Notre Dame de Rouen. The façade of the Gothic Church in France. Photographer: Hippo1947. Licence: SHUTTERSTOCK.

Sunday 16 April 2017

Easter Sunday. Station At The Papal Basilica Of Saint Mary Major (Santa Maria Maggiore),


Text from The Saint Andrew Daily Missal,
unless otherwise stated.


Easter Sunday.
   Station at Saint Mary Major.

Plenary Indulgence.

Double of The First-Class
   with Privileged Octave
   of The First-Order.

White Vestments.





Christ is Risen, indeed.
Alleluia.
Artist: Rene de Cramer.
"Copyright Brunelmar/Ghent/Belgium".
Used with Permission.







English: Papal Basilica of Saint Mary Major, Rome.
Italiano: Basilica Papale di Santa Maria Maggiore.
Latin: Basilica Sanctae Mariae Maioris.




"Victimae Paschali Laudes"
(Praise The Paschal Victim).
The Sequence for Easter Sunday.
From Notre-Dame de Paris, 
France.
Available on YouTube at



"Victimae Paschali Laudes".

The Sequence for Easter Sunday.

This Sequence is said until the

Saturday before Low Sunday, inclusive.


Victimae paschali laudes
immolent Christiani.

Agnus redemit oves:
Christus innocens Patri
reconciliavit peccatores.

Mors et vita duello conflixere mirando:
dux vitae mortuus regnat vivus.

Dic nobis, Maria,
quid vidisti in via ?

Sepulcrum Christi viventis:
et gloriam vidi resurgentis.

Angelicos testes,
sudarium, et vestes.

Surrexit Christus spes mes:
praecedet vos in Galilaeam

Scimus Christum surrexisse a mortuis vere:
tu nobis, victor Rex, miserere.

Amen.

Alleluia.

Forth to The Paschal Victim,
Christians, bring Your sacrifice of praise:

The Lamb redeems the sheep;
And Christ The Sinless One,
Hath to The Father sinners reconciled.

Together, death and life
In a strange conflict strove.

The Prince of Life, Who died,
Now lives and reigns.

What thou sawest, Mary, say,
As thou wentest on the way.

I saw the tomb
wherein The Living One had lain,

I saw His Glory as He Rose again;
Napkin and linen clothes,
and Angels twain:

Yea, Christ is Risen,
my hope, and He
Will go before you into Galilee.

We know that Christ indeed
has Risen from the grave.

Hail, Thou King of Victory,
Have Mercy, Lord, and Save.

Amen.

Alleluia.

As at Christmas, The Station is made at Saint Mary Major, on this Greatest Feast of the whole year. The Church never separates Jesus and Mary, and, today, in one and the same Triumph, she honours The Mother and The Son. Before all else, The Risen Christ offers The Homage of His Gratitude to His Father in Heaven (Introit).



The Basilica of Santa Maria Maggiore,
 Rome, Italy.
Photo: October 2008.
Source: Own work.
Author: Maros M r a z (Maros).
(Wikimedia Commons)


In her turn, The Church gives thanks to God, inasmuch as, by The Victory of His Son, He has re-opened The Way to Heaven, and implores Him to assist us that we may attain this, our final goal (Collect). For this, Saint Paul tells us, just as the Jews eat the Paschal Lamb with the unleavened bread, so we must feast on The Lamb of God, with the unleavened bread of Sincerity and Truth (Epistle and Communion), that is free from the leaven of sin.



English: The Nave, Papal Basilica of Saint Mary Major, Rome.
Deutsch: Basilika Santa Maria Maggiore, Hauptschiff.
Photo: February 2012.
Source: Own work.
Author: Bgabel.
Attribution: Bgabel at wikivoyage shared
(Wikimedia Commons)


In the Gospel and the Offertory, we read of the coming of The Holy Women to The Sepulchre to embalm Our Lord. They find an empty tomb, but an Angel proclaims to them The Great Mystery of The Resurrection.

Let us joyfully keep this day on which Our Lord has restored Life to us in His Own Rising from The Dead (Easter Preface), and affirm with The Church that "The Lord is Risen Indeed", and, like Him, make our Easter a passing to an entirely New Way of Life.

Every Parish Priest celebrates Mass for the people of his Parish.

Mass: Resurréxi.



English: Interior of the Basilica di Santa Maria Maggiore
Rome, Italy.
Česky: Vnitřní prostory Baziliky 
Photo: April 2011.
Source: Own work.
Author: Karelj.
(Wikimedia Commons)

The following Text is from Wikipedia - the free encyclopaedia.

The Papal Basilica of Saint Mary Major (Italian: Basilica Papale di Santa Maria Maggiore, Latin: Basilica Sanctae Mariae Maioris), or Church of Santa Maria Maggiore, is the largest Catholic Marian Church in Rome, Italy.

Other Churches in Rome, Dedicated to Mary, include Santa Maria-in-Trastevere, Santa Maria-in-Aracoeli, and Santa Maria sopra Minerva, but the greatest size of the Basilica of Saint Mary Major justifies the adjective (Papal Basilica) by which it is distinguished from the other twenty-five.

According to The 1929 Lateran Treaty, the Basilica, located in Italian territory, is owned by The Holy See and enjoys Extra-Territorial Status, similar to that of foreign embassies. The building is patrolled internally by Police agents of Vatican City State, not by Italian Police.

The Church may still sometimes be referred to as "Our Lady of The Snows", a name given to it in The Roman Missal, from 1568 to 1969, in connection with The Liturgical Feast of The Anniversary of its Dedication on 5 August, a Feast that was then denominated "Dedicatio Sanctae Mariae ad Nives" (Dedication of Saint Mary of The Snows).

This name for the Basilica had become popular in the 14th-Century, in connection with a legend that The 1911 Catholic Encyclopedia reports thus: "During the Pontificate of Liberius, the Roman Patrician, John, and his wife, who were without heirs, made a vow to donate their possessions to The Virgin Mary. They Prayed that she might make known to them how they were to dispose of their property in her honour".




English: Decorated wall murals in the Basilica of Saint Mary Major, Rome.
Magyar: Santa Maria Maggiore, Róma. A főbejárat feletti belső faldíszítés.
Date: 2008-08-27 (original upload date). Taken on 2005.04.22.
Source: Transferred from hu.wikipedia; transferred to Commons
Author: Original uploader was Kit36a at hu.wikipedia.
(Wikimedia Commons)

On 5 August, at the height of the Roman Summer, snow fell during the night on the summit of The Esquiline Hill. In obedience to a vision of The Virgin Mary, which they had the same night, the couple built a Basilica in honour of Mary on the very spot which was covered with snow.

The legend is first reported only after the year 1000. It may be implied, in what The Liber Pontificalis of the Early-13th-Century says of Pope Liberius: "He built the Basilica of his own name (i.e. the Liberian Basilica) near the Macellum of Livia". Its prevalence in the 15th-Century is shown in the painting of The Miracle of The Snow by Masolino da Panicale.

The Feast was originally called "Dedicatio Sanctae Mariae" (Dedication of Saint Mary's), and was Celebrated only in Rome, until inserted for the first time into The General Roman Calendar, with "ad Nives" added to its name, in 1568. A Congregation, appointed by Pope Benedict XIV in 1741, proposed that the reading of the legend be struck from The Office and that The Feast be given its original name. No action was taken on the proposal until 1969, when the reading of the legend was removed and The Feast was called "In dedicatione Basilicae S. Mariae (Dedication of the Basilica of Saint Mary)". The legend is still Commemorated by dropping White Rose Petals from the Dome during the Celebration of The Mass and Second Vespers of The Feast.




English: Interior of the Basilica of Saint Mary Major, Rome.
Português: Capela lateral e parte da nave, Santa Maria Maggiore, Roma.
Date: 2005.
Source: Taken by Ricardo André Frantz.
Author: Ricardo André Frantz (User:Tetraktys).
(Wikimedia Commons)

The earliest building on the site was the Liberian Basilica, or Santa Maria Liberiana, after Pope Liberius (352 A.D. - 366 A.D.). This name may have originated from the same legend, which recounts that, like John and his wife, Pope Liberius was told in a dream of the forthcoming Summer snowfall, went in procession to where it did occur and there marked out the area on which the Church was to be built. "Liberiana" is still included in some versions of the Basilica's formal name, and "Liberian Basilica" may be used as a contemporary, as well as historical, name.

No Catholic Church can be honoured with the title of Basilica unless by Apostolic Grant or from Immemorial Custom. Saint Mary Major is one of the only four Basilicas that today hold the Title of Major Basilica. The other three are Saint John Lateran, Saint Peter, and Saint Paul-without-the-Walls. (The Title of Major Basilica was once used more widely, being attached, for instance, to the Basilica of Saint Mary of The Angels, in Assisi.) All the other Catholic Churches that, either by Grant of the Pope or by Immemorial Custom, hold the Title of Basilica, are Minor Basilicas.

Until 2006, the four Major Basilicas, together with the Basilica of Saint Laurence-without-the-Walls, were referred to as the five "Patriarchal Basilicas" of Rome, associated with the five ancient Patriarchal Sees of Christendom (see Pentarchy). Saint Mary Major was associated with the Patriarchate of Antioch. In the same year, the title of "Patriarchal" was also removed from the Basilica of Saint Francis, in Assisi.




English: Cupola over a Side-Altar in 
the Basilica of Saint Mary Major, Rome.
Deutsch: Santa Maria Maggiore Rom,
Kuppel eines Seitenaltars.
Photo: February 2008.
Source: Own work.
(Wikimedia Commons)

The former five Patriarchal Basilicas, with the Basilica of The Holy Cross-in -Jerusalem, and San Sebastiano-fuori-le-mura, formed the Traditional Seven Pilgrim Churches of Rome, which are visited by Pilgrims during their Pilgrimage to Rome, following a twenty-kilometres (twelve miles) itinerary, established by Saint Philip Neri on 25 February 1552, especially when seeking The Plenary Indulgence on Holy Years. For The Great Jubilee of 2000, Pope John Paul II replaced Saint Sebastian's Church with The Shrine of Our Lady of Divine Love.

It is agreed that the present Basilica was built in the Reign of Pope Sixtus III (432 A.D. - 440 A.D.). The Dedicatory Inscription on The Triumphal Arch, "Sixtus Episcopus plebi Dei" (Sixtus the Bishop to the people of God) is an indication of that Pope's role in the construction. As well as this Church on the summit of The Esquiline Hill, Pope Sixtus III is said to have commissioned extensive building projects throughout the City, which were continued by his successor, Pope Leo I, (The Great).

Church Building in Rome in this period, as exemplified in Saint Mary Major, was inspired by the idea of Rome being, not just The Centre of The World of The Roman Empire, as it was seen in The Classical Period, but The Centre of The Christian World.




English: Interior of Basilica di Santa Maria Maggiore, Rome, Italy.
Česky: Vnitřní prostory Baziliky Santa Maria Maggiore, Řím, Itálie.
Photo: April 2011.
Source: Own work.
Author: Karelj.
(Wikimedia Commons)

Santa Maria Maggiore, one of the first Churches built in honour of The Virgin Mary, was erected in the immediate aftermath of The Council of Ephesus of 431 A.D., which proclaimed Mary, Mother of God. Pope Sixtus III built it to Commemorate this decision.

When the Popes returned to Rome after the period of The Avignon Papacy, the buildings of the Basilica became a temporary Palace of the Popes, due to the deteriorated state of The Lateran Palace. The Papal Residence was later moved to The Palace of the Vatican, in what is now Vatican City.




The Basilica of Saint Mary Major 
(Santa Maria Maggiore), 
Rome, Italy.
Photo: March 2006.
Source: Own work.
Author: Sixtus.
(Wikimedia Commons)

The Basilica was restored, re-decorated and extended by various Popes, including Eugene III (1145–1153), Nicholas IV (1288–1292), Clement X (1670–1676), and Benedict XIV (1740–1758), who, in the 1740s, commissioned Ferdinando Fuga to build the present façade and to modify the Interior. The Interior of Santa Maria Maggiore underwent a broad renovation, encompassing all of its Altars, between 1575 and 1630.

The original architecture of Santa Maria Maggiore was Classical, and Traditionally Roman, perhaps to convey the idea that Santa Maria Maggiore represented Old Imperial Rome, as well as its Christian future.

Saturday 15 April 2017

“Let All Mortal Flesh Keep Silent”. The Holy Saturday Hymn For The Great Entrance.




"Let All Mortal Flesh Keep Silence."
Да молчит - Сретенский монастырь.
Хор Сретенского Монастыря - Да молчит всякая плоть (Прот. П. Турчанинов).
[Вместо Херувимской песни поется в Великую Субботу]
Sretensky Monastery Choir.
"Let all mortal flesh keep silence."
Available on YouTube at


This Article, by Gregory Dipippo, is taken from, and can be read in full at,
NEW LITURGICAL MOVEMENT


This ancient Hymn was borrowed by The Byzantine Rite from The Liturgy of Saint James, and is sung at The Great Entrance, in place of The Cherubic Hymn, when The Divine Liturgy of Saint Basil the Great is Celebrated on the morning of Holy Saturday.

This particularly impressive Old Church Slavonic version is sung by the Choir of The Sretensky Monastery in Moscow, Russia.

In The Hours Of Holy Saturday, A Great Silence Overtakes The Church.




Cologne Cathedral at night.
Illustration: DAN IN DEUTSCHLAND



The Silence Of The Lord.

"In The Hours Of Holy Saturday,
A Great Silence Overtakes The Church".

This Article can be read in full
on the Newsletter of




Saved from myrandomstuff.se
Illustration: PINTEREST





"Der Kreuzigung Christi"
(The Crucifixion of Christ).
Artist: Bruno Piglhein
(1848-1894).
Illustration: DAILY BIBLE STUDY





Cathedral at night.
Illustration: UNEXPECTED TRAVELLER




Bach's Saint John Passion.
Conductor: John Eliot Gardiner.
Sung by: The Monteverdi Choir,
English Baroque soloists.
Available on YouTube at

Holy Saturday. Lenten Station At The Papal Arch-Basilica Of Saint John Lateran.




Text from The Saint Andrew Daily Missal,
unless otherwise stated.

Holy Saturday.
   Station at Saint John Lateran.

Indulgence of 30 Years and 30 Quarantines.

Double of The First-Class.

Violet Vestments
and White Vestments.




English: Papal Arch-Basilica of Saint John Lateran.
Latin: Archibasilica Sanctissimi Salvatoris 
et Sanctorum Iohannes Baptistae

et Evangelistae in Laterano 
Omnium urbis et orbis ecclesiarum mater et caput.
Italiano: Basilica di San Giovanni in Laterano, Roma.
Polski: Bazylika św. Jana na Lateranie (znana jako
Bazylika Laterańska), 
katedra biskupa Rzymu, Włochy.
Photo: September 2005.
Source: Own work.
Author: Stefan Bauer, http://www.ferras.at.
(Wikimedia Commons)


The Station is at Saint John Lateran, the Mother Church of the Christian world, and it is here that The Church Celebrated The First Mass of Easter and that, formerly, she received into her bosom the many Catechumens, who were Baptised on this day. First Dedicated to Our Blessed Saviour, this Basilica was subsequently Consecrated to Saint John the Baptist, with the Baptistry attached.

In former times, the Church held no special Service on this morning. Apart from any gathering for The Lenten Station, a Meeting was held in the course of the afternoon for The Seventh, and last, Scrutiny, which almost immediately preceded the Baptism. [It was at this gathering that The Rite of Exorcism took place, and The Rite of Ephpheta, which recalls the Miracles worked by Jesus, when He cured the deaf and dumb, and the Renunciation of Satan, pronounced by The Catechumen after being Anointed with The Oil of Catechumens. He then recited the Symbol, a proceeding known as "the Rendering of The Symbol". We discover these Rites, again, in the present Ceremonies of Baptism, following those that took place at The Third Scrutiny.]

At night, was held The Watch, or Solemn Vigil of Easter, towards the end of which, before daybreak, The Catechumens plunged in the Water of The Baptistry and were, so to speak, buried with Jesus; and, at the very hour at which Christ rose Triumphantly from The Sepulchre, they were born to The Life of Grace.

Later, The Great Ceremonies were Anticipated, being held first in the evening, and, subsequently, in the morning of Holy Saturday. They reveal a sudden change from sorrow to joy, and disclose certain anomalies which this notice helps to explain.



English: The Lateran Palace (on the Left) beside the Basilica of Saint John Lateran.
Deutsch: Das Bild zeigt den Lateranspalast und das Seitenportal
der Lateransbasilika 
von der Piazza S. Giovanni in Laterano aus.
Italiano: Facciata laterale della Basilica di San Giovanni in Laterano (Roma),
con a sinistra il Palazzo Laterano.
Photo: September 2004.
Source: Own work.
Author: Maus-Trauden.
(Wikimedia Commons)


THE BLESSING OF THE NEW FIRE.

The Church, Blessing, as she does, all Elements of which she makes use for Divine Worship, made a practice of Blessing, every evening, The New Fire that was to provide the Light for The Office of Vespers. The Liturgy of Holy Saturday maintains this custom. She also Blesses The Five Grains of Incense, which are to be fixed in The Paschal Candle, the Offering of which to God will thenceforward be accepted as a sweet savour.

At a convenient hour, the Altars are covered with Linen Cloths, but the Candles are not lighted until the beginning of Mass. Meanwhile, fire is struck from a flint, outside the Church, and the coals are kindled. At the end of None, the Priest, Vested in Amice, Alb, Girdle, and Stole, to which he adds, if possible, a Violet Cope, accompanied by his Ministers, with Processional Cross, Holy Water and Incense, goes outside the Church Door, and Blesses The New Fire.

THE BLESSING OF THE PASCHAL CANDLE.

The Celebrant goes up to the Epistle side of the Altar, and the Deacon, giving the Reed to an Acolyte, takes the Book and asks a Blessing of the Priest.

The Deacon then goes to the Lectern, puts down the Book and incenses it. At his Right-Hand, stand the Sub-Deacon, with The Cross, and the Thurifer; at his Left, the two Acolytes, one holding the Reed and the other the vessel containing The Five Blessed Grains of Incense, to be set in The Paschal Candle.



The Cloisters 
of the Basilica of Saint John Lateran, 
Rome, Italy.
Photo: May 2005.
Source: Own work.
Author: Briséis.
(Wikimedia Commons)


All rise and stand, as at the Gospel, and the Deacon sings the Exsultet, in which The Church expounds the beautiful symbolic meaning of The Paschal Candle. He sings of the night of happy memory, which witnessed the escape of The Children of Israel from Egypt, conducted by a Pillar of Fire illumined with The Splendour of Christ. When the Exsultet has been sung, the Deacon fixes The Five Blessed Grains of Incense in The Paschal Candle, in the form of a Cross.

THE PROPHECIES.

After the Blessing of The Paschal Candle, the Deacon lays aside his White Dalmatic and puts on a Violet Stole and Violet Maniple. He then goes to the Celebrant, who, after laying aside his Cope, puts on a Violet Maniple and Violet Chasuble. The Prophecies are then chanted, by the Cantors, without any introduction, while the Priest, standing on the Epistle side of the Altar, reads them in a low voice.

The Reading of The Twelve Prophecies served the object, formerly, of a final Initiation of The Catechumens.



English: Cloisters of the Basilica of Saint John Lateran, Rome.
Italiano: Chiostro della Basilica di San Giovanni in Laterano, Roma, Italy.
Photo: October 2005.
Source: Flickr.
Author: Ern.
Reviewer: Mac9.
(Wikimedia Commons)


THE BLESSING OF THE FONT.

In earlier times, the Clergy, at this point, went to The Baptistry of The Lateran, where The Sovereign Pontiff Blessed, by virtue of The Cross, the water that was to be used for the Baptism. The Paschal Candle, which he dipped three times into it, recalled to mind the incident of The Baptism of Jesus in The River Jordan, whereby He Sanctified the Water and imparted to it the Power of Regeneration.

The Catechumens were then questioned, for the last time, on the Creed, were Baptised, and then Confirmed, and the White Garments, in which they were then clothed, became The Mystical Robe which entitled them to sit at The Holy Table and make their First Communion.

At the end of the Reading of The Prophecies, if there is a Baptismal Font in the Church, the Priest, who is about to Bless it, puts on a Violet Cope and, preceded by the Processional Cross, the Candelabra and the Lighted Blessed Candle, goes to the Font with his Ministers and the Clergy, while the Tract is sung.

THE LITANY OF THE SAINTS.

As the Priest and his Ministers return to the Altar, after the Blessing of the Font, two Cantors begin to sing The Litany of The Saints.

At the Invocation, Peccatores, te rogamus, audi nos, the Priest and his Ministers go into The Sacristy, where they Vest in White Vestments for The Solemn Celebration of Mass. Meanwhile, the Candles are lighted on the Altar.



English: Basilica of Saint John Lateran, Rome.
With its length of 400 feet, this Basilica ranks fifteenth among the largest Churches in the World.
Français: Basilique Saint-Jean-de-Latran, Vatican, située à Rome, Latium, Italie. Avec sa longueur de 121,84 mètres, cette Basilique se classe au 15è rang parmi les plus grandes églises au monde.
Photo: September 2010.
Source: Own work.
Author: Tango7174.
(Wikimedia Commons)

MASS AND VESPERS.

During the singing of The Litany of The Saints, the Neophytes re-entered the Church, and The Mass was begun, which inaugurated The Solemn Services of Easter (Secret). This Celebrates The Glory of The Risen Christ (Gospel), and that of the Souls who, through Baptism, have entered on a New Life, a pledge of their future resurrection (Epistle, Collect, Hanc igitur). Hence, the joyful Alleluia that is sung, the pealing of the Organ and the ringing of the Bells.

The Vespers, which follow The Communion, remind us of The Holy Women, who were the first to realise The Great Mystery of The Resurrection.

Let us show our gratitude to God for The Sacraments of Baptism, Confirmation, and The Holy Eucharist, which have made it possible for us to pass, with Jesus, from the Death of Sin to the Life of Grace.



The Pope's Seat,
Photo: October 2005.
Source: Flickr.
Author: Ern.
Reviewer: Mac9.
(Wikimedia Commons)


At the end of The Litany of The Saints, the Cantors sing the Solemn Kyrie eleison, Christe eleison, Kyrie eleison, each Invocation being repeated thrice. Meanwhile, the Priest, attended by his Ministers, all in White Vestments, goes to the Altar, recites the Judica me, adding the Gloria Patri, and makes the Confession in the usual way. Then, ascending the steps, he kisses the Altar, incenses it, and, as soon as the Choir have finished the Kyrie eleison, he intones the Gloria in Excelsis Deo; the Organ is played and the Bells are rung.

During The Mass, the Agnus Dei is omitted and, instead of a Communion Antiphon, the Choir sings Vespers.

During Vespers, the Chapter, Hymn and Verse are omitted.

During the Magnificat, the Altar is incensed, as at Solemn Vespers.



English: Saint James-the-Less.
Nave of the Basilica of Saint John Lateran
Rome, Italy.
Česky: Socha Sv. Jana Menšího z dílny Angela de' Rossiho z 
Photo: April 2011.
Source: Own work.
Author: Karelj.
(Wikimedia Commons)

At The Dismissal, at the end of Mass, the Deacon, turning towards the people, says: "Ite Missa est, Alleluia, Alleluia". This double Alleluia is added to the Ite Missa est until Easter Saturday, inclusive.

The Mass ends, as usual, with the "Placeat", The Blessing, and The Last Gospel.

PASCHALTIDE.

Paschaltide, extending from Easter Sunday to Saturday after Pentecost, Commemorates The Three Glorious Mysteries of: The Resurrection of Our Lord (Celebrated during forty days); His Ascension (during ten days); The Descent of The Holy Ghost (during The Octave of Pentecost).

Therefore, the Doctrinal, Historical and Liturgical Notes for Paschaltide, in The Saint Andrew Daily Missal, will be given in Three Parts, respectively, before each one of The Feast of Easter, The Feast of Ascension Day, and The Feast of Pentecost.

Friday 14 April 2017

Stations Of The Cross. Every Friday During Lent. When Was The Last Time You Followed The Way Of The Cross ?



Taken from: FR. Z's BLOG


This Article is taken from, and can be read in full at, FR. Z's BLOG

Since it is a Friday of Lent, a First Friday, do please Pray The Act of Reparation.

Here also are my audio projects of The Way of The Cross.

What we need right now is PRAYER, especially at the end of this hard week. And remember to
GO TO CONFESSION !!!

Also, these days, we especially need to Pray for Priests, which includes Bishops and everyone up the hierarchy


There are many Priests, today, who  – for one reason or another  –  are failing in their duty to teach with clarity what The Church has always taught.

There are other Priests who are becoming discouraged and afraid concerning what might befall them if they remain clear and faithful. Yet other Priests are mired in sins. And always there are those Priests who are infirm, old, nearing their judgment.

Hence, this year, I’ve added a new version, The Way Of The Cross For Priests from The Benedictines of Silverstream Priory. HERE.

Would you consider getting copies of this for your Priests where you are ?

They also have beautiful Altar Cards HERE.


 In my reading, I left out the references to the Scripture passages which are quoted, for they would not be read in a public recitation. I urge you, however, to obtain a hard copy so that, if you wish, you can find them. Even more, I urge you Lay People to get a copy and then Pray with it for Priests.

Below are readings of The Via Crucis, The Way of The Cross, composed by
Joseph Card. Ratzinger, later Pope Benedict XVI, for the 2005 Good Friday observance at The Colosseum in Rome.
Saint Alphonus Liguori.
Blessed John Henry Newman.
Saint Francis of Assisi (according to the method . . . )
Silverstream Priory – The Way Of The Cross For Priests.

There are two versions of "The Way" by Saint Alphonsus Liguori. One is plain with just my voice. The other is the same voice recording, but with The Gregorian Chant Sequence Stabat Mater interlaced between The Stations.

There are two versions of "The Way", by Saint Alphonsus Liguori. One is plain, with just my voice. The other is the same voice recording but with the Gregorian chant Sequence Stabat Mater interlaced between The Stations.


 The Way Of The Cross For Priests [ 24:00 ] Hide Player | Play in Popup | Download (80)

 Stations of the Cross - Joseph Ratzinger (Good Friday 2005) [ 1:05:40 ] Hide Player | Play in Popup | Download (28051)

 Stations of the Cross by St. Alphonsus Liguori [ 35:43 ] Hide Player | Play in Popup | Download (14045)

 Stations of the Cross by St. Alphonsus Liguori (with chant) [ 34:16 ] Hide Player | Play in Popup | Download (23256)

 Stations of the Cross by Bl. John Henry Newman [ 50:42 ] Hide Player | Play in Popup | Download (7490)

 Stations of the Cross according to the method of St Francis of Assisi [ 42:43 ] Hide Player | Play in Popup | Download (268)


You can gain a Plenary Indulgence, under the usual conditions of Confession and Communion, within a few days of the work, and detachment even from Venial Sin. From The Handbook of Indulgences:

63. Exercise of The Way of The Cross (Viae Crucis exercitium).

A Plenary Indulgence is granted to The Faithful, who make the pious exercise of The Way of The Cross.

The gaining of the Plenary Indulgence is regulated by the following norms:

The pious exercise must be made before Stations of The Way of The Cross, legitimately erected.

For the erection of The Way of The Cross, Fourteen Crosses are required, to which it is customary to add Fourteen Pictures, or, Images, which represent The Stations of Jerusalem.


According to the more common practice, the pious exercise consists of Fourteen Pious Readings, to which some vocal Prayers are added. However, nothing more is required than a pious Meditation on The Passion and Death of The Lord, which need not be a particular consideration of the individual Mysteries of The stations.

A movement from one Station to the next is required.

I believe that, if you follow The Holy Father’s Way of The Cross on Good Friday, even by television, the Indulgence is available.

If the pious exercise is made publicly and if it is not possible for all taking part to go in an orderly way from Station to Station, it suffices if, at least, the one conducting the exercise goes from Station to Station, the others remaining in their place.


Those who are “impeded” can gain the same Indulgence, if they spend at least one half an hour in pious Reading and Meditation on The Passion and Death of Our Lord Jesus Christ.

For those belonging to Eastern Rites, among whom this pious exercise is not practiced, the respective Patriarchs can determine some other pious exercise in memory of The Passion and Death of Our Lord Jesus Christ for the gaining of this Indulgence.


Meanwhile, from a reader last year . . .

Just a quick note to say thank you for providing your recordings of The Stations of The Cross. I am completely blind and had committed to making this part of my Lenten practices, only to have the Braille display, from which I read promptly, die. I had been struggling to find a recording of Saint Alphonsus’ version.

May God bless you !

If these recordings are helpful to you, please say a Prayer for me, especially if you use The Way Of The Cross For Priests.

Good Friday.



Illustration: CATHOLIC VOTE

The Stations Of The Cross During Lent.



The Fourteenth Station.
Jesus Is Laid In The Sepulchre.
Illustration: THE TRUE MASS

During Lent (a time of Prayer, Mortification, and Alms-Giving),
why not make the effort and go to The Stations of The Cross every week ?
If your Church doesn't bother to have The Stations of The Cross (can you believe it ?),
you can still make a private visit to the Church and Pray The Stations of The Cross, yourself,

Booklets are available in the U.K.
for 
Praying 
The Stations of The Cross
from
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