Lenten Station At The Basilica Of The Twelve Apostles. Friday Of Ember Week In Lent.

Roman Text is taken from The Saint Andrew Daily Missal.

Italic Text, Illustrations and Captions, are taken from Wikipedia - the free encyclopaedia,
unless otherwise stated.

Friday of Ember Week in Lent.
Station at The Twelve Apostles.

Indulgence of 10 years and 10 Quarantines.

Violet Vestments.

The Apse in the Church of The Twelve Apostles, 
Rome, Italy.

Photo: August 2012.

Source: Own work.

Author: Luc.

(Wikimedia Commons)

On The Friday in Ember Week, The Station was always made in the Church of The Twelve Apostles, situated at the foot of The Quirinal, for the Examination of Candidates for Ordination. Thus, were the future Priests and Deacons put under the protection of the whole Apostolic College.

This Basilica, one of the oldest in Rome, was built shortly after the time of Emperor Constantine by Pope Julius I, on the occasion of The Translation of the Bodies of The Apostles Philip and James the Less, which rested there. Pope John III (561 A.D. to 574 A.D.) made of it a Votive Monument for the freeing of Rome from the Goths of Totila.

The Baroque Ceiling 
of the Church of The Twelve Apostles, Rome.

Photo: August 2005.

Source: http://flickr.com/photos/antmoose/34649457/

Author: Anthony Majanlahti

(Wikimedia Commons)

Addressing herself to the public penitents in the first Centuries of Christianity, The Church told them, by the mouth of Ezechiel, that God was ready to forgive them because they repented (Epistle). Like the sick, who assembled in the Porches of the Pond situated on the North of the Temple in Jerusalem, they waited at the doors of the Church, and, on the great day of the Sabbath, which is The Feast of Easter, Jesus cured them, as He healed the paralytic, spoken of in the Gospel.

Exterior of the Basilica of The Twelve Apostles, 
Rome, Italy.

Photo: January 2006.

Source: Own work.

Author: Lalupa

(Wikimedia Commons)

Our Souls, washed in the waters of Baptism, but since fallen back into sin, must atone for their faults, and Jesus, through the instrumentality of His Priests, will pardon them in the Holy Tribunal of Penance.

Interior of Santi Apostoli, Rome.

Photo: July 2007.

Source: Own work.

Author: SteO153

(Wikimedia Commons)

The excuse, “I have no man”, will not avail us, for if we remain stricken with the palsy of sin, it is because we do not have recourse to the Ministry of Priesthood, which is always at our disposal.

Let us Pray to Almighty God to “receive us with His kind assistance” (Collect), that our vices being “cleansed away” by Penance (Postcommunion), our Souls may once more be shown “the Light of His Grace” (Prayer Over The People).

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A Little Levity To Get You Through The Day.

"When I find out who's hidden our spectacles,

there's going to be Hell to pay !!! "

Lenten Station At Saint Laurence's-In-Panisperna. Thursday, The First Week In Lent.

Roman Text is taken from The Saint Andrew Daily Missal.

Italic Text, Illustrations and Captions, are taken from Wikipedia - the free encyclopaedia,
unless otherwise stated.

Thursday of The First Week in Lent.
Station at Saint Laurence's-in-Panisperna.

Indulgence of 10 years and 10 Quarantines.

Violet Vestments.

Church of San Lorenzo-in-Panisperna,
in rione Monti, Rome.

Photo: March 2010.

Source: Own work.

Author: LPLT

This file is licensed under the 

Creative Commons Attribution-Share Alike 3.0 Unported license.

(Wikimedia Commons)

The Station at Rome was established by Pope Gregory II, in the old Church of Saint Laurence-in-Panisperna, erected to the glory of the heroic Deacon, on the very spot where he suffered Martyrdom.

The Church reminds The Catechumens that, since the coming of Jesus, it is no longer the Race of Israel, alone, that has the promise, but that all can enter The Church by Baptism and partake of The Eucharistic Bread of The Children of God.

If the heathen will solemnly deny the evil deeds of his fathers and practise the Christian Law of Penance and Charity (Epistle), his Prayer will be granted, as was that of the woman who belonged to the accursed Race of Canaan, but whose Faith was great (Gospel).

Let us seek in The Eucharist the strength required to observe Lent. For it is our Fasting, in conjunction with The Sacrifice of Jesus, that will obtain for us Salvation (Secret, Communion, Postcommunion).

Saint Laurence's Martyrdom, 
by Pasquale Cati (1589), 

in the Church of San Lorenzo-in-Panisperna, Rome.

Photo: March 2010.

Source: Own work.

Author: LPLT

This file is licensed under the 

Creative Commons Attribution-Share Alike 3.0 Unported license.

(Wikimedia Commons)

San Lorenzo-in-Panisperna, or San Lorenzo-in-Formoso, is a Church on Via Panisperna, Rome, Italy. It was built on the site of Saint Laurence's Martyrdom.

Panisperna most probably refers to the tradition of The Poor Clares (in the adjacent Convent) of distributing bread and ham (pane e perna) on 10 August, Lawrence's Feast Day, in remembrance of his distributing funds from The Church to the Poor. "Formoso" refers to Pope Formosus, who built the first attested Church here.

Tradition states that the first building was constructed during the Reign of Emperor Constantine I, only 100 years after the Martyrdom of Saint Laurence, though the first written evidence is from 1300, when Pope Boniface VIII rebuilt the Church and annexed an Abbey to it. That Abbey was given to The Benedictines in 1451, and then had The Poor Clares settled in it by Cardinal Jacopo Colonna in 1896, who also restored the Church and Monastery.

English: The Chapel of Saint Brigid 
in the Church of Saint Laurence-in-Panisperna, Rome.

Italian: Chiesa di San Lorenzo in Panisperna, 
Cappella di Santa Brigida.

Photo: 1996.

Source: Own work.

Author: Torvindus

(Wikimedia Commons)

The Franciscans now Serve the Church. In the 5th-Century, this Church was one of Rome's Stational Churches and was visited by The Pope on its Titular Day, the Thursday of The First Week in Lent. Recent Popes have revived this ancient custom.

The present Church is a result of a re-building by Carlo Rainaldi in 1575–1576, under Pope Gregory XIII. It was at this time that it became known as 'in-Panisperna' rather than 'in-Formoso', and that the present Facade was built. 

A new Outer Portico was added in the 17th-Century, then restored and decorated with images of Saint Laurence and Saint Francis of Assisi in 1893–1894 by Pope Leo XIII, who, in 1843, had been ordained Bishop in this Church. Pope Leo XIII also added a steep flight of steps, in front of the Church, leading to a tree-lined Courtyard. There is a modern bronze statue of Saint Bridget of Sweden, here.

A Mediaeval house is preserved, next to the Church, with an exterior staircase, one of the few such houses to have been preserved in Rome.

Entrance door of the Church of San Lorenzo-in-Panisperna, Rome.

Photo: March 2010.

Source: Own work.

Author: LPLT

This file is licensed under the 

Creative Commons Attribution-Share Alike 3.0 Unported license.

(Wikimedia Commons)

The Church has a single Nave with three Chapels on each side.

South Side

Includes a painting of Saint Clare of Assisi (1756), by Antonio Nessi, and a Ceiling fresco of Glory of Saint Laurence, by Antonio Bicchierai.
Contains the Tomb of the brothers, Saint Crispin and Saint Crispinian, with a painting by Giovanni Francesco Romano.
Painting of The Immaculate Conception, by Giuseppe Ranucci.

North Side

Painting of stigmata of Saint Francis, by Niccolò Lapiccola.
Chapel of Saint Bridget, where she was buried before her body was moved to Sweden. She had used to beg for Alms for the Poor outside this Church, and Prayed before The Crucifix by The High Altar. Now, a Martyr, named Victoria, lies underneath the Altar in the Chapel. 

The painting of Saint Bridget, Praying before The Crucifix, is by Giuseppe Montesanti and was painted in 1757.
Includes an 18th-Century Crucifix of The Roman School.

Under its Porch, is a Chapel containing the oven, said to have been used for Saint Laurence's Martyrdom. A Late-16th-Century fresco of The Martyrdom of Saint Laurence stands behind The High Altar (by Pasquale Cati, a mediocre pupil of Michelangelo). The Crucifix, by The High Altar, is from the 14th-Century.

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Lenten Station At Saint Mary Major. Wednesday Of Ember Week In Lent.

Roman Text is taken from The Saint Andrew Daily Missal.

Italic Text, Illustrations and Captions, are taken from Wikipedia - the free encyclopaedia,
unless otherwise stated.

Wednesday of Ember Week in Lent.
Station at Saint Mary Major.

Indulgence of 10 years and 10 Quarantines.

Violet Vestments.

English: Basilica of Saint Mary Major, Rome.
Français: Vue arriere de la Basilique Sainte-Marie Majeure de Rome (Santa Maria Maggiore).

Photo: November 2008.

Source: Own work.

Author: LPLT

Permission: You are free to use this picture for any purpose under the conditions specified in the license below as long as you credit its author, LPLT.

This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.

(Wikimedia Commons)

The Spring Ember Week coincides with The First Week of Lent. It was instituted for the purpose of consecrating to God The New Season, and, by Fasting and Prayer, to draw down Heavenly Graces on those, who, on Saturday next, are to receive The Sacrament of Holy Orders.

The Station on The Wednesday in Ember Week was always held at Saint Mary Major, the greatest and most illustrious of The Roman Churches Consecrated to The Blessed Virgin.

English: Basilica of Santa Maria Maggiore, Vatican.

Français: Basilique Sainte-Marie-Majeure, Vatican, située à Rome, Latium, Italie.

Photo: September 2010.

Source: Own work.

Author: Tango7174

(Wikimedia Commons)

Is it not fitting that on this very day, when the Scrutinies for Ordination used to be made, the Liturgical gathering should be made in The Basilica Consecrated to her, whom Proclus of Constantinople hails as “The Temple in which God became Priest” ? The Gospel also alludes to Our Lady.

English: The Borghese Chapel, Saint Mary Major, Rome.

Português: Capela Borghese, Santa Maria Maggiore, Roma.

Photo: 2005.

Source: Taken by Ricardo André Frantz

Author: Ricardo André Frantz (User:Tetraktys)

(Wikimedia Commons)

The two Lessons, the second of which is read as The Epistle, tell of Moses and Elias, who, before seeing the Glory of The Lord, Fasted Forty Days and Forty Nights. Called to take the place of the rebellious Jews, let us make ourselves worthy of the Fruits of Penance, as did the men of Ninive, who listened to the voice of Jonas, and the Queen of Saba, who came from her distant Country to learn the Wisdom of Solomon (Gospel). We shall participate, then, in the Resurrection of The Saviour, symbolised by The Prophet, who, after remaining three days in the whale’s belly, was vomited out alive.

Let us Pray to God that we may be strengthened in mind by the Fruit of Good Works, while we mortify our bodies by Abstinence (Collect).

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The Holy Season Of Lent.

Illustration: TRANSALPINE REDEMPTORISTS

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Lenten Station At The Basilica Of Saint Anastasia. Tuesday Of The First Week In Lent.

Roman Text is taken from The Saint Andrew Daily Missal.

Italic Text, Illustrations and Captions, are taken from Wikipedia, the free encyclopaedia,
unless otherwise stated.

Tuesday Of The First Week In Lent.
Station at Saint Anastasia's.

Indulgence of 10 years and 10 Quarantines.

Violet Vestments.

English: Basilica di Sant'Anastasia al Palatino, Rome, Italy.

Česky: Bazilika sv. Anastázie na Palatinu, Řím, Itálie.

Photo: April 2011.

Source: Own work.

Author: Karelj

(Wikimedia Commons)

The Station is at the old Church, which, in the 4th-Century, was the only Parish in the Centre of Rome and in its wealthy Quarter. Built at the foot of the Palatine Hill, this Church, which owes its name to The Chapel of The Resurrection (Anastasis) at Jerusalem, was also Consecrated to Saint Anastasia.

Saint Anastasia was put to death, under the Emperor Diocletian, at Sirmium, in Illyria (now Mitrowitz). Tradition seems to say that this "Title", mentioned in a Synod in 499 A.D., recalls the house of this Holy Martyr in Rome (?). It is more than likely, however, that it concerns but a simple identity of name between the Roman Foundress of this Basilica and the Titular Saint.

Lent is the time when "God is near to us and eager to forgive us, if we put aside our evil thoughts and forsake the way of sin" (Epistle). To do so, we must cast sin out from our hearts, as Jesus cast out the sellers from the Temple (Gospel), and receive the teaching of Christ with the simplicity of Children of God. Then, He will be able to cure our Souls, as He healed the lame and the blind who came nigh unto Him.

Casting out the vainglorious wisdom of the world, let us profit by the Holy Season of Lent, so that, "chastening our bodies by mortification, our Souls may be filled with Holy Desires" (Collect).

Interior of The Basilica of Saint Anastasia, Rome.

Photo: June 2007.

Source: Own work.

Author: Lalupa

(Wikimedia Commons)

Santa Anastasia is a Basilica Church in Rome.

Santa Anastasia was built in the Late-3rd-Century A.D. - Early-4th-Century A.D., possibly by a Roman woman named Anastasia. The Church is Listed under the Titulus "Anastasiae" in The Acts of The 499 A.D. Synod. Later, the Church was En-Titled to the Martyr with the same name, Anastasia of Sirmium.

The Church was restored several times: Pope Damasus I (366 A.D. - 383 A.D.); Pope Hilarius (461 A.D. - 468 A.D.); Pope John VII (705 A.D. - 707 A.D.); Pope Leo III (795 A.D. - 816 A.D.); Pope Gregory IV (827 A.D. - 844 A.D.). The current Church dates back to the 17th-Century Restoration commissioned by Pope Urban VII.

Traditionally, the Church is connected to the cult of Saint Jerome, who possibly Celebrated Mass here. The Saint is depicted over the Altar, by Domenichino.

Ceiling of The Basilica Sant'Anastasia, Rome.

Photo: July 2009.

Source: Own work.

Author: User:Mattes

(Wikimedia Commons)

The current Cardinal Priest of the Titulus S. Anastasiae is Godfried Danneels. Past holders have included John Morton, an Archbishop of Canterbury.

Art and Architecture

The last Restoration, after the Restoration during the Papacy of Pope Sixtus IV, occurred in 1636, when the facade, with, lower, Doric, and, upper, Ionic, order, was reconstructed in 1636, after the cyclone of 1634. The Nave recycles antique Columns. The Ceiling is frescoed with a Martyrdom of The Saints (1722) by Michelangelo Cerruti.

English: Statue in Basilica di Sant'Anastasia al Palatino, Rome, Italy.

Česky: Socha v Bazilice sv. Anastázie na Palatinu, Řím, Itálie.

Photo: April 2011.

Source: Own work.

Author: Karelj

(Wikimedia Commons)

The Chapel, to the Right, has a painting of Saint John the Baptist by Pier Francesco Mola. While the last Chapel on the Right has a fresco of Scenes of the Life of Saints Carlo Borromeo and Filippo Neri by Lazzaro Baldi. 

The Right Transept has a painting of S. Toribio (1726) by Francesco Trevisani. The High Altar has a Nativity, by Lazzaro Baldi, and, below the Altar, is a statue of Saint Anastasia, by Ercole Ferrata. It clearly shows the influence of Bernini's Beata Ludovica Albertoni. The Left Transept has a Madonna of The Rosary, by Baldi. The last Chapel, to the Left, by Domenichino, depicts Saint Jerome. The other Chapel has Ss.Giorgio e Publio, by Etienne Parrocel.

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Lenten Station At Saint Peter-Ad-Vincula (Saint Peter's Chains). Monday Of The First Week In Lent.

Roman Text is taken from The Saint Andrew Daily Missal.

Italic Text, Illustrations and Captions, are taken from Wikipedia - the free encyclopaedia,
unless otherwise stated.

Monday of The First Week in Lent.
Station at Saint Peter's Chains.

Indulgence of 10 years and 10 Quarantines.

Violet Vestments.

English: Church of Saint Peter's Chains, Rome.

Italiano: San Pietro in Vincoli.

Latin: San Pietro ad Vincula.

Photo: December 2005.

Source: Own work.

Author: Lalupa

(Wikimedia Commons)

San Pietro-in-Vincoli (Italian) (Saint Peter-in-Chains) is a Roman Catholic Titular Church and Minor Basilica in Rome. It is also known as the home of Michelangelo's Statue of Moses, part of the tomb of Pope Julius II. Two Popes were elected in this Church: Pope John II (533 A.D.) and Pope Gregory VII (1073).

English: The Chains of Saint Peter in the "Basilica di San Pietro in Vincoli" in Rome.

Italiano: Le catene di San Pietro, conservate nella Basilica di San Pietro in Vincoli a Roma.

Photo: August 2008.

Source: Own work.

Author: Original photo by Raja Patnaik, 
post-processed and uploaded by Alessio Damato

(with permission of the author).

(Wikimedia Commons)

The Station is in one of the most ancient Roman Basilicas, built by the Empress Eudocia, where The Chains worn by The Prince of The Apostles, to whom Jesus confided His Flock, are kept. In the 5th-Century, it was one of the twenty-five Parishes of Rome. 

English: San Pietro in Vincoli's Apse.

Italiano: Abside di San Pietro in Vincoli a Roma.

Photo: March 2010.

Source: Own work.

Author: Goldmund100

(Wikimedia Commons)

The Epistle (of The Day), alluding to the penitents about to be reconciled at Easter and to the Catechumens preparing for Baptism, says that The Lord is The Shepherd Who comes to seek His Lost Sheep. And the Gospel tells of the separation that this Shepherd will make for ever between the sheep and the goats, or between the good, who repent and give themselves up to Works of Charity, and the sinners (this Prophecy was spoken by Jesus to His Apostles on the Mount of Olives, on the evening of the Tuesday preceding His Death). 

Let us ask God to prepare us by “this Lenten Fast” (Collect) “to be loosened from the bonds of our sins” (the Prayer over the people) by virtue of the power of Peter, who was delivered from his Chains.

English: Basilica of Saint Peter's Chains,

Rome, Italy.

Italiano: San Pietro in Vincoli,

Roma, Italy.

Photo: 3 April 2013.

Source: Own work.

Author: sailko.

(Wikimedia Commons)

San Pietro-in-Vincoli (Saint Peter in Chains) is a Roman Catholic Titular Church and Minor Basilica in Rome, Italy, best known for being the home of Michelangelo's statue of Moses, part of the tomb of Pope Julius II.

Also known as the Basilica Eudoxiana, it was first rebuilt on older foundations in 432 A.D. – 440 A.D., to house the Relic of the Chains that bound Saint Peter, when he was imprisoned in Jerusalem, the episode called the Liberation of Saint Peter.

The Empress Eudoxia (wife of Emperor Valentinian III), who received them as a gift from her mother, Aelia Eudocia, consort of Valentinian II, presented the Chains to Pope Leo I. Aelia Eudocia had received these Chains as a gift from Iuvenalis, Bishop of Jerusalem.

According to legend, when Pope Leo, while comparing them to the Chains of Saint Peter's final imprisonment in the Mamertine Prison in Rome, the two Chains miraculously fused together. The Chains are kept in a Reliquary under The High Altar in The Basilica.

English: The Interior of San Pietro-in-Vincoli, Rome.

Deutsch: San Pietro in Vincoli, Gesamtansicht des Innenraums.

Photo: 20 May 2012.

Source: This file was derived from:

SPIV_small.jpg 

Author: SPIV_small.jpg: Philippos. Derivative work: Rabanus Flavus.

(Wikimedia Commons)

The Basilica, consecrated in 439 A.D., by Pope Sixtus III, has undergone several restorations, among them a restoration by Pope Adrian I, and further work in the 11th-Century. From 1471 to 1503, in which year he was elected Pope Julius II, Cardinal Della Rovere, the nephew of Pope Sixtus IV, effected notable rebuilding. 

The front Portico, attributed to Baccio Pontelli, was added in 1475. The Cloister (1493–1503) has been attributed to Giuliano da Sangallo. Further work was done at the beginning of the 18th-Century, under Francesco Fontana, and there was also a renovation in 1875.

English: The Internal Courtyard of Saint Peter-ad-Vincula

(Saint Peter's Chains),

Rome, Italy.

Italiano: vista di parte del cortile interno.

Photo: 21 June 2008.

Source: Own work.

Author: Costanza spaggiari.

(Wikimedia Commons)

The Titulus S. Petri ad vincula was assigned on 20 November 2010, to Donald Wuerl. The previous Cardinal Priest of the Basilica was Pío Laghi, who died on 11 January 2009.

Two Popes were Elected in this Church: Pope John II in 533 A.D., and Pope Gregory VII in 1073.

Next to the Church is hosted the Faculty of Engineering of La Sapienza University. This is named "San Pietro in Vincoli" per antonomasia. The Church is located on the Oppian Hill, near Cavour metro station, a short distance from the Colosseum.

Basilica of San Pietro-in-Vincoli.

18th-Century lacunar ceiling, frescoed in the centre

by Giovanni Battista Parodi,

portraying the Miracle of the Chains (1706).

Photo: 26 December 2009.

Source: San_Pietro_in_Vincoli_-_ceiling,_Rome.jpg

Author: San_Pietro_in_Vincoli_-_ceiling,_Rome.jpg: Maros M r a z (Maros).

Derivative work: Alberto Fernandez Fernandez.

(Wikimedia Commons)

The Interior has a Nave and two Aisles, with three Apses divided by antique Doric Columns. The Aisles are surmounted by Cross-Vaults, while the Nave has an 18th-Century Coffered Ceiling, frescoed in the centre by Giovanni Battista Parodi, portraying the Miracle of the Chains (1706).

Michelangelo's Moses (completed in 1515), while originally intended as part of a massive 47-statue, free-standing funeral monument for Pope Julius II, became the centerpiece of the Pope's funeral monument and tomb in this, the Church of the della Rovere family. Moses is depicted with horns, connotating "the radiance of the Lord", due to the similarity in the Hebrew words for "beams of light" and "horns". This kind of iconographic symbolism was common in early sacred art, and, for an artist, horns are easier to sculpt than rays of light.

Other works of art include two canvasses of Saint Augustine and Saint Margaret by Guercino, the monument of Cardinal Girolamo Agucchi, designed by Domenichino, who is also the painter of a Sacristy fresco depicting the Liberation of Saint Peter (1604).

The Altarpiece on the first Chapel to the left is a Deposition by Cristoforo Roncalli. The tomb of Cardinal Nicholas of Kues (died 1464), with its Relief, Cardinal Nicholas before Saint Peter, is by Andrea Bregno. Painter and sculptor Antonio Pollaiuolo is buried at the left side of the entrance. He is the Florentine sculptor who added the figures of Romulus and Remus to the sculpture of the Capitoline Wolf on the Capitol. The tomb of Cardinal Cinzio Passeri Aldobrandini, decorated with imagery of the Grim Reaper, is also in the Church.

Moses.
Artist: Michelangelo Buonarroti (1475–1564).

Date: 1513-1515.

Current location: San Pietro-in-Vincoli, Rome.

Source/Photographer: Prasenberg (transferred from en.wikipedia to

Commons by User:Leoboudv using CommonsHelper).

(Wikimedia Commons)

In 1876, archaeologists discovered the tombs of those once believed to be the Seven Maccabean Martyrs, depicted in 2 Maccabees 7–41. It is highly unlikely that these are, in fact, the Jewish Martyrs that had offered their lives in Jerusalem. They are remembered each year on 1 August, the same day as the Miracle of the fusing of the Two Chains.

The third Altar, in the left Aisle, holds a mosaic of Saint Sebastian from the 7th-Century. This mosaic is related to an outbreak of plague in Pavia, in Northern Italy. It would only stop if an Altar was built for Saint Sebastian in the Church of S. Pietro in Vincoli in that city. Somehow, this story also became accepted in Rome. Hence the Altar.

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Antependia And Stained-Glass Window Designed By Charles Eamer Kempe.

Altar Frontal (Antependium) designed by Charles Eamer Kempe.

Illustration: MEDIEVAL CHURCH ART

Altar Frontal (Antependium) designed by Charles Eamer Kempe.

Illustration: MEDIEVAL CHURCH ART

Altar Frontal (Antependium) designed by Charles Eamer Kempe.

Illustration: MEDIEVAL CHURCH ART

Altar Frontal (Antependium) designed by Charles Eamer Kempe.

Illustration: MEDIEVAL CHURCH ART

Stained-Glass Window in The West Window of The South Transept of Bristol Cathedral, featuring, from left, King Alfred the Great, the writer Richard Hakluyt, the Priest and Theologian Richard Hooker, and the Playwright and Poet William Shakespeare. The entry on the window in the Cathedral's Inventory reads as follows:

Inv. no.22; M.S. S12. Window, South Transept; West Window; English; C.E. Kempe, circa 1905. Stained- and Painted-Glass. 1a. ALFREDUS REX, holding scroll, 1b. RICARDUS HAKLUYT PREB, 1c. RICARD HOOKER PREB, 1d. GULIELMUS SHAKESPEARE. In the Transom, Tudor Roses and the Sun in splendour. 2a. King David with Harp and Scroll: CANTATE..., 2b. EZRA SCRIBA DEI,

2c. S.LUCAS EVAN, 2d. S.PAULUS APOST. In the Tracery, Angel Musicians.

In Memory of Alfred Ainger, Canon 1887–1903.

Date: Circa 1905.

Source: Bristol Cathedral.

Author: Charles Eamer Kempe.

(Wikimedia Commons)