Notre Dame de Rouen. The façade of the Gothic Church in France. Photographer: Hippo1947. Licence: SHUTTERSTOCK.

Saturday, 14 December 2024

Knights And Holy Roman Emperors In Mediæval Papal Matins Of Christmas. And The Hour Before The First Mass Of Christmas. “The Liturgical Year”. By Abbot Guéranger, O.S.B.



Midnight Mass of The Nativity.
Church of Santissima Trinita dei Pellegrini, Rome.
Photo: Selina Fang, Juventutem London.


This Article is taken from, and can be read in full at,
CANTICUM SALOMONIS

In “The Liturgical Year”, written by Dom Prosper Guéranger, O.S.B., he recounts what must have been one of the most sublime Ceremonies in Christendom: Papal Matins. The Ceremonial calls for a Knight to read The Fifth Lesson and for The Holy Roman Emperor to read The Seventh Lesson, bearing witness to the organic whole that was Mediæval Society.

The Divine Infant, Who is born amongst us, is The Mighty God, The Prince of Peace, Whose government is upon His shoulders (Isaiah ix, 6). We sing these words on Christmas Day, with the whole Church. We have already seen how The God of Hosts has honoured this power of “Emmanuel” [Editor: “God with us”], by leading powerful nations to The Crib of Bethlehem, of The Lord, Whom they Adore.

The same recognition of that Babe, as “The Mighty God”, is made by the Ceremony to which we allude.

The Sovereign Pontiff, The Vicar of Our Emmanuel, Blesses, in His Name, a Sword and Helmet, which are to be sent to a Catholic Warrior who has deserved well of The Christian World.


In a Letter addressed to Queen Mary of England, and Philip, her husband, Cardinal Pope gives an explanation of this Solemn Rite. The Sword is sent to some Prince, whom The Vicar of Christ wishes to honour in The Name of Jesus, Who is King: For the Angel said to Mary: "The Lord will give unto Him The Throne of David, His father (Saint Luke i, 32). It is from Him, alone, that The Power of The Sword comes (Saint Luke xiii 3, 4); for God said to Cyrus: I have girded thee (with The Sword) (Isaiah xiv 1, 5); and The Psalmist thus speaks to The Christ of God: Gird Thy Sword upon Thy thigh, O Thou Most Mighty !
(Ps. xliv, 4).

And because the Sword should not be drawn in the cause of justice, it is for that reason that it is Blessed on this night, in the midst of which rises, born unto us, The Divine Sun of Justice. On the Helmet, which is both the ornament and protection of the head, there is worked, in Pearls, the Dove, which is the Emblem of The Holy Ghost; It is not a question of love or ambition, but it is not only of The Spirit of The Spirit, but of the motive of spreading The Kingdom of Christ.


[ . . . .During The Second Night, after The Psalms have been sung] The Book of The Sermons of The Holy Fathers is opened, and one of the most beautiful speeches of Pope Saint Leo the Great, which enraptured the people of Rome in the 5th-Century A.D., is sung.

At Rome, if there be in The Holy City, the Knight, who has received The Helmet and Sword, Blessed, we have described, by The Sovereign Pontiff, The Fifth Lesson is given to him to sing, because it speaks of The Great Battle between Christ and Satan in The Glorious Mystery of The Incarnation.


Whilst the Choir is singing “The Great O Response” “Magnum Mysterium”, the Knight is taken by the Master of Ceremonies to the Pope. Standing before the Holy Father, he draws his Sword, thrice sets its point on the ground, thrice brandishes it in the air, and then wipes the blade on his Left-Arm.

He is then taken to the Ambo, or Reading-Desk, takes off his Helmet, and, having Vested the Cope over his armour, he sings The Lesson. These Ceremonies, of Our Holy Mother, The Church of Rome, were drawn up in days when Might was not Right , and brute force was made subservient to moral power and principle. The Christian Warrior, cased in his steel armour, was resolved, as indeed he was bound, never to draw his Sword save in The Cause of Christ, The Conqueror of Satan: Was there anything strange in his expressing this by a Sacred Ceremony ?


[ . . . After The Third Nocturn] are read the beginnings of the three Gospels which are said in The Three Masses of Christmas Day. To each portion of these Gospels is appended a passage from a Sermon by one of The Holy Fathers.

The first of the three is that of Saint Luke, and the Sermon given is that of Saint Gregory the Great. It relates to the publishing of The Emperor Augustus's Edict, commanding a census of the whole World. This Seventh Lesson, according to The Ceremonial of The Roman Church, is to be sung by The Holy Roman Emperor, if he happen to be in Rome at the time; and this is done in order to honour The Imperial Power, whose decrees were the occasion of Mary and Joseph going to Bethlehem, and so fulfilling the designs of God, which He had revealed to the ancient Prophets.


The Holy Roman Emperor is led to the Pope, in the same manner as the Knight, who had to sing The Fifth Lesson; he puts on the Cope; two Cardinal-Deacons gird him with the Sword, and go with him to the Ambo. The Lesson being concluded, The Holy Roman Emperor again goes before the Pope, and kisses his foot, as being The Vicar of The Christ Whom he has just announced. This Ceremony was observed in 1468 by The Holy Roman Emperor Frederic III, before the then Pope, Paul II.

(Translation from the original French, of Abbot Guéranger, by Dom Laurence Shepherd, O.S.B.).


[Note; This Text refers to The Hour Before The Midnight Service on Christmas Eve, just prior to The First Mass of Christmas. Please also Note that this Text was written Circa 1875.]


The following Text is taken from “The Liturgical Year”,
by Abbot Guéranger, O.S.B.
   Volume 2.
   Christmas - Book 1.


And now we will leave The House of God, and attend to the duties of our state of life at home, until the hour of Matins summons us to return and Celebrate The Midnight Birth of Our Saviour.

In order to prepare ourselves for that most imposing Service, we shall do well to resume the reflections upon The Liturgy of our Feast, which we interrupted in order to assist at Vespers.

How few would keep from The Service of Christmas Night, and how still fewer would complain that they never seem to derive that benefit from it, which they are told is so great, if they would but take the pains to ask themselves why is it that The Church attaches such importance to her children's joining her in The Celebration of this gay Winter Midnight !

To assist the Devotion of The Faithful, we offer them these simple instructions for

THE HOUR BEFORE
THE MIDNIGHT SERVICE.


We will begin by telling them that, in the early ages of The Church, every great Feast was prepared for by long Vigils; during which, the people deprived themselves of their usual rest, and spent the hours in the Church, fervently joining in The Psalms and Lessons which made up The Office, which we now call “Matins”

The Night was divided into three parts called “Nocturns”.


At Dawn of Day, they resumed their Chants in an Office which was even more Solemn than Matins: It was one of Praise, and, from this characteristic, was called by the name of "Lauds". This Service, which occupied a very considerable portion of the Night, is still kept up, though at a time less trying to nature; Matins and Lauds are publicly recited every day in Cathedrals and Monastic Churches, and privately by everyone in Holy Orders. They are by far the longest portion of The Divine Office.

The want of the old spirit of devoted appreciation of The Liturgy has made the Laity indifferent to being present at The Celebration of Matins, and this even in Countries where Protestantism has not rendered their presence almost an impossibility.


Thus, there are very few places where the people assist at Matins, excepting four times in the Year; namely, on the three last Days of Holy Week, and on Christmas Night. It is only on the last named that The Office is said at the same hour as anciently; for, with regard to Tenebræ, they are recited on the afternoons respectively preceding each of the three days.


The Office of Christmas Night has always been Said or Sung with extraordinary Solemnity. Firstly, it was so Just, that the moments immediately preceding The Hour when The Holy Mother gave birth to her Jesus, should be spent in the most fervent Prayers and Watchings before The Altar !

But, Secondly, The Church is not satisfied tonight with saying her Matins - she does so every night, and The Faithful may come and assist at them as often as they wish; she follows them by the Celebration of The Holy Sacrifice of The Mass, that so she may the better Solemnise The Divine Birth; and she begins her Mass at Midnight, for it was at that silent hour that The Virgin Mother gave us The Blessed Fruit of her Womb. We cannot be surprised that The Faithful, in many parts of Christendom, used to spend the whole Night in the Church.

In Rome, for many Centuries - at least from the 7th-Century A.D. to the 11th-Century, two Matins were sung, the first in the Basilica of Saint Mary Major (Santa Maria Maggiore). They commenced immediately after Sunset. There was no Invitatory. As soon as they were ended, the Pope Celebrated The First, or Midnight, Mass. No sooner was it finished, than the people accompanied him to The Church of Saint Anastasia, and there he sung The Second Mass of Christmas, or, as it was called, The Aurora Mass.


Again, the Pontiff and people formed a Procession - this time it was to Saint Peter's Basilica - and, having entered the Basilica, The Second Matins were begun. They had an Invitatory, and were followed by Lauds. The other Hours having been sung, the Pope said The Third Mass of Christmas, (and the last Mass of Christmas) at the hour of Terce, which is our 0900 hrs.

We are indebted for these details to Amalarius and to the ancient Liturgist of the 13th-Century, published under the name of Alcuin.

[Editor: Amalarius (Circa 775 A.D. – Circa 850 A.D.) was a Frankish Prelate and Courtier, temporary Bishop of Trier (811 A.D. – 813 A.D.) and Bishop of Lyon (865 A.D. – 868 A.D.) and an accomplished Liturgist. He was close to Charlemagne and a partisan of his successor, Louis the Pious, throughout the latter’s tumultuous reign.

He was appointed the Third Archbishop of Trier in 811 A.D. by Charlemagne. In 813 A.D., he was sent as the chief Frankish Ambassador to the Court of Michael I Rhangabes at Constantinople. On Charlemagne’s death in 814 A.D., Amalarius resigned his See.


In 831 A.D., Amalarius travelled to Rome to meet Pope Gregory IV and arrange a new Frankish Liturgy. In 835 A.D., he replaced Agobard at the Synod of Diedenhofen. During Agobard’s exile (Circa 834 A.D.), he was responsible for administering the Diocese of Lyon. He implemented Liturgical Reforms.

He wrote extensively on The Mass, including the Liber Officialis, and was involved in the great Mediæval debates regarding “Predestination”.

We must rely on his enemy, Florus of Lyon, for an account of Amalarius’ condemnation on the accusation of heresy, at Quierzy, 838 A.D., which banned some of his Works. Nevertheless, his writings form a good portion of our current documentation of the 9th-Century A.D. Liturgies of The Western Church.


While the exact date of his death is not known, it is believed that it happened around 850 A.D. in Metz, France.]

We also find the details, of these Early-Church Celebrations of The Hour Before The Midnight Service of Christmas, clearly indicated by the Text of the old Antiphonaries of The Roman Church, which were published by the Blessed Joseph Maria Tommasi, and by Gallicioli.

How lively was The Faith of those olden times ! To people who lived unceasingly amidst The Mysteries of Religion, Prayer was a tie which knit them closely together, and made them pass hours in the Church without weariness.

They understood the value of the Prayers of The Church; and the Ceremonies of The Liturgy, which complete the tribute of man’s inward Worship of his Creator, were not looked upon as, unfortunately, they now so often are, as a dumb show, or, at best, an unmeaning poetry introduced for effect. What, in our days, are found only in individuals, were then in the mass of the people - Faith, and a keen sense of the Supernatural.

“THE LITURGICAL YEAR”, by Abbot Guéranger, O.S.B., is available in the U.S.A. from LORETO PUBLICATIONS and in Ireland from SILVERSTREAM PRIORY and in England from CENACLE.

“Nightmare”. Artie Shaw And His Orchestra. Film Noir. Bête Noire. Art Noir.



Illustration:


“Nightmare”.
Artie Shaw and his Orchestra.
Available on YouTube


Humphrey Bogart and Loren Bacall.
“The Big Sleep”.
Illustration: PASTE MAGAZINE


Cover of a Paperback.
By: Dan Goozee.
“Jack Webb, for Dragnet”.
1953.
Illustration: FLICKR


1949 Packard Station Sedan.
Illustration; HEMMINGS DAILY


Illustration: BUZZQUOTES


“Nightmare”.
Artie Shaw and his Orchestra.
Available on YouTube

The Seventh Day Within The Octave Of The Immaculate Conception. 14 December.


Text from The Saint Andrew Daily Missal,
unless stated otherwise.

The Seventh Day Within The Octave Of The Immaculate Conception.
   14 December.

Semi-Double.

White Vestments.


The Immaculate Conception.
Artist: Anonymous.
Date: 17th-Century.
Current location: 
Museo Carmen Thyssen, Malaga, Spain.
Source: 
http://www.carmenthyssenmalaga.org/
Author: Anonymous.
(Wikimedia Commons)


The Church prolongs within eight days The Feast of Mary's Victory over the devil and repeats The Mass Celebrated on The Feast, itself.

The most important Feasts of The Virgin are The Assumption and The Immaculate Conception, both of The First Class and both with an Octave.

That is why each day The Creed is said, that Profession of Faith fixed at The Council of Constantinople, which was only Chanted when the attendance in Church was very large.

Let us prepare for The Birth of Christ, in our hearts, by adorning them with a little of His Mother's Purity.


The Ancients said that White was a Divine Colour. Daniel (Chapter vii, Verse 9) depicts God as appearing clothed in White. The Evangelists tell us that, at The Transfiguration, the garments of Jesus were of "dazzling Whiteness" (Mark, Chapter ix, Verse 2).

The Liturgy of The Feast of The Immaculate Conception applies this Text to The Virgin, saying that: "The Garment of Salvation" (Introit), with which God has clothed her, is a "Vesture as White as Snow" (Second Antiphon at Vespers).

Let us, with The Church, ask The Blessed Virgin on her Feast, that we may "by her intercession, be purified from all our sins" (Collect), and let us be in readiness to receive Jesus.

Mass: As on The Feast of The Immaculate Conception.
Second Collect: Of The Feria.
Third Collect: Of The Holy Ghost.
Creed: Is Said or Sung.
Preface: Of The Blessed Virgin Mary.

Friday, 13 December 2024

The Manchester Oratory.



Church of Saint Chad,
Cheetham Hill Road, Manchester.
Illustration:

This Article, dated November 2019, is taken from, and can be read in full at, THE LATIN MASS SOCIETY RC DIOCESE OF MIDDLESBROUGH


It has been announced that The Oratory-in-Formation, in Manchester, located at the Church of Saint Chad, Cheetham Hill Road, is now a Fully-Erected Independent Oratory.

The Community consists of Fr Raymond Matus, Fr Christopher Hilton, Fr Richard Bailey, Br Gerard Connett and Br Fabian Trevithick.


Solemn High Mass, Manchester Oratory.
Available on YouTube

The Church, which dates from 1847, was designed by Matthew Ellison Hadfield and is a Grade II* Listed Building. The Roof is supported by Hammer Beams, which seem unnecessary for the modest width of The Nave.

Mass is offered in The Extraordinary Form every Sunday at 4.45 p.m. We wish The Manchester Oratory every success.

The Manchester Oratory can be accessed

From The Immaculate Conception To The Blessed Sacrament. An Article By Fr. Timothy Finigan On 13 December 2020.



“Immaculate Conception”.
Date: 1830.
Location: Orsini Chapel,
Church Of The Trinity Of The Mountains,
Rome.
Artist: Philipp Veit.
(Wikimedia Commons)


This Article is taken from, and can be read in full at,

St John the Baptist clearly states he is not the one who is to come, but that there is indeed one who is to come, the Christ, or Messiah, who had been expected through long ages. St John the Baptist’s exalted vocation was to be the last and greatest of the prophets, the one privileged finally to prepare the way for Him.

St Paul says that Our Lord is “before all, and by him all things consist.” (Col 1:17) In another place, he says that God “chose us in [Christ] before the foundation of the world.” (Eph 1:4) If we follow many theologians, especially those of the Franciscan school, we can read St Paul as indicating that the very incarnation of Christ was in the mind, or the wisdom, of the Blessed Trinity from before all creation, to bring us to the fullness of life in Him.


The means by which we are given the fullness of life here on earth is the Blessed Sacrament, our Holy Communion with God, through the body and blood of Christ. The sacred flesh and blood of Our Lord is united to His divinity because the human nature of Jesus is united to His divine nature in one person, in the hypostatic union.


As Tertullian put it, Caro salutis est cardo, the flesh is the hinge of salvation. The divine Word became flesh to share our flesh, so that we, by sharing His flesh, should also share in His divinity. Thus we are reminded in the prayer that the priest says silently when he mingles water and wine at the offertory.

The flesh of Our Blessed Lord is essential to our salvation. Therefore it is of great importance how He took on flesh.


God prepared for the incarnation by choosing one woman to be, as Wordsworth put it, “our tainted nature’s solitary boast.” Since the sin of our first parents, no woman, no human person, has been conceived without original sin. Our Lady was, so that the flesh and blood of Christ would not be tainted, but would be as all flesh should have been from the beginning.


Our Lady gave her flesh to Christ. His precious body and blood were formed in the womb from her flesh and blood which itself began its existence at The Immaculate Conception. As Father Faber put it: “… for each one of us that marvellous avenue of graces, which began in The Immaculate Conception, runs without a fault or break straight to The Blessed Sacrament. […] So at every Mass, and in each Communion, we look up to The Immaculate Conception.”
(Faber. The Blessed Sacrament. p.179, 180)

In God, there is no parcelling out of one mystery and another, nor is there a set of compartments to close off doctrine, liturgy and devotion. To take as an example, the writer I have quoted, Fr Faber, in his hymns and devotions, cannot be reduced to Victorian indulgence in sentimental imaginings cut off from the supposedly stern and desiccated business of dogmatic theology.


It was because of his lively faith in the Immaculate Conception and the Incarnation, the Redemption and sacramental theology, that he was led, like St Bernard and many others before him, to fill out the picture described in the magisterium of Popes and Councils in a way that would draw people to follow Christ, to love Our Lady, to learn their catechism, to attend Mass and receive Holy Communion devoutly, to pray the Rosary, to sing hymns, to rejoice at Christmas, and to weep at the Cross.


In my favourite hymn of his, Faber speaks of the expectation of Our Lady, dawning at the Annunciation, bringing rapture to her ear, with overflowing grace.

He speaks of the angels falling before her to adore Jesus in her womb. He tells of how Our Lady was thrilled with joy when she heard in the Jewish liturgy the words of the psalms and the prophets telling of Him, the One Who is to come, the One who is now the sacred burden within her. That burden, he says, became newer and newer over those nine months, pressing on her with new grace every moment.


Then finally, in the last verse, he makes the prayer that we may make our own as we approach the glorious feast of our salvation:

Thou hast waited, Child of David !
And thy waiting now is o’er !
Thou hast seen Him, Blessed Mother
And wilt see Him evermore !
O, His Human Face and Features !
They were passing sweet to see;
Thou beholdest them this moment;
Mother, show them now to me.
(Faber. Hymns p.174)

Magnificent Blue Vestments For The Feast Of The Immaculate Conception.



Magnificent Blue Vestments.
Feast Day of The Immaculate Conception, 
Santissima Trinità dei Pellegrini, Rome.
Illustration: FR. Z's BLOG

Saint Lucy (Santa Lucia). Virgin And Martyr. Feast Day, Today, 13 December. And Sixth Day Within The Octave Of The Immaculate Conception.


Text from The Saint Andrew Daily Missal,
unless otherwise stated.

Saint Lucy (Santa Lucia).
   Virgin.
   Martyr.
   Feast Day 13 December.

Double.

Red Vestments.


Saint Lucy Before The Judge.
Artist: Lorenzo Lotto (1523–1532).
Source: Scanned from book.
This File: 26 February 2011.
User: Sailko
(Wikimedia Commons)


English:
Procession of Light.
The Feast Day of Saint Lucy
(Santa Lucia) in Sweden.
Deutsch:
Luciafeier in einer schwedischen Kirche.
Photo: 13 December 2006.
Source: Own work.
Author: Claudia Gründer.
(Wikimedia Commons)

Born in Sicily towards the end of the 3rd-Century A.D., of noble origin, Saint Lucy, as the Gospel twice reminds us, gave away all her riches to the Poor and, when she had nothing more, she gave herself to Jesus (Epistle).

Whilst The Foolish Virgins neglected to fill their lamps with the "Oil of Gladness", of which the Introit speaks, Lucy, whose name signifies "Light", waited with her lighted lamp in hand, that is, with her Soul filled with Grace, the coming of her Spouse.


Feast Day of Saint Lucy
(Santa Lucia).
Available on YouTube


Saint Lucy.
Available on YouTube

“Pure hearts are the Temples of The Holy Ghost,” she declared to her judge. It is this Spirit, also symbolised by the “Oil of Gladness”, as we are told in The Ceremonies of Maundy Thursday, an Oil that gave suppleness and strength to her Soul in such a miraculous way, that Saint Lucy resisted her executioners unto death, rather than lose the treasure of her Virginity.

Wherefore, her name occurs in The Canon of The Mass (Second List), and is repeated every day by thousands of Priests, who glorify God in her. She died in 303 A.D.

The lighted lamp in hand is the Soul in a state of Grace; let us, in this Season of Advent, wait for The Spouse who will soon come.

Mass: Dilexísti.
Commemoration: Of The Octave of The Immaculate Conception.
Commemoration: Of The Feria.
Gospel: Simile Est.
Creed: Is Said or Sung, because of The Octave of The Immaculate Conception.
Preface: Of The Blessed Virgin Mary.


Saint Lucy
(Santa Lucia).
Artist: Francesco del Cossa (1436–1487).
Date: After 1470.
Current location; National Gallery of Art
Washington D.C., United States of America.
Source/Photographer: Digital photo by User:Postdlf
(Wikimedia Commons)


Saint Lucy.
Available on YouTube

Thursday, 12 December 2024

Benediction.



holding a Monstrance containing the Blessed Sacrament.
Photo: 2 July 2007.
Source: Own work.
Attribution: I, Carolus
Author: Carolus
(Wikimedia Commons)


“Ave Verum Corpus”.
Composer: Mozart.
Choir of King’s College, Cambridge.
Available on YouTube



“Tantum Ergo”.
Available on YouTube at

Text is from Wikipedia - the free encyclopædia,
unless stated otherwise.

Benediction of The Blessed Sacrament, also called Benediction with The Blessed Sacrament, or, The Rite of Eucharistic Exposition and Benediction, is a Devotional Ceremony, Celebrated especially in the Roman Catholic Church, but also in some other Christian Traditions, such as Anglo-Catholicism, whereby a Bishop, Priest, or a Deacon, Blesses the Congregation with the Eucharist at the end of a period of Adoration.

The actual Benediction, or Blessing, follows Exposition of the Blessed Sacrament, i.e., the placing of the Consecrated Host in a Monstrance set upon the Altar, or, at least, Exposition of a Ciborium containing the Blessed Sacrament.

Thus, “the Blessing with the Eucharist is preceded by a reasonable time for Readings of the Word of God, Hymns, Prayers, and a period for silent Prayer”, while “Exposition, merely for the purpose of giving Benediction, is prohibited”.



Benediction at a Carmelite FriaryGhentBelgium.
Photo: 22 April 2007.
Source: Own work.
Author: Carolus
(Wikimedia Commons)


“O, Salutaris Hostia”.
Available on YouTube at

The Readings, Hymns, and Prayers, are meant to direct attention to Worship of Christ in the Eucharist. A Prayerful Spirit is encouraged also by periods of silence and by a Sermon, or, brief exhortations, aimed at developing a better understanding of the Mystery of the Eucharist.

Latin Hymns, Traditionally sung during the Exposition, are 
O Salutaris Hostia”, “Tantum Ergo”, “Laudate Dominum” (Psalm 117), and “Ave Verum Corpus”.

The Divine Praises are a Prayer Traditionally recited, but no specific Hymn or Prayer is required, except that, immediately before the Blessing, one or other of seven Prayers given in the Rite of Eucharistic Exposition and Benediction, 98 and 224-229, is to be recited.

Before publication of the 1973 Rite of Eucharistic Exposition and Benediction, there was no Codification of the Rite.

However, the guidelines for the Diocese of Rome, issued under Pope Clement XII (and hence called the Clementine Instruction) and drawn up by the Cardinal Vicar, Prospero Lambertini (later Pope Benedict XIV), were widely adopted.



“Laudate Dominum”.
Composer: Mozart.
Sung by: 
Julia Lezhneva.
Available on YouTube at

The Rite now in force for the Latin Church requires the use of Incense at the beginning of the Exposition and before the Blessing, if the Blessed Sacrament is Exposed in a Monstrance, but not if a Ciborium is used.

Similarly, the Priest, or, Deacon, wearing an Alb, or, a Surplice (Cotta), should also put on a Cope and use a Humeral Veil when giving the Blessing with the Blessed Sacrament in a Monstrance, but the Cope is not required when using a Ciborium.

A person, other than a Priest or Deacon authorised to expose the Eucharist for Adoration, cannot give the Blessing with it.




The Divine Praises.
Available on YouTube at

Immediately after the Benediction, the Blessed Sacrament is replaced in the Church Tabernacle, while an acclamation such as “O Sacrament Most Holy” is sung.

Among the Eastern Catholic Churches, the Ukrainian Catholic Church, the Ruthenian Catholic Church, the Melkite Catholic Church, and the Maronite Catholic Church, have a Rite of Benediction.

While Benediction with the Blessed Sacrament is not a practice of most Eastern Orthodox or Oriental Orthodox Churches, or of the Assyrian Church of The East, these Churches do believe in the Real Presence.

As a sign of this, in many Eastern Orthodox Churches, the Eucharist is Venerated during the Divine Liturgy; however, this is part of the Liturgy and not a distinct form of Benediction.

When the Deacon brings the Chalice out, before the Communion of The Faithful, all either make a full Prostration or Bow. Also, at the Liturgy of The Pre-Sanctified Gifts, during the Great Entrance, as the Priest carries the Chalice and Diskos (Paten) to the Holy Doors, everyone Prostrates themselves in Veneration before the Eucharist. The Ukrainian Orthodox Church of The U.S.A. has a Rite of Benediction.


English: Benediction in Berlin, 1932.
Deutsch: Der Papstkrönungstag in Berlin.
Zur Feier der 10. jährigen Wiederkehr des Krönungstages Papst Pius XI. hielt der päpstliche Nuntius in Berlin Cesare de Orsenigo eine feierliche Messe in der St. Michaels-Kirche in Berlin ab. An dem Gottesdienst nahmen neben dem Reichskanzler Dr. Brüning viele katholische Vereine und Studentenverbindungen teil. Der päpstliche Nuntius mit dem Allerheiligsten bei der Feier.
Date: February 1932.
(Deutsches Bundesarchiv).
Attribution: 
Bundesarchiv, Bild 102-13115 / CC-BY-SA 3.0
(Wikimedia Commons)

From “A Benedictine Martyrology”. 12 December.




12 December.

Saint Walaricus (☩ 622 A.D. ).

Abbot of a Monastery that, afterwards, bore his name (Saint Valery) in Picardy, France. He observed long Fasts, slept on a couch of twigs, performed manual labour and distributed alms to the Poor.

Saint Gregory (☩ 540 A.D. ).

Monk at Saint Stephen's Monastery, Terracina, Italy. Disciple of Saint Benedict.

Saint Vicelinus (☩ 1154 A.D. ).

Bishop of Oldenburg, Germany. Previously a Monk at Siburg (Siegburg) Monastery, Germany. Preached the Gospel to The Wends, Slavs, and the inhabitants of Holstein.

“A Benedictine Martyrology” is available from AMAZON and other Booksellers.

The Fifth Day Within The Octave Of The Immaculate Conception. 12 December.


Text from The Saint Andrew Daily Missal,
unless stated otherwise.

The Fifth Day Within The Octave Of The Immaculate Conception.
   12 December.

Semi-Double.

White Vestments.


The Immaculate Conception.
Artist: Anonymous.
Date: 17th-Century.
Current location: Museo Carmen Thyssen, Malaga, Spain.
Source: http://www.carmenthyssenmalaga.org/
Author: Anonymous.
(Wikimedia Commons)


The Church prolongs within eight days The Feast of Mary's Victory over the devil and repeats The Mass Celebrated on The Feast, itself.

The most important Feasts of The Virgin are The Assumption and The Immaculate Conception, both of The First Class and both with an Octave.

That is why each day The Creed is said, that Profession of Faith fixed at The Council of Constantinople, which was only Chanted when the attendance in Church was very large.

Let us prepare for The Birth of Christ, in our hearts, by adorning them with a little of His Mother's Purity.


To show that The Mother of Jesus occupies a special place in The Church's Worship, The Church reserves for The Blessed Virgin Mother a Preface, which is said at each of her Feast Days, and, in which, are noted, at each particular Feast, the different Mysteries of The Life of Mary.

Wherefore, during all of this Octave, the Priest declares that: “It is fitting and salutary to render thanks to God on this Feast of The Immaculate Conception of Blessed Mary Ever Virgin, who conceived His only Son by the operation of The Holy Ghost and who, without losing her Virginity, gave birth to Jesus Christ Our Lord.”

Let us give thanks to God for this privilege of The Immaculate Conception and, also, for The Feast which Celebrates it each year, allowing us to imitate more and more this Model of All Purity.

Mass: As The Feast of The Immaculate Conception.
Second Collect: Of The Feria.
Third Collect: Of The Holy Ghost.
Creed: Is Said or Sung.
Preface: Of The Blessed Virgin Mary.


“The Mass Of The Foundation Of The Trinitarian Order”.
Artist: Juan Carreño de Miranda.
Illustration: LOUVRE





THE SAINT ANDREW DAILY MISSAL





THE SAINT ANDREW DAILY MISSAL

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Attribution of Floral Background:
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