Notre Dame de Rouen. The façade of the Gothic Church in France. Photographer: Hippo1947. Licence: SHUTTERSTOCK.

02 January, 2014

Hildegard Von Bingen (1098-1179). Voice Of The Living Light.


Text and Illustrations are from Wikipedia - the free encyclopaedia,
unless otherwise stated.


File:Kloster Eibingen01.JPG

English: Eibingen Abbey, Germany,
founded in 1165 by Hildegard von Bingen.
Deutsch: Benediktinerinnenkloster Eibingen.
Photo: 8 October 2006.
Source: Own work.
Author: Moguntiner.
(Wikimedia Commons)


Saint Hildegard of Bingen, O.S.B. [Order of Saint Benedict (Latin name: Ordo Sancti Benedicti)] (German: Hildegard von Bingen; Latin: Hildegardis Bingensis) (1098 – 1179), also known as Saint Hildegard, and Sibyl of the Rhine, was a German writer, composer, philosopher, Christian Mystic, Benedictine Abbess, Visionary, and Polymath

Elected a Magistra by her fellow Nuns, in 1136, she founded the Monasteries of Rupertsberg, in 1150, and Eibingen, in 1165. One of her works as a composer, the Ordo Virtutum, is an early example of Liturgical drama and arguably the oldest surviving Morality Play.

She wrote theological, botanical and medicinal texts, as well as letters, Liturgical songs, and poems, while supervising miniature illuminations in the Rupertsberg manuscript of her first work, Scivias.

Although the history of her formal recognition as a Saint is complicated, she has been recognised as a Saint by parts of the Roman Catholic Church for centuries. On 7 October 2012, Pope Benedict XVI named her a Doctor of the Church.




Hildegard von Bingen.
Voice of the Living Light.
Available on YouTube at


Eibingen Abbey (in German, Abtei Sankt Hildegard, full name, Benedictine Abbey of Saint Hildegard) is a Community of Benedictine Nuns, in Eibingen, near Rüdesheimin, Hesse, Germany.

The original Community was founded in 1165 by Hildegard von Bingen. It was dissolved at the beginning of the 19th-Century during the secularisation of this part of Germany.

The present Community was established by Charles, 6th Prince of Löwenstein-Wertheim-Rosenberg, in 1904, and re-settled from Saint Gabriel's Abbey, Bertholdstein. The Nunnery belongs to the Beuronese Congregation within the Benedictine Confederation.


File:Abtei St. Hildegard Eibingen Innenansicht.JPG

English: Interior of Eibingen Abbey, Germany.
Deutsch: Abtei St. Hildegard in Eibingen, 
Ortsteil von Rüdesheim am Rhein
Innenansicht der Abteikirche.
Photo: 29 May 2012.
Source: Own work.
Author: Haffitt.
(Wikimedia Commons)


In 1941, the Nuns were expelled by the Nazis; they were not able to return until 1945.

In 1988, the Sisters founded Marienrode Priory, at Hildesheim, which became independent of Eibingen Abbey in 1998.

The Nuns work in the vineyard and in the craft workshops, besides undertaking the traditional duties of hospitality. They can be heard (but not seen) singing their regular Services. The Abbey is a Rhine Gorge World Heritage Site.

Hildegard says that she first saw "The Shade of the Living Light" at the age of three, and, by the age of five, she began to understand that she was experiencing visions. She used the term 'visio' to this feature of her experience, and recognised that it was a gift that she could not explain to others.


File:Abtei St. Hildegard Eibingen Altarraum Rüdesheim.jpg

Deutsch: Abtei St. Hildegard oberhalb von Eibingen 
(Ortsteil von Rüdesheim am Rhein). 
Innenansicht der Abteikirche: Altarraum.
English: Interior of Eibingen Abbey, 
Rüdesheim am Rhein, Germany.
Français: Abbaye Sainte-Hildegarde d'Eibingen, 
Rüdesheim am Rhein, Allemagne.
Photo: 20 November 2012.
Source: Own work.
Author: Pedelecs.
(Wikimedia Commons)


Hildegard explained that she saw all things in the Light of God through the five senses; sight, hearing, taste, smell, and touch. She was hesitant to share her visions, confiding only to Jutta, who in turn told Volmar, Hildegard's tutor and, later, secretary. Throughout her life, she continued to have many visions, and in 1141, at the age of forty-two, Hildegard received a vision she believed to be an instruction from God, to "write down that which you see and hear." Still hesitant to record her visions, Hildegard became physically ill. The illustrations recorded in the book of Scivias were visions that Hildegard experienced, causing her great suffering and tribulations. In her first theological text, Scivias ("Know the Ways"), Hildegard describes her struggle within:
But, I, though I saw and heard these things, refused to write for a long time, through doubt and bad opinion and the diversity of human words, not with stubbornness, but in the exercise of humility, until, laid low by the scourge of God, I fell upon a bed of sickness; then, compelled at last by many illnesses, and by the witness of a certain noble maiden of good conduct [the Nun Richardis von Stade] and of that man whom I had secretly sought and found, as mentioned above, I set my hand to the writing. 
While I was doing it, I sensed, as I mentioned before, the deep profundity of scriptural exposition; and, raising myself from illness by the strength I received, I brought this work to a close – though just barely – in ten years. (...) And I spoke and wrote these things not by the invention of my heart or that of any other person, but as by the secret Mysteries of God I heard and received them in the heavenly places. And again I heard a voice from Heaven saying to me, 'Cry out therefore, and write thus!'

File:Kloster Eibingen Abteikirche Fassade.JPG

Deutsch: Kloster Eibingen Abteikirche Sankt Hildegard.
English: The Abbey Church of Saint Hildegard, Eibingen, Germany.
Photo: 8 October 2006.
Source: Own work.
Author: Moguntiner.
(Wikimedia Commons)


Hildegard's Vita was begun by Godfrey of Disibodenberg, under Hildegard's supervision. It was between November 1147 and February 1148, at the Synod in Trier, that Pope Eugenus heard about Hildegard’s writings. It was from this that she received Papal approval to document her visions as revelations from the Holy Spirit giving her instant credence.

Before Hildegard’s death, a problem arose with the Clergy of Mainz. A man buried in Rupertsburg had died after Excommunication from the Church. Therefore, the Clergy wanted to remove his body from the Sacred Ground. Hildegard did not accept this idea, replying that it was a sin and that the man had been reconciled to the Church at the time of his death.

On 17 September 1179, when Hildegard died, her Sisters claimed they saw two streams of light appear in the skies and cross over the room where she was dying.


01 January, 2014

Attende Domine. Hymn Of Supplication.




The Holy Sacrifice of the Mass.



Attende Domine.
Available on YouTube at

Attende Domine is a Hymn of Supplication.

Attende Domine, et miserere, quia peccavimus tibi.

Ad te Rex summe, omnium Redemptor,
oculos nostros sublevamus flentes:
exaudi, Christe, supplicantum preces.

Attende Domine, et miserere, quia peccavimus tibi.

Dextera Patris, lapis angularis,
via salutis, ianua caelestis,
ablue nostri maculas delicti.

Attende Domine, et miserere, quia peccavimus tibi.

Rogamus, Deus, tuam maiestatem:
auribus sacris gemitus exaudi:
crimina nostra placidus indulge.

Attende Domine, et miserere, quia peccavimus tibi.

Tibi fatemur crimina admissa:
contrito corde pandimus occulta:
tua, Redemptor, pietas ignoscat.

Attende Domine, et miserere, quia peccavimus tibi.

Innocens captus, nec repugnans ductus;
testibus falsis pro impiis damnatus
quos redemisti, tu conserva, Christe.

Attende Domine, et miserere, quia peccavimus tibi.


Hear us, O Lord, and have mercy, because we have sinned against Thee.

To Thee, highest King, Redeemer of all,
do we lift up our eyes in weeping:
Hear, O Christ, the prayers of your servants.

Hear us, O Lord, and have mercy, because we have sinned against Thee.

Right hand of the Father, corner-stone,
way of salvation, gate of heaven,
wash away our stains of sin.

Hear us, O Lord, and have mercy, because we have sinned against Thee.

We beseech Thee, God, in Thy great majesty:
Hear our groans with Thy holy ears:
calmly forgive our crimes.

Hear us, O Lord, and have mercy, because we have sinned against Thee.

To Thee we confess our sins admitted with a contrite heart
We reveal the things hidden:
By Thy kindness, O Redeemer, overlook them.

Hear us, O Lord, and have mercy, because we have sinned against Thee.

The Innocent, seized, not refusing to be led;
condemned by false witnesses
because of impious men
O Christ, keep safe those whom Thou hast redeemed.
Hear us, O Lord, and have mercy, because we have sinned against Thee.


The Circumcision Of Our Lord And Octave Of The Nativity. Feast Day 1 January.


Text from The Saint Andrew Daily Missal (1945 Edition),
unless otherwise stated.

The Circumcision of Our Lord and Octave of The Nativity.
Feast Day 1 January.
Stational Church at Saint Mary's-beyond-the-Tiber.
Indulgence of 30 years and 30 Quarantines.

Double of the Second-Class.
Privileged Octave Day.
White Vestments.


Illustration from UNA VOCE OF ORANGE COUNTY
(from The Saint Andrew Daily Missal, 1952 Edition), who reproduce it 
with the kind permission of ST. BONAVENTURE PRESS


In the Liturgy of today, three Feasts are really included.

The first Feast, that which was known in the ancient Sacramentaries as "On the Octave-Day of Our Lord". So the Mass is largely borrowed from those of Christmas.

By the second Feast, we are reminded that it is to Mary, after Almighty God, that we owe Our Lord Himself. For this reason, formerly a second Mass was celebrated in the Basilica of Saint Mary Major, in honour of the Mother of God. Some traces of this Mass remain in the Collect, Secret and Postcommunion, which are the same as in the Votive Mass of the Blessed Virgin Mary. The Psalms at Vespers are also the same as on the Feasts of Our Lady.



Picture source unknown.


The third Feast is the Circumcision, which has been kept since the 6th-Century A.D. Moses commanded that all the young Israelites should undergo this rite on the eighth day after birth (Gospel). It is a type of Baptism, by which a man is spiritually circumcised.

"See," says Saint Ambrose, "how the whole sequence of the Old Law foreshadowed that which was to come; for circumcision signifies the blotting out of sins. He who is spiritually circumcised, by the rooting up of his vices, is judged worthy of the Lord's favour.

"While speaking of the first drops of His Sacred Blood that Our Redeemer shed for the cleansing of our Souls, the Church emphasises the thought of the cutting out of all that is evil in us". "Jesus Christ . . . gave Himself for us that He might redeem us from all iniquity and cleanse us" (Epistle). "O Lord . . . cleanse us by these Heavenly Mysteries" (Secret). "May this communion, O Lord, purify us from sin" (Postcommunion).

Every Parish Priest celebrates Mass for the people of his Parish.


31 December, 2013

Pope Saint Sylvester I. Pope And Confessor. Feast Day 31 December.


Text from The Saint Andrew Daily Missal (1945 Edition),
unless otherwise stated.

Pope Saint Sylvester I.
Pope and Confessor.
Feast Day 31 December.

Double.
White Vestments.


File:Sylvester I and Constantine.jpg

English: Pope Saint Sylvester I and Emperor Constantine.
San Silvestro Chapel at Santi Quattro Coronati, Rome, Italy.
עברית: דוד שי מאשדוד הוא היה הסילבסטר הוא היה מרביץ ליהודים ושובר להם את הרגליים
Date: 1247.
Author: Unknown Mediaeval artist in Rome, Italy.
(Wikimedia Commons)


If 31 December falls on a Sunday, the Mass of the Sunday within the Octave of the Nativity of Our Lord is said, with a Commemoration of Saint Sylvester.

The Church reproduces in her Liturgy all phases of the life of her Divine Founder.

When only just born, the Infant God is persecuted by Herod: The Church, still in her cradle, sends to Heaven her first Martyr in the person of the Deacon, Stephen, and her first twenty-five Popes die Martyrs.


File:Celio - ss Quattro - oratorio s Silvestro 1070924.JPG

English: The Oratory of Saint Sylvester,
at the Basilica Santi Quattro Coronati, Rome, Italy.
Italiano: Roma, Santi Quattro Coronati: oratorio di S. Silvestro.
Photo: 21 May 2008.
Source: Own work.
Author: Lalupa.
(Wikimedia Commons)


Returned from Egypt, Jesus grows in age and wisdom at Nazareth, where the years pass in quietness: Under the Pontificate of Sylvester I (314 A.D. - 345 A.D.), the Church, after three hundred years of persecution, begins to enjoy liberty, which is her greatest boon.

She spreads in the Roman Empire, and the Council of Nicea (325 A.D.) establishes triumphantly, against Arius, the Doctrine of the Divinity of the Saviour, of which the Liturgy of the Season of Christmas is full.

At the First Council of Nicea, the Breviary tells us, the Catholic Faith on the subject of the Divinity of Christ was explained by three hundred and eighteen Bishops; Arius and his sect being condemned. At the request of the Fathers, Sylvester confirmed again this Council in a Synod held at Rome, and in which Arius was condemned again.


File:Celio - ss Quattro - oratorio s Silvestro 1070928.JPG

English: Christ in Glory fresco 
in the Oratory of Saint Sylvester,
at the Basilica Santi Quattro Coronati, Rome, Italy.
Italiano: Roma, Santi Quattro Coronati: oratorio di S. Silvestro - 
storie di Costantino e Silvestro (XIII sec.).
Photo: 21 May 2008.
Source: Own work.
Author: Lalupa.
(Wikimedia Commons)


According to the legend of the Breviary, Sylvester decreed also that the Bishop alone should consecrate the Chrism; that in the administration of Baptism, the Priest should anoint with the Holy Oils the crown of the head of the person being Baptised; that Deacons should wear the Dalmatic and have a Maniple of linen on the left arm; and, finally, that the Sacrifice of the Mass should be offered up upon an Altar Cloth of linen.

He fixed also a certain period for those who should receive Holy Orders, during which they must exercise successively their Order in the Church, before being raised to a higher degree.

Sylvester ruled the Church twenty-one and a half years. He was buried in the Cemetery of Priscilla on the Salarian Way.

Every Parish Priest celebrates Mass for the people of his Parish.


File:Costantino sogna pietro e paolo.jpg

English: Emperor Constantine, suffering from leprosy, 
dreams of Saints Peter and Paul. 
Fresco in the Oratory of Saint Sylvester, 
at the Basilica Santi Quattro Coronati, Rome, Italy.
Italiano: Roma, Santi Quattro Coronati, oratorio di S. Silvestro: 
Costantino, colpito da lebbra, sogna i santi Pietro e Paolo.
Photo: 21 May 2008.
Source: Own work.
Author: Lalupa.
(Wikimedia Commons)


The following Text is from Wikipedia - the free encyclopaedia.

Pope Sylvester I (died 31 December 335 A.D.), whose name is also spelled "Silvester", was the Head of the Catholic Church from 31 January 314 A.D., to his death in 335 A.D. He succeeded Pope Miltiades. He filled the See of Rome at an important era in the history of the Catholic Church, yet very little is known of him.

The accounts of his Papacy, preserved in the Liber Pontificalis (7th- or 8th-Century), contain little more than a record of the gifts said to have been conferred on the Church by Constantine I, but it does say that he was the son of a Roman, named Rufinus.

During his Pontificate were built the great Churches founded at Rome by Constantine, e.g. the Basilica of Saint John Lateran, Santa Croce in Gerusalemme, Saint Peter's Basilica, and several Cemeterial Churches over the graves of Martyrs.

Sylvester did not attend the First Council of Nicaea, in 325 A.D., but he was represented by two Legates, Vitus and Vincentius, and he approved the Council's decision.


30 December, 2013

Adoration Of The Blessed Sacrament. Benediction. Te Deum. New Year's Eve. Our Lady Of The Rosary, Blackfen, Kent.




Monstrance.
Photo: 2004-10-18 (original upload date).
Source: Own work (zelf gemaakt).
Originally from nl.wikipedia; description page is/was here.
Author: Original uploader was Broederhugo at nl.wikipedia.
(Wikimedia Commons)

On Tuesday, 31 December 2013, 2300 hrs (11 p.m.), 

at Our Lady of the Rosary, 330a, Burnt Oak Lane, Blackfen, 

Sidcup, Kent DA15 8LW, there will be 

Adoration of the Blessed Sacrament, 

together with singing of the Te Deum

and Benediction at Midnight.



A Plenary Indulgence is granted, under the usual conditions, to those Faithful who recite the Te Deum in public on New Year's Eve.

The following Text and Illustrations are from Wikipedia - the free encyclopaedia,
unless otherwise stated.


File:Francisco de Zurbarán 032.jpg

English: Saint Ambrose
(one of the traditionally-ascribed authors of the
Te Deum, together with Saint Augustine).
Deutsch: hl. Ambrosius.
Artist: Francisco de Zurbarán (1598–1664).
Date: 1626-1627.
Current location: Museo Provincial de Bellas Artes, Seville, Spain.
Note: Deutsch: Urspr. für den Konvent San Pablo in Sevilla, Auftraggeber: Prior Diego de Bordas.
Source/Photographer: The Yorck Project: 10.000 Meisterwerke der Malerei. DVD-ROM, 2002.
ISBN 3936122202. Distributed by DIRECTMEDIA Publishing GmbH.
Permission: [1].
(Wikimedia Commons)

File:Francisco de Zurbarán 032.jpg

The Te Deum (also known as "The Ambrosian Hymn" or "A Song of the Church") is an Early-Christian Hymn of Praise. The title is taken from its opening Latin words, "Te Deum laudamus", rendered as "Thee, O God, we praise".

The Hymn remains in regular use in the Catholic Church, in the Office of Readings, found in the Liturgy of the Hours, and in thanksgiving to God for a special blessing, such as the Election of a Pope, the Consecration of a Bishop, the Canonisation of a Saint, a Religious Profession, the publication of a Treaty of Peace, a Royal Coronation, etc. It is sung either after Mass or the Divine Office, or as a separate Religious Ceremony. The Hymn also remains in use in the Anglican Communion and some Lutheran Churches in similar settings.

In the Traditional Office, the Te Deum is sung at the end of Matins, on all days when the Gloria is said at Mass; those days are all Sundays, outside Advent, Septuagesima, Lent, and Passiontide; on all Feasts (except the Triduum) and on all Ferias during Eastertide.

A Plenary Indulgence is granted, under the usual conditions, to those who recite it in public on New Year's Eve.


Sung by the Benedictine Monks of the 
Abbey of Saint Maurice and Saint Maur, 
Clervaux. Luxembourg.
The Te Deum is attributed to two Fathers and Doctors of the Church, 
Saint Ambrose and Saint Augustine, and is one the most majestic 
Chants in the Liturgy of the Church. 
It is sung in Traditional Seminaries and Monastic Houses at the Divine Office and for Double Feasts of the First Class, The Nativity, Easter, Corpus Christi, Epiphany, Pentecost and those which have an Octave. The Solemn Te Deum is sung on all occasions of public Church rejoicing 
(in Traditional Catholic Churches).
Available on YouTube at
Authorship is traditionally ascribed to Saints Ambrose and Augustine, on the occasion of the latter's Baptism by the former in 387 A.D. It has also been ascribed to Saint Hilary, but Catholic-Forum.com says "it is now accredited to Nicetas, Bishop of Remesiana; (4th-Century)".

The Petitions at the end of the Hymn (beginning "Salvum fac populum tuum") are a selection of Verses from the Book of Psalms, appended subsequently to the original Hymn.

The Hymn follows the outline of the Apostles' Creed, mixing a poetic vision of the Heavenly Liturgy with its declaration of Faith. Calling on the name of God, immediately, the Hymn proceeds to name all those who praise and venerate God; from the hierarchy of Heavenly Creatures, to those Christian Faithful already in Heaven, to the Church spread throughout the world.

The Hymn then returns to its Credal formula, naming Christ and recalling His Birth, Suffering and Death, His Resurrection and Glorification. At this point, the Hymn turns to the subjects declaiming the praise, both the Universal Church and the singer, in particular, asking for mercy on past sins, protection from future sin, and the hoped-for reunification with The Elect.

File:Francisco de Zurbarán 032.jpg

Te Deum Laudamus:
te Dominum confitemur.
Te aeternum Patrem
omnis terra veneratur.

Tibi omnes Angeli;
tibi caeli et universae Potestates;
Tibi Cherubim et Seraphim
incessabili voce proclamant:

Sanctus, Sanctus, Sanctus,
Dominus Deus Sabaoth.
Pleni sunt caeli et terra
maiestatis gloriae tuae.

File:Francisco de Zurbarán 032.jpg

Te gloriosus Apostolorum chorus,
Te Prophetarum laudabilis numerus,
Te Martyrum candidatus laudat exercitus.
Te per orbem terrarum
sancta confitetur Ecclesia,

Patrem immensae maiestatis:
Venerandum tuum verum et unicum Filium;
Sanctum quoque Paraclitum Spiritum.
Tu Rex gloriae, Christe.

Tu Patris sempiternus es Filius.
Tu ad liberandum suscepturus hominem,
non horruisti Virginis uterum.
Tu, devicto mortis aculeo,
aperuisti credentibus regna caelorum.

File:Francisco de Zurbarán 032.jpg

Tu ad dexteram Dei sedes, in gloria Patris.
Iudex crederis esse venturus.
Te ergo quaesumus, tuis famulis subveni:
quos pretioso sanguine redemisti.
Aeterna fac cum sanctis tuis in gloria numerari.

[added later,
mainly from Psalm Verses:]

Salvum fac populum tuum,
Domine, et benedic hereditati tuae.
Et rege eos, et extolle illos usque in aeternum.
Per singulos dies benedicimus te;
Et laudamus Nomen tuum in saeculum, et in saeculum saeculi.

Dignare, Domine, die isto sine peccato nos custodire.
Miserere nostri Domine, miserere nostri.
Fiat misericordia tua,
Domine, super nos,
quemadmodum speravimus in te.
In te, Domine, speravi:
non confundar in aeternum.

File:Francisco de Zurbarán 032.jpg

Translation from The Book of Common Prayer.

We praise thee, O God:
we acknowledge thee to be the Lord.
All the earth doth worship thee:
the Father everlasting.

To thee all Angels cry aloud:
the Heavens, and all the Powers therein.
To thee Cherubim and Seraphim:
continually do cry,

Holy, Holy, Holy:
Lord God of Sabaoth;
Heaven and earth are full of the Majesty:
of thy glory.

File:Francisco de Zurbarán 032.jpg

The glorious company of the Apostles : praise thee.
The goodly fellowship of the Prophets : praise thee.
The noble army of Martyrs : praise thee.
The holy Church throughout all the world:
doth acknowledge thee;

The Father: of an infinite Majesty;
Thine honourable, true : and only Son;
Also the Holy Ghost : the Comforter.
Thou art the King of Glory : O Christ.

Thou art the everlasting Son : of the Father.
When thou tookest upon thee to deliver man:
thou didst not abhor the Virgin's womb.
When thou hadst overcome the sharpness of death:
thou didst open the Kingdom of Heaven to all believers.

File:Francisco de Zurbarán 032.jpg

Thou sittest at the right hand of God : in the glory of the Father.
We believe that thou shalt come : to be our Judge.
We therefore pray thee, help thy servants:
whom thou hast redeemed with thy precious blood.
Make them to be numbered with thy Saints : in glory everlasting.

[added later, mainly from Psalm verses:]

O Lord, save thy people :
and bless thine heritage.
Govern them : and lift them up for ever.
Day by day : we magnify thee;
And we worship thy Name : ever world without end.

Vouchsafe, O Lord : to keep us this day without sin.
O Lord, have mercy upon us : have mercy upon us.
O Lord, let thy mercy lighten upon us:
as our trust is in thee.
O Lord, in thee have I trusted:
let me never be confounded.


28 December, 2013

The Holy Innocents. Martyrs.


From The Saint Andrew Daily Missal (1945 Edition).

The Holy Innocents. Martyrs.
Feast Day 28 December.

Station at Saint Paul-without-the Walls.

(Indulgence of 30 years and 30 Quarantines)

Double of the Second-Class
      with Simple Octave.

Violet Vestments.
(If Sunday; Red).


File:Matteo di Giovanni 002.jpg

Massacre of the Innocents.
Artist: Matteo di Giovanni (1435–1495).
Date: 1488.
Current location: National Museum of Capodimonte, Naples, Italy.
Source/Photographer: The Yorck Project: 10.000 Meisterwerke der Malerei. DVD-ROM, 2002. 
ISBN 3936122202. Distributed by DIRECTMEDIA Publishing GmbH.
Permission: [1].
(Wikimedia Commons)


File:0 Le Massacre des Innocents d'après P.P. Rubens - Musées royaux des beaux-arts de Belgique (2).JPG

The Massacre of the Innocents.
Artist: Workshop of Peter Paul Rubens (1577–1640).
photographiée lors de l’exposition temporaire 
« L'Europe de Rubens » au musée du Louvre-Lens.
English: Photographed during the exhibition "L'Europe de Rubens" 
(The Europe of Rubens) in the Louvre-Lens.
Deutsch: während der Ausstellung "L'Europe de Rubens" 
(Das Europa Rubens) im Louvre-Lens fotografiert.
Nederlands: gefotografeerd tijdens de tentoonstelling " 
"L'Europe de Rubens" (Rubens en zijn Tijd) in de Louvre-Lens.
Source/Photographer: User:Jean-Pol GRANDMONT (2013).
(Wikimedia Commons)

Text and Illustrations from Wikipedia - the free encyclopaedia,
unless otherwise stated.

The Massacre of the Innocents is the Biblical narrative of Infanticide, by Herod the Great, the Roman-appointed King of the Jews. According to the Gospel of Saint Matthew, Herod ordered the execution of all young male children in the "Vicinity of Bethlehem, so as to avoid the loss of his throne to a newborn King of the Jews, whose birth had been announced to him by the Magi.

In typical Matthean style, it is understood as the fulfillment of an Old Testament Prophecy: "Then was fulfilled that which was spoken through Jeremiah, the prophet, saying: "A voice is heard in Ramah, mourning and great weeping, Rachel weeping for her children and refusing to be comforted, because her children are no more."

The number of infants killed is not stated, however, the Holy Innocents, although not Christians, have been claimed as Martyrs for Christianity.

In Saint Matthew's account, Magi from the East go to Judea in search of the newborn King of the Jews, having "seen his star in the East". The King, Herod the Great, directs them to Bethlehem, and asks them to let him know who this King is when they find him. They find Jesus and honour Him, but an Angel tells them not to alert Herod, and they return home by another way. The Massacre of the Innocents is at Matthew 2:1618, although the preceding verses form the context:


File:Matteo di Giovanni 002.jpg


When [the Magi] had gone, an Angel of the Lord appeared to Joseph, in a dream. "Get up", he said, "take the child and His mother and escape to Egypt. Stay there until I tell you, for Herod is going to search for the child to kill Him". So, he got up, took the child and His mother during the night and left for Egypt, where he stayed until the death of Herod. 

And so was fulfilled what the Lord had said through the Prophet: "Out of Egypt I called My Son." When Herod realised that he had been outwitted by the Magi, he was furious, and he gave orders to kill all the boys in Bethlehem, and its vicinity, who were two years old and under, in accordance with the time he had learned from the Magi. 

Then what was said through the Prophet Jeremiah was fulfilled: "A voice is heard in Ramah, weeping and great mourning, Rachel weeping for her children and refusing to be comforted, because they are no more."

The story's first appearance in any source other than Matthew is in the apocryphal Protoevangelium of James of circa 150 A.D., which excludes the Flight into Egypt and switches the attention of the story to the infant, John the Baptist:

"And when Herod knew that he had been mocked by the Magi, in a rage he sent murderers, saying to them: Slay the children from two years old and under. And Mary, having heard that the children were being killed, was afraid, and took the infant and swaddled Him, and put Him into an ox-stall. And Elizabeth, having heard that they were searching for John, took him and went up into the hill-country, and kept looking where to conceal him. And there was no place of concealment. And Elizabeth, groaning with a loud voice, says: O mountain of God, receive mother and child. And immediately the mountain was cleft, and received her. And a light shone about them, for an Angel of the Lord was with them, watching over them."


File:Matteo di Giovanni 002.jpg


The first non-Christian reference to the Massacre is recorded four centuries later, by Macrobius (395 A.D. - 423 A.D.), who writes in his Saturnalia:

"When he [Emperor Augustus] heard that among the boys in Syria under two years old whom Herod, king of the Jews, had ordered to kill, his own son was also killed, he said: 'It is better to be Herod's pig, than his son'."

The "Coventry Carol" is a Christmas Carol dating from the 16th-Century. The Carol was performed in CoventryEngland, as part of a Mystery Play called The Pageant of the Shearmen and Tailors. The Play depicts the Christmas Story from Chapter Two in the Gospel of Matthew.


File:Matteo di Giovanni 002.jpg


The Carol refers to the Massacre of the Innocents, in which Herod ordered all male infants under the age of two, in Bethlehem, to be killed. The lyrics of this haunting Carol represent a mother's lament for her doomed child. It is the only Carol that has survived from this Play. The author is unknown. The oldest known text was written down by Robert Croo, in 1534, and the oldest known printing of the melody dates from 1591. The Carol is traditionally sung a cappella.

Mediaeval Liturgical Drama recounted Biblical events, including Herod's Slaughter of the Innocents. The Pageant of the Shearmen and Tailors, performed in Coventry, England, included a haunting song about the episode, now known as the Coventry Carol.

The Ordo Rachelis tradition of four Plays includes the Flight into Egypt, Herod's succession by Archelaus, the Return from Egypt, as well as the Massacre, all centred on Rachel weeping, in fulfillment of Jeremiah's Prophecy. These events were, likewise, in one of the Mediaeval N-Town Plays.


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The theme of the "Massacre of the Innocents" has provided artists of many nationalities with opportunities to compose complicated depictions of massed bodies in violent action. It was an alternative to the Flight into Egypt in Cycles of the Life of the Virgin. It decreased in popularity in Gothic art, but revived in the larger works of the Renaissance, when artists took inspiration for their "Massacres" from Roman reliefs of the battle of the Lapiths and Centaurs, to the extent that they showed the figures heroically nude.

The horrific subject matter, of the Massacre of the Innocents, also provided a comparison of ancient brutalities with early modern ones during the period of Religious Wars that followed the Reformation - Bruegel's versions show the soldiers carrying banners with the Habsburg Double-Headed Eagle (often used at the time for Ancient Roman soldiers).

The 1590 version, by Cornelis van Haarlem, also seems to reflect the violence of the Dutch RevoltGuido Reni's early (1611) Massacre of the Innocents, in an unusual vertical format, is at Bologna. The Flemish painter, Peter Paul Rubens, painted the theme more than once. One version, now in Munich, was engraved and reproduced as a painting as far away as colonial Peru. Another, his grand Massacre of the Innocents, is now at the Art Gallery of Ontario, in Toronto, Canada. The French painter, Nicolas Poussin, painted The Massacre of the Innocents (1634) at the height of the Thirty Years' War. The Massacre is the opening Plot used in the 2006 movie, The Nativity Story.


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The Commemoration of the Massacre of these "Holy Innocents" — considered by some Christians as the first Martyrs for Christ — first appears as a Feast of the Western Church in the Leonine Sacramentary, dating from about 485 A.D. The earliest Commemorations were connected with the Feast of the Epiphany, 6 January: Prudentius mentions the Innocents in his Hymn on the Epiphany; Leo, in his Homilies on the Epiphany, speaks of the Innocents; Fulgentius of Ruspe (6th-Century) gives a Homily "De Epiphania, deque Innocentum nece et muneribus magorum" ("On Epiphany, and on the Murder of the Innocents and the Gifts of the Magi").

Today, the date of Holy Innocents' Day, also called The Innocents' Day, or Childermass, or Children's Mass, varies. 27 December is the date for West Syrians (Syriac Orthodox ChurchSyro-Malankara Catholic Church, and Maronite Church) and East Syrians (Chaldeans and Syro-Malabar Catholic Church). 28 December is the date in the Church of England, the Lutheran Church and the Roman Catholic Church (in which, except on Sunday, Violet Vestments were worn before 1961, instead of Red Vestments, the normal Liturgical Colour for Martyrs). The Eastern Orthodox Church celebrates the Feast Day on 29 December.

In the 1962 Roman Catholic Calendar, the Violet Vestments for Holy Innocents were eliminated (Red Vestments used, instead), and if 28 December fell on a Sunday, this Feast was Commemorated on the Sunday within the Octave of Christmas. This was changed in a later revision of the Church Calendar.


File:Matteo di Giovanni 002.jpg


In SpainHispanic America and the Philippines, 28 December is a day for pranksequivalent to April Fool's Day in many countries. One of the more famous of these traditions is the annual "Els Enfarinats" Festival of Ibi, in Alicante, where the inocentadas dress up in full military dress and incite a flour fight. Various Catholic countries had a tradition (no longer widely observed) of role reversal between children and their adult educators, including Boy Bishops, perhaps a Christianised version of the Roman annual feast of the Saturnalia (when even slaves played "masters" for a day). In some cultures, such as Mediaeval England and France, it was said to be an unlucky day, when no new project should be started.

In addition, there was a Mediaeval custom of refraining, where possible, from work on the day of the week on which the Feast of "Innocents Day" had fallen, for the whole of the following year until the next Innocents Day. This was presumably mainly observed by the better-off. Philippe de Commynes, the Minister of King Louis XI of France, tells in his memoirs how the King observed this custom, and describes the trepidation he felt when he had to inform the King of an emergency on the day.


File:Matteo di Giovanni 002.jpg


The following Text is from The Saint Andrew Daily Missal.

The Feast of The Holy Innocents dates back to about the 5th-Century. The massacre of these infants manifests the Royal Character of Jesus. It is because Herod believed the words of the Magi, and those of the High Priests, whom he consulted, that he sees a rival in the Infant of Bethlehem and jealously pursues Him "that is born King of the Jews" [Gospel of the Epiphany].

But, as the Church sings, "O cruel Herod, why thus fear, Thy King and God Who comes below ? No Earthly crown comes He to take, Who Heavenly kingdoms doth bestow" [Hymn for Vespers of the Epiphany].

It is this God-King that "the Innocents, by dying, confess" (Collect). "Their passion is the exaltation of Christ" [Third Nocturn of Matins]. And the praise that they render to God is a subject of confusion in the enemies of Jesus (Introit), for, far from attaining their object, they only served to fulfil the saying of the Prophet "out of Egypt have I called My Son" (Gospel), and that at Bethlehem would be heard the lamentations of the mothers mourning for their children.


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To picture their desolation in more vivid colours, Jeremias recalls Rachel, whose lamentations are heard in Rama [a town situated two hours to the North of Jerusalem, in the old territory of Benjamin, son of Rachel], bewailing her children because they are not.

Like a compassionate mother, the Church robes her Priests, today, in Vestments of mourning, and suppresses the Gloria and Alleluia.

This Feast is celebrated at Saint Paul's-without-the-Walls, because the bodies of several of those Holy Martyrs are venerated there.

Let us show forth in holiness of life, the Divinity of Christ, that was confessed by the death of these innocent Souls children.

Every Parish Priest celebrates Mass for the people of his Parish.

O, Holy Night.



File:Bouguereau The Virgin With Angels.jpg

Artist: William-Adolphe Bouguereau (1825–1905).
Title: "The Virgin With Angels".
Date: 1900.
Current location: Petit PalaisParis, France.
Source/Photographer: Art Renewal Center image.
Copied from the English Wikipedia to Commons.
Author: William-Adolphe Bouguereau (1825–1905).
(Wikimedia Commons)



O, Holy Night.
Sung by Celine Dion.
Available on YouTube at


27 December, 2013

O, Holy Night.


File:Bouguereau The Virgin With Angels.jpg

Artist: William-Adolphe Bouguereau (1825–1905).
Title: "The Virgin With Angels".
Date: 1900.
Current location: Petit PalaisParis, France.
Source/Photographer: Art Renewal Center image.
Copied from the English Wikipedia to Commons.
Author: William-Adolphe Bouguereau (1825–1905).
(Wikimedia Commons)



O, Holy Night.
Sung by Celine Dion.
Available on YouTube at


26 December, 2013

O, Holy Night.



File:Bouguereau The Virgin With Angels.jpg

Artist: William-Adolphe Bouguereau (1825–1905).
Title: "The Virgin With Angels".
Date: 1900.
Current location: Petit PalaisParis, France.
Source/Photographer: Art Renewal Center image.
Copied from the English Wikipedia to Commons.
Author: William-Adolphe Bouguereau (1825–1905).
(Wikimedia Commons)



O, Holy Night.
Sung by Celine Dion.
Available on YouTube at


25 December, 2013

A Very Happy, Holy & Peaceful Christmas.



Zephyrinus wishes a 
Very Happy, Holy & Peaceful Christmas 
to all Readers of this Blog.


File:Gerard van Honthorst 001.jpg

The Adoration of the Shepherds.
Artist: Gerard van Honthorst (1590–1656).
Date: 25 December 1622.
Current location: Wallraf-Richartz-Museum,
Cologne, Germany.
Source/Photographer: The Yorck Project: 10.000 Meisterwerke der Malerei.
DVD-ROM, 2002. ISBN 3936122202.
Distributed by DIRECTMEDIA Publishing GmbH.
(Wikimedia Commons)


O, Holy Night.



File:Bouguereau The Virgin With Angels.jpg

Artist: William-Adolphe Bouguereau (1825–1905).
Title: "The Virgin With Angels".
Date: 1900.
Current location: Petit PalaisParis, France.
Source/Photographer: Art Renewal Center image.
Copied from the English Wikipedia to Commons.
Author: William-Adolphe Bouguereau (1825–1905).
(Wikimedia Commons)



O, Holy Night.
Sung by Celine Dion.
Available on YouTube at

24 December, 2013

Christ. The Light Of The World.



File:Hunt Light of the World.jpg

The Light of the World
(Manchester Art Gallery, England).
Date: March 1851.
Author: William Holman Hunt (1827–1910).
(Wikimedia Commons)


My Soul Doth Magnify The Lord.


This Article was taken (in December 2012) from ENLARGING THE HEART


File:Madonna FiveAngels.jpg

Madonna Adoring the Child with Five Angels,
by Sandro Botticelli.
Date: 1485 - 1490.
Source: [1]
Author: w:Botticelli
(Wikimedia Commons)


And Mary Said: Behold The Handmaid Of The Lord (Luke 1:38) . . .

If a handmaid is she, who, with intent and with complete attention, beholds her Lord, then, again, the Most-Holy Virgin is the first among the handmaids of the Lord.

[...] She did not care to please the world, but only God; nor did she care to justify herself before the world, but only before God. She herself is obedience; she herself is service; she herself is meekness.

The Most-Holy Virgin could in truth say to the angel of God: "Behold the handmaid of the Lord".

The greatest perfection, and the greatest honour that a woman can attain on Earth, is to be a handmaid of the Lord. Eve lost this perfection and honour in Paradise without effort, and the Virgin Mary achieved this perfection and this honour outside Paradise with her efforts.


File:Madonna FiveAngels.jpg


My Soul Doth Magnify The Lord (Luke 1:46).

Brethren, we have in total only a few words spoken by the Most-Holy Theotokos recorded in the Gospels.

All of her words pertain to the magnification of God. She was silent before men but her soul conversed unceasingly with God. Every day and every hour, she found a new reason and incentive to magnify God.

If only we were able to know and to record all her magnifications of God throughout her whole life, oh, how many books would it take!

But, even by this one magnification, which she spoke before her kinswoman, Elizabeth, the mother of the great Prophet and Forerunner, John, every Christian can evaluate what a fragrant and God-pleasing flower was her most holy soul.

File:Madonna FiveAngels.jpg


This is but one wonderful canticle of the soul of the Theotokos, which has come down to us through the Gospel. However, such canticles were without number in the course of the life of the Most-Blessed One.

Even before she heard the Gospel from the lips of her Son, she knew how to speak with God and to glorify Him in accordance with the teaching of the Gospel.

This knowledge came to her from the Holy Spirit of God, whose grace constantly poured into her like clear water into a pure vessel.

Her soul magnified God with canticles throughout her whole life, and therefore God magnified her above the Cherubim and the Seraphim.

Likewise, small and sinful as we are, the same Lord will magnify in His Kingdom us who magnify her, if we exert ourselves to fill this brief life with the magnification of God in our deeds, words, thoughts and prayers.

O Most-Holy, Most-Pure and Most-Blessed Theotokos, cover us with the wings of thy prayers.


StNikolaiVelimirovich

Nikolai Velimirovich.


Nikolai Velimirovich (1880-1956; Orthodox Church): 
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