Notre Dame de Rouen. The façade of the Gothic Church in France. Photographer: Hippo1947. Licence: SHUTTERSTOCK.

Tuesday, 20 March 2018

Tuesday In Passion Week. The Lenten Station Is At Saint Cyriacus's (The Basilica Of Santa Maria-In-Via-Lata).




Text from The Saint Andrew Daily Missal,
unless otherwise stated.

Tuesday in Passion Week.

Station at Saint Cyriacus's.

Indulgence of 10 Years and 10 Quarantines.

Violet Vestments.



English: Basilica of Santa Maria-in-Via-Lata, Rome, Italy.
Italiano: Roma, Santa Maria-in-Via-Lata.
Photo: December 2006.
Source: Own work.
Author: Lalupa.
(Wikimedia Commons)


The Church, today, unites the memory of a Martyr with that of The Passion of Jesus, in making The Lenten Station in The Church of The Holy Deacon, Cyriacus, Martyred, under Emperor Diocletian, at The Gates of Rome. This Church, one of the twenty-five Parish Churches of Rome in the 5th-Century A.D., having been destroyed by fire, the body of The Holy Martyr was Translated to beneath The High Altar of Santa Maria-in-Via-Lata, which became The Place of Assembly for this day.

The Epistle and Gospel tell us of the approaching Passion of The Messiah and of The Rejection of Israel, who are replaced by The Gentiles in The Church.

“Daniel, who has destroyed Bel and slain the Dragon” (Epistle), is Jesus, Who denounces the crimes and sins of the World (Gospel). The Babylonians sought to destroy the Prophet, by throwing him as food to the hungry lions. The Jews, also, “sought to kill Jesus” and, for this dark design, “their hour is always at hand”.



Basilica of Santa Maria-in-Via-Lata, Rome, Italy.
Photo: 26 March 2014.
Source: Own work.
(Wikimedia Commons)


But, like Daniel, full of fortitude, He awaits The Lord (Introit), and God, “Who does not abandon those who love and seek Him” (Epistle, Offertory), “delivers Him from unjust men and from all the ills that threaten Him” (Gradual, Communion). “Those who had wished to destroy Daniel were themselves thrown to the lions and devoured instantly” (Epistle). In the same way, the Deicide Nation suffered the penalty of its crime. Forty years later, Jerusalem was taken, by The Roman Legions, after five long months of famine.

Fearing the chastisements of Divine Justice, let us persevere in the expiatory practice of Fasting, in order that we may be made worthy of The Eternal Reward accorded to The Just (Collect).

Mass: Exspécta Dóminum.



English: Engraving of the Minor Basilica of Saint Cyriacus (Santa Maria-in-Via-Lata).
Italiano: Santa Maria-in-Via-Lata.
Engraver: Giuseppe Vasi (1710-1782).
Author: Giuseppe Vasi (1710-1782).
(Wikimedia Commons)




English: Side-Aisle in Santa Maria-in-Via-Lata, Rome, Italy.
Italiano: Roma, s. Maria-in-Via-Lata.
Photo: 20 June 2010.
Source: Own work.
Author: Lalupa.
(Wikimedia Commons)



The following Text is from Wikipedia - the free encyclopedia.

Santa Maria-in-Via-Lata is a Church on the Via del Corso (the ancient Via Lata), in Rome, Italy. It stands diagonally across from the Church of San Marcello-al-Corso.

It is claimed that Saint Paul spent two years here, in the Crypt under the Church, whilst under house arrest waiting for his trial.



English: The Church of Santa Maria-in-Via-Lata, Rome, Italy.
Italiano: Chiesa di Santa Maria in Via Lata, Roma. Facciata di Pietro da Cortona.
Photo: 17 October 2005.
Author: Anthony Majanlahti.
(Wikimedia Commons)


The first Christian place of worship here was a 5th-Century A.D. Oratory, in the Roman building beneath the present Church. This was constructed within the remains of a large Roman warehouse, some 250 metres long, which has also been excavated. The Church's Upper Level was added in the 9th-Century A.D., and murals added to the Lower Level between the 7th- and 9th-Centuries A.D., (these have been detached for conservation reasons). The Cosmatesque Pavement from this phase survives.

The Church's 13th-Century icon of The Virgin Advocate, is said to have performed many Miracles. The Arcus Novus (an Arch erected by Emperor Diocletian in 303 A.D. - 304 A.D.), which stood on this site, was destroyed by rebuilding of the Church in the Late-15th-Century. Antonio Tebaldeo, poet and friend of Raphael, was buried at the end of the North Aisle in 1537, though his tomb was designed in 1776.



"The Virgin Advocate",
Church of Santa Maria-in-Via-Lata, Rome. Italy.
Photo taken from Google Images and cryptavialata.it



The Church was renovated in 1639 by Cosimo Fanzago, but the facade, with its Corinthian Columns imposing vertical emphasis, was completed (1658-1660) by a design from Pietro da Cortona. He appears to evoke a Triumphal Arch in the facade.

The High Altar's Madonna Advocata (1636) is one of the few paintings in Churches attributed to Bernini (perhaps by Santi Ghetti). The Ciborium in the Apse is made from alabaster and lapis lazuli. The first excavations of the site also occurred at this date, as commemorated by a Relief in the Crypt by Cosimo Fancelli. The families of Joseph and Lucien Bonaparte were buried here in the 18th-Century.



English: The Nave, 
Santa Maria-in-Via-Lata, 
Rome, Italy.
Deutsch: Innenraum der Kirche.
Photo: 6 February 2011.
Source: Own work.
(Wikimedia Commons)


The first Altarpiece is a Martyrdom of Saint Andrew (1685), by Giacinto Brandi, while the second Altarpiece is of Saints Giuseppe, Nicola, and Biagio, by Giuseppe Ghezzi. In the Chapel, to the Left of the Apse, is a Madonna with Child and Saints Cyriac and Catherine, by Giovanni Odazzi.

The second Altar, on the Left, has a Saint Paul Baptising Sabine and Children, by Pier Leone Ghezzi, while the first Altarpiece is a Virgin and Saints, by Pietro de Pietri.
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Monday, 19 March 2018

Saint Joseph. Confessor. Spouse Of The Blessed Virgin Mary. Feast Day 19 March.



Text from The Saint Andrew Daily Missal,
unless stated otherwise.

Saint Joseph.
   Confessor.
   Spouse Of The Blessed Virgin Mary.
   Feast Day 19 March.

Double of The First-Class.

White Vestments.


Saint Joseph and The Child Jesus.
Illustration: PINTEREST

The Church always honours Saint Joseph with Mary and Jesus, especially during The Christmas Solemnities. Today's Gospel is, indeed, that of 24 December. A Coptic Calendar tells us that Saint Joseph was Liturgically honoured in a special way on 20 July from the 8th-Century A.D.

At the end of the 15th-Century, his Feast was kept on 19 March and, in 1621, Pope Gregory XV extended it to the whole Church. In 1870, Blessed Pope Pius IX proclaimed Saint Joseph Protector of The Universal Church.

This Saint "of The Royal Race of David" was a Just Man (Gospel). As, by his marriage with The Blessed Virgin Mary, Saint Joseph has certain rights of The Blessed Fruit of The Virginal Womb of his spouse, a moral affinity exists between him and Jesus.


He exercised over The Child-God a certain paternal authority, which The Preface of Saint Joseph delicately alludes to as that of a Foster-Father. Without having begotten Jesus, Saint Joseph, by the bounds which unite him to Mary, is legally and morally The Father of The Son of The Blessed Virgin Mary.

It follows that we must honour, by  a special homage, this dignity, or supernatural excellence, of Saint Joseph. "In The Family of Nazareth", says Cornelius-a-Lapide (a Flemish Jesuit and Exegete (1567-1637), "were the three greatest and most excellent persons in the World. Wherefore, to Christ is due The Divine Worship, to The Virgin A Higher Worship than to Saints, and to Saint Joseph The Full Worship due to Saints".

God revealed to Saint Joseph The Mystery of The Incarnation (Ibid.) and "chose him among all" (Epistle) to commit to his care The Incarnate Word and The Virginity of Mary.

The Hymn at Lauds says that: "Christ and The Virgin were with him at his last hour and watched by him, their faces gleaming with sweet serenity". Saint Joseph went to Heaven for ever to enjoy The Beatific Vision of The Word, whose humanity he had so long and so closely contemplated on Earth.


This Saint is, therefore, justly considered the patron and model of interior and contemplative Souls. And, in the Heavenly Home, Saint Joseph has a powerful influence of The Heart of The Son of his Most Blessed Spouse (Collect).

Let us imitate, at this Holy Season, the purity, the humility, the spirit of Prayer and Meditation, of Saint Joseph at Nazareth.

Every Parish  Priest Celebrates Mass for the people of his Parish.

Mass: Justus ut.
Commemoration: Of The Feria, in Lent.
Credo.
Preface: Of Saint Joseph.
Last Gospel: Of The Feria, in Lent.

If 19 March happens to fall in Holy Week, The Feast of Saint Joseph is Transferred to The Tuesday after Low Sunday. An Alleluia is then added to every Antiphon, Verse, or Responsorial.


The following Text refers to 2017 but is a most interesting point in Liturgy and is from
ON THE ROAD TO DAMASCUS

In the pre-Vatican II Pope Saint Pius X Divine Office "Divino Afflatu", with yesterday being the Third Sunday of Lent, Saint Joseph's Feast Day was Transferred to today, 20 March 2017. 

The reason being is that Saint Joseph's Feast Day is a Double of The First Class and this does not take precedence over a Sunday in Lent.

However, in The Rubrics of 1568 (Trent), and, thus, prior to "Divino Afflatu", The Feast Day is just a Double (and not a Double of The First-Class), so Saint Joseph can be Commemorated in the Third Sunday of Lent Mass and Office.
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"Te, Joseph". A Hymn To Saint Joseph On His Feast Day, Today, 19 March.



Saint Joseph and The Child Jesus.
Illustration: PINTEREST



"Te, Joseph".
Gregorian Chant sung by Canto Gregoriano.
Available on YouTube at
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Monday In Passion Week. Lenten Station At The Basilica Of Saint Chrysogonus.



Text from The Saint Andrew Daily Missal,
unless otherwise stated.

Monday in Passion Week.

Station at Saint Chrysogonus's.

Indulgence of 10 Years and 10 Quarantines.

Violet Vestments.



Basilica of Saint Chrysogonus, Trastevere, Rome, Italy.
Photo: September 3006.
Source: Own work.
Author: Lalupa.
(Wikimedia Commons)


The Lenten Station is at Saint Chrysogonus's-in-the-Trastevere. Under the High Altar of this Church, one of the twenty-five Parish Churches of Rome in the 5th-Century A.D., rests the body of this Holy Martyr, a victim of The Diocletian Persecution. His name is mentioned in The Canon of The Mass.

Among the previous Cardinal Priests, from 1853 until 1878, was Vincenzo Gioacchino Raffaele Luigi Pecci, who was subsequently Elected Pope Leo XIII.

To encourage the Public Penitents, and ourselves, likewise to persevere in the austerities of Lent, The Church reminds us, in the Epistle, of the pardon granted to the Ninivites, who, moved by the voice of Jonas, Fasted and covered themselves with Ashes for forty days.



Pope Leo XIII was a previous Cardinal-Priest of the Basilica of San Crisogono, Trastevere, Rome.
Photogram of the 1896 film, "Sua Santitá Papa Leone XIII", 
the first time a Pope appeared
in a movie. 
This image was copied from wikipedia:de
The original description was: 
Papst_Leo_XIII. um ca. 1898.
Public Domain. Library of Congress
This File: March 2006.
User: Crux.
(Wikimedia Commons)


With regard to The Catechumens, how sweet must have been their hope on hearing, in the Gospel, the promises of The Divine Master. Faith is about to draw from their Souls streams of living waters, springing from The Holy Spirit, Who will enter their Souls when they are Baptised.

The Jews, on the contrary, far from listening to Him, of whom Jonas was a figure, sought to lay hands on Jesus, Whom they are shortly to put to death. Jesus, in predicting it to them, announced to them His Triumph and their reprobation: "Yet a little while, and I go to My Father, and thither you cannot come."

Let us ask "God to sanctify our Fasts and mercifully grant us the pardon of our sins" (Collect), so that we may always enjoy health of Soul and body" (Prayer over the people).

Mass: Miserére mihi.
Preface: Of The Holy Cross.



The Basilica of San Crisogono, Rome, Italy.
Photo: December 2006.
Source: Own work.
Author: Lalupa.
(Wikimedia Commons)



The following Text is from Wikipedia - the free encyclopaedia.

San Crisogono is a Basilica Church in Rome (rione Trastevere) Dedicated to The Martyr, Saint Chrysogonus.

The Church was one of the Tituli, the first Parish Churches of Rome. It was most probably built in the 4th-Century A.D., under Pope Sylvester I (314 A.D. – 335 A.D.), rebuilt in the 12th-Century by John of Crema, and, again, by Giovanni Battista Soria, funded by Scipione Borghese, in the Early-17th-Century.

The area beneath the Sacristy was investigated by Fr. L. Manfredini and Fr. C. Piccolini in 1907. They found remains of the first Church (see, below).



Photo: July 2011.
User: Adam sk
Author: At Sant'Apollinare Nuovo, Ravenna.
(Wikimedia Commons)


The Church is served by The Trinitarians. Among the previous Cardinal-Priests was Vincenzo Gioacchino Raffaele Luigi Pecci (Cardinal-Priest from 1853–1878), who was subsequently Elected Pope Leo XIII.

Art and architecture.

The Bell Tower dates from the 12th-Century. The Interior of the Church was rebuilt in the 1620s, on the site of a 12th-Century Church. The twenty-two granite Columns, in the Nave, are recycled antique Columns. The floor is Cosmatesque, but most of it is hidden by the Pews. The High Altar is from 1127, with a Baldacchino from the Early-17th-Century by Gian Lorenzo Bernini.



English: The Baroque Coffered-Ceiling with a centre painting by Guercino.
Italiano: Roma, San Crisogono (rione Trastevere):

soffitto a lacunari con stemmi del cardinale Scipione Borghese.
Photo: March 2007.
User: Lalupa.
(Wikimedia Commons)



The painting, in the middle of the Baroque Coffered-Ceiling, is by Guercino, and depicts the Glory of Saint Chrysogonus. It is likely a Copy, in which case the original was taken to London, but it might also be vice versa.

On the Left Side of the Nave, is the Shrine of Blessed Anna Maria Taigi. She was buried here in the Habit of a Tertiary of The Trinitarians. Some of her belongings are in the adjacent Monastery, where they are kept as Relics.

The Monument at the Left of the Entrance, Dedicated to Cardinal Giovanno Jacopo Millo, was completed by Carlo Marchionni and Pietro Bracci. Along the Right of the Nave are the fresco remains, including a Santa Francesca Romana and a Crucifixion, attributed to Paolo Guidotti and Transferred from the Church of Saints Barbara and Catherine. The Nave also contains a painting of Three Archangels, by Giovanni da San Giovanni.



English: The Cosmatesque floor of the Basilica of Saint Chrysogonus, Rome.
Italiano: Roma, Basilica di san Crisogono in Trastevere: pavimento cosmatesco.
Photo: December 2006.
User: Lalupa.
(Wikimedia Commons)



The Nave has a Trinity and Angels by Giacinto Gimignani, while the Altar has a Guardian Angel by Ludovico Gimignani. The Presbytery and Ciborium are surrounded by four alabaster Columns; a work by Soria. The Apse has frescoes of the Life of Saint Crisogono (16th-Century) and, below, Madonna and Child with Saints Crisogonus and James, by the 12th-Century School of Pietro Cavallini. The Presbytery Vault is frescoed with a depiction of Our Lady by Giuseppe Cesari.

Excavations.

Remains from the first Church, possible from the Reign of Emperor Constantine I, and earlier Roman houses, can be seen in the lower parts, reached by a staircase in the Sacristy. The ruins are confusing, but you can easily find the Apse of the old Church, and you can see the Remains of The Martyr's Shrine in the middle of the Apse wall.

On either side of the Apse, are rooms known as Pastophoria, Service Rooms of a type uncommon in the West. but normal in Eastern Churches. The one on the Right-Hand Side is thought to have been used as a Diaconium, with functions resembling those of the Sacristy in later Churches. The other would probably have been a Protesis, where Holy Relics were kept.


Mosaic of Virgin and Child, with Saint Chrysogonus (Left) 
and Saint James the Greater (Right).
At the Church of San Crisogono, 
Rome, Italy, circa 1273-1308.
Photo: July 2011.
User: Adam sk
Author: Church of San Crisogono-in-Trastevere, Rome.
(Wikimedia Commons)


A number of basins were found during the excavations, including one cut into the South Wall. As the plan is so atypical of Early-Roman Churches, some believe that the structure originally had a different function, and the presence of the basins could mean that it was a Fullonica, a laundry and dye-house. The area was a commercial district at the time, so this is quite likely.

Others think that the basin in the South Wall was made for Baptism by immersion. As there were other basins, too, it seems more likely that it was originally intended for a different use, but it may well have been used as a Baptismal Font, after the building had been Consecrated as a Church.

Liturgy.

The paintings are from the 8th-Century A.D. to the 11th-Century, and include Pope Sylvester Capturing the Dragon, Saint Pantaleon Healing the Blind Man, Saint Benedict Healing the Leper and The Rescue of Saint Placid. Several Sarcophagi have been preserved, some beautifully decorated. Below the first Church, are Remains of Late-Republican Houses.

The Feast Day of Saint Chrysogonus, 24 November, is also The Dedication Day of the Church. Pilgrims and other Faithful, who attend Mass on this day, receive a Plenary Indulgence.



Saint Peter's Italian Church, Clerkenwell, London.

This London Church is modelled on 
he Basilica of Saint Chrysogonus, Rome, Italy.



The following Paragraphs are taken from THE DAILY CONSTITUTIONAL

Saint Peter's Italian Church is modelled on the Basilica of San Crisogono in Rome, St Peter’s Italian Church was consecrated as “The Church of All Nations” in 1863. This moniker is reflected in not only the Italian congregation (2000-strong by the 1850s), but in its Irish architect, John Miller-Bryson, as well as the addition of Polish-speaking Priests back in the 1870s.

The Church was Founded by Saint Vincent Pallotti, the Roman Catholic Priest remembered in one of the Church’s icons.
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Sunday, 18 March 2018

Renée Fleming. "Baïléro". Songs of the Auvergne. Joseph Canteloube.



English: Panorama from the summit of the Puy de Dôme, in The Auvergne.
Français: Chaîne des Puys (département du Puy-de-Dôme, Auvergne). Panorama
du sommet du Puy de Dôme allant du Puy de Come à gauche jusqu'au Puy de Pariou.
Photo: 16 July 2005.
Source: Own work.
Author: Romary.
(Wikimedia Commons)


"Baïléro".
Songs of the Auvergne.
Composer: Joseph Canteloube.
Sung by: 
Renée Fleming.
Available on YouTube at
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Passion Sunday. The Lenten Station Is At The Basilica Of Saint Peter's.



Text from The Saint Andrew Daily Missal,
unless otherwise stated.

Passion Sunday.

Station at Saint Peter's.

Indulgence of 10 Years and 10 Quarantines.

Semi-Double.

Privilege of The First Class.

Violet Vestments.



"They took up stones, therefore, to cast at Him; 
but Jesus hid Himself and went out of the Temple.
Artist: René de Cramer.
"Copyright Brunelmar/Ghent/Belgium".
Used with Permission.





English: Saint Peter's Basilica, Rome. 
The iconic dome dominates the skyline. Christianity became the dominant religion of Western Civilisation when The Roman Empire converted to Christianity.
Magyar: Vatikánváros látképe.
Italiano: Veduta del Vaticano dal Tevere.
한국어: 테베레 강 방향의 성 베드로 대성전. 로마의
지평선을 압도하는 전통적인 돔 양식이다.
Kiswahili: Vatikani ikitazamwa kutoka mto Tiber.
中文: 从台伯河遥望梵蒂冈.
Photo: January 2005.
Source: Flickr.
Reviewer: Andre Engels.
(Wikimedia Commons)





Interior of Saint Peter's Basilica.
Artist: Giovanni Paolo Panini (1692–1765).
Date: 1731.
Current location: Saint Louis Art Museum, 
Missouri, United States of America.
(Wikimedia Commons)


"We are not unaware", says Saint Leo, "that, among all Christian celebrations, The Paschal Mystery holds the first place. Our manner of living throughout the whole year, by reforming our ways, ought to give us the dispositions for keeping it worthily and in a fitting manner. These present days, which we know to be close to that most sublime Sacrament of Divine Mercy, require Devotion in a yet higher degree" (Second Nocturn).

The Mystery, of which Saint Leo speaks, is Our Redeemer's Passion, whose Anniversary is close at hand. Priest and Mediator of The New Testament, Jesus will soon ascend His Cross, and The Blood, which He will shed, He will offer to His Father, entering into The Holies, which is Heaven itself (Epistle).

The Church sings: "All hail, thou Mystery adored ! Hail, Cross !, on which The Life Himself died, and by death our life restored ! " (Hymn of Vespers). The Eucharist is the Memorial of this boundless love of a God for men, for, when instituting it, Our Lord said: "This is My Body, which shall be delivered for you; this Chalice is The New Testament in My Blood. Do this . . . in Commemoration of Me " (Communion).

What is the response of Man to all these Divine Favours ? "His own received Him not," says Saint John, speaking of the welcome which the Jews gave Jesus. "For good, they rendered Him evil, and prepared for Him nothing but insults." "You", Our Lord told them, "dishonour Me," and, in fact, the Gospel shows us the ever-growing hatred of the Sanhedrin.



English: Sangallo's design for Saint Peter's Basilica.
Italiano: Progetto di Antonio da Sangallo per San Pietro in Vaticano.
Date: 30 June 2007 (original upload date).
Source: Transferred from it.wikipedia; transferred to Commons
Author: Original uploader was Etienne (Li) at it.wikipedia
(Wikimedia Commons)


Abraham, the father of God's people, firmly believed The Divine Promises, which heralded the future Messias, and, in Limbo, his Soul, which, as believing was beyond the reach of eternal death, rejoiced to see these promises fulfilled in The Coming of Christ.

But the Jews, who ought to have recognised in Jesus, The Son of God, greater than Abraham and The Prophets, because eternal, misunderstood the meaning of His words, insulted Him by treating Him as a blasphemer and "possessed", and tried to stone Him (Gospel). And God tells Him, in the person of Jeremias: "Be not afraid at their presence. For I am with Thee, to deliver Thee, saith the Lord . . . For, behold, I have made Thee this day a Fortified City and a Pillar of Iron and a Wall of Brass, over all the land, to the Kings of Juda, to the Princes thereof and to the Priests and to the people of the land. And they shall fight against Thee and shall not prevail. For I am with Thee, saith the Lord, to deliver Thee" (First Nocturn).

"I seek not My Own Glory", says Jesus, "there is One That seeketh and judgeth" (Gospel). And, by the mouth of The Psalmist, He goes on: "Judge Me, O God, and plead My cause against an ungodly Nation: O deliver Me from the unjust and deceitful man." This "lying" people Our Lord declares to be the Jews. The Psalmist continues: "Deliver Me, O Lord, from My enemies . . .from the unjust man Thou wilt deliver Me" (Gradual).



English: Saint Peter's Basilica. 
Seen from the roof of Castel Sant'Angelo.
Deutsch: Murcianodom in Rom, gesehen vom Dach 
der Engelsburg, auch Tartarugadom genannt.
Photo: September 2004.
Source: Own work.
Author: Wolfgang Stuck.
(Wikimedia Commons)


"The Lord, Who is Just, will cut the necks of sinners" (Tract). God will not permit men to lay their hands on Jesus until His hour is come (Gospel), and when that hour of sacrifice came, He snatched His Son from the hands of evil men by raising Him from the dead. This Death and Resurrection had been foretold by The Prophets and typified in Isaac, when, on the point of being sacrificed at God's command, by Abraham his father, he was restored to life by Almighty God, his place being taken by a ram, who became a type of The Lamb of God, offered in man's stead.

Thus, Our Lord, in His First Coming, was to be humbled and made to suffer; not until later will He appear in all His power. But the Jews, blinded by their passions, could appreciate only one kind of coming, a coming in triumph, and so, scandalised by The Cross of Christ, they rejected Him. In their turn, Almighty God rejected them, while graciously receiving those who put their trust in The Redemption of Jesus Christ, uniting their sufferings to His.

"Rightly, and under the guidance of The Holy Ghost," says Saint Leo, "did The Holy Apostles institute these days of more rigorous Fasting, so that, by a common sharing in The Cross of Christ, even we ourselves may do something towards uniting ourselves with the work that He has accomplished for us". As Saint Paul says: "If we suffer with Him, we also shall be glorified with Him." Where we find Our Lord's sufferings being shared, there can we look on the attainment of the happiness promised by Him as a thing safe and assured."



Crepuscular rays are regularly seen 
in Saint Peter's Basilica at certain times each day.
Photo: 6 October 2008 (original upload date) 
2 July 2008 (according to EXIF data).
Source: Transferred from en.wikipedia by SreeBot.
Author: Jraytram at en.wikipedia.
(Wikimedia Commons)


Today's Lenten Station is in the Basilica of Saint Peter, raised on the site of Nero's Circus, where The Prince of The Apostles died, like his Divine Master, on a Cross.

In recalling Our Lord's Passion, the Anniversary of which draws near, let us remember that, if we are to experience its saving effects, we must, like The Master, know how to suffer persecution for justice sake. And when, as Members of God's Family, we are persecuted with, and like, Our Lord, let us ask of God, that we may be "governed in body" and "kept in mind".

Mass: Júdica me.
Until Maundy Thursday, in Masses of The Season, the Psalm "Judica" is omitted, as well as the "Gloria Patri", after the Introit and the Lavabo.
Second Collect: From this day until Saturday in albis, The Second Collect is Against The Persecutors of The Church, or, For The Pope. No Third Collect is required.
Preface: Of The Holy Cross.



"Vexilla Regis Prodeunt" 
(Forth Comes the Standard of The King).

The Hymn (First Tone) at Second Vespers 
on Passion Sunday.
Sung by 
Schola Gregoriana Mediolanensis.
Direttore: Giovanni Vianini. 
Milano, Italia.
Available on YouTube at




The Dome of 
Saint Peter's Basilica.
Photo: October 2006.
Source: Made by Pasztilla.
Author: Attila Terbócs.
(Wikimedia Commons)



The following Text is from Wikipedia - the free encyclopaedia.

The Papal Basilica of Saint Peter (Latin: Basilica Sancti Petri), officially known in Italian as Basilica Papale di San Pietro in Vaticano, and commonly known as Saint Peter's Basilica, is a Late-Renaissance Church, located within The Vatican City. Saint Peter's Basilica has the largest Interior of any Christian Church in the World.

While it is neither the Official Mother Church of The Roman Catholic Church, nor The Cathedral of the Pope as Bishop of Rome, Saint Peter's is regarded as one of the holiest Catholic sites. It has been described as "holding a unique position in The Christian World" and as "the greatest of all Churches of Christendom".

In Roman Catholic Tradition, the Basilica is the burial site of its namesake, Saint Peter, who was one of The Twelve Apostles of Jesus and the first Bishop of Rome, and, therefore, first in the line of The Papal Succession. Tradition and some historical evidence hold that Saint Peter's tomb is directly below the Altar of the Basilica. For this reason, many Popes have been interred at Saint Peter's since the Early-Christian period. There has been a Church on this site since the 4th-Century A.D. Construction of the present Basilica, over the old Constantinian Basilica, began on 18 April 1506 and was completed on 18 November 1626.

Saint Peter's is famous as a place of Pilgrimage, for its Liturgical functions and for its historical associations. It is associated with The Papacy, with The Counter-Reformation and with numerous artists, most significantly Michelangelo. As a work of architecture, it is regarded as the greatest building of its age. Contrary to popular conception, Saint Peter's is not a Cathedral, as it is not the Seat of a Bishop. It is properly termed a Papal Basilica. The Arch-Basilica of Saint John Lateran is the Cathedral Church of Rome.
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Saturday, 17 March 2018

Breathtakingly Beautiful. Wells Cathedral.



The Nave, Wells Cathedral.
Illustrations: ON THE LUCE



The Organ and Choir, Wells Cathedral.
Illustration: ON THE LUCE

The following Text is from Wikipedia - the free encyclopaedia.

The Cathedral Church of Saint Andrew, commonly known as Wells Cathedral, is an Anglican Cathedral in Wells, Somerset. The Cathedral, Dedicated to Saint Andrew the Apostle, is the Seat of the Bishop of Bath and Wells. It is the Mother Church of the Diocese and contains the Bishop's Throne (Cathedra).

It was built between 1175 and 1490, replacing an earlier Church built on the same site in 705 A.D. It is moderately-sized among the Mediaeval Cathedrals of England, between those of massive proportion, such as Lincoln Cathedral and York Minster, and the smaller Cathedrals in Oxford and Carlisle.

With its broad West Front and large Central Tower, it is the dominant feature of its small Cathedral City and a landmark in the Somerset countryside. Wells has been described as: "Unquestionably, one of the most beautiful", and as, "the most poetic", of English Cathedrals.


The West Front of Wells Cathedral.
Photo: 30 April 2014.
Source: Own work.
Permission: "Photo by DAVID ILIFF.
License: 
CC-BY-SA 3.0".
Author: Diliff.
(Wikimedia Commons)


The Cathedral's Architecture presents a harmonious whole, which is entirely Gothic-Style, and mostly in The Early English-Style of The Late-12th- and Early-13th-Centuries. In this respect, Wells Cathedral differs from most other English Mediaeval Cathedrals, which have parts in the earlier Romanesque-Style, introduced to Britain by The Normans in the 11th-Century.

Work commenced in about 1175, at the East End, with the building of The Choir. The historian John Harvey considers it to be the first truly-Gothic structure in Europe, having broken from the last constraints of Romanesque. The stonework of its pointed Arcades and fluted Piers is enriched by the complexity of pronounced Mouldings and the vitality of its carved Capitals in a Foliate-Style known as "Stiff Leaf".

Its Exterior has an Early-English façade displaying more than 300 sculpted figures, described by Harvey as "the supreme triumph of the combined Plastic Arts in England". The East End retains much ancient Stained-Glass, which is rare in England.

Unlike many English Cathedrals of Monastic Foundation, Wells Cathedral has an exceptional number of surviving Secular Buildings associated with its Chapter of Secular Canons, including The Bishop's Palace and Vicars' Close, a Residential Street that has remained intact since the
15th-Century. The Cathedral is a Grade I-Listed Building.
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