Notre Dame de Rouen. The façade of the Gothic Church in France. Photographer: Hippo1947. Licence: SHUTTERSTOCK.

Monday 15 August 2016

The Assumption Of The Blessed Virgin Mary. Feast Day 15 August.



English: The Assumption of The Virgin Mary.
Deutsch: Maria Himmelfahrt, Hochaltar für
St. Maria Gloriosa dei Frari in Venedig.
Français: L'Assomption de la Vierge.
Artist: Titian (1490–1576).
Date: 1516-1518.
Source/Photographer: The Yorck Project: 10.000 Meisterwerke der Malerei.
DVD-ROM, 2002. ISBN 3936122202.
Distributed by DIRECTMEDIA Publishing GmbH.
(Wikimedia Commons)


Text from The Saint Andrew Daily Missal.

The Assumption of The Blessed Virgin Mary.
Feast Day 15 August.

Double of The First-Class
with a Common Octave.

White Vestments.
On this Feast, the most ancient (6th-Century A.D.) and Solemn of The Cycle of Mary, The Church invites all her children in The Catholic World to unite their joy (Introit) and their gratitude (Preface) with those of The Angels, who praise The Son of God because of that day His Mother, Bodily and Spiritually, entered Heaven (Alleluia).

Admitted to the enjoyment of the delights of Eternal Contemplation, She chose at The Feet of The Master the better part, which shall not be taken away from Her (Gospel, Communion).

The Gospel of The Vigil was, indeed, formerly read after today's Gospel, in order to show that The Mother of Christ is happy among all others, because, better than all others: "She listened to The Word of God". This Word, The Word, The Divine Wisdom, which, under The Old Law, dwelt among the people of Israel (Epistle), dwelt in Mary, under The New Law.




"Mater Dolorosa"
(Mother of Sorrows).
Artist: Carlo Dolci (1616–1686).
Date: Circa 1650.
Current location: National Museum of Western Art,
Tokyo, Japan.
Source: Unknown.
(Wikimedia Commons)



Artist: Rene de Cramer.
“Copyright Brunelmar/Ghent/Belgium”.
Used with Permission.



The Word became Incarnate in the womb of The Virgin, and now, amid the splendour of the Heavenly Sion, He fills Her with the delights of The Beatific Vision.

The Church on Earth, like Martha, has to care for the necessities of this present life, but she also, like her, invokes the help of Mary (Collect, Secret, Postcommunion).

A Procession has always been a part of The Feast of The Assumption. At Jerusalem, it was formed by the numerous Pilgrims who came to Pray at the tomb of The Blessed Virgin and who, thus, contributed to the Institution of this Solemnity.




The Clergy of Constantinople also held a Procession on The Feast of The Rest, or Assumption, of Mary. At Rome, from the 7th-Century A.D., to the 16th-Century, the Papal Cortege, in which the representatives of The Senate and people took part, went on this day from The Church of Saint John Lateran to that of Saint Mary Major. This Ceremony was called The Litany.

[On this occasion, they used to recite over the people, assembled for the Procession, the Collect for Assumption Day, which is first in The Sacramentary and mentions this Mystery, whilst our Collect of The Mass on 15 August was only The Second Collect and has no direct relation to The Feast.

This is The First Collect: "It is our duty to honour The Solemnity of this day, O Lord; The Holy Mother of God did, indeed, suffer temporal death, although the bonds of this death could not hold back Her, whose flesh formed The Body of Thy Son, Our Lord, Who liveth and reigneth . . ."]




It is in The Basilica of Saint Mary Major, Rome, that The Station is held at Christmas to Solemnise the Mystery from which flowed all the Glories of The Virgin, and it is also there that was Solemnised The Assumption, in which they culminate. Mary received Jesus, when He came into this World, and it is Jesus Who receives Mary into Heaven.

Every Parish Priest Celebrates Mass for the people of his Parish.

The Introit for The Feast of The Assumption of The Blessed Virgin Mary, Gaudeámus omnes in Dómino . . . (Let us all rejoice in The Lord, . . .) is that of The Feast of Saint Agatha (5 February).

From the 11th-Century, this Introit was also used in seven other Masses which are in The Missal, among which are 15 August (today's Feast) and 1 November (Feast of All Saints).

Mass: Gaudeámus omnes.
Creed.
Preface: Of Our Blessed Lady: Et te in Assumptióne.




THE SAINT ANDREW DAILY MISSAL



THE SAINT ANDREW DAILY MISSAL


Available (in U.K.) from

Available (in U.S.A.) from


Sunday 14 August 2016

"Deum Verum" (True God). Invitatory At Matins On The Feast Of The Holy Trinity.



Illustration: WORTHPOINT



"Deum Verum"
(True God).
Invitatory at Matins on
The Feast of The Holy Trinity.
Available on YouTube at



Rievaulx Abbey,
Yorkshire, England.
Photo: 15 October 2009.
Source: From geograph.org.uk
Author: Simon Palmer
(Wikimedia Commons)

The Vigil Of The Assumption Of The Blessed Virgin Mary. 14 August.



English: The Assumption of The Virgin Mary.
Deutsch: Maria Himmelfahrt, Hochaltar für
St. Maria Gloriosa dei Frari in Venedig.
Français: L'Assomption de la Vierge.
Artist: Titian (1490–1576).
Date: 1516-1518.
Source/Photographer: The Yorck Project: 10.000 Meisterwerke der Malerei.
DVD-ROM, 2002. ISBN 3936122202.
Distributed by DIRECTMEDIA Publishing GmbH.
(Wikimedia Commons)


Text from The Saint Andrew Daily Missal,
unless otherwise stated.

The Vigil of The Assumption of The Blessed Virgin Mary.

14 August.

Violet Vestments.




The Epistle, for The Vigil Of The Assumption of The Blessed Virgin Mary, is "Ego quasi vitis",
(taken from The Book of Wisdom) from The Feast of Our Lady of Mount Carmel (16 July).

As the vine, I have brought forth a pleasant odour,
And my flowers are the fruit of honour and riches.

I am the mother of fair love,
And of fear,

And of knowledge,
And of Holy hope.

In me is all Grace of the way and of the truth,
In me is all hope of life and virtue.

Come over to me,
All ye that desire me,

And be filled with my fruits;
For my spirit is sweet above honey,

And my inheritance above honey and the honeycomb.
My memory is unto everlasting generations.

They that eat me, shall yet hunger;
And they that drink me, shall yet thirst.

He that hearkeneth to me shall not be confounded,
And they that work by me shall not sin.

They that explain me shall have life everlasting.





Christ, after having lain for only three days in the tomb, rose again and ascended into Heaven.

Likewise, the death of The Virgin resembled, rather, a short sleep. Hence, it was called "Dormitio" (Dormition), and before corruption could defile her body.

God restored her to life and Glorified her in Heaven.

These three privileges are celebrated by The Feast of The Assumption, which follows logically from the privilege of The Immaculate Conception and the privilege of The Mystery of The Incarnation.

For sin never having defiled the Soul of Mary, it was right that her body, in which The Word had become Incarnate, should not be tainted by the corruption of the tomb.




"Ask The Man Who Owns One". Car Museum Could Figure In Redevelopment Of Detroit’s Former Packard Plant.



1942 Packard
Super-Eight 160 Convertible.
Illustration: BOLDRIDE


This Text is from Wikipedia - the free encyclopaedia.

Packard was an American luxury automobile marque, built by The Packard Motor Car Company of Detroit, Michigan, United States, and, later, by The Studebaker-Packard Corporation of South Bend, Indiana.

The first Packard automobiles were produced in 1899, and the last in 1958, with one of the last concept cars built in 1956, the Packard Predictor.

For most of its history, Packard was guided by its President and General Manager, James Alvan Macauley, who also served as President of The National Automobile Manufacturers Association.

Inducted into The Automobile Hall of Fame, Macauley made Packard the number one designer and producer of luxury automobiles in The United States. The marque was also highly competitive abroad, with markets in sixty-one Countries. Gross income for the Company was $21,889,000 in 1928. Macauley was also responsible for the iconic Packard slogan, "Ask the Man Who Owns One".



1950 Packard Eight
Touring (Four-Door) Sedan Model 2301.
Photo: 30 September 2009.
Source: Own work.
Author: Cortcomp.
(Wikimedia Commons)



Photographed in Montreal, Quebec, Canada,
Photo: 24 November 2009.
Source: Own work.
Author: Bull-Doser.
(Wikimedia Commons)



Men Bet Their Lives on It.
Packard Merlin Engines.
Available on YouTube at



Portrait of a City.
Detroit.
1961.
Available on YouTube at



Detroit’s former Packard plant.
Photo: Mike Boening, taken on 9 December 2012.
Illustration: HEMMINGS DAILY


Text, by Daniel Strohl, from HEMMINGS DAILY

Along with art galleries, a nightclub, apartments, and a spa, the group behind the redevelopment of the former Packard plant in Detroit may also include a museum dedicated to Packard automobiles in their plans, though such a museum would likely not appear for many years.

As the Detroit Free Press noted in a recent article on the redevelopment project, Fernando Palazuelo, who bought the sprawling 40-acre complex at a foreclosure auction in December 2013 for $405,000, has outlined four phases to begin the project over the next several years. An Albert Kahn Associates-led $12 million restoration of the four-story administration building will constitute the first phase, while a recreational complex, art galleries and studio spaces, and a seven-story techno dance club will comprise phases two through four. A potential Packard auto museum could come about sometime after the fourth phase, itself tentatively scheduled for sometime after 2018.



Detroit's Packard Plant.
Available on YouTube at

Saturday 13 August 2016

"Dies Irae" (Day Of Wrath). The Sequence From The Requiem Mass For The Dead.



"Last Judgement Triptych" (Central Panel)
in Muzeum Narodowe, Gdansk, Poland.
Artist: Hans Memling (circa 1433–1494).
Date: Circa 1467-1471.
Source/Photographer: Web Gallery of Art:
(Wikimedia Commons)


"Dies Irae"
(Day of Wrath).
Available on YouTube at


Text is from Wikipedia - the free encyclopaedia,
unless otherwise stated.

"Dies Irae" (Day of Wrath) is a Latin Hymn attributed to either Thomas of Celano of The Franciscan Order (1200 – circa 1265) or to Latino Malabranca Orsini († 1294), Lector at The Dominican Studium at Santa Sabina, the forerunner of The Pontifical University of Saint Thomas Aquinas, Angelicum in Rome.

The Hymn dates from at least the 13th-Century, though it is possible that it is much older, with some sources ascribing its origin to Saint Gregory the Great († 604 A.D.), Saint Bernard of Clairvaux (1090-1153), or Saint Bonaventure (1221-1274).

It is a Mediaeval Latin poem characterised by its accentual stress and its rhymed lines. The metre is trochaic. The poem describes The Day of Judgement, The Last Trumpet summoning Souls before The Throne of God, where The Saved will be delivered and The Unsaved cast into Eternal Flames.

The Hymn is best-known from its use as a Sequence in The Roman Catholic Requiem Mass (Mass for The Dead or Funeral Mass). An English version is found in various Anglican Communion Service Books.

The melody is one of the most-quoted in musical literature, appearing in the works of many diverse composers.

Traditional Latin Mass At Saint Austin And Saint Gregory, Margate, Kent. Feast Of The Assumption. 1930 hrs. Monday, 15 August.



Illustration by 
FLICKR


              
       
     


MARGATE, KENT.

CHURCH OF SAINTS AUSTIN AND GREGORY.


The beautiful Puginesque Interior
of Saints Austin and Gregory,
38, Charlotte Place,
Margate, Kent CT9 1LP.
Telephone: 01843 220825,


Traditional Latin Mass.
On The Feast Of The Assumption.
1930 hrs. Monday, 15 August 2016.
Margate, Kent.

Traditional Latin Masses are also Celebrated
at the Church of Saints Austin and Gregory,
at 1130 hrs, every Sunday,
and 1930 hrs, every Monday,
and on Feast Days.

Traditional Latin Mass. On The Feast Of The Assumption. 1200 hrs. On Monday, 15 August, At Headcorn, Kent.



Illustration by 
FLICKR


              
       
     

HEADCORN, KENT.

CHURCH OF SAINT THOMAS OF CANTERBURY.


Photo © Copyright David Anstiss
and licensed for reuse

Traditional Latin Mass.
On The Feast Of The Assumption.
1200 hrs. Monday, 15 August.
Headcorn, Kent.

Traditional Latin Masses are also Celebrated
at the
Church of Saint Thomas of Canterbury,
Becket Court, 15, Station Road, Headcorn, Kent TN27 9SB,
(near to Headcorn Railway Station)

at 1200 hrs,

on the FOURTH SUNDAY OF EVERY MONTH

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