Notre Dame de Rouen. The façade of the Gothic Church in France. Photographer: Hippo1947. Licence: SHUTTERSTOCK.

Thursday 22 December 2016

"My Favourite Time Of Year".





A scene from "A Christmas Carol" by Charles Dickens. 
Illustration: VICTORIAN MUSINGS


Illustration: VICTORIANA MAGAZINE


"My Favourite Time Of Year".
The Florin Street Band.
Available on YouTube at

O Rex Gentium. Antiphon For 22 December.


Text from Wikipedia - the free encyclopaedia,
unless otherwise stated.


English: The Virgin of The Angels.
Français: La Vierge aux anges.
Artist: William-Adolphe Bouguereau (1825–1905).
Date: 1881.
Author: William-Adolphe Bouguereau (1825–1905).
(Wikimedia Commons)


"O Rex Gentium".
Sung by
The Dominican Student Brothers
in Oxford.
Available on YouTube at

O Rex Gentium, et desideratus earum,
lapisque angularis, qui facis utraque unum:
veni, et salva hominem,
quem de limo formasti.

O King of the Nations, and their desire,
The Corner Stone making both one:
Come and save the Human Race,
which you fashioned from clay.

Isaiah had prophesied:

"For a child has been born for us, a son given us; authority rests upon his shoulders; and he is named Wonderful Counsellor, Mighty God, Everlasting Father, Prince of Peace." Isaiah 9:6

"He shall judge between the nations, and shall arbitrate for many peoples; they shall beat their swords into ploughshares, and their spears into pruning-hooks; nation shall not lift up sword against nation, neither shall they learn war anymore." Isaiah 2:4


The following Text is from "The Liturgical Year",
by Abbot Guéranger, O.S.B.

O King of Nations !, Thou art approaching still nigher to Bethlehem [Editor: In Hebrew, Bethlehem means "House of Bread"], where Thou art to be born. The journey is almost over, and Thy august Mother, consoled and strengthened by the dear weight she bears, holds an unceasing converse with Thee on the way.

She adores Thy Divine Majesty; she gives thanks to Thy Mercy; she rejoices that she has been chosen for the sublime ministry of being Mother to God. She longs for that happy moment when her eyes shall look upon Thee, and yet she fears it.

For, how will she be able to render Thee those services which are due to Thy infinite greatness, she that thinks herself the last of creatures ? How will she dare to raise Thee up in her arms, and press Thee to her heart, and feed Thee at her breasts ? When she reflects that the hour is now near at hand, in which, being born of her, Thou wilt require all her care and tenderness, her heart sinks within her; for, what human heart could bear the intense vehemence of these two affections - the love of such a Mother for her Babe, and the love of such a creature for her God ?


But Thou supportest her, O Thou The Desired of Nations !, for Thou, too, longest for that happy birth, which is to give to the Earth its Saviour, and to men that Corner-Stone, which will unite them all into one family. Dearest King !, be Thou Blessed for all these wonders of Thy Power and Goodness !

Come speedily, we beseech Thee, come and save us, for we are dear to Thee, as creatures that have been formed by Thy Divine Hands. Yea, come, for Thy creation has grown degenerate; it is lost; death has taken possession of it.

Take Thou it again into Thy Almighty Hands, and give it a new creation; save it; for Thou hast not ceased to take pleasure in and love Thine own work.


THE GREAT ANTIPHON
IN HONOUR OF CHRIST.

O Rex pacifice,
tu ante saecula nate,
per auream egredere portam,
redemptos tuos visita,
et eos illuc revoca,
unde ruerunt per culpam.

O King of peace !,
that wast born before all ages,
come by the golden gate;
visit them whom Thou hast redeemed,
and lead them back to the place
whence they fell by sin.

The Great O Antiphons. 22 December.


Text from The Saint Andrew Daily Missal,
unless otherwise stated.




English: Adoration of the Shepherds (Detail).
Deutsch: Anbetung der Hirten, Detail.
Artist: Guido Reni (1575–1642).
Date: 1630 - 1642.
Current location: Certosa di San Martino, Naples, Italy.
(Wikimedia Commons)




O Rex Gentium.
The Great O Antiphon
for 22 December.
Available on YouTube at



22 December: Aggeus ii. 8; Ephesians ii. 14, 20.



O Rex Gentium,
et desideratus earum,
lapisque angularis,
qui facis utraque unum:
veni, et salva hominem,
quem de limo formasti.


O King of the Gentiles,
and the desired of them,
Thou cornerstone that makest both one,
come and deliver man,
whom Thou didst form out of
the dust of the earth.


V. Rorate.

"Rorate caeli desuper, et nubes pluant justium . . ."


"Ye heavens, drop down from above, and let the clouds rain down the Just One."

Wednesday 21 December 2016

Advent Lessons And Carols At Saint Mary Church, Connecticut. And Traditional Masses For Christmas at New York And Connecticut.






TRADITIONAL MASSES
FOR CHRISTMAS.


Saint Mary Church, Norwalk, Connecticut.

CHRISTMAS EVE.
Saturday, 24 December 2016.

11:00 p.m. Rosary by The Crèche.

11:30 p.m. Christmas Carols.

Midnight. Solemn Midnight Mass.

CHRISTMAS DAY.

09:30 a.m. Solemn Mass.

Saturday, 31 December 2016.

 09:00 a.m.

OCTAVE DAY OF CHRISTMAS.
Sunday, 1 January 2017.

09:30 a.m.

Church of The Holy Innocents, New York.

CHRISTMAS DAY.

Midnight. Traditional High Mass.

02:00 a.m. Mass at Dawn. Traditional Low Mass.

09:00 a.m. Traditional Low Mass.

10:30 a.m. Traditional High Mass.

Traditional Vespers: 14:30 hrs,
preceded by The Rosary.

Saturday, 31 December 2016.
New Year’s Eve.

11:30 p.m. Mass of Reparation
Traditional High Mass.

Sunday, 1 January 2017.
New Year’s Day.

09:00 a.m. Traditional Low Mass.
10:30 a.m. Traditional High Mass.

Traditional Vespers: 14:30 hrs,
preceded by The Rosary.

Christmas Midnight Mass. Church Of Saint Catherine Of Siena. New York City.




Illustration: NEW LITURGICAL MOVEMENT

Saint Thomas. Apostle. Feast Day 21 December.


Text from The Saint Andrew Daily Missal,
unless stated otherwise.

Saint Thomas.
Apostle.
Feast Day 21 December.

Double of The Second-Class.

Red Vestments.


Saint Thomas.
Apostle.
Artist: Rene de Cramer.
"Copyright Brunelmar/Ghent/Belgium".
Used with Permission.

In The Mass of Saint Thomas, The Liturgy reminds us that The Apostles were The Foundation of The Church, of which Christ is The Chief Corner-Stone (Epistle); that is why their Feasts were formerly kept like Sundays.

The Gospel relates the famous scene which occurred in The Upper Room after The Lord's Resurrection. Saint Thomas doubted; and it was only when Jesus made him put his finger into His wounds that, passing suddenly from incredulity to ardent Faith, he exclaimed: "My Lord and my God."

That finger, says a Father of The Church, has become the master of the World because it showed him the reality of the flesh of Jesus Christ. Let us therefore believe in the great Mystery of an Incarnate Word, which will soon be manifested to the World. The name of Saint Thomas figures in The Canon of The Mass (First List).


The Elevation having been instituted as a reply to the Heresy of Berengarius, who denied The Real Presence, let us contemplate in a Spirit of Faith The Sacred Elements when they are raised, and say, with Saint Thomas: "My Lord and my God," a practice enriched by Pope Saint Pius X with an Indulgence of Seven Years and Seven Quarantines, and a Plenary Indulgence once a week on the ordinary conditions.

The Double Elevation recalls the real separation of Our Lord's Body and Blood on The Cross.

Every Parish Priest Celebrates Mass for the people of his Parish.

Mass: Mihi autem.
Commemoration: Of The Feria.
Preface: Of The Apostles.
Last Gospel of The Feria: On Ember Days.


THE SAINT ANDREW DAILY MISSAL



THE SAINT ANDREW DAILY MISSAL

Available (in U.K.) from

Available (in U.S.A.) from

A Master Work, "The Ghent Altarpiece", Reawakens Stroke By Stroke.



Illustration: THE NEW YORK TIMES

These interior wooden panels, featuring Adam and Eve (holding a citrus fruit),
and the iconic 
The Adoration of The Mystic Lamb,” have yet to be restored.
For many years, the inside panels 
were only displayed on Feast Days.
Picture Credit: Hugo Maertens, Lukas-Art in Flanders/St. Bavo Cathedral.

This Article is taken from, and can be read in full at, THE NEW YORK TIMES

GHENT, Belgium — Layers and layers of paint have been virtually and physically removed from the 15th-Century Ghent Altarpiece, a renowned work of biblical figures on wood panels, revealing for the first time in hundreds of years the individual brush strokes of the original paintings.

In this first phase of restoration on one of the earliest art works to use oil paints on a large scale, new scanning techniques uncovered the singular skills of the Flemish brothers, Jan and Hubert Van Eyck, beneath layers of over-painting and varnish.

The restoration, which has been taking place for the last four years at The Museum of Fine Arts, Ghent, Belgium, has involved painstaking work that has led to a number of discoveries, including the dating of several wooden panels from the same oak trees.

The Great O Antiphons. 21 December.


Text from The Saint Andrew Daily Missal,
unless otherwise stated.




English: Madonna and Child with two Angels.
Deutsch: Madonna und zwei Engel.
Italiano: Madonna con due angeli.
Date: 1468 - 1469.
Source/Photographer: The Yorck Project: 10.000 Meisterwerke der Malerei.
DVD-ROM, 2002. ISBN 3936122202.
Distributed by DIRECTMEDIA Publishing GmbH.
Permission: [1]
(Wikimedia Commons)




"O Oriens".
The Great O Antiphon
for 21 December.
Available on YouTube at

21 December: Psalm cvi. 10.

O Oriens,
splendor lucis aeternae,
et sol justitiae;
veni et illumina sedentes in tenebris,
et umbra mortis.


O Dawn of the East,
brightness of the light eternal,
and Sun of Justice;
come and enlighten them that sit in darkness,
and in the shadow of death.

V. Rorate.

"Rorate caeli desuper, et nubes pluant justium . . ."


"Ye heavens, drop down from above, and let the clouds rain down the Just One."

Tuesday 20 December 2016

Special-Needs Schoolgirl Wows Audience With Her Voice.



Illustration: BBC NEWSBEAT

This Article is taken from, and can be read in full at, BBC NEWSBEAT

Kayleigh Rogers' version of Leonard Cohen's "Hallelujah" was the highlight of her school's Christmas concert and has been shared thousands of times online.

Ten-year-old Kayleigh has moderate Special Needs and is normally very shy, says her Headteacher, Colin Millar. "She'd be a very quiet little girl, but when she sings, she just opens up," he tells Newsbeat.

Kayleigh is one of 200 students, aged three to sixteen, at Killard House School, in Newtownards, Northern Ireland. She started at the school in year four and has learning delays with literacy and numeracy.

This school's Carol concert, at First Newtownards Presbyterian Church, left many of the congregation in tears.

The video, filmed by Billy McAuley, was then uploaded to Facebook and YouTube, and reported in the local Press. It has been viewed more than 100,000 times on Facebook and shared thousands of times. The school has also had calls from people in Australia, America and Japan who have all seen the video.

WATCH THE VIDEO FOR YOURSELF AT BBC NEWSBEAT

Vigil of Saint Thomas. Apostle. 20 December.


Text from The Saint Andrew Daily Missal,
unless otherwise stated.

Vigil of Saint Thomas.
Apostle.
20 December.

Simple.

Violet Vestments.


The tomb of Saint Thomas the Apostle, in Mylapore, India.
Photo: 1 June 2013.
Source: Own work.
(Wikimedia Commons)

Like nearly all The Feasts of The Apostles, that of Saint Thomas is preceded by a Vigil, which will enable our Souls to prepare for it in a Holy Manner. The Gospel recalls the vocation of this great Apostle, who had the happiness of hearing continually The Word of Christ and of enjoying His intimacy. "I have called you friends because I have made known to you all that I have heard from My Father."

"God," adds the Epistle, "has chosen him from among all men. He has given him His Commandments, The Law of Life and of Instruction."

Wherefore, the Offertory declares that he had been chosen by Jesus to be one of The Twelve Princes, who would govern His Church: "The Lord has crowned him with glory and honour and has given him authority over the works of His hands."

"The Lord", the Epistle also says, "has given him his share of inheritance among The Twelve Tribes."
The Country of The Parthians and Persians was allotted to Saint Thomas when The Apostles divided The World among themselves. Let us prepare for tomorrow's Solemnity in union with The Holy Church.

Mass: Ego autem.
Commemoration: Of The Feria.
Third Collect: Deus qui de beátae.

If The Vigil falls on one of The Ember Days,  The Mass is that of The Ember Day, with Commemoration of The Vigil, but without its Gospel at the end of Mass.

Christmas Card, 1880.




Christmas Card, 1880.
This image is available from
The United States Library of Congress's
Prints and Photographs division,
under the digital ID cph.3a49785.
(Wikimedia Commons)

"The Six-Five Special's Coming Down The Line, The Six-Five Special's Right On Time".



Illustration: PINTEREST


"The Six-Five Special".
Available on YouTube at


Low-Resolution screen-shot of the title screen of
the BBC 1957 TV programme "Six-Five Special".
Source: longroadmusicontv.blogspot.com/
Portion Used: Whole Screen.
(Wikipedia)

The following Text is from Wikipedia - the free encyclopaedia.

The Six-Five Special was a British television programme launched in February 1957, when both television and rock and roll were in their infancy in Britain.

Jack Good was the original producer. Josephine Douglas and (initially) disc jockey Pete Murray were its presenters, with Murray using the catchphrase "Time to jive on the old six five". Its resident band was Don Lang and his Frantic Five. The show opened with film of a steam train accompanied by the programme's theme song, played and sung by the Frantic Five, which began with the words "The Six-Five Special's comin' down the line, The Six-Five Special's right on time . . ."

BBC executives originally wanted a magazine format; however, Good wanted a show with music and lots of movement. The original sets were dispensed with and the empty studio space filled with the milling audience and performers. Television at that time was completely live as recording technology was limited, so once the programme started everything ran in an impromptu way. The running order was sketched out on Friday morning, and then only one complete run-through happened immediately before transmission on Saturday evening.

The show was originally scheduled to last just six weeks but, as a result of its popularity, the series became open-ended. The BBC interfered with Good's vision of the show by including educational and information elements, which Good wanted to drop, as they diluted the music. The relationship between Good and the BBC became strained, and he resigned in early 1958.

Good joined the ITV company, ABC, to create Oh Boy!, the show he'd wanted to make. It featured non-stop music and lost the public-service-inspired elements as part of its more frenzied pace, trouncing Six-Five Special in the ratings. The BBC, never keen on the show, took this as vindication and pulled it from the schedules. It was to be half a decade before Top of the Pops restored BBC coverage of contemporary popular music in general and "pop" in particular.

The Great O Antiphons. 20 December.


Text from The Saint Andrew Daily Missal,
unless otherwise stated.




English: Workshop of The Della Robbia (Early-16th-Century)
Madonna with Child, The Holy Spirit and two Cherubims, enamelled terracotta.
Français: Atelier des Della Robbia (début du XVIe siècle.
Vierge à l'Enfant avec le Saint Esprit et deux chérubins, terre cuite émaillée.
Current location: Louvre Museum, Paris, France.
Accession Number: Campana 32.
Source/Photographer: Jastrow (2006).
(Wikimedia Commons)




O Clavis David,
The Great O Antiphon
for 20 December.
Gregorian Chant notation from The Liber Usualis (1961), p. 341.
Latin lyrics sung by The Cantarte Regensburg.

Available on YouTube at

20 December: Isaias xxii. 22; Apocalypse iii. 7; Luke i. 79.

O Clavis David,
et sceptrum domus Israel;
qui aperis, et nemo claudit,
claudis, et nemo aperit:
veni, et educ vinctum de domo carceris,
sedentem in tenebris, et umbra mortis.


O Key of David,
and Sceptre of the House of Israel,
who openest and no man shutteth,
who shuttest and no man openeth;
come and bring forth from his prison-house,
the captive that sitteth in darkness and
in the shadow of death.

V. Rorate.

"Rorate caeli desuper, et nubes pluant justium . . ."


"Ye heavens, drop down from above, and let the clouds rain down the Just One."

Monday 19 December 2016

"The Shortening Winter's Day".







"The Shortening Winter's Day".
Illustration: KING AND MCGAW

The following Text is from Wikipedia.

Joseph Farquharson DL RA (4 May 1846 – 15 April 1935) was a Scottish painter, chiefly of landscapes. He is most famous for his snowy Winter landscapes, often featuring sheep and often depicting dawn or dusk. He was born in Edinburgh, Scotland and died at Finzean, Aberdeenshire, Scotland.


Self-Portrait.
Date: 1882.
Source: 1882.
Author: 
Joseph Farquharson (1846–1935).
(Wikimedia Commons)

" Mary, Did You Know . . ? "




Illustration: PINTEREST.


Illustration: PINTEREST

"Mary Did You Know ?".
Sung by 
Clay Aiken.
Available on YouTube at

The Great O Antiphons. 19 December.


Text and Illustrations taken from The Saint Andrew Daily Missal,
unless otherwise stated.



"Madonna and Child",
(1501-1504).
Brügge Cathedral,
"Onze-Lieve-Vrouwkerk", Belgium.
Photo: 7 February 2005.
Author: Elke Wetzig (elya).
(Wikimedia Commons)




"O Radix Jesse".
The Great O Antiphon
for 19 December.
Available on YouTube at

19 December: Isaias xi. 10.

O Radix Jesse,
qui stas in signum populorum,
super quem continebunt reges os suum,
quem Gentes deprecabuntur:
veni ad liberandum nos,
jam noli tardare.


O Root of Jesse,
Who standest for an ensign of the people,
before whom kings shall keep silence,
and unto Whom the Gentiles shall make their supplication:
come to deliver us,
and tarry not.

V. Rorate.

"Rorate caeli desuper, et nubes pluant justium . . ."

"Ye heavens, drop down from above, and let the clouds rain down the Just One."

Sunday 18 December 2016

"I Will Lead The Blind In A Way That They Know Not. I Will Turn The Darkness Before Them Into Light. I Will Not Forsake Them."


Text from The Saint Andrew Daily Missal,
unless otherwise stated.

Fourth Sunday of Advent.

Station at The Church of The Twelve Apostles.

Indulgence of 15 years and 15 Quarantines.

Privileged Sunday of The Second-Class.

Semi-Double.

Violet Vestments.



Saint John the Baptist Preaching The Baptism of Penance.
Artist: Rene de Cramer.
“Copyright Brunelmar/Ghent/Belgium”.
Used with Permission.

And Saint Leo says, "God Himself teaches us by the Prophet Isaias: I will lead the blind in a way that they know not, and I will turn the darkness before them into light and I will not forsake them."

[Editorial Comment: Do Not Be Disheartened. Do Not Despair. The World May Look Bleak And The Church Attacked From All Sides (And Within), But We Have Been Promised Deliverance. See what Isaias says, above.]

Like the whole Liturgy of this Season, the purpose of The Mass for The Fourth Sunday of Advent is to prepare us for the twofold Coming of Christ: His Coming in Mercy at Christmas; and in Justice at The End of The Word. Allusion is made to The First Coming in the Introit, Gospel, Offertory and Communion, and to The Second Coming in the Epistle; while the Collect, Gradual, and Alleluia can be applied to either of the two.

In this Mass, we meet once again with the three great figures that are before the mind of The Church throughout Advent: Isaias; Saint John the Baptist; Our Lady.



Artist: Rene de Cramer.
“Copyright Brunelmar/Ghent/Belgium”.
Used with Permission.

The Prophet Isaias foretells of Saint John the Baptist that he will be: "A voice of one crying in the wilderness: Prepare ye the way of The Lord, make straight His paths . . . and all flesh shall see The Salvation of God." And "The Word of The Lord was made unto John, the son of Zachary, in the desert. And he came into all the country about The Jordan, Preaching the Baptism of Penance for the remission of sins" (Gospel).

"John", Saint Gregory explains, "told those who hurried in crowds to be Baptised: "Ye brood of vipers, who hath told you to flee from the wrath to come ?" Now, the wrath to come is the final chastisement, which the sinner will not be able to escape unless he have recourse now to the lamentations of Penance.

The "Friend of the Bridegroom" [Editor: Saint John the Baptist] warns us to bring forth not fruits merely of Penance, but worthy fruits. These words are a call to each man's conscience, bidding him lay up, by means of Penance, a treasure of good works, the greater in proportion to the ravage of sin which caused it [Third Nocturn].

And Saint Leo says, "God Himself teaches us by the Prophet Isaias: I will lead the blind in a way that they know not, and I will turn the darkness before them into light and I will not forsake them."


The Blessed Virgin Mary, Saint Gabriel, Prophet Isaias, Saint John the Baptist.
Artist: Rene de Cramer.
"Copyright Brunelmar/Ghent/Belgium".
Used with Permission.

The Apostle Saint John makes clear to us, the way in which this Mystery is fulfilled, when he says, "And we know that The Son of God is come. And He hath given us understanding that we may know The True God and may be in His True Son" [Second Nocturn].

The Liturgy continues: Because of the great love that God has manifested towards us, He has sent on Earth His Only-Begotten Son to be born of The Virgin Mary. Also, in The Communion sentence, The Church recalls to us the Prophecy of Isaias: "Behold, a Virgin shall conceive and bear a Son; and His Name shall be called Emmanuel."

And, again, in the Offertory, she combines in a single salutation the words addressed to Our Lady by the Archangel and by Saint Elizabeth. Saint Gregory writes: "Gabriel, whose name means 'Strength of God', is sent to Mary, since he comes to announce The Messias, Whose Will it is to appear in humiliation and abasement, in order to subdue all The Powers of The Air. It was fitting that He should be heralded by Gabriel, the 'Strength of God'; He, Who was to come as The Lord of Might, The All-Powerful and Unconquerable in Battle, to crush The Powers of The Air in universal defeat" (Sermon 35).



The Blessed Virgin Mary, Saint Gabriel, Prophet Isaias, Saint John the Baptist.
Artist: Rene de Cramer.
"Copyright Brunelmar/Ghent/Belgium".
Used with Permission.

In The Collect, just as we are reminded of the display of Our Lord's "Great Might", which will take place at the time of His second coming, when, as Supreme Judge, He will come in the splendour of His Divine Majesty to render to each according to His works, so we find an allusion to this same great power manifested in His first coming. It was as one clothed in His weak and mortal human nature that Our Lord put the devil to flight.

As we think of Our Lord as nigh at hand in one or other of His "comings", let us say, with The Church, "Come, Lord Jesus, and tarry not."

Every Parish Priest Celebrates Mass for the people of his Parish.

Mass: Roráte caeli.

Sing Up, Mother ! They Don't Make 'Em Like This Any More.



"The Sunshine Of Your Smile".
Sung by: John McCormack (1916).
Available on YouTube at


"The Sunshine Of Your Smile".

Dear face that holds so sweet a smile for me
Were you not mine, how dark the world would be !
I know no light above that could replace
Love's radiant sunshine in your dear, dear face

Give me your smile, the love-light in your eyes
Life could not hold a fairer Paradise !
Give me the right to love you all the while
My world for ever, the sunshine of your smile !

Shadows may fall upon the land and sea
Sunshine from all the world may hidden be
But I shall see no cloud across the sun
Your smile shall light my life, till life is done !

Give me your smile, the love-light in your eyes,
Life could not hold a fairer Paradise !
Give me the right to love you all the while
My world for ever, the sunshine of your smile !



The front page of the Sheet Music for
"The Sunshine Of Your Smile", published in 1913.
Date: 4 May 2013.
Source: Own work.
Author: Richard J Myers.
(Wikimedia Commons)


"Then You'll Remember Me".
Sung by: 
John McCormack (1916).
From Balfe's "The Bohemian Girl".
Available on YouTube at

This is a pure example of Victorian music and sensibility. McCormack's rendering of
the lovely old Aria is perfect, and captures the earnest, albeit finger-wagging,
sense of morality and propriety so characteristic of the age.
Michael W. Balfe's opera was first performed in London in 1842, and , musically speaking,
is absolutely a product of its time, even though its narrative inspiration would seem to be
an old Cervantes story, La Gitanilla, an "exemplary novel" of the kind made popular
by the great Spanish author, and which charmed the "Urbanites" of earlier Centuries
who took their pleasure in pastoral romances.

"Then You'll Remember Me ".

When other lips and other hearts
their tales of love shall tell
In language whose excess imparts
the pow'r they feel so well
There may perhaps in such a scene
some recollection be
Of days that have as happy been
and you'll remember me
And you'll remember, you'll remember me

When coldness or deceit shall slight
The beauty now they prize
And deem it but a faded light
which beams within your eyes
When hollow hearts shall wear a mask
't'will break your own to see
In such a moment I 
but ask
that you'll remember me
That you'll remember
you'll remember me



Illustration: IMSLP



"When You And I Were Young, Maggie".
Sung by: John McCormack.
Available on YouTube at

It was originally a poem written by the Canadian school teacher George Washington Johnson. Margaret "Maggie" Clark was his pupil. They fell in love and were married in 1864, but Maggie's health deteriorated and she died on 12 May 1865 of tuberculosis.
During the struggle with her illness, George walked to a nearby hill overlooking an old mill, and composed the poem. It was published in 1864 in a collection of his poems entitled "Maple Leaves". James Butterfield set the poem to music (published in 1866) and it became popular all over the world. George Washington Johnson married twice more, and died in 1917 in Pasadena, California.


"When You And I Were Young, Maggie".

I wandered today to the hill, Maggie
To watch the scene below
The creek and the creaking old mill, Maggie,
As we used to long ago

The green grove's gone from the hill, Maggie,
Where first the daisies sprung
The creaking old mill is still, Maggie,
Since you and I were young.

They say that I'm feeble with age, Maggie, 
My steps are less sprightly than then
My face is a well-written page, Maggie,
But time alone was the pen.

They say we are aged and grey, Maggie, 
As spray by the white breakers flung
But to me you're as fair as you were, Maggie,
When you and I were young.

And now we are aged and grey, Maggie,
And the trials of life nearly done, 
Let us sing of the days that are gone, Maggie, When you and I were young.


Illustration: EBAY

The Great O Antiphons. 18 December.


Text and Illustrations taken from The Saint Andrew Daily Missal,
unless otherwise stated.




English: Christ is born.
Deutsch: Christi Geburt.
Artist: Lorenzo Lotto (1480–1556).
Date: 1523.
Current location: National Gallery of Art, Washington, D.C., U.S.A.
Source/Photographer: The Yorck Project: 10.000 Meisterwerke der Malerei.
DVD-ROM, 2002. 
ISBN 3936122202. Distributed by DIRECTMEDIA Publishing GmbH.
Permission: [1]
(Wikimedia Commons)




"O Adonai".
The Great O Antiphon
for 18 December.
Available on YouTube at

18 December: Exodus iii. 2, xx. 1.

O Adonai,
et dux domus Israel,
qui Moysi in igne flammae rubi apparuisti,
et ei in Sina legem dedisti:
veni ad redimentum nos in brachio extento.


O Adonai,
and Leader of the House of Israel,
who didst appear to Moses in the flame of
the burning bush,
and didst give unto him the Law on Sinai:
come and with an outstretched arm redeem us.

V. Rorate.

"Rorate caeli desuper, et nubes pluant justium . . ."


"Ye heavens, drop down from above, and let the clouds rain down the Just One."

Saturday 17 December 2016

The Commencement Of The Great Antiphons. 17 December.


Text is from The Liturgical Year
by Abbot Guéranger, O.S.B.
Volume 1.
Advent.



The Church enters today on the seven days which precede The Vigil of Christmas, and which are known in The Liturgy under the name of The Greater Ferias. The Ordinary of The Advent Office becomes more Solemn; The Antiphons of The Psalms, both for Lauds and The Hours of The Day, are Proper, and allude expressly to The Great Coming.

Every day, at Vespers, is sung a Solemn Antiphon, consisting of a fervent Prayer to The Messias, Whom it addresses by one of The Titles given Him in The Sacred Scriptures.

In The Roman Church, there are seven of these Antiphons, one for each of The Greater Ferias. They are commonly called The "O"s of Advent, because they all begin with that interjection. In other Churches, during The Middle Ages, two more Antiphons were added to these seven; one to Our Blessed Lady, "O Virgo Virginum"; and the other to The Angel Gabriel, "O Gabriel"; or to Saint Thomas the Apostle, whose Feast comes during The Greater Ferias; it began "O Thoma Didyme". [It is more modern than "O Gabriel"; but, dating from the 13th-Century, it was almost universally substituted for it.]


There were even Churches where twelve Great Antiphons were sung; that is, besides the nine we have just mentioned, "O Rex Pacifice" to Our Lord, "O Mundi Domina" to Our Lady, and "O Hierusalem" to The City of The People of God.

The Canonical Hour Of Vespers has been selected as the most appropriate time for this Solemn Supplication to Our Saviour, because, as The Church sings on one of her Hymns, it was in the evening of the World ("vergente mundi vespere") that The Messias came amongst us.

The Antiphons are sung at "The Magnificat", to show us that The Saviour, Whom we expect, is to come to us by Mary. They are sung twice, once before and once after the Canticle, as on Double Feasts, and this to show their great Solemnity.



In some Churches, it was formerly the practice to sing them thrice; that is, before the Canticle, before the Gloria Patri, and after the "Sicut erat". Lastly, these admirable Antiphons, which contain the whole pith of The Advent Liturgy, are accompanied by a Chant replete with melodious gravity, and by Ceremonies of great expressiveness, though, in these latter, there is no uniform practice followed.

Let us enter into the spirit of The Church; let us reflect on the great day which is coming; that, thus, we may take our share in these, the last and most earnest, solicitations of The Church, imploring her Spouse to come, to which He at length yields.
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