The Pearl Of York And The York Martyrs Pilgrimage In Honour Of Saint Margaret Clitherow. Saturday, 29 March 2014, In York.

Altar Of The Holy Cross. Ottobeuren Abbey.

Altar of the Holy Cross,

Ottobeuren Abbey,

Ottobeuren, Germany.

Photo: 17 April 2009.

Source: Own work.

Author: Mattana.

(Wikimedia Commons)

"Suffer The Little Children To Come Unto Me". The Foundling Hospital, London.

Roman Text is taken from THE VICTORIANIST

Italic Text is from Wikipedia - the free encyclopaedia,

unless otherwise stated.

Illustration: THE VICTORIANIST

SUFFER THE LITTLE CHILDREN TO COME UNTO ME, 

From Matthew 18:1-6

Then were there brought unto him little children, 

that he should put his hands on them, and pray: 

and the disciples rebuked them.

But Jesus said,

Suffer little children, 

and forbid them not, to come unto me:

for of such is the kingdom of heaven.

The Foundling Hospital in London, England was founded in 1741 by the philanthropic sea captain Thomas Coram. It was a children's home established for the "education and maintenance of exposed and deserted young children." The word "hospital" was used in a more general sense than it is today, simply indicating the institution's "hospitality" to those less fortunate.

The first children were admitted to the Foundling Hospital on 25 March 1741, into a temporary house located in Hatton Garden. At first, no questions were asked about child or parent, but a distinguishing token was put on each child by the parent. These were often marked coins, trinkets, pieces of cotton or ribbon, verses written on scraps of paper. Clothes, if any, were carefully recorded. One entry in the record reads, "Paper on the breast, clout on the head." The applications became too numerous, and a system of balloting with red, white and black balls was adopted. Children were seldom taken after they were twelve months old.

On reception, children were sent to wet nurses in the countryside, where they stayed until they were about four or five years old. At sixteen girls were generally apprenticed asservants for four years; at fourteen, boys were apprenticed into variety of occupations, typically for seven years. There was a small benevolent fund for adults.

In September 1742, the stone of the new Hospital was laid in the area known as Bloomsbury, lying north of Great Ormond Street and west of Gray's Inn Lane. The Hospital was designed by Theodore Jacobsen as a plain brick building with two wings and a chapel, built around an open courtyard. The western wing was finished in October 1745. An eastern wing was added in 1752 "in order that the girls might be kept separate from the boys". The new Hospital was described as "the most imposing single monument erected by eighteenth century benevolence" and became London's most popular charity.

In 1756, the House of Commons resolved that all children offered should be received, that local receiving places should be appointed all over the country, and that the funds should be publicly guaranteed. A basket was accordingly hung outside the hospital; the maximum age for admission was raised from two months to twelve, and a flood of children poured in from country workhouses. In less than four years 14,934 children were presented, and a vile trade grew up among vagrants, who sometimes became known as "Coram Men", of promising to carry children from the country to the hospital, an undertaking which they often did not perform or performed with great cruelty. Of these 15,000, only 4,400 survived to be apprenticed out. The total expense was about £500,000, which alarmed the House of Commons.

Artist: Gustave Dore.

Title: London Street Scene

Date: Circa 1868-1872.

Illustration from

THE VICTORIANIST

After throwing out a bill which proposed to raise the necessary funds by fees from a general system of parochial registration, they came to the conclusion that the indiscriminate admission should be discontinued. The hospital, being thus thrown on its own resources, adopted a system of receiving children only with considerable sums (e.g., £100), which sometimes led to the children being reclaimed by the parent. This practice was finally stopped in 1801; and it henceforth became a fundamental rule that no money was to be received.

The committee of inquiry had to be satisfied of the previous good character and present necessity of the mother, and that the father of the child had deserted both mother and child, and that the reception of the child would probably replace the mother in the course of virtue and in the way of an honest livelihood. At that time, illegitimacy carried deep stigma, especially for the mother but also for the child. All the children at the Foundling Hospital were those of unmarried women, and they were all first children of their mothers. The principle was in fact that laid down by Henry Fielding in The History of Tom Jones, a Foundling: "Too true I am afraid it is that many women have become abandoned and have sunk to the last degree of vice [i.e. prostitution] by being unable to retrieve the first slip."

There were some unfortunate incidents, such as the case of Elizabeth Brownrigg (1720–1767), a severely abusive Fetters Lane midwife who mercilessly whipped and otherwise maltreated her adolescent female apprentice domestic servants, leading to the death of one, Mary Clifford, from her injuries, neglect and infected wounds. After the Foundling Hospital authorities investigated, Brownrigg was convicted of murder and sentenced to hang at Tyburn. Thereafter, the Foundling Hospital instituted more thorough investigation of its prospective apprentice masters and mistresses.

Artist: Luke Fildes.

Title: Applicants for Admission to a Casual Ward.

Date: 1874.

Illustration from

THE VICTORIANIST

The musical service, which was originally sung by the blind children only, was made fashionable by the generosity of George Frideric Handel, who frequently had Messiah performed there, and who bequeathed to the hospital a fair copy (full score) of his greatest oratorio. Handel's involvement had begun on 1 May 1750 when he directed a performance of Messiahto mark the presentation of the organ to the chapel. That first performance was a great success and Handel was elected a Governor of the Hospital on the following day, a position he accepted. In 1774 Dr Charles Burney and a Signor Giardini made an unsuccessful attempt to form in connection with the hospital a public music school, in imitation of the Pio Ospedale della Pietà in Venice, Italy. In 1847, however, a successful juvenile band was started. The educational effects of music were found excellent, and the hospital supplied many musicians to the best army and navy bands.

The early connection between the hospital and the eminent painters of the reign of George II is of interest. The exhibitions of pictures at the Foundling Hospital, which were organized by the Dilettante Society, led to the formation of the Royal Academy in 1768.

William Hogarth, who was childless, had a long association with the Hospital and was a founding Governor. He designed the children's uniforms and the coat of arms, and he and his wife Jane fostered foundling children. Hogarth also decided to set up a permanent art exhibition in the new buildings, encouraging other artists to produce work for the hospital. Indeed, several contemporary English artists decorated the walls of the hospital with their works, including Sir Joshua Reynolds, Thomas Gainsborough, Richard Wilson and Francis Hayman.

Hogarth painted a portrait of Thomas Coram for the hospital. He also donated his "Moses Brought Before Pharaoh's Daughter". His painting "March of the Guards to Finchley" was also obtained by the hospital after Hogarth donated lottery tickets for a sale of his works, and the hospital won it. Another noteworthy piece is Roubiliac's bust of Handel. The chapel's altar-piece was originally "Adoration of the Magi" by Casali, but deemed to look too Catholic by the Hospital's Anglican governors, it was replaced by Benjamin West's picture of Christ presenting a little child. The hospital also owns several paintings illustrating life in the institution by Emma Brownlow, daughter of the hospital's administrator. The Foundling Hospital art collection can today be seen at the Foundling Museum.

In the 1920s, the Hospital decided to move to a healthier location in the countryside. A proposal to turn the buildings over for university use fell through, and they were eventually sold to a property developer called James White in 1926. He hoped to transfer Covent Garden Market to the site, but the local residents successfully opposed that plan. In the end, the original Hospital building was demolished. The children were moved to Redhill, Surrey, where an old convent was used to lodge them, and then in 1935 to the new purpose-built Foundling Hospital in Berkhamsted, Hertfordshire. When, in the 1950s, British law moved away from institutionalisation of children toward more family-oriented solutions, such as adoption andfoster care, the Foundling Hospital ceased most of its operations. The Berkhamsted buildings were sold to Hertfordshire County Council for use as a school[1] and the Foundling Hospital changed its name to the Thomas Coram Foundation for Children and currently uses the working name Coram.

The Foundling Hospital still has a legacy on the original site. Seven acres (28,000 m²) of it were purchased for use as a playground for children with financial support from the newspaper proprietor Lord Rothermere. This area is now called Coram's Fields and owned by an independent charity, Coram's Fields and the Harmsworth Memorial Playground.

The Foundling Hospital bought back 2.5 acres (10,000 m²) of land in 1937 and built a new headquarters and a children's centre on the site. Although smaller, the building is in a similar style to the original Foundling Hospital and important aspects of the interior architecture were recreated there. It now houses the Foundling Museum, an independent charity, where the art collection can be seen. The original charity still exists as Coram, registered under the name Thomas Coram Foundation for Children, and is one of London's largest children's charities, operating in adjacent buildings constructed in the 1950s.

The Foundling Hospital is the setting for Jamila Gavin's novel Coram Boy. It also appears in three books by Jacqueline Wilson.

Artist: William Logsdail.

Title: St. Martin-in-the-Fields.

Date: 1888.

Illustration from

THE VICTORIANIST

THE FOLLOWING ARTICLE IS TAKEN FROM THE VICTORIANIST

“A Story of Human Wrong, of Human Suffering; of Evil, of Good; of Sorrow, of Succour…The Weakness and Trust of Woman, and the Treachery and Infidelity of Man.” Or: The Unwanted Children of the 19th Century:

The Victorian era gave birth to many institutions, most of which were hugely beneficial to society’s neediest lives, such as Great Ormond Street Hospital, the Ragged Schools and Battersea Dogs and Cats home. Such gestures, however, were not confined to the period of the Victorians, and whilst The Foundling Hospital may conjure up images of Oliver Twist-esque waifs and strays being educated by strict Victorian schoolmasters, The Hospital (not actually a hospital, but a place that offered hospitality) was established in 1741, but ran from then, all the way through the nineteenth century, and well into the second decade of the twentieth.

Its purpose was to act as a home for destitute children, and to care for and educate them until they were old enough to seek work and look after themselves, thus removing them from the streets.

The children who occupied the Hospital would be the offspring of mothers who were unable to care for them. However, a woman could not simply turn up with a child born out of wedlock and turn it over to prevent a scandal; she had to prove her good character, and demonstrate that the father had walked out on the family, leaving her unable to cope, and with no option but give up the infant for its own benefit and hers.

The following article from Strand Magazine explores the history of the Foundling Hospital, and reveals that despite being generally a good thing for children, when it came time for them to step out into the real world, they – in particular the girls – could often struggle to adapt:

Here follows an account of an Article in
THE STRAND MAGAZINE of 1891.

The Foundling Hospital is not an institution for the reception of foundlings. This will be news to five-sixths of our readers, and it is easy to imagine some of them exclaiming: “But do you mean to tell us that, if we discover a human mite abandoned on someone’s doorstep, and take it to the Foundling Hospital, it will not be admitted?” We do. “Why, then, call the place a Foundling Hospital?” Thereby hangs a deeply interesting story – a story of human wrong, of human suffering; of evil, of good; of sorrow, of succour – a veritable world’s story, focusing the large-souled sympathy of mankind, the weakness and trust of woman, and the treachery and infidelity of man.

The institution owes its origin to one of Nature’s noblemen; it is a monument equally to the head and the heart of Captain Thomas Coram. Captain Coram, in no ordinary sense of the word, went about doing good. His life was made up of attempts to improve something or somebody. Early in the eighteenth century, he used, in his walks between the City, where he had business, and Rotherhithe, where he lived, to constantly come across young children left by the wayside, “sometimes alive, sometimes dead, and sometimes dying.” In other countries such children would be taken up by the state, and cared for; in England nothing of the sort had ever been attempted, or even perhaps dreamed of.

Captain Coram’s heart was touched by surely the most pitiable sight in creation, and to touch Captain Coram’s heart was to set the machinery of his resourceful brain in motion. He rightly considered such exposure of infant humanity a disgrace to civilisation, and proceeded to enlist the services of the high-placed and the large-hearted in the cause. For seventeen long years he laboured against adverse circumstances, until, in 1739, his efforts were rewarded by a charter authorising the founding of an institution “for the maintenance and education of exposed and deserted young children.”

A fine statue of Captain Coram, by W. C. Marshall, R.A., and a stone tablet to his memory, placed on the wall of the arcade in front of the building, are the first things to catch the visitors eye. Coram lived, we are told, to be eighty-four, and died “poor in worldly estate, rich in good works.” To help the new-born infant, he brought his grey hairs, if not in sorrow, at least in poverty to the grave. Like so many other benefactors of mankind, in striving to alleviate distress, this “indefatigable schemist” forgot himself, and had he, in his devotion, not had friends who gave more regard to his material needs than he gave himself, he might have closed his eyes to mundane affairs in want by the wayside, even as the objects of his solicitude opened theirs.

Foundling Girls 

It is not necessary to go here at great length into the early mistakes made, or to describe how the institution failed of the purpose which the founder had in view. It was intended by him to meet the necessities of deserted motherhood; it came, in the middle of the last century, to be a receptacle for all the babes whom worthless parents did not care to keep. A basket was hung outside gates of the Hospital. On the first day 117 children were left in it, and a lucrative trade sprung up among tramps who, for a consideration, carried the little ones from all parts of England to the Hospital. In less than four years, 14,934 infants were thus disposed of.

These “regiments of infantry,” as a waggish commentator called them, overwhelmed the resources of the institution, and it is not surprising to learn that, from various causes, not more than 4,000 of the 14,934 survived, the indiscriminate admission of children had to be abolished. Later, it was decided to receive children for money, but this step resulted in other abuses, and we have the authority of the admirable account of the Hospital, compiled by a former secretary, and revised by the present, Mr. W. S. Wintle – a work which may be purchased for half a crown, and is well worth attentive study – for stating that, since January, 1801, no child has been received into the Hospital, either directly or indirectly, with any sum of money, large or small.

Today the practice is for the mother to take the babe before it is twelve months old to the Hospital, to make her statement before the authorities, and to leave the child to their care absolutely. She must be poor, she must be anxious to regain her good name, and no woman who petitions that her child may be admitted to the Hospital stands a chance of relief if she cannot prove that she has led a life of propriety previous to her misfortune. This point cannot be too strongly borne in mind. As the Reverend Sydney Smith, one of the preachers of the Foundling Chapel puts it:-

“No child drinks of our cup or eats of our bread whose reception, upon the whole, is not certain to be more conducive than pernicious to the interests of religion and good morals. We hear no mother whom it would not be merciless and shocking to turn away; we exercise the trust reposed in us with a trembling and sensitive conscience; we do not think it enough to say. ‘This woman is wretched, and betrayed, and forsaken’; but we calmly reflect if it be expedient that her tears should be dried up, her loneliness sheltered, and all her wants receive the ministration of charity.”

Foundling Boys

No instance of a mother going to the bad after she has been relieved by the Governors of the Foundling Hospital has, we believe, ever come to notice !

The general public knows most of theFoundling Hospital from a visit to the chapel on a Sunday morning. Anyone who is prepared to drop a silver coin into the plate at the door is admitted. The spectacle is impressive. In the galleries at the west end of the chapel, on either side of the organ, are seated some five hundred boys and girls, better behaved probably than any other considerable number of young people who appear in church regularly every Sunday.

Their happy faces are perhaps a greater pleasure to gaze upon than their healthy voices are to listen to. Divine service over, at one o’ clock they march into their respective dining-rooms, the boys being in one wing of the building and the girls in the other. Grace in the former is sung to the accompaniment of a cornet, which one of the boys plays. When they take their places at table, the spectator will find none lacking in appetite for the simple honest repast. On the opposite side of the building the girls are doing not less justice to themselves and those who have provided and prepared the dinner.

The Chapel

The scene on any Sunday morning in the year 1891 is precisely that which Charles Dickens described in “No Thoroughfare,” a quarter of a century ago: -

“There are numerous lookers-on at the dinner, as the custom is. There are two or three governors, whole families from the congregation, smaller groups of both sexes, individual stragglers of various degrees. The bright autumnal sun strikes freshly into the wards, and the heavy framed windows through which it shines, and the paneled walls on which it strikes, are such windows and such walls as pervade Hogarth’s pictures. The girls’ refectory (including that of the younger children) is the principal attraction.

Title: "Waif Boy".

Date: 1890.

Location: Bristol.

Author: Unknown.

Rights: © The Children's Society.

Used with permission.

Neat attendants silently glide about the orderly and silent tables; the lookers-on move or stop as the fancy takes them; comments in whispers on face such a number from such a window are not infrequent; many of the faces are of a character to fix attention. Some of the visitors from the outside public are accustomed visitors. They have established a speaking acquaintance with the occupants of particular seats at the tables, and halt at these points to bend down and say a word or two. It is no disparagement to their kindness that those points are generally points where personal attractions are. The monotony of the long spacious rooms and the double lines of faces is agreeably relieved by these incidents, although so slight.”

There is not much to see in the classrooms, which will not be fully conveyed in our illustrations. As we enter the boys room, we are momentarily startled by the shuffle of feet as every boy rises respectfully in his place. Not being professional school inspectors, such honours are not often accorded us. Resuming their seats, the class work goes on as at any ordinary school. So with the girls. The most interesting of the classes is that of the infants. On the day on which we visit the Foundling for the especial purpose of this paper, they are turned out of their ordinary room, and are squatted on the floor of another in sections before blackboards, and with slates in their laps. They are the veriest, chubbiest urchins imaginable, and, as we approach, three or four of them turn their smiling faces up to ours. They evidently expect to be spoken to, and we ask them what they are doing?

“Writin’,” answers a babe of very few summers.

“Writing what?” we ask.

“Good,” is the reply, as a little finger points to the blackboard on which the word is written in bold characters.

“And are you good?”

“Es,” and with a “That’s right!” we pat the baby cheek, and think many things. Poor little mites, and yet happy withal! Motherless, fatherless, friendless, and yet inmates of an institution which is not such a bad substitute for father, mother, and friends. What would they be but for it? Recruits perchance in the ranks of shame into which their mothers might have drifted. And their mothers? Who knows but that somewhere out in the world, women are living, and working, and sleeping; dreaming, wondering how fares the helpless mortal for whose existence they are responsible, for whom they still bear a love which no barrier of separation can obliterate?

Foundling Infants

From the school-rooms let us go to the museum, where are stored some valuable and many curiosities. Pictures by Hogarth and others line the walls, and it is an interesting item of information that the Royal Academy of Arts, to which the fashionable world flocks today, was suggested to the founders by the crowds of people who in the last century went to see pictures exhibited at the Foundling Hospital. Artists rallied strongly to the support of the institution, which also enlisted the services of Handel, who devoted his “Messiah” to its benefit, and presented the organ which is still in use. Lovers of art history and art treasures will find much on the walls and in the show-cases of the Foundling Hospital to gratify them.

What will attract the majority of people more, however, than Handel’s gifts, or Hogarth’s or Sir Joshua Reynolds’ canvases, are the tokens which it early became necessary to stipulate should be left with the child for the purpose, if need be, of identification. All sorts of things were left, from a coin or a key, to a trinket of piece of ribbon. Hearts and wedding rings are numerous, the former, no doubt, emblems more often than not of broken hearts, the latter eloquent of disappointed hopes. In some instances, the token took the shape of a verse.

The Museum

What becomes of the inmates of the Hospital when the time arrives to turn them out into the world to gain a living? The boys, at the age of fourteen, are usually apprenticed to some trade. A great many of them, however, who have formed part of the juvenile band at the Hospital, join the bands of the army and navy. In this position they seem to do especially well. Testimonials of gratitude from lads brought up at the Hospital are not wanting. One is a handsome Chinese vase, bearing the inscription:

“Presented to the Foundling Hospital by George Ross, Corporal, Band, 74th Highlanders, as a small token of gratitude for the years of childhood spent in the institution. Hong Kong, 15th February, 1879.”

Title: "Waif Girl".

Date: 1890.

Location: Bristol.

Author: Unknown.

Rights: © The Children's Society.

Used with permission.

Another is an inkstand made of Irish bog oak, and was “Presented to the Governors of the Foundling Hospital by Corporal Samuel Reid, a foundling, of her majesty’s Regiment Military Train, as a token of deep gratitude. April 26, 1868.”

The girls go into domestic service, and with initial care make excellent servants. In these days, when good domestics are so difficult to get, the demand for foundling girls is much greater than the supply. Whatever the deprivations of the children may be on account of the want of individual motherly love, the real hardships of the lives of the girls begin when they leave the Hospital. They are educated in everything save worldly knowledge. Where an ordinary girl runs errands for her parents, and becomes a little woman by the time she reaches her teens, the foundling girls remain in absolute ignorance of how to purchase any single article, or transact the simplest affairs outside the home. This is one drawback.

Girls in Class

Another and sadder is when, standing on the threshold of the great world, they realize that they are not as the majority of other girls are. They go to service, and they have not a friend of any kind to see or to talk about. Do what it will, the Hospital cannot supply the place of relatives, and, however much her origin may be screened from her fellow servants, in all probability the time comes when the latter say: “How strange we never hear you speak of your father, or your mother, or your sister, or your brother.”

Then the lonely maiden invents little stories and tells fibs, which the most truthful among us may pardon, respecting the father and mother who are dead, or whatever other explanation may occur to her. If the inquisitive world only knew what pain its thoughtless enquiries may cause !

A visit to the Foundling Hospital will afford food for many an hour’s reflection. We are often urged to recognize woman’s equality with man. The Foundling Hospital is a pathetic reminder of her eternal inequality.

- Strand Magazine, 1891.

The Foundling Hospital is no longer there, but Captain Coram’s name still lives on in Coram’s Fields, a children’s park (into which adults are only allowed if accompanied by a child under sixteen) situated between Regent’s Park and Clerkenwell, where the hospital stood for 187 years before it was moved outside London in the 1920s.

A plaque at the entrance to the park commemorates the history of the area with these words:

THESE GROUNDS.

The site of the Foundling Hospital, established in 1739 by Captain Thomas Coram, were offered for sale as building land in 1926, when, owing to changing social conditions, the old Hospital was sold and demolished.

After eight years of anxiety as to its fate, the site was eventually preserved for the use and welfare of the children of Central London by the generosity and vision of Harold Viscount Rothermere, by the efforts of the Foundling Site Appeal Council, by the co-operation of the Governors of the Foundling Hospital, and of the Education Committee of the London County Council, and by the enthusiasm of many thousands of donors, large and small, who contributed their money, or their toil, to the saving of these nine acres, henceforth to be known as CORAM’S FIELDS.

Lenten Station At The Basilica Of Saint Laurence's-In-Lucina. Friday Of The Third Week In Lent.

Roman Text is taken from The Saint Andrew Daily Missal.

Italic Text, Illustrations and Captions, are taken from Wikipedia, the free encyclopaedia,
unless otherwise stated.

Indulgence of 10 years and 10 Quarantines.
Violet Vestments.

Basilica of San Lorenzo-in-Lucina,
Rome, Italy.

Image taken during a survey 
of Roman monuments in 1911.

Current File: November 2005.

User: Panairjdde

(Wikimedia Commons)

This is one of the numerous Sanctuaries built in Rome in honour of the martyred Deacon. Part of the gridiron, on which he was tortured, is kept there. This Church, one of the twenty-five Titular, or Parish, Churches of the first Christian Capital in the 5th-Century, is still today from which the first of the Cardinal Priests derives his title.

It was during the forty years passed in the desert that Moses and Aaron asked God to bring from the rock - a figure of Christ - "a spring of living water," so that all the people could quench their thirst (Epistle). During these forty days of Lent, the Church asks Christ to give us the living water, about which He spoke to the woman of Samaria near Jacob's well, the water which quenches our thirst for ever (Gospel).

Interior of the Basilica of 
Saint Laurence's-in-Lucina, Rome.

Photo: July 2007.

Source: Own work.

Author: SteO153

Permission: CC-BY-SA-2.5

(Wikimedia Commons)

This water is our faith in Jesus, it is grace, it is the blood which flows from the wounds of the Saviour, and which, through Baptism, Penance and the other Sacraments, purifies our Souls, and gushes forth into eternal life, of which it assures us a share.

We should note the parallel that it pleased Christian art to establish between Saint Peter and Moses. It is the latter who touched the rock from whence the water surged; this is a symbol of Christian Baptism, given by the Church, of which Saint Peter is the head.

The High Altar,
San Lorenzo in Lucina, Rome.

The Crucifix painting is by Guido Reni.

Photo: July 2007.

Source: Own work.

Author: SteO153.

(Wikimedia Commons)

The Church of Saint Laurence's at Lucina (Italian: San Lorenzo in Lucina, Latin: S. Laurentii in Lucina) is a Roman Catholic Parish and Titular Church and Minor Basilica in Rome.

The Church is dedicated to Saint Laurence, Roman Deacon and Martyr. The name "Lucina" comes from the 4th-Century Roman matron that gave permission for Christians to build a house of worship. 

Pope Marcellus I hid here during persecutions of Maxentius, while Pope Damasus I was elected here in 366 A.D. A Church here was consecrated by Pope Sixtus III in the year 440 AD. The Church was known as Titulus Lucinae, and thus is mentioned in the Acts of the 499 Synod of Pope Symmachus. It was first reconstructed under Pope Paschal II in the first decades of the 1100s.

Italian: Roma - Chiesa di S. Lorenzo in Lucina.

English: Basilica of San Lorenzo-in-Lucina, Rome.

Photo: May 2010.

Source: Own work.

Author: Geobia

(Wikimedia Commons)

In 1606, Pope Paul V placed the Church under the Franciscan Order of Clerics Regular Minor. The interior was completely transformed by Cosimo Fanzago in the 17th-Century, converting the lateral Aisles of the Basilica structure into Chapels. The Ceiling was frescoed by the Neapolitan Mometto Greuter.

Charles Stewart, an Officer in the Papal Army, who died in 1864, is buried within the Church. He was the son of John Stewart, Prince Charles Edward Stuart's (Charles III) 'maestro di casa'. Charles had created John a Baronet in 1784. The current Cardinal Priest of the Titulus S. Laurentii-in-Lucina, established in 684 A.D., is Malcolm Ranjith, since November 2010.

English: Chapel of St. Laurence's gridiron, 
San Lorenzo-in-Lucina, Rome.

Italiano: San Lorenzo in Lucina, Roma. 
La cappella che conserva la sedicente 

graticola su cui sarebbe stato
martirizzato San Lorenzo.

Photo: July 2007.

Source: Own work.

Author: SteO153

(Wikimedia Commons)

The High Altar, designed by Carlo Rainaldi, is decorated with a painting of The Crucifixion by Guido Reni. Under the Altar, there is the gridiron on which Saint Laurence was martyred. The relics were put here by Pope Paschal II, according to an inscription on the Throne behind the Altar. The Chorus is decorated by Virgins and Saints by Placido Costanzi.

The second Chapel to the right, designed by Carlo Rainaldi, was decorated by Jan Miel. Nicolas Poussin is buried in the second Chapel on the right, with a monument donated by Chateaubriand with a Bust by Paul Lemoyne and a relief by Louis Desprez.

Interior of the Basilica 
of Saint Laurence's-in-Lucina, 
Rome, Italy.

Photo: August 2006.

Source: Own work.

Author: Lalupa

(Wikimedia Commons)

The fourth Chapel, the Fonseca Chapel, was designed by Gian Lorenzo Bernini, and features a lively Bust of Gabriel Fonseca by the master sculptor. It also houses a copy of Guido Reni's "Annunciation", completed by Giacinto Gimignani.

The fifth Chapel on the right has a Death of Saint Giacinta Marescotti by Marco Benefial and a Life of Saint Francis (1624) by Simon Vouet. The fourth Chapel has a Saint Giuseppe by Alessandro Turchi and a San Carlo Borromeo by Carlo Saraceni. The first Chapel has works (1721) by Giuseppe Sardi.

The High Altar. Ottobeuren Abbey.

The High Altar

at Ottobeuren Abbey

(Kloster Ottobeuren),

Ottobeuren, Germany.

Photo: 18 April 2009.

Source: Own work.

Author: Mattana.

(Wikimedia Commons)

Ottobeuren Basilica.

The Choir and The High Altar.

Photo: 16 September 2009.

Source: Own work.

Author: Digital cat.

(Wikimedia Commons)

Ottobeuren Basilica.

The Nave.

Photo: 16 September 2009.

Source: Own work.

Author: Digital cat.

(Wikimedia Commons)

Lenten Station At The Basilica Of The Holy Martyrs, Cosmas And Damian. Thursday Of The Third Week In Lent.

Roman Text is taken from The Saint Andrew Daily Missal.

Italic Text, Illustrations and Captions, are taken from Wikipedia - the free encyclopaedia,
unless otherwise stated.

Indulgence of 10 years and 10 Quarantines.
Violet Vestments.

Altar and Apse of the 
Basilica dei Santi Cosma e Damiano,
Rome, Italy.

Photo: June 2002.

Source: flickr.com

Author: iessi

(Wikimedia Commons)

This Thursday takes the name of "Mid-Lent Thursday", because it is the twentieth day in the middle of the Holy Forty Days. The Church brings to the following Sunday the sentiments of joy which she wishes to fill our hearts. The Feast of Easter approaches, and we must courageously continue the Lenten Fast , already half completed.

It is in a Church, made of two Pagan Temples (of The Holy City and of Romulus), where rest the bodies of The Holy Martyrs, Cosmas and Damian, who were put to death during the Diocletian Persecution, that this Station is made.

The sick came in crowds to visit the tomb of these two brothers, doctors by profession, imploring them to restore their health. It was thus fitting to say this Gospel relating to the cure of the mother-in-law of Simon Peter and of the sick of Capharnaum. It is also a Mass of Dedication, as the words of the Epistle show: Templum Domini est.

The Jews, who possessed the magnificent Temple of Jerusalem, began to believe that respect for the House of God sufficed to sanctify them, and they considered themselves dispensed from observing the Spirit of the Law. Wherefore, the Church warns us that our Lent should not only consist of Prayers and Fasts, but should be accompanied by Exercises of Charity and Justice towards our neighbour.

Theodoric The Great, 
King of the Ostrogoths.

Source: Goed gezien: Tien eeuwen wetenschap 
in handschrift en druk Object 19.

Author: Unknown.

(Wikimedia Commons)

We must imitate the example of Jesus, and during the whole of Lent follow Him, with the Holy Liturgy, in His ministry of redemption, preaching the Kingdom of God, healing the sick, and casting out devils (Gospel). Let us love to listen to the word of God: It will cure our Souls and banish from them the Devil, who seeks to reign therein.

The Catechumens, who were preparing for Baptism, listened especially at this Season of the Year to the word of God. They also received the Imposition of Hands, so as to be delivered from evil spirits and to obtain the cure of their Souls.

Through the intercession of The Holy Doctors, Cosmas and Damian, in whose Church today's Solemnities are celebrated, let us ask The Divine Physician that the severe abstinence of the Lenten Fast may cool the fever of our passions and assure our salvation (Collect, Epistle, Postcommunion).

Basilica of Saints Cosmas and Damian,

Rome, Italy.

Titular Church.

Photo: September 2006.

Source: Own work.

Author: Riccardov

(Wikimedia Commons)

The Basilica of Santi Cosma e Damiano is a Church in Rome, located in the Roman Forum. It is one of the ancient Churches called Tituli, of which Cardinals are Patrons as Deacons. The Cardinal Deacon of the Titulus Ss. Cosmae et Damiani is Giovanni Cheli. The Basilica, devoted to the two Greek brothers, doctors, Martyrs and Saints, Cosmas and Damian, is located in the Forum of Vespasian, also known as the Forum of Peace.

The Temple of Romulus was dedicated by Emperor Maxentius to his son, Valerius Romulus, who died in 309 A.D., and was rendered divine honours. It is possible that the temple was, in origin, the temple of "Iovis Stator" or the one dedicated to Penates, and that Maxentius restored it before the re-dedication.

Pope Felix IV presents Saints Cosmas and Damian

with the Basilica that he re-dedicated to them.

Painting from SS Cosma e Damiano. Early-1600s, Tuscan school.

Source: http://www.franciscanfriarstor.com/theorder/

Basilica/stf_basilica_paintings.htm

(Wikimedia Commons)

The ancient Roman fabric was Christianised and dedicated to Sancti Cosma et Damiano in 527 A.D., when Theodoric the Great, king of the Ostrogoths, and his daughter Amalasuntha donated the Library of the Forum of Peace (Bibliotheca Pacis) and a portion of the Temple of Romulus to Pope Felix IV (526 A.D. - 530 A.D.).

The Pope united the two buildings to create a Basilica devoted to two Greek brothers and Saints, Cosmas and Damian, in contrast with the ancient pagan cult of the two brothers, Castor and Pollux, who had been worshipped in the nearby Temple of Castor and Pollux. 

Not really a Temple, but a Vestibule opening into a 

Hall of Vespasian's Forum of Peace, 

which now houses the Church of SS. Cosma e Damiano.

Photo: May 2005.

Source: Flickr

Author: Anthony M. from Rome, Italy

Reviewer: KenWalker

(Wikimedia Commons)

The Apse was decorated with a Roman-Byzantine mosaic, representing a parousia, the Second Coming of Christ at the end of time. The bodies of Saints Mark and Marcellian were translated, perhaps in the 9th-Century, to this Church, where they were re-discovered in 1583 during the reign of Pope Gregory XIII.

In 1632, Pope Urban VIII ordered the restoration of the Basilica. The works, projected by Orazio Torriani and directed by Luigi Arrigucci, raised the floor level seven metres, bringing it equal with the Campo Vaccino, thus avoiding the infiltration of water. Also, a Cloister was added. The old Floor of the Basilica is still visible in the lower Church, which is actually the lower part of the first Church.

In 1947, the restorations of the Imperial Forums gave a new structure to the Church. The old entrance, through the Temple of Romulus, was closed, and the temple restored to its original forms; with the Pantheon, the Temple of Romulus is the best preserved pagan temple in Rome. A new entrance was opened on the opposite side (on via dei Fori Imperiali), whose Arch gives access to the Cloister, and through this to the side of the Basilica.

Pope Urban VIII (1623 - 1644)

ordered the restoration of the Basilica in 1632.

Artist: Gian Lorenzo Bernini (1598–1680).

Date: 1632.

Current location: Galleria Nazionale d'Arte Antica, Rome, Italy.

Source/Photographer: Web Gallery of Art: Image Info about artwork

(Wikimedia Commons)

Next to the new entrance to the complex, there are rooms with the original marble paving of the Forum of Peace, and the wall where the 150 marble slabs of the Forma Urbis Romae were hung. Through the Cloister, the entrance to the Church opens on the side of the single Nave. The plan of the Basilica followed the norms of the Counter-Reformation: a single Nave, with three Chapels per side, and the big Apse, which now looks quite over-sized because of the reduction in height of the 17th-Century restoration, framed by the triumphal Arch, also mutilated by that restoration.

The mosaics are masterpieces of 6th-7th-Century art. In the middle, is Christ, with Saint Peter presenting Saint Cosmas and Saint Theodorus (right), and Saint Paul presenting Saint Damian and Pope Felix IV; the latter holds a model of the Church.

The importance of this Basilica, for the history of medicine, is not only related to the fact that the two brothers were physicians, and soon became patrons of physicians, surgeons, pharmacists and veterinarians, but also to the tradition, according to which, Claudius Galen himself lectured in the Library of the Temple of Peace (“Bibliotheca Pacis”). Furthermore, for centuries, in this “medical area” Roman physicians had their meetings.

Streets Of London. Or Streets Of Brighton ?

Fr. Ray Blake, Parish Priest at Saint Mary Magdalen, Brighton, has now got an excellent new Parish Web-Site at ST. MARY MAGDALEN BRIGHTON

The Web-Site is full of information about Fr Blake's Parish activities and, in particular, Zephyrinus's attention was caught by the item, under PARISH LIFE, which details THE SOUP RUN. Do have a look at the Web-Site and see what I mean.

The SOUP RUN details the outstanding efforts undertaken by the Parish and many volunteers, over many years, to ensure that the homeless and destitute at least have a daily hot meal.

In this Penitential Season of Lent, Works of Charity underscore many aspects of Lenten Duties, so why not visit the Web-Site to read all about THE SOUP RUN and consider making a donation to Fr. Ray Blake's Parish Funds and/or consider adding ST. MARY MAGDALEN BRIGHTON to your Daily Prayer List.

The following YouTube song, STREETS OF LONDON, says it all, really. Do have a listen.

Streets of London,

by Ralph McTell.

Available on YouTube at

http://youtu.be/DiWomXklfv8.