Notre Dame de Rouen. The façade of the Gothic Church in France. Photographer: Hippo1947. Licence: SHUTTERSTOCK.

Wednesday 28 December 2016

Richard III. Laurence Olivier. London Films.


Film Trade Magazine Advert for Richard the Third.
Starring: Laurence Olivier.
1955.
Illustration: PICCLICK

The following Text is from Wikipedia - the free encyclopaedia.

London Films Productions is a British film and television production company founded in 1932 by Alexander Korda and from 1936 based at Denham Film Studios in Buckinghamshire, near London.

The company's productions included The Private Life of Henry VIII (1933), Things to Come (1936), Rembrandt (1936), and The Four Feathers (1939). The facility at Denham was taken over in 1939 by Rank and merged with Pinewood to form D and P Studios.

The outbreak of War necessitated that The Thief of Bagdad (1940) was completed in California, although Korda's handful of American-made films still had Big Ben for their opening Corporate Logo.


Laurence Olivier
(1907–1989).
Illustration: IMDB

After a restructuring of Korda's U.K. operations in the Late-1940s, London Films were now made at Shepperton. One of these was The Third Man (1949). The Company's film The Sound Barrier (1952) won The Academy Award for Best Sound.

More than forty years after Korda died in January 1956, the Company returned to active film-making in 1997, with Morgan Mason as the Chief Executive.

Laurence Kerr Olivier, Baron Olivier, OM (22 May 1907 – 11 July 1989) was an English actor who, along with his contemporaries Ralph Richardson and John Gielgud, dominated the British Stage of the Mid-20th-Century. He also worked in films throughout his career, playing more than fifty cinema roles. Late in his career, he had considerable success in television roles.


Among Olivier's films are Wuthering Heights (1939), Rebecca (1940), and a trilogy of Shakespeare films as actor-director: Henry V (1944), Hamlet (1948), and Richard III (1955).

Olivier's honours included a Knighthood (1947), a Life Peerage (1970) and The Order of Merit (1981). For his on-screen work, he received four Academy Awards, two British Academy Film Awards, five Emmy Awards and three Golden Globe Awards.

The National Theatre's largest auditorium is named in his honour, and he is commemorated in The Laurence Olivier Awards, given annually by The Society of London Theatre. He was married three times, to the actresses Jill Esmond from 1930 to 1940, Vivien Leigh from 1940 to 1960, and Joan Plowright from 1961 until his death.


The Logo for London Films.
Source: No URL: Image taken from Richard III (1955).
Article: London Films.
Portion use: The entire Logo is used to convey the
meaning intended 
and avoid tarnishing or misrepresenting the intended image.
Low Resolution: The Logo is of a size and resolution sufficient to maintain the quality
intended by the Company or Organisation, without being unnecessarily High Resolution.
Purpose of use: The image is used to identify the Organisation London Films, a subject of public interest. The significance of the Logo is to help the reader identify the Organisation, assure the reader that they have reached the right Article containing critical commentary about the Organisation, and illustrate the Organisation's intended branding message in a way that words alone could not convey.
Use of the Logo in the Article complies with Wikipedia non-free content policy,
Logo guidelines, and fair use under United States Copyright Law as described above.
(Wikipedia)

Richard III is a 1955 British Technicolor film adaptation of William Shakespeare's historical play of the same name, also incorporating elements from his Henry VI, Part 3. It was directed and produced by Sir Laurence Olivier, who also played the lead role.

The cast includes many noted Shakespearean actors, including a quartet of Knights. The film depicts Richard plotting and conspiring to grasp the throne from his brother King Edward IV, played by Sir Cedric Hardwicke. In the process, many are killed and betrayed, with Richard's evil leading to his own downfall. The prologue of the film states that history without its legends would be "a dry matter indeed", implicitly admitting to the artistic licence that Shakespeare applied to the events of the time.


Of the three Shakespearean films directed by Olivier, Richard III received the least critical praise at the time, although it was still acclaimed. It was the only one not to be nominated for Best Picture at The Academy Awards, though Olivier's acting performance was nominated.

The film gained popularity through a US re-release in 1966, which broke box office records in many Cities. Many critics now consider Olivier's Richard III his best screen adaptation of Shakespeare. The British Film Institute has pointed out that, given the enormous TV audiences it received when shown in The USA in 1955, the film "may have done more to popularise Shakespeare than any other single Work".

Childermass. The Holy Innocents. Feast Day, Today, 28 December.




"The Massacre of the Innocents".
Artist: Tintoretto (1518–1594).
Date: 1582-1587.
Current location: Scuola Grande di San Rocco, Venice, Italy.
Source/Photographer: Web Gallery of Art:
(Wikimedia Commons)




"The Coventry Carol".
The Carol refers to
The Massacre of The Innocents.
Sung by Charlotte Church.
Available on YouTube at


The Coventry Carol.

Lully, lullay, Thou little tiny Child, 
By, by, lully, lullay. 
Lullay, thou little tiny Child, 
By, by, lully, lullay.

O sisters, too, how may we do, 
For to preserve this day 
This poor youngling for whom we do sing 
By, by, lully, lullay.

Herod, the king, in his raging, 
Charged he hath this day 
His men of might, in his own sight, 
All children young to slay.

Then, woe is me, poor Child for Thee ! 
And ever mourn and sigh 
For thy parting neither say nor sing, 
By, by, lully, lullay.

The Holy Innocents.
Martyrs.
Feast Day 28 December.

Station at Saint Paul-without-the Walls.

Indulgence of 30 years and 30 Quarantines.

Double of The Second-Class
   with Simple Octave.

Violet Vestments.
   (If Sunday; Red).




"Massacre of The Innocents".
Artist: Matteo di Giovanni (1435–1495).
Date: 1488.
Current location: National Museum of Capodimonte, Naples, Italy.
Source/Photographer: The Yorck Project: 10.000 Meisterwerke der Malerei.
DVD-ROM, 2002. 
ISBN 3936122202. Distributed by DIRECTMEDIA Publishing GmbH.
Permission: [1].
(Wikimedia Commons)




"The Massacre of The Innocents".
Artist: Workshop of Peter Paul Rubens (1577–1640).
English: Photographed during the exhibition "L'Europe de Rubens"
(The Europe of Rubens) in The Louvre-Lens.

photographiée lors de l’exposition temporaire
« L'Europe de Rubens » au musée du Louvre-Lens.
Deutsch: während der Ausstellung "L'Europe de Rubens"
(Das Europa Rubens) im Louvre-Lens fotografiert.
Nederlands: gefotografeerd tijdens de tentoonstelling "
"L'Europe de Rubens" (Rubens en zijn Tijd) in de Louvre-Lens.
Source/Photographer: User:Jean-Pol GRANDMONT (2013).
(Wikimedia Commons)

Text from Wikipedia - the free encyclopaedia,
unless otherwise stated.


The Massacre of The Innocents is the Biblical narrative of Infanticide, by Herod the Great, the Roman-appointed King of the Jews. According to the Gospel of Saint Matthew, Herod ordered the execution of all young male children in the "Vicinity of Bethlehem, so as to avoid the loss of his throne to a new-born King of the Jews, whose birth had been announced to him by The Magi.

In typical Matthean style, it is understood as the fulfillment of an Old Testament Prophecy: "Then was fulfilled that which was spoken through Jeremiah, the Prophet, saying: "A voice is heard in Ramah, mourning and great weeping, Rachel weeping for her children and refusing to be comforted, because her children are no more."

The number of infants killed is not stated, however, The Holy Innocents, although not Christians, have been claimed as Martyrs for Christianity.

In Saint Matthew's account, Magi from The East go to Judea in search of the new-born King of the Jews, having "seen His Star in The East". The King, Herod the Great, directs them to Bethlehem, and asks them to let him know who this King is when they find Him. They find Jesus and honour Him, but an Angel tells them not to alert Herod, and they return home by another way. The Massacre of The Innocents is at Matthew 2:1618, although the preceding Verses form the context:


When [The Magi] had gone, an Angel of The Lord appeared to Joseph, in a dream. "Get up", he said, "take The Child and His Mother and escape to Egypt. Stay there until I tell you, for Herod is going to search for The Child to kill Him". So, he got up, took The Child and His Mother during the night and left for Egypt, where he stayed until the death of Herod.

And so was fulfilled what The Lord had said through the Prophet: "Out of Egypt I called My Son." When Herod realised that he had been outwitted by The Magi, he was furious, and he gave orders to kill all the boys in Bethlehem, and its vicinity, who were two years old and under, in accordance with the time he had learned from The Magi.

Then, what was said through the Prophet Jeremiah, was fulfilled: "A voice is heard in Ramah, weeping and great mourning, Rachel weeping for her children and refusing to be comforted, because they are no more."


The story's first appearance in any source other than Matthew is in the apocryphal Proto-Evangelium of James of circa 150 A.D., which excludes The Flight into Egypt and switches the attention of the story to the infant John the Baptist:

"And when Herod knew that he had been mocked by The Magi, in a rage he sent murderers, saying to them: Slay the children from two years old and under. And Mary, having heard that the children were being killed, was afraid, and took The Infant and swaddled Him, and put Him into an ox-stall. And Elizabeth, having heard that they were searching for John, took him and went up into the hill-country, and kept looking where to conceal him. And there was no place of concealment. And Elizabeth, groaning with a loud voice, says: O mountain of God, receive mother and child. And immediately the mountain was cleft, and received her. And a light shone about them, for an Angel of The Lord was with them, watching over them."


The first non-Christian reference to The Massacre is recorded four Centuries later, by Macrobius (lived 395 A.D. - 423 A.D.), who writes in his Saturnalia:

"When he [Emperor Augustus] heard that, among the boys in Syria under two years old whom Herod, king of the Jews, had ordered to kill, his own son was also killed, he said: 'It is better to be Herod's pig, than his son'."

The "Coventry Carol" is a Christmas Carol dating from the 16th-Century. The Carol was performed in Coventry, England, as part of a Mystery Play called The Pageant of The Shearmen and Tailors. The Play depicts The Christmas Story from Chapter Two in the Gospel of Matthew.


The Carol refers to The Massacre of The Innocents, in which Herod ordered all male infants under the age of two, in Bethlehem, to be killed. The lyrics of this haunting Carol represent a mother's lament for her doomed child. It is the only Carol that has survived from this Play. The author is unknown. The oldest known Text was written down by Robert Croo, in 1534, and the oldest known printing of the melody dates from 1591. The Carol is Traditionally sung a cappella.

Mediaeval Liturgical Drama recounted Biblical events, including Herod's Slaughter of The Innocents. The Pageant of The Shearmen and Tailors, performed in Coventry, England, included a haunting song about the episode, now known as The Coventry Carol.

The Ordo Rachelis Tradition of four Plays includes The Flight into Egypt, Herod's succession by Archelaus, The Return from Egypt, as well as The Massacre, all centred on Rachel weeping, in fulfillment of Jeremiah's Prophecy. These events were, likewise, in one of the Mediaeval N-Town Plays.


The theme of "The Massacre of The Innocents" has provided artists of many nationalities with opportunities to compose complicated depictions of massed bodies in violent action. It was an alternative to The Flight into Egypt in Cycles of The Life of The Virgin. It decreased in popularity in Gothic Art, but revived in the larger works of The Renaissance, when artists took inspiration for their "Massacres" from Roman reliefs of The Battle of The Lapiths and Centaurs, to the extent that they showed the figures heroically nude.

The horrific subject matter, of The Massacre of The Innocents, also provided a comparison of ancient brutalities with early modern ones during the period of Religious Wars that followed The Reformation - Bruegel's versions show the soldiers carrying banners with The Habsburg Double-Headed Eagle (often used at the time for Ancient Roman soldiers).

The 1590 version, by Cornelis van Haarlem, also seems to reflect the violence of the Dutch Revolt. Guido Reni's early (1611) Massacre of The Innocents, in an unusual vertical format, is at Bologna. The Flemish painter, Peter Paul Rubens, painted the theme more than once. One version, now in Munich, was engraved and reproduced as a painting as far away as colonial Peru. Another, his grand Massacre of The Innocents, is now at the Art Gallery of Ontario, in Toronto, Canada. The French painter, Nicolas Poussin, painted The Massacre of The Innocents (1634) at the height of The Thirty Years' War. The Massacre is the opening Plot used in the 2006 movie, The Nativity Story.


The Commemoration of The Massacre of these "Holy Innocents" — considered by some Christians as the first Martyrs for Christ — first appears as a Feast of The Western Church in The Leonine Sacramentary, dating from about 485 A.D. The earliest Commemorations were connected with The Feast of The Epiphany, 6 January: Prudentius mentions The Innocents in his Hymn on The Epiphany; Pope Leo I, in his Homilies on The Epiphany, speaks of The Innocents; Fulgentius of Ruspe (6th-Century A.D.) gives a Homily "De Epiphania, deque Innocentum nece et muneribus magorum" ("On Epiphany, and on The Murder of The Innocents and The Gifts of The Magi").

Today, the date of Holy Innocents' Day, also called The Innocents' Day, or Childermass, or Children's Mass, varies. 27 December is the date for West Syrians (Syriac Orthodox Church, Syro-Malankara Catholic Church, and Maronite Church) and East Syrians (Chaldeans and Syro-Malabar Catholic Church). 28 December is the date in The Church of England, The Lutheran Church and The Roman Catholic Church (in which, except on Sunday, Violet Vestments were worn before 1961, instead of Red Vestments, the normal Liturgical Colour for Martyrs). The Eastern Orthodox Church Celebrates The Feast Day on 29 December.

In The 1962 Roman Catholic Calendar, the Violet Vestments for Holy Innocents were eliminated (Red Vestments used, instead), and, if 28 December fell on a Sunday, this Feast was Commemorated on The Sunday within The Octave of Christmas. This was changed in a later revision of The Church Calendar.


In Spain, Hispanic America and the Philippines, 28 December is a day for pranks, equivalent to April Fool's Day in many Countries. One of the more famous of these Traditions is the annual "Els Enfarinats" Festival of Ibi, in Alicante, Spain, where the inocentadas dress up in full military dress and incite a flour fight. Various Catholic Countries had a Tradition (no longer widely observed) of role reversal between children and their adult educators, including Boy Bishops, perhaps a Christianised version of the Roman annual feast of the Saturnalia (when even slaves played "masters" for a day). In some cultures, such as Mediaeval England and France, it was said to be an unlucky day, when no new project should be started.

In addition, there was a Mediaeval custom of refraining, where possible, from work on the day of the week on which The Feast of "Innocents Day" had fallen, for the whole of the following year until the next Innocents Day. This was presumably mainly observed by the better-off. Philippe de Commynes, the Minister of King Louis XI of France, tells in his memoirs how the King observed this custom, and describes the trepidation he felt when he had to inform the King of an emergency on the day.


The following Text is from The Saint Andrew Daily Missal.

The Feast of The Holy Innocents dates back to about the 5th-Century A.D. The Massacre of these Infants manifests The Royal Character of Jesus. It is because Herod believed the words of The Magi, and those of the High Priests, whom he consulted, that he sees a rival in The Infant of Bethlehem and jealously pursues Him "that is born King of the Jews" [Gospel of The Epiphany].

But, as The Church sings, "O cruel Herod, why thus fear, Thy King and God Who comes below ? No Earthly Crown comes He to take, Who Heavenly Kingdoms doth bestow" [Hymn for Vespers of The Epiphany].

It is this God-King that "The Innocents, by dying, confess" (Collect). "Their passion is The Exaltation of Christ" [Third Nocturn of Matins]. And the praise that they render to God is a subject of confusion in the enemies of Jesus (Introit), for, far from attaining their object, they only served to fulfil the saying of the Prophet "out of Egypt have I called My Son" (Gospel), and that at Bethlehem would be heard the lamentations of the mothers mourning for their children.



To picture their desolation in more vivid colours, Jeremias recalls Rachel, whose lamentations are heard in Rama [a Town situated two hours to the North of Jerusalem, in the old territory of Benjamin, son of Rachel], bewailing her children because they are not.

Like a compassionate mother, The Church robes her Priests, today, in Vestments of mourning, and suppresses the Gloria and Alleluia.

This Feast is celebrated at Saint Paul's-without-the-Walls, because the bodies of several of those Holy Martyrs are Venerated there.

Let us show forth in Holiness of Life, The Divinity of Christ, that was confessed by the death of these innocent Souls children.

Every Parish Priest celebrates Mass for the people of his Parish.


Mass: Ex ore infántium.
The Gloria in excelsis, the Alleluia, and the Ita Missa est are said only if The Feast falls on a Sunday, and on The Octave Day of The Feast Day (4 January).
Second Collect: Of The Octave of The Nativity of Our Lord.
Preface: For Christmas.
Communicantes: For Christmas.

Tuesday 27 December 2016

"Ave Maria". Maria Callas.



"Ave Maria".
Composed by: Schubert.
Sung by: Maria Callas.
Available on YouTube at

The House of Saxe-Coburg Gotha. Queen Victoria and Prince Albert.


Duchy of Saxe Coburg Gotha

The Royal Standard
Date: 1826-1920.
Author: Duke of The Duchy of Saxe-Coburg-Gotha,
designed by Queen Victoria.
(Wikimedia Commons)

File:Flagge Herzogtum Sachsen-Coburg-Gotha (1911-1920).svg

English: Flag of The Duchy of Saxe-Coburg & Gotha, 1911-1920.
Deutsch: Flagge des Herzogtums Sachsen-Coburg & Gotha 1911-1920.
Date: 9 June 2006.
Source: Own work.
Author: David Liuzzo.
(Wikimedia Commons)

The following Text is from Wikipedia - the free encyclopaedia.

Saxe-Coburg and Gotha (German: Sachsen-Coburg und Gotha), or Saxe-Coburg-Gotha, was an Ernestine Duchy ruled by a Branch of The House of Wettin, consisting of territories in the present-day States of Bavaria and Thuringia, in Germany. It lasted from 1826 to 1918.

The name Saxe-Coburg-Gotha also refers to The Family of The Ruling House of Saxe-Coburg and Gotha, which played many varied roles in the dynastic and political history of Europe in the 19th- and 20th-Ccenturies.

Queen Victoria by Bassano.jpg

Queen Victoria.
A Member of The House of Saxe-Coburg Gotha.
(1887).
Source: Scanned from the book The National Portrait Gallery
History of The Kings and Queens of England by David Williamson, ISBN 1855142287.
Author: Alexander Bassano (1829–1913).
(Wikimedia Commons)

Before 1867, The Duchy of Saxe-Coburg and Gotha had its own Army. But, on 26 June 1867, because of a Treaty signed in 1866 with Prussia, its Army was added, for defending and recruiting purposes, to the 6th Thuringian Infantry Regiment No. 95 of The 22nd Division of The Army Corps.

Three Battalions of The 6th Thuringian Infantry Regiment were assigned to Gotha (No. 1), Hildburghausen (No. 2) and Coburg (No. 3), but The Corps Headquarters were in Kassel.

Unlike Prussia, where military service was mandatory, Saxe-Coburg and Gotha filled its quota in The Imperial Army with The Draft.

In the early part of the 20th-Century, before The First World War, it was The Family of The Sovereigns of The United Kingdom, Belgium, Portugal, Bulgaria, and Saxe-Coburg-Gotha. In 1910, the Portuguese King was deposed, and the same thing occurred in Saxe-Coburg-Gotha in 1918, and in Bulgaria in 1946.


Prince Albert of Saxe-Coburg-Gotha by Franz Xaver Winterhalter.jpg

Prince Albert.
Date: 1867.
Artist: Franz Xaver Winterhalter (1805–1873).
(Wikimedia Commons)

The Capitals of Saxe-Coburg and Gotha were Coburg and Gotha.

Queen Victoria married her first cousin, Prince Albert of Saxe-Coburg and Gotha, in 1840. Their nine children married into Royal and Noble Families across the Continent, tying them together and earning her the sobriquet "the grandmother of Europe".

After Albert's death in 1861, Victoria plunged into deep mourning and avoided public appearances. As a result of her seclusion, Republicanism temporarily gained strength, but, in the latter half of her reign, her popularity recovered. Her Golden and Diamond Jubilees were times of public celebration.

Her reign of 63 years and seven months is known as The Victorian Era. It was a period of industrial, cultural, political, scientific, and military change within The United Kingdom, and was marked by a great expansion of The British Empire.

She was the last British Monarch of The House of Hanover. Her son and successor, Edward VII, belonged to The House of Saxe-Coburg and Gotha, the line of his father.

As of 2016, Branches of The Family still reign in Belgium, The United Kingdom, and the other Commonwealth Realms. The former Tsar of Bulgaria, Simeon II (reigned 1943–1946), kept his surname while serving as the Prime Minister of Bulgaria from 2001 to 2005.

Saint John. Apostle And Evangelist. Feast Day, Today, 27 December.


Text from The Saint Andrew Daily Missal,
unless otherwise stated.

Saint John.
Apostle and Evangelist.
Feast Day 27 December.

Station at Saint Mary Major.

Indulgence of 30 Years and 30 Quarantines.

Double of The Second-Class
   with Simple Octave.

White Vestments.





Saint John the Apostle and Evangelist.
Artist: Rene de Cramer.
"Copyright Brunelmar/Ghent/Belgium".
Used with Permission.




Saint John the Apostle and Evangelist.
Available on YouTube at

The Station was held at Saint Mary Major in honour of her to whom Jesus, on The Cross, entrusted Saint John: "Woman, behold thy son".

It is God Whom we Adore at Bethlehem (Editor: In Hebrew, Bethlehem means "House of Bread"] during Christmastide. Thus, it was natural that Saint John, the chief Evangelist of The Divinity of Christ, should be found beside The Crib, to disclose The Greatness of The Infant Who reposes therein.

It is to him that Jesus wishes to entrust His Mother, when Joseph will have passed away. The Liturgy, therefore, loves to show together, beside The Child and His Mother, him whom the Gospel calls the Apostle "The Just Man" ["Joseph, her husband, being a Just Man." (Matt. i. 19.)], and whom The Church today honours with the same Title (Offertory).




The Infant God in The Crib gathers around Him pure Souls: Mary is The Blessed Virgin; Joseph The Chaste Spouse; Saint Stephen The First Martyr who washes his robe in The Blood of The Lamb. Now behold Saint John, The Virgin Apostle. Crowned with the halo of those who knew how to conquer their flesh, for this reason he became "The Disciple whom Jesus loved, and who also leaned on His breast at Supper" (Gospel).

Thanks to his Angelic Purity, he imbibed that wholesome wisdom of which the Epistle speaks and which won for him the halo of Doctor. The Introit of his Mass is the one The Church uses in "The Common of Doctors".

It is to Saint John , who wrote a Gospel, three Epistles, and The Apocalypse, that we owe the most beautiful pages on The Divinity of The Word Made Flesh; and it is for this reason that he is symbolised by The Eagle, which soars in the heights.


Finally, he received the halo of Martyr, since he only escaped a violent death by that special protection of which the Gospel speaks and which made many believe that The Beloved Disciple would not die. Actually, he did not depart this life until all the other Apostles had passed away.

His name is mentioned with their names in The Canon of The Mass (First List).

The desire to connect the great Saints with The Feast of The Nativity was the cause of Celebrating on this day, except at Rome, The Feast of Saint James, brother of Saint John, and, on 28 December, that of Saint Peter and Saint Paul.

"On this day, wine offered by The Faithful is Blessed in remembrance and in honour of Saint John, who, without any ill effects, drank a cup of poisoned wine" (Roman Ritual).

Every Parish Priest Celebrates Mass for the people of his Parish.

Mass: In médio Ecclésiae.
Second Collect: Of The Octave of The Nativity of Our Lord.
Preface: For Christmas.
Communicantes: For Christmas.


THE SAINT ANDREW DAILY MISSAL



THE SAINT ANDREW DAILY MISSAL

Available (in U.K.) from

Available (in U.S.A.) from

Monday 26 December 2016

A Little Levity To Lighten Your Day.



Watch A 15th-Century Mass.




Historical recreation of a 15th-Century Mass.
Available on YouTube at

Saint Stephen. First Martyr. Feast Day, Today, 26 December.


Text from The Saint Andrew Daily Missal,
unless otherwise stated.

Saint Stephen.
First Martyr.
Feast Day 26 December.

Station at Saint Stephen's-On-The-Coelian Hill.

Indulgence of 30 Years and 30 Quarantines.

Double of The Second-Class
   with Simple Octave.

Red Vestments.




The Martyrdom of Saint Stephen.
Artist: Rene de Cramer.
“Copyright Brunelmar/Ghent/Belgium”.
Used with Permission.

The Church was still in her infancy when Stephen, renowned for his virtues, received from The Apostles the mission to organise the meals where the Poor were fed in common. He worked such "great wonders and signs among the people" (Epistle) that the Jews from five different synagogues became alarmed and summoned him before the Sanhedrin (Introit).

Jesus had upbraided the Jews "for having killed and stoned the Prophets" (Gospel); Stephen, in his turn, addressing his judges declared that in crucifying Christ they had shown themselves worthy of their fathers who put to death the messengers of God. The Holy Deacon then lifting his eyes to Heaven said that "he saw The Son of God standing on the Right-Hand of God" (Gospel). What a splendid testimony to The Divinity of this Child Whom we Venerate in The Crib.



English: Basilica of Saint Stephen-in-the-Round on The Coelian Hill.
Italiano: Basilica di Santo Stefano al Monte Celio.
Latin: Basilica S. Stephani in Caelio Monte.
Basilica of Santo Stefano Rotondo in a 19th-Century painting.
Artist: Ettore Roesler Franz (1845–1907).
Date: Circa 1880.
(Wikimedia Commons)


On hearing these words, the Jews, fulfilling once more the words of The Master (Gospel), "with one accord ran violently upon Stephen and stoned him,", who, falling on his knees, commended his Soul to Jesus (Epistle) and asked pardon for his executioners (Collect).

Stephen is the first of the witnesses of Christ, it is therefore only right that he should appear first in the glorious procession of Saints who surround The Cradle of The Saviour. It is a tendency noticeable in a Greek Martyrology of the 4th-Century A.D., to connect the greatest of The New Testament Saints with The Feast of The Nativity. His name is inscribed in The Canon of The Mass (Second List).

Following after the example of Stephen, may we "love by Charity even those who wrong us" (Collect), and be ever ready to surrender our life for Christ.

Every Parish Priest Celebrates Mass for the people of his Parish.

Mass: Sedérunt principes.

Sunday 25 December 2016

A Very Happy, Holy, And Peaceful, Christmas To All Readers.




"The Adoration of the Shepherds".
Artist: Gerard van Honthorst (1590–1656).
Date: 25 December 1622.
Current location: Wallraf-Richartz-Museum,
Cologne, Germany.
Source/Photographer: The Yorck Project: 10.000 Meisterwerke der Malerei.
DVD-ROM, 2002. ISBN 3936122202.
Distributed by DIRECTMEDIA Publishing GmbH.
(Wikimedia Commons)


Zephyrinus Wishes 
Very HappyHolyAnd PeacefulChristmas 
To All Readers.

"Mary, Did You Know ?"




Illustration: SHUTTERSTOCK




"Mary, Did You Know ?"
From "The Passion of The Christ".
Sung By: Clay Aiken.
Available on YouTube at

"Mary, Did You Know ?"



Illustration: THE GREENWICH WORKSHOP


"Mary, Did You Know ?"
Sung by: CeeLo Green.
Available on YouTube atB B 

"Perfect Love" (Mary's Song).




Illustration: SAVIOR JESUS CHRIST




"Perfect Love"
(Mary's Song).
Sung By: Darlene Zschech.
Available on YouTube at

Thank God For Little Children.



"The Virgin of the Lilies (La Vierge au lys)".
Artist: William-Adolphe Bouguereau (1825–1905).
Date: 1899.
Source: PaintingHere.com
Author: William-Adolphe Bouguereau (1825–1905).
(Wikimedia Commons)


Zephyrinus wishes a Very Happy,
Holy, and Peaceful, Christmas
to all Readers.

A Very Holy, Peaceful, Merry Christmas To All Readers From Zephyrinus.










"A Christmas Carol".
Charles Dickens.
Available on YouTube at

"Stille Nacht".




Illustration: CHURCH NEWS



"Stille Nacht".
Available on YouTube at

The Most Beautiful "Ave Maria".




"The Most Beautiful "Ave Maria" I've Ever Heard".
Available on YouTube at

"O, Holy Night".




"O, Holy Night".
Sung by: Josh Groban.
Available on YouTube at

Gaudete, Gaudete ! Christus Est Natus Ex Maria Virginae, Gaudete !



"Gaudete".
Sung By: Steeleye Span and Maddy Prior.
Available on YouTube at


"Gaudete".
(Lyrics).
Sung By: Steeleye Span and Maddy Prior.
Available on YouTube at

The Nativity Of Our Lord. 25 December. The First Mass At Midnight.


Text from The Saint Andrew Daily Missal,
unless otherwise stated.

The Nativity of Our Lord.
25 December.
First Mass at Midnight.

Station at Saint Mary Major
at The Altar of The Crib.

Indulgence of 15 Years and 15 Quarantines.

Double of The First-Class
with Privileged Octave
of Third Order.

White Vestments.




"The Word was made flesh and dwelt amongst us".
Artist: Rene de Cramer.
“Copyright Brunelmar/Ghent/Belgium”.
Used with Permission.


The Word, begotten from all Eternity by The Father, has raised into personal union with Himself The Blessed Fruit of The Virginal Womb of Mary; in other words, the human and Divine natures are joined in Our Lord in the unity of a single Person - The Second Person of The Blessed Trinity.

Further, since when we speak of a son we mean a person, Jesus must be called The Son of God, because, as The Son of God, He is a Divine Person. From this it follows, that Our Lady is called The Mother of God; not that she has begotten The Word, but because from her is derived the humanity that The Word has united to Himself in The Mystery of The Incarnation.

Of this Mystery, the first manifestation to the World was The Birth of Our Lord at Bethlehem [Editor: In Hebrew, Bethlehem means "House of Bread"]. Whence, we see the reason why, every year at Christmas, The Church says "Puer natus est nobis et Filius datus est nobis". "Unto us a Child is born, unto us a Son is given." [Introit, Alleluia.]


It is The Son of God, God begotten of The Father in the one day of Eternity (Ego hodie genui te), Who is now begotten of The Father as Man in the day of The Incarnation; Ego hodie genui te. "By the taking of the Manhood into God," says Saint Athanasius, The Son of Mary is born to The Divine Life. As it was as Midnight that Our Lady brought her first-born Son into the World and laid Him in a cradle, so Mass is Celebrated at Midnight in Saint Mary Major, Rome, where the Relics of The Crib are kept.

"With great Devotion," says Saint Leo, "has The Incarnate Word given Himself to win for us the fight against Satan, for not in His Divine Majesty, but in the weakness of our flesh, He waged war against this cruel enemy." [Fifth Lesson.] The Victory which He has gained, in spite of His weakness, shows Him to be God.

It is "God of God, Light of Light," (Credo) Who disperses the darkness of sin. "Christ is The True Light Who comes to enlighten the World, plunged in darkness" (Collect). "By The Mystery of The Word made Flesh," says the Preface, "the light of Thy Glory hath shone anew upon the eyes of our mind; so that, while we acknowledge Him as God seen by men, we may be drawn by Him to the love of things unseen."


"The Grace of God Our Saviour hath appeared to all men, instructing us to deny ungodliness ad worldly desires . . . that He might redeem us from all iniquity, and might cleanse to Himself a people acceptable, and zealous in good works" (Epistle).

He is made like unto us that we may become like unto Him (Secret), and by His example may be enabled to live a holy life (Postcommunion). Thus, shall we "live soberly, justly, and godly in this World, looking for the Blessed hope and coming of the Glory of The Great God and Our Saviour Jesus Christ" (Epistle).

As we saw in Advent, The First Coming of Our Lord prepares us for the Second.

Mass: Dóminus dixit ad me.



Beautiful depiction by
Illustration: FLICKR

O, Holy Night.






"The Virgin With Angels".
Artist: William-Adolphe Bouguereau (1825–1905).
Date: 1900.
Current location: Petit Palais, Paris, France.
Source/Photographer: Art Renewal Center image.
Copied from the English Wikipedia to Commons.
Author: William-Adolphe Bouguereau (1825–1905).
(Wikimedia Commons)




"O, Holy Night."
Sung by Celine Dion.
Available on YouTube at

The following Text is from Wikipedia - the free encyclopaedia.

"O Holy Night" ("Cantique de Noël") is a well-known Christmas Carol, composed by Adolphe Adam, in 1847, to the French poem "Minuit, chrétiens" (Midnight, Christians), by a wine merchant and poet, Placide Cappeau (1808–1877).

In Roquemaure, France, at the end of 1843, the Church Organ was renovated. To celebrate the event, the Parish Priest asked Cappeau, a native of Roquemaure, to write a Christmas poem. Cappeau did it, although being a professed Anti-Cleric and Atheist.

Soon after, Adam wrote the music. The Carol was premiered in Roquemaure, in 1847, by the Opera Singer Emily Laurey.

Unitarian Minister John Sullivan Dwight, Editor of "Dwight's Journal of Music", created a singing edition, based on Cappeau's French Text, in 1855. In both the French original, and in the two familiar English versions of the Carol, the Text reflects on The Birth of Jesus and of Humanity's Redemption.
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