Notre Dame de Rouen. The façade of the Gothic Church in France. Photographer: Hippo1947. Licence: SHUTTERSTOCK.

Friday 12 August 2016

Rood Screens. Chancel Screens. Rood Lofts. Vaulting. Stained-Glass. Consider The Liturgy. Discuss. Pray.



Rood Screen.
Lambader, Brittany, France.
Illustration: GOTHIC PAST



Lichfield Cathedral's
stunning 16th-Century Stained-Glass Windows.
Illustration: DAILY MAIL



18th-Century Iron Screen.
Saint Riquier Abbey,
Saint-Riquier, Somme,
Picardie, France.
Photo: 13 March 2011.
Source: Own work.
Author: Mattis.
(Wikimedia Commons)



English: The Rood Screen, Chapel Saint Fiacre,
Le Faouët, Brittany, France.
Français: Le Faouët (Bretagne, Morbihan) Chapelle Saint-Fiacre, Jubé.
Photo: 31 July 2009.
Source: Own work.
(Wikimedia Commons)



English: Chancel Screen, Sens Cathedral, France.
Français: Grilles du chœur de la cathédrale de Sens. Yonne, Bourgogne, France.
Photo: 17 September 2012.
Source: Own work.
Author: Pline.
(Wikimedia Commons)

ROOD LOFT. 

A Rood Loft is a Gallery, or Platform, atop a Rood Screen, used for The Rood (Crucifix)
and sometimes for musicians or singers. Most Rood Lofts, and indeed most Roods,
were destroyed during The Reformation. One very-well-known surviving Rood Loft
is in the superb little Church at Saint Margaret's, Herefordshire.


The Rood Loft,
Saint Margaret's Church, Herefordshire, England.


 

English: Vault over The Choir,
Soissons Cathedral
(Saint Gervasius and Saint Protasius)
France.
Photo: 6 February 2008.
Source: Own work.
Author: Mattana.
(Wikimedia Commons)

ALL THE ABOVE ILLUSTRATIONS (WITH THE EXCEPTION OF SOISSONS CATHEDRAL'S CHOIR VAULT, SAINT MARGARET'S ROOD LOFT, HEREFORDSHIRE, AND LICHFIELD CATHEDRAL'S STAINED-GLASS WINDOWS, WERE INCLUDED IN
"A TREATISE ON CHANCEL SCREENS
AND ROOD LOFTS. THEIR ANTIQUITY,
USE AND SYMBOLIC SIGNIFICATION"
BY AUGUSTUS WELBY PUGIN.
FIRST PUBLISHED IN 1851.
FACSIMILE EDITION AVAILABLE FROM

THE READER IS INVITED TO CONSIDER THE SANCTITY, PROFUNDITY,
AND HOLINESS, OF TODAY'S LITURGICAL PRACTICES, WITH THAT
OF AUGUSTUS WELBY PUGIN'S TIME.

Thursday 11 August 2016

"La Vie En Rose". Savon Á La Rose.



Antique French Soap Label.
Savon a la Rose.
Illustration: PINTEREST


"La Vie En Rose".
Edith Piaf.
Available on YouTube at

Saint Philomena. Virgin. Martyr. Feast Day, Today, 11 August.


Text and illustrations from Wikipedia - the free encyclopedia,
unless otherwise stated.





Statue of Saint Philomena,
Molve, Croatia.
Hrvatski: Kip sv. Filomene u Molvama,
neočekivano pronađen 2007.
Author: Fraxinus
(Wikimedia Commons)


Saint Philomena is, as believed by her devotees within The Catholic Church, a young Virgin and Martyr whose remains were discovered in 1802 in The Catacombs of Priscilla. Three tiles enclosing the tomb bore an inscription that was taken to indicate that her name was (in the Latin of the inscription) Filumena, the English form of which is Philomena.

The remains were removed to Mugnano del Cardinale, in Campania, Italy, in 1805 and became the focus of widespread devotion, with several Miracles credited to the Saint's intercession, including the healing of Venerable Pauline Jaricot in 1835, which received wide publicity. Saint John Vianney attributed to her intercession the extraordinary cures that others attributed to himself.

In 1833, a Neapolitan Nun reported that, in a vision, Saint Philomena had revealed that she was a Greek Princess, Martyred at thirteen years of age by Diocletian, who was Roman Emperor from 284 A.D. to 305 A.D.

From 1837 to 1961, Celebration of her Liturgical Feast was approved for some places, but was never included in The General Roman Calendar for Universal Use. The 1920 Typical Edition of The Roman Missal included a mention of her, under 11 August, in the Section headed Missae pro aliquibus locis (Masses For Some Places), with an indication that The Mass to be used in those places was one from The Common of a Virgin Martyr, without any Collect, Proper to the Saint.




Saint Philomena,
with attributes: Palm, Whip, Anchor, and Arrows.
Plaster Cast, by Johann Dominik Mahlknecht,
in The Museum Gherdëina in Urtijëi, Italy.
This File: 7 February 2009.
Source: Own work.
(Wikimedia Commons)


The Shrine of her Relics, in Mugnano del Cardinale, continues to be visited by Pilgrims from many Countries, an Arch-Confraternity in her honour exists, as does popular Devotion in various places around the World.

On 24 May 1802, in The Catacombs of Priscilla, on The Via Salaria Nova, an inscribed Loculus (space hollowed out of the rock) was found, and, on the following day, it was carefully examined and opened. The Loculus was closed, with three Terra Cotta tiles, on which was the following inscription: Lumena paxte cumfi.

It was, and is, generally accepted that the tiles were in the wrong order and that the inscription originally read, with the Left-most tile placed on the Right: Pax tecum Filumena ("Peace with you, Philomena").

Within the Loculus was found the skeleton of a female between thirteen and fifteen years old. Embedded in the cement was a small glass phial with vestiges of what was taken to be blood. In accordance with the assumptions of the time, the Remains were taken to be those of a Virgin Martyr named Philomena.




Saint Philomena.
Cathedral of Notre Dame,
Bayeux, France.
Date: 1839.
By Théodelinde Dubouché.
(Wikimedia Commons)


In 1805, Canon Francesco De Lucia requested Relics for a new Altar, and, on 8 June 1805, obtained the Remains, discovered in May 1802 (reduced to dust and fragments), for his Church in Mugnano del Cardinale, Italy, where they arrived on 11 August 1805, after being taken from Rome to Naples on 1 July.

In 1827, Pope Leo XII gave to the Church in Mugnano del Cardinale the three inscribed Terra Cotta tiles that had been taken from the tomb.

In his Relazione istorica della traslazione del sagro corpo di s. Filomena da Roma a Mugnano del Cardinale, written in 1833, Canon De Lucia recounted that wonders accompanied the arrival of the Relics in his Church, among them a statue that sweated some liquid continuously for three days.

The spread of Devotion to Saint Philomena, in France, as well as in Italy, was helped when Saint John Vianney built a Shrine in her honour and referred to her often, attributing to her the Miracles that others attributed to himself. Another help was the cure of the near-dying Venerable Pauline Jaricot, founder of The Society for The Propagation of The Faith, at Philomena's Shrine on 10 August 1835.




English: Saint Philomena.
Bamberg, Germany,
Deutsch: Obere Pfarrkirche Unsere Liebe Frau (Obere Pfarre)
Date: September 2008.
Source: Own work.
Author: AndreasPraefcke.
(Wikimedia Commons)


Another Miracle, accepted as Proved in the same year, was the multiplication of the bone dust of the Saint, which provided for hundreds of reliquaries without the original amount experiencing any decrease in quantity.

Devotion includes the wearing of the "Cord of Philomena", a Red-and-White Cord, which had a number of Indulgences attached to it, including a Plenary Indulgence on the day on which The Cord was worn for the first time,

There was, or is, also, The Chaplet of Saint Philomena, with Three White Beads in honour of The Blessed Trinity and Thirteen Red Beads in honour of the thirteen years of the Saint's life.

The Prayer suggestion for each is: “ Hail, O Holy Saint Philomena, whom I acknowledge, after Mary, as my advocate within The Divine Spouse, intercede for me now and at the hour of my death. ”

Devotionals are often given to young girls receiving their First Holy Communion or, on the thirteenth birthday, used primarily as a stepping-stone to practicing Devotionals such as The Holy Rosary.




English: Saint Philomena,
by Amaury-Duval (1808-1885).
Français: Sainte Philomène,
par Amaury-Duval (1808-1885).
Date: Circa 1844.
Source: Own work.
Author: Marc Baronnet.
Wikimedia Commons.


On 21 December 1833, The Holy Office declared that there was nothing contrary to The Catholic Faith in the revelations that Sister Maria Luisa di Gesù (1799–1875), a Dominican Tertiary, from Naples, claimed to have received from the Saint.

According to Sister Maria Luisa di Gesù, Saint Philomena told her she was the daughter of a King in Greece who, with his wife, had converted to Christianity. At the age of about thirteen, she took a Vow of Consecrated Virginity. When The Emperor Diocletian threatened to make War on her father, her father went with his family to Rome to ask for Peace.

The Emperor fell in love with the young Philomena and, when she refused to be his wife, subjected her to a series of torments; scourging, from whose effects two Angels cured her; drowning, with an anchor attached to her (two Angels cut the rope and raised her to the River Bank); being shot with arrows, (on the first occasion her wounds were healed; on the second, the arrows turned aside; and on the third, they returned and killed six of the archers, after which, several of the others became Christians).

Finally, The Emperor had her decapitated. The story goes that the decapitation occurred on a Friday, at three in the afternoon, as with The Death of Jesus. The two anchors, three arrows, the palm and the ivy leaf on the tiles found in the tomb were interpreted as symbols of her Martyrdom.

In these Visions, Saint Philomena also revealed that her birthday was 10 January, that her Martyrdom occurred on 10 August (the date also of the arrival of her Relics in Mugnano del Cardinale), and that her name "Filumena" meant "Daughter of Light". (It is usually taken to be derived from a Greek word meaning "Beloved".)




English: Magazine Cover commemorating the
Centenary of Saint Philomena Parish.
Español: Portada de la revista conmemorativa del
centenario de la Parroquia Santa Filomena.
Date: 2008.
Source: Own work.
Author: Ceat 700.
(Wikimedia Commons)


On 13 January 1837, in the aftermath of the cure of Venerable Pauline Jaricot, Pope Gregory XVI authorised Liturgical Celebration of Saint Philomena on 11 August or, according to another source, originally on 9 September, first in the Diocese of Nola (to which Mugnano del Cardinale belongs), and soon in several other Dioceses in Italy.

On 31 January 1855, Blessed Pope Pius IX approved a Proper Mass and Office, Dedicated to Saint Philomena, with confirmation of The Decree Etsi Decimo (Rescript of The Sacred Congregation of Rites, Papal Confirmation of Promotor of The Faith Brief Etsi decimo, as submitted by Rev. Andrea Fratini, 31 January 1855).

On 6 October 1876, Father Louis Petit Founded The Confraternity of Saint Philomena, in Paris, France. In August 1876, the first issue of "Messenger of Saint Philomena" was published there. In November 1886, the Confraternity was raised to the Rank of Arch-Confraternity by Pope Leo XIII. On 21 May 1912, Pope Saint Pius X raised it to the Rank of Universal Arch-Confraternity with the Apostolic Brief Pias Fidelium Societates.

The name of Philomena was not included in The Roman Martyrology, the Official List of Saints recognised by The Catholic Church and in which The Saints are included, immediately upon Canonisation.

In The 1920 Typical Edition of The Roman Missal, Philomena is mentioned, under 11 August (with an indication that The Mass for her Feast Day was to be taken entirely from The Common, so that there was no part, not even The Collect, that was Proper to her) in the Section headed "Masses For Some Places", i.e. only those Places for which it had been specially authorised.





Statue of Saint Philomena.
Danmarks kyrka (The Danish Church),
Diocese of Uppsala, Sweden.

Date: August 2006.
Source: Own work.
Author: Håkan Svensson (Xauxa).
Wikimedia Commons.



English: Saint Philomena statue,
Saint Sulpitius Church,
Heudicourt, Eure, France.
Date: 19th-Century.
Unknown sculptor.
Français: Sainte Philomène,
dans l'église saint Sulpice d'Heudicourt (Eure).
Pierre, XIXe siècle, auteur,
Photo: 
June 2010. 
Source: Own work.
Author: Theoliane.
(Wikimedia Commons)



The Rector of the Shrine in Mugnano del Cardinale disputes these findings. After reporting the decision of The Sacred Congregation of Rites in 1961, as resulting from the studies of scholars, the Italian-language Enciclopedia dei Santi says that there still remain the Miracles that occurred and the official recognition that The Church gave in the 19th-Century, the personal Devotion to Saint Philomena of Popes and people who were later Canonised, and the widespread general Devotion that still persists, particularly at Mugnano del Cardinale in the Diocese of Nola, where Pilgrims from all over the World arrive, continually, giving a display of intense popular Devotion.

The Web-Site of "The National Shrine of Saint Philomena, Miami, Florida" sees "the action taken in 1960 as the work of the devil in order to deprive The People of God of a most powerful Intercessor, particularly in the areas of Purity and Faith at a time when these virtues were so much being challenged as they continue to be up until now ! "




Saint Philomena's Church,
Cincinnati, Ohio, United States of America.
Because of the Church's location near the riverfront,
Saint Philomena's Steeple was a well-known landmark on the Cincinnati skyline.
On 7 July 1915, a Tornado damaged the Steeple.
The Parish was closed in 1954.
(Wikipedia).


In his book, "It Is Time to Meet Saint Philomena", Mark Miravalle says that Pope Gregory XVI "Liturgically Canonised Philomena, in an act of the ordinary Papal Magisterium". This contrasts with the usual view that Canonisation is an exercise of infallible Magisterium, declaring a Truth that must be "definitively held".

Of course, lack of Canonisation does not mean lack of Sainthood. Canonisation was introduced only after many Centuries of The Church's existence, and, for that reason, none of the Saints mentioned in The Roman Rite Canon of The Mass was ever Canonised.

The following Text is from The Saint Andrew Daily Missal.

Supplement for The Dioceses of The United States of America.

Saint Philomena.
Virgin. Martyr.
Feast Day 11 August.

Simple.

Red Vestments.

IN THE DIOCESE OF HELENA.

The Sacred body of Saint Philomena, a Virgin-Martyr of The First Ages of Christianity, was, early in the 19th-Century, discovered in the Roman Catacomb, known as The Cemetery of Priscilla.

An Inscription and Phial of Blood bore witness to the genuineness of the Relics. The many Miracles since wrought by Almighty God, in favour of those who have Invoked Saint Philomena, have caused her cultus to become widespread in The Church.

The Liturgical Celebration of her Feast was Authorised by Pope Gregory XVI.

Mass: Loquébar.

Can You Use Your Skills At The Guild Of Saint Clare's Vestment Mending Day ?


This Article is from LMS CHAIRMAN



Illustrations: LMS CHAIRMAN


The Oxford Branch of The Guild of Saint Clare held a Vestment Mending Session on Saturday, 6 August 2016; an example of the kind of work which they can do to support The Liturgy.

There were a number of Vestments from The Norbertine Priory, in Chelmsford, Essex, and an Altar Frontal from Saints Gregory and Augustine Church, in Oxford. The Vestments are not of especially high value. It would not be worth spending vast sums on professional restorers.




But they need careful attention by people with a variety of skills, and an understanding of how Vestments are used, if these very decent Vestments are to return to use.

For example, one Green Low Mass Set's lining was completely worn out, and was replaced. In another case, a high-quality, silk lining fabric was intact but worn out at the edge, so it has been edged with another, appropriate material, at minimal cost in materials.




The Ladies of The Guild were able to combine their experience and skills, on Saturday afternoon, to made a big inroad to the pile of worn out Vestments which Fr Stephen Morrison (OPraem) found in the Chelmsford Sacristy, as a taster of the kind of work for which The Guild was established.

The Guild charges for the cost of fabric and a small amount per hour, to subsidise Members' training.

The Guild is Affiliated to The Latin Mass Society.

Support the work of The LMS by becoming an 'Anniversary Supporter'.


THE GUILD OF ST. CLARE WEB-SITE IS HERE

Wednesday 10 August 2016

Saint Laurence. Martyr. Feast Day 10 August.


Text from The Saint Andrew Daily Missal,
unless otherwise stated.

Saint Laurence.
Martyr.
Feast Day 10 August.

Double of The Second-Class
   with a Simple Octave.

Red Vestments.

[Editor: Please note: There are two accepted spellings
of the Saint's name: Lawrence and Laurence.]



Saint Laurence before Valerianus.
Artist: Fra Angelico.
Date: Circa 1447.
Source/Photographer: The Yorck Project: 10.000 Meisterwerke der Malerei.
DVD-ROM, 2002. 
ISBN 3936122202. Distributed by DIRECTMEDIA Publishing GmbH.
(Wikimedia Commons)

The Basilica of Saint Laurence-without-the-Walls, Rome, where the remains of the glorious Deacon are preserved, is the fifth Patriarchal Church in Rome. With Saint John Lateran, Saint Peter's, Saint Mary Major, and Saint Paul-without-the-Walls, it is one of the five Major Basilicas where the Pope, alone, says Mass at The High Altar in order to show that his jurisdiction extends over all the Churches in the World which are under the Patriarchates of Rome, Jerusalem, Alexandria, Antioch, and Constantinople.

[Editor: This next Text is from Wikipedia - the free encyclopaedia: The four Major Basilicas, and The Minor Basilica of Saint Laurence-outside-the-Walls, all of which are in Rome, were formerly known as "Patriarchal Basilicas", along with a few other Churches outside of Rome. Upon relinquishing the Title of "Patriarch of The West", in 2006, Pope Benedict XVI officially renamed the "Patriarchal Basilicas" as "Papal Basilicas". The five, formerly styled "Patriarchal Basilicas", of Rome, were previously assigned to, and associated with, the five ancient Patriarchates of The Latin Church, or The Pentarchy:

Saint John Lateran was associated with Rome (Patriarch of the West),
Saint Peter's with Constantinople (Latin Patriarch of Constantinople),
Saint Paul's with Alexandria (Latin Patriarch of Alexandria),
Saint Mary Major with Antioch (Latin Patriarch of Antioch), and
Saint Laurence with Jerusalem (Latin Patriarch of Jerusalem).]



Saint Laurence.
Illustration: MARIA ANGELA GROW


Here is held The Station on Septuagesima Sunday, on The Third Sunday in Lent, on The Wednesday after Easter, and on The Thursday after Pentecost [Rome possesses seven other Churches Dedicated to Saint Laurence: Among which Saint Laurence-in-Paneperna, where the Saint was Martyred and where they hold The Station on The Thursday of The First Week in Lent; Saint Laurence-in-Lucina, where part of his grid-iron is kept, and where is held The Station on The Friday of The Third Week in Lent; and Saint Laurence-in-Damaso, where is held The Station on The Tuesday of The Fourth Week in Lent].

The Church invites us, today, to Celebrate in this Sanctuary, The Praises of God (Introit, Offertory) to Whom this Saint bore glorious witness by his Martyrdom.

Saint Laurence was the first of The Seven Deacons attached to the Service of The Roman Church. His duty was to assist the Roman Pontiff when Celebrating The Holy Mysteries, to distribute The Eucharist to The Faithful and to administer the revenues of The Church, which he distributed among The Poor (Introit, Gradual).

Arrested by The Prefect of Rome, in 258 A.D., and called upon to deliver his riches to him, he showed him a crowd of poor people, saying: "These are the real treasures of The Church, by the inestimable gift of their Faith, and because they convert our alms into imperishable treasures for us."




He was laid on a grid-iron, under which were placed half-lighted coals, so as to prolong his tortures and make his death more painful.

"Flames were not able to conquer The Charity of Christ: And the fire, that burned without, was weaker than that which, within, kindled in the heart of the Martyr."[Saint Leo. Sixth Lesson at Matins on 10 August].

Indeed, he said to his tormentors: "You may now turn my body over; it is roasted enough on that side." And, later on: "My flesh is now roasted, you can eat of it." [Antiphon of The Magnificat of Second Vespers].

He died in 258 A.D. His name is mentioned in The Canon of The Mass, among The Roman Martyrs (First List).

Let us always recite, as a Thanksgiving, The Collect of this day, placed by The Church after The Canticle of The Three Youths in The Furnace. She makes us beseech God to extinguish in us the ardour of our passions, as He granted to Saint Laurence, who was tested by fire and found pure (Gradual), to triumph over the flames of his cruel Martyrdom (Collect).

Every Parish Priest Celebrates Mass for the people of his Parish.

Mass: Conféssio et pulchritúdo.

Traditional Latin Mass. On The Feast Of The Assumption. 1200 hrs. On Monday, 15 August, At Headcorn, Kent.



Illustration by 
FLICKR


             
       
     

HEADCORN, KENT.

CHURCH OF SAINT THOMAS OF CANTERBURY.


Photo © Copyright David Anstiss
and licensed for reuse

Traditional Latin Mass.
On The Feast Of The Assumption.
1200 hrs. Monday, 15 August.
Headcorn, Kent.

Traditional Latin Masses are also Celebrated
at the
Church of Saint Thomas of Canterbury,
Becket Court, 15, Station Road, Headcorn, Kent TN27 9SB,
(near to Headcorn Railway Station)

at 1200 hrs,

on the FOURTH SUNDAY OF EVERY MONTH

A Wonderful Way To Start Every Day. Spend Two Minutes With Our Lady. Chanting The Salve, Regina (Hail, Holy Queen).



"Salve, Regina"
(Hail, Holy Queen).
Available on YouTube at

Tuesday 9 August 2016

"The Immaculata: Who Is Queen, Even Of God's Heart." — Saint Maximilian Kolbe.




Illustration: PINTEREST



"Salve, Regina"
(Hail, Holy Queen).
Available on YouTube at

Splendour In Art Deco.



The Niagara Mohawk Building,
Syracuse, New York.
Photo: 18 May 2012.
Source: Own work.
(Wikimedia Commons)


The following Text is from Wikipedia - the free encyclopaedia.

The Niagara Mohawk Building is an Art Deco Classic Building in Syracuse, New York. It is a building of The Niagara Mohawk Power Utility Company, now owned by National Grid plc. It was Listed on The National Register of Historic Places as The Niagara Hudson Building in 2010.



The Niagara Mohawk Building,
Syracuse, New York.
Photo: 9 October 2013.
Source: Own work.
Author: Don-vip.
(Wikimedia Commons)


According to the National Park Service:
The Niagara Hudson Building, in Syracuse, New York, is an outstanding example of Art Deco Architecture and a symbol of The Age of Electricity. Completed in 1932, the building became the headquarters for the Nation’s largest Electric Utility Company and expressed the technology of electricity through its modernistic design, material, and extraordinary programme of exterior lighting.
The design elements, applied by Architects Melvin L. King and Bley and Lyman, transformed a Corporate Office Tower into a widely-admired beacon of light and belief in the future.
With its Central Tower and figurative winged sculpture personifying electric lighting, the powerfully-sculpted and decorated building offered a symbol of optimism and progress in the context of The Great Depression.



A large part of the Art Deco facade of
The Niagara-Mohawk Power Building, Syracuse, New York.
Photo: 29 June 2005.
Source: Own work.
(Wikimedia Commons)


The building was Listed on The United States National Register of Historic Places in June 2010.
The Listing was announced as the Featured Listing in The National Park Service's Weekly List of
25 June 2010.

The building was built in 1932. It was headquarters for what was "then, the Nation's largest Electric Utility Company".

It was nominated by New York State's Board of Historic Preservation for Listing on The National Register of Historic Places in December 2009. The Board described the building as "an outstanding example of Art Deco Architecture and a symbol of The Age of Electricity."

"Fancy Going To The Flicks ? Take A Trip To The Empire Cinema, Sandwich, Kent."



Fancy going to "The Flicks" ?
Take a trip to The Empire Cinema, Sandwich, Kent.
Illustration: PINTEREST


The following Text is from THE EMPIRE CINEMA, SANDWICH, KENT

On 26 June, 1937, The Empire Cinema, in Sandwich, Kent, opened its doors for the first time. The films chosen for the original opening performance were "TRUST THE NAVY" starring Lupino Lane and "CRAIG'S WIFE" starring Rosalind Russell as well as a coloured rhapsody, plus The Gaumont British News.

The Cinema was described as a modern, up-to-date, and luxurious building, situated in a prominent position near to The Guildhall, Sandwich, in the centre of the Town. The auditorium was of spacious design seating 600 people in total in The Circle and Stalls areas.



The Empire Cinema,
Sandwich, Kent.
Illustration: EMPIRE CINEMA


Now, the Cinema, which re-opened in 1993, is operational in the former Circle section of the building and has still retained The Art Deco architecture and can accommodate 130 people. The auditorium has been completely re-seated with more comfortable and luxurious seats and the original decorative neon lighting has been restored to the frontage of the Theatre.

The latest digital projection equipment has been installed with Dolby Digital Sound. This will now enable the Cinema to obtain and screen the latest Film Releases in this new improved format. In addition, it is planned to present cultural Live Shows of Opera, Ballet and Theatre content on a regular basis in 2014. The arrival of Digital Cinema will provide our audience with a wide choice of entertainment with the added enjoyment of enhanced viewing.




The Lounge section is situated in the original Stalls area and has been refurbished with comfortable chairs and tables and a maple dance floor installed in front of the Cinema Stage. A Fully Licensed Bar is now available in The Lounge. A popular attraction in this area has been the monthly Classic Cinema presentations.

Visit this unique attractive Art Deco Cinema and enjoy the best in film entertainment in comfort and pleasant surroundings. There is a large car park nearby with no evening charges and seats are bookable for all performances.

For programme information and seat reservations, please phone 01304 620480.

The Empire Cinema, Sandwich, Kent, Web-Site is HERE.


Monday 8 August 2016

British Floral Titles Of Our Lady: Our Lady Of The Meadows; Our Lady's Ear-Drops; The Passion Flower; Lady Bell; Lady's Slipper; Lady's Needlework; Lady's Thimble.



"Mater Dolorosa."
(Mother of Sorrows).
Artist: Carlo Dolci (1616–1686).
Date: Circa 1600.
Current location: National Museum of Western Art,
Tokyo, Japan.
Source/Photographer: Unknown.
(Wikimedia Commons)


The following Text is from THE MARIAN LIBRARY

The following is a list of Mediaeval Flowers of Our Lady from surviving oral popular Religious Traditions of the U.K. countrysides.

The primary sources are Britten and Holland's Dictionary of English Plant Names (1886) and Grigson's An Englishman's Flora (1958,) both based on local Texts and oral Traditions. Britten and Holland's listing is alphabetical; Grigson's listing is by botanical family, with information of the County location(s) in which each name was found to be current.

An additional source is Dowling's The Flowers of the Sacred Nativity (1900), based on a survey of Religious and Folklore Texts for shrubs and trees associated with Religious Customs and Celebrations.



Dode Church,
near Gravesend, Kent, England.
The Dedication of this Mediaeval Church
is "Our Lady of The Meadows".


Religiously-named flowers, introduced from other Countries, are not included here, except for a few, whose names have become current in The U.K.,, such as Ladies' Ear-Drops (Fuchsia) and The Passion Flower.

Special mention should be made of The National Collection of Passiflora, in Bristol, documented, with exquisite photographs, by John Vanderplank in Passion Flowers (Second Edition), MIT Press, 1996.



"Our Lady's Ear-Drops"
(Fuchsia).
Photo: April 2003.
Source: Own work.
Author: Ellen Levy 
(Wikimedia Commons)


Other, Secondary Sources, are:

The Oxford English Dictionary (Second Edition, 1985), which contains the notation under "Lady":

"In names of plants, Lady's . . . is, in origin, a shortening of Our Lady's, and became familiar through the 16th-Century herbalists. In more recent times, Ladies' has, in some cases, been substituted, the change being perhaps assisted by the old spelling "Ladies" of the possessive singular. The designation is usually given to plants of a more-than-usual beauty or delicacy. (Cf. German, Marien-, Frauen-, and French, De Notre Dame)",

The Mary Calendar, by Judith Smith (1930), which is included because it is the source of the list of plants desired for the planting by Frances Crane Lillie of Our Lady's Garden at the Angelus Tower of Saint Joseph's Church in Woods Hole, Cape Cod, Massachusetts, USA, in 1932 - The Mother Garden of the contemporary Mary Garden Restoration Movement. Smith's listing is by bloom time through the year.



"The Passion Flower"
(Passiflora Caerulea),
This File: 24 August 2006.
Source: Own work.
Author: Tomas Castelazo.
(Wikimedia Commons)


Also included is the list of the plants "associated by Tradition and legend with The Blessed Virgin Mary" planted in beds of The Cloister Garden of The Cathedral Church of The Blessed Virgin Mary, in Lincoln, by John Codrington, of The Lincoln Herb Society, in 1979.

This composite listing is made alphabetically by botanical name, and includes listings of multiple Religious Names for the same plant where they occur. Columns (B)ritten, (C)odrington, (D)owling, (G)rigson, (O)xford, and (S)mith indicate the sources in which they are found. Also given, is the primary source from which each listing has been obtained.

Many of the U.K. Religious Flower Names are paralleled by similar names in the oral Religious Traditions of other Countries, such as France, Germany, Ireland, Spain and the Latin American Mission Countries - which are, or will be, listed in other studies on this Web-Site.



"Lady Bell"
(Adenophora confusa").
Illustration: WHITE FLOWER FARM


Contemporary Mary Gardens typically draw on plant materials from all these Traditions to provide for horticultural and theological comprehensiveness, not limited to the plants of any one Tradition.

A unique aspect of the Old Religious Flower Names from The U.K., as can be seen from the list, is that they preponderantly refer to Our Lady, and, in this, to her Motherhood at The Nativity and in her envisaged life at Nazareth - to her person, her garments and her household articles.



English: "Lady's Slipper"
(Anthyllis vulneraria).
Nederlands: Deze foto toont de Alpen-wondklaver.
Photo: 14 August 2008.
Source: Own work.
Author: TeunSpaans.
(Wikimedia Commons)


In this, there is a striking correspondence with Old Marian English Poetry, which is most sublime in its praises of Mary's Maidenly Spirituality and her Divine Maternity. No doubt, there are also correspondences here to the calling of England "Our Lady's Dowry", and to The Spirituality of Walsingham.

As each of the Nations glorifies God and The Salvation of The World in a special way, England, as reflected in its Religious Flower symbolism, offers the World a special sense of The Nativity of Christ, of Mary's Divine Maternity, and of The Way to Jesus through Mary's Joyful Mysteries.

It is to other Traditions - those of France, Germany, Spain and Latin America - that we turn for additional Flower Symbols of The Passion and Resurrection of Christ, and of The Sorrowful and Glorious Mysteries of Our Lady.



"Lady's Needlework"
(Anthriscus sylvestris).
Illustration: FLOWERS.LA.COOCAN.JP


The U.K. Flowers of Our Lady.

References:

BRITT - Britten and Holland, A Dictionary of English Plant Names, Trubner, London, England, l878.

CODRIGTON - Codrington, John, The Plants of the Cloister Gardens, Lincoln Cathedral, Lincoln, England, 1979.

DOWLING - Dowling, Alfred E.P. Raymond; The Flora of the Sacred Nativity; Kegan Paul, Trench, Trubner and Co., Ltd, London, England, 1900.



"Lady's Thimble"
(Campanula rotondifolia).
Photo: 17 July 2005.
Source: Own work.
Author: Tigerente.
(Wikimedia Commons)


GRIGSON - Grigson, Geoffrey, The Englishman's Flora, Phoenix House Ltd, London, England, 1958.

OXFORD - The Oxford Dictionary, Clarendon Press, Oxford, England, 2nd Edition, 1989.

SMITH - Smith, Judith, The Mary Colendar, St.Dominic's Press, Ditchling, England, 1930.

Zephyrinus Towers.



Zephyrinus Towers
(otherwise known as
Saved from flickr.com
Illustration: PINTEREST

Text is from FLICKR

The Niagara Hudson Building.
Other name: Niagara Mohawk Building.
Syracuse, Onondaga County, New York.

The Niagara Hudson Building in Syracuse, New York, is an outstanding example of Art Deco Architecture and a symbol of The Age of Electricity.

Completed in 1932, the building became the Headquarters for the Nation’s largest electric utility company and expressed the technology of electricity through its modernistic design, material, and extraordinary programme of exterior lighting.

The design elements applied by architects Melvin L. King and Bley and Lyman transformed a corporate Office Tower into a widely-admired beacon of light and belief in the future.

With its Central Tower and figurative winged sculpture personifying electric lighting, the powerfully-sculpted and decorated building offered a symbol of optimism and progress in the context of The Great Depression.

Cluny Abbey.



Reconstructed image of Cluny Abbey III. 
English: Source: This image is taken from Georg Dehio/Gustav von Bezold: Kirchliche Baukunst des Abendlandes. Stuttgart: Verlag der Cotta'schen Buchhandlung 1887-1901, Plate No. 212. 
Due to its age, it is to be used with care. It may not reflect the latest knowledge or the
current state of the depicted structure.
Deutsch: Quelle: Diese Abbildung stammt aus Georg Dehio/Gustav von Bezold: Kirchliche Baukunst des Abendlandes. Stuttgart: Verlag der Cotta'schen Buchhandlung 1887-1901, Tafel 212. Aufgrund ihres Alters ist sie mit Vorsicht zu benutzen. Sie entspricht nicht notwendigerweise dem neuesten Wissensstand oder dem aktuellen Zustand des abgebildeten Gebäudes.
This File: 21 January 2006.
User: Fb78.
(Wikimedia Commons)



English: Cluny Abbey Coat-of-~Arms.
Français: l'Abbaye de Cluny.
Blazon: English: Gules two Keys in Saltire The Wards upwards and outwards Or
overall a Sword In Pale Argent Hilt Or.
Blazon: Français: de gueules, à deux clefs d'or en sautoir, traversées d'une épée
en pal, 
à lame d'argent, la poignée d'or en pointe N.B. Certaines sources
donnent les clefs 
affrontées et non adossées.
Blazon Reference: English: Brian Timmas
Blazon Reference: Français : Fédération des Sites Clunisiens
Artist: Orror.
Image created for The Blazon Project of tthe French Wikipedia.
Source: Own work.
(Wikimedia Commons)



Illustration: WORTHPOINT


Having been prompted by the excellent Post, entitled " New Fetish: Cluniac Edition", by 
THE RAD TRAD on Cluny Abbey III, Zephyrinus felt encouraged to complement it by offering this Post for consideration (previously Posted in February 2013).



Virtual Reconstruction of Cluny Abbey.
Available on YouTube at

from the Album "Venite a Laudare".
Track is entitled: Domine ne in furore tuo, motet.
Available for Download from Amazon.


The following Text is from Wikipedia - the free encyclopaedia.

Cluny Abbey (or Cluni, or Clugny), Dedicated to Saint Peter, is a former Benedictine Monastery in Cluny, Saône-et-Loire, France. It was built in The Romanesque Style, with three Churches built in succession from the 4th-Century A.D. to the Early-12th Century. The earliest Basilica was the World's largest Church until Saint Peter's Basilica's construction began in Rome.

Cluny was Founded by William I, Duke of Aquitaine in 910 A.D. He nominated Bernoas the first Abbot of Cluny, subject only to Pope Sergius III. The Abbey was notable for its strict adherence to The Rule of Saint Benedict, whereby Cluny became acknowledged as the leader of Western Monasticism.

The establishment of The Benedictine Order was a Key Stone to the stability of European society that was achieved in the 11th-Century. In 1790, during The French Revolution, the Abbey was Sacked and mostly destroyed, with only a small part of the Abbey surviving.

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