Notre Dame de Rouen. The façade of the Gothic Church in France. Photographer: Hippo1947. Licence: SHUTTERSTOCK.

Sunday 23 October 2022

Reclaim Halloween From The Secular Abuses Prevalent Nowadays. Herewith, All Hallows' Eve In The Traditional Pre-1955 Liturgy.



A Jack O'Lantern
made for the Holywell Manor Halloween celebrations.
Photo: 31 October 2003.
Source: Own work.
Illustration: Toby Ord
(Wikipedia)


“Halloween has always belonged properly to The Church,
and, as such, it should be made a key strategic objective
in a cultural “Reconquista”.”


This Article is taken from LITURGICAL ARTS JOURNAL

By: Claudio Salvucci.

Halloween is a Liturgical holiday. Anyone would be forgiven for not knowing that, because almost nobody keeps it that way anymore—to such a degree that some Catholics are of the opinion that we should wash our hands of the whole business. But Halloween has always belonged properly to The Church, and, as such, it should be made a key strategic objective in a cultural “Reconquista”.

To help illustrate why, I’d like to walk through the day of
31 October, not as the World celebrates it, now, but as The Latin Church Celebrated it for Centuries, listed in The Martyrology as “Vigilia Omnium Sanctorum”.



The Morning Offices.

31 October would Traditionally have begun with The Office of Matins before Sun-Rise. Traditionally, Week-Days in October Matins featured Readings from The Book of Maccabees. But, on 31 October, the Readings switch to Luke 6 and Ambrose’s Homily (Sermon) on The Beatitudes.

These Lessons, appointed for Halloween, come from The Common Of Many Martyrs, and we will see this theme of The Beatitudes re-appear, not only later in The Vigil Day, but also in The Feast of All Saints, to follow.


from the translation of The Roman Breviary
by John, The Marquess of Bute, 1890.

The other unique element of The Office for Halloween is The Collect, taken from The Mass, and referring to the joy of all The Saints and the “Glorious and Solemn Commemoration” of the next day. We will return to this Collect, later, but suffice it to say that we can already see, even before the Sun rises on
31 October, and really back to The Martyrology entry read at Prime on 30 October, that The Sacred Liturgy had set this day aside as something special.



The Mass.

As a Vigil, The Mass of Halloween saw the Altar and Priest Vested in Penitential Violet. It had its own dedicated set of Propers and Readings. Overall, they anticipate the joy of the subsequent Feast [Editor: All Saints], though often with a slightly different twist.

The beginning of the Halloween Introit, “Judicant sancti gentes, et dominantur populis” (The Saints judge Nations, and rule over people), strikes a more stern, Last-Judgement, tone than the purely jubilant All Saints Introit “Gaudeamus omnes in Domino” (Let us rejoice in The Lord), even though they both end on the same Psalm: “Exsultate, justi, in Domino” (Rejoice in The Lord, ye Just).




Beginning of The Mass of The Vigil,
from The New Roman Missal of Fr. Lasance (1938).



In the Halloween Gradual and Offertory, note the grammatical tense in “exsultabunt and laetabuntur”: “The Saints shall rejoice in glory, they shall be joyful in their beds”. The future tense, here, seems to pull double duty, not only helping to point forward to the next day’s Feast (Editor: All Saints], but also inviting a comparison between what the Canonised Saints enjoy now and what the Christian Faithful and the Souls in Purgatory will one day attain.

The Halloween Mass marks the dramatic appearance of The Apocalypse (Revelations) in The Liturgical Readings. Instead of a Pauline Epistle, we are suddenly confronted with Saint John’s spectacular and cryptic imagery: A Lamb with seven Horns and seven Eyes, Harps and Choirs, Angels circling the Throne. It is a startling vision—and it will continue to unfold through the rest of Hallowtide.

But only here, in The Vigil, do we see the Doctrine of Intercessory Prayer take such picturesque form as the “Golden Vials, full of odours, which are the Prayers of The Saints.” The Lesson also presents us with a first taste of universality, or Catholicity, of The Saints—Christ has “redeemed us to God, in Thy blood, out of every tribe, and tongue, and people, and Nation,” a theme we will come back to at Vespers.


The Gospel of The Day, as at Matins, is drawn from Christ’s Sermon on The Plain, in Luke 6. It, therefore, nicely parallels the Gospel of All Saints’ Day, which presents The Sermon on The Mount from Matthew 5.

Both Texts give us The Beatitudes and point us toward The Path to Sainthood. But, intriguingly, Luke’s Sermon on The Plain also features an Exorcism: “And they that were troubled with unclean spirits were cured.” It is not a major theme of The Halloween Mass, to be sure, but its presence here is a well-timed reminder of our enemies in The Spiritual Battle—then, as now.

Another subtle hint can be found in The Communion Verse “Justorum animæ”, which reminds us that “the torment of malice” shall not touch The Just.



“Black Vespers”.

This strangely-named Office is really The Vespers of The Dead—“Black”, here, referring to the colour of The Vestments. These Vespers are not actually found on Halloween Day in any of The Church’s official Liturgical Books.

Their true Liturgical place is after Second Vespers of All Saints on 1 November. But I have included this Office, here, since there was a Breton Tradition of saying it on the afternoon of Vigil—apparently Devotionally (for historical references, see HERE and HERE). It may well have flourished in other places, as well, since Brittany was said to be particularly conservative in its retention of old Mediæval customs.


“Black Vespers” begins with the Antiphon “I will walk before The Lord in The Land of The Living”—and perhaps here we can see the origin of the idea that, on Halloween, The Departed Souls returned to Earth. Neo-pagans have made much of this Folk Belief, often claiming it to be a lingering vestige of the “old ways”—on slender evidence and over-optimistic assumptions of pagan survival. This Antiphon seems to offer a much more plausible source, and a better explanation, for the presence of this belief in disparate Countries.

In places where it was said, “Black Vespers” infused Halloween with the solemn spirit of All Souls’ Day—and reminded Catholics, looking toward Heaven, of their dear Departed still suffering in Purgatory. We can very much use this reminder, today, particularly as Catholic funerals have too often become deformed into pseudo-canonisations, with the Deceased rashly, and improperly, assumed to be enjoying Heaven, with no need of our Prayers.



First Vespers of All Saints.

Finally, we come to the actual appointed Vespers for 
31 October: The First Vespers of All Saints’ Day. In the dimming light of Sunset, The Church officially begins its Celebration of that great Feast, having put aside the Penitential Violet Vestments and the Mournful Black Vestments, and Vesting in the exultant glory of White and Gold Vestments.

Re-echoing The Mass Lesson, its Antiphons boldly sweep up all history and all geography into The Heavenly Ranks: “I beheld, and, lo, a great multitude, which no man could number, of all Nations, and kindreds, and people, and tongues, stood before the Throne.”; “Thou, O, Lord God, hast redeemed us by Thy Blood, out of every kindred, and tongue, and people, and Nation, and hast made us a Kingdom unto our God.”

The Vespers of All Saints is presenting us with a cast of historical and other-Worldly characters of every type, arrayed before us in a great colourful pageant.


The Sequence, “Placare Christi”, addresses, in each Verse,
The Angels, The Apostles, The Purpled Martyrs, The Choir of Virgins and Confessors. The Antiphon at The Magnificat barely names a class of Saints before it runs to the next class in sheer delight—“O ye Angels, ye Archangels….O ye Patriarchs and Prophets, ye Holy Teachers of The Law,—O ye Apostles,—
O all ye Martyrs of Christ, ye holy Confessors, ye Virgins of The Lord, ye Hermits,—O all ye holy children of God”.

As Vespers came to a close, the Lay Catholic of bygone ages retired with all these great themes and concepts, fresh in his mind, preparing himself for the Festivities of the next day. He would have seen Priestly Vestments change through the day from Penitential Violet, to Sombre Black, to White or Gold. 

And what, today, forms the Halloween colour palette ? Purple, Black, White and Orange—matching The Church’s Liturgy almost perfectly, save for the characteristic hue of The North American Autumn.




This is Halloween as Traditionally envisioned by The Church: A colourful pageant, where all the Nations, and even The Living, and The Dead, join together to give glory to God.

Regrettably, despite its long history and rich Tradition, The Eve of All Saints was one of The Vigils completely abolished in 1955. As a result, even Traditional Latin Mass Parishes, which generally use The 1962 Liturgical Books, do not offer The Liturgy that I have described above.

The First Vespers of All Saints still remains, of course, even in The 1970 Missal, but the abolition of The Vigil has turned the first part of The Day into simply another generic “Mass of The Season.”

The Triduum, and its subsequent Octave, are no more. Gone, too, are the Liturgical parallels between Halloween, All Saints, and All Souls, with their subtle variations and interwoven themes.



They are vestigially remembered though. Across the globe, the Liturgies of Hallowtide had long been imaginatively amplified by Folk Traditions and customs: “Souling” in The British Isles; “Pão-por-Deus”, in Portugal; “Dia de Muertos”, in Mexico; and “Pangangaluwa”, in The Philippines.

Praying for The Deceased of the family, and of neighbours, was a widespread phenomenon. In some areas, like Scotland and Ireland, children went “Guising”, or, “Masquerading”, after dark, carrying turnip lanterns, and singing, or reciting, Verses for “treats”.

But the original anchor for all of these customs was The Church’s Liturgy. Many of these customs were already seriously compromised after The Reformation—and, in England, Halloween customs had even been abolished by Law. But, when The Church, herself, pulled up the anchor, nothing could stop the various Folk Traditions in even Catholic Countries from drifting aimlessly.

What can we do ? Let us set a good example in our homes, first, restoring The Liturgical Halloween to our hearts and our hearths.



The Texts of this wonderful Vigil, from both The Mass and The Office, give us some excellent Devotions for the day. If you have a Pre-1955 Missal and Breviary, handy [Editor: Which I have, of course], the Prayers are readily available there for you to use.

Alternatively, you can access them On-Line using the Links, above. For convenience, I have also compiled them, and other Devotions, in a Small Booklet, soon to be available from Ancilla Press.

If, nothing else, we would do immense good by taking a few seconds that day, while we prepare for any Festivities, to Devoutly Pray The Collect of All Hallows Eve (Editor: As opposed to “Trick or Treating”).

“Oh, Lord, our God, multiply Thy Graces upon us, and grant that joy may follow in The Holy Praise of those whose glorious Festival we anticipate. Through Our Lord Jesus Christ, Thy Son, Who liveth and reigneth with Thee, in The unity of The Holy Ghost, one God, World Without End.

Amen.




A Little Levity To Lighten Your Day . . .

A Little Levity To Lighten Your Day . . .

Saturday 22 October 2022

“If I Can’t Go In, Then Our Lady Has To Go In”. Priest Not Allowed By Police To Give The Last Rites To A Dying Man.




Bishop Mark Davies of Shrewsbury, England.
Picture Credit: Shalom World / YouTube
Illustration: LIFE SITE NEWS

U.K. Bishop pleads for Priests’ access
to crime scenes, after Catholic Politician
denied The Last Rites by Police.


This Article is taken from, and can be read in full at,

Bishop Mark Davies reacted to Essex Police preventing a Priest from ministering to MP Sir David Amess, after he was stabbed, saying that: “Every believing Catholic desires to hear Christ’s words of Pardon and Absolution for the last time.”

He said that The Last Rites should be recognised
as an Emergency Service, and Priests should be granted
access to crime scenes, in the wake of the murder
of Catholic MP Sir David Amess.

Bishop Mark Davies of Shrewsbury challenged the decision by Essex Police to bar a Priest from administering The Last Rites to the dying Sir David Amess, after the latter was stabbed to death in front of his Constituents on Friday 15 October 2021.


The Bishop argued that “every Catholic Christian hopes to receive The Sacraments and be accompanied by The Prayer of The Church in the final crisis of our lives”.

As news of the attack broke, a Catholic Priest, Fr. Jeffrey Woolnough, the Pastor of Saint Peter’s Catholic Church, in Eastwood, Essex, made his way to the crime scene in an attempt to administer The Last Rites to the dying MP.

Though a Police Officer relayed his request to enter the crime scene, the Priest was not granted access and led a Public Recitation of The Rosary, outside the Police cordon, instead.

“If I can’t go in, then Our Lady has to go in,”
the Priest told LifeSiteNews.

A Little Levity To Lighten Your Day . . .


Friday 21 October 2022

A Blast From The Past. “Believe”. Sung By: Cher.

 


“Believe”.
Sung by: Cher.
Available on YouTube at

Saint Ursula And Her Companions. Virgins. Martyrs. Feast Day 21 October.


Text from The Saint Andrew Daily Missal,
unless stated otherwise.

Saint Ursula And Her Companions.
   Virgins.
   Martyrs.
   Feast Day 21 October.

Simple.

Red Vestments.


English: Saint Ursula, in a 15th-Century fresco,
in Saint Jacob Church, UrtijëiVal Gardena, Italy.
Deutsch: Die Heilige Ursula in einem Fresko
der Kirche St. Jakob in St. Ulrich in Gröden -
Brixner Schule 15. Jahrhundert.
Photo: 7 September 2012.
Source: Own work.
(Wikimedia Commons)


"At Cologne, Germany", says The Roman Martyrology, "the birth in Heaven of Saint Ursula and her Holy Companions, who were massacred by The Huns, out of hatred for The Christian Religion and their Virginal purity. Several are buried in this City (Cologne)." This happened about 454 A.D.

Mass: Loquébar.
Collects: For Several Virgins Martyrs.


The following Text is from Wikipedia - the free encyclopædia.

It was recorded that Elizabeth of Schönau, Germany, experienced a vision that revealed to her The Martyrdom of Saint Ursula and her Companions.

The Street in London, called Saint Mary Axe, is named after the Church of Saint Mary Axe, originally Dedicated to Saint Mary The Virgin, Saint Ursula and The 11,000 Virgins.

Saint Mary Axe was a Mediæval Church in The City of London. Its full name was Saint MarySaint Ursula And Her 11,000 Virgins, and it was also sometimes referred to as Saint Mary Pellipar. Its common name (also Saint Mary-[or Marie]-at-the-Axe) derives from the sign of an Axe over The East End of the Church. The Church's Patrons were The Skinners' Company.


Looking Northwards, up Saint Mary Axe Street, from Leadenhall Street, London. The gherkin-shaped skyscraper is officially named 30 Saint Mary Axe and is very close to the actual site of the Mediæval Church of Saint Mary Axe, whose full name was Saint MarySaint Ursula And Her 11,000 Virgins, which was demolished circa 1565.
Photo: 5 December 2010.
Source: 30, Saint Mary Axe.
Author: Aurelien Guichard, London, England.
(Wikimedia Commons)


According to John Stow, in “A Survey of London” (1603), the name derived from “ the signe of an Axe, over against the East End thereof ”.

However, a document dated to the early Reign of King Henry VIII , describes a Holy Relic held in the Church: “An Axe, one of the two that the eleven thousand Virgins were beheaded with”.

This refers to the legend that Saint Ursula, when returning to Britain from a Pilgrimage to Rome, accompanied by eleven thousand handmaidens, had refused to marry a Hunnish Chief and was executed along with her whole entourage on the site of modern Cologne, Germany, in about 451 AD.

The Mediæval Church in London was situated just North of Leadenhall Street, on a site now occupied by Fitzwilliam House. First mentioned as “Saint Mary Apud Ax”, it belonged for a time to the nearby Priory of Saint Helen's.

At the time of The Dissolution Of The Monasteries, it was still extant, but in decline, and, in 1562, it was offered to Spanish Protestant refugees as a place of worship. Three years later, however, it was unused and in a state of disrepair. Shortly afterwards, it was pulled down and its Parish was united with that of the neighbouring Saint Andrew Undershaft.

The Church gave its name to a Street of the same name, which links Leadenhall Street with Camomile Street and Houndsditch.

Number Thirty Saint Mary Axe was the location of The Baltic Exchange until it was destroyed by an IRA bomb in 1992; The Baltic Exchange is now located at Number Thirty-Eight Saint Mary Axe, just to the North of its former address. On the site of the old Baltic Exchange now stands 30, Saint Mary Axe, a skyscraper known colloquially as The Gherkin, because of its distinctive shape.

The Street of Saint Mary Axe was also the location of The Sorcerer’s Shop in Gilbert and Sullivan’s Operetta, The Sorcerer, which documents the former pronunciation “Simmery Axe”.

The Church that remains in the modern-day Saint Mary Axe is Saint Andrew Undershaft.

Saint Hilarion. Abbot. Feast Day 21 October.


Text is from The Saint Andrew Daily Missal,
unless stated otherwise.

Saint Hilarion.
   Abbot.
   Feast Day 21 October.

Simple.

White Vestments.


English: Saint Hilarion Castle, Kyrenia, Cyprus.
Français: Château Saint Hilarion à Chypre.
Date: 17 September 2005 (original upload date).
Source: Atak
Author: Atak Kara.
(Wikimedia Commons)


After the era of Martyrs, to whom the Church had exclusively reserved the honours of Public Veneration, she began to raise to the Altars the Servants of God, who had distinguished themselves by their heroic virtues, although they had not won the glory of shedding their blood for Jesus Christ.


Saint Hilarion.
Available on YouTube at

Saint Hilarion, in The East, and Saint Martin, in The West, are at the head of The List of Saints known as “Confessors”. A native of Palestine, Saint Hilarion studied at Alexandria, and, desiring to embrace a more perfect life, he left all to follow Jesus (Gospel).


“The Temptation of Saint Hilarion”.
Artist: Octave Tassaert (1800–1874).
Date: Circa 1857.
Current location: Montreal Museum of Fine Arts, Canada.
(Wikimedia Commons)

He heard of Saint Anthony's holiness and went to see him in Egypt. The Saint kept him for two months in order to train him to a life of Penance and Contemplation. He then gave to this boy, of fifteen years of age, a hair-shirt and a garment made of skin, saying: "Persevere to the end, my son, and thy labour shall be rewarded by the delights of Heaven."




The Monks would use The Night Stairs, descending from
their “Dormer’ (Sleeping Quarters), in order to say The Night Office (Matins and Lauds). [Editor: Night Stairs pre-empted the need for Monks to go outside during the night to reach the Church, which, in Mediæval times during Winter, could be extremely "bracing".]
Photo by RoryHenry on Flickr.
Illustration: PINTEREST

Hilarion returned to Palestine and founded Monastic Life there. After having built several Monasteries, for which he made Laws, as Moses had done of old for God's people (Epistle), he retired to the island of Cyprus, to escape the crowd of admirers attracted by his heroic virtues. He died a Holy Death, at the age of eighty, about 372 A.D. Saint Jerome wrote of his life.

Mass: Os justi (Of Abbots).
Commemoration: Saint Ursula, from the Collects Of Several Virgins, Martyrs.


“The Mass Of The Foundation Of The Trinitarian Order”.
Artist: Juan Carreño de Miranda.
Illustration: LOUVRE




THE SAINT ANDREW DAILY MISSAL





THE SAINT ANDREW DAILY MISSAL

Available (in U.K.) from

Available (in U.S.A.) from










Attribution of Floral Background:
Designed by macrovector / Freepik



Illustration: Copyright:
Christine McDonald at

Thursday 20 October 2022

“Gabriel’s Oboe”. The Theme From “The Mission”. Composed By: Ennio Morricone.



“Gabriel’s Oboe”.
The Theme from “The Mission”.
Composed by: Ennio Morricone.
Available on YouTube at

The Promotion Of The Blessed Sacrament Of The Altar. The Polish Association Of Christian Culture.



“Stop Communion In The Hand”.


Kto spożywa ten Chleb niegodnie, winny
będzie Ciała i Krwi Pańskiej | CialoChrystusa.com

Join our most heartfelt congratulations to
The Polish Association of Christian Culture
for their beautiful campaign in promotion of
The Blessed Sacrament of The Altar.

In Poland, A Road-Side Billboard Exclaims: “ Stop Communion In The Hand !!! ”



This picture was taken from RORATE CÆLI

Apparently photographed alongside a road in Poland.
Translated into English, it reads:
“Stop Communion In The Hand”.

A Little Levity To Lighten Your Day . . .



Picture Credit: Nicole Colbourn
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