The Titles Of The Blessed Virgin Mary (Part Two).

Text and Illustrations from Wikipedia, the free encyclopaedia,

unless otherwise stated.

The Madonna in Sorrow.

Artist: Giovanni Battista Salvi da Sassoferrato (1609–1685).

Date: Author lived 1609 – 1685.

Source: http://www.bridgemanartondemand.com/art/104827/The_Madonna_in_Sorrow.

Author: Giovanni Battista Salvi da Sassoferrato (1609–1685).

(Wikimedia Commons)

Titles of Mary associated with devotions or apparitions:

Black Madonna of Częstochowa;
Life-Giving Spring;
Our Lady of Akita;
Our Lady of Aparecida;
Our Lady of Arabia;
Our Lady of Banneux;
Our Lady of Beauraing;
Our Lady of Bethlehem;
Our Lady of China;
Our Lady of Combermere;
Our Lady of Covadonga;
Our Lady of Fatima;
Our Lady of the Gate of Dawn;
Our Lady of Good Counsel;
Our Lady of Graces;
Our Lady of Guadalupe;
Our Lady of Good Help;
Our Lady of Good Health;
Our Lady of Good Success;
Our Lady of Ipswich;
Our Lady of Kazan;
Our Lady of Kibeho;
Our Lady of Knock;
Our Lady of La Salette;
Our Lady of La Vang;
Our Lady of Laus;
Our Lady of Lebanon;
Our Lady of Loreto;
Our Lady of Lourdes;
Our Lady of Manaoag;
Our Lady of the Miraculous Medal;
Our Lady of Mount Carmel;
Our Lady of Nazaré;
Our Lady of the Pillar;
Our Lady of the Rocks;
Our Lady of the Snows;
María de la Soledad, Our Lady of Solitude;
Our Lady of Solitude of Porta Vaga;
Our Lady of the Thirty-Three;
Our Lady of Vallarpadam;
Our Lady of Velankanni;
Our Lady of Walsingham;
Our Lady of Ta' Pinu;
Our Lady of Tarumba;
Our Lady, Star of the Sea;
Theotokos of Vladimir.

Statue of Our Lady, "Stella Maris", Sliema, Malta.

This File: 8 December 2009.

User: Maris1891.

(Wikimedia Commons)

Most of the devotional titles are contained in the Litany of Loreto:

Holy Mary;
Holy Mother of God;
Holy Virgin of Virgins;
Mother of Christ;
Mother of the Church;
Mother of Divine Grace;
Mother Most Pure;
Mother Most Chaste;
Mother Inviolate;
Mother Undefiled;
Mother Most Amiable;
Mother Admirable;
Mother of Good Counsel;
Mother of Our Creator;
Mother of Our Redeemer;
Mother of Mercy;
Virgin Most Prudent;
Virgin Most Venerable;
Virgin Most Renowned;
Virgin Most Powerful;
Virgin Most Merciful;
Virgin Most Faithful;
Mirror of Justice;
Seat of Wisdom;
Cause of Our Joy;
Spiritual Vessel;
Vessel of Honor;
Singular Vessel of Devotion;
Mystical Rose;
Tower of David;
Tower of Ivory;
House of Gold;
Ark of the Covenant;
Gate of Heaven;
Morning Star;
Health of the Sick;
Refuge of Sinners;
Comfort of the Afflicted;
Help of Christians;
Queen of Angels;
Queen of Patriarchs;
Queen of Prophets;
Queen of Apostles;
Queen of Martyrs;
Queen of Confessors;
Queen of Virgins;
Queen of All Saints;
Queen Conceived Without Original Sin;
Queen Assumed Into Heaven;
Queen of the Most Holy Rosary;
Queen of Families;
Queen of Peace.

English: Mother of Sorrows.

Espanol: Dolorosa.

Artist: Bartolomé Esteban Murillo (1617–1682).

Date: Circa 1665.

Current location: Museo de Bellas Artes de Sevilla, Spain.

Source/Photographer: http://www.juntadeandalucia.es/cultura/museos/MBASE/index.jsp?redirect=S2_3_1_1.jsp&idpieza=24&pagina=3.

(Wikimedia Commons)

Other Titles of Mary include:

Co-Redemptrix;
Destroyer of Heresy;
Empress of the World;
Favoured Daughter of the Father;
Immaculate Heart of Mary;
Joy of the Just;
Mother of the Poor;
Mother of the Word;
Mother of Orphans;
Mother of Perpetual Help;
Mother of Sorrows;
Mother of the Son;
Mother Thrice Admirable;
Nova Eva (the New Eve);
Our Lady of Confidence;
Our Lady of Victory;
Queen of Heaven;
Ravisher of Hearts;
Spouse of the Holy Spirit;
Star of the Sea;
Tabernacle of the Lord;
Temple of the Most Holy Trinity;
Treasure House of God's Graces;
Untier of Knots.

English: Crowned Madonna, Rokitno, Poland, 1671.

Polski: Matka Boża Rokitniańska Cierpliwie Słuchająca z godłem 

Polski umieszczonym tam w 1671 r. przez króla Michała Korybuta Wiśniowieckiego.

This File: 1 June 2006.

User: Emman.

(Wikimedia Commons)

Titles of Mary in Islam. The Qur'an refers to Mary by the following titles:

Qānitah - the Arabic term implies the meaning, not only of constant submission to Allah, but also absorption in Prayer and invocation;
Siddiqah - "She who accepts as true" or "She who has Faith". The term has also been translated "She who believes sincerely totally";
Sājidah - "She who prostrates to Allah in worship";
Rāki’ah - "She who bows down to Allah in worship";
Tāhirah - "She who was purified";
Mustafia - "She who is chosen";
Nur - Mary has been called Nut (Light) and Umm Nut (the Mother of One who was Light);
Sa’imah - "She who Fasts";
Ma'suma - "She who never sinned".

The Virgin With Angels.

Artist: William-Adolphe Bouguereau (1825–1905).

Date: 1900.

Current location: Petit Palais, Paris, France.

Source: Art Renewal Center image.

Copied from the English Wikipedia to Commons.

This File: 8 July 2005.

User: Phrood.

(Wikimedia Commons)

THIS CONCLUDES THE ARTICLE ON THE TITLES OF THE BLESSED VIRGIN MARY.

The Titles Of The Blessed Virgin Mary (Part One).

Text and Illustrations from Wikipedia, the free encyclopaedia,
unless otherwise stated.

The Annunciation.

Artist: Bartolomé Esteban Murillo (1617–1682).

Date: 1665 - 1660.

Current location: The State Hermitage Museum, Saint Petersburg, Russia.

Source/Photographer: The Yorck Project: 10.000 Meisterwerke der Malerei. DVD-ROM, 2002. 

ISBN 3936122202. Distributed by DIRECTMEDIA Publishing GmbH.

Permission: [1].

(Wikimedia Commons)

Mary is known by many titles (Blessed Mother, Virgin, Madonna, Our Lady), epithets (Star of the Sea, Queen of Heaven, Cause of Our Joy), invocations (Theotokos, Panagia, Mother of Mercy) and other names (Our Lady of Loreto, Our Lady of Guadalupe).

All of these titles refer to the same individual named Mary, the mother of Jesus Christ (in both the New Testament and Qur'an) and are used variably by Roman Catholics, Eastern Orthodox, Oriental Orthodox, and some Anglicans. (Note: Mary Magdalene, Mary of Clopas, and Mary Salome, are different individuals from Mary, mother of Jesus.)

A few of the titles given to Mary are Dogmatic in nature. Many other titles are poetic or allegorical and have lesser or no Canonical status, but which form part of popular piety, with varying degrees of acceptance by the Clergy. Yet more titles refer to depictions of Mary in the history of art.

The Nativity.

Artist: Lorenzo Lotto (1480–1556).

Date: 1523.

Current location: National Gallery of Art, Washington D.C., United States of America.

Source/Photographer: The Yorck Project: 10.000 Meisterwerke der Malerei. DVD-ROM, 2002. 

ISBN 3936122202. Distributed by DIRECTMEDIA Publishing GmbH.

Permission: [1].

(Wikimedia Commons)

There are several stories on the significance of the relatively large number of titles given to Mary. Some titles grew due to geographic and cultural reasons, e.g. through the veneration of specific icons. Others were related to Marian apparitions.

Given the large spectrum of human needs in varied situations, Mary's help was, and is, sought for all of them. This led to the formulation of many of her titles (Good Counsel, Help of the Sick, etc.). Moreover, meditations and devotions on the different aspects of the Virgin Mary's role, within the life of Jesus, led to additional titles, such as Our Lady of Sorrows. Still further, titles have been derived from Dogmas and Doctrines, e.g. Queen of Heaven or the Immaculate Conception.

Mary's cultus, or "devotional cult", consolidated in the year 431 A.D., when, at the Council of Ephesus, "Nestorianism", which asserted Christ's dual nature, was anathematised and the Theotokos, or Mary as bearer of God, was declared Dogma. Henceforth, Marian devotion — which centred on the subtle and complex relationship between Mary, Jesus, and the Church — would flourish, first in the East and, later, in the West.

The Adoration of the Shepherds.

Artist: Gerard van Honthorst (1590–1656).

Date: 25 December 1622.

Current location: Wallraf-Richartz-Museum, Cologne, Germany.

Note: Deutsch: Urechter Caravaggisten.

Source/Photographer: The Yorck Project: 10.000 Meisterwerke der Malerei. DVD-ROM, 2002. ISBN 3936122202. Distributed by DIRECTMEDIA Publishing GmbH.

Permission: [1].

(Wikimedia Commons)

The Reformation diminished Mary's role in many parts of Northern Europe in the 16th- and 17th-Centuries. The Council of Trent and Counter Reformation would intensify Marian devotion in the West. Around the same period, Mary would become an instrument of evangelisation in the Americas and parts of Asia and Africa, e.g. via the apparitions at Our Lady of Guadalupe, which resulted in a large number of conversions to Christianity in Mexico.

Following the Reformation, as of the 17th-Century, the Baroque literature on Mary experienced unforeseen growth with over 500 pages of Mariological writings during the 17th-Century, alone. During the Age of Enlightenment, the emphasis on scientific progress and rationalism put Catholic theology and Mariology often on the defensive in the later parts of the 18th-Century, to the extent that books such as The Glories of Mary (by Alphonsus Liguori) were written in defence of Mariology. The 20th-Century was dominated by a genuine Marian enthusiasm, both at the Papal and popular levels. The 20th-Century witnessed significant growth in Marian devotions and a dramatic rise in membership in Marian Movements and Societies.

Frequently used Titles for Mary in the English-speaking world include:

The Virgin Mary;
The Blessed Virgin Mary;
The Blessed Mother;
Mother of God;
Immaculate Mary;
Saint Mary;
Holy Mary;
Holy Virgin;
Our Lady;
The Madonna;
Notre-Dame;
Queen of Heaven.

Deutsch: Zanobi-Altar, Anbetung der Heiligen Drei Könige, mit Darstellung der Mitglieder der Medici-Familie als Könige: Cosimo (kniend), Piero und Giovanni (Rückenfiguren im Mittelpunkt) und Angehörige des Medici-Hofes.

Français: Sandro Botticelli, L'adoration des Mages.

English: Sandro Botticelli, Adoration of the Magi.

Artist: Sandro Botticelli (1445–1510).

Date: Circa 1475.

Current location: Uffizi Gallery, Florence, Italy.

Note: Deutsch: Urspr. in Santa Maria Novella in Florenz, Auftraggeber: 

Bankier Giovanni di Zanobi del Lama.

Source/Photographer: The Yorck Project: 10.000 Meisterwerke der Malerei. DVD-ROM, 2002. 

ISBN 3936122202. Distributed by DIRECTMEDIA Publishing GmbH.

Permission: [1].

(Wikimedia Commons)

Early Titles of Mary include:

Mary (Maria);
Full of Grace (Gratia plena);
Blessed (Beata);
Most Blessed (Beatissima);
Virgin (Virgo);
The Virgin (Virgo);
Cause of Our Salvation (causa salutis);
Advocate of Eve (advocata Evæ);
Mother of God (Mater Dei);
God Bearer (Deipara, Dei genetrix);
"Ever-Virgin (semper virgo);
Holy Mary (Sancta Maria);
Saint Mary (Sancta Maria);
Most Holy (Sanctissima, tota Sancta);
Most Pure (Purissima);
Immaculate (immaculata);
Lady (Domina);
Mistress (Domina);
Queen of Heaven (Regina Coeli, Regina Caeli);
Star of the Sea (stella maris);
Seat of Wisdom (Sedes sapientiae);
Cause of Our Joy (Causa nostrae laetitiae);
Help of Christians (Auxilium christianorum).

PART TWO FOLLOWS.

The Glories Of Mary.

Text and Illustrations from Wikipedia - the free encyclopaedia,
unless otherwise stated.

The Virgin With Angels.

Artist: William-Adolphe Bouguereau (1825–1905).

Date: 1900.

Current location: Petit Palais, Paris, France.

Source: Art Renewal Center image.

Copied from the English Wikipedia to Commons.

This File: 8 July 2005.

User: Phrood.

(Wikimedia Commons)

The Glories of Mary is a classic book in the field of Roman Catholic Mariology, written during the 18th-Century by Saint Alphonsus Liguori, a Doctor of the Church.

The book was written at a time when some Jansenists (Jansenism was declared heretical by the Pope) were criticising Marian devotions, and was written in part as a defence of Marian devotion. The book combines numerous citations, in favour of devotion to the Blessed Virgin Mary, from the Church Fathers and the Doctors of the Church, with Saint Alphonsus' own personal views on Marian veneration, and includes a number of Marian prayers and practices.

The Virgin at Prayer.

Artist: Giovanni Battista Salvi da Sassoferrato (1609–1685).

Description: Giovanni Battista Salvi "Il Sassoferrato", Jungfrun i bön (1640-1650).

National Gallery, London.

Date: Between 1640 and 1650.

Current location: National Gallery, London.

Source: Web Gallery of Art: Image Info about artwork.

(Wikimedia Commons)

The first part of the book focuses on the Salve Regina (Hail Holy Queen) prayer and explains how God gave Mary to mankind as the "Gate of Heaven". On this topic, Saint Alphonsus quoted Saint Bonaventure, namely: No one can enter Heaven unless by Mary, as though through a door.

The second part of the book deals with the key Marian Feasts, such as the Immaculate Conception, Nativity, Purification, Annunciation, Assumption, etc. The third part focuses on the Seven Sorrows of Mary, explaining how her "prolonged martyrdom" was greater than that of all other martyrs. The fourth part discusses ten different Virtues of the Blessed Virgin, while the fifth part provides a collection of Marian prayers, meditations and devotions. An appendix is devoted to defending the role of Mary as Mediatrix of all Graces.

PLEASE NOTE: AN ARTICLE ON SAINT ALPHONSUS LIGUORI, DOCTOR OF THE CHURCH, WILL APPEAR ON ZEPHYRINUS, SHORTLY.

The Feast Of The Ascension Of Our Lord.

Roman Text taken from The Saint Andrew Daily Missal.

Illustrations and Captions taken from Wikipedia - the free encyclopaedia,

unless otherwise stated.

Station at Saint Peter's.

(Plenary Stational Indulgence).

Double of the First-Class with Privileged Octave

of the Third Order.

White Vestments.

English: Woodcut for "Die Bibel in Bildern", 1860.

Deutsch: Holzschnitt aus "Die Bibel in Bildern", 1860.

Français: Gravure en bois pour «Die Bibel in Bildern», 1860.

Date: 1851-1860.

Source: Die Bibel in Bildern.

Author: Julius Schnorr von Carolsfeld (1794–1872).

Permission: Reproduction of a painting that is in the public domain because of its age.

This File: 13 December 2008.

User: McLeod.

(Wikimedia Commons)

It is in the Basilica of Saint Peter, dedicated to one of the chief witnesses of Our Lord's Ascension, that this Mystery, which marks the end of Our Lord's Earthly life, is "this day" (Collect) kept.

In the forty days which followed His Resurrection, Our Redeemer laid the foundations of His Church, to which He was going to send the Holy Ghost.

All the Master's teachings are summed up in the Epistle and Gospel for this Feast Day. Then, He left this Earth and the Introit, Collect, Epistle, Alleluia, Gospel, Offertory, Secret, Preface and Communion celebrate His glorious Ascension into Heaven, where the Souls He had freed from Limbo escort Him (Alleluia), and enter in His train into the heavenly kingdom, where they share more fully in His Divinity.

The Ascension sets before us the duty of raising our hearts to God. So, in the Collect, we are led to ask that we may dwell with Christ in Spirit, in the heavenly realms, where we are called one day to dwell in our risen bodies.

English: A mosaic, showing the Ascension, in one of the Chapels 

in the Basilica of Our Lady of the Rosary, Lourdes, France (see, below).

Français: Mosaïque d'une des chapelles 

de la Basilique Notre-Dame du Rosaire (niveau inférieur) : l'Ascension.

Photo: 10 August 2007.

Source: Own work.

Author: Vassil.

(Wikimedia Commons)

During the Octave of this Feast, the Credo is said: "I believe in one Lord Jesus Christ, the only-begotten Son of God . . . Who ascended into Heaven . . . He sitteth at the right hand of the Father." The Gloria speaks in the same sense: "O Lord Jesus Christ, the only-begotten Son . . Who sittest at the right hand of the Father, have mercy upon us."

In the Proper Preface, which is said until Pentecost, we give thanks to God because His Son, the Risen Christ, "after His Resurrection, appeared and showed Himself to all His disciples; and, while they beheld Him, was lifted up into Heaven".

In the same way, during the whole Octave, a Proper Communicantes of the Feast is said, in which the Church reminds us that she is keeping the day on which the only-begotten Son of God set at the right hand of His glory the substance of our frail human nature, to which He had united Himself in the Mystery of the Incarnation.

English: The Basilicas of the Immaculate Conception and Our Lady of the Rosary, Lourdes, France.

Français: La basilique de l'Immaculée-Conception et, au premier plan, la basilique Notre-Dame du Rosaire, Lourdes, Hautes-Pyrénées, France.

Photo: 23 May 2012.

Source: Own work.

Author: Père Igor.

(Wikimedia Commons)

We are reminded, daily, in the Liturgy, at the Offertory's Suscipe Sancta Trinitas, and in the Canon's Unde et memories, that, at Our Lord's command, the Holy Sacrifice is being offered in memory of the "Blessed Passion of the same Christ Thy Son, Our Lord," and also His Resurrection from Hell and His glorious Ascension into Heaven.

The truth is that man is saved only by the Mysteries of the Passion and the Resurrection, united with that of the Ascension. "Through Thy Death and Burial, through Thy Holy Resurrection, through Thy admirable Ascension, deliver us, O Lord" (Litany of the Saints).

Let us offer the Divine Sacrifice to God in memory of the glorious Ascension of His Son (Suscipe, Unde et memores); while we nourish within our Souls an ardent desire for Heaven, that "delivered from present dangers," we may "attain to eternal life" (Secret).

Every Parish Priest celebrates Mass for the people of his Parish.

NOTE:

The Novena, preparatory to Pentecost, prescribed by Pope Leo XIII, for the return of heretics and schismatics to the Roman unity, begins on the Friday after the Ascension.

Ascensio Christi In Coelum.

Illustration taken from the TransAlpine Redemptorists' Blog at

http://www.papastronsay.com/blogs/glorious_resurrection/Ascensio_Christi_in_Coelum_Large.jpg

Missa Cantata (Usus Antiquior) at Our Lady Of The Rosary, Blackfen, Kent. Feast Of The Ascension, Thursday, 9 May 2013.

Illustrations and Captions taken from Wikipedia - the free encyclopaedia,
unless otherwise stated.

FEAST OF THE ASCENSION

THURSDAY, 9 MAY 2013

2000 HRS

MISSA CANTATA (USUS ANTIQUIOR)

OUR LADY OF THE ROSARY,

BLACKFEN, KENT DA15 8LW.

English: Woodcut for "Die Bibel in Bildern", 1860.

Deutsch: Holzschnitt aus "Die Bibel in Bildern", 1860.

Français: Gravure en bois pour «Die Bibel in Bildern», 1860.

Date: 1851-1860.

Source: Die Bibel in Bildern.

Author: Julius Schnorr von Carolsfeld (1794–1872).

Permission: Reproduction of a painting that is in the public domain because of its age.

This File: 13 December 2008.

User: McLeod.

(Wikimedia Commons)

The Bishops of England and Wales have transferred the Feast of the Ascension to Sunday, 12 May.

However, there will also be a Sung Latin Mass (Usus Antiquior) for the Traditional Feast of the Ascension on Thursday, 9 May, at 8 P.M., for those who wish to go. It is not a Holyday of Obligation.

A similar arrangement will be made for the Feast of Corpus Christi on 30 May 2013, at 8 P.M.

More details about these Masses, and other Services at Blackfen, can be found on the OUR LADY OF THE ROSARY WEB-SITE, where directions to the Church can also be found.

Feast Days Of The Blessed Virgin Mary (Part Two).

Text and Illustrations from Wikipedia, the free encyclopaedia,
unless otherwise stated.

English: Michelangelo's Pietà in Saint Peter's Basilica in the Vatican, Italy.

Français: La Pietà de Michel-Ange située dans la Basilique Saint-Pierre, au Vatican.

(Cropped and cleaned version of Image:Michelangelo's Pieta 5450.jpg). 

Photo: Stanislav Traykov).

This File: 19 December 2005.

User: Glimz.

(Wikimedia Commons)

Other differences in Feasts relate to specific events that occurred in history. For instance, the Feast of Our Lady of Victory (late renamed Feast of Our Lady of the Rosary) was based on the 1571 victory of the Papal States against the Muslims in the Battle of Lepanto, and is unique to Roman Catholics. Note that the Protestant Reformation had already started several decades before the Battle of Lepanto.

During the month of May, May Devotions to the Blessed Virgin Mary take place in many Catholic regions. There is no firm structure as to the content of a May Devotion. It includes, usually, the singing of Marian Anthems, Readings from the Scriptures, a Sermon, and/or a Presentation by local Choirs. The whole Rosary is prayed separately and is usually not a part of a Marian Devotion, although Hail Marys are included. 

The Devotions in May were promoted by the Jesuits and spread to Jesuit Colleges, and to the entire Latin Church, and since that time it has been a regular feature of Catholic life. Marian Devotions may be held within the family, around a "May Altar", consisting of a table, with a Marian picture, decorated with many May flowers. The family would then pray together the Rosary. May Devotions exist in the entire Latin Church and, since that time, have been a regular feature of Catholic life.

Inmaculada Concepción (La Colosal) (The Immaculate Conception).

Artist: Bartolomé Esteban Murillo (1617–1682).

Date: 1650.

Source: http://www.juntadeandalucia.es/cultura/museos/MBASE/index.jsp?redirect=S2_3_1_1.jsp&idpieza=25&pagina=3.

Author: Bartolomé Esteban Murillo (1617–1682).

(Wikimedia Commons)

Traditionally, the month of October is "Rosary month" in the Catholic Church, when the Faithful are encouraged to Pray the Rosary, if possible. Since 1571, Mary, Queen of the Holy Rosary, is venerated on 7 October. Pope Benedict XVI, (now Pope Emeritus), following all his predecessors, also encouraged the Rosary during the month of October: The month of October is dedicated to the Holy Rosary, the unique contemplative Prayer, through which, guided by the Lord's Heavenly Mother, we fix our gaze on the Face of the Redeemer, in order to be conformed to his Joyful, Light-Filled (introduced by Pope John Paul II), Sorrowful and Glorious Mysteries. 

This ancient Prayer is having a providential revival, thanks also to the example and teaching of the beloved Pope John Paul II. The reader is invited to re-read his Apostolic Letter, Rosarium Virginis Mariae, and to put into practice its directions on the personal, family and community levels.

The following Italic Text is taken from The Feast Days of  Our Lady, appearing in The Saint Andrew Daily Missal (1945 Edition): 

2 February The Purification of the Blessed Virgin Mary.

11 February The Apparitions of the Immaculate at Lourdes.

25 March The Annunciation.

26 April Our Lady of Good Counsel.

(Friday in Passion Week) The Seven Sorrows of the Blessed Virgin Mary.

31 May The Blessed Virgin Mary, Mediatrix Of All Graces.

27 June Our Lady of Perpetual Succour.

16 July Our Lady of Mount Carmel.

2 July The Visitation of the Blessed Virgin Mary.

5 August Dedication of the Church of Our Lady Of The Snow.

14 August The Vigil of the Assumption.

15 August The Assumption.

22 August The Octave Day of the Assumption.

(Saturday within the Octave of the Sacred Heart) The Most Pure Heart of the Blessed Virgin Mary.

8 September The Nativity of the Blessed Virgin Mary.

12 September The Most Holy Name of Mary.

15 September The Seven Sorrows of the Blessed Virgin Mary.

24 September Our Lady of Ransom.

7 October The Holy Rosary of the Blessed Virgin Mary.

11 October The Maternity of the Blessed Virgin Mary.

21 November The Presentation of the Blessed Virgin Mary.

27 November Our Lady of the Miraculous Medal.

1 December Our Lady of Guadalupe.

7 December The Vigil of the Immaculate Conception.

8 December The Immaculate Conception.

15 December The Octave Day of the Immaculate Conception.

English: The Immaculate Conception.

Deutsch: Unbefleckte Empfängnis, Szene: Maria und Heilige: Hl. Katharina, Hl. Margaretha, Hl. Evangelist Johannes, Hl. Petrus, Hl. Philippus Benitius und Hl. Antoninus von Florenz (Antoninus Pierozzi, Bischof von Florenz)

Artist: Piero di Cosimo (1462–1521).

Date: Circa 1505.

Current location: Galleria degli Uffizi, Florence, Italy.

Note: Deutsch: Urspr. für die Tedaldi-Kapelle der Santissima Annunciata in Florenz.

Source/Photographer: The Yorck Project: 10.000 Meisterwerke der Malerei. DVD-ROM, 2002. 

ISBN 3936122202. Distributed by DIRECTMEDIA Publishing GmbH.

Permission: [1].

(Wikimedia Commons)

Among the most prominent Marian Feast Days, in the Ordinary Rite of the Roman Catholic Calendar, as distinct from the Extraordinary Rite of the Roman Catholic Calendar, are:

1 January Mary, Mother of God.
8 January Our Lady of Prompt Succor.
2 February Purification of the Virgin.
11 February Our Lady of Lourdes.
25 March Annunciation by Archangel Gabriel (it may be either moved to the day before Palm Sunday,  should this date be on Holy Week; or to the Monday after the Second Sunday of Easter, if this date falls on either Friday or Saturday of Holy Week or during Easter Week).
26 April Our Lady of Good Counsel.
1 May Queen of Heaven.
13 May Our Lady of Fatima.
24 May Mary Help of Christians.
31 May Visitation of the Blessed Virgin Mary.
27 June Our Lady of Perpetual Help.
16 July Our Lady of Mount Carmel.
2 August Our Lady of Angels.
5 August Dedication of the Basilica of Saint Mary Major.
15 August Assumption into Heaven.
21 August Our Lady of Knock.
22 August Queenship of Mary.
22 August Black Madonna of Częstochowa.
31 August The Virgin Mary, Mediatrix.
8 September Nativity of the Blessed Virgin Mary.
12 September The Most Holy Name of the Blessed Virgin Mary.
15 September Our Lady of Sorrows.
19 September Our Lady of La Salette.
24 September Our Lady of Walsingham, Feast of Our Lady of Ransom.
7 October Most Holy Rosary.
16 November Our Lady of Mercy.
21 November Presentation of Mary.
8 December Immaculate Conception.
12 December Our Lady of Guadalupe.
1 day after Ascension of Jesus - Our Lady of the Apostles.
1 day after Pentecost - Our Lady of Holy Church.
9 days after Corpus Christi - Immaculate Heart of Mary.

English: Our Lady of the Immaculate Conception.

Espanol: Inmaculada Concepción.

Artist: Diego Velázquez (1599–1660).

Date: Circa 1618.

Source: Web Gallery of Art: Image Info about artwork.

Author: Diego Velázquez (1599–1660).

(Wikimedia Commons)

In the General Roman Calendar of 1962, the Visitation is on 2 July (31 May in the present General Roman Calendar); the Queenship of the Blessed Virgin Mary on 31 May (22 August in the present General Roman Calendar); the Immaculate Heart of Mary on 22 August; the Seven Dolours of the Blessed Virgin Mary on Friday in Passion Week (the week prior to Holy Week) and on 15 September; and the Motherhood of the Blessed Virgin Mary on 11 October. The General Roman Calendar of 1954 differs from that of 1962 in not having the Feast of the Queenship of Mary, which was instituted in the following year.

Among the most prominent Marian Feast Days in the Eastern Orthodox and Greek-Catholic Liturgical Calendars are:

2 February Purification of the Most Holy Theotokos.
25 March Annunciation of the Theotokos.
15 August Dormition of the Theotokos.
8 September Nativity of the Theotokos.
1 October Protection of Our Most Holy Lady Theotokos and Ever-Virgin Mary.
21 November The Entry of the Most Holy Theotokos into the Temple.
9 December Feast of the Conception of the Most Holy Theotokos.
26 December Synaxis of the Theotokos.

Note: Feasts ranked among the twelve Great Feasts are in BOLD TYPE. Minor Feasts are in ROMAN TYPE.

English: The Assumption of the Blessed Virgin Mary.

Deutsch: Maria Himmelfahrt, Hochaltar für Sta. Maria Gloriosa die Fari in Venedig.

Français: L'Assomption de la Vierge.

Artist: Titian (1490–1576).

Current location: Institution:Santa Maria Gloriosa dei Frari, Venice, Italy.

Source/Photographer: The Yorck Project: 10.000 Meisterwerke der Malerei. DVD-ROM, 2002. 

ISBN 3936122202. Distributed by DIRECTMEDIA Publishing GmbH.

Permission: [1].

(Wikimedia Commons)

In Calendars throughout the Anglican Communion and Continuing Anglican Churches, the following Marian Feasts are observed:

2 February Purification of the Blessed Virgin.
11 February Our Lady of Lourdes.
25 March Annunciation of Our Saviour to the Blessed Virgin Mary (Lady Day).
1 May Queen of Heaven.
31 May Visitation of the Blessed Virgin Mary.
15 August Falling Asleep of the Blessed Virgin Mary.
8 September Nativity of the Blessed Virgin Mary.
15 October Our Lady of Walsingham (Catholic Feast on 24 September, as of 2001).
8 December Conception of the Blessed Virgin Mary.

THIS CONCLUDES THE ARTICLE ON THE FEAST DAYS OF THE BLESSED VIRGIN MARY.

The Second Mystery Of Paschaltide: The Feast Of The Ascension Of Our Lord. Liturgical Note For The Ascension.

Roman Text taken from The Saint Andrew Daily Missal.

Illustrations and Captions taken from Wikipedia - the free encyclopaedia,
unless otherwise stated.

English: Woodcut for "Die Bibel in Bildern", 1860.

Deutsch: Holzschnitt aus "Die Bibel in Bildern", 1860.

Français: Gravure en bois pour «Die Bibel in Bildern», 1860.

Date: 1851-1860.

Source: Die Bibel in Bildern.

Author: Julius Schnorr von Carolsfeld (1794–1872).

Permission: Reproduction of a painting that is in the public domain because of its age.

This File: 13 December 2008.

User: McLeod.

(Wikimedia Commons)

The Feast of the Ascension was formerly not distinguished from Pentecost, because Paschaltide was regarded as a single Feast Day, beginning at Easter and ending with the descent of the Holy Ghost on the Apostles.

Before long, the Ascension was kept on the fortieth day after the Resurrection, having its own Vigil and Octave. It is now a Holy Day of Obligation (this Edition of The Saint Andrew Daily Missal is dated 1945)  [the Holy Day of Obligation was removed by the Bishops of England and Wales, when they transferred the Feast Day to the following Sunday].

While they looked on, He was raised up.

Illustration and Caption available at the web-site of
Una Voce of Orange County,  
980 Dorothea Rd., La Habra Hts. CA 90631, 
California, United States of America.
Phone: (562) 691-5246. E-mail: president@uvoc.org
Website: www. uvoc.org
and taken from The Saint Andrew Daily Missal, 1952 Edition,
and reproduced with the kind permission of St. Bonaventure Press

The symbolic ceremony, peculiar to this Feast, is the final extinction of the Paschal Candle, whose light, during these Holy Forty Days, has represented the presence of Our Lord in the midst of His disciples. It is extinguished after the reading of the Ascension Gospel, which speaks to us of Our Blessed Lord's departure into Heaven.

The White Vestments and the Alleluia, "that drop of the supreme rejoicing," says Rupert [Benedictine Monk,  originally from Liege, Belgium, Abbot of Deutz Monastery, near Cologne, Germany, died in 1135], "which thrills through Jerusalem, above," betrays the joy felt by the Church at the memory of Our Lord's triumph , at the thought of the happiness of the Angels and the Just Men of the Old Law, who share it, and of the expectation of the Holy Ghost, who will make her to join in it, herself.

The spirit of this Feast is emphasised in the Collect, which shows us that having, with the Liturgical Cycle, followed Our Lord through the whole course of His life, we must lift our gaze towards Heaven, and dwell there by Faith and Hope, for it is the true fatherland of God's children.

Feast Days Of The Blessed Virgin Mary (Part One).

Text and Illustrations from Wikipedia, the free encyclopaedia,
unless otherwise stated.

The Virgin at Prayer.

Artist: Giovanni Battista Salvi da Sassoferrato (1609–1685).

Description: Giovanni Battista Salvi "Il Sassoferrato", Jungfrun i bön (1640-1650). 

National Gallery, London.

Date: Between 1640 and 1650.

Current location: National Gallery, London.

Source: Web Gallery of Art: Image Info about artwork.

(Wikimedia Commons)

Marian Feast Days are specific Holy Days of the Liturgical Year, celebrated by Christians as significant Marian Days for the Celebration of events in the life of the Blessed Virgin Mary and her veneration. The number of Marian Feasts celebrated, their names (and, at times, dates) can vary among Christian denominations.

The earliest Feasts, that relate to Mary, grew out of the Cycle of Feasts that celebrated the Nativity of Jesus. Given that according to the Gospel of Luke (Luke 2:22–40), forty days after the birth of Jesus, along with the Presentation of Jesus at the Temple, Mary was purified according to Jewish customs, the Feast of the Purification began to be celebrated by the 5th-Century, and became the Feast of Simeon in Byzantium.

A separate Feast for Mary, connected with the "Nativity of Jesus" Cycle of Feasts, originated in the 5th-Century, even perhaps before the First Council of Ephesus took place in 431 A.D. It seems certain that the Sermon, by Proclus, before Nestorius (the Archbishop of Constantinople, whose Nestorianism rejected the title of Theotokos), which began the controversy that lead to the 431 A.D. Council, was about a Feast for the Virgin Mary.

Our Lady of Sorrows, by Moreno,Warfhuizen, Holland.

The venerated image of Our Lady of Warfhuizen.

Photo: 10-08-2007.

Source: Own work.

Author: Broederhugo.

(Wikimedia Commons)

In the 7th- and 8th-Centuries, four more Marian Feasts were established in the Eastern Church. Byzantine Emperor, Maurice, selected 15 August as the date of the Feast of Dormition and Assumption. The Feast of the Nativity of Mary was perhaps started in the first half of the 7th-Century in the Eastern Church.

In the Western Church, a Feast dedicated to Mary, just before Christmas, was celebrated in the Churches of Milan and Ravenna, in Italy, in the 7th-Century. The four Roman Marian feasts of Purification, Annunciation, Assumption, and Nativity of Mary, were gradually and sporadically introduced into England and, by the 11th-Century, were being celebrated there.

Over time, the number and nature of Feasts (and the associated Titles of Mary), and the venerative practices that accompany them, have varied a great deal among diverse Christian traditions. Overall, there are significantly more Titles, Feasts and venerative Marian practices among Roman Catholics than any other Christian tradition.

English: Blessed Virgin Mary with the Infant, Jesus, with Pope Sixtus II and Saint Barbara.

Deutsch: Sixtinische Madonna, Szene: Maria mit Christuskind, Hl. Papst Sixtus II. und Hl. Barbara.

Artist: Raphael (1483–1520).

Date: 1513 - 1514.

Current location: Gemäldegalerie, Dresden, Germany.

Note: Deutsch: Urspr. Hochaltar von San Sisto in Piacenza.

Source/Photographer: The Yorck Project: 10.000 Meisterwerke der Malerei. DVD-ROM, 2002. 

ISBN 3936122202. Distributed by DIRECTMEDIA Publishing GmbH.

Permission: [1].

(Wikimedia Commons)

Some differences in Feasts originate from Doctrinal issues - the Feast of the Assumption is such an example. Given that there is no agreement among all Christians on the circumstances of the death, Dormition or Assumption of Mary, the Feast of Assumption is celebrated among some denominations and not others. In his early years, Martin Luther used to celebrate the Feast of the Assumption, but, towards the end of his life,  he stopped celebrating it.

While the Western Catholics celebrate the Feast of the Assumption on 15 August, some Eastern Catholics celebrate it as Dormition of the Theotokos, and may do so on 28 August, if they follow the Julian Calendar. The Eastern Orthodox also celebrate it as the Dormition of the Theotokos, one of their 12 Great Feasts. The Armenian Apostolic Church celebrates the Feast of Dormition not on a fixed date, but on the Sunday nearest 15 August. Moreover, the practices that go beyond Doctrinal differences also vary, e.g. for the Eastern Orthodox, the Feast is preceded by the fourteen-day Dormition Fast.

Feasts continue to be developed, e.g. the Feast of the Queenship of Mary was declared in 1954 in the Papal Encyclical "Ad Caeli Reginam" by Pope Pius XII. The initial Ceremony for this Feast involved the Crowning of the Salus Populi Romani icon of the Virgin Mary, in Rome, by Pope Pius XII, as part of a Procession in Rome, and is unique to Roman Catholics.

PART TWO FOLLOWS.

The Second Mystery Of Paschaltide: The Feast Of The Ascension Of Our Lord. Historical Note For The Ascension.

Roman Text taken from The Saint Andrew Daily Missal.

Illustrations and Captions taken from Wikipedia - the free encyclopaedia,
unless otherwise stated.

English: Woodcut for "Die Bibel in Bildern", 1860.

Deutsch: Holzschnitt aus "Die Bibel in Bildern", 1860.

Français: Gravure en bois pour «Die Bibel in Bildern», 1860.

Date: 1851-1860.

Source: Die Bibel in Bildern.

Author: Julius Schnorr von Carolsfeld (1794–1872).

Permission: Reproduction of a painting that is in the public domain because of its age.

This File: 13 December 2008.

User: McLeod.

(Wikimedia Commons)

Forty days after Our Lord's Resurrection, still in the Paschal Cycle, is kept the anniversary of the day that marked the end of His visible reign on Earth.

The Apostles, who had come to Jerusalem at the approach of Pentecost, were assembled in the Cenacle (Upper Room) when Our Lord appeared and took a last meal with them. Afterwards, He led them outside the City, on the Bethany side, to the Mount of Olives, the highest of the mountains which surround the capital. Then, Jesus, blessing His Apostles, raised Himself towards the sky.

This was at mid-day. Then a cloud hid Him from sight and two Angels came and told the disciples that: "This same Jesus", who had ascended  into Heaven, would thence return to Earth at the end of the world.

Painting of the Ascension by Vincenzo da Pavia, 

dating from 1533, above the Altar of La Martorana, Palermo, Sicily, Italy.

Photo: July 2008.

Source: Own work.

Author: Sibeaster.

(Wikimedia Commons).

The interior of Martorana Church, Palermo, Sicily, Italy.

Photo: August 2005.

Source: Own work.

Author: Urban.

(Wikimedia Commons)

The Church of Santa Maria dell'Ammiraglio or San Nicolò dei Greci, commonly called the Martorana, overlooking the renowned Piazza Bellini in Palermo, Sicily, Southern Italy. 

Co-Cathedral of Eparchy of Eastern Rite, is part of the Italo-Albanian Catholic Church, 

Diocese Byzantine-Greek Rite of Piana degli Albanesi.

As a reminder of this last walk of Our Lord and His Apostles from the Cenacle to the Mount of Olives, it was the custom at Rome to have a Solemn Procession at the Hour of Sext (mid-day), when, after Pontifical Mass at Saint Peter's, the Pope went with the Cardinals and Bishops to Saint John Lateran Basilica.

On the Mount of Olives, on the spot where Our Lord ascended into Heaven, Saint Helen built a Basilica, after the pattern of that of the Holy Sepulchre. By a happily devised piece of symbolism, it was open to the sky. It was destroyed by the Mohammedans and replaced in the 14th-Century by a monument of mediocre style.

Blog Round-Up By Mulier Fortis.

Mulier Fortis has two Catholic Guard-Cats.

A most interesting Blog Round-Up can be found over at MULIER FORTIS.

Well worth a visit and you're bound to find a lot of very interesting Catholic Blogs.

Pop over and say: "High".

[Especially if you like Cats.]

Ascensionem Christi Praecedentia Proxime. The Time Before The Ascension Of Christ.

Illustration taken from the TransAlpine Redemptorists' Blog at

http://www.papastronsay.com/blogs/glorious_resurrection/

Ascensionem_Christi_praecedentia_proxime.jpg

The Second Mystery Of Paschaltide: The Feast Of The Ascension Of Our Lord. Doctrinal Note For The Ascension.

Roman Text taken from The Saint Andrew Daily Missal.

Illustrations and Captions taken from Wikipedia - the free encyclopaedia,
unless otherwise stated.

English: Woodcut for "Die Bibel in Bildern", 1860.

Deutsch: Holzschnitt aus "Die Bibel in Bildern", 1860.

Français: Gravure en bois pour «Die Bibel in Bildern», 1860.

Date: 1851-1860.

Source: Die Bibel in Bildern.

Author: Julius Schnorr von Carolsfeld (1794–1872).

Permission: Reproduction of a painting that is in the public domain because of its age.

This File: 13 December 2008.

User: McLeod.

(Wikimedia Commons)

The second Feast that is kept during Paschaltide is the Ascension, which crowns the whole of Our Lord's life. For the Risen Christ must needs cease to tread the soil of our poor Earth and must return to His Father, in whose bosom, as God, He must be for all eternity, and where, in Saint Cyprian's words, "His humanity is now welcomed with a joy no tongue can express". ["If you loved me, you would indeed be glad, because I go to the Father." (Saint John xiv, 28.) For, to ascend into Heaven and sit at the right hand of God (Credo), is, for Our Lord, infinite glory and perfect bliss.]

Christ is now to take possession of the Kingdom of Heaven, which He has won by His sufferings, and to open to us His Father's House, "setting our frail nature at the right hand of God's glory" [Communicantes of the Ascension], that there, as God's children, we may fill the place from which the Angels fell.

So, as Conqueror of sin and Satan, Jesus enters Heaven; while the Angels hail and greet their King ["Lift up your gates, O ye princes, and the King of Glory shall enter in." (Psalm xxiii, 7.) As at His birth into the world (Hebrews i, 6), the Angels adore Our Lord on the day of His birth into Heaven.] and the Souls of the Just, freed from Limbo, form for Him an escort of glory.

Part of Rembrandt's Passion Cycle for Frederick Henry, Prince of Orange.

The Ascension.

Artist: Rembrandt (1606–1669).

Date: 1636.

Current location: Alte Pinakothek.

Source: www.uni-leipzig.de : Home.

(Wikimedia Commons)

"I go to prepare a place for you", He told His Apostles, and Saint Paul asserts that God has made us "sit together" with Christ, "in the Heavenly places," since, already, "we are saved by hope". "There, where the Head has entered," says Saint Leo, "the Body, also, is called to penetrate."

The triumph of Christ is the triumph of His Church. Like the High Priest, who, under the Old Law, entered the Holy of Holies to offer the blood of the victims to Almighty God, Our Lord, the Apostle tells us, has entered the Holy of Holies of the Heavenly Jerusalem, there to offer His own Blood, the Blood of the New Testament, and to obtain for us favours from God.

It is on Ascension Day that Christ begins His Heavenly Priesthood, showing His glorious wounds to God. "He is . . . always living to make intercession for us," and has obtained for us the Holy Ghost, with all His gifts [Hebrews x. It is of this that the Liturgy reminds us in the mysterious Prayer which follows the Elevation: "We most humbly beseech Thee," says the Priest, "Almighty God, command these things to be carried up by the hands of Thy Holy Angel to Thine Altar on High, in the sight of Thy Divine Majesty." Thus, every day, the Mystery of the Ascension is renewed, since the victim offered on our Altars of stone is the same as that seen by Saint John in the form of Lamb, on the golden Altar before the Throne of God.]

Church of the Ascension in Pittsburgh, United States of America.

Photo: March 2007.

Source: Own work.

Author: Piotrus.

(Wikimedia Commons)

While it is the complement of all of Our Lord's Feasts, the Ascension is the fount of our Sanctification.

As the Church sings, in the Preface: "He was lifted up into Heaven, so that He might make us partakers of His Godhead." "It is not enough," says Dom Gueranger, "for a man to rest on the merits of Our Redeemer's Passion, not enough to unite to His memorial that of the Resurrection as well.

Man is saved and restored only by the union of these two Mysteries with a third: That of the triumphant Ascension of Him who died and rose again."