Notre Dame de Rouen. The façade of the Gothic Church in France. Photographer: Hippo1947. Licence: SHUTTERSTOCK.
Showing posts with label Metropolitan Cathedral-Basilica Of The Nativity Of Saint Mary. Show all posts
Showing posts with label Metropolitan Cathedral-Basilica Of The Nativity Of Saint Mary. Show all posts

Thursday 13 June 2024

Metropolitan Cathedral-Basilica Of The Nativity Of Saint Mary, Milan, Italy. Basilica Cattedrale Metropolitana Di Santi Maria Nascente, Milano. (Part Five).



English: Milan Cathedral.
Italiano: Milano - Duomo.
This File: 30 January 2014.
Source: Own work.
This file is licensed under the
(Wikimedia Commons)



Duomo of Milan.
The Church That Took 600 Years To Finish.
Available on YouTube

The following Text is from Wikipedia - the free encyclopaedia,
unless stated otherwise.


A clash arose, which forced Gian Galeazzo to decide on the foundation of a new construction site intended exclusively for the Visconti dynasty: The Certosa di Pavia.[10] Work proceeded quickly, and, at the death of Gian Galeazzo in 1402, almost half the Cathedral was complete. Construction, however, stalled almost totally until 1480 for lack of money and ideas: The most notable works of this period were the tombs of Marco Carelli and Pope Martin V (1424) and the windows of the Apse (1470s), of which those extant portray Saint John the Evangelist, by Cristoforo de’Mottis, and Saint Eligius and San John of Damascus, both by Niccolò da Varallo. In 1452, under Francesco Sforza, the Nave and the Aisles were completed up to the sixth Bay.

In 1488, both Leonardo da Vinci and Donato Bramante created models in a competition to design the central Cupola; Leonardo later withdrew his submission.[11] From 1500 to 1510, under Ludovico Sforza, the octagonal Cupola was completed, and decorated in the interior with four series of fifteen statues, each portraying Saints, Prophets, Sibyls, and figures from the Bible.



Artwork on Milan Cathedral’s door.
Photo: 27 June 2016.
Source: Own work.
(Wikimedia Commons)

The exterior long remained without decoration, except for the Guglietto dell’Amadeo (“Amadeo’s Little Spire”), constructed 1507–1510. This is a Renaissance masterwork which nevertheless harmonised well with the Gothic appearance of the Church.

During the subsequent Spanish domination, the new Church proved usable, even though the interior remained unfinished, and some Bays of the Nave and the Transepts were still missing. In 1552, Giacomo Antegnati was commissioned to build a large Organ for the North Side of the Choir, and Giuseppe Meda provided four of the sixteen reliefs which were to decorate the Altar area (the programme was completed by Federico Borromeo).

In 1562, Marco d’Agrate’s St. Bartholomew and the famous Trivulzio Candelabrum (12th-Century) were added.



English: Plate celebrating the laying of the first stone in 1386.
Italiano: Lapide dentro il Duomo che commemora l’inizio della costruzione, nel 1386.
This File: 13 May 2005.
(Wikimedia Commons)

PART SIX FOLLOWS.

Monday 10 June 2024

Metropolitan Cathedral-Basilica Of The Nativity Of Saint Mary, Milan, Italy. Basilica Cattedrale Metropolitana Di Santi Maria Nascente, Milano. (Part Four).



English: Milan Cathedral.
Italiano: Milano - Duomo.
This File: 30 January 2014.
Source: Own work.
This file is licensed under the
(Wikimedia Commons)


The following Text is from Wikipedia - the free encyclopaedia,
unless stated otherwise.

Enthusiasm for the immense new building soon spread among the population, and the shrewd Gian Galeazzo, together with his cousin, the Archbishop, collected large donations for the work-in-progress. 

The construction programme was strictly regulated under the “Fabbrica del Duomo”, which had 300 employees, led by Chief Engineer Simone da Orsenigo. Orsenigo initially planned to build the Cathedral from brick in Lombard Gothic style.



Milan Cathedral’s roof is accessible to tourists.
Photo: 21 June 2016.
Source: Own work.
Author: Daniel Case
(Wikimedia Commons)

Visconti had ambitions to follow the newest trends in European architecture. In 1389, a French Chief Engineer, Nicolas de Bonaventure, was appointed, adding to the Church its Rayonnant Gothic style.

Galeazzo gave the Fabbrica del Duomo exclusive use of the Marble from the Candoglia quarry and exempted it from taxes. Ten years later, another French architect, Jean Mignot, was called from Paris to judge and improve upon the work done, as the Masons needed new technical aid to lift stones to an unprecedented height.[9]

Mignot declared all the work done, up until then, as “in pericolo di ruina” (“in peril of ruin”), as it had been done “sine scienzia” (“without science”).



The Gold Madonna at the top of Milan Cathedral.
Photo: 22 February 2014.
Source: Own work.
Attribution: © José Luiz Bernardes Ribeiro /
Author: José Luiz .
(Wikimedia Commons)

In the following years, Mignot’s forecasts proved untrue, but they spurred Galeazzo’s engineers to improve their instruments and techniques. However, relations between Gian Galeazzo and the top management of the factory (chosen by the citizens of Milan) were often tense: The lord (who in 1395 had become Duke of Milan) intended to transform the Cathedral into the dynastic mausoleum of the Visconti, inserting into the central part of the Cathedral a funeral monument of his father Galeazzo II, and this met with strong opposition from both the factory and the Milanese, who wanted to underline their autonomy.

PART FIVE FOLLOWS.
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