Feria IIII Post Dominicam Passionis.

Illustrations of Gospel Stories,

from Jerome Nadal, S.J.,

available at ILLUSTRATIONS OF GOSPEL STORIES

The evil Jews approach in order to question Jesus

The Author and His Books:

Jerome Nadal (1507-1580), a Spaniard from Majorca, was one of the first ten members of the Society of Jesus (The Jesuits). For many years, he served as the personal representative or "delegate" of the Founder, Saint Ignatius of Loyola (1491-1556), in visiting Jesuit Houses throughout Europe, especially to explain and implement the Constitutions of The Society of Jesus.

Ignatius urged Nadal to compile and distribute an illustrated guide for Prayerful meditation on The Gospels, in the tradition of The Spiritual Exercises, although the work was not completed until after both men had died. Nadal selected the Biblical scenes to be included, commissioned and directed the layout of the illustrations, and composed Notes to accompany each scene. With the co-operation and support of Antwerp publishers Christophe Plantin and Martinus Nutius, 153 engravings were eventually produced by Bernardino Passeri, Marten de Vos, and Jerome and Anton Wierix.

In 1593, these illustrations were published in a volume entitled Evangelicae Historiae Imagines ("Illustrations of the Gospel Stories"), arranged in chronological order of The Life and Ministry of Jesus. In 1594 and 1595, they were again published in larger volumes, entitled Adnotationes et Meditationes in Evangelia ("Notes and Meditations on The Gospels"), with more extensive accompanying Text, and rearranged according to the order of Readings used in The Liturgical Year, as prescribed in The Roman Missal. (See the Bibliography for details about Nadal's books. See also the Web-Page on The Roman Missal.)

These books became very influential in Counter-Reformation Europe, since the illustrations were among the first to use the new techniques of "perspective drawing," which more realistically depicted three-dimensional shapes in two-dimensional drawings, such as used in the scientific drawings of the day. These techniques made The Gospel Stories much more vibrant and realistic, and thus more effective as aides for Evangelisation and Meditation. The influence of these engravings can clearly be seen in the work of later Bible illustrators, such as Gustave Dore.

Lenten Station At The Church Of San Marcello-Al-Corso (Saint Marcellus). Wednesday In Passion Week.

Roman Text is taken from The Saint Andrew Daily Missal.

Italic Text, Illustrations and Captions, are taken from Wikipedia - the free encyclopaedia,
unless otherwise stated.

Wednesday in Passion Week.
Station at Saint Marcellus's.

Indulgence of 10 years and 10 Quarantines.

Violet Vestments.

English: The Church of San Marcello-al-Corso,
Rome, Italy.
Façade by Carlo Fontana.

Italiano: San Marcello al Corso è una chiesa di Roma.

Photo: November 2005.

Source: Own work.

Author: sv:User:Torvindus.

(Wikimedia Commons)

The Church of Saint Marcellus, where today’s Lenten Station is held, was one of the twenty-five Parish Churches of Rome in the 5th-Century A.D. Originally the house of the holy matron, Lucina, where she received Saint Marcellus, it was transformed by her into a Sanctuary and Dedicated to this holy Pope, whose body rests under The High Altar.

The Mass of today shows us the obstinacy of the Jews in rejecting Jesus, as they had already rejected His Father. The Divine Law, given by Him Whom the Epistle calls six times “The Lord”, “Whose word is stable” declared formally “that one may not shed his neighbour’s blood, nor hate his father in his heart”.

The Members of the Sanhedrin, on the contrary, hated Christ and sought to stone Him (Gospel). Unfaithful to God, “Who orders His laws to be kept” (Epistle), they blamed Jesus “Whom The Father has sent” and Who is The Son of God. “The Father and I are One. The Miracles that I have worked come from My Father.” “Rejecting the legitimate pastor of their Souls, they are no longer His sheep,” and will be replaced by the Gentiles, who, baptised or reconciled to God at The Easter Festival, are “the sheep who hear His voice and to whom He gives eternal life” (Gospel).

The High Altar,
Basilica of San Marcello-al-Corso,
Rome, Italy.

Photo: July 2007.

Source: Own work.

Author: SteO153

Permission: CC-BY-SA-2.5.

(Wikimedia Commons)

Let us be faithful to Jesus and Pray God “to Sanctify our Fast and illumine our hearts” (Collect), in order that, delivered from the abyss into which our sins had made us fall (Gradual), we “may wash our hands among the innocent and proclaim the wondrous works of God” (Communion).

Three Feasts called the Jews to Jerusalem:

1.      In the Spring, it was The Feast of the Passover, instituted to commemorate the departure from Egypt;

2.      In the Autumn, it was The Feast of Tabernacles, in commemoration of the sojourn of the Jews in tents in the desert;

3.      In the Winter (middle of December), it was The Feast of the Anniversary of the Dedication of the Temple, which the Machabees had purified after their victory. It was on the occasion of this last Feast, that Jesus, in the third year of His Ministry, spoke the words in today’s Gospel. He was then under Solomon’s Porch, which faces the ravine of Cedron.

The Apse,
Church of Saint Marcellus,
Rome, Italy.

Photo: July 2007.

Source: Own work.

Author: SteO153.

(Wikimedia Commons)

San Marcello-al-Corso is a Church in Rome, Dedicated to Pope Marcellus I. It is located in via del Corso, the ancient via Lata, connecting Piazza Venezia to Piazza del Popolo. It stands diagonally from the Church of Santa Maria-in-Via-Lata (see yesterday's Post).

While the tradition holds that the Church was built over the prison of Pope Marcellus I (who died in 309 A.D.), it is known that the "Titulus Marcelli" was already present in 418 A.D., when Pope Boniface I was Elected here.

Pope Adrian I, in the 8th-Century A.D., built a Church in the same place, which is currently under the modern Church.

The corpse of Cola di Rienzo (an Italian Mediaeval politician), was held in the Church for three days after his execution in 1354. In 1519, a fire destroyed the Church. The money collected for its rebuilding was used to bribe the Landsknechts, who were pillaging the City during The Sack of Rome (1527). The original plan to rebuild the Church was designed by Jacopo Sansovino, who fled the City during The Sack and never returned to finish it. The work was continued by Antonio da Sangallo the Younger, who rebuilt the Church, but a Tiber flood damaged it again in 1530. It was only in 1592 that the Church was completed, and, later, Carlo Fontana built the facade.

The Sacristy Ceiling fresco:
"Gloria di San Marcello",
by Giovanni Battista Ciocchi.

Church of San Marcello-al-Corso,
Roma, Italia.

Photo: November 2005.

Source: Flickr

Author: antmoose

Reviewer: Mac9.

(Wikimedia Commons)

Under The High Altar, decorated with 12th-Century opus sectile, are the Relics of several Saints, which include those of Pope Marcellus, as well as Digna and Emerita. The last Chapel on the Left is Dedicated to Saint Philip Benizi. The Late-Baroque decoration contains sculptures by Francesco Cavallini and Reliefs by Ercole Ferrata and Antonio Raggi. The first Chapel on the Left has the double tomb of Cardinal Giovanni Michiel and his grandson, Antonio Orso, sculpted by Jacopo Sansovino.

Behind the facade is a Crucifixion (1613) by Giovanni Battista Ricci. Along the first Chapel is an Annunciation by Lazzaro Baldi; in the second Chapel, a Martyrdom of Saints Digna and Emerita (1727) by Pietro Barbieri; in the third Chapel, a Madonna with Child, a fresco of the Late-14th-Century, episodes of The Life of The Virgin by Francesco Salviati, fresco and paintings by Giovan Battista Ricci; in the fourth Chapel, a Creation of Eve and the Evangelists, Mark and John, frescoes by Perin del Vaga, Matthew and Luke, begun by Perin del Vaga and finished by Daniele da Volterra.

"St. Philip Benizi refuses the Papal Tiara"
by Antonio Raggi (1686).

The Church of Saint Marcellus,
Rome, Italy.

Photo: October 2005.

Source: Own work.

Author: User:Torvindus.

(Wikimedia Commons)

Inside, is a Ciborium (1691) designed by Carlo Bizzaccheri; in the fifth Chapel, is a Monument to Cardinal Fabrizio Paolucci (1726) by Pietro Bracci and a Monument to Cardinal Camillo Paolucci by Tommaso Righi (1776) and Wall Paintings by Aureliano Milani. On the Left Nave, in the fifth Chapel, is a San Filippo Benizi (1725) by Pier Leone Ghezzi; in the fourth Chapel, the Conversion of Saint Paul (1560) by Federico Zuccari and his brother, Taddeo, and, on the sides, a History of Saint Paul.

The inside of the Chapel has Busts of Muzio, Roberto, Lelio Frangipane by Alessandro Algardi (1630-1640). In the third Chapel, on the Left, is a "Doloroso" by Pietro Paolo Naldini, Sacrifice of Isaac and discovery of Moses by Domenico Corvi; in the first Chapel, a Madonna and Seven Saints by Agostino Masucci.

The Church is administered and owned by The Servite Order since 1369.

Available (in U.K.) from

CENACLE CATHOLIC BOOKS

Available (in U.S.A.) from

ST. BONAVENTURE PUBLICATIONS

The Annunciation Of The Blessed Virgin Mary. Feast Day 25 March.

Roman Text is from Wikipedia - the free encyclopaedia,
unless otherwise stated.

The Annunciation.

Artist: Paolo de Matteis.

Date: 1712.

Current location: Saint Louis Art Museum,

Missouri, United States of America.

Source/Photographer: Saint Louis Art Museum official site.

(Wikimedia Commons)

Flos Carmeli

(Flower of Carmel)

Image: THE CIRCLES OF MARY CARE

Image: ZEPHYRINUS

The Annunciation (Anglicised from The Latin Vulgate, Luke 1:26-39, Annuntiatio nativitatis Christi), also referred to as The Annunciation to The Blessed Virgin Mary or The Annunciation of The Lord, is the Christian Celebration of the Announcement, by The Angel Gabriel to The Virgin Mary, that she would conceive and become The Mother of Jesus, The Son of God, marking His Incarnation.

Gabriel told Mary to name her Son, Jesus, meaning "Saviour". Many Christians observe this event with The Feast of the Annunciation on 25 March, nine full months before Christmas, the Ceremonial Birthday of Jesus. According to Luke 1:26,, The Annunciation occurred "in the sixth month" of Elizabeth's pregnancy with John the Baptist. Irenaeus (circa 130 A.D. - 202 A.D.), of Lyon, regarded The Conception of Jesus as 25 March, coinciding with The Passion.

Our Lady of Ushaw,

Durham, England.

Photo: April 2010.

Source: Own work.

Author: Zephyrinus.

Approximating The Northern Vernal Equinox, the date of The Annunciation also marked The New Year in many places, including England, where it is called Lady Day. Both The Roman Catholic Church and Eastern Orthodox Church hold that The Annunciation took place at Nazareth, but differ as to the precise location. The Basilica of The Annunciation marks the site preferred by the former, while The Greek Orthodox Church of The Annunciation marks that preferred by the latter.

The Annunciation has been a key topic in Christian Art, in general, as well as in Marian Art in The Catholic Church, particularly during The Middle Ages and The Renaissance.

Image: ZEPHYRINUS

Image: ZEPHYRINUS

The following Text is taken from The Saint Andrew Daily Missal.

The Annunciation Of The Blessed Virgin Mary.
Feast Day 25 March.

Double of The First-Class.

White Vestments.

This Feast, prepared by that of Saint Gabriel, recalls the greatest event in history, The Incarnation of Our Lord (Gospel) in the womb of a Virgin (Epistle). On this day, The Word Was Made Flesh, and united to Itself for ever The Humanity of Jesus.

25 March is, indeed, The Anniversary of The Ordination of Christ as Priest, for it is by the Anointing of The Divinity that He has become Supreme Pontiff, Mediator between God and man.

English: Innocence.

Français: L'Innocence.

Русский: "Невинность", картина Виллиама Бугро.

И маленький ребёнок, и ягнёнок — символы невинности.

Artist: William-Adolphe Bouguereau (1825–1905).

Date: 1893.

Source/Photographer: http://www.illusionsgallery.com.

(Wikimedia Commons)

The Mystery of the Incarnation has earned, for Mary, her Most Glorious Title, that of "Mother of God" (Collect), in Greek "Theotokos", a name which The Eastern Church always inscribed in Letters of Gold, like a diadem, on the forehead of her images and statues.

"Standing on the threshold of Divinity" [Saint Thomas], since she gave to The Word of God the Flesh to which He was hypostatically united, The Virgin has always been honoured by a super-eminent Veneration, that of hyperdulia.

"The Virgin With Angels".

Artist: William-Adolphe Bouguereau (1825–1905).

Date: 1900.

Current location: Petit Palais, Paris.

Source/Photographer: Art Renewal Center.

Copied from The English Wikipedia to Commons.

(Wikimedia Commons)

"The Son of The Father and The Son of The Virgin naturally became a single and identical Son", says Saint Anselm; hence, Mary is Queen of The Human Race and is to be Venerated by all (Introit).

To 25 March, will correspond, nine months later, 25 December, the day on which will be manifested to the world the Miracle as yet only known to Heaven and to The Humble Virgin.

Since the Title of Mother of God makes Mary all powerful with her Son, let us have recourse to her intercession with Him (Collect), so that, by the Merits of His Passion and Crucifixion, we may have a part in The Glory of His Resurrection (Postcommunion).

Every Parish Priest Celebrates Mass for the people of his Parish.

Available (in U.K.) from

CENACLE CATHOLIC BOOKS

Available (in U.S.A.) from

ST. BONAVENTURE PUBLICATIONS

Feria III Post Dominicam Passionis.

Illustration of Gospel Stories,
from Jerome Nadal, S.J.,
available at ILLUSTRATIONS OF GOSPEL STORIES

Jesus does not go up to the feast; the Jews question him

The Author and His Books:

Jerome Nadal (1507-1580), a Spaniard from Majorca, was one of the first ten members of the Society of Jesus (The Jesuits). For many years, he served as the personal representative or "delegate" of the Founder, Saint Ignatius of Loyola (1491-1556), in visiting Jesuit Houses throughout Europe, especially to explain and implement the Constitutions of The Society of Jesus.

Ignatius urged Nadal to compile and distribute an illustrated guide for Prayerful meditation on The Gospels, in the tradition of The Spiritual Exercises, although the work was not completed until after both men had died. Nadal selected the Biblical scenes to be included, commissioned and directed the layout of the illustrations, and composed Notes to accompany each scene. With the co-operation and support of Antwerp publishers Christophe Plantin and Martinus Nutius, 153 engravings were eventually produced by Bernardino Passeri, Marten de Vos, and Jerome and Anton Wierix.

In 1593, these illustrations were published in a volume entitled Evangelicae Historiae Imagines ("Illustrations of the Gospel Stories"), arranged in chronological order of The Life and Ministry of Jesus. In 1594 and 1595, they were again published in larger volumes, entitled Adnotationes et Meditationes in Evangelia ("Notes and Meditations on The Gospels"), with more extensive accompanying Text, and rearranged according to the order of Readings used in The Liturgical Year, as prescribed in The Roman Missal. (See the Bibliography for details about Nadal's books. See also the Web-Page on The Roman Missal.)

These books became very influential in Counter-Reformation Europe, since the illustrations were among the first to use the new techniques of "perspective drawing," which more realistically depicted three-dimensional shapes in two-dimensional drawings, such as used in the scientific drawings of the day. These techniques made The Gospel Stories much more vibrant and realistic, and thus more effective as aides for Evangelisation and Meditation. The influence of these engravings can clearly be seen in the work of later Bible illustrators, such as Gustave Dore.

Zephyrinus Supports This Wonderful Stand In Defence Of The Traditional Teaching On Marriage And Human Sexuality.

This Article is taken from THE HERMENEUTIC OF CONTINUITY

English: Wedding Ring,

Byzantium, 7th-Century A.D.

Nielloed Gold.

Français: Bague de mariage,

Byzance, VIIe siècle, or et nielle.

Current location: Louvre Museum, Paris, France.

Source/Photographer: User:Jastrow (2005).

(Wikimedia Commons)

Support for Marriage Letter

from Priests of England and Wales.

See also the post Further on the priests' Support for Marriage Letter for answers to one or two questions. Here is the text of the Press release from the co-ordinator of the letter, followed by the letter itself and the list of signatories: 

---

Press release from the co-ordinator of the letter:

Hundreds of Priests in England and Wales urge Vatican Synod to end confusion over Marriage and Sexuality. 

In a dramatic turn of events, nearly 500 priests from England and Wales have written a letter in defence of the ‘traditional teaching on marriage and human sexuality’ in anticipation of the forthcoming Vatican Synod on the family. This letter comes at a time when a growing number of Catholics are concerned that the gathering of Church leaders in Rome, scheduled for October 2015, will seek to re-think Gospel teaching on marriage, sexuality, repentance and grace. Some Cardinals, particularly from Germany, have suggested that Holy Communion could be received by those in second and non-marital unions, or that active homosexual relationships could receive some positive recognition.

Despite the official channels of representation set up by the dioceses of England and Wales, a high proportion of the country’s priests felt the need to make their voices heard by an extra-ordinary open letter, which speaks of a climate ‘of moral confusion’ created by media coverage of the Synod and a lack of clarity from official church leaders in stating the settled teaching of the Catholic Church.

The large number of signatories is surprising since the initiative came from increasingly concerned laity and is not officially supported by any ecclesiastical body. One priest, who asked to remain anonymous, said that there ‘has been a certain amount of pressure not to sign the letter and indeed a degree of intimidation from some senior churchmen’.

Another priest, when asked why such a large number of priests are so keen to sign the letter, said, ‘It’s a matter of pastoral concern and fidelity to the Gospel. Mercy requires both love and truth. There’s a lot at stake. Not all priests would be comfortable expressing themselves in an open letter, but I’d be very worried if there were priests who disagreed with the sentiments it contains’. The letter calls for fidelity to Catholic teaching, and that practice should remain ‘inseparably in harmony’ with doctrine. The priests state that they remain committed to helping ‘those who struggle to follow the Gospel in an increasingly secular society’, but imply that those couples and families who have remained faithful are not being adequately supported or encouraged. 

There is a growing suspicion that the Synod will unleash division in the Church by attempting to re-shape Catholic teaching and practice to accommodate modern ways of living and thinking about relationships and sexuality. When asked whether this letter was reactionary or merely extreme traditionalism, one pastor responded, ‘Were Saints Thomas More and John Fisher obscurantist conservatives? No. They gave their lives in defence of the indissolubility of marriage. Catholics at the time of Henry VIII were willing to give up a thousand years of Catholic life and culture to defend the inconvenient but timeless truth. Now is our time to give witness’.

Theologians, philosophers, canon lawyers, well-known educators and evangelists are amongst the priests who have signed this appeal. Their letter urges those who will be pre-sent at the Synod to defend doctrine and put an end to confusion.

---

The letter and full list of signatories:

Sir,

Following the Extraordinary Synod of Bishops in Rome in October 2014 much confusion has arisen concerning Catholic moral teaching. In this situation we wish, as Catholic priests, to re-state our unwavering fidelity to the traditional doctrines regarding marriage and the true meaning of human sexuality, founded on the Word of God and taught by the Church’s Magisterium for two millennia. We commit ourselves anew to the task of presenting this teaching in all its fullness, while reaching out with the Lord’s compassion to those struggling to respond to the demands and challenges of the Gospel in an increasingly secular society. Furthermore we affirm the importance of upholding the Church’s traditional discipline regarding the reception of the sacraments, and that doctrine and practice remain firmly and inseparably in harmony. We urge all those who will participate in the second Synod in October 2015 to make a clear and firm proclamation of the Church’s unchanging moral teaching, so that confusion may be removed, and faith confirmed.

Yours &c.

Fr John Abberton, Fr Raymond Abuga MSP, Fr Benedict Bullem Abuo, Fr John Adikwu CM, Fr Richard Aladics, Fr Dominic Allain, Fr Hugh Allan OPraem, Monsignor John Allen, Fr Jim L Allen, Fr Blaise Amadi, Fr Moses Amune, Fr Thomas Amungwa, Fr David Annear, Fr Matt Anscombe, Fr Paul Antwi-Boasiako CSSP, Fr Gabriel Arnold OSB, Fr Thevakingsley Arulananthem OAR, Fr James Austin, Fr Francis Austin, Abbot Francis Baird OSB, Fr Gerard Balinnya, Fr John Barnes, Fr Kurt Barragan, Fr Lee Barrett, Fr Bernard Barrett, Fr Andrew Barrett, Fr Christopher Basden, Fr Jeremy Bath, Fr Antoine Baya OFM, Fr Michael Beattie SJ, Fr Miceal Beatty, Fr Lee Bennett, Fr Jerome Bertram CO, Fr Kazimierz Bidzinski, Fr Pawel Bielak, Fr Jonathan Bielawski, Fr Robert Billing, Fr Martin Birrell OSB, Fr Paul Blackburn, Fr Raymond Blake, Fr Terry Boyle, Fr Constant Botter SCJ, Fr Bede Rowe, Fr Bernard Boylan, Fr Cornelius Boyle, Fr Stephen Boyle, Fr James Bradley, Fr Jonathan Brandon, Fr Martin Breen, Fr John Brennan, Fr Neil Brett, Fr Charles Briggs, Fr Marcus Brisley, Abbot Cuthbert Brogan OSB, Fr Andrew Brown, Fr Stephen Brown, Fr Martin Budge, Fr Solomon Gidu Bulus, Fr Alan Burgess, Fr Paschal Burlinson OFMCap, Monsignor Andrew Burnham, Fr David Burns, Fr James Burns, Fr Peter Burns, Fr Gerard P Byrne, Fr John Cahill, Fr John Cairns, Fr Xavier Calduch, Fr Joe Calleja, Fr Victor Camilleri OFM, Fr Darren Carden, Fr Patrick Carroll, Fr Bernard Caszo MSFS, FrJohn Chandler, Abbot David Charlesworth OSB, Fr.William Charlton, Fr Neil Chatfield, Fr Gregory Chillman OSB, Fr David Chinnery, Fr Dominic Chukka, Fr Eddie Clare, Fr Basil Clark, Fr James Clark, Fr Peter Clarke, Fr Jose Claveria, Canon Joseph Clements, Fr Michael Clotheir OSB, Canon Matthew Coakley, Fr Anthony Cogliolo, Fr Christopher Colven, Fr Anthony Conlon, Fr Thomas Connolly, Fr Philip Conner, Fr Francis R Cookson, Fr John Cooper, Fr Robert Copsey SOLT, Fr John Corbyn, Fr Eamon Corduff, Fr Hugh Corrigan OAR, Fr James Cosker, Fr Francis Coveney, Fr Ross SJ Crichton, Fr Finton Crotty SSCC, Fr Edward Crouzet OSB, Fr C Crowther, Fr Michael Crumpton, Fr Anthony Cussen SMA, Fr Justin Daanaah, Fr James Daley MHM, Fr William Damah, Fr Michael D’Arcy-Walsh, Fr Jeremy Davies, Fr Philip de Freitas, Fr Armand de Malleray FSSP, Fr Timothy Dean, Fr Patrick Deegan, Fr Scott Deeley, Fr Richard Diala CM, Fr Paul Diaper, Fr Gary Dickson, Fr Charles Dilk CO, Fr Stephen Dingley, Fr Michael Docherty, Fr Charles Dornan, Fr Kevin Dow, Fr Jeffrey Downie, Fr Francis Doyle, Fr Marcin Drabik, Fr Gerry Drummond, Fr Tom Dubois, Fr John Duckett, Fr Richard Duffield CO, Fr Anthony Dukes, Fr Bruce Dutson, Fr Paul Dynan, Fr Philip Dyson, Fr James Earley, Fr Peter Edwards, Fr Robert Ehileme SMM, Fr Wilfrid Elkin, Fr Mark Elliot-Smith, Fr Joseph Etim, Fr Jude Eze, Fr Josaphat Ezenwa, Fr John Fairhurst SJ, Fr Ian Farrell, Fr Joseph Farrell, Fr Robert Farrell, Fr James Fasakin CSSp, Fr Prassad Fernando, Fr Christopher Findlay - Wilson, Fr Tim Finigan, Fr Kieran Fitzharris SVD, F. Gerald Flood, Fr John Fordham CO, Fr Andrew Forrest, Fr Thomas Forster, Fr Peter Fox, Fr William Fraser, Fr Patrick Gaffney CSSp, Fr Michael John Galbraith, Fr Andrew Gallagher, Fr Francis Gallagher, Fr Michael Gallagher, Fr Piotr Gardon SC, Fr John Gaul SCJ, Fr Guy de Gaynesford, Fr Vincent George CM, Fr Paul Gibbons, Fr Damien Gilhooley, Canon Leo Glancy, Fr Peter Glas, Fr Matthew Goddard FSSP, Fr Gonzalo Gonzales, Fr Maurice Gordon, Canon David Grant, Fr Brian Gray, Fr Andy Graydon, Fr Christopher Greaney, Fr John Greatbatch, Fr Julian Green, Fr Ian Grieves, Fr Nigel Griffin, Fr Philip J Griffin, Fr Tom Grufferty, Fr Jozef Gruszkiewicz, Fr Anton Guziel CO, Fr Bernard Hahesy, Fr Henryk Halman FDP, Fr John Hancock, Fr Neil Hannigan, Fr Francis Capener, Fr Stephen Hardaker, Fr Andrew Harding, Fr Benedict Hardy OSB, Fr David Hartley, Fr Raymond Hayne, Canon Brendan Healy, Fr Ian Hellyer, Fr John Hemer MHM, Fr Simon Henry, Fr Jonathan Hill, Fr Michael Ho-Huu-Nghia, Fr Marcus Holden, Fr Angelus Houle, Fr John Hunwicke, Fr Geoffrey Hurst, Fr David Hutton,

Fr Patrick Hutton, Fr Raymond Hynes OFM, Fr Jude Iseorah SMM, Fr.Matthew Jakes, Fr Dylan James, Fr Slawomir Jedrych, Fr John Johnson, Fr Michael Jones, Fr Peter Jones, Fr Darryl Jordan, Fr Kevin Jordan, Fr Nicholas Kavanagh, Fr Brendan Kelly, Fr Daniel M Kelly, Fr John B Kelly, Fr Michael Kelly, Fr Peter Kelly, Fr Joseph Kendall, Fr Vincent Kennedy OFM, Fr John Kennedy, Fr Ian Ker, Fr Brendan Killeen, Fr Peter Kirkham, Monsignor David Kirkwood, Fr Krzysztof Kita, Fr Peter Knott SJ, Fr Vitalis Kondo, Fr Jaroslaw Konopko OFMCap, Fr Saji Matthew Koottakithayil MSFS, Fr Wojciech Kowalski SDS, Fr Douglas Lamb, Fr Michael Lang CO, Fr Julian Large CO, Fr John Laybourn, Fr Brian Leatherland, Fr.Paul Lester, Fr Nicholas Leviseur, Fr Jacob Lewis, Canon Michael Lewis, Fr Joseph Liang AA, Fr Gladstone Liddle, Fr Christopher Lindlar, Fr Denys Lloyd, Fr Laurie Locke, Canon Bernard Lordan, Fr Christopher Loughran, Fr Roy Lovatt, Fr Robbie Low, Fr Alexander Lucie Smith, Fr John Lungley, Canon Brendan MacCarthy, Canon John Angus MacDonald, Fr Stanislaus Maciuszek, Fr Hugh MacKenzie, Canon Peter Magee, Fr Brian O Mahony CSSP, Fr Kieran Mullarkey, Fr John Maloney, Fr Aleksander Marcharski, Fr Geoffrey Marlor, Fr Francis Marsden, Fr Bernard Marsh, Fr Terry Martin, Fr John Masshedar, Fr William Massie, Fr Michael Bateman, Fr Stephen Maughan, Fr Laurence Mayne, Fr Paul McAlinden, Fr James McAuley, Canon Anthony McBride, Monsignor Canon Kenneth McBride, Fr Ian McCarthy, Fr Derrick McCulloch, Fr John McCullough, Fr.David McDonald, Canon John McElroy, Fr John McFadden CSSP, Fr Terry McGarth MSFS, Fr Brian McGilloway, Fr Denis McGillycuddy, Fr Brendan McGuinness SDB, Fr Rupert McHardy CO, Canon Patrick McInally, Fr Bernard McInulty, Fr Michael McLaughlin, Fr William McMahon, Fr Martin McPake SVD, Fr Anthony Meredith SJ, Fr Stuart Meyer, Fr Nazarius Mgungwe, Fr Jan Milcz CSsR, Fr Philip Miller, Canon Paul Mitcheson, Fr Thomas Monaghan, Fr.Augustine Monaghan MHM, Monsignor Vaughan Morgan, Fr Richard Moroney, Fr Mark Morris, Fr Stephen Morrison OPraem, Fr Frederick Moss MHM, Fr Andrew Moss, Fr Deodat Msahala, Fr Clement M Mukuka, Fr Ted Mullen IC, Fr Ghislain B Mulumanzi, Fr John Mundackal, Fr Aidan Murray SDB, Monsignor Provost Cyril Murtagh, Fr Noel Bisibu N’Tungu, Fr Bijoy Chandra Nayak CMF, Fr James Neal, Fr Arthur Nearey, Fr Roger Nesbitt, Fr Peter Newsam, Fr Ponder Paulinus Ngilangwa SDS, Fr Guy Nicholls, Fr Aidan Nichols, Fr Julius Nkafu, Fr Peter Norris, Fr Bernardine Nsom, Canon Kevin O Connor, Fr Dominic O Conor, Fr Liam O Conor, Fr Patrick O Doherty, Fr Kevin O Donnell, Canon Vincent O Hara ODC, Fr Conleth O Hara CP, Fr Dominic O Hara, Fr Andrew O Sullivan, Fr Kevin O Toole, Fr Robert Ogbede CM, Fr Flavin Ohayerenwa CSSp, Fr Tobias Okoro, Fr Addison Opkeoh, Fr.Clement Orango MCCJ, Fr John Osman, Fr Arockia Mariadass Pagyasamy OCD, Fr Binu Palakapally IC, Fr David Palmer, Fr Fortunato Partisano, Fr John Pascoe, Fr Michael Patey, Fr Eoin Patten, Fr Sunny Paul, Fr Maurice Pearce, Fr Anthony Pellegrini, Fr Neil Peoples, Fr Leon Pereira OP, Fr David Phillips, Fr Terry Phipps, Fr.Andrew Pinsent, Fr Dawid Piot, Fr Anthony Plummer, Fr John Lawrence M. 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Requiem Mass For King Richard III. Thursday, 26 March 2015, 1930 Hrs. Saint Catherine's Church, Farington, Lancashire PR25 4QG.

Lenten Station At Saint Cyriacus's (Basilica Of Santa Maria-In-Via-Lata). Tuesday In Passion Week.

Roman Text is taken from The Saint Andrew Daily Missal.

Italic Text, Illustrations and Captions, are taken from Wikipedia - the free encyclopaedia,
unless otherwise stated.

Tuesday in Passion Week.
Station at Saint Cyriacus's.

Indulgence of 10 years and 10 Quarantines.

Violet Vestments.

English: Basilica of Santa Maria-in-Via-Lata,
Rome, Italy.

Italiano: Roma, Santa Maria in via Lata, interno.

Photo: December 2006.

Source: Own work.

Author: Lalupa.

(Wikimedia Commons)

The Church, today, unites the memory of a Martyr with that of The Passion of Jesus, in making The Lenten Station in The Church of The Holy Deacon, Cyriacus, Martyred, under Emperor Diocletian, at The Gates of Rome. This Church, one of the twenty-five Parish Churches of Rome in the 5th-Century A.D., having been destroyed by fire, the body of The Holy Martyr was Translated to beneath The High Altar of Santa Maria-in-Via-Lata, which became the Place of Assembly for this day.

The Epistle and Gospel tell us of the approaching Passion of The Messiah and of The Rejection of Israel, who are replaced by The Gentiles in The Church.

“Daniel, who has destroyed Bel and slain the Dragon” (Epistle), is Jesus, who denounces the crimes and sins of the World (Gospel). The Babylonians sought to destroy the Prophet, by throwing him as food to the hungry  lions. The Jews, also, “sought to kill Jesus” and, for this dark design, “their hour is always at hand”.

Interior of Santa Maria in-Via-Lata al Corso.

Photo taken from Google Images and

http://seekmeandlive.blogspot.co.uk/
2010/03/santa-maria-in-via-lata.html

But, like Daniel, full of fortitude, He awaits The Lord (Introit), and God, “Who does not abandon those who love and seek Him” (Epistle, Offertory), “delivers Him from unjust men and from all the ills that threaten Him” (Gradual, Communion). “Those who had wished to destroy Daniel, were themselves thrown to the lions and devoured instantly” (Epistle). In the same way, the Deicide Nation suffered the penalty of its crime. Forty years later, Jerusalem was taken, by the Roman Legions, after five long months of famine.

Fearing the chastisements of Divine Justice, let us persevere in the expiatory practice of Fasting, in order that we may be made worthy of The Eternal Reward accorded to The Just (Collect).

English: Side-Aisle in Santa Maria-in-Via-Lata,

Rome, Italy.

Italiano: Roma, s. Maria in via Lata.

Photo: 20 June 2010.

Source: Own work.

Author: Lalupa.

(Wikimedia Commons)

Santa Maria-in-Via-Lata is a Church on the Via del Corso (the ancient Via Lata), in Rome, Italy. It stands diagonally across from the Church of San Marcello al Corso.

It is claimed that Saint Paul spent two years here, in the Crypt under the Church, whilst under house arrest waiting for his trial.

English: The Church of Santa Maria-in-Via-Lata,
Rome, Italy.

Italiano: Chiesa di Santa Maria in Via Lata, Roma.
Facciata di Pietro da Cortona.

Photo: April 2006.

Source: Own work.

Author: Torvindus.

(Wikimedia Commons)

The first Christian place of worship here was a 5th-Century A.D. Oratory, in the Roman building beneath the present Church. This was constructed within the remains of a large Roman warehouse, some 250 metres long, which has also been excavated. The Church's Upper Level was added in the 9th-Century A.D., and murals added to the Lower Level between the 7th- and 9th-Centuries A.D., (these have been detached for conservation reasons). The Cosmatesque Pavement from this phase survives.

The Church's 13th-Century icon of The Virgin Advocate, is said to have performed many miracles. The Arcus Novus (an Arch erected by Emperor Diocletian in 303 A.D. - 304 A.D.), which stood on this site, was destroyed by rebuilding of the Church in the Late-15th-Century. Antonio Tebaldeo, poet and friend of Raphael, was buried at the end of the North Aisle in 1537, though his tomb was designed in 1776.

"The Virgin Advocate",
Church of Santa Maria-in-Via-Lata,
Rome. Italy.

Photo taken from Google Images
and cryptavialata.it

The Church was renovated in 1639 by Cosimo Fanzago, but the facade, with its Corinthian Columns imposing vertical emphasis, was completed (1658-1660) by a design from Pietro da Cortona. He appears to evoke a Triumphal Arch in the facade.

The High Altar's Madonna Advocata (1636) is one of the few paintings in Churches attributed to Bernini (perhaps by Santi Ghetti). The Ciborium in the Apse is made from alabaster and lapis lazuli. The first excavations of the site also occurred at this date, as commemorated by a Relief in the Crypt by Cosimo Fancelli. The families of Joseph and Lucien Bonaparte were buried here in the 18th-Century.

English: The Nave,

Santa Maria-in-Via-Lata,

Rome, Italy.

Deutsch: Innenraum der Kirche.

Photo: 6 February 2011.

Source: Own work.

Author: Andreas Faessler.

(Wikimedia Commons)

The first Altarpiece is a Martyrdom of Saint Andrew (1685), by Giacinto Brandi, while the second Altarpiece is of Saints Giuseppe, Nicola, and Biagio, by Giuseppe Ghezzi. In the Chapel, to the Left of the Apse, is a Madonna with Child and Saints Cyriac and Catherine, by Giovanni Odazzi.

The second Altar, on the Left, has a Saint Paul Baptising Sabine and Children, by Pier Leone Ghezzi, while the first Altarpiece is a Virgin and Saints, by Pietro de Pietri.

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