Notre Dame de Rouen. The façade of the Gothic Church in France. Photographer: Hippo1947. Licence: SHUTTERSTOCK.
Showing posts with label France. Show all posts
Showing posts with label France. Show all posts

Tuesday, 11 February 2014

"I Am The Immaculate Conception (Que Soy Era Immaculada Concepciou)". The Apparition Of The Blessed Virgin Mary At Lourdes, France, 11 February - 16 July 1858, To Saint Bernadette Soubirous.


Text from The Saint Andrew Daily Missal.

The Apparition of The Blessed Virgin Mary at Lourdes.
Feast Day 11 February.

Greater-Double.
White Vestments.


File:MpaLurdesRosaryBasilica.jpg

Deutsch: Frankreich: Lourdes, Basilika der unbefleckten Empfängnis, 
Rosenkranzbasilika und Krypta in Lourdes.
English: Basilica of The Immaculate Conception, Lourdes, France.
Photo: 2005.
Source: Own work.
Author: Milorad Pavlek.
(Wikimedia Commons)


From 11 February 1858 to 16 July 1858, The Blessed Virgin Mary came down from Heaven eighteen times (Introit), and showed herself to Saint Bernadette Soubirous (Collect), in the cave of the rock at Massabielle (Gradual).

On 25 March 1858, she said to the little shepherdess of fourteen years of age: "I am The Immaculate Conception". Today's Feast therefore recalls Mary's triumph over the serpent (Tract), which the Septuagesimal Liturgy has in mind.



Stained-Glass Window from Bonneval Church 
showing the Vision of Saint Bernadette of Lourdes.
Photo: 17 July 2009.
Source: Own work, adapted from 
Bonneval Eglise Notre-Dame vitrail 3.JPG.
Author: Xandar.
(Wikimedia Commons)


Like the women seen by Saint John, "clothed in the sun, with the moon under her feet and a crown of twelve stars over her head" (Epistle), the Virgin of Lourdes "is clothed in a robe and veil, as white as snow, she wears a blue girdle and on her bare feet rests a golden rose," all symbolic of her virginal love.

She exhorts to Penance the unfortunate children of Eve who have not been, like herself, preserved from sin. On the day of the Annunciation, she declared her name to us, to manifest that it is on account of the Incarnation (Collect) that God has vouchsafed to her "not to be tainted with the original stain" (Tract).

Remembering that Mary is "the Ark of the new Covenant" (Epistle), let us go with confidence to her, who, "full of Grace" (Offertory), "visits our Earth to multiply in us the gifts of her riches" (Communion).


Wednesday, 11 July 2012

Cluny Abbey (Part Three)



Coat of Arms of Cluny Abbey: 
"Gules, two keys in saltire, the wards upwards and outwards, or. Overall, a sword in paleargent".

Text is from Wikipedia, the free encyclopaedia.

The Cluny library was one of the richest and most important in France and Europe. It was a storehouse of numerous very valuable manuscripts. During the religious conflicts of 1562, the Huguenots sacked the abbey, destroying or dispersing many of the manuscripts. Of those that were left, some were burned in 1790 by a rioting mob related to the excesses of the French Revolution. Others still were stored away in the Cluny town hall.

The French Government worked to relocate such treasures, including those that ended up in private hands. They are now held by the Bibliothèque nationale de France at Paris. The British Museum holds some sixty or so charters originating from Cluny.


The Consecration of Cluny III by Pope Urban II, 12th century (Bibliothèque Nationale de France).


In the fragmented and localized Europe of the 10th and 11th centuries, the Cluniac network extended its reforming influence far. Free of lay and episcopal interference, responsible only to the papacy, which was in a state of weakness and disorder with rival popes supported by competing nobles, Cluniac spirit was felt revitalizing the Norman church, reorganizing the royal French monastery at Fleury and inspiring St Dunstan in England. There were no official English Cluniac priories until that of Lewes in Sussex, founded by the Anglo-Norman earl William de Warenne c 1077. The best-preserved Cluniac houses in England are Castle Acre Priory, Norfolk, and Much Wenlock Priory, Shropshire. It is thought that there were only three Cluniac nunneries in England, one of them being Delapré Abbey at Northampton.

Until the reign of Henry VI, all Cluniac houses in England were French, governed by French priors and directly controlled from Cluny. Henry's act of raising the English priories to independent abbeys was a political gesture, a mark of England's nascent national consciousness.

The early Cluniac establishments had offered refuges from a disordered world but by the late 11th century, Cluniac piety permeated society. This is the period that achieved the final Christianization of the heartland of Europe.



Pope Callixtus II was elected at the papal election, 1119, at Cluny.


Well-born and educated Cluniac priors worked eagerly with local royal and aristocratic patrons of their houses, filled responsible positions in their chanceries and were appointed to bishoprics. Cluny spread the custom of veneration of the king as patron and support of the Church, and in turn the conduct of 11th-century kings, and their spiritual outlook, appeared to undergo a change. In England, Edward the Confessor was later canonized. In Germany, the penetration of Cluniac ideals was effected in concert with Henry III of the Salian dynasty, who had married a daughter of the duke of Aquitaine. Henry was infused with a sense of his sacramental role as a delegate of Christ in the temporal sphere. He had a spiritual and intellectual grounding for his leadership of the German church, which culminated in the pontificate of his kinsman, Pope Leo IX. The new pious outlook of lay leaders enabled the enforcement of the Truce of God movement to curb aristocratic violence.

Within his order, the Abbot of Cluny was free to assign any monk to any house; he created a fluid structure around a central authority that was to become a feature of the royal chanceries of England and of France, and of the bureaucracy of the great independent dukes, such as that of Burgundy. Cluny's highly centralized hierarchy was a training ground for Catholic prelates: four monks of Cluny became popesGregory VIIUrban IIPaschal II and Urban V.

An orderly succession of able and educated abbots, drawn from the highest aristocratic circles, led Cluny, and three were canonized: Saints Odo of Cluny, the second abbot (died 942); Hugh of Cluny, the sixth abbot (died 1109); and Odilo, the fifth abbot (died 1049). Odilo continued to reform other monasteries, but as Abbot of Cluny, he also exercised tighter control of the order's far-flung priories.


Cluny and the Gregorian reforms



A plan of the Abbey

Cluny was not known for its severity or asceticism, but the abbots of Cluny supported the revival of the papacy and the reforms of Pope Gregory VII. The Cluniac establishment found itself closely identified with the Papacy. In the early 12th century, the order lost momentum under poor government. It was subsequently revitalized under Abbot Peter the Venerable (died 1156), who brought lax priories back into line and returned to stricter discipline. Cluny reached its apogee of power and influence under Peter, as its monks became bishops, legates, and cardinals throughout France and the Holy Roman Empire. But by the time Peter died, newer and more austere orders such as the Cistercians were generating the next wave of ecclesiastical reform.

Outside monastic structures, the rise of English and French nationalism created a climate unfavourable to the existence of monasteries autocratically ruled by a head residing in Burgundy. The Papal Schism of 1378 to 1409 further divided loyalties: France recognizing a Pope at Avignon and England one at Rome, interfered with the relations between Cluny and its dependent houses. Under the strain, some English houses, such as Lenton PrioryNottingham, were naturalized (Lenton in 1392) and no longer regarded as alien priories, weakening the Cluniac structure.

By the time of the French Revolution, the monks were so thoroughly identified with the Ancien Régime that the order was suppressed in France in 1790 and the monastery at Cluny almost totally demolished in 1810. Later, it was sold and used as a quarry until 1823. Today, little more than one of the original eight towers remains of the whole monastery.




Pope Gregory VII was once a monk at Cluny


Modern excavations of the Abbey began in 1927 under the direction of Kenneth John Conant, American architectural historian of Harvard University, and continued (although not continuously) until 1950.

Decline and destruction of the buildings.

Starting from the 12th century, Cluny had serious financial problems, caused mainly by the construction of the third abbey. Charity given to the poor increased the expenditure. The influence of the abbey weakened gradually as other religious orders rose (Cistercians in the 12th, then Mendicants in the 13th century). Bad management of the grounds and unwillingness of the subsidiary companies to pay the annual taxable quota helped to lessen Cluny's revenue. Cluny raised loans and ended up being involved in debt to its creditors, who were merchants of Cluny or Jews of Mâcon.

The conflicts with the priories multiplied and the authority of the pope became heavier. To the 14th-Century, the Pope frequently named the abbots. The crises at the end of the Middle Ages and the wars of religion in the 16th-Century weakened the abbey a little more. The monks lived in luxury and there were not more than about 60 monks in the middle of the 15th-Century. With the Concordat of Bologna in 1516, overseen by Antoine Duprat, the king gained the power to appoint the abbot of Cluny.

The years following the French Revolution were fatal to all the monastic buildings and its church. In 1793, its  archives were burned and the church was delivered to plundering. The abbey estate was sold in 1798 for 2,140,000 francs. Until 1813, the abbey was used as a stone quarry to build houses in the town.

Today, there remain only the buildings built under the Old Mode as well as a small portion of Cluny III. Only the Southern Transept and its Bell-Tower still exist. The remaining structure represents less than 10% of the floor area of Cluny III, which was the largest Church of Christendom, until the construction of St. Peter's Basilica in Rome, five centuries later.

In 1928, the site was excavated and recognized by the American archaeologist Kenneth J. Conant with the backing of the Medieval Academy of America.


THIS CONCLUDES THE ARTICLE ON CLUNY ABBEY



Friday, 6 July 2012

Cluny Abbey (Part Two)






Coat of Arms of Cluny Abbey:
"Gules, two keys in saltire, the wards upwards and outwards, or. Overall, a sword in pale, argent".

Text is from Wikipedia, the free encyclopaedia.



Partly due to the Order's opulence, the Cluniac nunneries were not seen as being particularly cost-effective. The Order did not have interest in founding many new houses for women.

The customs of Cluny represented a shift from the earlier ideal of a Benedictine monastery as an agriculturally self-sufficient unit. This was similar to the contemporary villa of the more Romanised parts of Europe and the manor of the more feudal parts, in which each member did physical labour as well as offering prayer.

In 817 A.D., Saint Benedict of Aniane, the "second Benedict", developed monastic constitutions at the urging of Louis the Pious to govern all the Carolingian monasteries. He acknowledged that the Black Monks no longer supported themselves by physical labour. Cluny's agreement to offer perpetual prayer (laus perennis, literally "perpetual praise"), meant that it had increased a specialisation in roles.

As perhaps the wealthiest monastic house of the Western world, Cluny hired managers and workers to do the labor of monks in other orders. The monks devoted themselves to almost constant prayer, thus elevating their position into a profession. Despite the monastic ideal of a frugal life, the abbey in Cluny commissioned candelabras of solid silver and gold chalices made with precious gems for use at the abbey Masses. Instead of being limited to the traditional fare of broth and porridge, the monks ate very well, enjoying roasted chickens (a luxury in France then) and wines from their vineyards and cheeses made by their employees. The monks wore the finest linen habits and silk vestments at Mass. Artifacts exemplifying the wealth of Cluny Abbey are today on display at the Musée de Cluny in Paris.

Cluniac Houses in Britain

All of the English and Scottish Cluniac houses which were larger than cells were known as priories, symbolising their subordination to Cluny. Cluny's influence spread into the British Isles in the eleventh century, first at Lewes, and then elsewhere. The head of their order was the Abbot at Cluny. All English and Scottish Cluniacs were bound to cross to France to Cluny to consult or be consulted unless the Abbot chose to come to Britain, which he did five times in the 13th century, and only twice in the 14th.

At Cluny, the central activity was the liturgy; it was extensive and beautifully presented in inspiring surroundings, reflecting the new personally-felt wave of piety of the 11th century. Monastic intercession was believed indispensable to achieving a state of grace, and lay rulers competed to be remembered in Cluny's endless prayers; this inspired the endowments in land and benefices that made other arts possible.

The fast-growing community at Cluny required buildings on a large scale. The examples at Cluny profoundly affected architectural practice in Western Europe from the tenth through the twelfth centuries. The three successive churches are conventionally called Cluny I, II and III. In building the third and final church at Cluny, the monastery constructed what was the largest building in Europe before the 16th century, when St. Peter's in Rome was rebuilt. The construction of Cluny II, ca. 955-981, begun after the destructive Hungarian raids of 953, led the tendency for Burgundian churches to be stone-vaulted.





                     Cluny III, reconstruction.


The building campaign was financed by the annual census established by Ferdinand I of León, ruler of a united León-Castile, some time between 1053 and 1065. (Alfonso VI re-established it in 1077, and confirmed it in 1090.) Ferdinand fixed the sum at 1,000 golden aurei, an amount which Alfonso VI doubled in 1090. This was the biggest annuity that the Order ever received from king or layman, and it was never surpassed. Henry I of England's annual grant from 1131 of 100 marks of silver, not gold, seemed little by comparison. The Alfonsine census enabled Abbot Hugh (who died in 1109) to undertake construction of the huge third abbey church. When payments in the Islamic gold coin later lapsed, the Cluniac order suffered a financial crisis that crippled them during the abbacies of Pons of Melgueil (1109 – 1125) and Peter the Venerable (1122 – 1156). The Spanish wealth donated to Cluny publicized the rise of the Spanish Christians, and drew central Spain for the first time into the larger European orbit.


PART THREE FOLLOWS


Wednesday, 4 July 2012

Cluny Abbey (Part One)



Coat of Arms of Cluny Abbey: 
"Gules, two keys in saltire, the wards upwards and outwards, or. Overall, a sword in paleargent".

Text is from Wikipedia, the free encyclopaedia.

Cluny Abbey (or Cluni, or ClugnyFrench pronunciation: [klyˈni]) is a Benedictine monastery in ClunySaône-et-Loire, France. It was built in the Romanesque style, with three churches built in succession from the 10th to the early 12th centuries.

Cluny was founded by William I, Duke of Aquitaine in 910. He nominated Berno as the first Abbot of Cluny, subject only to Pope Sergius III. The Abbey was notable for its stricter adherence to the Rule of St. Benedict and the place where the Benedictine Order was formed, whereby Cluny became acknowledged as the leader of western monasticism. The establishment of the Benedictine order was a keystone to the stability of European society that was achieved in the 11th century. In 1790 during the French Revolution, the abbey was sacked and mostly destroyed. Only a small part of the original remains.

Dating around 1334, the abbots of Cluny had a townhouse in Paris known as the Hôtel de Cluny, what is now a public museum since 1833. Apart from the name, it no longer possesses anything originally connected with Cluny.

In 910, William I, Duke of Aquitaine "the Pious", and Count of Auvergne, founded the Benedictine abbey of Cluny on a modest scale, as the mother house of the Congregation of Cluny. In donating his hunting preserve in the forests of Burgundy, William released the Cluny abbey from all future obligation to him and his family other than prayer. Contemporary patrons normally retained a proprietary interest and expected to install their kinsmen as abbots. William appears to have made this arrangement with Berno, the first abbot, to free the new monastery from such secular entanglements and initiate the Cluniac Reforms. The abbots of Cluny were statesmen on the international stage and the monastery of Cluny was considered the grandest, most prestigious and best-endowed monastic institution in Europe. The height of Cluniac influence was from the second half of the 10th century through the early 12th. The first female members were admitted to the order during the eleventh century.


The monastery of Cluny differed in three ways from other Benedictine houses and confederations:
  • organizational structure;
  • prohibition on holding land by feudal service; and
  • execution of the liturgy as its main form of work.
While most Benedictine monasteries remained autonomous and associated with each other only informally, Cluny created a large, federated order in which the administrators of subsidiary houses served as deputies of  the abbot of Cluny and answered to him. The Cluniac houses, being directly under the supervision of the abbot of Cluny, the autocrat of the Order, were styled priories, not abbeys. The priors, or chiefs of priories, met at Cluny once a year to deal with administrative issues and to make reports. Many other Benedictine houses, even those of earlier formation, came to regard Cluny as their guide. When in 1016 Pope Benedict VIII decreed that the privileges of Cluny be extended to subordinate houses, there was further incentive for Benedictine communities to insinuate themselves in the Cluniac order.


PART TWO FOLLOWS

Cluny Abbey in Virtual Reality

Sunday, 24 June 2012

Rheims Cathedral (Part Three)


Non-Italic Text and Photos from Wikipedia - the free encyclopedia,
unless otherwise accredited.




Two Rose Windows at Rheims Cathedral.
Photo taken January 2008 by Mattana


The three portals are laden with statues and statuettes; among European cathedrals, only Chartres has more sculpted figures. The central portal, dedicated to the Virgin Mary, is surmounted by a rose window framed in an arch, itself decorated with statuary, in place of the usual sculptured tympanum. The "gallery of the kings", above, shows the baptism of Clovis in the centre, flanked by statues of his successors.

The facades of the transepts are also decorated with sculptures. That on the North Side has statues of bishops of Reims, a representation of the Last Judgment and a figure of Jesus (le Beau Dieu), while that on the South Side has a modern rose window with the prophets and apostles

Fire destroyed the roof and the spires in 1481. Of the four towers that flanked the transepts, nothing remains above the height of the roof. Above the choir rises an elegant lead-covered timber bell-tower that is 18 m (about 59 feet) tall, reconstructed in the 15th-Century and in the 1920s.




Français : Notre-Dame de Reims, Champagne-Ardenne, France. Vitraux XIIIè siècle surplombant le chœur, représentant la Vierge, le Christ en croix, les apôtres, archevêques et évêques.



English: Cathedral of Notre-Dame, Rheims, Champagne-Ardenne, France. 

13th-Century stained-glass windows above the Choir, 
representing Our Lady, Christ, the Apostles, Archbishops and Bishops.

Photo taken August 2008 by Tango7174.


The interior of the cathedral is 138.75 m (about 455 ft) long, 30 m (approx. 98 feet) wide in the nave, and 38 m (about 125 feet) high in the centre. It comprises a nave with aisles, transepts with aisles, a choir with double aisles, and an apse with ambulatory and radiating chapels. It has interesting stained glass ranging from the 13th- to the 20th-Century. The rose window over the main portal and the gallery beneath are of rare magnificence.

The cathedral possesses fine tapestries. Of these, the most important series is that presented by Robert de Lenoncourt, archbishop under François I, representing the life of the Virgin. They are now to be seen in the former bishop's palace, the Palace of Tau. The North Transept contains a fine organ in a flamboyant Gothic Case. The Choir Clock is ornamented with curious mechanical figures.Marc Chagall designed the stained glass. installed in 1974. in the axis of the apse.



Rheims Cathedral hit by shell-fire during World War I.


"The Cathedral of Notre Dame at Rheims was one of the most beautiful buildings in the world. 


The framework was still standing when the German Army began their drive in 1918. In this instance, shells burst on the cathedral before the eyes of many spectators." (caption).


Photo is dated 20 September 1914.

"Collier's New Photographic History of the World's War" (1919), page 86.


The Treasury, kept in the Palace of Tau, includes many precious objects, among which is the Sainte Ampoule, or Holy Flask, the successor of the ancient one that contained the oil with which French kings were anointed, which was broken during the French Revolution, a fragment of which the present Ampoule contains.

Notre-Dame de Reims cathedral, the former Abbey of Saint-Remi, and the Palace of Tau were added to the list of UNESCO World Heritage Sites in 1991.


PART FOUR FOLLOWS.

Friday, 22 June 2012

Rheims Cathedral (Part Two)


Non-Italic Text and Photos from Wikipedia - the free encyclopedia,
unless otherwise accredited.





Rheims Cathedral at night.
Photo taken August 2009 by Jayanta Sen.


Unusually, the names of the cathedral's original architects are known. A labyrinth built into the floor of the nave at the time of construction, or shortly after, (similar to examples at Chartres and Amiens) included the names of four master masons (Jean d'Orbais, Jean-Le-Loup, Gaucher de Reims and Bernard de Soissons) and the number of years they worked there, though art historians still disagree over who was responsible for which parts of the building.

The labyrinth itself was destroyed in 1779, but its details and inscriptions are known from 18th-Century drawings. The clear association here between a labyrinth and master masons adds weight to the argument that such patterns were an allusion to the emerging status of the architect (through their association with the mythical artificer Daedalus, who built the Labyrinth of King Minos). 



Die Kathedrale von Reims by Domenico Quaglio (1787-1837).
English: Domenico Quaglio (1787-1837): The Cathedral of Reims.
Français : Domenico Quaglio (1787-1837): Cathédrale de Reims.
Italiano: Domenico Quaglio (1787-1837): La cattedrale di Reims.


The cathedral also contains further evidence of the rising status of the architect in the tomb of Huges Liberger (died 1268, architect of the now-destroyed Reims church of St-Nicaise). Not only is he given the honour of an engraved slab, he is shown holding a miniature model of his church (an honour formerly reserved for noble donors) and wearing the academic garb befitting an intellectual.

The towers, 81 m tall (approx. 267 ft), were originally designed to rise 120 m (approximately 394 ft). The South tower holds just two great bells; one of them, named “Charlotte” by Charles, Cardinal of Lorraine in 1570, weighs more than 10,000 kg (about 11 tons).

During the Hundred Years' War, the cathedral was under siege by the English from 1359 to 1360.




Exterior view of the Chevet of Rheims Cathedral
(Vue du chevet de la cathédrale de Reims).
Photo taken March 2007 by Vassil.


In 1875, the French National Assembly voted £80,000 for repairs of the façade and balustrades. The façade is the finest portion of the building, and one of the great masterpieces of the Middle Ages.

German shellfire, during the opening engagements of the First World War on 20 September 1914, burned, damaged and destroyed important parts of the cathedral. Scaffolding around the North Tower caught fire, spreading the blaze to all parts of the carpentry superstructure. 


The lead of the roofs melted and poured through the stone gargoyles, destroying in turn the bishop's palace. Restoration work began in 1919, under the direction of Henri Deneux, a native of Reims and chief architect of the Monuments Historiques; the cathedral was fully reopened in 1938, thanks in part to financial support from the Rockefellers, but work has been steadily going on since.


PART THREE FOLLOWS

Saturday, 16 June 2012

Rheims Cathedral (Part One)


Non-Italic Text and Photos from Wikipedia - the free encyclopedia,
unless otherwise accredited.




Interior of Notre-Dame de Reims (Our Lady of Rheims)

From Wikimedia Commons
Photo: Eric Pouhier (March 2006)


Notre-Dame de Reims (Our Lady of Rheims) is the Roman Catholic cathedral of Reims, where the kings of France were once crowned. It replaces an older church, destroyed by a fire in 1211, which was built on the site of the basilica where Clovis was baptized by Saint Remi, bishop of Reims, in 496 A.D. That original structure had been erected on the site of the Roman baths. As the cathedral it remains the seat of the Archdiocese of Reims.

A major site for tourism in the Champagne region, France, it received half a million visitors in 2006.

Excavations have shown that the present building occupies roughly the same site as the original cathedral, founded circa 400 A.D., under the episcopacy of St Nicaise. That church was rebuilt during the Carolingian period and further extended in the 12th-Century.




Rheims Cathedral

On July 6, 1210, the cathedral was damaged by fire and reconstruction started shortly afterwards, beginning at the Eastern end. Documentary records show the acquisition of land to the West of the site in 1218, suggesting the new cathedral was substantially larger than its predecessors, the lengthening of the nave presumably being an adaptation to afford room for the crowds that attended the coronations

In 1233, a long-running dispute between the cathedral chapter and the townsfolk (regarding issues of taxation and legal jurisdiction) boiled over into open revolt. Several clerics were killed or injured during the resulting violence and the entire cathedral chapter fled the city, leaving it under an interdict (effectively banning all public worship and sacraments). 

Work on the new cathedral was suspended for three years, only resuming in 1236, after the clergy returned to the city and the interdict was lifted following mediation by the King and the Pope. Construction then continued more slowly. 


Coronation of Charles VII in Rheims Cathedral in 1429.



Image of Joan of Arc, 1889-1890 in the Panthéon de Paris, by E. Lenepveu.

Photo taken January 2007 by 
Tijmen Stam (User:IIVQ)


The area from the crossing Eastwards was in use by 1241, but the nave was not roofed until 1299 (when the French King lifted the tax on lead used for that purpose). Work on the West facade took place in several phases, which is reflected in the very different styles of some of the sculptures. The upper parts of the facade were completed in the 14th-Century, but apparently following 13th-Century designs, giving Reims an unusual unity of style.

PART TWO FOLLOWS

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