Notre Dame de Rouen. The façade of the Gothic Church in France. Photographer: Hippo1947. Licence: SHUTTERSTOCK.

Friday 15 August 2014

On The Feast Of The Assumption Of The Blessed Virgin Mary. Ave Maria. Ave Maria.



English: The Assumption of The Virgin Mary.
Deutsch: Maria Himmelfahrt, Hochaltar für
St. Maria Gloriosa dei Frari in Venedig.
Français: L'Assomption de la Vierge.
Artist: Titian (1490–1576).
Date: 1516-1518.
Source/Photographer: The Yorck Project: 10.000 Meisterwerke der Malerei.
DVD-ROM, 2002. ISBN 3936122202.
Distributed by DIRECTMEDIA Publishing GmbH.
(Wikimedia Commons)



Ave Maria
by Sarah Brightman.
Available on YouTube at

The Assumption Of The Blessed Virgin Mary. Feast Day 15 August.



English: The Assumption of The Virgin Mary.
Deutsch: Maria Himmelfahrt, Hochaltar für
St. Maria Gloriosa dei Frari in Venedig.
Français: L'Assomption de la Vierge.
Artist: Titian (1490–1576).
Date: 1516-1518.
Source/Photographer: The Yorck Project: 10.000 Meisterwerke der Malerei.
DVD-ROM, 2002. ISBN 3936122202.
Distributed by DIRECTMEDIA Publishing GmbH.
(Wikimedia Commons)


Text from The Saint Andrew Daily Missal.

The Assumption of The Blessed Virgin Mary.
Feast Day 15 August.

Double of The First-Class
   with a Common Octave.

White Vestments.



On this Feast, the most ancient (6th-Century A.D.) and Solemn of The Cycle of Mary, The Church invites all her children in The Catholic World to unite their joy (Introit) and their gratitude (Preface) with those of The Angels, who praise The Son of God because of that day His Mother, Bodily and Spiritually, entered Heaven (Alleluia).

Admitted to the enjoyment of the delights of Eternal Contemplation, She chose at The Feet of The Master the better part, which shall not be taken away from Her (Gospel, Communion).

The Gospel of The Vigil was, indeed, formerly read after today's Gospel, in order to show that The Mother of Christ is happy among all others, because, better than all others, "She listened to The Word of God". This Word, The Word, The Divine Wisdom, which, under The Old Law, dwelt among the people of Israel (Epistle), dwelt in Mary, under The New Law.



Artist: Rene de Cramer.
“Copyright Brunelmar/Ghent/Belgium”.
Used with Permission.


The Word became Incarnate in the womb of The Virgin, and now, amid the splendour of The Heavenly Sion, He fills Her with the delights of The Beatific Vision.

The Church on Earth, like Martha, has to care for the necessities of this present life, but she also, like her, invokes the help of Mary (Collect, Secret, Postcommunion).

A Procession has always been a part of The Feast of The Assumption. At Jerusalem, it was formed by the numerous Pilgrims who came to Pray at the tomb of The Blessed Virgin and who, thus, contributed to the Institution of this Solemnity.




The Clergy of Constantinople also held a Procession on The Feast of The Rest, or Assumption, of Mary. At Rome, from the 7th-Century A.D., to the 16th-Century, the Papal Cortege, in which the representatives of the Senate and people took part, went on this day from The Church of Saint John Lateran to that of Saint Mary Major. This Ceremony was called The Litany.

[On this occasion, they used to recite over the people, assembled for the Procession, The Collect for Assumption Day, which is first in The Sacramentary and mentions this Mystery, whilst our Collect of The Mass on 15 August was only The Second Collect and has no direct relation to The Feast.

This is The First Collect: "It is our duty to honour The Solemnity of this day, O Lord; The Holy Mother of God did, indeed, suffer temporal death, although the bonds of this death could not hold back Her, whose flesh formed The Body of Thy Son, Our Lord Who liveth and reigneth . . ."]





It is in The Basilica of Saint Mary Major, Rome, that The Station is held at Christmas to Solemnise the Mystery from which flowed all the Glories of The Virgin, and it is also there that was Solemnised The Assumption, in which they culminate. Mary received Jesus, when He came into this World, and it is Jesus Who receives Mary into Heaven.

Every Parish Priest Celebrates Mass for the people of his Parish.

The Introit for the Feast of The Assumption of The Blessed Virgin Mary, Gaudeámus omnes in Dómino . . . (Let us all rejoice in The Lord, . . .) is that of The Feast of Saint Agatha (5 February).

From the 11th-Century, this Introit was also used in seven other Masses which are in The Missal, among which are 15 August (today's Feast) and 1 November (Feast of All Saints).





THE SAINT ANDREW DAILY MISSAL





THE SAINT ANDREW DAILY MISSAL

Available (in U.K.) from

Available (in U.S.A.) from



Thursday 14 August 2014

Ave Maris Stella. Hail, Star Of The Sea. The Hymn At First Vespers For The Assumption Of The Blessed Virgin Mary.


Hail, Star of the Sea.



Ave Maris Stella.
Available on YouTube at


The following Text is from Wikipedia -the free encyclopaedia.

Ave Maris Stella ("Hail Star of the Sea") is a Plainsong Vespers Hymn to Mary. It was especially popular in the Middle Ages and has been used by many composers as the basis of other compositions.

The creation of the original Hymn has been attributed to several people, including Saint Bernard of Clairvaux (12th-Century), Saint Venantius Fortunatus (6th-Century) and Hermannus Contractus (11th-Century). The Text is found in 9th-Century Manuscripts kept in Vienna, Austria, and in the Abbey of Saint Gall, Switzerland.

The melody is found in the Irish Plainsong "Gabhaim Molta Bríde", a piece in praise of Saint Bridget. The popular modern Hymn, Hail Queen of Heaven, the Ocean Star, is loosely based on this Plainsong original.

It finds particular prominence in the "Way of Consecration to The Blessed Virgin Mary" by Saint Louis de Montfort.



Madonna and Child
(Galleria Borghese, Rome).
Date: Circa 1742.
Author: Pompeo Batoni (1708–1787).
(Wikimedia Commons)


The Plainchant Hymn has been developed by many composers, from pre-Baroque to the present day. The Roman Rite employs four different Plainchant tunes for the Ave Maris Stella; the first three are designated for Solemnities, Feasts, and Memorials of The Blessed Virgin Mary; a fourth is given in The Little Office of the Blessed Virgin Mary as an alternative to the Memorial Tone. These Plainchant Tones have been used as the cantus firmus for some Polyphonic Settings of the Mass, including those by Josquin and Victoria.

Renaissance Settings include those by Felice Anerio, Palestrina, Dufay and Byrd. Baroque Settings include Monteverdi's Vespro della Beata Vergine 1610. Romantic Settings include those by Dvorak, Grieg, and Liszt. Modern composers who have either set the Text, or used the Hymn as an inspiration, include Grace Williams, Peter Maxwell Davies, Otto Olsson and Trond Kverno.


The Vigil Of The Assumption Of The Blessed Virgin Mary. 14 August.




English: The Assumption of The Virgin Mary.
Deutsch: Maria Himmelfahrt, Hochaltar für
St. Maria Gloriosa dei Frari in Venedig.
Français: L'Assomption de la Vierge.
Artist: Titian (1490–1576).
Date: 1516-1518.
Source/Photographer: The Yorck Project: 10.000 Meisterwerke der Malerei.
DVD-ROM, 2002. ISBN 3936122202.
Distributed by DIRECTMEDIA Publishing GmbH.
(Wikimedia Commons)




Text from The Saint Andrew Daily Missal, unless otherwise stated.

The Vigil of The Assumption of The Blessed Virgin Mary.

14 August.

Violet Vestments.



The Epistle, for The Vigil Of The Assumption of The Blessed Virgin Mary, is "Ego quasi vitis",
(taken from The Book of Wisdom) from the Feast of Our Lady of Mount Carmel (16 July).

As the vine, I have brought forth a pleasant odour,
And my flowers are the fruit of honour and riches.
I am the mother of fair love,
And of fear,
And of knowledge,
And of Holy hope.
In me is all Grace of the way and of the truth,
In me is all hope of life and virtue.
Come over to me,
All ye that desire me,
And be filled with my fruits;
For my spirit is sweet above honey,
And my inheritance above honey and the honeycomb.
My memory is unto everlasting generations.
They that eat me, shall yet hunger;
And they that drink me, shall yet thirst.
He that hearkeneth to me shall not be confounded,
And they that work by me shall not sin.
They that explain me shall have life everlasting.



Christ, after having lain for only three days in the tomb, rose again and ascended into Heaven.

Likewise, the death of The Virgin resembled, rather, a short sleep. Hence, it was called "Dormitio" (Dormition), and before corruption could defile her body.

God restored her to life and Glorified her in Heaven.

These three privileges are celebrated by the Feast of the Assumption, which follows logically from the privilege of The Immaculate Conception and the privilege of The Mystery of the Incarnation.

For sin never having defiled the Soul of Mary, it was right that her body, in which The Word had become Incarnate, should not be tainted by the corruption of the tomb.




Benedictine Abbey Of Saint Mang, Füssen, Bavaria, Germany.


Text and Illustrations from Wikipedia - the free encyclopaedia,
unless otherwise stated.




English: Saint Mang Basilica, Füssen, Bavaria, Germany.
Deutsch: Füssen: Ehemalige Klosterkirche St. Mang.
Photo: 15 June 2011.
Source: Own work.
Author: Taxiarchos228.
(Wikimedia Commons)





English: Saint Mang Basilica, Füssen, Bavaria, Germany.
Deutsch: Kloster Sankt Mang, Füssen.
Photo: 23 February 2008 (original upload date).
Source: Transferred from en.wikipedia;
transferred to Commons by User:Kurpfalzbilder.de using CommonsHelper.
Author: Myke Rosenthal-English Rosenthalenglish.
(Wikimedia Commons)



Saint Mang's Abbey, Füssen, or Füssen Abbey (German: Kloster Sankt Mang Füssen) is a former Benedictine Monastery in FüssenBavaria, Germany.

The Benedictine Abbey of Saint Mang was founded in the first half of the 9th-Century as a proprietary Monastery of the Prince-Bishops of Augsburg. The reason for its Foundation goes back to the Hermit, Magnus of Füssen (otherwise known as Saint Mang), who built a Cell and an Oratory, here, where he died on 6 September, although there is no record of which year.

The Saint's body, amid Miracles, was discovered incorrupt, a proof of his Sanctity, and the Veneration of Saint Mang was the Spiritual basis of the Monastery.




English: Abbey and Basilica Church of Saint Mang, Füssen, Bavaria, Germany.
Deutsch: Kloster und Basilika Sankt Mang von der Lechbrücke.
Date: 2008-01-20 (original upload date).
Source: Transferred from en.wikipedia; transferred to Commons
Attribution: Rosenthalenglish at the wikipedia project.
Author: Original uploader was Rosenthalenglish at en.wikipedia
(Wikimedia Commons)





English: The South-Western part of Saint Mang's Abbey, Füssen, Bavaria, Germany..
Deutsch: Der südwestliche Teil des Benediktinerklosters Sankt Mang, Füssen.
Photo: 2 January 2011.
Source: Own work.
Author: Felix König.
(Wikimedia Commons)



The Foundation was not, however, solely Spiritually motivated; there were practical political reasons underlying it, as well. The Monastery's key position, not only on the important Mediaeval road from Augsburg across the Alps to Upper Italy, but also in the Füssen Gap ("Füssener Enge", the point where the Lech River breaks out of the Alps), gave it an immense strategic value, which made it of political concern, both to the Bishops of Augsburg and to the Holy Roman Emperors.

The history of the Abbey, in the Middle Ages, is principally marked by the efforts of the Religious Community to maintain a life true to the Rule of Saint Benedict, amidst the various pressures caused by external social developments. Over time, therefore, the Monks repeatedly embraced various reforms and reforming movements, intended to bring about a return to the essentials of the Benedictine life. These reforms mostly resulted in Spiritual and economic growth and an increase in the head count, which, in turn, brought more building and commissions of artwork.

The energy of the Counter-Reformation found lasting expression in the construction of an enormous Baroque Abbey complex between 1696 and 1726, commissioned by Abbot Gerhard Oberleitner (1696-1714), which still, today, along with the High Castle (Hohe Schloss), characterises the Town of Füssen.


File:Stifterbild zur Legende des heiligen Magnus Füssen c1570.jpg


English: Picture of the Legend of Saint Magnus (Saint Mang), in Füssen, Bavaria, Germany.
Deutsch: Stifterbild zur Folge der Darstellungen aus der Legende des heiligen Magnus. Wappenschild mit Wappen von Wohltätern des Benediktinerklosters St. Mang in Füssen, darunter Ansicht von Füssen mit dem Kloster und dem Hohen Schloss. Links ist der hl. Magnus mit dem Drachen, rechts der fränkische König Pippin d. J., rechts unten der Stifter, Abt Hieronymus Alber (Schild mit Konventswappen und Abtswappen).
Aus dem Kloster St. Mang in Füssen. Öl auf Holz, 115,3 x 119,5 cm
Staatsgalerie Füssen,- Inv.-Nr. 9858.
Date: Circa 1570.
Author: Allgäuer Meister (Stephan Mair?).
(Wikimedia Commons)





Deutsch: Ehemalige Benediktinerklosterkirche Sankt Mang,
Füssen, Landkreis Ostallgäu, Bayerisch-Schwaben.
Der Hochaltar. Eigene Aufnahme, Sept. 2006.
English: The High Altar,
former Benedictine Monastery
Church of Saint Mang,
Füssen, Bavaria, Germany.
Photo: September 2006.
Source: Own work.
Author: Dark Avenger.
(Wikimedia Commons)



The architect Johann Jakob Herkomer (1652-1717) succeeded in turning the irregular Mediaeval Abbey into a symmetrically organised complex of buildings. The transformation of the Mediaeval Basilica into a Baroque Church, based on Venetian models, was intended to be an architectural symbol of the Veneration of Saint Magnus.

The entire Church represents an enormous Reliquary. For the first time in South German Baroque construction, the legend of the local Saint inspires the suite of frescoes throughout the entire Church. The Community of Monks, at the time, also set out to make the new Church the envy of connoisseurs, for the quality of its artworks. Among the artists, who contributed various forms of decoration for the building, were Anton Sturm, Franz Georg Hermann, Jakob Hiebeler and Paul Zeiller, whose only extant oil paintings are in the Chapter Hall.

Although the Abbey was never able to obtain the coveted Reichsunmittelbarkeit (Independent of all Lords, except for the Holy Roman Emperor), it had a decisive influence as a centre of Lordship and economy, cultural and Faith life, on Füssen and the whole region.




English: Pulpit, by the Sculptor, Anton Sturm,
Deutsch: Kanzel von Anton Sturm in der Stadtpfarrkirche in Füssen.
Date: 30 March 2007.
Author: Sculptor: Anton Sturm (1690–1757).
Photographer: Herbert Wittmann.
(Wikimedia Commons)





English: The High Altar,
by the Sculptor, Anton Sturm,
Deutsch: Hochaltar von Anton Sturm in der
Stadtpfarrkirche St. Mang in Füssen.
Date: 26 April 2007.
Source: Own work.
Author: Sculptor: Anton Sturm (1690–1757).
Photographer: Herbert Wittmann.
(Wikimedia Commons)



On 11 December 1802, during the Secularisation that followed the Napoleonic Wars and the Peace of Lunéville, the Princes of Oettingen-Wallerstein were awarded possession of Saint Mang. On 15 January 1803, Princess Wilhelmine ordered Abbot Aemilian Hafner to Dissolve the Abbey and vacate the premises by 1 March of that year.

The contents of the Library were shipped off to the new owners, down the River Lech, on rafts. Most of the items are now in the Library of the University of Augsburg, except for a small collection of especially valuable manuscripts, which are in the Augsburg Diocesan Archives.




English: The Organ,
Saint Mang Basilica, Füssen, Bavaria, Germany.
Deutsch: Füssen: Ehemalige Klosterkirche St. Mang.
Date: 15 June 2011.
Source: Own work.
Author: Taxiarchos228.
(Wikimedia Commons)



In 1837, the former Abbey Church was transferred, as a gift, to the Parish of Füssen. In 1839, the Royal Bavarian Chamberlain, Christoph Friedrich von Ponickau, bought the remaining Lordship of Saint Mang. In 1909, the Town of Füssen acquired the Ponickau Estate, including the former Abbey buildings (apart from the Church).

The North Wing was used as the Town Hall. In the South Wing, the Füssen Town Museum is now located, with displays on the history of the Abbey and of the Town, particularly of the traditional manufacture of lutes and violins, in Füssen. It is also possible to view the Baroque Reception Rooms of the Abbey, in the Museum.




English: The Organ, Saint Mang Basilica,
Füssen, Bavaria, Germany.
Deutsch: Füssen: Ehemalige Klosterkirche St. Mang.
Date: 15 June 2011.
Source: Own work.
Author: Taxiarchos228.
(Wikimedia Commons)





English: Saint Mang Basilica, Füssen, Bavaria, Germany.
Deutsch: Füssen: Ehemalige Klosterkirche St. Mang.
Date: 15 June 2011.
Source: Own work.
Author: Taxiarchos228.
(Wikimedia Commons)




English: Confessional Box,
by Thomas Seitz,
Saint Mang Basilica, Füssen, Bavaria, Germany.
Deutsch: Beichtstuhl in der Stadtpfarrkirche
St. Mang in Füssen von Thomas Seitz.
Date: 2010. (17 December 2010 (original upload date)).
Transferred from de.wikipedia; transferred to Commons
(Original text : selbst fotografiert).
Author: Herbert Wittmann.
Original uploader was Herzemann at de.wikipedia
(Wikimedia Commons)


Wednesday 13 August 2014

Battle Of The Somme, July-November 1916. Requiescant In Pace. We Will Remember.





This Cross, from 1720,
bears the complete Latin phrase
in its plural form, "Requiescant in pace".
Ainhoa, croix recto de.
This File: 25 April 2008.
User: Harrieta171.
(Wikimedia Commons)




Battle of the Somme.
Actual Footage.
Available on YouTube at



Illustration: Zephyrinus.

WE WILL REMEMBER THEM.



Plenary Indulgences For Particular Days.




English: Plenary Indulgence inscription on the Left Transept
of the Basilica of Saint John Lateran, Rome, Italy.
"Indulgentia plenaria perpetua quotidiana toties quoties pro vivis et defunctis."
"Perpetual everyday plenary indulgence on every occasion for the living and the dead."
Français: Indulgence plénière. Incription sur le transept gauche
This File: 6 October 2007.
User: Jastrow.
Source: Own work.
Author: Marie-Lan Nguyen (user:Jastrow).
(Wikimedia Commons)


HOW TO GAIN A PLENARY INDULGENCE.
CLICK ON THE FOLLOWING VIDEO
available on YouTube at


The Video, above, features Fr Thomas Morrow, whose Biography and Contact Details appear on CATHOLIC FAITH ALIVE!, Inc.



The following List of Plenary Indulgences for particular days was composed by Fr Finigan, Parish Priest at Our Lady of the Rosary, Blackfen, Kent, England.


The following is a non-exhaustive List of Plenary Indulgences, focussing on those Indulgences which Priests might promote in their Parishes, and those which the Faithful can easily obtain.

The numbers, alongside each occasion when a Plenary Indulgence may be gained, refer to The Enchiridion Indulgentiarum (Editio Quarta) 2004, which should be consulted for the definitive description of each work.




Particular Days.

1 January.
Join in the Solemn Singing or Recitation, in Church, of the Veni Creator.      26.1.1.

Unity Week.
Assist at some functions in the week and at the concluding function.      11.1.

Fridays in Lent.
After Holy Communion, say the En ego before a Crucifix.      8.1.2.

Maundy Thursday.
Join in the singing of the Tantum Ergo at the Reposition of The Blessed Sacrament.      7.1.2.




Good Friday.
Take part in the Solemn Liturgy.      13.1.
Take part in the Stations of the Cross.      13.2.
Follow the Pope's Stations on radio or television.      13.2.

Holy Saturday.
Renew your Baptismal Vows at the Easter Vigil.      28.1.

Pentecost.
Join in the Solemn Singing or Recitation, in Church, of the Veni Creator.      26.1.1.

Sacred Heart.
Join in the Public Recitation of the Act of Reparation Iesu Dulcissime.      3.




Saint Peter and Saint Paul.
Devoutly use a pious object Blessed by the Pope or any Bishop, adding a legitimate profession of Faith
(e.g., the Creed).      14.1.

2 August.
Visit a Parish Church and say the Pater and Credo.      33.1.5.

1 November - 8 November.
Visit a Cemetery and Pray for the Dead.      29.1.1.

All Souls.
Visit a Church and say the Pater and Credo.      29.1.2.

Christ The King.
Join in the Public Recitation of the Act of Dedication Iesu Dulcissime Redemptor.      2.

31 December.
Join in the Solemn Singing or Recitation, in Church, of the Te Deum.      26.1.2.




Other Occasions.

Anniversary of Baptism.
Renew your Baptismal Vows.      28.1.

Titular Feast of Parish Church.
Visit the Parish Church and say the Pater and Credo.      33.1.5.

Anniversary of Dedication of a Church or Altar.
Visit a Parish Church and say the Pater and Credo.      33.1.6.

Pilgrimage to International, National, or Diocesan Shrine.
a.      On the Titular Feast.      33.1.4.
b.      Once a year at the choice of the individual member of the Faithful.      33.1.4.
c.      Whenever participating in a group Pilgrimage.      33.1.4.
(N.B.  This only applies to Shrines constituted as such by the competent Ecclesiastical authority.)




First Communion.
Assist at the First Communion Mass.      8.1.1.

Pastoral Visitation.
Assist at the Sacred Function at which the Visitor presides.      32.

Blessed Sacrament Procession.
Take part in the Procession of The Blessed Sacrament.      7.1.3.


Fr. Finigan has also Posted a most interesting Article, headlined "PLENARY INDULGENCES NOT IMPOSSIBLE", at THE HERMENEUTIC OF CONTINUITY


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