Notre Dame de Rouen. The façade of the Gothic Church in France. Photographer: Hippo1947. Licence: SHUTTERSTOCK.

Saturday 10 January 2015

Saint John's Co-Cathedral, Valletta, Malta.



English: The Nave,
Saint John's Co-Cathedral, Valletta, Malta.
Français: Intérieur de la co-cathédrale St Jean à La Valette - Malte.
Photo: 7 May 2007.
Source: Own work.
(Wikimedia Commons)



EnglishThe Chapel of Italy,
Dedicated to Saint Catherinethe Patron Saint of the Italian Section.
Saint John's Co-Cathedral, Valletta, Malta.
Français: Une des chapelles de la cathédrale St Jean à La Valette - Malte.
Photo: 7 May 2007.
Source: Own work.
(Wikimedia Commons)


Saint John's Co-Cathedral (Maltese: Kon-Katidral ta’ San Ġwann), located in Valletta, Malta, was built by The Knights of Malta between 1573 and 1578, having been commissioned in 1572 by Grand Master Jean de la Cassière as the Conventual Church of The Order of The Knights Hospitaller of Saint John, known as The Knights of Malta.

The Church was designed by the Maltese Military Architect, Glormu Cassar (Girolamo Cassar), who designed several of the more prominent buildings in Valletta. The Church is considered to be one of the finest examples of High Baroque Architecture in Europe and one of the world's great Cathedrals.



English: "Magnificent Church.
The most striking Interior I have ever seen."
(Sir Walter Scott, 1831).
[Author: Note the three Clocks on the Right-Hand Tower.]
Deutsch: St. John’s Co-Kathedrale, Valletta, Malta.
עברית: קתדרלת יוחנן הקדוש בולטה
Date: 11 January 2005 (original upload date).
Source: Transferred from en.wikipedia.
Author: Radoneme at en.wikipedia.
(Wikimedia Commons)


The severe Exterior of the Cathedral, built immediately after the ending of the Great Siege of 1565, is reminiscent of a Military Fort.

The Interior, in sharp contrast with the facade, is extremely ornate and decorated in the Baroque Style. The Interior was largely decorated by Mattia Preti, the Calabrian artist and Knight. Preti designed the intricate carved stone walls and painted the Vaulted Ceiling and Side Altars with scenes from the life of Saint John.

Interestingly, the figures painted on the Ceiling, next to each Column, initially appear to the viewer as three-dimensional statues, but, on closer inspection, we see that the artist cleverly created a three-dimensional illusion by his use of shadows and placement.



"Da Pacem Domine".
Chant of The Templars.
Available on YouTube at

Da pacem, Domine, in diebus nostris
Quia non est alius
Qui pugnet pro nobis
Nisi tu Deus noster.

1. Fiat pax in virtute tua: et abundantia in turribus tuis.
Da pacem, Domine, in diebus nostris
Quia non est alius
Qui pugnet pro nobis
Nisi tu Deus noster.

2. Propter fratres meos et proximos meos loquebar pacem de te:
Da pacem, Domine, in diebus nostris
Quia non est alius
Qui pugnet pro nobis
Nisi tu Deus noster.

3. Propter domum Domini Dei nostri quaesivi bona tibi.
Da pacem, Domine, in diebus nostris
Quia non est alius
Qui pugnet pro nobis
Nisi tu Deus noster.

4. Rogate quae ad pacem sunt Jerusalem: et abundantia diligentibus te. 
Da pacem, Domine, in diebus nostris
Quia non est alius
Qui pugnet pro nobis
Nisi tu Deus noster.

5. Gloria Patri et Filio et Spiritui Sancto,
sicut erat in principio et nunc et semper,
et in saecula saeculorum.

Amen.

Da pacem, Domine, in diebus nostris
Quia non est alius
Qui pugnet pro nobis
Nisi tu Deus noster.


Also noteworthy is the fact that the carving was all undertaken in-place (in situ) rather than being carved independently and then attached to the walls (stucco). The Maltese Limestone, from which the Cathedral is built, lends itself particularly well to such intricate carving.

The whole marble floor is an entire series of tombs, housing about 375 Knights and Officers of The Order. There is also a Crypt, containing the tombs of Grandmasters, like Philippe Villiers de L'Isle-Adam, Claude de la Sengle, Jean Parisot de Valette, and Alof de Wignacourt.



"Salve Regina".
Chant of The Templars.
Available on YouTube at


In 1666, a project for the High Altar, by Malta's greatest sculptor, Melchiorre Cafà, was approved and begun. Cafà intended a large sculpture group, in Bronze, depicting The Baptism of Christ. Following Cafà's tragic death, in 1667, in a foundry accident while working on this work in Rome, the plans were abandoned. Only in 1703, Giuseppe Mazzuoli, Cafà's only pupil, finished a Marble group of The Baptism of Christ, which might have been influenced by his Master's undocumented designs, but certainly is strongly dependent on a small Baptism group by Alessandro Algardi.

Near the main entrance, one finds the Monument of Grand Master Fra Marc'Antonio Zondadari of Siena. He was the Nephew of Pope Alexander VII.



Artist: Caravaggio (1573–1610).
Date: 1608.
Current location: Altarpiece in The Oratory,
St. John's Co-Cathedral, Valletta, Malta.
Commissioned in 1608 by Alof de Wignacourt, Grand Master,
for the Altar of Saint John's Co-Cathedral,
Valletta, Malta.
Source/Photographer: The Yorck Project: 10.000 Meisterwerke der Malerei. DVD-ROM, 2002.
ISBN 3936122202. Distributed by DIRECTMEDIA Publishing GmbH.
Permission: Wikide-I / 10.000 Gemälde für Commons.
(Wikimedia Commons)



Saint John’s Co-Cathedral, Valletta, Malta, is a gem of Baroque art and architecture.
It was built as the Conventual Church for The Knights of St John. The Grand Masters,
and several Knights, donated gifts of high artistic value and made enormous contributions
to enrich it with only the best works of art. This Church is, till this very day,
an important Shrine and a Sacred Place of Worship.


The Cathedral contains seven Chapels, each of which was Dedicated to the Patron Saint of the eight "Langues" (or "Sections") of the Knights. On the Left Side of the Church, there are the following Chapels;

The Chapel of the Anglo-Bavarian Langue was formerly known as the Chapel of the Relic, where the Knights used to keep Relics that they had acquired through the Centuries;

The Chapel of Provence is Dedicated to Saint Michael;

The Chapel of France is Dedicated to the Conversion of Saint Paul. This Chapel was modified in the 19th-Century. The Monuments found in this Chapel are those of Grand Masters Fra Adrien de Wignacourt and Fra Emmanuel de Rohan-Polduc;



The Nave,
Saint John's Co-Cathedral,
Valletta, Malta.
Photo: 29 January 2010.
Source: Own work.
Author: MrPanyGoff.
(Wikimedia Commons)


The Chapel of Italy, dedicated to Saint Catherine, the Patron Saint of the Italian Section;

The Chapel of Germany is dedicated to The Epiphany of Christ.

On the Right Side of the Church, there are the following Chapels;

The Chapel of The Blessed Sacrament was formerly known as The Chapel of Our Lady of Fileremos (Rhodes). The Titular Painting of this Chapel is Our Lady of Carafa, which is a Copy of Our Lady of Lanciano. Among the Knights, buried in this Chapel, there is Fra Gian Francesco Abela and Fra Flaminio Balbiano;



Note the three Clocks.
One of the two Church Bell-Towers
of Saint John's Co-Cathedral,
Valletta, Malta.
Photo: 4 December 2012.
from Shanghai, China.
(Wikimedia Commons)


The Chapel of Auvergne is Dedicated to Saint Sebastian. The only Monument in this Chapel is that of Fra Annet de Clermont;

The Chapel of Aragon is dedicated to Saint George. The Titular Painting was painted by Mattia Preti and it is considered as one of his Masterpieces. In this Chapel, one can find the Monuments of the following Grand Masters: Fra Martin de Redin; Fra Raphael Cotoner; Fra Nicolas Cotoner; Fra Ramon Perellos;



The High Altar,
Saint John's Co-Cathedral,
Valletta, Malta.
[Author: Note the Liturgically-correct Lenten Purple Canopy,
hanging above the High Altar. Compare with the following photo,
which depicts the Liturgically-correct Post Pentecost Green Canopy]
Photo: 18 March 2013.
Source: St. Johns co-Cathedral.
Uploaded by russavia
Author: Leandro Neumann Ciuffo, from Rio de Janeiro, Brazil.
(Wikimedia Commons)


The Chapel of Castile, Leon, and Portugal, is Dedicated to James the Great. The Monuments in this Chapel are those of Grand Masters Fra Antonio Manoel de Vilhena and Fra Manuel Pinto da Fonseca.


The painting depicting The Beheading of Saint John the Baptist (1608), by Caravaggio (1571–1610), is the most famous work of art in the Church. Considered one of Caravaggio's Masterpieces, and the only painting signed by the painter, the canvas is displayed in the Oratory, for which it was painted.



English: The High Altar,
Saint John's Co-Cathedral,
Valletta, Malta.
Français: Autel de la Co-cathédrale
Saint-Jean de La Valette,
by Giuseppe Mazzuoli.
Photo: October 2006.
Source: Own work.
Author: Strikehard.
(Wikimedia Commons)


Restored in the Late-1990s, in Florence, this painting is one of Caravaggio's most impressive uses of the chiaroscuro style, for which he is most famous, with a circle of light illuminating the scene of Saint John's beheading at the request of Salome. The Oratory also houses Caravaggio's picture of Saint Jerome III (1607–1608).

Another impressive feature of the Church is the collection of Marble tombstones in the Nave, in which were buried important Knights. The more important Knights were placed closer to the front of the Church. These tombstones, richly decorated with Inlaid Marble and with the Coats-of-Arms of the Knight buried below, as well as images relevant to that Knight often telling a story of triumph in battle, form a rich visual display.



The Nave and High Altar,
Saint John's Co-Cathedral,
Valletta, Malta.
Photo: 14 May 2012.
Source: Own work.
Author: Szilas.
(Wikimedia Commons)



Interior of 
Saint John's Co-Cathedral,
Valletta, Malta.
Photo: 25 February 2012.
Source: St John's Co-Cathedral Interior 1Uploaded by tm
Author: Tony Hisgett from Birmingham, UK.
(Wikimedia Commons)


Adjoining the Church is the Saint John's Co-Cathedral Museum, containing art objects. Among the contents of the Museum, there are: Tapestries of Grand Master Fra Ramon Perellos de Roccaful; paintings of the following Grand Masters: Fra Jean de la Cassiere; Fra Nicola Cottoner; and Fra Emanuel Pinto de Fonseca; painting which were formerly in the Side Chapels, such as "Saint George Killing The Dragon", by Francesco Potenzano.

Saint John's was the Conventual Church (that is to say, the Church of the Convent) of The Hospitallers (The Knights of Saint John). Over time, though, it grew to equal prominence with the Archbishop's Cathedral at Mdina.

In the 1820s, the Bishop of Malta, whose Seat was at Mdina, was allowed to use Saint John’s as an alternative See and it, thus, formally became a Co-Cathedral. The land, on which the Co-Cathedral was built, belongs to the Government of Malta, and the care of the Co-Cathedral and Museum has been entrusted to the Saint John's Co-Cathedral Foundation.

Friday 9 January 2015

Solemn Pontifical Mass (Extraordinary Form). Saturday, 10 January 2015, 1100 hrs. Basilica Di San Nicola-In-Carcere, Rome. Celebrant Cardinal Burke.


This Article is taken from RORATE CAELI



Basilica di San Nicola-in-Carcere, Rome.
Illustration: RORATE CAELI


IMPORTANT EVENT THIS SATURDAY.

Solemn Pontifical Mass (Extraordinary Form)
in Basilica di San Nicola-in-Carcere, Rome, with Cardinal Burke.

Cardinal Burke will be celebrating a Solemn Pontifical Mass, in the Extraordinary Form,
at the Basilica di San Nicola-in-Carcere, tomorrow morning (Saturday, 10 January) at 11.00 hrs.

The Basilica is centrally located at: Via del Teatro di Marcello, 46, 00186 ROME.

"Entertaining The Holy Child".



"Entertaining The Holy Child".
Artist: Marianne Preindelsberger Stokes (1855-1927).
Illustration: ART RENEWAL CENTER

Ave Maria. Hail Mary.



Title: The Madonna Of The Roses.
Artist: William-Adolphe Bouguereau (1825–1905).
Date: 1903.
This File: 6 May 2005.
User: Thebrid.
(Wikimedia Commons)



Ave Maria.
(Schubert)
Sung by Andrea Bocelli.
Available on YouTube at



Ave Maria.
(Caccini)
Sung by Andrea Bocelli.
Available on YouTube at



Ave Maria.
(Mascagni)
Sung by Andrea Bocelli.
Available on YouTube at



Ave Maria.
(J. S. Bach/Gounod)
Sung by Andrea Bocelli.
Available on YouTube at

Thursday 8 January 2015

Dreikönigsfest. The Feast Of The Three Kings. Epiphany Water. Epiphany Chalk.



English: The Magi Journeying.
Français: Les rois mages en voyage.
Artist: James Tissot (1836–1902).
Date: Between 1886 and 1894.
Current location: Brooklyn Museum, United States.
Credit line: Purchased by public subscription.
Source/Photographer: Online Collection of Brooklyn Museum;
Photo: Brooklyn Museum, 2006, 00.159.30_PS1.jpg.
(Wikimedia Commons)


DREIKÖNIGSFEST.


The following Text is taken from ROMAN CHRISTENDOM

By long tradition, on The Feast of The Epiphany — called Dreikönigsfest (The Feast of The Three Kings) in the lands of the old Holy Roman Empire — the Rector of the Parish (or, in his absence, the father of each family) visits each house with a Cross-Bearer, two Acolytes and three children, dressed as The Kings, one bearing a Censer with lighted Incense.

At each house, a little Ceremony takes place; the house is Blessed with Epiphany Water, and, over the door lintel of the house, the following is inscribed with Blessed Chalk:

20 + C + M + B + 15

In my house, we always perform this traditional ceremony.

This symbolises the present year (2015) and The Blessing of The Three Magi (Caspar, Melchior and Balthazar) upon each home.

The symbols remain all year, or until the weather has washed them away.

Pray for Police Officers.


This Article is taken from, and can be read in full, at RORATE CAELI



Illustration: RORATE CAELI


We take the opportunity of current events to Pray for the Souls of those who are always forgotten: Our Police Forces.

We Pray to Almighty God and the Mother of Mercy for the Souls of Officers Franck Brinsolaro and Ahmed Merabet, killed by the Paris terrorists yesterday; and for the Souls of Officers Rafael Ramos and Wenjian Liu, of the New York City Police Department, killed on 20 December 2014.

And for all those Police Officers killed today, and every single day, in the Line of Duty throughout the World. May their families be consoled, and may we be more tolerant of the unbelievably stressful environment in which they work to protect our lives, our safety, our families, our rights, and our property.

The Prayer.



The Prayer.
Sissel and Josh Groban.
Available on YouTube at


OR



The Prayer.
Andrea Bocelli and Katharine Mcphee.
Available on YouTube at


OR



The Prayer.
Celine Dion & Josh Groban.
Available on YouTube at


I pray you'll be our eyes,
and watch us where we go.
And help us to be wise
in times when we don't know

Let this be our prayer,
when we lose our way
Lead us to a place,
guide us with your grace
To a place where we'll be safe

La luce che tu hai
I pray we'll find your light
nel cuore restera
and hold it in our hearts.
a ricordarci che
When stars go out each night,
eterna stella sei

Nella mia preghiera
Let this be our prayer
quanta fede c'e
when shadows fill our day

Lead us to a place,
guide us with your grace
Give us faith so we'll be safe

Sognamo un mondo senza piu violenza
un mondo di giustizia e di speranza
Ognuno dia la mano al suo vicino
Simbolo di pace, di fraternita

La forza che ci da
We ask that life be kind
e il desiderio che
and watch us from above
ognuno trovi amore
We hope each soul will find
intorno e dentro se
another soul to love

Let this be our prayer
Let this be our prayer,
just like every child
just like every child

Need to find a place,
guide us with your grace
Give us faith so we'll be safe

E la fede che
hai acceso in noi,
sento che ci salvera

Wednesday 7 January 2015

Saint Stephen's Cathedral, Cahors, France. Cathédrale Saint-Étienne de Cahors.



English: Saint Stephen's Cathedral, Cahors, France.
Français: Cathédrale Saint-Étienne de Cahors.
Photo: 25 July 2011.
Source: Own work.
Author: Targut.
(Wikimedia Commons)



English: The Romanesque Saint Stephen's Cathedral, Cahors, France.
Español: Catedral de Cahors.
Français: La cathédrale romane Saint-Étienne à Cahors, France.
Photo: June 2005.
Source: Own work, formerly uploaded on WP-fr.
Author: Eric Gaba (Sting - fr:Sting)
(Wikimedia Commons)


Cahors Cathedral (Cathédrale Saint-Étienne de Cahors) is a Roman Catholic Cathedral, and a National Monument of France, in the town of Cahors, Midi-Pyrénées, France. It is an impressive example of the transition between Late-Romanesque architecture and Gothic.

The Church was built by Bishop Gerard de Cardaillac in the 11th-Century, over a Church erected in the 7th-Century by Saint Didier of Cahors. It was Consecrated by Pope Calixtus II on 10 September 1119, and completed around 1135. The Church, located in the City's centre, has the sturdy appearance of a fortified edifice; at the time, the local Bishops were, in fact, also powerful Feudal Lords in their role as Counts and Barons of Cahors.




English: Cloisters of Cahors Cathedral, France.
Français: Cloître de Cahors (Lot, Midi-Pyrénées, France).
Photo: 13 September 2005 (original upload date).
Source: Originally from fr.wikipedia; Description page is/was here.
Author: Original uploader was Jaume at fr.wikipedia.
(Wikimedia Commons)





English: The Romanesque Saint Stephen's Cathedral, Cahors, France.
Français: La cathédrale romane Saint-Étienne à Cahors, France.
Photo: 2 August 2013.
Source: Own work.
(Wikimedia Commons)



The façade, renovated in 1316–1324 by Guillaume de Labroue, cousin of Pope John XXII, confirms this impression: it resembles a heavy Castle wall, consisting in a Porch, surmounted by a Bell Tower, enclosed between two Towers. The six windows, as well as those on the Porch sides, are rather narrow; the only elements characterising it as a Church are the magnificent Portal, with triple Splays, surmounted by a Gallery of small Arches, and the large Rose Window.



English: Romanesque Great West Door of Saint Stephen's Cathedral, Cahors, France.
Français: Portail roman de la cathédrale Saint-Étienne de Cahors.
Photo: 9 June 2012.
Source: Own work.
Author: GO69.
(Wikimedia Commons)




English: Saint Stephen's Cathedral, Cahors, France.
Français: Cahors (Lot, France). Cathédrale Saint-Étienne.
Photo: 6 July 2010.
Source: Own work.
Author: 
(Wikimedia Commons)



On the Northern side is a secondary façade in Romanesque Style, also fortified.

The well-illuminated Nave is 44 m long x 20 m wide. The two massive, 32 m-high, Domes, in Byzantines Style, resting on Pendentives, are supported by six huge Pilasters. Unusually, there is no Transept.

One of the Domes is decorated with 14th-Century frescoes, depicting the stoning of Saint Stephen, as well as eight Prophets, each riding an animal, in the fashion of Greek or Hindu deities. The walls have numerous other Mediaeval paintings.




English: Great West Door,
Saint Stephen's Cathedral, Cahors, France.
Français: Cahors (Lot, France).
Cathédrale Saint-Étienne.
Photo: 6 July 2010.
Source: Own work.
Author: 
(Wikimedia Commons)


In Gothic Style on a Romanesque Base (to which belong the Columns with decorated Capitals), the Apse has three Chapels with sculptures. The complex forms a pleasant contrast between the White Apse and the colourful Stained-Glass Windows and the paintings of the Choir.

There are several tombs, such as that of Alain de Solminihac, and the precious Relic of the Holy Cap, which supposedly was worn by Christ and which was brought to France by Bishop Gerard de Cardillac after his trip to the Holy Land in 1113.




English: Stained-Glass Windows,
Saint Stephen's Cathedral,
Cahors, France.
Français: Cahors (Lot, France).
Cathédrale Saint-Étienne. Vitraux.
Photo: 6 July 2010.
Source: Own work.
Author: 
(Wikimedia Commons)



A door on the Right of the Choir gives access to the Flamboyant Gothic-Style Cloister, built in 1504 by Bishop Anthony of Luzech. It has scenes of everyday life and a Madonna.

On the Western side is the Saint Gaubert Chapel, with the Vault decorated with Italian Renaissance paintings and, on the walls, 15th-Century frescoes representing The Last Judgement. It is now home to a Museum of Religious Art.




English: Side Altar,
Saint Stephen's Cathedral,
Cahors, France.
Français: Cahors (Lot, France).
Cathédrale Saint-Étienne. Vitraux.
Photo: 6 July 2010.
Source: Own work.
Author: 
(Wikimedia Commons)

Tuesday 6 January 2015

Würzburg Cathedral, Bavaria, Germany.


Text and Illustrations from Wikipedia - the free encyclopaedia,
unless otherwise stated.



Deutsch: Würzburg, Dom St. Kilian,
hochbarocker Chorromanisches Langhaus.
English: Würzburg Cathedral.
Baroque Choir.
Photo: June 2011.
Source: Own work.
Author: Bbb.
Attribution: Attribution: Bbb at wikivoyage shared
(Wikimedia Commons)


Würzburg Cathedral (German: Würzburger Dom) is a Roman Catholic Cathedral, in Würzburg, Bavaria, Germany, dedicated to Saint Kilian. It is the Seat of the Bishop of Würzburg. With an overall length of 105 metres it is the fourth largest Romanesque Church in Germany, and a masterpiece of German architecture from the Salian period.

The present Cathedral, built from 1040, onwards, by Bishop Bruno of Würzburg, is the third Church on the site: The previous two Churches, built about 787 A.D., and 855 A.D., were destroyed and severely damaged by fire. After Bishop Bruno's accidental death, in 1045, his successor, Adalbero, completed the building in 1075.

The Side Aisles were re-modelled, about 1500, in the Late Gothic Style. The Stuccoist, Pietro Magno, decorated the Cathedral in Baroque Stucco Work in 1701.



Deutsch: Der Dom von Würzburg vor der Renovierung im Sommer 2011.
English: Würzburg Dom. Closed for renovation, Summer 2011. No Pews.
Photo: 15 July 2011.
Source: Own work.
Author: CSvBibra.
(Wikimedia Commons)


The greater part of the building collapsed in the Winter of 1946, in consequence of the bombing of Würzburg on 16 March 1945. Reconstruction was completed in 1967, in the course of which the Baroque components were removed in favour of a Re-Romanisation.

The new interpretation emphasises the contrast between the surviving historical parts of the structure, resulting in a sometimes controversial combination of predominantly Romanesque, with Modern and Baroque elements. The Neo-Romanesque West Front, with a Rose Window, the Tripartite Gallery, and the opening for the Clock, were combined during the reconstruction with a plain pumice stone wall, and revealed again during renovation work up to November 2006. In 1988, the Choir was redesigned by Hubert Elsässer.



Deutsch: Würzburger Dom, Chor.
English: Würzburg Cathedral, Germany.
This File: 8 January 2009.
User: Southgeist.
(Wikimedia Commons)



The Cathedral of Würzburg (Dom St. Kilian),
as seen from Festung Marienberg.
Photo: 12 January 2014.
Source: Own work.
Author: DXR.
(Wikimedia Commons)


The Cathedral has twenty Bells, with a total combined weight of 26 tons. The "Lobdeburg Bell", by Cunradus Citewar, of Würzburg, the most prominent Bell-Founder of his time, dates from 1257, and, because it was taken down in 1933 and stored in the Crypt, is the only Ancient Bell of the Cathedral to have survived the firestorm caused by the bombing of 16 March 1945. It now hangs in the South-West Tower and is rung every Friday, at 3.00 p.m., to mark the Hour of the Death of Jesus Christ.

Between 1971 and 1975, the Würzburg Synod convened in the Cathedral, at the wish of Cardinal Döpfner, to determine the application of The Second Vatican Council to Germany.



Deutsch: Seitenaltar im Würzburger Dom.
English: Side Altar in Würzburger Cathedral.
Photo: 28 September 2014.
Source: Own work.
Author: Hajotthu.
(Wikimedia Commons)

Sunday 4 January 2015

My England.



A Lancashire Accent.
Available on YouTube at



A Devon Accent.
Available on YouTube at



A Northumberland Accent.
Available on YouTube at



A Dorset Accent.
Available on YouTube at



A Yorkshire Accent.
Available on YouTube at



A Cornwall Accent.
Available on YouTube at



A Lincolnshire Accent.
Available on YouTube at


Saturday 3 January 2015

The Traditional Mass For Children (DVD).


The Traditional Mass for Children (DVD)


The Traditional Mass For Children (DVD).
$17.96.
Available from ONLINE CATHOLIC STORE



Includes all-new live footage of The Traditional Latin Mass; 100% Traditional; Ideal for Children preparing for First Holy Communion; Perfect for Home-Schoolers and Religion Teachers, Bonus Features include presentations on the Priest's Vestments and an overview of the parts of The Mass and their meaning.

If ordering from Europe, please check with ONLINE CATHOLIC STORE
that your DVD is playable in Europe.

Sanctus. Gabriel Fauré's "Requiem".





Sanctus.
From Gabriel Fauré's "Requiem".
King's College, Cambridge, Choir.
Available on YouTube at

Friday 2 January 2015

I Got Life.



Illustration: GOOGLE IMAGES



I Got Life.
Nina Simone.
Available on YouTube at

Thursday 1 January 2015

A Very Happy New Year.


File:Big Ben, Londres, Inglaterra, 2014-08-11, DD 200.JPG


The Elizabeth Tower,
at the North End of The Palace of Westminster, London.
Big Ben is the nickname of the Great Bell of the Clock,
located in The Elizabeth Tower,
which rings out the chimes.
Photo: 11 August 2014.
Source: Own work.
Author: Diego Delso.
(Wikimedia Commons)





Big Ben Strikes Twelve.
Happy New Year.
Available on YouTube at


The main Bell, officially known as The Great Bell, is the largest Bell in the Tower and part of the Great Clock of Westminster. The Bell is better known by the nickname "Big Ben".

The original Bell was a sixteen ton (16.3-tonne) Hour Bell, cast on 6 August 1856, in Stockton-on-Tees, by John Warner & Sons. The Bell was named in honour of Sir Benjamin Hall, and his name is inscribed on it. However, another theory, for the origin of the name, is that the Bell may have been named after a contemporary heavyweight boxer, Benjamin Caunt. It is thought that the Bell was originally to be called Victoria, or Royal Victoria, in honour of Queen Victoria, but that an MP suggested the nickname during a Parliamentary debate; the comment is not recorded in Hansard.

Since the Tower was not yet finished, the Bell was mounted in New Palace Yard. Cast in 1856, the first Bell was transported to the Tower on a trolley, drawn by sixteen horses, with crowds cheering its progress. Unfortunately, it cracked beyond repair while being tested and a replacement had to be made.




The Bell was recast on 10 April 1858, at the Whitechapel Bell Foundry, as a 13½ ton (13.76-tonne) Bell. This was pulled 200 ft (61.0 m) up to the Clock Tower’s Belfry, a feat that took eighteen hours. The Bell is 7 feet 6 inches (2.29 m) tall and 9 feet (2.74 m) diameter. This new Bell first chimed in July 1859. In September 1859, it, too, cracked when hit by the hammer, a mere two months after it officially went into service.

According to the foundry's manager, George Mears, Denison had used a hammer more than twice the maximum weight specified. For three years, Big Ben was taken out of commission, and the hours were struck on the lowest of the Quarter Bells, until it was re-installed. To make the repair, a square piece of metal was chipped out from the rim, around the crack, and the Bell given an eighth of a turn, so the new hammer struck in a different place.

Big Ben has chimed with a slightly different tone, ever since, and is still in use today, complete with the crack. At the time of its casting, Big Ben was the largest Bell in the British Isles until "Great Paul", a 16¾ ton (17 tonne) Bell, currently hung in Saint Paul's Cathedral, was cast in 1881.

Whenever Big Ben is out of service, for repair or maintenance, its replacement is Great Tom, which is hung in the nearby Saint Paul's Cathedral.






Engraving of the second 'Big Ben',
taken from The Illustrated News of the World,
4 December 1858.
Date: 14 November 2009 (original upload date).
Source: Transferred from en.wikipedia;
Transferred to Commons by User:Igitur using CommonsHelper.
Author: Original uploader was Jack1956 at en.wikipedia.
(Wikimedia Commons)

The Circumcision Of Our Lord And Octave Of The Nativity. Feast Day 1 January.


Text from The Saint Andrew Daily Missal,
unless otherwise stated.

The Circumcision of Our Lord and Octave of The Nativity.
Feast Day 1 January.

Station at Saint Mary's-beyond-the-Tiber.
Indulgence of 30 years and 30 Quarantines.

Double of the Second-Class.
Privileged Octave Day.

White Vestments.


Illustration from UNA VOCE OF ORANGE COUNTY
(from The Saint Andrew Daily Missal, 1952 Edition), who reproduce it 
with the kind permission of ST. BONAVENTURE PRESS


In the Liturgy of today, three Feasts are really included.

The first Feast, that which was known in the ancient Sacramentaries as "On the Octave-Day of Our Lord". So the Mass is largely borrowed from those of Christmas.

By the second Feast, we are reminded that it is to Mary, after Almighty God, that we owe Our Lord Himself. For this reason, formerly a second Mass was celebrated in the Basilica of Saint Mary Major, in honour of the Mother of God. Some traces of this Mass remain in the Collect, Secret and Postcommunion, which are the same as in the Votive Mass of the Blessed Virgin Mary. The Psalms at Vespers are also the same as on the Feasts of Our Lady.




The third Feast is the Circumcision, which has been kept since the 6th-Century A.D. Moses commanded that all the young Israelites should undergo this rite on the eighth day after birth (Gospel). It is a type of Baptism, by which a man is spiritually circumcised.

"See," says Saint Ambrose, "how the whole sequence of the Old Law foreshadowed that which was to come; for circumcision signifies the blotting out of sins. He who is spiritually circumcised, by the rooting up of his vices, is judged worthy of the Lord's favour.

"While speaking of the first drops of His Sacred Blood that Our Redeemer shed for the cleansing of our Souls, the Church emphasises the thought of the cutting out of all that is evil in us". "Jesus Christ . . . gave Himself for us that He might redeem us from all iniquity and cleanse us" (Epistle). "O Lord . . . cleanse us by these Heavenly Mysteries" (Secret). "May this communion, O Lord, purify us from sin" (Postcommunion).

Every Parish Priest celebrates Mass for the people of his Parish.

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