Notre Dame de Rouen. The façade of the Gothic Church in France. Photographer: Hippo1947. Licence: SHUTTERSTOCK.

Tuesday 4 April 2017

Following The Passion With Our Blessed Lady. Welcome To Catholic Margate. Holy Week And Easter Services.



"The Madonna At Prayer".
Artist: Carlo Dolci (1616-1687),
Florence, Italy.




See the beautiful Web-Site for the Church of Saint Austin and Saint Gregory, Margate, Kent,
with Saint Anne, Cliftonville, Kent, at


Text and Illustrations kindly supplied by Fr. Timothy Finigan,
Parish Priest, Saint Austin and Saint Gregory, Margate, Kent, with Saint Anne, Cliftonville, Kent.



Veiled Statues In Passiontide In The Lady Aisle At Margate, Kent.



Illustration: FR TIMOTHY FINIGAN

Tuesday In Passion Week. Lenten Station At Saint Cyriacus's (The Basilica Of Santa Maria-In-Via-Lata).




Text from The Saint Andrew Daily Missal,
unless otherwise stated.

Tuesday in Passion Week.
   Station at Saint Cyriacus's.

Indulgence of 10 Years and 10 Quarantines.

Violet Vestments.




English: Basilica of Santa Maria-in-Via-Lata, 
Rome, Italy.
Italiano: Roma, Santa Maria-in-via-Lata, interno.
Photo: December 2006.
Source: Own work.
Author: Lalupa.
(Wikimedia Commons)


The Church, today, unites the memory of a Martyr with that of The Passion of Jesus, in making The Lenten Station in The Church of The Holy Deacon, Cyriacus, Martyred, under Emperor Diocletian, at The Gates of Rome. This Church, one of the twenty-five Parish Churches of Rome in the 5th-Century A.D., having been destroyed by fire, the body of The Holy Martyr was Translated to beneath The High Altar of Santa Maria-in-Via-Lata, which became The Place of Assembly for this day.

The Epistle and Gospel tell us of the approaching Passion of The Messiah and of The Rejection of Israel, who are replaced by The Gentiles in The Church.

“Daniel, who has destroyed Bel and slain the Dragon” (Epistle), is Jesus, Who denounces the crimes and sins of the World (Gospel). The Babylonians sought to destroy the Prophet, by throwing him as food to the hungry lions. The Jews, also, “sought to kill Jesus” and, for this dark design, “their hour is always at hand”.



Basilica of Santa Maria-in-Via-Lata, Rome, Italy.
Photo: 26 March 2014.
Source: Own work.
(Wikimedia Commons)

But, like Daniel, full of fortitude, He awaits The Lord (Introit), and God, “Who does not abandon those who love and seek Him” (Epistle, Offertory), “delivers Him from unjust men and from all the ills that threaten Him” (Gradual, Communion). “Those who had wished to destroy Daniel were themselves thrown to the lions and devoured instantly” (Epistle). In the same way, the Deicide Nation suffered the penalty of its crime. Forty years later, Jerusalem was taken, by The Roman Legions, after five long months of famine.

Fearing the chastisements of Divine Justice, let us persevere in the expiatory practice of Fasting, in order that we may be made worthy of The Eternal Reward accorded to The Just (Collect).

Mass: Exspécta Dóminum.




English: Engraving of the Minor Basilica of Saint Cyriacus (Santa Maria-in-Via-Lata).
Italiano: Giuseppe Vasi – Santa Maria-in-Via-Lata.
Engraver: Giuseppe Vasi (1710-1782).
Author: Giuseppe Vasi (1710-1782).
(Wikimedia Commons)



English: Side-Aisle in Santa Maria-in-Via-Lata, 
Rome, Italy.
Italiano: Roma, s. Maria in via Lata.
Photo: 20 June 2010.
Source: Own work.
Author: Lalupa.
(Wikimedia Commons)


The following Text is from Wikipedia - the free encyclopedia.

Santa Maria-in-Via-Lata is a Church on the Via del Corso (the ancient Via Lata), in Rome, Italy. It stands diagonally across from the Church of San Marcello-al-Corso.

It is claimed that Saint Paul spent two years here, in the Crypt under the Church, whilst under house arrest waiting for his trial.


English: The Church of Santa Maria-in-Via-Lata, Rome, Italy.
Italiano: Chiesa di Santa Maria in Via Lata, RomaFacciata di Pietro da Cortona.
Photo: 17 October 2005.
Author: Anthony Majanlahti.
(Wikimedia Commons)

The first Christian place of worship here was a 5th-Century A.D. Oratory, in the Roman building beneath the present Church. This was constructed within the remains of a large Roman warehouse, some 250 metres long, which has also been excavated. The Church's Upper Level was added in the 9th-Century A.D., and murals added to the Lower Level between the 7th- and 9th-Centuries A.D., (these have been detached for conservation reasons). The Cosmatesque Pavement from this phase survives.

The Church's 13th-Century icon of The Virgin Advocate, is said to have performed many Miracles. The Arcus Novus (an Arch erected by Emperor Diocletian in 303 A.D. - 304 A.D.), which stood on this site, was destroyed by rebuilding of the Church in the Late-15th-Century. Antonio Tebaldeo, poet and friend of Raphael, was buried at the end of the North Aisle in 1537, though his tomb was designed in 1776.


"The Virgin Advocate",
Church of Santa Maria-in-Via-Lata, 
Rome. Italy.
Photo taken from Google Images 
and cryptavialata.it

The Church was renovated in 1639 by Cosimo Fanzago, but the facade, with its Corinthian Columns imposing vertical emphasis, was completed (1658-1660) by a design from Pietro da Cortona. He appears to evoke a Triumphal Arch in the facade.

The High Altar's Madonna Advocata (1636) is one of the few paintings in Churches attributed to Bernini (perhaps by Santi Ghetti). The Ciborium in the Apse is made from alabaster and lapis lazuli. The first excavations of the site also occurred at this date, as commemorated by a Relief in the Crypt by Cosimo Fancelli. The families of Joseph and Lucien Bonaparte were buried here in the 18th-Century.




English: The Nave, 
Santa Maria-in-Via-Lata, 
Rome, Italy.
Deutsch: Innenraum der Kirche.
Photo: 6 February 2011.
Source: Own work.
(Wikimedia Commons)

The first Altarpiece is a Martyrdom of Saint Andrew (1685), by Giacinto Brandi, while the second Altarpiece is of Saints Giuseppe, Nicola, and Biagio, by Giuseppe Ghezzi. In the Chapel, to the Left of the Apse, is a Madonna with Child and Saints Cyriac and Catherine, by Giovanni Odazzi.

The second Altar, on the Left, has a Saint Paul Baptising Sabine and Children, by Pier Leone Ghezzi, while the first Altarpiece is a Virgin and Saints, by Pietro de Pietri.

Monday 3 April 2017

Zephyrinus's New Downstairs Hallway.



Zephyrinus's new downstairs hallway.
It's not too "over-the-top", is it ?
Article saved from: telegraph.co.uk
Illustration: PINTEREST

Passiontide.



Passiontide.

Yesterday was the beginning of The Season of Passiontide.

While The General Roman Calendar no longer mentions Passiontide, explicitly, the proper Preface
to The Eucharistic Prayer, the choice of Hymns in The Divine Office, and the practice of
Veiling Crosses and images, bear witness to it.

In The Ordinariate Calendar, the Title of Passion Sunday is restored to The Fifth Sunday of Lent,
so we can un-apologetically begin our Commemoration of The Lord's Passion.

Monday In Passion Week. Lenten Station At The Basilica Of Saint Chrysogonus.




Text from The Saint Andrew Daily Missal,
unless otherwise stated.

Monday in Passion Week.
   Station at Saint Chrysogonus's.

Indulgence of 10 Years and 10 Quarantines.

Violet Vestments.




Basilica of Saint Chrysogonus, Trastevere, Rome, Italy.
Photo: September 3006.
Source: Own work.
Author: Lalupa.
(Wikimedia Commons)

The Lenten Station is at Saint Chrysogonus's-in-the-Trastevere. Under the High Altar of this Church, one of the twenty-five Parish Churches of Rome in the 5th-Century A.D., rests the body of this Holy Martyr, a victim of The Diocletian Persecution. His name is mentioned in The Canon of The Mass.

Among the previous Cardinal Priests, from 1853 until 1878, was Vincenzo Gioacchino Raffaele Luigi Pecci, who was subsequently Elected Pope Leo XIII.

To encourage the Public Penitents, and ourselves, likewise to persevere in the austerities of Lent, The Church reminds us, in the Epistle, of the pardon granted to the Ninivites, who, moved by the voice of Jonas, Fasted and covered themselves with Ashes for forty days.




Pope Leo XIII was a previous Cardinal-Priest of the Basilica of San Crisogono, Trastevere, Rome.
Photogram of the 1896 film, "Sua Santitá Papa Leone XIII", 
the first time a Pope appeared

in a movie. 
This image was copied from wikipedia:de 
The original description was:

Papst_Leo_XIII. um ca. 1898.
Public Domain. Library of Congress
This File: March 2006.
User: Crux.
(Wikimedia Commons)



With regard to The Catechumens, how sweet must have been their hope on hearing, in the Gospel, the promises of The Divine Master. Faith is about to draw from their Souls streams of living waters, springing from The Holy Spirit, Who will enter their Souls when they are Baptised.

The Jews, on the contrary, far from listening to Him, of whom Jonas was a figure, sought to lay hands on Jesus, Whom they are shortly to put to death. Jesus, in predicting it to them, announced to them His Triumph and their reprobation: "Yet a little while, and I go to My Father, and thither you cannot come."

Let us ask "God to sanctify our Fasts and mercifully grant us the pardon of our sins" (Collect), so that we may always enjoy health of Soul and body" (Prayer over the people).

Mass: Miserére mihi.
Preface: Of The Holy Cross.




The Basilica of San Crisogono, Rome, Italy.
Photo: December 2006.
Source: Own work.
Author: Lalupa.
(Wikimedia Commons)


The following Text is from Wikipedia - the free encyclopaedia.

San Crisogono is a Basilica Church in Rome (rione Trastevere) Dedicated to The Martyr, Saint Chrysogonus.

The Church was one of the Tituli, the first Parish Churches of Rome. It was most probably built in the 4th-Century A.D., under Pope Sylvester I (314 A.D. – 335 A.D.), rebuilt in the 12th-Century by John of Crema, and, again, by Giovanni Battista Soria, funded by Scipione Borghese, in the Early-17th-Century.

The area beneath the Sacristy was investigated by Fr. L. Manfredini and Fr. C. Piccolini in 1907. They found remains of the first Church (see, below).



Photo: July 2011.
User: Adam sk
Author: At Sant'Apollinare Nuovo, Ravenna.
(Wikimedia Commons)

The Church is served by The Trinitarians. Among the previous Cardinal-Priests was Vincenzo Gioacchino Raffaele Luigi Pecci (Cardinal-Priest from 1853–1878), who was subsequently Elected Pope Leo XIII.

Art and architecture.

The Bell Tower dates from the 12th-Century. The Interior of the Church was rebuilt in the 1620s, on the site of a 12th-Century Church. The twenty-two granite Columns, in the Nave, are recycled antique Columns. The floor is Cosmatesque, but most of it is hidden by the Pews. The High Altar is from 1127, with a Baldacchino from the Early-17th-Century by Gian Lorenzo Bernini.



English: The Baroque Coffered-Ceiling with a centre painting by Guercino.
Italiano: Roma, San Crisogono (rione Trastevere):
soffitto a lacunari con stemmi del cardinale Scipione Borghese.
Photo: March 2007.
User: Lalupa.
(Wikimedia Commons)


The painting, in the middle of the Baroque Coffered-Ceiling, is by Guercino, and depicts the Glory of Saint Chrysogonus. It is likely a Copy, in which case the original was taken to London, but it might also be vice versa.

On the Left Side of the Nave, is the Shrine of Blessed Anna Maria Taigi. She was buried here in the Habit of a Tertiary of The Trinitarians. Some of her belongings are in the adjacent Monastery, where they are kept as Relics.

The Monument at the Left of the Entrance, Dedicated to Cardinal Giovanno Jacopo Millo, was completed by Carlo Marchionni and Pietro Bracci. Along the Right of the Nave are the fresco remains, including a Santa Francesca Romana and a Crucifixion, attributed to Paolo Guidotti and Transferred from the Church of Saints Barbara and Catherine. The Nave also contains a painting of Three Archangels, by Giovanni da San Giovanni.



English: The Cosmatesque floor of the Basilica of Saint Chrysogonus, Rome.
Italiano: Roma, Basilica di san Crisogono in Trastevere: pavimento cosmatesco.
Photo: December 2006.
User: Lalupa.
(Wikimedia Commons)

The Nave has a Trinity and Angels by Giacinto Gimignani, while the Altar has a Guardian Angel by Ludovico Gimignani. The Presbytery and Ciborium are surrounded by four alabaster Columns; a work by Soria. The Apse has frescoes of the Life of Saint Crisogono (16th-Century) and, below, Madonna and Child with Saints Crisogonus and James, by the 12th-Century School of Pietro Cavallini. The Presbytery Vault is frescoed with a depiction of Our Lady by Giuseppe Cesari.

Excavations.

Remains from the first Church, possible from the Reign of Emperor Constantine I, and earlier Roman houses, can be seen in the lower parts, reached by a staircase in the Sacristy. The ruins are confusing, but you can easily find the Apse of the old Church, and you can see the Remains of The Martyr's Shrine in the middle of the Apse wall.

On either side of the Apse, are rooms known as Pastophoria, Service Rooms of a type uncommon in the West. but normal in Eastern Churches. The one on the Right-Hand Side is thought to have been used as a Diaconium, with functions resembling those of the Sacristy in later Churches. The other would probably have been a Protesis, where Holy Relics were kept.



Mosaic of Virgin and Childwith Saint Chrysogonus (Left)
and Saint James the Greater (Right). At the Church of San Crisogono,
Rome, Italy, circa 1273-1308.
Photo: July 2011.
User: Adam sk
Author: Church of San Crisogono-in-Trastevere, Rome.
(Wikimedia Commons)


A number of basins were found during the excavations, including one cut into the South Wall. As the plan is so atypical of Early-Roman Churches, some believe that the structure originally had a different function, and the presence of the basins could mean that it was a Fullonica, a laundry and dye-house. The area was a commercial district at the time, so this is quite likely.

Others think that the basin in the South Wall was made for Baptism by immersion. As there were other basins, too, it seems more likely that it was originally intended for a different use, but it may well have been used as a Baptismal Font, after the building had been Consecrated as a Church.

Liturgy.

The paintings are from the 8th-Century A.D. to the 11th-Century, and include Pope Sylvester Capturing the Dragon, Saint Pantaleon Healing the Blind Man, Saint Benedict Healing the Leper and The Rescue of Saint Placid. Several Sarcophagi have been preserved, some beautifully decorated. Below the first Church, are Remains of Late-Republican Houses.

The Feast Day of Saint Chrysogonus, 24 November, is also The Dedication Day of the Church. Pilgrims and other Faithful, who attend Mass on this day, receive a Plenary Indulgence.



Saint Peter's Italian Church, Clerkenwell, London.
This London Church is modelled on
The Basilica of Saint Chrysogonus, Rome, Italy.


The following Paragraphs are taken from THE DAILY CONSTITUTIONAL

Saint Peter's Italian Church is modelled on the Basilica of San Crisogono in Rome, St Peter’s Italian Church was consecrated as “The Church of All Nations” in 1863. This moniker is reflected in not only the Italian congregation (2000-strong by the 1850s), but in its Irish architect, John Miller-Bryson, as well as the addition of Polish-speaking Priests back in the 1870s.

The Church was Founded by Saint Vincent Pallotti, the Roman Catholic Priest remembered in one of the Church’s icons.

Sunday 2 April 2017

Following The Passion With Our Blessed Lady. Welcome To Catholic Margate. Holy Week And Easter Services.



"The Madonna At Prayer".
Artist: Carlo Dolci (1616-1687),
Florence, Italy.




See the beautiful Web-Site for the Church of Saint Austin and Saint Gregory, Margate, Kent,
with Saint Anne, Cliftonville, Kent, at


Text and Illustrations kindly supplied by Fr. Timothy Finigan,
Parish Priest, Saint Austin and Saint Gregory, Margate, Kent, with Saint Anne, Cliftonville, Kent.


Related Posts Plugin for WordPress, Blogger...