Lenten Array.

Fairford, Gloucestershire,

originally uploaded by Vitrearum (Allan Barton).

The Lady Altar in the Tame Chapel, at Fairford, in Gloucestershire, has a Reredos of 1913, by Geoffrey Webb, covered during Lent with Lenten Array.

The Reredos Veil is decorated with a Central Rood Group,

in Grisaille, with Ox-Blood Stencilling around it.

The Tabernacle containing the image of Our Lady, that

forms an Upper Level of the Reredos, is enclosed with

doors and the backs of the doors are also Stencilled.

Sadly, these seem to be the extent of the surviving

Lenten Array; the Blue Frontal (Editor: Antependium)

remains in place during Lent, as does the very

Festal Dorsal with its Armorial embroidery.

Consequently the Lenten Veiling rather loses its impact.

Text and Illustration: MEDIEVAL CHURCH ART

Lenten Array.

Lenten Array at Saint Birinus, Dorchester.

Photo: Fr Lawrence Lew, O.P.

Illustration: FLICKR

The following Text is from Wikipedia - the free encyclopædia, unless stated otherwise.

In some Anglican Churches, a type of unbleached Linen or Muslin, known as “Lenten Array” is worn during the First Three Weeks of Lent; Crimson is worn during Passiontide; and, on Holy Days, the Colour Proper to the Day is worn.[169] 

Lenten Array.

Canterbury Cathedral Crypt.

Author: John Hawes

Illustration: FLICKR

Priest83 Commented on the above photograph on FLICKR.

This is the original Victorian High Altar (Gilbert Scott, circa 1880) re-sited in the Crypt after the Quire Sanctuary was re-ordered in 1977. The Altar Frontal (Antependium) shown is the Lenten Array. Usually the Altar is Vested with a splendid Red/Gold embroidered Antependium from, I think, 

the C. E.  Kempe studio, circa 1900.

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In certain other Anglican Churches, as an alternative to Violet for all of Lent, except Holy Week, and Red, beginning on Palm Sunday through Holy Saturday, Lenten Array, typically made of Sackcloth, such as Burlap, and trimmed with Crimson Cloth, often Velvet, is worn, even during Holy Week — since the Sackcloth represents Penance and the Crimson edges represent the Passion of Christ. 

Even the Veils that cover the Altar Crosses or Crucifixes 

and Statuary are made of the same Sackcloth 

with the Crimson trim.

Lenten Array at Saint Birinus, Dorchester.

Photo: Fr Lawrence Lew, O.P.

Illustration: FLICKR

Fairford, Gloucestershire, 

originally uploaded by Vitrearum (Allan Barton). 

The Lady Altar in the Tame Chapel, at Fairford, in Gloucestershire, has a Reredos of 1913, by Geoffrey Webb, covered during Lent with Lenten Array. The Reredos Veil 

is decorated with a Central Rood Group, in Grisaille, with 

Ox-Blood Stencilling around it. The Tabernacle containing the image of Our Lady, that forms an Upper Level of the Reredos, is enclosed with doors and the backs of the doors are also Stencilled. Sadly, these seem to be the extent of the surviving Lenten Array; the Blue Frontal (Editor: Antependium) remains in place during Lent, as does the very Festal Dorsal with its Armorial embroidery. Consequently The Lenten Veiling rather loses its impact.

Text and Illustration: MEDIEVAL CHURCH ART

The following Text is taken from 

NEW LITURGICAL MOVEMENT

The Author is Fr. Lawrence Lew, O.P.

As Passiontide arrives, some Sacristans will be retrieving those Violet drapes and ironing them in preparation for the Traditional Roman custom of Veiling Sacred Images, etc, in the fortnight before The Sacred Triduum.

However, in The Sarum Use, the Sacred Images and the 

Altar were already Veiled on Ash Wednesday, and, rather 

than Violet Cloth (which would have been an expensive dye 

to acquire), Bleached Linen, with simple Lenten and Passion designs, are used: The idea was for a general negation 

of colour during Lent.

Lenten Array at Saint Birinus, Dorchester.

Photo: Fr Lawrence Lew, O.P.

Illustration: FLICKR

The following Text is taken from 

FULL HOMELY DIVINITY

“In [The Sarum] Tradition “according to the rules that in all the Churches of England be observed, all images [are] to be hid from Ash Wednesday to Easter Day.” 

“This is called The Lenten Array and it includes a Curtain, which hides the Reredos, a Frontal [Editor: Antependium], which covers the Altar, and Veils, which cover other Statues and Pictures in the Church.

“The colour was Lenten White, which was natural linen material, and was sometimes referred to as Ash Colour. 

Lenten Array.

Author: Dr Allan Barton.

Illustration: NEW LITURGICAL MOVEMENT

“According to “An Introduction to English Liturgical Colours”: “The explanation of this use of White, which is closely akin to Ashen, is “in this time of Lent, which is a time of mourning, all things that make to the adornment of the Church are either laid aside or else covered, to put us in remembrance that we ought now to lament and mourn for our Souls, dead in sin, and continually to Watch, Fast, Pray, give Alms . . .”, wherefore “the Clothes that are hanged up this time of Lent in the Church have painted on them nothing else but the Pains, Torments, Passion, Blood-Shedding, and Death, of Christ, that now we should only have our minds fixed on The Passion of Christ, by Whom only we were redeemed.”

“This practice made a startling transformation of the Church, for the whole of the Lenten Season, so that Easter, literally, burst forth like The Lord from the tomb, when the Church was returned to normal state.”

“Care must be taken that too many devices, or symbols, 

are not introduced on to the Hangings and Veils, or the austerity of the Lenten Symbolism will be lost, and it 

will give a “Festive”, rather than a restraining, 

atmosphere to the Interior of the Church.”

Text and Illustration: TIMOTHEOS PROLOGIZES

Lenten Array.

Lenten Array at Saint Birinus, Dorchester.

Photo: Fr Lawrence Lew, O.P.

Illustration: FLICKR

The following Text is from Wikipedia - the free encyclopædia, unless stated otherwise.

In some Anglican Churches, a type of unbleached Linen or Muslin, known as “Lenten Array” is worn during the First Three Weeks of Lent; Crimson is worn during Passiontide; and, on Holy Days, the Colour Proper to the Day is worn.[169] 

In certain other Anglican Churches, as an alternative to Violet for all of Lent, except Holy Week, and Red, beginning on Palm Sunday through Holy Saturday, Lenten Array, typically made of Sackcloth, such as Burlap, and trimmed with Crimson Cloth, often Velvet, is worn, even during Holy Week — since the Sackcloth represents Penance and the Crimson edges represent the Passion of Christ. 

Even the Veils that cover the Altar Crosses or Crucifixes 

and Statuary are made of the same Sackcloth 

with the Crimson trim.

Lenten Array at Saint Birinus, Dorchester.

Photo: Fr Lawrence Lew, O.P.

Illustration: FLICKR

Fairford, Gloucestershire, originally uploaded by Vitrearum (Allan Barton). 

The Lady Altar in the Tame Chapel, at Fairford, in Gloucestershire, has a Reredos of 1913, by Geoffrey Webb, covered during Lent with Lenten Array. 

The Reredos Veil is decorated with a Central Rood Group, 

in Grisaille, with Ox-Blood Stencilling around it. 

The Tabernacle containing the image of Our Lady, that forms an Upper Level of the Reredos, is enclosed with doors and the backs of the doors are also Stencilled. 

Sadly, these seem to be the extent of the surviving Lenten Array; the Blue Frontal (Editor: Antependium) remains in place during Lent, as does the very Festal Dorsal with its Armorial embroidery. 

Consequently The Lenten Veiling rather loses its impact.

Text and Illustration: MEDIEVAL CHURCH ART

The following Text is taken from 

NEW LITURGICAL MOVEMENT

The Author is Fr. Lawrence Lew, O.P.

As Passiontide arrives, some Sacristans will be retrieving those Violet drapes and ironing them in preparation for the Traditional Roman custom of Veiling Sacred Images, etc, in the fortnight before The Sacred Triduum.

However, in The Sarum Use, the Sacred Images and the 

Altar were already Veiled on Ash Wednesday, and, rather 

than Violet Cloth (which would have been an expensive dye 

to acquire), Bleached Linen, with simple Lenten and Passion designs, are used: The idea was for a general negation 

of colour during Lent.

Lenten Array at Saint Birinus, Dorchester.

Photo: Fr Lawrence Lew, O.P.

Illustration: FLICKR

The following Text is taken from 

FULL HOMELY DIVINITY

“In [The Sarum] Tradition “according to the rules that in all the Churches of England be observed, all images [are] to be hid from Ash Wednesday to Easter Day.” 

“This is called The Lenten Array and it includes a Curtain, which hides the Reredos, a Frontal [Editor: Antependium], which covers the Altar, and Veils, which cover other Statues and Pictures in the Church.

“The colour was Lenten White, which was natural linen material, and was sometimes referred to as Ash Colour. 

“According to “An Introduction to English Liturgical Colours”: “The explanation of this use of White, which is closely akin to Ashen, is “in this time of Lent, which is a time of mourning, all things that make to the adornment of the Church are either laid aside or else covered, to put us in remembrance that we ought now to lament and mourn for our Souls, dead in sin, and continually to Watch, Fast, Pray, give Alms . . .”, wherefore “the Clothes that are hanged up this time of Lent in the Church have painted on them nothing else but the Pains, Torments, Passion, Blood-Shedding, and Death, of Christ, that now we should only have our minds fixed on The Passion of Christ, by Whom only we were redeemed.”

“This practice made a startling transformation of the Church, for the whole of the Lenten Season, so that Easter, literally, burst forth like The Lord from the tomb, when the Church was returned to normal state.”

“Care must be taken that too many devices, or symbols, 

are not introduced on to the Hangings and Veils, or the austerity of the Lenten Symbolism will be lost, and it 

will give a “Festive”, rather than a restraining, atmosphere 

to the Interior of the Church.”

Text and Illustration: TIMOTHEOS PROLOGIZES

Lenten Array.

Lenten Array at Saint Birinus, Dorchester.

Photo: Fr Lawrence Lew, O.P.

Illustration: FLICKR

Lenten Array at Saint Birinus, Dorchester.

Photo: Fr Lawrence Lew, O.P.

Illustration: FLICKR

Fairford, Gloucestershire, originally uploaded by Vitrearum (Allan Barton).

The Lady Altar in the Tame Chapel, at Fairford, in Gloucestershire, has a Reredos

of 1913, 

by Geoffrey Webb, covered during Lent with Lenten Array.

The Reredos Veil is decorated with a Central Rood Group, in Grisaille, with Ox-Blood

Stencelling around it. The Tabernacle containing the image of Our Lady, that forms an

Upper Level of the Reredos, is enclosed with doors and the backs of the doors are also

Stencilled. Sadly, these seem to be the extent of the surviving Lenten Array, the

Blue Frontal (Editor: Antependium) remains in place during Lent, as does the very Festal Dorsal

with its Armorial embroidery. Consequently The Lenten Veiling rather loses its impact.

Text and Illustration from MEDIEVAL CHURCH ART

The following Text is taken from NEW LITURGICAL MOVEMENT
The Author is Fr. Lawrence Lew, O.P.

As Passiontide arrives, some Sacristans will be retrieving those Violet drapes and ironing them in preparation for the Traditional Roman custom of Veiling Sacred images, etc, in the fortnight before The Sacred Triduum.

However, in The Sarum Use, the Sacred images and the Altar were already Veiled on Ash Wednesday, and, rather than Violet Cloth (which would have been an expensive dye to acquire), Bleached Linen, with simple Lenten and Passion designs, are used: The idea was for a general negation of colour during Lent.

Lenten Array at Saint Birinus, Dorchester.

Photo: Fr Lawrence Lew, O.P.

Illustration: FLICKR

The following Text is taken from FULL HOMELY DIVINITY

"In [The Sarum] Tradition "according to the rules that in all the Churches of England be observed, all images [are] to be hid from Ash Wednesday to Easter Day." This is called The Lenten Array and it includes a Curtain, which hides the Reredos, a Frontal [Editor: Antependium], which covers the Altar, and Veils, which cover other Statues and Pictures in the Church.

The colour was Lenten White, which was natural linen material, and was sometimes referred to as Ash Colour. According to "An Introduction to English Liturgical Colours": "The explanation of this use of White, which is closely akin to Ashen, is 'in this time of Lent, which is a time of mourning, all things that make to the adornment of the Church are either laid aside or else covered, to put us in remembrance that we ought now to lament and mourn for our Souls, dead in sin, and continually to Watch, Fast, Pray, give Alms . . .' wherefore 'the Clothes that are hanged up this time of Lent in the Church have painted on them nothing else but the Pains, Torments, Passion, Blood-Shedding, and Death, of Christ, that now we should only have our minds fixed on The Passion of Christ, by Whom only we were redeemed."

This practice made a startling transformation of the Church, for the whole of The Lenten Season, so that Easter, literally, burst forth like The Lord from the tomb, when the Church was returned to normal state."

"Care must be taken that too many devices, or symbols, are not introduced on to the Hangings and Veils, or the austerity of The Lenten Symbolism will be lost, and it will give a 'Festive', rather than a restraining, atmosphere to the Interior of the Church."

Text and Illustration: TIMOTHEOS PROLOGIZES

Lenten Array.

Lenten Array at Dorchester.

Photo: Fr Lawrence Lew, O.P.

Illustration: FLICKR

Lenten Array at Saint Birinus, Dorchester.

Photo: Fr Lawrence Lew, O.P.

Illustration: FLICKR

Fairford, Gloucestershire, originally uploaded by Vitrearum (Allan Barton).

The Lady Altar in the Tame Chapel, at Fairford, in Gloucestershire, has a Reredos

of 1913, 

by Geoffrey Webb, covered during Lent with Lenten Array. 

The Reredos Veil is decorated with a Central Rood Group, in Grisaille, with Ox-Blood

Stencelling around it. The Tabernacle containing the image of Our Lady, that forms an

Upper Level of the Reredos, is enclosed with doors and the backs of the doors are also

Stencilled. Sadly, these seem to be the extent of the surviving Lenten Array, the

Blue Frontal (Editor: Antependium) remains in place during Lent, as does the very Festal Dorsal

with its Armorial embroidery. Consequently the Lenten Veiling rather loses its impact. 

Text and Illustration from MEDIEVAL CHURCH ART

The following Text is taken from NEW LITURGICAL MOVEMENT

The Author was Fr. Lawrence Lew, O.P.

As Passiontide arrives, some Sacristans will be retrieving those Violet drapes and ironing them in preparation for the Traditional Roman custom of Veiling Sacred images, etc, in the fortnight before The Sacred Triduum.

However, in The Sarum Use, the Sacred images and the Altar were already Veiled on Ash Wednesday, and, rather than Violet Cloth (which would have been an expensive dye to acquire), Bleached Linen, with simple Lenten and Passion designs, are used: The idea was for a general negation of colour during Lent.

Lenten Array at Saint Birinus, Dorchester.

Photo: Fr Lawrence Lew, O.P.

Illustration: FLICKR

The following Text is taken from FULL HOMELY DIVINITY

"In [The Sarum] Tradition "according to the rules that in all the Churches of England be observed, all images [are] to be hid from Ash Wednesday to Easter Day." This is called The Lenten Array and it includes a Curtain, which hides the Reredos, a Frontal [Editor: Antependium], which covers the Altar, and Veils, which cover other Statues and Pictures in the Church.

The colour was Lenten White, which was natural linen material, sometimes referred to as Ash colour. According to "An Introduction to English Liturgical Colours": "The explanation of this use of White, which is closely akin to Ashen, is 'in this time of Lent, which is a time of mourning, all things that make to the adornment of the Church are either laid aside or else covered, to put us in remembrance that we ought now to lament and mourn for our Souls dead in sin, and continually to Watch, Fast, Pray, give Alms . . .' wherefore 'the Clothes that are hanged up this time of Lent in the Church have painted on them nothing else but the Pains, Torments, Passion, Blood-Shedding, and Death, of Christ, that now we should only have our minds fixed on The Passion of Christ, by Whom only we were redeemed."

This practice made a startling transformation of the Church, for the whole of The Lenten Season, so that Easter, literally, burst forth like The Lord from the tomb, when the Church was returned to normal state."

"Care must be taken that too many devices, or symbols, are not introduced on to the Hangings and Veils, or the austerity of The Lenten Symbolism will be lost, and it will give a 'Festive', rather than a restraining, atmosphere to the Interior of the Church."

Text and Illustration: TIMOTHEOS PROLOGIZES