Notre Dame de Rouen. The façade of the Gothic Church in France. Photographer: Hippo1947. Licence: SHUTTERSTOCK.

Monday 21 December 2015

The Great O Antiphons. 21 December.


Text and Illustrations taken from The Saint Andrew Daily Missal, 
unless otherwise stated.


File:Sandro Botticelli 062.jpg

English: Madonna and Child with two Angels.
Deutsch: Madonna und zwei Engel
Italiano: Madonna con due angeli.
Artist: Sandro Botticelli (1445–1510).
Date: 1468 - 1469.
Current location: Galleria Nazionale di Capodimonte.
Source/Photographer: The Yorck Project: 10.000 Meisterwerke der Malerei. 
DVD-ROM, 2002. ISBN 3936122202
Distributed by DIRECTMEDIA Publishing GmbH.
Permission: [1]
(Wikimedia Commons)




O Oriens.
The Great O Antiphon
for 21 December.
Available on YouTube at
http://youtu.be/1BsZH7e27Dg.


 21 December:  Psalm cvi.  10.

O Oriens,
splendor lucis aeternae,
et sol justitiae;
veni et illumina sedentes in tenebris,
et umbra mortis.

O Dawn of the East,
brightness of the light eternal,
and Sun of Justice;
come and enlighten them that sit in darkness,
and in the shadow of death.

V. Rorate.

"Rorate caeli desuper, et nubes pluant justium . . ."
"Ye heavens, drop down from above, and let the clouds rain down the Just One."

Sunday 20 December 2015

"I Will Lead The Blind In A Way That They Know Not, And I Will Turn The Darkness Before Them Into Light And I Will Not Forsake Them."


Text from The Saint Andrew Daily Missal,
unless otherwise stated.

Fourth Sunday of Advent.
Station at The Church of The Twelve Apostles.

Indulgence of 15 years and 15 Quarantines.
Privileged Sunday of The Second-Class.

Semi-Double.

Violet Vestments.



Saint John the Baptist Preaching The Baptism of Penance.

Artist: Rene de Cramer.
“Copyright Brunelmar/Ghent/Belgium”.
Used with Permission.



And Saint Leo says, "God Himself teaches us by the Prophet Isaias: I will lead the blind in a way that they know not, and I will turn the darkness before them into light and I will not forsake them."
[Editorial Comment: Do Not Be Disheartened. Do Not Despair. The World May Look Bleak And The Church Attacked From All Sides (And Within), But We Have Been Promised Deliverance. See what Isaias says, above.]
Like the whole Liturgy off this Season, the purpose of The Mass for The Fourth Sunday of Advent is to prepare us for the twofold coming of Christ: His coming in Mercy at Christmas; and in Justice at The End of The Word. Allusion is made to the first in the Introit, Gospel, Offertory and Communion, and to the second in the Epistle; while the Collect, Gradual, and Alleluia can be applied to either of the two.

In this Mass, we meet once again with the three great figures that are before the mind of The Church throughout Advent: Isaias; Saint John the Baptist; Our Lady.



Artist: Rene de Cramer.
“Copyright Brunelmar/Ghent/Belgium”.
Used with Permission.


The Prophet Isaias foretells of Saint John the Baptist that he will be: "A voice of one crying in the wilderness: Prepare ye the way of The Lord, make straight His paths . . . and all flesh shall see The Salvation of God." And "The Word of The Lord was made unto John, the son of Zachary, in the desert. And he came into all the country about The Jordan, Preaching the Baptism of Penance for the remission of sins" (Gospel).

"John", Saint Gregory explains, "told those who hurried in crowds to be Baptised: "Ye brood of vipers, who hath told you to flee from the wrath to come ?" Now, the wrath to come is the final chastisement, which the sinner will not be able to escape unless he have recourse now to the lamentations of Penance.

The "Friend of the Bridegroom" [Editor: Saint John the Baptist] warns us to bring forth not fruits merely of Penance, but worthy fruits. These words are a call to each man's conscience, bidding him lay up, by means of Penance, a treasure of good works, the greater in proportion to the ravage of sin which caused it [Third Nocturn].

And Saint Leo says, "God Himself teaches us by the Prophet Isaias: I will lead the blind in a way that they know not, and I will turn the darkness before them into light and I will not forsake them."




The Apostle Saint John makes clear to us, the way in which this Mystery is fulfilled, when he says, "And we know that The Son of God is come. And He hath given us understanding that we may know The True God and may be in His True Son" [Second Nocturn].

The Liturgy continues: Because of the great love that God has manifested towards us, He has sent on Earth His Only-Begotten Son to be born of The Virgin Mary. Also, in The Communion sentence, The Church recalls to us the Prophecy of Isaias: "Behold, a Virgin shall conceive and bear a Son; and His Name shall be called Emmanuel."

And, again, in the Offertory, she combines in a single salutation the words addressed to Our Lady by the Archangel and by Saint Elizabeth. Saint Gregory writes: "Gabriel, whose name means 'Strength of God', is sent to Mary, since he comes to announce The Messias, Whose Will it is to appear in humiliation and abasement, in order to subdue all the powers of the air. It was fitting that He should be heralded by Gabriel, the 'Strength of God'; He, Who was to come as The Lord of Might, The All-Powerful and Unconquerable in Battle, to crush the powers of the air in universal defeat" (Sermon 35).




In The Collect, just as we are reminded of the display of Our Lord's "Great Might", which will take place at the time of His second coming, when, as Supreme Judge, He will come in the splendour of His Divine Majesty to render to each according to His works, so we find an allusion to this same great power manifested in His first coming. It was as one clothed in His weak and mortal human nature that Our Lord put the devil to flight.

As we think of Our Lord as nigh at hand in one or other of His "comings", let us say, with The Church, "Come, Lord Jesus, and tarry not."

Every Parish Priest Celebrates Mass for the people of his Parish.

Mass: Roráte caeli.

The Great O Antiphons. 20 December.


Text and Illustrations taken from The Saint Andrew Daily Missal,
unless otherwise stated.



English: Workshop of the Della Robbia (early 16th-Century)
Madonna with Child, the Holy Spirit and two cherubims, enamelled terracotta.
Français: Atelier des Della Robbia (début du XVIe siècle.
Vierge à l'Enfant avec le Saint Esprit et deux chérubins, terre cuite émaillée.
Current location: Louvre Museum, Paris, France.
Accession Number: Campana 32.
Source/Photographer: Jastrow (2006).
(Wikimedia Commons)



O Clavis David,
The Great O Antiphon
for 20 December.
Available on YouTube at
http://youtu.be/fDg29sswhgQ.


20 December: Isaias xxii. 22; Apocalypse iii. 7; Luke i. 79.

O Clavis David,
et sceptrum domus Israel;
qui aperis, et nemo claudit, 
      claudis, et nemo aperit:
veni, et educ vinctum de domo carceris,
sedentem in tenebris, et umbra mortis.

O Key of David,
and Sceptre of the House of Israel,
who openest and no man shutteth,
who shuttest and no man openeth;
come and bring forth from his prison-house,
the captive that sitteth in darkness and
      in the shadow of death.

V. Rorate.

"Rorate caeli desuper, et nubes pluant justium . . ."
"Ye heavens, drop down from above, and let the clouds rain down the Just One."

Saturday 19 December 2015

Prayers Requested For Fr Tim Finigan.


This Article is taken from THAT THE BONES YOU HAVE CRUSHED MAY THRILL



having suffered a heart episode.
Please Pray for his full and swift recovery.

UPDATE.

Get-Well Cards
can be sent to:

Rev. Fr. T. Finigan,
Catholic Church of Saints Austin and Gregory,
38, Charlotte Place,
Margate,
Kent,
England CT9 1LP.

Ember Friday In Sapientiatide And Mass Propers.


This Article can be read in full at MARIA ANGELA GROW



Illustration: MARIA ANGELA GROW


Ember Friday in Sapientiatide.

Mass Propers:

The Anticipated Vigil of Saint Thomas, Apostle. (Because Sunday intervenes).
The Expectation of The Blessed Virgin Mary;
Our Lady of The “O”; 
Nuestra Señora dela O, Pangil, Laguna; 
Virgen de la Soledad Oaxaca, Mexico (1620); 
Nuestra Señora de la Esperanza (Our Lady of Hope), Oviedo, Asturias, Spain 16th cent.; 
Nuestra Señora del Roble, Monterrey, Nuevo León, Mexico, 1592:
Saint Gatian, Bishop; 
Blessed Pope Urban V:

Greater Feria in Advent, 

Simplex, 

Violet:

Read The Propers at MARIA ANGELA GROW

The Great O Antiphons. 19 December.


Text and Illustrations taken from The Saint Andrew Daily Missal, 
unless otherwise stated.


File:Madonna michelangelo.jpg

Madonna and Child,
(1501-1504).
Brügge Cathedral,
"Onze-Lieve-Vrouwkerk", Belgium.
Photo: 7 February 2005.
Author: Elke Wetzig (elya).
(Wikimedia Commons)




O Radix Jesse.
The Great O Antiphon
for 19 December.
Available on YouTube at


19 December: Isaias xi. 10.

O Radix Jesse,
qui stas in signum populorum,
super quem continebunt reges os suum,
quem Gentes deprecabuntur:
veni ad liberandum nos,
jam noli tardare.

O Root of Jesse,
who standest for an ensign of the people,
before whom kings shall keep silence,
and unto whom the Gentiles shall make their supplication:
come to deliver us, 
and tarry not.

V. Rorate.

"Rorate caeli desuper, et nubes pluant justium . . ."
"Ye heavens, drop down from above, and let the clouds rain down the Just One."

Friday 18 December 2015

The Great O Antiphons. 18 December.


Text and Illustrations taken from The Saint Andrew Daily Missal, 
unless otherwise stated.


File:Lorenzo Lotto 017.jpg

English: Christ is born.
Deutsch: Christi Geburt.
Artist: Lorenzo Lotto (1480–1556).
Date: 1523.
Current location: National Gallery of Art, Washington, D.C., U.S.A.
Source/Photographer: The Yorck Project: 10.000 Meisterwerke der Malerei. DVD-ROM, 2002. 
ISBN 3936122202. Distributed by DIRECTMEDIA Publishing GmbH.
Permission: [1]
(Wikimedia Commons)




O Adonai.
The Great O Antiphon
for 18 December.
Available on YouTube at


18 December: Exodus iii. 2, xx. 1.

O Adonai,
et dux domus Israel,
qui Moysi in igne flammae rubi apparuisti,
et ei in Sina legem dedisti:
veni ad redimentum nos in brachio extento.

O Adonai,
and Leader of the House of Israel,
who didst appear to Moses in the flame of 
      the burning bush,
and didst give unto him the Law on Sinai:
come and with an outstretched arm redeem us.

V. Rorate.

"Rorate caeli desuper, et nubes pluant justium . . ."
"Ye heavens, drop down from above, and let the clouds rain down the Just One."

Thursday 17 December 2015

The Great O Antiphons. 17 December.


Text and Illustrations taken from The Saint Andrew Daily Missal, 
unless otherwise stated.



English: Madonna and Child.
Deutsch: Sixtinische Madonna, Szene: Maria mit Christuskind, 
Hl. Papst Sixtus II. und Hl. Barbara.
Artist: Raphael (1483 - 1520).
Current location: Gemäldegalerie, Dresden, Germany.
Source/Photographer: The Yorck Project: 10.000 Meisterwerke der Malerei. DVD-ROM, 2002. 
ISBN 3936122202. Distributed by DIRECTMEDIA Publishing GmbH.
Permission: [1]
(Wikimedia Commons)


The Boundless desire for The Coming of Christ, which is a feature of the whole of Advent, is expressed in The Liturgy with an impatience which grows greater, the closer we come to Christmas and, so to speak, to the World's end.

"The Lord comes from far" (First Vespers, First Sunday of Advent).
"The Lord will come" (Introit, Second Sunday of Advent).
"The Lord is nigh" (Introit. Third Sunday in Advent).

This gradation will be emphasised throughout the whole Season, ever more and more.

Thus, on 17 December, begin The Greater Antiphons, which, from their initial letters, are called the "O Antiphons", and which form an impassioned appeal to The Messias, whose prerogatives and glorious Titles they make known to us.

Dom Guéranger [Editor: He who was the author of "The Liturgical Year"] affirms that those Antiphons contain the "whole marrow" of The Advent Liturgy.

On account of their number, Honorius of Autun connects them with The Seven Gifts of The Holy Ghost, with which Our Lord was filled.






O Sapientia.
The Great O Antiphon
for 17 December.
Available on YouTube at
http://youtu.be/8ngcQDQfhlA.


17 December: Ecclesiasticus xxiv. 5; Wisdom viii. 1

O Sapientia, 
quae ex ore Altissimi prodiisti,
attingens a fine usque ad finem,
fortiter suaviterque disponens omnia:
veni ad docendum nos viam prudentiae.

O Wisdom,
who camest out of the mouth of the Most High,
reaching from end to end and ordering all things
      mightily and sweetly:
come and teach us the way of prudence.

V. Rorate.

"Rorate caeli desuper, et nubes pluant justium . . ."
"Ye heavens, drop down from above, and let the clouds rain down the Just One."

Wednesday 16 December 2015

Saint Eusebius. Bishop. Martyr. Feast Day, Today, 16 December.


Text from The Saint Andrew Daily Missal,
unless otherwise stated.

Saint Eusebius.
Bishop and Martyr.
Feast Day 16 December.

Semi-Double.

Red Vestments.




English: The Virgin Mary in Glory,

with Archangel Gabriel, and Saint Eusebius of Vercelli (seated), Saint Sebastian, and Saint Roch.
Deutsch: Maria in Gloria mit Erzengel Gabriel und Hl. Eusebius, Hl. Sebastian und Hl. Rochus.
Artist: Sebastiano Ricci (1659–1734).
Date: 1724.
Current location: Università degli Studi, Milan, Italy.
Source: The Yorck Project: 10.000 Meisterwerke der Malerei. DVD-ROM, 2002.
ISBN 3936122202. Distributed by DIRECTMEDIA Publishing GmbH.
Author: Sebastiano Ricci (1659–1734).
(Wikimedia Commons)



Saint Eusebius was born in Sardinia in the 4th-Century A.D., at a time when Arianism was bent on undermining The Dogma of The Divinity of Christ. Having become Bishop of Vercelli, in Italy, he seconded the efforts of Pope Liberius and of his successor, Saint Damasus, whose Feast was Celebrated a few days ago. The Arians, in their irritation, obtained his exile after making him suffer much ill-treatment. He died in 371 A.D.

The Mass describes the numerous Persecutions he underwent at the hands of these heretics. Constant in the midst of trials, as the Epistle relates, he encouraged The Clergy and people of Vercelli by the Letters he wrote to them.

The Church confers on him the Title of Martyr, although he did not have to shed his blood, on account of his sufferings generously undergone and his intrepidity before death (Gospel).

Let us confess, with Saint Eusebius, The Divinity of The Messias, Whose advent we are awaiting.

Mass: Sacerdótes Dei.
Commemoration: Of The Feria.


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Tuesday 15 December 2015

Octave Day Of The Feast Of The Immaculate Conception. 15 December.


Text from The Saint Andrew Daily Missal,
unless otherwise stated.

Octave Day of  The Feast of The Immaculate Conception.
15 December.

Greater-Double.

White Vestments.



The Immaculate Conception.
Artist: Peter Paul Rubens (1577–1640).
Date: 1628.
English: Work belonging to the Madrid Prado Museum photographed during the exhibition « Rubens et son Temps » (Rubens and His Times) at the Museum of Louvre-Lens.
Français: Œuvre appartenant au musée du Prado de Madrid photographiée lors de l’exposition temporaire « Rubens et son Temps » au musée duLouvre-Lens.
Deutsch: Arbeiten gehören in der " Rubens et son Temps " (Ausstellung Rubens und seine Zeit) im Museum von Louvre-Lens fotografiert.
Español: Trabaja perteneciente a fotografiado durante la exposición de " Rubens et son Temps " (Rubens y su época) en el Museo de Louvre-Lens.
Current location: Prado Museum, Madrid, Spain.
Source/Photographer: User:Jean-Pol GRANDMONT (2013).
(Wikimedia Commons)



The date of Mary's Nativity on 8 September caused her Conception to be Celebrated during Advent, the Season when The Church awaits "The Emmanuel, Whom a Virgin shall Conceive" (Communion of The Wednesday in Advent Ember Week).

Devotion to The Mother of God holds an important place in The Liturgy of Advent. One may say that the period comprising Advent, Christmas, and Epiphany, constitutes the real Season, or Month, of Mary.

The Church does not yet possess Jesus, but she already has His Mother, "The Beginning of Christ", as Bossuet calls her. This period represents the first phase of the existence of The Saviour on Earth. The Divine Infant rests gently in Mary, a Living Tabernacle, which the pious sculptors of The Middle Ages wished to honour when they made a statue of The Virgin as a Tabernacle, where The Eucharist would be preserved.

During this Season of Advent, let us fix our eyes on The Virgin, who is to give us Christ.

Mass: As on The Feast of The Immaculate Conception.
Second Collect: Of The Feria.
Creed: On account of The Feast of The Immaculate Conception.
Preface: Of The Blessed Virgin Mary.


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Monday 14 December 2015

"Christmas Is Coming, The Goose Is Getting Fat". Have You Finished Baking ? Are The Cards Posted ? Which Mass Are You Going To ?


Vintage Christmas Images | Public Domain | Condition Free:

Illustration: PINTEREST


Christmas Shopping Christmas card - Frank Dadd


"Christmas Shopping".
Author: Frank Dadd.
Permission: Free for non commercial use. See below. Click here to report copyright issues.
This image (or other media file) is in the public domain because its copyright has expired.
However - you may not use this image for commercial purposes and you may not alter the image
or remove the WikiGallery watermark.
This applies to the United States, Canada, the European Union and those countries
with a copyright term of life of the author plus 70 years.
(Wikigallery.org)



"Christmas is coming,
the Goose is getting fat . . ."
Sung by: John Denver and The Muppets.
Available on YouTube at


MURIEL DAWSON (1897-1974):

Artist: Muriel Dawson 
(1897-1974).
Illustration: PINTEREST


a vintage baking reminder ~ / Christmas Card Art - Postcard - Posters... i love that...i could just cry..m.m:


Illustration: PINTEREST



Google Image Result for http://library2.binghamton.edu/mt/specialcoll/archives/victorian_christmas_s.jpg:

Postmen of the British Empire.
Postcard from the private collection of Jennifer Drury.
Illustration: PINTEREST


♥...exciting project ahead..trimming the tree  with the family...:

Illustration: PINTEREST


Card-Karte:

Illustration: PINTEREST


Victorian Angels:

Found on flickr.com
Illustration: PINTEREST

Seventh Day Within The Octave Of The Feast Of The Immaculate Conception. 14 December.


Text from The Saint Andrew Daily Missal,
unless otherwise stated.

Seventh Day within The Octave
      of The Feast of The Immaculate Conception.
14 December.

Semi-Double.

White Vestments.




The Immaculate Conception.
Artist: Peter Paul Rubens (1577–1640).
Date: 1628.
English: Work belonging to the Madrid Prado Museum photographed during the exhibition « Rubens et son Temps » (Rubens and His Times) at the Museum of Louvre-Lens.
Français: Œuvre appartenant au musée du Prado de Madrid photographiée lors de l’exposition temporaire « Rubens et son Temps » au musée duLouvre-Lens.
Deutsch: Arbeiten gehören in der " Rubens et son Temps " (Ausstellung Rubens und seine Zeit) im Museum von Louvre-Lens fotografiert.
Español: Trabaja perteneciente a fotografiado durante la exposición de " Rubens et son Temps " (Rubens y su época) en el Museo de Louvre-Lens.
Current location: Prado Museum, Madrid, Spain.
Source/Photographer: User:Jean-Pol GRANDMONT (2013).
(Wikimedia Commons)


The Ancients said that White was a Divine Colour. Daniel (vii. 9) depicts God as appearing clothed in White. The Evangelists tell us that, at The Transfiguration, the garments of Jesus were of "dazzling Whiteness" (Mark, ix. 2).

The Liturgy of The Feast of The Immaculate Conception applies this Text to The Virgin, saying that the "garment of Salvation" (Introit), with which God has clothed her, is a "vesture as White as snow" (Second Antiphon at Vespers).

Let us, with The Church, ask The Blessed Virgin on her Feast that we may "by her intercession be purified from all our sins" (Collect), and let us be in readiness to receive Jesus.

Mass: As on The Feast of The Immaculate Conception.
Second Collect: Of The Feria.
Third Collect: Of The Holy Ghost.
Creed: On account of The Feast of The Immaculate Conception.
Preface: Of The Blessed Virgin Mary.


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Sunday 13 December 2015

Sixth Day Within The Octave Of The Feast Of The Immaculate Conception. 13 December.


Text from The Saint Andrew Daily Missal,
unless otherwise stated.

Sixth Day within The Octave
      of The Feast of The Immaculate Conception.
13 December.

Semi-Double.

White Vestments.




The Immaculate Conception.
Artist: Peter Paul Rubens (1577–1640).
Date: 1628.
English: Work belonging to the Madrid Prado Museum photographed during the exhibition « Rubens et son Temps » (Rubens and His Times) at the Museum of Louvre-Lens.
Français: Œuvre appartenant au musée du Prado de Madrid photographiée lors de l’exposition temporaire « Rubens et son Temps » au musée duLouvre-Lens.
Deutsch: Arbeiten gehören in der " Rubens et son Temps " (Ausstellung Rubens und seine Zeit) im Museum von Louvre-Lens fotografiert.
Español: Trabaja perteneciente a fotografiado durante la exposición de " Rubens et son Temps " (Rubens y su época) en el Museo de Louvre-Lens.
Current location: Prado Museum, Madrid, Spain.
Source/Photographer: User:Jean-Pol GRANDMONT (2013).
(Wikimedia Commons)

Mass: As on The Feast of The Immaculate Conception.
Commemoration: Of The Feria.
Commemoration: Of Saint Lucy from Mass: Dilexísti.
Creed: On account of The Feast of The Immaculate Conception.
Preface: Of The Blessed Virgin Mary.


THE SAINT ANDREW DAILY MISSAL



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Saturday 12 December 2015

Fifth Day Within The Octave Of The Feast Of The Immaculate Conception. 12 December.


Text from The Saint Andrew Daily Missal,
unless otherwise stated.

Fifth Day within The Octave
      of The Feast of The Immaculate Conception.
12 December.

Semi-Double.

White Vestments.



The Immaculate Conception.
Artist: Peter Paul Rubens (1577–1640).
Date: 1628.
English: Work belonging to the Madrid Prado Museum photographed during the exhibition « Rubens et son Temps » (Rubens and His Times) at the Museum of Louvre-Lens.
Français: Œuvre appartenant au musée du Prado de Madrid photographiée lors de l’exposition temporaire « Rubens et son Temps » au musée duLouvre-Lens.
Deutsch: Arbeiten gehören in der " Rubens et son Temps " (Ausstellung Rubens und seine Zeit) im Museum von Louvre-Lens fotografiert.
Español: Trabaja perteneciente a fotografiado durante la exposición de " Rubens et son Temps " (Rubens y su época) en el Museo de Louvre-Lens.
Current location: Prado Museum, Madrid, Spain.
Source/Photographer: User:Jean-Pol GRANDMONT (2013).
(Wikimedia Commons)


To show that The Mother of Jesus occupies a special place in her worship, The Church reserves for her a Preface, which is said at each of her Feasts, and in which are noted, at each particular Feast, the different Mysteries of The Life of Mary.

Wherefore, during all this Octave, the Priest declares "that it is fitting and salutary to render thanks to God on this Feast of The Immaculate Conception of Blessed Mary Ever Virgin, who conceived His only Son by the operation of The Holy Ghost and who, without losing her Virginity, gave birth to Jesus Christ Our Lord."

Let us give thanks to God for this privilege off The Immaculate Conception and also for The Feast, which celebrates it each year, allowing us to imitate more and more this model of all purity.

Mass: As on The Feast of The Immaculate Conception.
Second Collect: Of The Feria.
Third Collect: Of The Holy Ghost.
Creed: On account of The Feast of The Immaculate Conception.
Preface: Of The Blessed Virgin Mary.


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Yet Another Choir Practice For Midnight Mass On Christmas Eve.



Illustration: DENIEUWEBOEKERIJ

Friday 11 December 2015

Fourth Day Within The Octave Of The Feast Of The Immaculate Conception. 11 December.


Text from The Saint Andrew Daily Missal,
unless otherwise stated.

Fourth Day within The Octave
      of The Feast of The Immaculate Conception.
11 December.

Semi-Double.

White Vestments.



The Immaculate Conception.
Artist: Peter Paul Rubens (1577–1640).
Date: 1628.
English: Work belonging to the Madrid Prado Museum photographed during the exhibition « Rubens et son Temps » (Rubens and His Times) at the Museum of Louvre-Lens.
Français: Œuvre appartenant au musée du Prado de Madrid photographiée lors de l’exposition temporaire « Rubens et son Temps » au musée duLouvre-Lens.
Deutsch: Arbeiten gehören in der " Rubens et son Temps " (Ausstellung Rubens und seine Zeit) im Museum von Louvre-Lens fotografiert.
Español: Trabaja perteneciente a fotografiado durante la exposición de " Rubens et son Temps " (Rubens y su época) en el Museo de Louvre-Lens.
Current location: Prado Museum, Madrid, Spain.
Source/Photographer: User:Jean-Pol GRANDMONT (2013).
(Wikimedia Commons)

Mass: As on The Feast of The Immaculate Conception.
Commemoration: Of The Feria.
Commemoration: Of Saint Damasus from Mass: Sacerdótes tui.
Creed: On account of The Feast of The Immaculate Conception.
Preface: Of The Blessed Virgin Mary.


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