Notre Dame de Rouen. The façade of the Gothic Church in France. Photographer: Hippo1947. Licence: SHUTTERSTOCK.

Sunday, 5 November 2017

Four Abbeys And A Funeral. Pray For The Monks of Melrose Abbey, Rievaulx Abbey, Fountains Abbey, And Cluny Abbey. Plus, All Other Religious, Priests, And Faithful.



Melrose Abbey, Scotland.
Illustration: VISIT SCOTLAND



The following Text is from Wikipedia -the free encyclopaedia,
unless stated otherwise.

Saint Mary's Abbey, Melrose, is a partly-ruined Monastery of The Cistercian Order, in Melrose, Roxburghshire, in The Scottish Borders. It was Founded in 1136 by Cistercian Monks at the request of King David I of Scotland, and was the chief House of that Order in the Country until The Reformation. It was headed by the Abbot, or Commendator, of Melrose. Today, the Abbey is maintained by Historic Environment Scotland as a Scheduled Monument.

The East End of the Abbey was completed in 1146. Other buildings in the complex were added over the next fifty years. The Abbey was built in The Gothic Style, and in the form of a Saint John's Cross. A considerable portion of the Abbey is now in ruins. A structure dating from 1590 is maintained as a Museum and is open to the public.

King Alexander II and other Scottish Kings and Nobles are buried at the Abbey. A Lead Container, believed to hold the embalmed heart of Robert the Bruce, was found in 1921 below The Chapter House site; it was found again in a 1998 excavation. The rest of his body is buried in Dunfermline Abbey.

Melrose Abbey is known for its many carved decorative details, including likenesses of Saints, Dragons, Gargoyles and Plants. On one of the Abbey's stairways is an inscription by John Morow, a Master Mason, which says: "Be halde to ye hende" ("Keep in mind, the end, your Salvation"). This has become the Motto of the Town of Melrose.




Rievaulx Abbey, Yorkshire, England.
Illustration: ENGLISH HERITAGE

Rievaulx Abbey was a Cistercian Abbey, in Rievaulx, near Helmsley, in The North York Moors National Park, North Yorkshire, England. It was one of the great Abbeys in England until it was seized by King Henry VIII of England in 1538 during The Dissolution of The Monasteries. The striking ruins of its main buildings are a tourist attraction, owned and maintained by English Heritage.

Rievaulx Abbey was the first Cistercian Monastery in The North of England, Founded in 1132 by twelve Monks from Clairvaux Abbey, France.

Its remote location was well suited to The Order's ideal of a strict life of Prayer and self-sufficiency, with little contact with the outside World. The Abbey's Patron, Walter Espec, also Founded another Cistercian Community, that of Wardon Abbey, in Bedfordshire, on unprofitable wasteland on one of his inherited Estates.

The first Abbot of Rievaulx, Saint William I, started construction in the 1130s. The second Abbot, Saint Aelred of Rievaulx, Elected in 1147, expanded the buildings and otherwise consolidated the existence of what, with time, became one of the great Cistercian Abbeys of Yorkshire, second only to Fountains Abbey in fame. Under Aelred, the Abbey is said to have grown to some 140 Monks and 500 Lay Brothers. By the end of his tenure, Rievaulx Abbey had five Daughter-Houses in England and Scotland.




Fountains Abbey, Yorkshire, England.
Photo: 2016.
Author: Antony McCallum: Who is the Uploader, Photographer,
Full Copyright Owner and Proprietor of WyrdLight.com
(Wikimedia Commons)


Fountains Abbey is one of the largest and best preserved ruined Cistercian Monasteries in England. It is located approximately three miles (five kilometres) South-West of Ripon, in North Yorkshire, near the village of Aldfield. Founded in 1132, the Abbey operated for 407 years, becoming one of the wealthiest Monasteries in England, until its Dissolution in 1539 under the orders of King Henry VIII.

The Abbey is a Grade I Listed Building, owned by The National Trust and part of the designated Studley Royal Park, including the Ruins of Fountains Abbey, UNESCO World Heritage Site.

After a dispute and riot in 1132 at The Benedictine House of Saint Mary's Abbey, in York, England, thirteen Monks were expelled (among them Saint Robert of Newminster) and, after unsuccessful attempts to form a new Monastery, were taken under the protection of Thurstan, Archbishop of York.





Fountains Abbey, Yorkshire, England.
Photo: 2 November 2015.
Source: Own work.
Author: DrMoschi.
(Wikimedia Commons)

He provided them with land in the Valley of The River Skell, a tributary of The River Ure. The enclosed Valley had all the natural features needed for the creation of a Monastery, providing shelter from the weather, stone and timber for building, and a supply of running water.

After enduring a harsh Winter in 1133, the Monks applied to join The Cistercian Order, which, since the end of the 10th-Century, was a fast-growing Reform Movement that, by the beginning of the
13th-Century, was to have over 500 Houses.

So it was that, in 1135, Fountains Abbey became the second Cistercian House in Northern England, after Rievaulx Abbey. The Fountains Abbey Monks became subject to Clairvaux Abbey, in Burgundy, France, which was under The Rule of Saint Bernard. Under the guidance of Geoffrey of Ainai, a Monk sent from Clairvaux, the group learned how to Celebrate the Seven Canonical Hours, according to Cistercian usage, and were shown how to construct wooden buildings in accordance with Cistercian practice.




Cluny Abbey (Reconstruction), France.
Date: 1887-1901.
Source: 
English: This image is taken from Georg Dehio/Gustav von Bezold:

Kirchliche Baukunst des Abendlandes. Stuttgart: Verlag der Cotta'schen Buchhandlung 1887-1901, Plate No. 212. Due to its age, it is to be used with care. It may not reflect the latest knowledge

or the current state of the depicted structure.
Deutsch: Diese Abbildung stammt aus Georg Dehio/Gustav von Bezold: Kirchliche Baukunst
des Abendlandes. Stuttgart: Verlag der Cotta'schen Buchhandlung 1887-1901, Tafel 212.
Aufgrund ihres Alters ist sie mit Vorsicht zu benutzen. Sie entspricht nicht notwendigerweise
dem neuesten Wissensstand oder dem aktuellen Zustand des abgebildeten Gebäudes.
(Wikimedia Commons)




Virtual Reconstruction of Cluny Abbey.
from the Album "Venite a Laudare".
Track is entitled: Domine ne in furore tuo, motet.
Available for Download from Amazon.

Available on YouTube at


Cluny Abbey is a former Benedictine Monastery in Cluny, Saône-et-Loire, France. It was Dedicated to Saint Peter.

The Abbey was constructed in The Romanesque Architectural Style, with three Churches built in succession from the 4th-Century A.D., to the Early-12th-Century. The earliest Basilica was the World's largest Church until Saint Peter's Basilica in Rome.

Cluny was Founded by William I, Duke of Aquitaine, in 910 A.D. He nominated Berno as the first Abbot of Cluny, subject only to Pope Sergius III. The Abbey was notable for its strict adherence to The Rule of Saint Benedict, whereby Cluny became acknowledged as the leader of Western Monasticism

The establishment of The Benedictine Order was a keystone to the stability of European Society that was achieved in the 11th-Century. In 1790, during The French Revolution, the Abbey was Sacked and mostly destroyed, with only a small part of the Abbey surviving.

Starting around 1334, the Abbots of Cluny maintained a Townhouse in Paris known as The Hôtel de Cluny, which has been a Public Museum since 1843. Apart from the name, it no longer possesses anything originally connected with Cluny Abbey.



Cluny Abbey, France.
Photo: 16 July 2005.
Source: Own work.
Author: TL.
(Wikimedia Commons)


Cluniac Houses in Britain.
All but one of the English and Scottish Cluniac Houses, which were larger than just Cells, were known as Priories, symbolising their subordination to Cluny. The exception was the Priory at Paisley, Scotland, which was raised to the status of an Abbey in 1245, answerable only to the Pope. 

Cluny's influence spread into The British Isles in the 11th-Century, first at Lewes, Sussex, and then elsewhere. The Head of their Order was the Abbot at Cluny. All English and Scottish Cluniacs were bound to cross to France, to visit Cluny, to consult or be consulted unless the Abbot of Cluny chose to come to Britain, which he did five times in the 13th-Century, and twice in the 14th-Century.

The Arts.

At Cluny, the central activity was The Liturgy; it was extensive and beautifully presented in inspiring surroundings, reflecting the new personally-felt wave of piety of the 11th-Century. Monastic intercession was believed indispensable to achieving a State of Grace, and Lay Rulers competed to be remembered in Cluny's endless Prayers; this inspired the endowments in land and benefices that made other arts possible.

The fast-growing Community at Cluny required buildings on a large scale. The examples at Cluny profoundly affected architectural practice in Western Europe from the 10th-Century through to the 12th-Century. 

The three successive Churches are conventionally called Cluny I, Cluny II, and Cluny III. The construction of Cluny II, circa 955 A.D. - 981 A.D., begun after the destructive Hungarian raids of 953 A.D., led the tendency for Burgundian Churches to be stone-vaulted. In building the third and final Church at Cluny, the Monastery constructed what was to remain the largest building in Europe until the 16th-Century, when the new Saint Peter's Basilica in Rome was built.

The Cluny Library was one of the richest and most important in France and Europe. It was a Store-House of numerous very valuable Manuscripts. During the Religious Conflicts of 1562, The Huguenots Sacked the Abbey, destroying or dispersing many of the Manuscripts. Of those that were left, some were burned in 1790 by a rioting mob during The French Revolution. Others were stored away in the Cluny Town Hall.

The French Government worked to relocate such treasures, including those that ended up in private hands. They are now held by The Bibliothèque nationale de France, at Paris. The British Museum holds some sixty or so Charters originating from Cluny.



English: Cluny Abbey, France.
Deutsch
Ostflügel und Turm der Abtei von Cluny (Frankreich), Private Aufnahme von einer Bekannten von Marc Tobias Wenzel. - Freigegeben unter GNUFDL.
Photo: 9 November 2004.
Source: Own work.
Author: 
(Wikimedia Commons)



AND, NOW, THE FUNERAL . . .




The following Text and Illustration: FSSPX NEWS

After nearly nine Centuries of Cistercian presence in Himmerod, in Rhineland-Palatinate, Germany, there are only six Monks left in 2017. The fate of the Abbey’s Community has just been sealed by the decision of The Congregation’s Chapter to dissolve it.

“The precarious financial situation, and especially the small number of Monks, played a key role in the painful decision,” declared Fr. Johannes, Superior of The Congregation of Mehrerau, a Branch of The Cistercian Order, in the columns of the 15 October 2017 Issue of The Frankfurter Allgemeine newspaper.

Saturday, 4 November 2017

Requiem For A German Abbey.



Illustration: FSSPX NEWS

After nearly nine Centuries of Cistercian presence in Himmerod, in Rhineland-Palatinate, Germany, there are only six Monks left in 2017. The fate of the Abbey’s Community has just been sealed by the decision of The Congregation’s Chapter to dissolve it.

“The precarious financial situation, and especially the small number of Monks, played a key role in the painful decision,” declared Fr. Johannes, Superior of The Congregation of Mehrerau, a Branch of The Cistercian Order, in the columns of the 15 October 2017 Issue of The Frankfurter Allgemeine newspaper.

The Abbey of Our Lady of Himmerod was Founded in 1134 in Rhineland-Palatinate, in The Eifel Valley. That year, twelve Monks, led by Randulf, left Clairvaux, France. Saint Bernard, the Founder of The Cistercian Order, sent them to Found a Monastery. A Romanesque Basilica was built a few years later on the model of Clairvaux, in the form of a Cross, with a main Nave divided into two parts; one for the Monks, the other for The Faithful.


For several years, the Monks of Himmerod had been simply maintaining their presence without any new arrivals, despite "The Springtime of The Church" announced by The Second Vatican Council. A decision had to be made. The Cistercians will leave.

The ownership of the Monastery will soon be Transferred to The Diocese of Treves, on whose territory it is situated, and The Religious will choose their new residence.

Another cause is the crisis in The Church, whose Reformed Liturgy after The Second Vatican Council (1962-1965) provoked a loss of The Faith and a collapse of Christian Life. 

The Heterodox Novelties, the Doctrinal and Moral Relativism that has spread – even if it continues to be denounced –, Religious Indifference, and Modern Practice, far from the meaning of The Cross and of Sacrifice, could not but empty The Seminaries and Novitiates. 

For Catholic Society to be reborn, The Church needs to return to her Tradition. 

Omnia instaurare in Christo !

Friday, 3 November 2017

The Parish Church Of Saint Austin And Saint Gregory, Margate, Kent.




The stunningly-beautiful Stained-Glass Window on The Sanctuary
of Saint Austin and Saint Gregory Catholic Church, Margate, Kent.
Parish Priest Fr Timothy Finigan.
The Dedication reads: "Giving thanks to God 
for the dear Memory of Jessie,

his devoted wife, 
Robert Dalby Reeve dedicated this window. She entered 
into


her Eternal Rest 
on 12 December 1905, at Westgate-on-Sea".

[Editor: Readers may wish to be aware that a Mass will be said, for the Repose of The Soul of

Jessie Reeve, in December 2017. One hundred and twelve years after her death.]
Used with permission.

The Web-Site of Saint Austin and Saint Gregory can be found HERE


The beautiful Interior of Saint Austin and Saint Gregory, Margate, Kent.

Thursday, 2 November 2017

Mass Attended By All The Angels And Saints And Our Blessed Departed Souls.



Feast of All Saints,
1 November,
and,
Feast of All Souls,
2 November.
Illustration: PINTEREST


"Pange Lingua Gloriosi".
Available on YouTube at

The Commemoration Of All The Faithful Departed. All Souls' Day. Feast 2 November. Elisabeth Schwarzkopf. Litanei Auf Das Fest Allerseelen. "Ruh' In Frieden". Franz Schubert.


Text and Illustrations from The Saint Andrew Daily Missal,
unless otherwise stated.

The Commemoration Of All The Faithful Departed.
   All Souls.
   Feast Day 2 November.

Double.

Black Vestments.




who reproduce Text and Illustrations from Saint Andrew's Daily Missal, 1952 Edition,
with the kind permission of SAINT BONAVENTURE PUBLICATIONS
Artist: Rene de Cramer.
“Copyright Brunelmar/Ghent/Belgium”.
Used with Permission.




"Réquiem op. 48".
Gabriel Fauré.
Available on YouTube at

The Feast of All Saints is intimately connected with the remembrance of The Holy Souls, who, detained in Purgatory to expiate their Venial Sins, or to pay the Temporal pains due to sin, are nonetheless confirmed in Grace and will, one day, enter Heaven.



Litany for All Souls' Day (starts at 03.48).
Violin and Piano by Schubert.
Available on YouTube at

Therefore, after having joyfully Celebrated the Glory of The Saints, who are The Church Triumphant in Heaven, The Church on Earth extends her maternal solicitude to the place of unspeakable torments, the abode of Souls who equally belong to her.



"Réquiem aetérnam".
The Gradual from The Mass for The Dead.
Gregorian Chant notation from 
The Liber Usualis (1961), pp. 1808-1809.
Latin lyrics sung by The Alfred Deller Consort.
Available on YouTube at

"On this day," says The Roman Martyrology, "Commemoration of All The Faithful Departed, in which our common and pious Mother The Church, immediately after having endeavoured to Celebrate, by worthy praise, all her children who already rejoice in Heaven, strives to aid, by her powerful intercession with Christ her Lord and Spouse, all those who still groan in Purgatory, so that they may join, as soon as possible, the inhabitants of The Heavenly City."


Nowhere in The Liturgy is more vividly affirmed the mysterious unity which exists between The Church Triumphant, The Church Militant, and The Church Suffering, and never is better fulfilled the double duty of Charity and Justice, incumbent on every Christian by virtue of his membership of The Mystical Body of Christ.

It is through the very consoling Dogma of The Communion of Saints that the merits and suffrages of The Saints may benefit others. Whereby, without infringing the indefeasible rights of Divine Justice, which are exercised in their full vigour after this life, The Church can join her Prayers, here on Earth, to those of The Church in Heaven, and supply what is wanting in The Souls in Purgatory, by offering to God for them, by The Holy Mass, by Indulgences, by the Alms and sacrifices of her children, the superabundant Merits of Christ's Passion and of His Mystical Members.



"Réquiem aetérnam".
The Introit from The Mass for The Dead.
Gregorian Chant notation from The Liber Usualis (1961), p. 1807.
Latin lyrics sung by The Schola of The Vienna Hofburgkapelle.
Available on YouTube at

Wherefore, The Liturgy, the centre of which is The Sacrifice of Calvary continued on the Altar, has always used this pre-eminent means of exercising, in favour of The Departed, the great Law of Charity; for it is a precept of Charity to relieve our neighbour's wants, as if they were our own, in virtue of the supernatural bond, which unites in Jesus, those in Heaven, in Purgatory, and on the Earth.


The Liturgy of The Dead is, perhaps, the most beautiful and consoling of all. Every day, at the end of each Hour of The Divine Office, we recommend to The Divine Mercy the Souls of The Faithful Departed. In The Mass, at the Suscipe, the Priest offers the Sacrifice for the living and the dead and, in a special Memento, he implores The Lord to remember His servants, who have fallen asleep in Christ and to grant them to dwell in Consolation, Light and Peace.

Masses for The Dead are already recorded in the 5th-Century A.D. But, to Saint Odilo, the fourth Abbot of the famous Benedictine Monastery of Cluny, is due The Commemoration of All The Departed. He instituted it in 998 A.D., and prescribed that it should be Celebrated the day following All Saints' Day.



"Domine Jesu Christe".
The Offertory from The Mass for The Dead.
Gregorian Chant notation from 
The Liber Usualis (1961), pp. 1813-1814.
Latin lyrics sung by The Alfred Deller Consort.
Available on YouTube at

Through the influence of this illustrious French Congregation (Cluny Abbey), the custom was soon adopted by the whole Christian World and it even sometimes became a Day of Obligation. In Spain, Portugal and the formerly-Spanish parts of South America, Priests, in virtue of a Privilege granted by Pope Benedict XIV, Celebrated three Masses on 2 November.

A Decree of Pope Benedict XV, dated 10 August 1915, authorises the Priests of the whole World to do the same. [By this same institution, The Holy See granted a Plenary Indulgence toties quoties, on the same conditions as on 2 August, applicable to The Souls of The Departed on All Souls' Day, to all those who visited a Church between Noon, on All Saints' Day, and Midnight on the following day and Prayed for the Intention of The Sovereign Pontiff.]



"Dies Irae".
The Sequence from The Mass for The Dead.
Gregorian Chant notation from 
The Liber Usualis (1961), p. 1810.
Latin lyrics sung by The Alfred Deller Consort.
Available on YouTube at

The Church reminds us in an Epistle, taken from Saint Paul, that the dead will rise again, and tells us to hope, for, on that day, we shall all see one another in The Lord. The Sequence strikingly describes The Last Judgment, when the good will be for ever separated from the wicked.

The Offertory reminds us that it is Saint Michael who introduces Souls into Heaven, for, as the Prayers for the recommendation of the Soul say, it is he who is "the Chief of The Heavenly Host" in whose ranks men are called to fill the places of The Fallen Angels.



"Libera Me".
A Responsory from The Mass for The Dead.
Gregorian Chant notation from The Liber Usualis (1961), p. 1767.
Latin lyrics sung by The Schola of The Hofburgkapelle, Vienna.
Available on YouTube at

"The Souls in Purgatory," declares The Council of Trent, "are helped by the suffrages of The Faithful, especially by The Sacrifice of The Altar." The reason is that, in Holy Mass, the Priest offers officially to God The ransom for Souls, that is, The Blood of The Saviour. And Jesus, Himself, under the elements of Bread and Wine, which recall to The Father the Sacrifice of Golgotha, Prays God to apply to these Souls its atoning virtue.

Let us, on this day, be present at The Holy Sacrifice of The Mass, when The Church implores God to grant to The Faithful Departed, who can now do nothing for themselves, the remission of all their sins (Collect) and Eternal Rest (Introit, Gradual, Communion), and let us visit the Cemeteries where their bodies repose [the word "Cemetery" comes from a Greek word meaning "a place where one rests in peace".] until the day when, in the twinkling of an eye, at the sound of The Last Trumpet, they will rise again to be clothed in immortality and to gain, through Jesus Christ, the Victory over Death (Epistle).

Mass: Réquiem aetérnam.
Sequence: Dies irae.
Preface: Of The Dead.
Absolution: Libera me.
Collect: Fidélium.



Elisabeth Schwarzkopf.
"Litanei auf das Fest Allerseelen"
(Litany for The Feast of All Souls).
(Joh. Georg Jacobi)
"Ruh' in Frieden".
(Rest in Peace).
Komponist: Franz Schubert.
Klavier: Gerald Moore.
1954.
Available on YouTube at

The following Text is taken from "The Liturgical Year", by Abbot Gueranger, O.S.B.,
for All Souls' Day, 2 November.

"We will not have you ignorant, brethren, concerning them that are asleep, that you be not sorrowful, even as others who have no hope." [Saint Paul, I Thess. iv. 13.] The Church today has the same desire as The Apostle thus expressed to the first Christians.

The truth concerning the dead not only proves admirably the union between God's Justice and His Goodness; it also inspires a Charitable pity, which the hardest heart cannot resist, and, at the same time, offers to the mourners the sweetest consolation.




"Absolve, Domine".
The Tract from The Mass for The Dead.
Gregorian Chant notation from 
The Liber Usualis (1961), p. 1809.
Latin lyrics sung by The Alfred Deller Consort.
Available on YouTube at

If Faith teaches us the existence of a Purgatory, where our loved ones may be detained by unexpiated sin, it is also of Faith that we are able to assist them; and Theology assures us that their, more or less, speedy deliverance lies in our power.

Let us call to mind a few principles which throw light on this Doctrine. Every sin causes a twofold injury to the sinner: It stains his Soul, and renders him liable to punishment. Venial sin, which displeases God, requires a Temporal expiation. Mortal sin deforms the Soul, and makes the guilty man an abomination to God: Its punishment cannot be anything less than eternal banishment, unless the sinner, in this life, prevents the final and irrevocable sentence.

But, even then, the remission of the guilt, though it revokes the sentence of damnation, does not cancel the whole debt. Although an extraordinary overflow of Grace upon the prodigal may, sometimes, as is always the case with regard to Baptism and Martyrdom, bury every remnant and vestige of sin in the abyss of Divine Oblivion; yet, it is the ordinary rule that, for every fault, satisfaction must be made to God's Justice, either in this World or in the next.

Wednesday, 1 November 2017

The Solemn 5th-Century A.D. Monastic Chant For The Feast Of All Saints. The "Te Deum".



Rievaulx AbbeyYorkshire, England.
The "Te Deum" would have been a regular part of the Monks' Liturgy in this Abbey.
Photo: 31 August 2007.
Source: Own work.
Author: Rob Bendall (Highfields).
(Wikimedia Commons)


Solemn "Te Deum".
Available on YouTube at

The "Te Deum" (also known as The Ambrosian Hymn or A Song of The Church) is an Early-Christian Hymn of Praise. The title is taken from its opening Latin words, "Te Deum laudamus",
rendered as "Thee, O God, We Praise".

Monks of one of The Abbeys of The Solesmes Congregation
sing this beautiful Chant. The Te Deum is attributed to
two Fathers and Doctors of The Church, Saint Ambrose
and Saint Augustine, and is one the most majestic Chants
in The Liturgy of The Church.

It is sung in Traditional Seminaries and Monastic Houses
at The Divine Office and for Double Feasts of The First Class (Editor: Such as The Feast of All Saints), The Nativity, Easter, Corpus Christi, Epiphany, Pentecost, 
and those Feasts
which have an Octave.

The Solemn Te Deum is sung on all occasions of public
Church rejoicing (in Traditional Catholic Churches).

Mass Attended By All The Angels And Saints And Our Blessed Departed Souls.



Feast of All Saints,
1 November,
and,
Feast of All Souls,
2 November.
Illustration: PINTEREST


"Pange Lingua Gloriosi".
Available on YouTube at

The Feast Of All Saints. Feast Day 1 November.


Text and Illustrations from The Saint Andrew Daily Missal,
unless otherwise stated.

The Feast of All Saints.
   Feast Day 1 November.

Double of The First-Class
   with an Octave.

White Vestments.




The Church Triumphant.
The Church Militant.
The Church Suffering.
Illustration taken from UNA VOCE OF ORANGE COUNTY
who reproduce Text and Illustrations from Saint Andrew's Daily Missal, 1952 Edition,
with the kind permission of SAINT BONAVENTURE PUBLICATIONS
Artist: Rene de Cramer.
“Copyright Brunelmar/Ghent/Belgium”.
Used with Permission.




All Saints Day.
Featuring "Your Heart"
by Chris Tomlin.
Available on YouTube at




All Saints Day
(featuring "Lifesong" by Casting Crowns).
Available on YouTube at




"Te Deum",
by Domenico Scarlatti,
for The Feast of All Saints.
Available on YouTube at




"Gaudeámus omnes in Dómino . . ."
("Let us all rejoice in The Lord . . .")
(Introit for The Feast of All Saints).
Available on YouTube at


The temple of Agrippa was dedicated, under Augustus, to all the pagan gods, hence its name of "Pantheon". Under Emperor Phocas, between 607 A.D. and 610 A.D., Pope Boniface IV Translated hither numerous remains of Martyrs taken from The Catacombs.

On 13 May 610 A.D., he Dedicated this new Christian Basilica to Saint Mary and The Martyrs. The Feast of this Dedication later took a more Universal character, and the temple was Consecrated to Saint Mary And All The Saints.



English: Saint Mary And All The Saints 
(The Pantheon (27 B.C.) 
- Piazza della Rotonda, Rome.
Français: Le Panthéon (27 av. J.C.) - Piazza della Rototonda (Rome).
Deutsch: Das Pantheon (27 v.Chr.) - Piazza della Rototonda (Rom).
Español: El Panteón (27 aC.) - Piazza della Rototonda (Roma).
Italiano: Il Pantheon (27 aC.) - Piazza della Rototonda (Roma).
Photo: 3 October 2011.
Source: Own work.
(Wikimedia Commons)




English: The Interior of Saint Mary And All The Saints, Rome.
Русский: Внутреннее убранство Пантеона.
Photo: 22 May 2011.
Source: Own work.
(Wikimedia Commons)


As there was already a Feast in Commemoration of All The Saints, Celebrated at first on various dates in various Churches, then fixed by Pope Gregory IV in 835 A.D., on 1 November, Pope Gregory VII transferred to this date the Anniversary of The Dedication of the Pantheon as a Church. The Feast of All Saints, therefore, recalls The Triumph of Christ over the false pagan deities. In this Church is held The Station on The Friday in The Octave of Easter.

As The Saints, Commemorated during the first three Centuries of The Church were Martyrs, and the Pantheon was at first Dedicated by The Church to them, The Mass of All Saints is made up of extracts from The Liturgy of Martyrs. The Introit is that of The Mass of Saint Agatha, used later for other Feasts; the Gospel, Offertory and Communion are taken from The Common of Martyrs.

The Church gives us on this day a wonderful vision of Heaven, showing us, with Saint John, the twelve thousand signed (twelve is considered a perfect number) of each tribe of Israel, and a great multitude, which no-one can count, of every nation and tribe, of every people and tongue, standing before the Throne and before The Lamb, clothed in White Robes and with Palms in their hands (Epistle).


Christ and Our Lady; The Blessed Battalions distributed in Nine Choirs; The Apostles and Prophets; The Martyrs, crimsoned in their blood; The Confessors, adorned in White Garments; and the chaste Choir of Virgins, form, as The Hymn of Vespers sings, The Majestic Court.

It is composed of all those, who, here below, were detached from Worldly riches, Gentle, Suffering, Just, Merciful, Pure, Peaceful, and Persecuted for The Name of Jesus. "Rejoice," The Master had foretold them, "for a great reward is prepared for you in Heaven" (Gospel, Communion).

Among those millions of The Just, who were faithful Disciples of Jesus, on Earth, are several of our own family, relations, friends, members of our Parochial Family, now enjoying the fruit of their Piety, adoring The Lord, King of Kings, and Crown of All Saints (Invitatory at Matins) and obtaining for us the wished-for abundance of His mercies (Collect).

Every Parish Priest Celebrates Mass for the people of his Parish.

Mass: Gaudeámus omnes in Dómino.



All Saints Day.
Featuring "Your Heart"
by Chris Tomlin.
Available on YouTube at

Tuesday, 31 October 2017

First Vespers For The Feast Of All Saints.


Text and Illustrations taken from The Saint Andrew Daily Missal,
unless otherwise stated.


The Church Triumphant.
The Church Militant.
The Church Suffering.
Illustration taken from UNA VOCE OF ORANGE COUNTY
who reproduce Text and Illustrations from The Saint Andrew's Daily Missal, 1952 Edition,
with the kind permission of ST. BONAVENTURE PUBLICATIONS
Artist: Rene de Cramer.
“Copyright Brunelmar/Ghent/Belgium”.
Used with Permission.


First Vespers
for The Feast of All Saints.
Available on YouTube at

[Editor: The following two paragraphs are taken from "The Liturgical Year",
by Abbot Guéranger, O.S.B.]

FIRST VESPERS FOR THE FEAST OF ALL SAINTS.

The Bells ring out as joyously as on the brightest days. They announce The Great Solemnity of the closing Cycle: The Feast which shows us time stamped with the impress of Eternity, and God taking possession of the declining year and gathering in its harvest.

At the sound of their triumphant and harmonious peals, The Church, prostrate and Fasting since morning, raises her brow to the light. Guided by Saint John, she penetrates The Secrets of Heaven; and the words of The Beloved Disciple, uttered by her lips, assume a tone of incomparable enthusiasm. This Feast is truly The Triumph of her motherhood; for the great crowd of The Blessed, before The Throne of The Lamb, are the sons and daughters she alone has given to The Lord.

Psalm CIX: Dixit Dominus.

This is one of The Messianic Psalms. The Messias sits at The Right Hand of The Father. He is 
The Son of God, The Priest of The Most High, The King Triumphant.

Psalm CX: Confitebor Tibi.

The Prophet sings The Wonders worked by God for His people during The Exit from Egypt
and at Mount Sinai. This is a figure of what God does for The Church.

Psalm CXI: Beatus Vir.

The Just Man is happy because he follows The Commandments of God;
great will be his reward in Heaven.

Psalm CXII: Laudate Pueri.

This Psalm is the beginning of the Hallel, which the Jews sang
especially at Easter, while eating the Paschal Lamb.

Psalm CXVI: Laudate Dominum.

The Power of God has been made manifest: Ours the duty of Praising it.


"Vespers".
All-Night Vigil.
By Serge Rachmaninoff.
Available on YouTube at

The All-Night Vigil (Russian: Всенощное бдение, Vsenoshchnoe bdenie), Opus 37, is an a cappella choral composition by Sergei Rachmaninoff, written and premiered in 1915. It consists of settings of Texts taken from The Russian Orthodox All-Night Vigil Ceremony.

It has been praised as Rachmaninoff's finest achievement and "the greatest musical achievement of The Russian Orthodox Church". It was one of Rachmaninoff's two favourite compositions, along with The Bells, and the composer requested that one of its movements (the fifth) be sung at his funeral. The title of the work is often translated as simply "Vespers", which is both literally and conceptually incorrect as applied to the entire Work: only the first six of its fifteen Movements set Texts from The Russian Orthodox Canonical Hour of Vespers.


Chapter: Apocalypse vii. 2-3.

Behold, I, John, saw another Angel ascending from the rising of the Sun, having the sign of The Living God; and he cried with a loud voice to The Four Angels to whom it was given to hurt the Earth and the Sea, saying: Hurt not the Earth, neither the Sea, nor the trees, till we sign the servants of our God in their foreheads.

Hymn (Eighth Tone).

Rabanus Maurus, Abbot of Fulda and Archbishop of Mayence, is supposed to be the author of the following Hymn. The perfidious nation, whose expulsion from Christian lands is Prayed for, was, in the 9th-Century A.D., The Race of Infidel Normans, who filled the Empire with slaughter and ruin under Charlemagne's weak successors. The striking Conversion of these savage destroyers was the answer of The Saints. May they ever hear The Church's Prayers in a like manner, enlighten those who persecute her without knowing her, and make of them her firmest supporters. [Editor: This paragraph is taken from The Liturgical Year, by Abbot Guéranger, O.S.B.]

Placare Christe servulis,
Quibus Patris clementiam,
Tuae ad tribunal gratiae,
Patrona Virgo postulat . . .

O Christ, Thy guilty people spare,
Lo, bending at Thy gracious throne,
Thy Virgin Mother pours her Prayer,
Imploring pardon for her own . . .



The Magnificat
at Solemn Tridentine Vespers. 
CIEL Conference, 
Merton College, 
Oxford, 
England. 
October 2006.
Available on YouTube at

Antiphon at The Magnificat.

All The Choirs of Angels, all The Ranks of The Saints, receive, in The Magnificat Antiphon,
the homage of The Church's Prayer; and all will join in praising The Queen of Heaven and Earth,
by singing her own glorious Canticle. [Editor: This paragraph is taken from The Liturgical Year,
by Abbot Guéranger, O.S.B.]

Angeli, Archangeli, Throni et Dominationes,

Principatus et Potestates, Virtutes caelorum,
Cherubim atque Seraphim, Patriarchae et Prophetae,
sancti legis Doctores, Apostoli, omnes Christi Martyres,
sancti Confessores, Virgines Domini, Anachoritae
Sanctique omnes, intercedite pro nobis.

Canticle of The Blessed Virgin Mary: Luke i. 46-53.

Mary's answer to her cousin, Elizabeth, who hails her as
"The Mother of God, Blessed among women".

The Church sings The Canticle of Mary, The Magnificat, in which are celebrated
The Divine Maternity and all its consequent Blessings. This exquisite Canticle is an
essential part of The Office of Vespers. It is The Evening Incense, just as
The Canticle "Benedictus", at Lauds, is that of the Morning Incense.
[Editor: This paragraph is taken from The Liturgical Year, by Abbot Guéranger, O.S.B.]

Magnificat: Anima mea Dominum.

Et exultavit spiritus meus:
In Deo salutari meo . . .

My Soul doth magnify The Lord.
And my Spirit hath rejoiced in God my Saviour . . .


The Prayer.

Omnipotens sempiterne Deus,
qui nos omnium sanctorum tuorum
merita sub una tribuisti celebritate venerari . . .

O Almighty, Everlasting God,
Who hast granted us to Venerate
in one Solemnity the Merits of all Thy Saints . . .

BENEDICTION OF THE BLESSED SACRAMENT.

In his Motu Proprio, of 1903, Pope Saint Pius X insists on "the importance of
The Solemn Chanting of Vespers, to which may be added, with advantage, a suitable
Sermon and Benediction of The Blessed Sacrament."

Compline, Chanted in the evening, may also be followed by Benediction, this latter Devotion is thus brought into association with The Official Worship of The Church.

The Vigil Of All Saints. 31 October.


Text is taken from The Saint Andrew Daily Missal,
unless otherwise stated.

The Vigil of All Saints.
   31 October.

Simple.

Violet Vestments.




Iona Abbey, Scotland.
Image: SHUTTERSTOCK

The most illustrious Martyrs had at Rome, from the 4th-Century A.D., their Basilicas, where was Celebrated each Year the Anniversary of their death, or, rather, their birth in Heaven.

At that time, a number of Masses were prescribed without any fixed day in honour of those who had no public recognition. When, later, the names of Saints, who were not Martyrs, were introduced into The Ecclesiastical Calendar, a more Universal character was given to such Masses.

It is thus that, in the 8th-Century A.D., The Gregorian Sacramentary indicates among The Common Masses without a date: The Mass in Honour of All Saints.

Fixed in the following Century on 1 November, it became The Mass of All Saints' Day, for which we are this day prepared by a Vigil.

This explains why The Mass of The Vigil, as well as that of The Feast, contains extracts from The Masses of The Common of Martyrs.

Mass: Judicant sancti gentes.
Gloria: Not said.



The Church Triumphant.
The Church Militant.
The Church Suffering.
Illustration taken from UNA VOCE OF ORANGE COUNTY
who reproduce Text and Illustrations from 
Saint Andrew's Daily Missal, 1952 Edition,
with the kind permission of ST. BONAVENTURE PUBLICATIONS
Artist: Rene de Cramer.
“Copyright Brunelmar/Ghent/Belgium”.
Used with Permission.

The following Text is taken from THE SAINT LAWRENCE PRESS LTD

The Vigil of All Saints is of Simple Rite and its Liturgical Colour is Violet. As with all Simple Rite Vigils, The Office runs from Mattins to None.

At Mattins, The Invitatory, Hymn, Antiphons, Psalms, Versicle and Response are from The Psalter for Friday. The Lessons, Proper to The Vigil, in The Nocturn, are a Homily of Saint Ambrose from The Common of Several Martyrs.

The Responsories are from The Friday of The Fifth Week of October. The Te Deum is not sung. The Second Scheme of Lauds for Friday is sung with Psalms 50, 142, 84, Domine, audivi auditionem tuam, and 147.



The Office Hymn is Aeterna caeli gloria. After the Antiphon on the Benedictus has been repeated, the Ferial Preces are sung, with the Choir kneeling. After The Collect of The Vigil, The Suffrage of The Saints is omitted (c.f. pre-1911-1913 praxis when The Suffrages were sung).

At Prime, the Psalm displaced from Lauds by The Miserere is added to The Psalmody of The Day: Pss. 21(i), 21(ii), 21(iii), and 98. Both The Dominical and Ferial Preces are sung, with the Choir kneeling. At the other Hours, the short series of Ferial Preces are sung, again with the Choir kneeling, before The Collect of The Vigil.

Mass is sung after None. Following the normal rules for Vigils, four Candles are placed on the Altar, in contrast with two on ordinary Ferial Days. The Deacon and Sub-Deacon wear Violet Dalmatic and Tunicle, not Folded Chasubles. The Ferial Tone is used for The Orations and for The Preface and Pater Noster.



There is no Gloria. The Second Collect is of The Holy Ghost, Deus, qui corda, The Third Collect is Ecclesiae. As it is a 'Kneeling Day', the Choir kneels for the Prayers and from the Sanctus until Pax Domini. As the Gloria is not sung, the dismissal is Benedicamus Domino.

Vespers are First Vespers of The Feast of All Saints, with a corresponding Colour change to Festive White. The Office is Proper and the Antiphons Vidi turbam magnam, etc, are sung, Doubled, with Pss. 109, 110, 111, 112 and 116. The Office Hymn is Placare, Christe, servulis. At Compline, The Dominical Psalms are sung.

In the 'Liturgical Books of 1962', The Vigil of All Saints has been abolished. Today is kept as a
IV Class Ferial 'Green' Day. Mass is of Pentecost XX, there is a single Collect. Although the Gloria is not sung, Ite missa est is the dismissal.


Monday, 30 October 2017

Sung Requiem Mass. All Souls' Day. Thursday, 2 November 2017. 1900 hrs. Our Lady Of Lourdes Church, Philadelphia, Pennsylvania.



Illustration: RORATE CAELI

Our Lady Of Ushaw.





Our Lady of Ushaw,
Saint Cuthbert's Chapel, 
Ushaw Seminary, 
Ushaw, County Durham, 
England.
Photo: April 2010.
Source: Own work.
Author: Zephyrinus.


Ushaw Seminary,
County Durham, England.
Solemn High Mass 1960.
Available on YouTube at


"Ave Regina Caelorum".
Composer: Tomas Luis de Victoria.
Sung by: The Sixteen.
Director: Harry Christophers.
Available on YouTube at

Ave, Regina cælorum,
Ave, Domina Angelorum:
Salve, radix, salve, Porta,
Ex qua mundo lux est orta:
Gaude Virgo gloriosa,
Super omnes speciosa,
Vale, o valde decora,
Et pro nobis Christum exora.


Divine Holy Mass,
Saint Cuthbert's Chapel, 
Ushaw, County Durham, 
England.
Photo: April 2010.
Source: Own work.
Author: Zephyrinus.


"Ave Regina Caelorum".
Composer: Orlande de Lassus.
Sung by:The Tallis Scholars.
Director: Peter Phillips.
Available on YouTube at


Solemn Requiem Mass, 
with a very young Richard Hawker as MC.
Our Lady of Ushaw statue can be seen 
behind the Deacon on the Sedilia.
Saint Cuthbert's Chapel, 
Ushaw, County Durham, 
England.
Photo: April 2010.
Source: Own work.
Author: Zephyrinus.


"Salve, Regina",
from The Eton Choir Book.
Composer: William Cornysh.
Sung by: The Tallis Scholars.
Director: Peter Phillips.
Available on YouTube at


Divine Holy Mass,
Saint Cuthbert's Chapel, 
Ushaw, County Durham, 
England.
Photo: April 2010.
Source: Own work.
Author: Zephyrinus.

The following Text is from Wikipedia - the free encyclopaedia.

Ushaw College is a former Catholic Seminary, near the village of Ushaw Moor,
County Durham, England. It was Founded in 1808 by scholars from The English College,
Douai, France, who had fled France after The French Revolution.

Ushaw College was affiliated with The University of Durham from 1968 and was
the principal Roman Catholic Seminary for the training of Catholic Priests in
The North of England, finally closing in 2011 due to the shortage of Vocations.
The buildings and grounds are now maintained by a Charitable Trust.


Solemn Requiem Mass, 
Saint Cuthbert's Chapel, 
Ushaw, County Durham, 
England.
Photo: April 2010.
Source: Own work.
Author: Zephyrinus.


Solemn Requiem Mass,
Saint Cuthbert's Chapel, 
Ushaw, County Durham, 
England.
Photo: April 2010.
Source: Own work.
Author: Zephyrinus.


A Dawn Mass in 
The English Martyrs Side-Chapel. 

Ushaw, County Durham, 
England.
Photo: April 2010.
Source: Own work.
Author: Zephyrinus.


Saint Cuthbert's Chapel, Ushaw, Durham, England.
A perfect setting for 
Celebration of The Divine Mass.
Photo: April 2010.
Source: Own work.
Author: Zephyrinus.


Saint Cuthbert's Chapel, Ushaw, Durham, England.
A perfect setting for 
Celebration of The Divine Mass.
Please God, one day this Chapel will be a regular Mass location, again.
During the height of Ushaw Seminary in the 1960s,
over 400 Seminarians would attend Daily Divine Mass in this Chapel.
Photo: April 2010.
Source: Own work.
Author: Zephyrinus.
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