The Grand Canal, Venice.
Artist: Canaletto.
Text and Illustration: BING.COM
The 18th-Century Italian artist Canaletto never tired of views of his home town, Venice. Neither, it seems, did those who purchased his paintings.
This view of The Grand Canal is one of twenty paintings of Venice that Canaletto produced for just one client.
Many other paintings and etchings of the great City can be found within the prolific artist’s works, but Canaletto did venture beyond Italy, painting many views of London after he moved there for a few years.
“The Grand Canal, Venice. Looking South-East. With the Campo della Carità to the Right”, by Canaletto, is in the collection of The Metropolitan Museum of Art in New York City.
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Painter of City views, or “Vedute” [Editor: “views”], of Venice, Rome, and London, he also painted imaginary views (referred to as “Capricci”), although the demarcation in his works between the real and the imaginary is never quite clear-cut.[3]
He was highly successful in England, thanks to the British merchant and connoisseur Joseph “Consul” Smith, whose collection of Canaletto’s works was sold to King George III in 1762.[3]
Although: When Dante Peregrinus was touring The Continent around the time of the end of the Franco-Prussian War, he was strongly advised by family members and other experienced tour people that Venice in summer is not pleasant (quite odoriferous): And better for one to buy some postcards or prints of the city than to actually visit it. So instead, we pushed onto Tuscany, Assisi, and Florence and he was never sad to see those very pleasant cities.—Comment by Dante P
ReplyDeleteA most interesting observation from Dante P. Thank you.
DeleteZephyrinus can testify that Dante P's thoughts on Venice in Summer are quite correct. For when Zephyrinus visited Venice (also at the end of the Franco-Prussian War), besides falling in love with beautiful Venice and the lovely Venetians, he has an abiding memory of “a pungent reminder of Venice in Summer”.