Notre Dame de Rouen. The façade of the Gothic Church in France. Photographer: Hippo1947. Licence: SHUTTERSTOCK.

27 May, 2025

Gregorian Chant From The Benedictine Monks Of The Abbey Of Saint Maurice And Saint Maur, Clervaux, Luxembourg.




Gregorian Chant From The Benedictine Monks Of The Abbey Of Saint Maurice And Saint Maur, Clervaux, Luxembourg.
Available on YouTube

The Web-Site of The Abbey Of Saint Maurice 
And Saint Maur, Clervaux, Luxembourg,
can be found


The following Text is from Wikipedia - the free encyclopædia,
unless stated otherwise.

The Abbey of Saint Maurice and Saint Maurus of Clervaux (Luxembourgish: Benediktinerabtei hellege Moritz) (French: Abbaye Saint-Maurice et Saint-Maur de Clervaux), Founded in 1890, is a Benedictine Monastery in Clervaux, Luxembourg.

It is a Member of the Solesmes Congregation in the Benedictine Confederation.

History.

The Abbey was Founded by the Benedictine Monks of the Abbey of Saint Maur of Glanfeuil, France, Founded in the 7th-Century A.D.


After its suppression in the French Revolution, the Abbey remained vacant until it was re-established in 1890 under Louis-Charles Couturier, O.S.B., Abbot of Solesmes Abbey.[1] 

In 1901, however, the Monks were compelled to leave France due to the Anti-Clerical Laws of the Third French Republic

After finding refuge in Baronville, Belgium (now part of the municipality of Beauraing), the Monks began to search for a permanent home. After various inquiries failed, they finally settled upon Clervaux, Luxembourg.

In 1908, a vote was taken by the Monastic Chapter, which made the decision to dissolve the existing Monastery, and to found a new Monastery in Luxembourg, dedicated to Saint Maurice.


Construction on the new Abbey, designed in the Neo-Romanesque Style by Johann Franz Klomp (1865-1946), a Dutch architect based in Germany, began in 1909 (the local Parish Church in Clervaux was also being built to Klomp’s design at the same time).

The monks arrived in August 1910 to begin living at the new site. In 1926, the name of Saint Maur was added to that of Saint Maurice.[2]

In 1937, the Holy See established the Monastery as a Territorial Abbey, independent of the authority of the local Bishop. This status lasted until 1946.[3] For much of this period, however, the Monastic Community of Clervaux lived in exile, having been expelled in January 1941 from the Abbey by the Gestapo, as part of their occupation of the nation.

The Monks were not able to re-occupy their Monastery until 1945.[4]


The Benedictine Monks who live come from various Countries. Together, they constitute a Spiritual Community and Family under the authority of the Abbot.

All of them lead a secluded and retired life following the Rule of Saint Benedict. They divide their time between personal and communal Prayer and work. The main emphasis lies on the communal Choral Prayers, consisting of Psalms and Hymns, known as the Liturgy of the Hours and on the celebration of the Eucharist.

The Monks also help with Spiritual activities outside the Monastery when needed for Religious Retreats, substitution for Clergy in the Parishes of the Diocese, pastoral care, or dispensing of the Sacraments.

Some of the Monks excel in intellectual and artistic activities. They also do manual work according to the needs of the Monastery and Charity institutions.


As part of a Monastic Congregation which helped in the revival of Gregorian Chant in the 19th-Century, Saint Maurice Abbey has produced several notable recordings of this music performed by the Monks of the Abbey.

The noted Icelandic writer, Halldór Laxness (1902–1998), converted to Roman Catholicism while staying at the Abbey. The Monastic Community has supported a Catholic Mission to Scandinavia for many years.

A Monk of the Abbey, Dom Jean Leclercq, O.S.B., was a noted Patristics scholar and helped to guide the renewal of Catholic Monastic life during the second half of the 20th-Century.

Another Monk of the Abbey, Dom Paul Benoit, was a Composer of mainly Liturgical Organ Music.

Australian-based Luxembourg Composer Georges Lentz wrote his one-hour solo electric guitar piece “Ingwe” during a stay at the Abbey.

2 comments:

  1. Zephyrinus once again “zeroes in” on great Catholic sacred chant: this recording by the Monastery of “SS. Maurice and Maur” in Luxembourg.

    This commenter understands the chant on this recording was originally recorded 1959 —it shows, the monks sing with singular pre-Vatican II fervor and purpose—and it was released on an old record album, originally by the UK firm Decca: Philips had the Dutch rights to distribution of Decca in The Netherlands and other countries. Philips (one “l”) was a giant Dutch electronics firm which branched naturally into record labels. It merged in 1999.

    Then, because the secular world in the 1990’s “discovered sacred chant” (good for them, “the eleventh hour” still gets a reward: Matt. 20:1-16), Philips released another CD version which is available still on Amazon, the worldwide firm Decca now distributing it after Philips merged into an even larger Dutch-American record-CD-music download firm, Universal Music Group. The commenter hasn’t been able to determine how many old fashioned discs, CD’s, YouTube views, and downloads have been accessed/sold, but it must be approaching the hundreds of thousands.

    A long side story, but this commenter’s point is: This now-historic recording is a time capsule of beauty, loveliness, and the sacred elevation of the mind to God, going strong even after 60 years. Deo Gratias!

    Thank you, Zephyrinus (Yes, the commenter has a treasured Philips CD in his collection and also has this marvelous series of recordings in his YouTube library under its own special heading.) -Comment by Dante P.

    ReplyDelete
    Replies
    1. What a magnificent and most welcome contribution from our Liturgical Music Correspondent, Dante P, to whom we are indebted.

      Indeed, the Pre-Vatican II Liturgy, including, of course, Sacred Chant, has to be experienced. Those luck enough to have been brought up on it will never give it up. Those unlucky enough never to have heard it should make a Bee-Line for YouTube and catch up.

      Dante P sums it all up perfectly by saying: “ . . . a time capsule of beauty, loveliness, and the sacred elevation of the mind to God”.

      Something, we suggest, that five inane verses of “Kumbaya” always failed miserably to do.

      Delete

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