Notre Dame de Rouen. The façade of the Gothic Church in France. Photographer: Hippo1947. Licence: SHUTTERSTOCK.

Monday 13 September 2021

Vimy Ridge. Do Not Forget.



The Canadian Memorial at
Vimy Ridge.
Do Not Forget.


The Battle of Vimy Ridge was part of The Battle of Arras, in the Nord-Pas-de-Calais region of France, during The First World War. The main combatants were the four Divisions of The Canadian Corps in The First Army, against three Divisions of the German 6th Army.

The battle took place from 9 April 1917 to 12 April 1917 at the beginning of The Battle of Arras, the first attack of The Nivelle Offensive.

The Canadian Corps were to capture the German-held high ground of Vimy Ridge, an escarpment on the Northern Flank of The Arras Front. This would protect The First Army and The Third Army, farther South, from German enfilade fire.

Supported by a creeping barrage, The Canadian Corps captured most of the ridge during the first day. The village of Thélus fell during the second day, as did the crest of the ridge, once The Canadian Corps overran a salient against considerable German resistance.


The final objective, a fortified knoll outside the village of Givenchy-en-Gohelle, fell to the Canadians on 12 April.

Historians attribute the success of The Canadian Corps to technical and tactical innovation, meticulous planning, powerful artillery support and extensive training, as well as the inability of The 6th Army to properly apply the new German defensive doctrine.

The battle was the first occasion when the four Divisions of The Canadian Expeditionary Force fought together and it was made a symbol of Canadian national achievement and sacrifice. A 100 ha (250-acre) portion of the former battleground serves as a Memorial Park and site of The Canadian National Vimy Memorial.[5]

“Please, God. Give Me Strength”.





Sunday 12 September 2021

“Rorate Mass”. Notre-Dame Basilica, Fribourg, Switzerland.



“Rorate Mass”.
Notre-Dame Basilica, Fribourg, Switzerland.
Wednesday, 18 December 2019.
Masses are Live-Streamed, daily, from this beautiful Basilica,
All Illustrations: FSSP
© Fraternité Sacerdotale Saint-Pierre - fssp.ch


The following Text is from Wikipedia - the free encyclopædia.

The Rorate Mass is a Votive Mass In Honour of The Virgin Mary during the Season of Advent.

It has a long Tradition in The Catholic Church, especially in German-speaking areas.

The Mass has to begin relatively early in the morning, when it is still dark, due to Winter-Time, and is Said (or Sung) by Candlelight.

The Most Holy Name Of Mary. The Feast Day Is, Today, 12 September.


Text from The Saint Andrew Daily Missal,
unless otherwise stated.

The Most Holy Name of Mary.
   Feast Day 12 September.

Greater-Double.

White Vestments.



English: William-Adolphe Bouguereau's "L'Innocence".
Both young children and the lamb are symbols of innocence.
Français: Bouguereau — L'Innocence.
Русский: "Невинность", картина Виллиама Бугро.
И маленький ребёнок, и ягнёнок — символы невинности
Artist: William-Adolphe Bouguereau (1825–1905).
Date: 1893.
Source/Photographer: http://www.illusionsgallery.com
Author: William-Adolphe Bouguereau (1825–1905).
(Wikimedia Commons)


The Lady Altar,
Our Lady of The Rosary Catholic Church,
Blackfen, Kent, England.
Date: 2012.
Source: Own work.
Author: MULIER FORTIS


The Annunciation.
Artist: Paolo de Matteis (1662–1728).
Date: 1712.
Current location: Saint Louis Art Museum,
Missouri, United States of America.
Source: Own work.
(Wikimedia Commons)

Just as a few days after Christmas, we celebrate The Holy Name of Jesus, so, after The Nativity of Mary, we glorify her Holy Name. Eight days after The Birth of The Virgin, according to the custom of the Jews, her holy parents, inspired by God, say Saint Jerome and Saint Antoninus, gave her the name of Mary.

Wherefore, during The Octave of The Nativity of Mary, The Liturgy gives a Feast in honour of this Holy Name.

Spain, with the approval of Rome, in 1513, was the first to Celebrate it, and, in 1683, it was extended to the whole Church by Pope Innocent XI to thank Mary for the victory which John Sobieski, King of Poland, had just gained against the Turks, who besieged Vienna and threatened The West.


"The Name of The Virgin," says the Gospel, "was Mary." The Hebrew name of Mary, in Latin "Domina", means "Lady", or "Sovereign"; for the authority of her Son, Lord of The World, makes her a Sovereign from her birth, in fact, as well as in name [Eighth Lesson at Matins].

Whence, as we call Jesus “Our Lord”, we say of Mary that she is “Our Lady”. To pronounce her name is to proclaim her power.

Let us offer The Holy Sacrifice of The Mass to God, to honour The Most Holy Name of Mary and to obtain by her Intercession her continual protection (Postcommunion).

Mass: Vultum tuum.
Preface: Of The Blessed Virgin: Et te in Festivitáte.



English: The Assumption.
Deutsch: Maria Himmelfahrt.
Hochaltar für St. Maria Gloriosa dei Frari in Venedig.
Français: L'Assomption de la Vierge.
Artist: Titian (1490–1576).
Date: 1516-1518.
Source/Photographer: The Yorck Project: 10.000 Meisterwerke der Malerei.
DVD-ROM, 2002. ISBN 3936122202.
Distributed by DIRECTMEDIA Publishing GmbH.
(Wikimedia Commons)


“Oh, Most Holy Maiden Mary”.
Estonian Philharmonic Chamber Choir.
Available on YouTube at


The following Text is taken from CATHOLICISM PURE AND SIMPLE

In accordance with Jewish custom, Our Lady’s parents named her, eight days after her birth, and were inspired to call her "Mary". The Feast of The Holy Name of Mary, therefore, follows that of her Birthday, as The Feast of The Holy Name of Jesus follows Christmas.

The Feast originated in Spain and was approved by The Holy See in 1513; Pope Innocent XI extended its observance to the whole Church in 1683, in thanksgiving to Our Blessed Lady for the victory on 12 September 1683 by John Sobieski, King of Poland, over the Turks, who were besieging Vienna and threatening The West. This day was commemorated in Vienna by creating a new kind of pastry and shaping it in the form of the Turkish half-moon. It was eaten along with coffee, which was part of the booty from the Turks.

The ancient Onomastica Sacra” have preserved the meanings ascribed to Mary’s name by the Early Christian writers and perpetuated by the Greek Fathers. “Bitter Sea,” “Myrrh of the Sea,” “The Light Giver,” “The Enlightened One,” “Lady,” “Seal of The Lord,” and “Mother of The Lord” are the principal interpretations. These etymologies suppose that the Hebrew form of the name is Maryãm, not Miryãm.


From the time of Saint Jerome, until the 16th-Century, preferred interpretations of Mary’s name in The West were, “Lady,” “Bitter Sea,” “The Light Giver,” and, especially, “Star of the Sea.” “Stella Maris” was by far the favoured interpretation. The revival of Hebraic studies, which accompanied The Renaissance, led to a more critical appraisal of the meanings assigned to Our Lady’s name.

Miryãm has all the appearance of a genuine Hebrew name, and no solid reason has been discovered to warrant rejecting the Semitic origin of the word. The Hebrew name of Mary, Miryãm, (in Latin, Domina) means Lady, or Sovereign; this Mary is, in virtue of her Son’s Sovereign Authority as Lord of the World. We call Mary "Our Lady", as we call Jesus "Our Lord", and when we pronounce her name, we affirm her power, implore her aid and place ourselves under her protection.

Saturday 11 September 2021

The Parish Liturgy Committee Recently Held Their Annual Meeting.



The Parish Liturgy Committee
had their Annual Meeting, recently.
Afterwards, a most enjoyable game of Bingo ensued.
Illustration: UNOFFICIAL ROYALTY

The Secrets Of Oxburgh Hall: Some New Finds At A 15th-Century Catholic House That Kept The Faith.


This Article (from September 2020) is taken from, and can be read in full at,
CATHOLIC HERALD



It’s a remarkable haul. Last month, more than 2,000 artefacts were unearthed at Oxburgh Hall, a 15th-Century Moated House in Norfolk – some of which provide evidence of secret Catholic Worship from Queen Elizabeth I’s reign.

The findings include books, manuscripts, musical scores and off-cuts of clothing that indicate concealed Worship from the 16th-Century, all kept for Centuries in the building, home to The Bedingfeld Family.


A Copy of the 1568 edition of “The Kynges Psalmes”,
written by Saint John Fisher, was found hidden in a void at
Oxburgh Hall, Norfolk, during a re-roofing project.

A fingertip archaeological search under attic floorboards, during a re-roofing project, led to the discovery, one of the largest ever in a National Trust property. The most precious find so far is a fragment from a 15th-Century Illuminated Manuscript.

Anna Forest, The National Trust curator who is overseeing the work, said that “the Text is distinct enough for us to identify it as part of The Latin Vulgate Psalm 39 (Expectans expectavi).”

The National Trust contacted Dr James Freeman, Mediæval Manuscripts specialist at Cambridge University Library. He explained that “the page may be from a Psalter, but its small size – just 8 cm x 13 cm – suggests it once was part of a Book of Hours.”

Anna added that, despite Centuries of concealment, the Gold Leaf and Blue Ink from the Illuminated Initials remains “vibrant”.

Meanwhile, scraps of Handwritten Music – apparently showing a Soprano part – hint at the singing which would have been part of the clandestine Worship at the house.


The Curator, Anna Forest, examines a 15th-Century Illuminated Manuscript
discovered under the floorboards of Oxburgh Hall.

Another intriguing discovery is a fragment from a 1590 edition of a Spanish tale, written in 1420. The Trust points out that Recusants had a special interest in reading Spanish stories, imbued as they were with Catholicism.

These and other items have a deep Historical and Spiritual resonance. In 1559, Queen Elizabeth I’s Act of Uniformity changed everything for The Bedingfeld Family.

Sir Henry Bedingfeld, the occupant of Oxburgh Hall, had been a figure of some political influence under Queen Mary. But the new Act effectively banned the practice of Catholicism by enforcing the English Book of Common Prayer as the set order of Prayer in England.

It also dictated that all of the Queen’s subjects were obliged to go to Church once a week or face financial penalties. Sir Henry could not abide by The Act, which put an end to his involvement with the Tudor Court.

The house became a place where Catholicism could be practised away from the eyes of the authorities – as shown by the Priest-Hole for which the building is well known. The new discovery confirms that The Bedingfeld Family remained true to their Catholic Faith despite the dangers of ostracism and, indeed. persecution, were they to be discovered.


A tiny fragment of 16th-Century Handwritten Music.

It is not the first time that the secrets of Oxburgh Hall have made historians sit up. The author, Dr Linda Porter, told the Catholic Herald that she uncovered a significant document at the house when researching her book “Mary Tudor: The First Queen”: “It is a proclamation in which Mary proclaims herself Queen, days before the actual proclamation in London on 19 July [1553], and it shows how well organised she and her party were, that they felt there was enough support, politically and militarily.

“I am not surprised they found these artefacts there – it is an absolutely fascinating house,” she says. Of the most recent findings, “the most interesting and complete thing that they found is a rather battered collection of Prayers, part of which had been published by Katherine Parr and gathered in one volume.” Katherine Parr was a Protestant but “her original works on choosing and publishing Prayers were from Catholic sources”. This 1568 book, which researchers are now studying, is another sign of The Bedingfelds’ hidden devotion.

Russell Clement, General Manager at Oxburgh Hall, told the Press: “We had hoped to learn more of the history of the house during the re-roofing work, and have commissioned paint analysis, wallpaper research, and building and historic graffiti recording. But these finds are far beyond anything we expected to see. These objects contain so many clues which confirm the history of the house as the retreat of a devout Catholic Family, who retained their Faith across the Centuries.”

He adds that there may well be more to come. “This is a building which is giving up its secrets slowly. We don’t know what else we might come across – or what might remain hidden for future generations to reveal.”

"I Don't Mind If You Don't Like My Manners. I Don't Like Them Myself. They're Pretty Bad. I Grieve Over Them On Long Winter Evenings."

 

TAKE A PACKARD . . .



1949 Packard Station Sedan.
Illustration; HEMMINGS DAILY


PLAY BACKGROUND MUSIC . . .



"Nightmare".
by Artie Shaw.
[The perfect Intro to . . .
you know whom.]
Available on YouTube at


ADD A DAME . . .



Lauren Bacall.
American Actress.
Illustration: THE NEW YORK TIMES



“The Big Sleep”.
Humphrey Bogart (Philip Marlowe)
meets Vivian Rutledge (Lauren Bacall).
Available on YouTube at

ADD A DASH OF RYE . . .


  

Straight Rye Whiskey. Date: 2 September 2005 (original upload date). Source:
Transferred from en.wikipedia; Transferred to Commons by User:JohnnyMrNinja
using CommonsHelper. Author: Original uploader was Zoicon5 at en.wikipedia.
(Wikimedia Commons). Whisky Tumbler 
Illustration: ROYAL SCOT CRYSTAL






PUT ON A TRENCH COAT



Illustration: THE BOGIE FILM BLOG



AND WHAT D'YER GET ?





Screenshot of Humphrey Bogart
from the trailer for the film Invisible Stripes.
Date:1939.
This File: 15 February 2008.
(Wikimedia Commons)


“The Big Sleep”.
Original Theatre Trailer.
1946.
Available on YouTube at



"Nightmare".
by Artie Shaw.
[The perfect Finale to . . .
you know whom.]
Available on YouTube at


Illustration: BUZZQUOTES


"Nightmare".
by Artie Shaw.
[The perfect Finale to . . .
you know whom.]
Available on YouTube at

Saint Protus And Saint Hyacinth. Martyrs. Feast Day, Today, 11 September.


Text and Illustrations from Wikipedia - the free encyclopædia,
unless otherwise stated.


Saint Protus and Saint Hyacinth.
Date: 2 June 2006 (original upload date).
Source: http://catholicculture.org/lit/calendar/day.cfm?date=2003-09-11.
Transferred from en.wikipedia.
Author: Original uploader was Polylerus at en.wikipedia
(Wikimedia Commons)



BlislandCornwall, England.
Photo: June 2004.
Source: Own work.
Author: Mattana Mattis
(Wikimedia Commons)

Saint Protus and Saint Hyacinth were Christian Martyrs during the Persecution of Emperor Valerian (257 A.D.–259 A.D.). Protus' name is sometimes spelled Protatius, Proteus, Prothus, Prote, and Proto. Saint Hyacinth is sometimes called by his Latin name Hyacinthus (in French: Hyacinthe; Spanish: Jacinto; and Italian: Giacinto).

The day of their annual Commemoration is mentioned in the "Depositio Martyrum" on 11 September, in the Chronographia for the year 354 A.D. The Chronographia also mentions their graves, in the Cœmeterium of Basilla on the Via Salaria, later the Catacomb of Saint Hermes. The "Itineraries" and other early authorities likewise give this as their place of burial.

Tradition holds that Protus and Hyacinth were brothers. They served as Chamberlains to Saint Eugenia, and were baptised, along with her, by Helenus, Bishop of Heliopolis. Devoting themselves zealously to the study of Sacred Scripture, they lived with the Hermits of Egypt and, later, accompanied Eugenia to Rome. There, they were arrested for their Christianity by Emperor Gallienus (260 A.D.–268 A.D.). Refusing to deny their Faith, they were first scourged and then beheaded on 11 September.


Martyrdom of Saint Protus and Saint Hyacinth.
From a 14th-Century Manuscript.
This File: 7 November 2006.
User: Polylerus
(Wikimedia Commons)


BlislandCornwall, England.
Photo: June 2004.
Source: Own work.
Author: Mattana Mattis
(Wikimedia Commons)


In 1845, Father Marchi discovered the still-undisturbed grave of Saint Hyacinth in a Crypt of the above- mentioned Catacomb. It was a small square Niche, in which lay the ashes and pieces of burned bone, wrapped in the remains of costly stuffs.

Evidently, the Saint had been burnt; most probably both Martyrs had suffered death by fire. The Niche was closed by a marble slab, similar to that used to close a Loculus, and bearing the original Latin inscription that confirmed the date in the old Roman Martyrology:

D P III IDUS SEPTEBR
YACINTHUS
MARTYR
(Buried on 11 September Hyacinthus Martyr).


Rood Screen.
BlislandCornwall, England.
Photo: June 2004.
Source: Own work.
Author: Mattana Mattis
(Wikimedia Commons)


BlislandCornwall, England.
Photo: June 2004.
Source: Own work.
Author: Mattana Mattis
(Wikimedia Commons)

In the same Chamber were found fragments of an Architrave, belonging to some later decoration, with the words:

. . . S E P U L C R U M P R O T I M (artyris) . . .
(Grave of the Martyr Protus).

Thus, both Martyrs were buried in the same Crypt. Pope Damasus I wrote an Epitaph, in honour of the two Martyrs, part of which still exists. In the Epitaph, Pope Damasus calls Protus and Hyacinth "brothers."

When Pope Leo IV (847 A.D.–855 A.D.) transferred the bones of a large number of Roman Martyrs to the Churches of Rome, the Relics of these two Saints were to be translated, also; but, probably on account of the devastation of the Burial Chamber, only the grave of Saint Protus was found. His bones were transferred to San Salvatore on The Palatine Hill.

The remains of Saint Hyacinth were placed (1849) in the Chapel of the Propaganda College. Later, the tombs of the two Saints, and a Stairway, built at the end of the 4th-Century A.D., were discovered and restored.

The Parish Church of Blisland, Cornwall, England, is Dedicated to Saint Protus. It is known locally as Saint Pratt and Saint Hyacinth.


Wooden Vaulting.
BlislandCornwall, England.
Photo: June 2004.
Source: Own work.
Author: Mattana Mattis
(Wikimedia Commons)


The following Text is taken from The Saint Andrew Daily Missal.

Saints Protus and Hyacinth.
   Martyrs.
   Feast Day 11 September.

Simple.

Red Vestments.

After having been cruelly scourged, these two brothers were beheaded and took their places in The Army of Martyrs (Alleluia).

This was at Rome, about 260 A.D., under Emperors Valerian and Gallian.

Mass: Salus autem.


“The Mass Of The Foundation Of The Trinitarian Order”.
Artist: Juan Carreño de Miranda.
Illustration: LOUVRE


THE SAINT ANDREW DAILY MISSAL



THE SAINT ANDREW DAILY MISSAL

Available (in U.K.) from

Available (in U.S.A.) from

Available (in Ireland) from

Friday 10 September 2021

“Miserere Mei, Deus”. Composed By: Gregorio Allegri. Sung By: Tenebræ. Musical Director: Nigel Short.

 

“Miserere Mei, Deus”.
Composed By: Gregorio Allegri.
Sung By: Tenebræ.
Musical Director: Nigel Short.
Available on YouTube at

Text from Wikipedia - the free encyclopædia,
unless stated otherwise.

Miserere (full title: Miserere Mei, Deus, Latin for "Have mercy on me, O God") is a setting of Psalm 51 (Psalm 50 in the Latin Vulgate) by Italian composer Gregorio Allegri.

It was composed during the reign of Pope Urban VIII, probably during the 1630s, for the exclusive use of the Sistine Chapel during the Tenebrae services of Holy Week, and its mystique was increased by unwritten performance traditions and ornamentation.

It is written for two choirs, of five and four voices respectively, singing alternately and joining to sing the ending in 9-part polyphony.

Saint Nicholas Of Tolentino. Confessor. Feast Day, Today, 10 September.



Text from Wikipedia - the free encyclopædia,
unless otherwise stated.


Saint Nicholas of Tolentino.
Artist: Pietro Perugino (1448–1523).
Date: 1507.
Current location: Galleria Nazionale d'Arte Antica, Rome.
Source/Photographer: Web Gallery of Art
(Wikimedia Commons)

Nicholas of Tolentino (Italian: San Nicola da Tolentino, Spanish: San Nicolás de Tolentino) (circa 1246 – 10 September 1305), known as The Patron of Holy Souls, was an Italian Saint and Mystic.

Nicholas Gurrutti was born at Sant'Angelo in Pontano, in Italy, in what was then The March of Ancona. He was the son of parents who had been childless into middle age. Compagnonus de Guarutti and Amata de Guidiani, They Prayed at The Shrine of Saint Nicholas of Myra for his Intercession, and, when Amata became pregnant, they named their son after the Saint.

A studious, kind and gentle youth, at the age of sixteen Nicholas became an Augustinian Friar and was a student of the Blessed Angelus de Scarpetti. A Monk at the Monasteries at Recanati and Macerata, as well as others, he was Ordained in 1270, at the age of twenty-five, and soon became known for his Preaching and Teachings.


Saint Nicholas of Tolentino.
Illustration: LIVES OF THE SAINTS

Nicholas, who had had Visions of Angels reciting "to Tolentino", in 1274 took this as a sign to move to that City, where he lived the rest of his life. Nicholas worked to counteract the decline of Morality and Religion, which came with the development of City Life in the Late-13th-Century.

On account of his kind and gentle manner, his Superiors entrusted him with the daily feeding of The Poor, at The Monastery Gates, but, at times, he was so free with the Friary's provisions that the Procurator begged the Superior to check his generosity.

Once, when weak after a long Fast, he received a Vision of The Blessed Virgin Mary and Saint Augustine, who told him to eat some bread, marked with a Cross, and dipped in water. Upon doing so, he was immediately stronger. He started distributing these rolls to the ailing, while Praying to Mary, often curing the sufferers; this is the origin of The Augustinian Custom of Blessing and Distributing Saint Nicholas Bread.


Church of Saint Nicholas of Tolentine,
Bronx, New York, United States of America.

In Tolentino, Nicholas worked as a Peacemaker in a City torn by strife between The Guelphs and The Ghibellines, who, in the conflict for control of Italy, supported The Pope and The Holy Roman Emperor, respectively. He ministered to his flock, helped The Poor and visited Prisoners. When working wonders, or healing people, he always asked those he helped to "say nothing of this", explaining that he was just God's instrument.

During his life, Nicholas is said to have received Visions, including Images of Purgatory, which friends ascribed to his lengthy Fasts. Prayer for The Souls in Purgatory was the outstanding characteristic of his Spirituality. Because of this, Nicholas was proclaimed Patron of The Souls in Purgatory, in 1884, by Pope Leo XIII.

Towards the end of his life, he became ill, suffering greatly, but still continued the Mortifications that had been part of his Holy Life. Nicholas died on 10 September 1305.


Saint Nicholas of Tolentino.
Patron of The Holy Souls.

There are many tales and legends that relate to Nicholas. One says that the devil once beat him with a stick, which was then displayed for years in his Church. In another, Nicholas, a vegetarian, was served a roasted fowl, over which he made The Sign of The Cross, and it flew out a window. Nine passengers on a ship, going down at sea, once asked Nicholas' aid and he appeared in the sky, wearing The Black Augustinian Habit, radiating Golden Light, holding a Lily in his Left Hand, and, with his Right Hand, he quelled the storm. An Apparition of the Saint, it is said, once saved the burning Palace of The Doge of Venice, by throwing a piece of Blessed Bread on the flames. He was also reported to have Resurrected over one hundred dead children, including several who had drowned together.

According to the Peruvian chronicler, Antonio de la Calancha, it was Saint Nicholas of Tolentino who made possible a permanent Spanish settlement in the rigorous, high-altitude climate of PotosíBolivia. He reported that all children, born to Spanish colonists there, died in childbirth or soon thereafter, until a father dedicated his unborn child to Saint Nicholas of Tolentino (whose own parents, after all, had required Saintly intervention to have a child). The colonist's son, born on Christmas Eve, 1598, survived to healthy adulthood, and many later parents followed the example of naming their sons Nicolás.

Nicholas was Canonised by Pope Eugene IV (also an Augustinian) in 1446. He was the first Augustinian to be Canonised. At his Canonisation, Nicholas was credited with three hundred Miracles, including three Resurrections.


English: The Charles Bridge, Prague, Czech Republic.
(A statue of Saint Nicholas of Tolentino is on The Charles Bridge
(see next photo, below.)
Español: Puente de Carlos una mañana temprano,
antes de llenarse de turistas.
Français: Pont Charles a Prague.
Čeština: Karlův most v Praze.
Photo: 7 May 2006 (Upload Date).
Source: Own work.
Author: Chosovi
(Wikimedia Commons)

The Remains of Saint Nicholas are preserved at The Shrine of Saint Nicholas, in the Basilica di San Nicola da Tolentino, in the City of Tolentino, Province of Macerata, in Marche, Italy.

He is particularly invoked as an Advocate for The Souls in Purgatory, especially during Lent and the month of November. In many Augustinian Churches, there are Weekly Devotions to Saint Nicholas, on behalf of The Suffering Souls. 2 November, All Souls' Day, holds special significance for the devotees of Saint Nicholas of Tolentino.

Pope Saint Pius V did not include him in The Tridentine Calendar, but he was later inserted and given 10 September as his Feast Day. Judged to be of limited importance worldwide, his Liturgical Celebration was not kept in the 1969 Revision of The General Roman Calendar, but he is still recognised as one of The Saints of The Roman Catholic Church.


English: Statue of Saint Nicholas of Tolentino,
The Charles Bridge, Prague, Czech Republic.
Čeština: Sousoší Svatého Mikuláše Toletinského na Karlově mostě.
Photo: 31 July 2006 (Upload Date).
Source: Originally from cs.wikipedia; description page is/was here.
Author: Zp
(Wikimedia Commons)

A number of Churches and Oratories are dedicated to him, including San Nicolò da Tolentino, in Venice, San Nicola da Tolentino agli Orti Sallustiani, in Rome, and Saint Nicholas of Tolentino, in The Bronx, New York. In the Philippines, the 16th-Century Church of San Nicolas de Tolentino, in Banton, Romblon, was built in honour of him and his Feast Day is celebrated as the annual Biniray Festival, commemorating the Devotion of the Island's Catholic inhabitants to Saint Nicholas during the Muslim raids in the 16th-Century.

In the Province of Pampanga, Philippines, is a 440-year-old Augustinian Church, which was founded in 1575 and built in his honour. A Second-Class Relic of the Saint is Venerated every Tuesday after Mass.

He is depicted in The Black Habit of The Hermits of Saint Augustine — a Star above him, or on his breast, a Lily, or a Crucifix, garlanded with Lilies, in his hand. Sometimes, instead of the Lily, he holds a Vial filled with money or bread.


2012 Saint Nicholas of Tolentino Parish Fiesta Poster,
Macabebe, Philippines.
Photo: 23 August 2012.
Source: Own work.
Author: Jptoting
(Wikimedia Commons)


The following Text is from The Saint Andrew Daily Missal.

Saint Nicholas of Tolentino.
   Confessor.
   Feast Day 10 September.

Double.

White Vestments.

Nicholas, called "of Tolentino", on account of his long sojourn at this place, received the Baptismal Name of the Holy Bishop of Myra, because he was born after a Pilgrimage, made by his parents to the tomb of the great Miracle-Worker at Bari, Italy.

Following the example of his Holy Patron, although only seven years old, he Fasted several times a week. Listening, one day, to a Sermon by a Preacher of The Order of Hermits of Saint Augustine, on contempt of the World, he determined to give up all he possessed (Gospel) and to enter that Order.

He is represented holding a Lily, because he was always a model of Innocence and Purity. He died in 1308.

Mass: Justus.


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