Notre Dame de Rouen. The façade of the Gothic Church in France. Photographer: Hippo1947. Licence: SHUTTERSTOCK.

19 March, 2026

Saint Joseph. Spouse Of The Blessed Virgin Mary. Feast Day 19 March. White Vestments.



“Saint Joseph With The Infant Jesus”.
Artist: Guido Reni (1575-1642).
Date: 1620s.
Source/Photographer: Web Gallery of Art.
Collection: Hermitage Museum.
(Wikimedia Commons)



Text from “The Liturgical Year”.
By: Abbot Guéranger, O.S.B.
   Volume 5.
   Lent.

Today, Joseph, the Spouse of The Blessed Virgin Mary, the Foster-Father of The Son of God, comes to cheer us by his dear presence.

In a few days hence, the august Mystery of The Incarnation will demand our fervent Adoration; who could better prepare us for the grand Feast, than he that was both the confidant and the faithful guardian of The Divine Secret ?

The Son of God, when about to descend upon this Earth to assume our human nature, would have a Mother; this Mother could not be other than the purest of Virgins, and her Divine Maternity was not to impair her incomparable Virginity.



“Litaniæ Sancti Joseph”.
 Litany of Saint Joseph.
Gregorian Chant.
Sung by: 
Available on YouTube

Until such time as The Son of Mary were recognised as The Son of God, His Mother’s honour had need of a protector; some man, therefore, was to be called to the high dignity of being Mary’s Spouse. This privileged mortal was Joseph, the most chaste of men.

Heaven designated him as being the only one worthy of such a treasure: The rod he held in his hand in the Temple suddenly produced a flower, as though it were a literal fulfilment of the prophecy of Isaias: “There shall come forth a rod from the root of Jesse, and a flower shall rise up out of his root”.

The rich pretenders to an alliance with Mary were set aside; and Joseph was espoused to The Virgin of The House of David, by a union which surpassed in love and purity everything the Angels themselves had ever witnessed.

But he was not only chosen to the glory of having to protect The Mother of The Incarnate Word; he was also called to exercise an adopted paternity over the very Son of God.



Saint Joseph.
Artist: Guido Reni (1575–1642).
Date: 1640-1642.
Source/Photographer:
The Yorck Project (2002) 10.000 
Meisterwerke der Malerei (DVD-ROM), 
distributed by DIRECTMEDIA 
Publishing GmbH. ISBN3936122202.
(Wikimedia Commons)

So long as the mysterious cloud was over the Saint of Saints, men called Jesus “the Son of Joseph” and “the Carpenter’s Son”.

When Our Blessed Lady found the Child Jesus in the Temple, in the midst of the Doctors, she thus addressed Him: “Thy father and I have sought Thee sorrowing”; and the Holy Evangelist [Editor: Saint Luke] adds that Jesus was subject to them, that is, He was subject to Joseph as He was to Mary.

Who can imagine or worthily describe the sentiments which filled the heart of this man, whom the Gospel describes to us in one word, when it calls him “the Just Man” ?



“The Heavenly Trinity And The Earthly Trinity”.
Artist: Bartolomé Esteban Murillo (1617–1682).
Date: 1681.
Source/Photographer:
(Wikimedia Commons)


“Who Saint Joseph Was 
And Why You Need to Know Him”.
Available on YouTube

Let us try to picture him to ourselves amidst the principal events of his life: His being chosen as the Spouse of Mary, the Most Holy and Perfect of God’s creatures; the Angel’s appearing to him, and making him the one single human confidant of the Mystery of The Incarnation, by telling him that his Virgin bride bore within her the fruit of the World’s salvation; the joys of Bethlehem, when he assisted at the birth of The Divine Babe, honoured The Virgin Mother, and heard the Angels singing; his seeing first the humble and simple Shepherds, and then the rich, Eastern, Magi, coming to the stable to Adore the new-born Child.

The sudden fears which came to him, when he was told to arise, and, midnight as it was, to flee into Egypt with the Child and the Mother; the hardships of that exile, the poverty and the privations which were endured by the hidden God, whose foster-father he was, and by the Virgin, whose sublime dignity was now so evident to him; the return to Nazareth, and the humble and laborious life led in that village, where he so often witnessed the World’s Creator sharing in the work of a Carpenter.



“The Flight Into Egypt”.
Artist: Giotto.
Date: 14th-Century.
Source: Own work.
Attribution:
© José Luiz Bernardes Ribeiro /
Author: José Luiz.
(Wikimedia Commons)

The happiness of such a life, in that cottage where his companions were The Queen of the Angels and the Eternal Son of God, both of Whom honoured and tenderly loved him as the head of the family — yes, Joseph was beloved and honoured by the uncreated Word, the Wisdom of The Father, and by The Virgin, the masterpiece of God’s power and holiness.

From Heaven, he exercises a powerful protection over those that invoke him. In a few weeks from this time, The Church will show us the whole magnificence of this protection; a Solemn Feast will be kept in his honour in the Third Week after Easter.

Today, the Liturgy sets before us his glories and privileges. Let us unite with the Faithful throughout the World, and offer to the Spouse of Mary the Hymns which are this day sung in his praise.


“Litaniæ Sancti Joseph”.
 Litany of Saint Joseph.
Gregorian Chant.
Sung by: 
Available on YouTube

The Thursday Of The Fourth Week In Lent. The Lenten Station Is At The Basilica Of Saint Sylvester And Saint Martin. Violet Vestments.



Peterborough Cathedral.
© Chel@SweetbriarDreams
www.sweetbriardreams.blogspot.co.uk


Text from The Saint Andrew Daily Missal,
unless otherwise stated.

Thursday of The Fourth Week in Lent.

Station at The Basilica of Saint Sylvester and Saint Martin.

Indulgence of 10 Years and 10 Quarantines.

Violet Vestments.


English: Basilica of Saint Sylvester and Saint Martin.
Italiano: San Martino ai Monti, Titolo Equizio.
Photo: June 2006.
Source: Own work.
Author: FlagUploader (User:Panairjdde)
(Wikimedia Commons)




The first Christians, for the honour of their Martyrs, built Sanctuaries over their tombs and placed their bodies under The High Altar. From this, the custom is taken of placing Relics in The Altar Stone. From Rome, the Veneration of these Martyrs spread throughout The Church. Saint Martin was one of the first Confessors (a Saint, not a Martyr) to whom Universal Devotion was accorded in The West.

The Lenten Station is a Sanctuary on The Esquiline. A holy Priest had given his house to Pope Saint Sylvester to turn into a Church. It was one of the twenty-five Parish Churches of Rome in the 5th-Century A.D.

In the 6th-Century A.D., Pope Saint Symmachus built a new Church, next to the first, on a higher level, and Dedicated both to Saint Sylvester and Saint Martin of Tours. Since a thorough restoration was ordained in the 16th-Century by Saint Charles Borromeo, the Church is called “San Martino ai-San-Monti”.


Portrait of Saint Charles Borromeo
(San Carlo Borromeo).
Artist: Giovanni Ambrogio Figino (1548 - 1608).
Cardinal Archbishop of the Arch-Diocese of Milan (1564 - 1584). Restored the Basilica of Saint Sylvester and Saint Martin in the 16th-Century.
Source/Photographer:
Wikimedia Commons)



This Church was chosen wherein to read the Gospel, which speaks of Resurrection, because, In The Name of The Blessed Trinity, Saint Martin raised three persons from the dead; a symbol of the Baptised, who are born to a new life in the name of The Blessed Trinity.

The Epistle and Gospel announce to us the great Mystery of The Resurrection of Jesus Christ, which is drawing nigh, and in the Celebration of which, at Easter, Public Penitents participated. The Sunamite woman and the widow of Naim had lost their sons. Eliseus, who is a figure of Jesus, raises the first to life and Christ gives back the second to his mother.


The Crypt,
Basilica of Saint Sylvester and Saint Martin.
Artist: François Marius Granet (1806).
(Permission from www.wga.hu).
Date: 19 November 2005 (original upload date).
Source: Transferred from en.wikipedia
Author: Original uploader was Attilios at en.wikipedia
(Wikimedia Commons)




This is what God, in His Mercy, will do, in The Holy Sacrament of Penance, for Souls which have died by sin. He restores them to The Life of Grace and gives them back to The Church, their Mother. Let us prepare ourselves for The Easter Confession, which will more abundantly fill our Souls with Supernatural Life.

Let us moderate, by Fasting, our Earthly appetites, in order that we may better enjoy Heavenly things (Collect).

Mass: Laetétur cor.
Preface: Of Lent.



Basilica of Saint Sylvester and Saint Martin
Photo: August 2006.
Source: Own work.
Author: Lalupa
(Wikimedia Commons)



The following Text is from Wikipedia -the free encyclopædia.

San Martino-ai-Monti, also known as Santi Silvestro e Martino-ai-Monti - Titolo Equizio, is a Basilica Church in Rome.

The Basilica was Founded by Pope Saint Sylvester I, on land donated by Equitius (hence the name of Titulus Equitii), in the 4th-Century A.D. 

At the beginning, it was an Oratory devoted to all the Martyrs. It is known that a Preparation Meeting for the Council of Nicaea was held here in 324 A.D.


Basilica of Saint Sylvester and Saint Martin.
Photo: August 2006.
Uploaded by Kurpfalzbilder.de
Author: Francesco Gasparetti, from Senigallia, Italy.
(Wikimedia Commons)




The current Church of San Martino ai Monti dates from the Carolingian era, but a 3rd-Century A.D. Pillared Hall has been located below and adjacent to the later Church.

This has caused some scholars to identify it with the Titulus Equitii, but, according to Hugo Brandenburg, it is “most unlikely that it could have served as a place of worship for any larger community and its Liturgy: The original purpose of this fairly modest Hall . . . was probably to serve as a storage space for commercial purposes.”

In 500 A.D, the Church was rebuilt and dedicated, to Saint Martin of Tours and Pope Saint Sylvester I, by Pope Symmachus. On this occasion, the Church was elevated and the first Oratory became subterranean.


Pope Saint Symmachus, (498 A.D. - 514 A.D.)
from the Basilica of Sant'Agnese fuori-le-muraRome.
He rebuilt Saint Sylvester and Saint Martin in 500 A.D.
Source: 
Author: 
Parrocchia di Santa Agnese fuori le Mura.
(Wikimedia Commons)



Pope Saint Symmachus was Pope from 498 A.D. to 514 A.D.

His tenure was marked by a serious Schism over who was legitimately elected Pope by the citizens of Rome.

He was born on Sardinia, the son of Fortunatus; Jeffrey Richards notes that he was born a pagan, and “perhaps the rankest outsider” of all the Ostrogothic Popes, most of whom were members of aristocratic families. 

Pope Saint Symmachus was Baptised in Rome, where he became Arch-Deacon of The Church under Pope Anastasius II.


English: Basilica of San Martino ai Monti.
Česky: Interiér Kostela sv. Martina na hoře, Řím.
Photo: April 2011.
Source: Own work.
Author: Karelj
(Wikimedia Commons)



The Basilica was reconstructed by Pope Hadrian I in 772 A.D., and by Pope Sergius II in 845 A.D. The structure of the present Basilica follows the ancient Church, and many pieces have been re-used.

The Church is served by the Order of Carmelites (O.Carm. - Ancient Observance). It was granted to them in 1299 by Pope Boniface VIII; their ownership was confirmed in 1559. 

The Church is the resting place of Blessed Angelo Paoli, O.Carm. (1642–1720), who was revered throughout Rome for his Service to The Poor; he was Beatified on 25 April 2010.


A lithography of Pope Sergius II, made before 1923.
Pope Sergius II (844 A.D. - 847 A.D.)
reconstructed the Basilica in 845 A.D.
(Author: Unknown).
(Wikimedia Commons)




A recent Cardinal-Priest of the Titulus Ss. Silvestri et Martini in Montibus was Armand Razafindratandra (who died on
9 January 2010). 

The current Cardinal-Priest (as at 21 February 2024) of the Titulus Ss. Silvestri et Martini in Montibus is Polish Archbishop of Warsaw, Kazimierz Nycz

Among the previous Titulars were Pope Pius XI, Pope Paul VI, and Alfonso de la Cueva, Marqués de Bedmar.


English: Coat-of-Arms of the Polish Cardinal Kazimierz Nycz, Archbishop of Warsaw and Cardinal-Priest (as at 21 February 2024) of the Titulus Ss. Silvestri et Martini in Montibus, Rome.
Español: Escudo de armas del cardenal polaco Kazimierz Nycz, Arzobispo de Varsovia.
Photo: 9 December 2012.
Source: Own work.
Attribution: SajoR
Creative Commons Licence CC-BY-SA-2.5
Author: SajoR
(Wikimedia Commons)

Further transformations were executed in the 17th-Century by Filippo Gagliardi

In the Mid-17th-Century, a series of frescoes, architectural additions, and Altarpieces were commissioned, including landscape and architectural frescoes, of typically Biblical scenes, by Gaspar Dughet and Galgliardi.


The High Altar.
Basilica of Saint Sylvester and Saint Martin.
Photo: August 2006.
Uploaded by Kurpfalzbilder.de
Author: Francesco Gasparetti, Senigallia, Italy.
(Wikimedia Commons)



There is a fresco, by Jan Miel, of Saint Cyril Baptising a Sultan. Fabrizio Chiari (now overpainted by Antonio Cavallucci) painted a Baptism of Christ. Giovanni Antonio Canini painted an Altarpiece of Holy Trinity with Saints Nicholas and Bartholemew. 

The mannerist, Girolamo Muziano, painted an Altarpiece of Saint Albert. Galeazzo Leoncino painted a fresco of Pope Saint Silvester I holding the Council of 324 A.D. in San Martino.


Basilica of Saint Sylvester and Saint Martin.
Photo: August 2006.
Uploaded by Kurpfalzbilder.de
Author: Francesco Gasparetti, Senigallia, Italy.
(Wikimedia Commons)




Pietro Testa painted the Vision of Saint Angelo, the Carmelite, in the Wilderness. Filippo Gherardi painted an Altarpiece of San Carlo Borromeo. Cannini also painted the Martydom of Saint Stephen. 

Chiari painted Saint Martin dividing his Cloak with the Beggar. Giovanni Battista Creppi painted “the Vision of Saint Teresa”. Matteo Piccione painted the Altarpiece of “Vision of Santa Maria Maddalena de’Pazzi”.

Paolo Naldini painted the Saints on the Upper Register of the Nave (counter-clockwise starting with first on the Nave, to Right, Ciriaca, Stephen, Fabianus, and Nicander, then Left Nave, Theodore, Martin, Innocent, and Iusta. 

Daniele Latre painted Saint Anthony and John the Baptist on South Wall (counter-facade), while Naldini painted Saint Peter and Saint Paul.

The Interior has three Naves with ancient Columns. A Votive Lamp, made in Silver Sheet, is housed in the Sacristy; it was believed to be the Tiara of Pope Saint Sylvester I.

Under the High Altar are preserved the Relics of Saint Artemius, Saint Paulina, and Saint Sisinnius, brought here from the Catacomb of Priscilla

A mosaic, portraying The Madonna with Pope Saint Sylvester I, is from the 6th-Century A.D.



Our Lady Of The Atonement Cathedral,
Baguio, Philippines.
Photo: 29 March 2024.
Source: Own work.
This File is made available under the
Author: Galaxiaria
(Wikimedia Commons)



Wells Cathedral.
Photo: August 2006.
Source: Own work.
This File is licensed under the
Author: Steinsky
(Wikimedia Commons)
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