Notre Dame de Rouen. The façade of the Gothic Church in France. Photographer: Hippo1947. Licence: SHUTTERSTOCK.

Wednesday 25 December 2013

A Very Happy, Holy & Peaceful Christmas.



Zephyrinus wishes a 
Very Happy, Holy & Peaceful Christmas 
to all Readers of this Blog.


File:Gerard van Honthorst 001.jpg

The Adoration of the Shepherds.
Artist: Gerard van Honthorst (1590–1656).
Date: 25 December 1622.
Current location: Wallraf-Richartz-Museum,
Cologne, Germany.
Source/Photographer: The Yorck Project: 10.000 Meisterwerke der Malerei.
DVD-ROM, 2002. ISBN 3936122202.
Distributed by DIRECTMEDIA Publishing GmbH.
(Wikimedia Commons)


O, Holy Night.



File:Bouguereau The Virgin With Angels.jpg

Artist: William-Adolphe Bouguereau (1825–1905).
Title: "The Virgin With Angels".
Date: 1900.
Current location: Petit PalaisParis, France.
Source/Photographer: Art Renewal Center image.
Copied from the English Wikipedia to Commons.
Author: William-Adolphe Bouguereau (1825–1905).
(Wikimedia Commons)



O, Holy Night.
Sung by Celine Dion.
Available on YouTube at

Tuesday 24 December 2013

Christ. The Light Of The World.



File:Hunt Light of the World.jpg

The Light of the World
(Manchester Art Gallery, England).
Date: March 1851.
Author: William Holman Hunt (1827–1910).
(Wikimedia Commons)


My Soul Doth Magnify The Lord.


This Article was taken (in December 2012) from ENLARGING THE HEART


File:Madonna FiveAngels.jpg

Madonna Adoring the Child with Five Angels,
by Sandro Botticelli.
Date: 1485 - 1490.
Source: [1]
Author: w:Botticelli
(Wikimedia Commons)


And Mary Said: Behold The Handmaid Of The Lord (Luke 1:38) . . .

If a handmaid is she, who, with intent and with complete attention, beholds her Lord, then, again, the Most-Holy Virgin is the first among the handmaids of the Lord.

[...] She did not care to please the world, but only God; nor did she care to justify herself before the world, but only before God. She herself is obedience; she herself is service; she herself is meekness.

The Most-Holy Virgin could in truth say to the angel of God: "Behold the handmaid of the Lord".

The greatest perfection, and the greatest honour that a woman can attain on Earth, is to be a handmaid of the Lord. Eve lost this perfection and honour in Paradise without effort, and the Virgin Mary achieved this perfection and this honour outside Paradise with her efforts.


File:Madonna FiveAngels.jpg


My Soul Doth Magnify The Lord (Luke 1:46).

Brethren, we have in total only a few words spoken by the Most-Holy Theotokos recorded in the Gospels.

All of her words pertain to the magnification of God. She was silent before men but her soul conversed unceasingly with God. Every day and every hour, she found a new reason and incentive to magnify God.

If only we were able to know and to record all her magnifications of God throughout her whole life, oh, how many books would it take!

But, even by this one magnification, which she spoke before her kinswoman, Elizabeth, the mother of the great Prophet and Forerunner, John, every Christian can evaluate what a fragrant and God-pleasing flower was her most holy soul.

File:Madonna FiveAngels.jpg


This is but one wonderful canticle of the soul of the Theotokos, which has come down to us through the Gospel. However, such canticles were without number in the course of the life of the Most-Blessed One.

Even before she heard the Gospel from the lips of her Son, she knew how to speak with God and to glorify Him in accordance with the teaching of the Gospel.

This knowledge came to her from the Holy Spirit of God, whose grace constantly poured into her like clear water into a pure vessel.

Her soul magnified God with canticles throughout her whole life, and therefore God magnified her above the Cherubim and the Seraphim.

Likewise, small and sinful as we are, the same Lord will magnify in His Kingdom us who magnify her, if we exert ourselves to fill this brief life with the magnification of God in our deeds, words, thoughts and prayers.

O Most-Holy, Most-Pure and Most-Blessed Theotokos, cover us with the wings of thy prayers.


StNikolaiVelimirovich

Nikolai Velimirovich.


Nikolai Velimirovich (1880-1956; Orthodox Church): 

O, Holy Night.



File:Bouguereau The Virgin With Angels.jpg

Artist: William-Adolphe Bouguereau (1825–1905).
Title: "The Virgin With Angels".
Date: 1900.
Current location: Petit Palais, Paris, France.
Source/Photographer: Art Renewal Center image.
Copied from the English Wikipedia to Commons.
Author: William-Adolphe Bouguereau (1825–1905).
(Wikimedia Commons)



O, Holy Night.
Sung by Celine Dion.
Available on YouTube at

Monday 23 December 2013

Lo ! All Things Are Accomplished That Were Said By The Angel Of The Virgin Mary (Antiphon At Lauds).


This Article was taken (in December 2012) from 




The following Text is from
The Liturgical Year, Volume 1; Advent, 23 December,
by Dom Guéranger, O.S.B.

O Emmanuel ! King of Peace! Thou enterest today the city of Thy predilection, the city in which Thou hast placed Thy Temple - Jerusalem. A few years hence, the same city will give Thee Thy Cross and Thy Sepulchre: nay, the day will come on which Thou wilt set up Thy Judgement-Seat within sight of her walls.

But today Thou enterest the city of David and Solomon unnoticed and unknown. It lies on Thy road to Bethlehem. Thy Blessed Mother and Joseph, her spouse, would not lose the opportunity of visiting the Temple, there to offer to the Lord their prayers and adoration.

They enter; and then, for the first time, is accomplished the prophecy of Aggeus, that great shall be the glory of this last house more than of the first; for this second Temple has now standing within it an Ark of the Covenant more precious than was that which Moses built; and within this Ark, which is Mary, is contained the God whose presence makes her the Holiest of Sanctuaries.

The Lawgiver Himself is in this Blessed Ark, and not merely, as in that of old, the Tablet of Stone on which the Law was graven. The visit paid, our living Ark descends the steps of the Temple, and sets out once more for Bethlehem, where other prophecies are to be fulfilled.

We adore Thee, O Emmanuel ! in this Thy journey, and we reverence the fidelity wherewith Thou fulfillest all that the Prophets have written of Thee; for Thou wouldst give to Thy people the certainty of Thy being the Messias, by showing them that all the marks, whereby He was to be known, are to be found in Thee.

And, now, the hour is near; all is ready for Thy Birth; come then, and save us; come, that Thou mayst not only be called our Emmanuel, but our Jesus, that is, He that saves us.

Ero cras!

"Tomorrow I will Be !"


The Great O Antiphons. 23 December.


Text and Illustrations taken from The Saint Andrew Daily Missal, 
unless otherwise stated.


File:Gerard van Honthorst 001.jpg

The Adoration of the Shepherds.
Artist: Gerard van Honthorst (1590–1656).
Date: 25 December 1622.
Current location: Wallraf-Richartz-Museum,
Cologne, Germany.
Source/Photographer: The Yorck Project: 10.000 Meisterwerke der Malerei.
DVD-ROM, 2002. ISBN 3936122202.
Distributed by DIRECTMEDIA Publishing GmbH.
(Wikimedia Commons)



O Emmanuel.
The Great O Antiphon
for 23 December.
Available on YouTube at
http://youtu.be/FWGM9bJR2Cs.


 23 December: Isaias vii. 14, xxxiii. 22.

O Emmanuel,
Rex et legifer noster,
exspectatio Gentium,
et Salvator earum:
veni ad salvandum nos,
Domine Deus noster.

O Emmanuel,
our King and Lawgiver,
the expected of the nations 
and their Saviour,
come to save us,
O Lord our God.

V. Rorate.

"Rorate caeli desuper, et nubes pluant justium . . ."

"Ye heavens, drop down from above, and let the clouds rain down the Just One."


Sunday 22 December 2013

Fourth Sunday Of Advent.


Text from The Saint Andrew Daily Missal (1945 Edition),
unless otherwise stated.

Illustrations, unless otherwise stated, from UNA VOCE OF ORANGE COUNTY
(from The Saint Andrew Daily Missal, 1952 Edition), who reproduce them 
with the kind permission of ST. BONAVENTURE PRESS

Fourth Sunday of Advent.
Station at the Church of The Twelve Apostles.

Indulgence of 15 years and 15 Quarantines.
Privileged Sunday of the Second-Class.
Semi-Double.
Violet Vestments.


John preaching the Baptism of Penance.


Like the whole Liturgy of this Season, the purpose of the Mass for the Fourth Sunday of Advent is to prepare us for the twofold coming of Christ: His coming in mercy at Christmas; and in justice at the end of the world.

Allusion is made to the first coming in the Introit; while the Collect, Gradual, and Alleluia, can be applied to either of the two.

In this Mass, we meet once again with the three great figures that are before the mind of the Church throughout Advent: Isaias; Saint John the Baptist; and Our Lady. The Prophet Isaias foretells of Saint John the Baptist that he will be: "A voice of one crying in the wilderness: Prepare ye the way of the Lord, make straight His paths . . . and all flesh shall see the salvation of God."


File:SS Apostoli 001.jpg

English: Church of the Twelve Holy Apostles.
View from the Vittoriano, Rome, Italy.
Italiano: Santi XII Apostoli.
Latin: SS. XII Apostolorum.
Photo: 3 December 2008.
Source: Own work.
Author: Pippo-b.
(Wikimedia Commons)

The Church of the Twelve Holy Apostles (Italian: Santi Dodici Apostoli, Latin: SS. XII Apostolorum) is a 6th-Century Roman Catholic Parish and Titular Church and Minor Basilica in Rome, Italy, dedicated originally to Saint James and Saint Philip and, later, to all Apostles. Today, the Basilica is under the care of the Conventual Franciscans, whose headquarters in Rome 
are in the adjacent building.
The Cardinal Priest of the Titulus XII Apostolorum is Angelo Scola. Among the previous Cardinal Priests are Pope Clement XIV, whose tomb by Canova is in the Basilica, and Henry Benedict Stuart.


And "the word of the Lord was made unto John, the son of Zachary, in the desert. And he came into all the country about the Jordan, preaching the Baptism of Penance for the remission of sins" (Gospel).

"John," Saint Gregory explains, "told those who hurried in crowds to be Baptised: "Ye brood of vipers, who hath told you to flee from the wrath to come ?" Now the wrath to come is the final chastisement, which the sinner will not be able to escape unless he have recourse now to the lamentations of Penance.

The friend of the Bridegroom warns us to bring forth not fruits merely of Penance but worthy fruits. These words are a call to each man's conscience, bidding him to lay up by means of Penance a treasure of good works, the greater in proportions to the ravage of sin which caused it (Third Nocturn).


File:Santi Apostoli - soffitto - antmoose.jpg

The Baroque Ceiling of the Basilica of Santi Apostoli, Rome, Italy.
Photo: 15 August 2005.
(Wikimedia Commons)


And Saint Leo says: "God Himself teaches us by the Prophet Isaias: I will lead the blind in a way that they know not, and I will turn the darkness before them into light and I will not forsake them."

The Apostle, Saint John, makes clear to us the way in which this Mystery is fulfilled when he says: "And we know that the Son of God is come. And He hath given us understanding, that we may know the true God and may be in His true Son" (Second Nocturn).

The Liturgy continues: Because of the great love that God has manifested towards us, He has sent on Earth His only-begotten Son to be born of the Virgin Mary. Also, in the Communion sentence, the Church recalls to us the Prophecy of Isaias: "Behold, a Virgin shall conceive and bear a Son: And His name shall be called Emmanuel."



And, again, in the Offertory, she combines in a single salutation the words addressed to Our Lady by the Archangel and by Saint Elizabeth. Saint Gregory writes: "Gabriel, whose name means "Strength of God", is sent to Mary, since he comes to announce the Messias, whose will it is, to appear in humiliation and abasement, in order to subdue all the powers of the air.

"It was fitting that He should be heralded by Gabriel, the "Strength of God"; He, who was to come as the Lord of Might, the All-Powerful and Unconquerable in battle, to crush the powers of the air in universal defeat" (Sermon 35).

In the Collect, just as we are reminded of the display of Our Lord's "Great Might", which will take place at the time of His second coming, when, as Supreme Judge, He will come in the splendour of His Divine Majesty to render to each according to his works, so we find an allusion to this same great power manifested in His first coming. It was as one clothed in His weak and mortal human nature that Our Lord put the Devil to flight.

As we think of Our Lord as nigh at hand in one or other of His "comings", let us say, with the Church: "Come, Lord Jesus, and tarry not."

Every Parish Priest celebrates Mass for the people of his Parish.


The Great O Antiphons. 22 December.


Text and Illustrations taken from The Saint Andrew Daily Missal,
unless otherwise stated.


File:Adoration of the shepherds reni.JPG

English: Adoration of the Shepherds (Detail).
Deutsch: Anbetung der Hirten, Detail.
Artist: Guido Reni (1575–1642).
Date: 1630 - 1642.
Current location: Certosa di San Martino, Naples, Italy.
(Wikimedia Commons)



O Rex Gentium.
The Great O Antiphon
for 22 December.
Available on YouTube at


 22 December:  Aggeus ii. 8;  Ephesians ii. 14, 20.

O Rex Gentium,
et desideratus earum,
lapisque angularis,
qui facis utraque unum:
veni, et salva hominem,
quem de limo formasti.

O King of the Gentiles,
and the desired of them,
Thou cornerstone that makest both one,
come and deliver man,
whom Thou didst form out of 
      the dust of the earth.

V. Rorate.

"Rorate caeli desuper, et nubes pluant justium . . ."

"Ye heavens, drop down from above, and let the clouds rain down the Just One."


Saturday 21 December 2013

Missa Sapientiae. Antonio Lotti (1667-1740). Italian Baroque Composer.


Text and Illustrations from Wikipedia - the free encyclopaedia,
unless otherwise stated.


File:Antonio Lotti.jpg

English: Portrait of Antonio Lotti, a Baroque composer (1667-1740).
Русский: Портрет Антонио Лотти, композитора эпохи барокко (1667-1740).
Date: No later than 1740.
Author: Unknown.
(Wikimedia Commons)



Missa Sapientiae,
by Antonio Lotti
(1667-1740).
Available on YouTube at


Antonio Lotti (1667-1740) was an Italian Baroque composer. He was born in Venice, Italy, although his father, Matteo, was Kapellmeister at Hanover, Germany, at the time. In 1682, Lotti began studying with Lodovico Fuga and Giovanni Legrenzi, both of whom were employed at St Mark's Basilica, Venice's principal Church. 

Lotti made his career at St Mark's, first as an alto singer (from 1689), then as assistant to the second organist, then as second organist (from 1692), then (from 1704) as first organist, and finally (from 1736) as maestro di cappella, a position he held until his death. 

He also wrote music for, and taught at, the Ospedale degli Incurabili, Venice, Italy. In 1717, he was given leave to go to Dresden, Germany, where a number of his Operas were produced, including Giove in Argo, Teofane and Li quattro elementi (all with Librettos by Antonio Maria Luchini). He returned to Venice in 1719 and remained there until his death in 1740.

Lotti wrote in a variety of forms, producing Masses, Cantatas, Madrigals, around thirty Operas, and instrumental music. His Sacred Choral Works are often unaccompanied (a cappella). His work is considered a bridge between the established Baroque and emerging Classical styles. 

Lotti is thought to have influenced Johann Sebastian Bach, George Frideric Handel, and Johann Dismas Zelenka, all of whom had copies of Lotti's Mass, the Missa Sapientiae.


The Great O Antiphons. 21 December.


Text and Illustrations taken from The Saint Andrew Daily Missal, 
unless otherwise stated.


File:Sandro Botticelli 062.jpg

Artist: Sandro Botticelli (1445–1510).
Deutsch: Madonna und zwei Engel
English: Madonna and Child with two Angels.
Italiano: Madonna con due angeli.
Date: 1468 - 1469.
Current location: Galleria Nazionale di Capodimonte.
Source/Photographer: The Yorck Project: 10.000 Meisterwerke der Malerei. 
DVD-ROM, 2002. ISBN 3936122202
Distributed by DIRECTMEDIA Publishing GmbH.
Permission: [1]
(Wikimedia Commons)



O Oriens.
The Great O Antiphon
for 21 December.
Available on YouTube at
http://youtu.be/1BsZH7e27Dg.



 21 December:  Psalm cvi.  10.

O Oriens,
splendor lucis aeternae,
et sol justitiae;
veni et illumina sedentes in tenebris,
et umbra mortis.

O Dawn of the East,
brightness of the light eternal,
and Sun of Justice;
come and enlighten them that sit in darkness,
and in the shadow of death.

V. Rorate.

"Rorate caeli desuper, et nubes pluant justium . . ."
"Ye heavens, drop down from above, and let the clouds rain down the Just One."


Friday 20 December 2013

The Great O Antiphons. 20 December.


Text and Illustrations taken from The Saint Andrew Daily Missal,
unless otherwise stated.



English: Workshop of the Della Robbia (early 16th-Century)
Madonna with Child, the Holy Spirit and two cherubims, enamelled terracotta.
Français: Atelier des Della Robbia (début du XVIe siècle.
Vierge à l'Enfant avec le Saint Esprit et deux chérubins, terre cuite émaillée.
Current location: Louvre Museum, Paris, France.
Accession Number: Campana 32.
Source/Photographer: Jastrow (2006).
(Wikimedia Commons)




O Clavis David,
The Great O Antiphon
for 20 December.
Available on YouTube at
http://youtu.be/fDg29sswhgQ.


20 December: Isaias xxii. 22; Apocalypse iii. 7; Luke i. 79.

O Clavis David,
et sceptrum domus Israel;
qui aperis, et nemo claudit, 
      claudis, et nemo aperit:
veni, et educ vinctum de domo carceris,
sedentem in tenebris, et umbra mortis.

O Key of David,
and Sceptre of the House of Israel,
who openest and no man shutteth,
who shuttest and no man openeth;
come and bring forth from his prison-house,
the captive that sitteth in darkness and
      in the shadow of death.

V. Rorate.

"Rorate caeli desuper, et nubes pluant justium . . ."
"Ye heavens, drop down from above, and let the clouds rain down the Just One."


Thursday 19 December 2013

The Great O Antiphons. 19 December.


Text and Illustrations taken from The Saint Andrew Daily Missal, 
unless otherwise stated.


File:Madonna michelangelo.jpg

Madonna and Child,
(1501-1504).
Brügge Cathedral,
"Onze-Lieve-Vrouwkerk", Belgium.
Photo: 7 February 2005.
Author: Elke Wetzig (elya).
(Wikimedia Commons)



O Radix Jesse.
The Great O Antiphon
for 19 December.
Available on YouTube at


19 December: Isaias xi. 10.

O Radix Jesse,
qui stas in signum populorum,
super quem continebunt reges os suum,
quem Gentes deprecabuntur:
veni ad liberandum nos,
jam noli tardare.

O Root of Jesse,
who standest for an ensign of the people,
before whom kings shall keep silence,
and unto whom the Gentiles shall make their supplication:
come to deliver us, 
and tarry not.

V. Rorate.

"Rorate caeli desuper, et nubes pluant justium . . ."
"Ye heavens, drop down from above, and let the clouds rain down the Just One."


Wednesday 18 December 2013

The Great O Antiphons. 18 December.


Text and Illustrations taken from The Saint Andrew Daily Missal, 
unless otherwise stated.


File:Lorenzo Lotto 017.jpg

English: Christ is born.
Deutsch: Christi Geburt.
Artist: Lorenzo Lotto (1480–1556).
Date: 1523.
Current location: National Gallery of Art, Washington, D.C., U.S.A.
Source/Photographer: The Yorck Project: 10.000 Meisterwerke der Malerei. DVD-ROM, 2002. 
ISBN 3936122202. Distributed by DIRECTMEDIA Publishing GmbH.
Permission: [1]
(Wikimedia Commons)




O Adonai.
The Great O Antiphon
for 18 December.
Available on YouTube at
http://youtu.be/dn1cloz0ssQ.


18 December: Exodus iii. 2, xx. 1.

O Adonai,
et dux domus Israel,
qui Moysi in igne flammae rubi apparuisti,
et ei in Sina legem dedisti:
veni ad redimentum nos in brachio extento.

O Adonai,
and Leader of the House of Israel,
who didst appear to Moses in the flame of 
      the burning bush,
and didst give unto him the Law on Sinai:
come and with an outstretched arm redeem us.

V. Rorate.

"Rorate caeli desuper, et nubes pluant justium . . ."
"Ye heavens, drop down from above, and let the clouds rain down the Just One."


Tuesday 17 December 2013

The Great O Antiphons. 17 December.


Text and Illustrations taken from The Saint Andrew Daily Missal, 
unless otherwise stated.



English: Madonna and Child.
Deutsch: Sixtinische Madonna, Szene: Maria mit Christuskind, 
Hl. Papst Sixtus II. und Hl. Barbara.
Artist: Raphael (1483 - 1520).
Current location: Gemäldegalerie, Dresden, Germany.
Source/Photographer: The Yorck Project: 10.000 Meisterwerke der Malerei. DVD-ROM, 2002. 
ISBN 3936122202. Distributed by DIRECTMEDIA Publishing GmbH.
Permission: [1]
(Wikimedia Commons)


The Boundless desire for the coming of Christ, which is a feature of the whole of Advent, is expressed in the Liturgy with an impatience which grows greater, the closer we come to Christmas and, so to speak, to the world's end.

"The Lord comes from far" (First Vespers, First Sunday of Advent).
"The Lord will come" (Introit, Second Sunday of Advent).
"The Lord is nigh" (Introit. Third Sunday in Advent).

This gradation will be emphasised throughout the whole Season, ever more and more.

Thus, on 17 December, begin the Greater Antiphons, which, from their initial letters, are called the "O Antiphons", and which form an impassioned appeal to the Messias, whose prerogatives and glorious titles they make known to us.

Dom Guéranger [Editor: He who was the author of "The Liturgical Year"] affirms that those Antiphons contain the "whole marrow" of the Advent Liturgy.

On account of their number, Honorius of Autun connects them with The Seven Gifts of The Holy Ghost, with which Our Lord was filled.






O Sapientia.
The Great O Antiphon
for 17 December.
Available on YouTube at
http://youtu.be/8ngcQDQfhlA.


17 December: Ecclesiasticus xxiv. 5; Wisdom viii. 1

O Sapientia, 
quae ex ore Altissimi prodiisti,
attingens a fine usque ad finem,
fortiter suaviterque disponens omnia:
veni ad docendum nos viam prudentiae.

O Wisdom,
who camest out of the mouth of the Most High,
reaching from end to end and ordering all things
      mightily and sweetly:
come and teach us the way of prudence.

V. Rorate.

"Rorate caeli desuper, et nubes pluant justium . . ."
"Ye heavens, drop down from above, and let the clouds rain down the Just One."

Sunday 15 December 2013

Third Sunday Of Advent.


Text from The Saint Andrew Daily Missal (1945 Edition),
unless otherwise stated.

Illustrations, unless otherwise stated, from UNA VOCE OF ORANGE COUNTY
(from The Saint Andrew Daily Missal, 1952 Edition), who reproduce them 
with the kind permission of ST. BONAVENTURE PRESS

Third Sunday of Advent.
Station at Saint Peter's Basilica, Rome.

Indulgence of 10 years and 10 Quarantines.
Privileged Sunday of the Second-Class.
Semi-Double.
Rose or Violet Vestments.


File:Giovanni Paolo Panini - Interior of St. Peter's, Rome.jpg

Interior of Saint Peter's Basilica, Rome.
Artist: Giovanni Paolo Panini (1692–1765).
Date: 1731.
Current location: Saint Louis Art Museum,
Saint Louis, Missouri, United States.
(Wikimedia Commons)

"The Lord is now at hand, come let us adore Him."

THE FIRST COMING:

It is Mary who gives us Jesus: "Blessed art thou, Mary . . . those things shall be accomplished in thee, which were spoken to thee by the Lord" (Antiphon at the Magnificat).

It is from Bethlehem [Editor: Literally, "the House of Bread"] that the King, the Ruler, shall go forth, who is to bring peace to all the nations (Second Responsory) and who will deliver his people from the power of their enemies (Fourth Responsory).

In a special way, our Souls will share in this deliverance during the Christmas celebrations, which mark the anniversary of the entrance into the world of Christ, the vanquisher of Satan."Grant, we beseech Thee," the Church prays, "that the new birth of Thine only-begotten Son may set us free, whom the old bondage doth hold under the yoke of sin" (Third Mass, Christmas Day).


I am the voice of one crying in the wilderness, make straight the way of the Lord.

In the same way that Saint John the Baptist prepared the Jews for the coming of the Messias, so he prepares us for the union, closer every year, which Our Lord forms with our Souls at Christmas. "Make straight the way of the Lord," cried the forerunner of Christ. So, let us make straight the way into our hearts, that Our Saviour may enter and give us His Graces of life and freedom.

THE SECOND COMING:

It is to Our Lord's Coming, at the end of the world, that Saint Gregory alludes in his explanation of the Gospel: "John," he says, "the forerunner of the Redeemer, goes before Our Lord in the spirit and power of Elias, who will be the forerunner of Christ as Judge" (Ninth Lesson).

So also in the Introit and Epistle, taken literally, the allusion is Our Lord's Coming for the Judgement. If we feel great joy at the approach of the Christmas Feast, reminding us once more of the lowly Infant in the Manger, how much more should the thought of His Coming, in all the splendour of His power and majesty, fill us with a holy sense of triumph, since, only then, will our redemption be fully accomplished.


Receive, O merciful Father, these Holy Sacrifices (Te igitur).

Saint Paul writes to his Christians: "Rejoice in the Lord always: Again, I say, rejoice . . . The Lord is nigh." As on Mid-Lent Sunday, the Priest may celebrate in Rose-Coloured Vestments. [Permission for this practice, in use at Rome for the Blessing of the Golden Rose on Laetare Sunday (or Mid-Lent Sunday), is granted to all Priests who desire it for the celebration of Mass and Office on that day: Whence the custom has extended to Gaudete Sunday, or Mid-Advent Sunday, since on both days the Church sings of our deliverance by Christ from the bondage of sin.]

Rose is a paler kind of Violet; it expresses some relaxation in Penance, owing to the joy of the Heavenly Jerusalem into which Our Lord will lead us when time shall be no more.

"Rejoice, O Jerusalem, with great joy, for there shall come unto thee a Saviour" (Second Antiphon of Vespers). Let us greatly desire this Coming, which the Apostle tells us is near. We should long, with a holy impatience, that it may quickly come to pass. "Stir up, O Lord, Thy might, [the Apocalypse tells us that the Lord will appear, and with Him millions of Saints, and on His garment He will bear the words: King of Kings and Lord of Lords (First Responsory). The Lord of Hosts will come with great might (Fourth Responsory). His Kingdom will be without end and all nations shall serve Him (Sixth Responsory)], and come to save us." (Alleluia). "Come, Lord, and tarry not." "Per Adventum tuum, libera nos, Domine."

Every Parish Priest says Mass for the people of his Parish.


Wednesday 11 December 2013

Gabriel Fauré (1845-1924). Requiem Op. 48.



File:Faure1907.jpg

Image of Gabriel Fauré 
by De Jongh, Lausanne.
Date of publication: 1907.
département Musique, Est.FauréG.081.
(Wikimedia Commons)


The following Text is from Wikipedia - the free encyclopaedia.

Gabriel Urbain Fauré (1845 – 1924) was a French composer, organist, pianist and teacher. He was one of the foremost French composers of his generation, and his musical style influenced many 20th-Century composers. 

Among his best-known works are his Pavane, RequiemNocturnes for piano, and the songs "Après un Rêve" and "Clair de Lune". Although his best-known and most accessible compositions are generally his earlier ones, Fauré composed many of his most highly-regarded works in his later years, in a harmonically and melodically, much more complex, style.



Gabriel Fauré.
Requiem op. 48.
Available on YouTube at


Tuesday 10 December 2013

Alma Redemptorist Mater. Marian Anthem By Giovanni Pierluigi Da Palestrina (1525-1594).



File:Giovanni Pierluigi da Palestrina.jpg

Giovanni Pierluigi da Palestrina
(1525-1594).
(Wikimedia Commons)

The following two Paragraphs are from Wikipedia - the free encyclopaedia.

Palestrina was born in the town of Palestrina, near Rome, then part of the Papal States. Documents suggest that he first visited Rome in 1537, when he is listed as a Chorister at the Santa Maria Maggiore Basilica. He studied with Robin Mallapert and Firmin Lebel. He spent most of his career in the city.

Palestrina came of age as a musician under the influence of the Northern European style of polyphony, which owed its dominance in Italy primarily to two influential Netherlandish composers, Guillaume Dufay and Josquin des Prez, who had spent significant portions of their careers there. Italy had yet to produce anyone of comparable fame or skill in polyphony.



Alma Redemptoris Mater.
Available on YouTube at


The following Text is on the YouTube Posting by Kate Price (see, above).

Giovanni Pierluigi da Palestrina (1525- 1594) was an Italian composer of the Renaissance. He was the most famous 16th-Century representative of the Roman School of musical composition. Palestrina became famous through his output of sacred music. He had a vast influence on the development of Roman Catholic Church music, and his work can be seen as a summation of Renaissance polyphony.

Alma Redemptoris Mater, or, in English, "Loving Mother of our Saviour," is one of four Liturgical Marian Antiphons (the other three being: Ave Regina Caelorum; Regina Coeli; Salve Regina), and sung at the end of the Office of Compline.

Hermannus Contractus (Herman the Cripple) (1013 - 1054) is said to have composed the Hymn, based on the writings of Saints Fulgentius, Epiphanius, and Irenaeus of Lyon. It is mentioned in "The Prioress's Tale", one of Geoffrey Chaucer's Canterbury Tales. Formerly, it was recited at Compline only from the First Sunday in Advent until the Feast of the Purification (2 February).

Alma Redemptoris Mater, quae pervia caeli
Porta manes, et stella maris, succurre cadenti,
Surgere qui curat, populo: tu quae genuisti,
Natura mirante, tuum sanctum Genitorem
Virgo prius ac posterius, Gabrielis ab ore
Sumens illud Ave, peccatorum miserere.

Loving Mother of our Saviour, hear thou thy people's cry
Star of the deep and Portal of the sky!
Mother of Him who thee made from nothing made.
Sinking we strive and call to thee for aid:
Oh, by what joy which Gabriel brought to thee,
Thou Virgin first and last, let us thy mercy see.


Monday 9 December 2013

Te Deum. Solemn Tone. 5th-Century Monastic Chant. Traditionally Ascribed To Saint Ambrose And Saint Augustine.


Text from Wikipedia - the free encyclopaedia,
unless otherwise stated.


File:Francisco de Zurbarán 032.jpg

English: Saint Ambrose 
(one of the traditionally-ascribed authors of the 
Te Deum, together with Saint Augustine).
Deutsch: hl. Ambrosius.
Artist: Francisco de Zurbarán (1598–1664).
Date: 1626-1627.
Current location: Museo Provincial de Bellas Artes, Seville, Spain.
Note: Deutsch: Urspr. für den Konvent San Pablo in Sevilla, Auftraggeber: Prior Diego de Bordas.
Source/Photographer: The Yorck Project: 10.000 Meisterwerke der Malerei. DVD-ROM, 2002.
ISBN 3936122202. Distributed by DIRECTMEDIA Publishing GmbH.
Permission: [1].
(Wikimedia Commons)


The Te Deum (also known as "The Ambrosian Hymn" or "A Song of the Church") is an Early-Christian Hymn of Praise. The title is taken from its opening Latin words, "Te Deum laudamus", rendered as "Thee, O God, we praise".

The Hymn remains in regular use in the Catholic Church, in the Office of Readings, found in the Liturgy of the Hours, and in thanksgiving to God for a special blessing, such as the Election of a Pope, the Consecration of a Bishop, the Canonisation of a Saint, a Religious Profession, the publication of a Treaty of Peace, a Royal Coronation, etc. It is sung either after Mass or the Divine Office, or as a separate Religious Ceremony. The Hymn also remains in use in the Anglican Communion and some Lutheran Churches in similar settings.

In the Traditional Office, the Te Deum is sung at the end of Matins, on all days when the Gloria is said at Mass; those days are all Sundays, outside Advent, SeptuagesimaLent, and Passiontide; on all Feasts (except the Triduum) and on all Ferias during Eastertide.

A Plenary Indulgence is granted, under the usual conditions, to those who recite it in public on New Year's Eve.



Sung by the Benedictine Monks of the 
Abbey of Saint Maurice and Saint Maur, 
Clervaux. Luxembourg.
The Te Deum is attributed to two Fathers and Doctors of the Church, 
Saint Ambrose and Saint Augustine, and is one the most majestic 
Chants in the Liturgy of the Church. 
It is sung in Traditional Seminaries and Monastic Houses at the Divine Office and for Double Feasts of the First Class, The Nativity, Easter, Corpus Christi, Epiphany, Pentecost and those which have an Octave. The Solemn Te Deum is sung on all occasions of public Church rejoicing 
(in Traditional Catholic Churches).
Available on YouTube at


Authorship is traditionally ascribed to Saints Ambrose and Augustine, on the occasion of the latter's Baptism by the former in 387 A.D. It has also been ascribed to Saint Hilary, but Catholic-Forum.com says "it is now accredited to Nicetas, Bishop of Remesiana; (4th-Century)".

The Petitions at the end of the Hymn (beginning "Salvum fac populum tuum") are a selection of Verses from the Book of Psalms, appended subsequently to the original Hymn.

The Hymn follows the outline of the Apostles' Creed, mixing a poetic vision of the Heavenly Liturgy with its declaration of Faith. Calling on the name of God, immediately, the Hymn proceeds to name all those who praise and venerate God; from the hierarchy of Heavenly Creatures, to those Christian Faithful already in Heaven, to the Church spread throughout the world. 

The Hymn then returns to its Credal formula, naming Christ and recalling His Birth, Suffering and Death, His Resurrection and Glorification. At this point, the Hymn turns to the subjects declaiming the praise, both the Universal Church and the singer, in particular, asking for mercy on past sins, protection from future sin, and the hoped-for reunification with The Elect.

Te Deum Laudamus:
te Dominum confitemur.
Te aeternum Patrem
omnis terra veneratur.

Tibi omnes Angeli;
tibi caeli et universae Potestates;
Tibi Cherubim et Seraphim
incessabili voce proclamant:

Sanctus, Sanctus, Sanctus,
Dominus Deus Sabaoth.
Pleni sunt caeli et terra
maiestatis gloriae tuae.

File:Francisco de Zurbarán 032.jpg

Te gloriosus Apostolorum chorus,
Te Prophetarum laudabilis numerus,
Te Martyrum candidatus laudat exercitus.
Te per orbem terrarum 
sancta confitetur Ecclesia,


Patrem immensae maiestatis:
Venerandum tuum verum et unicum Filium;
Sanctum quoque Paraclitum Spiritum.
Tu Rex gloriae, Christe.

Tu Patris sempiternus es Filius.
Tu ad liberandum suscepturus hominem,
non horruisti Virginis uterum.
Tu, devicto mortis aculeo,

aperuisti credentibus regna caelorum.


File:Francisco de Zurbarán 032.jpg


Tu ad dexteram Dei sedes, in gloria Patris.
Iudex crederis esse venturus.
Te ergo quaesumus, tuis famulis subveni:
quos pretioso sanguine redemisti.
Aeterna fac cum sanctis tuis in gloria numerari.

[added later, 
mainly from Psalm Verses:]

Salvum fac populum tuum,
Domine, et benedic hereditati tuae.
Et rege eos, et extolle illos usque in aeternum.
Per singulos dies benedicimus te;
Et laudamus Nomen tuum in saeculum, et in saeculum saeculi.

Dignare, Domine, die isto sine peccato nos custodire.
Miserere nostri Domine, miserere nostri.
Fiat misericordia tua, 
Domine, super nos, 

quemadmodum speravimus in te.
In te, Domine, speravi:
non confundar in aeternum.

File:Francisco de Zurbarán 032.jpg

Translation from The Book of Common Prayer.

We praise thee, O God :
we acknowledge thee to be the Lord.
All the earth doth worship thee :
the Father everlasting.

To thee all Angels cry aloud :
the Heavens, and all the Powers therein.
To thee Cherubim and Seraphim :
continually do cry,

Holy, Holy, Holy :
Lord God of Sabaoth;
Heaven and earth are full of the Majesty :
of thy glory.

File:Francisco de Zurbarán 032.jpg

The glorious company of the Apostles : praise thee.
The goodly fellowship of the Prophets : praise thee.
The noble army of Martyrs : praise thee.
The holy Church throughout all the world :
doth acknowledge thee;

The Father : of an infinite Majesty;
Thine honourable, true : and only Son;
Also the Holy Ghost : the Comforter.
Thou art the King of Glory : O Christ.

Thou art the everlasting Son : of the Father.
When thou tookest upon thee to deliver man :
thou didst not abhor the Virgin's womb.
When thou hadst overcome the sharpness of death :
thou didst open the Kingdom of Heaven to all believers.

File:Francisco de Zurbarán 032.jpg

Thou sittest at the right hand of God : in the glory of the Father.
We believe that thou shalt come : to be our Judge.
We therefore pray thee, help thy servants :
whom thou hast redeemed with thy precious blood.
Make them to be numbered with thy Saints : in glory everlasting.

[added later, mainly from Psalm verses:]

O Lord, save thy people :
and bless thine heritage.
Govern them : and lift them up for ever.
Day by day : we magnify thee;
And we worship thy Name : ever world without end.

Vouchsafe, O Lord : to keep us this day without sin.
O Lord, have mercy upon us : have mercy upon us.
O Lord, let thy mercy lighten upon us :
as our trust is in thee.
O Lord, in thee have I trusted :
let me never be confounded.


Sunday 8 December 2013

The Immaculate Conception Of The Blessed Virgin Mary. "Bringing To Us Her Son, It Is She Who First Appears In The Liturgical Cycle." Feast Day 8 December.


Text from The Saint Andrew Daily Missal (1945 Edition),
unless otherwise stated.

Illustrations from UNA VOCE OF ORANGE COUNTY
who reproduce them with the kind permission of
ST. BONAVENTURE PRESS


The Immaculate Conception of the Blessed Virgin Mary.
Feast Day 8 December.

Double of the First-Class
      with an Octave.
White Vestments.


The Immaculate Conception.

Having decided from all eternity to make Mary Mother of the Incarnate Word (Epistle), God willed that she should crush the head of the serpent from the moment of her conception.

He covered her "with a Mantle of Holiness" (Introit) and, "preserving her Soul from all stain, He made her a worthy dwelling place for His Son" (Collect).

The Feast of the "Conception" of the Virgin was; from the 8th-Century, celebrated in the East on 9 December; from the 9th-Century in Ireland and 3 May; and in the 11th-Century in England on 8 December.

The Benedictines, with Saint Anselm, and the Franciscans, with Duns Scotus (1308), favoured the Feast of the "Immaculate Conception," which, in 1128, was kept in Anglo-Saxon Monasteries.




In the 15th-Century, Pope Sixtus IV, a Franciscan, erected at the Vatican the Sixtine (Sistine) Chapel in honour of the Conception of the Virgin. And, on 8 December 1854, Pope Pius IX officially proclaimed this great Dogma, making himself the mouthpiece of all the Christian tradition summed up in the words of the Angel: "Hail Mary, full of Grace, the Lord is with thee, Blessed art thou among women" (Gospel). "Thou art all beautiful, O Mary, and the original stain is not in thee" says in truth the Alleluia verse.

Like the Dawn, which announces the day, Mary precedes the Sun of Justice, which will soon illumine the world of Souls. Bringing to us her Son, it is she who first appears in the Liturgical Cycle.

Let us ask God "to heal us and to deliver us from all our sins" (Secret, Postcommunion) in order that, by the Graces which specially belong to the Feast of the "Immaculate", we may become more worthy of receiving Jesus in our hearts when He comes into them on 25 December.

Every Parish Priest celebrates Mass for the people of his Parish.


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