Saint Mary The Virgin Church,
Clumber Park, Nottinghamshire, England.
Photo: Wayne Austin FlickR Page
Date: 30 March 2008 (original upload date).
Source: Transferred from en.wikipedia to Commons
by NeverDoING using CommonsHelper
Author: Ozzieuk at English Wikipedia
(Wikimedia Commons)
The Rood Screen.
Saint Mary The Virgin Church,
Clumber Park, Nottinghamshire, England.
Designed by George Frederick Bodley.
© Copyright David Dixon
and licensed for reuse under this
Illustration: GEOGRAPH
The Web-Site of Saint Mary The Virgin Church can be found HERE
The following Text is from Wikipedia - the free encyclopædia.
The Church of Saint Mary The Virgin, Clumber Park, Nottinghamshire, England, is an Anglican Church and is Grade I Listed, by English Heritage, as a building of outstanding architectural or historic interest.
The Blessed Virgin Mary and The Child Jesus.
Saint Mary The Virgin Church,
Clumber Park, Nottinghamshire, England.
Designed by George Frederick Bodley.
© Copyright David Dixon
and licensed for reuse under this
Illustration: GEOGRAPH
The Chapel of Saint Paul, at Clumber Park, Nottinghamshire, was commissioned by Henry Pelham-Clinton, 5th Duke of Newcastle in 1864.
It was designed by the architect Thomas Chambers Hine, but not completed and became known as The Pigeon Coop. Henry Pelham-Clinton, 7th Duke of Newcastle, demolished it and commissioned a new Chapel, Dedicated to Saint Mary The Virgin, in 1886. It was designed by George Frederick Bodley and built by R. Franklin, of Diddington, Oxfordshire.
The Stone used in the Interior is Red Runcorn, and, Externally, Steetly Ashlar, with Red Runcorn dressings.
It was completed by 1889 at a cost of £30,000 (£2,961,466 in 2016). It was opened by The Bishop of Southwell on 22 October 1889, but this Ceremony caused alarm in The Protestant Alliance of The Church of England, as reported in The Derby Daily Telegraph on 6 November 1889.
The Committee and Members of The Protestant Alliance have forwarded a Memorial to The Archbishop of Canterbury, inviting His Grace’s attention to the reports published in The Press regarding the Services conducted at The Benediction, or Dedication, of the new Church at Clumber on the 22nd of October - Services “authorised and conducted” by The Bishop of Southwell, The Bishop of the Diocese, and described as “a function which far exceeded that of Cardiff in Grandeur of Ritual and Dignity of Ceremonial”.
These reports, it is pointed out, state that the Church at Clumber was decorated with a Crucifix over The Rood Screen, with images of The Virgin and of Saint John, with a Baldachino over The “High Altar,” and a Crucifix on The Retable, with a Tabernacle for The Reserved Sacrament, having a Silver Lamp suspended in front of it, and with other Popish emblems.
The Service of The Holy Communion was conducted, according to these reports, with the formalities observed in The Roman Catholic Service of The Sacrifice of The Mass - formalities condemned by The Courts of Law - and it is further reported that no person whatever Communicated with the Celebrant.
The Procession into the Church was headed by a Crucifer, bearing a large Crucifix, and a Thurifer, bearing a Censer containing Incense.
Two handsome Banners were carried aloft, the first being that of The Blessed Sacrament and the second that of The Virgin Mary, on which were inscribed the remarkable words, “S. Maria Mater Dei”.
It is further reported that about fifty “Priests” took part in the Procession; that The Bishop of Lincoln walked in this Procession, dressed in a Cope of Cloth of Gold; that he was followed by The Bishop of Southwell, wearing a gorgeous Cope, on the back of which was depicted in brilliant colours a representation of The Madonna and Child - The Madonna Crowned, The Child Uncrowned.
The Memorialists urge that the use of the idolatrous Rites and Ceremonies of The Church of Rome tend to alienate the affections of people from The Church of England, and, if not checked and prevented, must eventually lead to an agitation for the dis-establishment and dis-endowment of The National Church.
An appeal is made to The Archbishop to use his influence to check and prevent the introduction and the use of such superstitious Services and illegal practices.
The Church, on a Cruciform Plan, has a Central Tower, which contains one Bell and a 175 ft-high Spire, which rises out of an Octagonal Corona. It is in The Second Pointed Style. The Interior Nave is plain, but The Chancel is decorated with carvings. The Stained-Glass is by Charles Eamer Kempe.
Saint Mary The Virgin Church,
Clumber Park, Nottinghamshire, England.
Designed by George Frederick Bodley.
© Copyright David Dixon
and licensed for reuse under this
Illustration: GEOGRAPH
Saint Mary The Virgin Church,
Clumber Park, Nottinghamshire.
Designed by George Frederick Bodley.
© Copyright David Dixon
and licensed for reuse under this
Illustration: GEOGRAPH
Saint Mary The Virgin Church,
Clumber Park, Nottinghamshire.
Designed by George Frederick Bodley.
The Stained-Glass is by Charles Eamer Kempe.
© Copyright David Dixon
and licensed for re-use under this
Illustration: GEOGRAPH
The Nave.
Saint Mary The Virgin Church,
Clumber Park, Nottinghamshire.
1900.
Illustration: SOUTHWELL CHURCHES
The Chancel and Choir,
Saint Mary The Virgin Church,
Clumber Park, Nottinghamshire.
Illustration: SOUTHWELL CHURCHES
The Choir,
Saint Mary The Virgin Church,
Clumber Park, Nottinghamshire.
Illustration: SOUTHWELL CHURCHES
Stained-Glass Window.
Saint Mary The Virgin Church,
Clumber Park, Nottinghamshire.
Illustration: SOUTHWELL CHURCHES
George Frederick Bodley
(1827-1907).
English Architect and Poet.
Photo: Circa 1900.
Source: ST. DAVID'S CATHEDRAL, HOBART
Author: Unknown.
(Wikimedia Commons)
George Frederick Bodley (14 March 1827 – 21 October 1907) was an English Gothic Revival Architect. He was a pupil of Sir George Gilbert Scott, and worked in partnership with Thomas Garner for much of his career.
Bodley was articled to the architect Sir George Gilbert Scott, a relative by marriage, under whose influence he became imbued with the spirit of The Gothic Revival, and he became known as the chief exponent of 14th-Century English Gothic, and the leading Ecclesiastical architect in England.
He is regarded as the leader of the resurgence of interest in English and Northern European Late-Mediæval design. Noted for his pioneering design work in The Queen Anne Revival.
From 1869, he worked in a twenty-eight year partnership with Thomas Garner, designing Collegiate Buildings in Oxford and Cambridge, Country Houses and Churches throughout the British Isles.
One Cathedral was completed to his design: Saint David's Cathedral, Hobart, Tasmania, Australia (first design, 1865; revised 1891; building completed 1936).
In 1906, Bodley designed, with his pupil Henry Vaughan, the Washington National Cathedral in Washington, D.C.. He also provided a design for Grace Cathedral, San Francisco, but it was not used.
As well as Vaughan, Bodley and Garner’s pupils included the Garden Designer, Inigo Thomas, who specialised in formal Gardens with geometrical plans in 17th- and 18th-Century Styles, which suited the houses that Bodley and Garner renovated for wealthy clients.
In 1874, Bodley Founded WATTS AND CO, London, with Garner and George Gilbert Scott, Jr. His Secular Work included the London School Board offices, and, in collaboration with Garner, the new buildings at Magdalen College, Oxford, and Hewell Grange, Worcestershire (for Lord Windsor).
One Cathedral was completed to his design: Saint David's Cathedral, Hobart, Tasmania, Australia (first design, 1865; revised 1891; building completed 1936).
In 1906, Bodley designed, with his pupil Henry Vaughan, the Washington National Cathedral in Washington, D.C.. He also provided a design for Grace Cathedral, San Francisco, but it was not used.
As well as Vaughan, Bodley and Garner’s pupils included the Garden Designer, Inigo Thomas, who specialised in formal Gardens with geometrical plans in 17th- and 18th-Century Styles, which suited the houses that Bodley and Garner renovated for wealthy clients.
In 1874, Bodley Founded WATTS AND CO, London, with Garner and George Gilbert Scott, Jr. His Secular Work included the London School Board offices, and, in collaboration with Garner, the new buildings at Magdalen College, Oxford, and Hewell Grange, Worcestershire (for Lord Windsor).
The following Text is from the Worksop Priory of Our Lady and Saint Cuthbert. The Web-Site is available HERE
The Anglo-Catholic Revival
The Reverend George Appleton became Vicar of Worksop in 1847 and recognised the great importance of the surviving buildings.
He encouraged people to take an interest in its history, and eventually raised the money to restore the Nave.
Pillars, Windows, Roofs and Doors, were restored in Romanesque Style.
A new High Altar and Reredos, by Gilbert Scott, was placed at the East End of the Nave, under a new Stained-Glass Window (parts of this were re-used in the North Transept in the 1930s).
At this time, a new more dignified style of Worship, which later came to be known as “Anglo-Catholic”, was introduced.
This was enthusiastically supported later in the Century by the 7th Duke of Newcastle, who, as well as being Patron of the Living, was also Churchwarden.
With his close friend, Canon D’Arcy, an ambitious project to replace the long-demolished Choir was begun. Plans for an impressive Gothic Choir by Sir Harold Brakspear were accepted and work began.
First, the Lady Chapel was restored in 1922 as a Memorial to the men of the Parish who died in The Great War. Then, in the 1930s, the Transepts and the base of the Central Tower were rebuilt. But, in 1939, war intervened and the project was put on hold and then abandoned.
Inheriting a half-completed building, Fr. Peter Boulton took up the challenge, and, with the support of the people and a generous legacy from Mr. Ellis, a local timber merchant, the present Central Tower and Choir, designed by Laurence King, were completed in 1974.
This process of restoration, of both the buildings and Catholic Worship and Spirituality, has continued to the present day.
Today, the Town of Worksop may be in decline, but Worksop Priory is known throughout the World for its distinctive architecture and the Faith it enshrines.
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