Saint Mary The Virgin Church. Designed By Sir John Ninian Comper (1864 – 1960). Scottish Gothic-Revival Architect.


Text and Illustrations from Wikipedia - the free encyclopaedia,
unless otherwise stated.



The Interior of Saint Mary The Virgin,
Wellingborough, Northamptonshire, England.
Sir John Ninian Comper designed this Church.


The spectacular Interior of Saint Mary's, Wellingborough, Northamptonshire, England.
The Church is little more than a Century old and was designed by the highly-regarded
architect, Sir Ninian Comper. The Church is extremely ornate, but never vulgar, and 
the Golds and Blues blend in perfectly well with the local Deep-Golden Stone.
The Church is in the Anglo-Catholic Tradition 
of The Church of England.
Photo: 18 August 1997.
Source: From geograph.org.uk.
Author: nick macneill.
(Wikimedia Commons)

Sir John Ninian Comper (1864–1960) was a Scottish-born architect. He was one of the last of the great Gothic Revival architects, noted for his Churches and their furnishings. He is well known for his Stained Glass, his use of colour and his subtle integration of Classical and Gothic elements, which he described as "unity by inclusion".

Comper was born in Aberdeen, Scotland, the eldest of five children of Ellen Taylor, of Hull, and the Reverend John ComperRector of St John's, Aberdeen (and, later, St Margaret of Scotland). He was educated at Glenalmond School, in Perthshire, and attended a year at the Ruskin School of Art in Oxford. On moving to London, he was Articled to Charles Eamer Kempe, and, later, to George Frederick Bodley and Thomas Garner. His fellow-Scot, William Bucknall, took him into partnership in London in 1888 and Ninian was married to Grace Bucknall in 1890. Bucknall and Comper remained in partnership until 1905.



Reredos, in Wymondham Abbey, Norfolk, England, designed by Comper.
Reredos (Altar Screen), with Tester and Rood Figures, designed by Sir Ninian Comper, 1922.
Photographer: Richard Barton-Wood.
Date: 1922 (object created); 27 February 2007 (original upload date).
Source: Transferred from en.wikipedia; transferred to
Commons using CommonsHelper.
Author: Sir Ninian Comper (creator of the object);
Photographer and Original uploader was Richard Barton-Wood.
(Wikimedia Commons)

Sir John Ninian Comper's ecclesiastical commissions include:


A line of windows in the North Wall of The Nave of Westminster Abbey;
Saint Peter's Parish Church, Huddersfield, Yorkshire, the Baldachino/Ciborium, High Altar and
East Window, in memory of The Dead of The Great War;
Saint Mary's, Wellingborough;
Saint Michael and All Angels, Inverness;
Lady Chapel at Downside Abbey,Somerset;
The Ciborium, and House Chapel extension, for The Society of Saint John the Evangelist, in Oxford (now Saint Stephen's House, Oxford);
Saint Cyprian's, Clarence GateLondon;
Lady Chapel at Saint Matthew's, Westminster;
Lady Chapel and Gilded Paintings in the Chancel of All Saints, Margaret Street, London.



The Sanctuary,
All Saints Church,
Margaret Street, London.
One of Sir John Ninian Comper's commissions.
Photo: 3 November 2001.
Source: From geograph.org.uk; transferred by
Author: John Salmon.
(Wikimedia Commons)

Comper is noted for re-introducing the "English Altar", an Altar surrounded by Riddel Posts. [Images, and documentary mentions of early examples [of Ciboria], often have Curtains, called tetravela, hung between the Columns; these Altar-Curtains were used to cover, and then reveal, the view of the Altar by the Congregation at points during Services — exactly which points varied, and is often unclear. Altar-Curtains survived the decline of the Ciborium in both East and West, and in English are often called "Riddels" (from French, rideau, a word once also used for ordinary domestic curtains).


Charles Eamer Kempe, (1860).
Upon moving to London, John Ninian Comper was Articled to Charles Eamer Kempe.
Charles Eamer Kempe (29 June 1837 – 29 April 1907) was a Victorian Stained Glass designer and manufacturer. His studios produced over 4,000 windows and also designs for Altars and Altar Frontals, furniture and furnishings, Lichgates and Memorials, that helped to define a later 19th-Century Anglican style. The list of English Cathedrals containing examples of his work includes: Chester, Gloucester, Hereford, Lichfield, Wells, Winchester, York.
This File: 21 July 2006.
Source: Found at [http://homepage.ntlworld.com/peter.fairweather/docs/kempe.htm].
Author: Unknown.
(Wikipedia)

A few Churches have "Riddle Posts", or "Riddel Posts", around The Altar, which supported The Curtain-Rails, and perhaps a Cloth stretched above. Such an arrangement can be seen in Folio 199v of the Très Riches Heures du duc de Berry. Late-Mediaeval examples in Northern Europe were often topped by Angels, and the Posts, but not the Curtains, were revived in some new or refitted Anglo-Catholic Churches by Ninian Comper and others around 1900.


Altar Frontal (Antependium) designed by Charles Eamer Kempe.
Upon moving to London, John Ninian Comper was Articled to Charles Eamer Kempe.
Illustration: MEDIEVAL CHURCH ART


Altar Frontal (Antependium) designed by Charles Eamer Kempe.
Upon moving to London, John Ninian Comper was Articled to Charles Eamer Kempe.
Illustration: MEDIEVAL CHURCH ART


Altar Frontal (Antependium) designed by Charles Eamer Kempe.
Upon moving to London, John Ninian Comper was Articled to Charles Eamer Kempe.
Illustration: MEDIEVAL CHURCH ART


Altar Frontal (Antependium) designed by Charles Eamer Kempe.
Upon moving to London, John Ninian Comper was Articled to Charles Eamer Kempe.
Illustration: MEDIEVAL CHURCH ART

In earlier periods, the Curtains were closed at the most Solemn part of The Mass, a practice that continues to the present day in The Coptic and Armenian Churches. A comparison to the Biblical Veil of The Temple was intended. The small domed structures, usually with Red Curtains, that are often shown near The Writing Saint in early Evangelist portraits, especially in the East, represent a Ciborium, as do the structures surrounding many manuscript portraits of Mediaeval Rulers.]


English: Saint John the Baptist Parish Church, Cardiff, Wales. Stained-Glass Window (1915)
by Ninian Comper: Saint Luke painting Madonna and Child (detail).
Deutsch: Cardiff (Wales). Pfarrkirche St. Johannes der Täufer - Buntglasfenster (1915)
von Ninian Comper: Heiliger Lukas malt Madonna mit Kind (Detail).
Photo: 28 July 2011.
Source: Own work.
Author: Wolfgang Sauber.
(Wikimedia Commons)

Comper designed a number of remarkable Altar Screens (Reredos), inspired by Mediaeval originals. Wymondham Abbey, Norfolk, has one of the finest examples.

Only one major ecclesiastical work of Comper's is in The United States, the Leslie Lindsey Chapel of Boston's Emmanuel Episcopal Church. The work is an all-encompassing product of, and testimony to, Comper's design capability, comprising the entire decorative scheme of the Chapel, designed by the architectural firm of Allen and Collins. Comper designed its Altar, Altar Screen, Pulpit, Lectern, dozens of statues, all its furnishings and appointments, and most notably the Stained-Glass Windows. The Chapel commemorates Leslie Lindsey and Stewart Mason, her husband of ten days, who were married at Emmanuel Church, and perished when the Lusitania was torpedoed in 1915.


Detail of Reredos at Saint James Church,
High Melton, England, by Ninian Comper.
Photo: 27 July 2007.
Source: Own work.
Author: Dearnesman.
(Wikimedia Commons)


Sir John Ninian Comper's Rood Screen,
Saint John the Baptist Church,
Lound, Nottinghamshire, England.
Photo: 24 September 2009.
Source: From geograph.org.uk.
Author: Evelyn Simak.
(Wikimedia Commons)

Saint John the Baptist's Church 1507412 - 1507426 , in Lound, is widely known as the 'Golden Church', its fame originating from the generosity of Father Booth Lyes, a past Rector, who employed Sir Ninian Comper's genius to restore it. The Round Tower 1507419 - the oldest part of the Church and believed to be Early-Norman - was probably rebuilt at some later time. The Church was extensively restored in 1912/1913. The High Altar 1507434 was raised on new flooring, and richly decorated Posts, surmounted by gilded bronze Angels, support curtains of Spanish silk.

Below the Altar, Ninian Comper's magnificent Rood Screen is adjoined at the South End by The Altar of Our Lady, above which Saint Mary Salome, Saint Mary The Virgin, and Saint Elizabeth, are depicted on boards with richly gilded gesso backgrounds 1507432. By Comper, is also the only modern wall painting in Suffolk depicting a Saint Christopher 1507439 - the Saint is surrounded by a water mill, with a Suffolk Punch horse and its rider, waiting patiently in front of it, and a portrait of Sir Ninian driving his Rolls Royce along the river bank. The airplane, at top right, was added during the 1964 restoration of the painting.

The Organ Case 1507447, at the West End of the Church, was installed in 1913. The Organ was built by Harrison and Harrison Ltd, of Durham. The original Norman Font Bowl now serves as a base for the Pulpit. The present Octagonal Font 1507445 - given in 1389 by Robert Bertelot - is of the Traditional East Anglian type and the inscription at its base, commemorating the donor, is still legible. Saint John the Baptist's Church has a 'Welcome' banner above the South Doorway and is open every day.


Saint Mary The Virgin Church,
Wellingborough, Northamptonshire, England.
One of Sir John Ninian Comper's masterpieces of creation.

From 1912, Ninian and Grace lived in London at The Priory, Beulah Hill, a house designed by Decimus Burton (1800–1881), where he entertained friends such as John Betjeman. He had a studio nearby at Knights Hill, close to the world's first Gothic Cemetery at West Norwood. After the studio was destroyed in World War II, it was relocated to a building in his garden, which had previously been used by his son, Nicholas Comper (1897–1939), to design aircraft. Comper was Knighted by King George VI in 1950.

On 22 December 1960, he died in The Hostel of God (now Trinity Hospice) in Clapham, London. His body was brought back to Norwood for cremation at West Norwood Cemetery. His ashes were then interred beneath the windows he designed in Westminster Abbey.

Sunday 20 November 2016

Bravo Zulu, Andy.


                        


"Bravo" and "Zulu" Signal Flags.
Bravo Zulu is a Naval Signal, typically conveyed by Flag or Voice Radio,
meaning "Well Done";


Andy Murray, after defeating Novak Djokovic,
to win his first ATP World Tour Finals Title
and end 2016 as The World Number One.
Photo Credit: Getty Images
Illustration: BBC SPORT

Don't Forget To Say Your Night Prayers.



Illustration: PINTEREST
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