Notre Dame de Rouen. The façade of the Gothic Church in France. Photographer: Hippo1947. Licence: SHUTTERSTOCK.

Friday, 12 July 2024

Salisbury Cathedral (Cathedral Church Of The Blessed Virgin Mary) (Part Three).



Salisbury Cathedral.
Artist: John Constable.
Date: Circa 1825.
This File: 9 December 2014.
User: Tohma
(Wikimedia Commons)


Text from Wikipedia - the free encyclopædia,
unless stated otherwise.

The West Front is of the Screen-type, clearly deriving from that at Wells. It is composed of a Stair Turret at each extremity, with two niched Buttresses nearer the centre line supporting the large central Triple Window. 

The Stair Turrets are topped with Spirelets, and the central section is topped by a Gable, which contains four Lancet Windows, topped by two round Quatrefoil Windows, surmounted by a Mandorla containing Christ in Majesty

At Ground Level, there is a Principal Door flanked by two smaller Doors. The whole is highly decorated with Quatrefoil motifs, Columns, Trefoil motifs and bands of Diapering.



Salisbury Cathedral’s Great West Front.
Photo: 27 August 2017.
Source: Own work.
(Wikimedia Commons)

The West Front was almost certainly constructed at the same time as the Cathedral.[20] This is apparent from the way in which the Windows coincide with the interior spaces. 

The entire façade is about 108 feet (thirty-three metres) high and wide. It lacks full-scale Towers and/or Spires, as can be seen, for example, at Wells, Lincoln, Lichfield, etc.[21] 

The façade was disparaged by Alec Clifton-Taylor, who considered it the least successful of the English Screen façades and a travesty of its prototype (Wells). He found the composition to be un-coordinated, and the Victorian statuary “poor and insipid”.[22]



Salisbury Cathedral’s North Façade.
Photo: 12 August 2014.
Source: Own work.
Author: Diego Delso
(Wikimedia Commons)

The West Front accommodates over 130 shallow niches of varying sizes, seventy-three of which contain a statue. The line of niches extends round the Turrets to the North, South and East faces.

There are five levels of niches (not including the Mandorla) which show, from the top, Angels and Archangels, Old Testament Patriarchs, Apostles and Evangelists, Martyrs, Doctors and Philosophers and, on the lower level, Royalty, Priests and worthy people connected with the Cathedral. 

The majority of the statues were placed during the middle of the 19th-Century, however seven are from the 14th-Century and several have been installed within the last decade.



Salisbury Cathedral.
Photo: 7 June 2015.
Source: flickr.com
(Wikimedia Commons)

Salisbury Cathedral is unusual for its tall and narrow Nave, which has visual accentuation from the use of Light-Grey Chilmark Stone for the Walls and dark polished Purbeck Marble for the Columns. 

It has three levels: A tall pointed Arcade, an open Gallery, and a small Clerestory.[23] Lined up between the Pillars are notable tombs, such as that of William Longespée, half-brother of King John and the illegitimate son of King Henry II, who was the first person to be buried in the Cathedral.[24]

Another unusual feature of the Nave is an unconventional modern Font, installed in September 2008.[25] Designed by the water sculptor William Pye, it is the largest working Font in any British Cathedral, and replaced an earlier portable neo-Gothic Victorian Font.

PART FOUR FOLLOWS.

2 comments:

  1. As always, an enlightening “pilgrim’s visit” in these three parts by Zephyrinus on historic Salisbury Cathedral. This observer did not know that, very fortunately, 7 of the nearly original statues survived from the 14th century; and in the 19th century, the forward-thinking Rector and Deanery replaced a number of missing statues, a project which appears to be ongoing into the present day.

    Salisbury Cathedral is known for its wonderful acoustic (Wonderful, even among English cathedrals, which all seem to have awesomely wonderful resonant acoustics), and Zephyrinus’ notes above hint as to why: The long narrow nave.

    This provides apparently an advantage for the exceptional pipe organ, built in 1875 by the legendary Henry “Father” Willis, and rebuilt in 2020 by the distinguished firm of Harrison & Harrison Ltd of Durham (but H&H carefully not changing any of the actual pipework or tonality), resulting in a brilliant palette for its several choruses of solemn English diapasons, growling 16’-8’-4’ English tubas (in fact, the Salisbury Cathedral organ tubas are legendary, and examples can be heard at YouTube ) and it’s reed choruses, underpinned by deep basso profundo 32’ pedal stops. The organ specifications are here:

    https://www.salisburycathedral.org.uk/app/uploads/2022/04/Salisbury-Cathedral-Organ-Specification.pdf

    A wondrous cathedral, architecturally and tonally. Thank you, Zephyrinus. -Note by Dante P

    ReplyDelete
    Replies
    1. Another wonderful contribution from our Historical Correspondent and Church Organ Expert, Dante P, on Salisbury Cathedral's construction and musicality.

      The YouTube videos, mentioned by Dante P about Salisbury Cathedral's Organ recitals, are well worth watching.

      Thank you Dante P for your continued Comments and contributions.

      Delete

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