Notre Dame de Rouen. The façade of the Gothic Church in France. Photographer: Hippo1947. Licence: SHUTTERSTOCK.

Wednesday 20 May 2020

The Saint John Houghton Schola Sings At Corpus Christi Church, Maiden Lane, London.



Fr. Gabriel Diaz Patri Celebrates Mass at Maiden Lane, London.
Illustration: JOSEPH SHAW, FLICKR


The Latin Mass Society Chairman, Joseph Shaw,
speaks about the formation of a new Chant Schola for London.


The Latin Mass Society's London Chant Schola, The Schola Cantorum Sancti Ioannis Hougton, has now established itself over the last year or so.

The Masses, 6.30 p.m., on Monday evenings, at Corpus Christi Church, 1, Maiden Lane, London WC2E 7NB, present a problem from the musical point of view, because London-based Singers find it difficult to get there in time for an extended rehearsal before Mass starts, after their work day.

The Schola Cantorum Sancti Ioannis Hougton rehearses on the previous Friday evening, in The Latin Mass Society's Office at 11 - 13 Macklin Street, London WC2B 5NH. E-mail: info@lms.org.uk Telephone: 020 7404 7284.

I attended the first of these rehearsals, as did The Schola's Chaplain, the usual Celebrant at The Maiden Lane Masses, Fr. Gabriel Diaz Patri.

The Schola’s members turned out to have every level of experience, from “lots” to “none”, and it was very interesting to see them develop as a group. The first Mass went extremely well, thanks to the seriousness of the Singers and the preparation and leadership of Matthew Schellhorn, its Director and The Latin Mass Society's Director of Music for London.



A new Schola for London.

Matthew Schellhorn,
The Latin Mass Society Director of Music for London,
writes about The Schola Cantorum Sancti Johannis Houghton.

At the start of last year (2019), The Latin Mass Society established a new Gregorian Chant initiative, designed to help a new generation of Chant enthusiasts be trained for singing in The Sacred Liturgy.

Working with Professional Singers, the new all-male Schola Cantorum began to accompany selected Traditional Catholic Liturgies (Mass and The Divine Office) in the London area, including some of the long-established regular Monday evening Masses in the beautifully-restored Corpus Christi Church, Maiden Lane, Covent Garden, London.

Members of The Schola gave Service at Holy Week in 2019 (and stood ready to do so in 2020 before the Coronavirus pandemic), at Masses for The Catholic Medical Association, and at our Annual Latin Mass Society Pilgrimage to Aylesford, Kent.

For our Patron, we chose a Saint with links to our local area. Essex-born Carthusian, Saint John Houghton, was the Proto-Martyr of The Protestant Revolt in England, being hanged, drawn and quartered at Tyburn in 1535.


As Prior of The London Charterhouse in The City of London, he had refused to take the Oath demanded by The Act of Supremacy. He was Beatified in 1886 and Canonised in 1970. The Logo of The Schola is a double reference to the Chant “neume torculus” and the infamous three-legged Tyburn Tree.

That The Church requires greater capacity to service its Sacred Music with high-quality singing is undeniable. Summorum Pontificum not only led to a widening access to The Traditional Mass, but, in doing so, has also inspired many colleagues of mine to assess their professional output in light of a sense of Vocation.

Such a re-commitment to The Church’s needs is long overdue; those involved in Music in Churches, just after the time of The Reform, including our Late-Patron, Colin Mawby, give testimony to the fact that Sacred Music was a first casualty of Modernistic Trends in the 1950s and 1960s, and, of course, the desultory state of Catholic Liturgical Music in the ensuing decades need not be spoken of.

We are inspired by the perennial Teaching of The Church in relation to the Music specifically endorsed to accompany its Ceremonies. Pope Saint Pius X wrote, in “Tra le Sollicitudine” (1903): “These qualities [holiness, artistic beauty, and universality] are to be found, in the highest degree, in Gregorian Chant, which is consequently the Chant proper to The Roman Church, the only Chant she has inherited from the Ancient Fathers, which she has jealously guarded for Centuries in her Liturgical codices, which she directly proposes to The Faithful as her own, which she prescribes exclusively for some parts of The Liturgy.”


The Schola’s regular schedule of rehearsal and performance opportunities, in Central London, makes it possible for those with no previous experience of singing Gregorian Chant to learn how to do so.

Our new Schola has seen a group of very committed gentlemen give of their time, and not inconsiderable natural abilities, towards refining their musical skills to an extent I have rarely seen in grass-roots initiatives.

And so, six singers, some of whom had never sung solo before, have been trained to “Cantor Standard” and have led the Schola on several occasions, all of which would be unthinkable without regular, gradated, training and support.

On several occasions, I have invited singers from The London Oratory and Westminster Cathedral to give Vocal Training and to lead Workshops.


From the start, I believed we should “plug in” to Spiritual Assistance, not only when “On Duty”, but also while rehearsing. I was delighted that Fr. Gabriel Díaz Patri agreed to be our Advisor, not only on account of his Priestly Ministry, but also his musical skills and insight. He regularly attends rehearsals, giving valuable input and joining us for The Divine Office – having studied the repertoire for our forthcoming duties, we often conclude with sung Compline.

The Schola Cantorum Sancti Johannis Houghton meets on Friday evenings at the start of the month. Those who feel the call to help are welcome to get in touch. There is no charge and all music is provided. An ability to follow direction, to maintain group ethos, and to be organised, is required, and we say that due respect for the Spirituality of The Sacred Chant and the culture of The Church’s Sacred Environment is expected.

Perhaps our musician readers – or indeed our newly-trained Chant Singers – will wish to begin a similar initiative elsewhere ?

Matthew Schellhorn is The Latin Mass Society’s Director of Music for London. He has had a deep love of Sacred Music since his childhood, and continues to campaign for the raising of musical standards in the life of The Catholic Church. He can be contacted at dirmusic@lms.org.uk


Rector: Fr Alan Robinson, KHS,
Corpus Christi Catholic Church,
1-5 Maiden Lane, London WC2E 7NB.

Telephone: 020 7836 4700.
Email: catholicchurchcoventgarden@gmail.com

Saint Bernardine Of Siena. Confessor. Feast Day, Today, 20 May.


Text from The Saint Andrew Daily Missal,
unless otherwise stated.

Saint Bernardine of Siena.
   Confessor.
   Feast Day 20 May.

Semi-Double.

White Vestments.



English: Church of Saint Bernardine of Siena, Kraków‎, Poland.
Български: Църква „Св. Бернард от Сиена“ в Краков, Полша.
Date: 26 October 2015.
Source: Own work.
(Wikimedia Commons)

At this Season of The Church's Liturgical Year, when Jesus, by His Triumph, has realised His Name of Saviour, The Liturgical Cycle Celebrates The Feast of Saint Bernardine, who was consumed "by the very ardent love of The Divine Name (Jesus)" (Collect).

Born of a noble family of Siena, Italy, Saint Bernardine renounced all his possessions. He kept his Chastity intact, in spite of the dangers to which his handsome features exposed him. The Church applies to him the words of Holy Scripture: "He had it in his power to violate The Commandment of God, and he did not violate it" (Epistle).


Capella del Voto; Duomo; Siena, Italy.
Photo: 2005-10-11
Source: User:JoJan
Author: Antonio Raggi
(Wikimedia Commons)

"Not placing his hope in money and treasures" (ibid), he left all, to follow Christ (Gospel), and entered The Order of Saint Francis, one of whose glories he is. Travelling through towns and villages, everywhere he Preached the name of Jesus (Collect) and thereby wrought many Miracles.

Saint Peter Celestine [Editor: See yesterday's Feast] appeared to him, to warn him of his approaching end, which came on Ascension Eve, 1444.

Let us ask God to grant us, through the intercession and merits of Saint Bernardine, a great love for the name of Jesus and, thereby, to kindle in us the flame of Divine Charity (Collect).

Mass: Os justi.

Tuesday 19 May 2020

Saint Pudentiana. Virgin. Feast Day 19 May.


Text from The Saint Andrew Daily Missal,
unless otherwise stated.

Saint Pudentiana.
   Virgin.
   Feast Day 19 May.

Simple.

White Vestments.



English: Saint Pudentiana.
Detail of a mosaic in the Apse of Santa Pudenziana, Rome.
Deutsch: Pudentiana, Mosaik aus Santa Pudenziana
This File: 25 October 2005.
(Wikimedia Commons)


The Nave,
Basilica of Santa Pudenziana, Rome.
Photo: 13 May 2009.
Source: Own work.
Author: Welleschik
(Wikimedia Commons)

Saint Pudentiana, in this part of The Cycle, participates in The Triumph of Christ over the Devil, the Flesh, and the World. The daughters of Pudens, a Roman Senator, she and her sister, Praxedes, Consecrated their Virginity to Jesus.

At the death of her father, she distributed all her riches to the Poor, in agreement with her sister, and she was barely sixteen years old when she died, in the Reign of Emperor Antoninus.

Her remains rest in her house, which she had converted into a Church. Her father had received Saint Peter there and she had placed it at the disposal of Pope Pius I, who Celebrated The Holy Mysteries there during “The Persecution”.

This is the “Title-Church” of Pudentiana, where The Station is held on the Tuesday in The Third Week of Lent. [“Title-Churches”, bearing as Title the name of their Founder or Foundress, were the usual Meeting Places of Christians in Rome, and became the first “Parish Churches”.]

Mass: Dilexísti.


“Saint Praxedes and Saint Pudentiana
collecting The Blood of The Martyrs”.
Artist: Giovanni Paolo Rossetti (1621).
Basilica of Santa Pudenziana, Rome.
Photo: 13 April 2010.
Source: Own work.
Author: Georges Jansoone (JoJan).
(Wikimedia Commons)

Saint Peter Celestine. Pope And Confessor. Feast Day, Today, 19 May.


Text is from The Saint Andrew Daily Missal,
unless otherwise stated.

Saint Peter Celestine.
   Pope and Confessor.
   Feast Day 19 May.

Double.

White Vestments.


English: Painting of Pope Celestine V.
Español: Pintura del Papa Celestino V.
Artist: Giulio Cessare Bedeschini.
Date: 1700.
Source: Museo de l'aquila, Italia.
Author: Giulio Cessare Bedeschini.
(Wikimedia Commons)


Among all the Pastors to whom Jesus lovingly committed the care of His Church, Saint Peter Celestine is the one who most particularly shows forth the virtue of humility, the foundation of all Holiness [Rule of Saint Benedict. Chapter Seven] according to Saint Benedict, his father in God.

Born in 1221, he retired into the desert when hardly adolescent (Gospel), and his virtues soon drew disciples round him. Such was the origin of The Branch of The Benedictine Order, known since under the name of "The Celestines", from the name which Saint Peter took when he became Pope in 1294.


At the age of seventy-two, he had to leave his sweet solitude, received full Sacerdotal power (Introit, Epistle) and occupied The Chair of Saint Peter (Communion), which had been vacant twenty-seven months. Raised to this eminent dignity, he thought himself incapable of bearing such a burden, and, "placing humility above that elevation" (Collect), he voluntarily resigned the highest dignity.


Saint Peter Celestine.
Pope and Confessor.
Available on YouTube at

He ended his days in contemplation, which his Soul craved for, and he died on 19 May 1296.

Following the example of Saint Peter Celestine, let us despise the honours of this World, in order to attain possession of the rewards promised to the humble (Collect).

Mass: Státuit.
Commemoration: Saint Pudentiana, by the Collects of The Mass: Dilexísti.
Gospel: Ecce nos reliquimus.

The 2020 Sacred Liturgy Conference. “Incarnation In The Eucharist”. To Be Held In Spokane, Washington. From 9 June 2020 - 12 June 2020.



This Article is taken from, and can be read in full at,
NEW LITURGICAL MOVEMENT


In this day and age, to have a successful Liturgical Conference is already a great accomplishment; but, to be announcing The Eighth Annual Liturgical Conference is something to boast about !!!

The Sacred Liturgy Conference has taken place at various locations in The Pacific North-West for the past seven Summers, under the auspices of The Schola Cantus Angelorum.

This year, it will be held 9 June 2020 -12 June 2020, in Spokane, Washington, once again on the campus of Gonzaga University, Saint Aloysius Catholic Church, and The Cathedral of Our Lady of Lourdes, where it was successfully hosted last year.

This year’s theme is: “Incarnation in The Eucharist.” His Eminence Gerhard Cardinal Müller will give the keynote address, and will Celebrate The Pontifical Mass of Corpus Christi, with Eucharistic Procession, and Benediction at The Cathedral of Our Lady of Lourdes.


The 2020 Sacred Liturgy Conference Video
is available HERE

Other distinguished faculty members include:

Rev. Cassian Folsom, O.S.B.;
Dom Alcuin Reid;
Dr. John Haas;
Mother Miriam of The Lamb of God, O.S.B,;
Rev. Pius Pietrzyk, O.P.;
Rev. Gabriel Mosher, O.P.;
Dr. Anthony Clark;
Dr. Kevin Clarke;
Dr. Ed Schæfer;
Rev. Theodore Lang;
Lucas Viar;
Alex Begin;
Doug Schneider.

The Sacred Liturgy Conference is the largest Liturgical Conference in North America, with participants coming from all over the World.

Its Mission is to enrich knowledge and understanding of The Liturgy, so that Catholics may participate ever more deeply in The Sacrificial Offering of Our Lord Jesus Christ in The Holy Mass.

The 2020 faculty will illuminate the Incarnation as inseparable from the Cross, Resurrection, and the Holy Eucharist. The four Masses will be celebrated in the two forms of the Roman Rite and in the Dominican Rite, with the sacred music prescribed by the Church.

To find out more specifics about the schedule, accommodations, and how to register for the conference, go to sacredliturgyconference.org. You may also call (503) 558-5123 or email sacredliturgyconference@gmail.com. An “Early Bird Special” rate is available through March 1, 2020.

A video about this year’s conference:


Last week, Dr. Tom Curran, of My Catholic Faith Ministries, interviewed Dr. Lynne Bissonnette, Executive Director of The Sacred Liturgy Conference, to discuss the origins of the Conference, the gift of The Sacred Liturgy, and The Incarnation.

Later in the programme, Tom explores the different Rites of The Mass and the stewardship of perpetual Adoration.

The audio may be accessed or downloaded HERE.

Monday 18 May 2020

The Rogation Days. The Lesser Litanies. The Greater Litanies. Chestnut Sunday. The Litany Of The Saints.


Text from The Saint Andrew Daily Missal,
unless stated otherwise.



In 2020, “The Rogation Days” are:

Rogation Sunday (“Chestnut Sunday”), 17 May 2020.

“The Lesser Litanies”.

Rogation Monday, 18 May 2020.
Station: At Saint Mary Major;

Rogation Tuesday, 19 May 2020.
Station: At Saint John Lateran;

Rogation Wednesday, 20 May 2020.
Station: At Saint Peter's.

Indulgence of 30 Years and 30 Quarantines each day.

Violet Vestments.

The Rogation Days in 2020 are followed by
Ascension Day on Thursday, 21 May 2020.


The Ancient Custom of Blessing the Fields.
“Rogation Sunday”.
Hever, Kent, England.
Photo: 9 February 1967.
Source: From geograph.org.uk
Author: Ray Trevena
(Wikimedia Commons)


The Greater Litanies.

25 April.
The Station is at Saint Peter's.

Violet Vestments.

The Church Celebrates, on 25 April, two Solemnities, which have nothing in common: “The Greater Litanies”, so called on account of their Roman origin, and “The Feast of Saint Mark”, which is of later date. The word “Litany” means “Supplication”.

In ancient Rome, on 25 April, used to be celebrated the pagan feast of “Robigalia”. It consisted, principally, of a Procession, which, leaving the City by The Flaminian Gate, went to The Milvian Bridge and ended in a suburban Sanctuary situated on The Claudian Way.

There, a ewe was sacrificed in honour of a god or goddess of the name Robigo (god or goddess of frost). “The Greater Litany” was the substitution of a Christian, for a pagan, Ceremony. Its itinerary is known to us by a convocation of Saint Gregory the Great. It is, approximately, the same as that of the pagan Procession.


“Ember Days”
and
“Rogation Days”.
Sermon By: Fr Ripperger.
Available on YouTube at

All The Faithful in Rome betook themselves to the Church of Saint Laurence-in-Lucina, the nearest to The Flaminian Gate. Leaving by this Gate, the Procession made a Station at Saint Valentine's, crossed The Milvian Bridge, and branched off to the Left towards The Vatican.

After halting at a Cross, it entered The Basilica of Saint Peter for the Celebration of The Holy Mysteries.

This Litany is recited throughout The Church to keep away calamities, and to draw down The Blessing of God on the harvest. “Vouchsafe to grant us to preserve the fruits of the Earth, we Pray Thee, hear us”, is sung by the Procession through the Countryside.

The whole Mass shows what assiduous Prayer may obtain, when in the midst of our adversities (Collects, Offertory) we have recourse with confidence to Our Father in Heaven (Epistle, Gospel, Communion).

If The Feast of Saint Mark is Transferred, The Litanies are not Transferred, unless they fall on Easter Sunday. In which case, they are Transferred to the following Tuesday.

Procession.

See “The Litany Of The Saints”, Page 1888, The Saint Andrew Daily Missal, and “The Rogation Mass”, Page 673, The Saint Andrew Daily Missal (see, below).


“Rogation Days”.
Available on YouTube at

“The Lesser Litanies”.

In consequence of the public calamities that afflicted the Diocese of Vienne, Dauphiny, France, in the 5th-Century A.D., Saint Mamertus instituted a Solemn Penitential Procession on The Monday, Tuesday, and Wednesday, before Ascension Thursday.

Under an Order of The Council of Orleans, in 511 A.D., the Devotion spread to the rest of France. In 816 A.D., Pope Leo III introduced it in Rome and, soon after, it became a general observance throughout The Church.

“The Litany of The Saints”, and The Psalms and Collects sung in Procession, on these days, are Supplications; hence, the term “Rogations” is applied to them. The object of these Devotions is to appease The Anger of God and avert the scourges of His Justice, and to draw down The Blessings of God on the fruits of the Earth.

Violet is used as a token of Penance, and The Paschal Candle is left unlighted. “The Litany of The Saints”, consisting of ejaculations in the form of a dialogue, is an admirable manner of Prayer, which it should be our purpose to cultivate.

The Celebrant wears a Violet Stole and Violet Cope. All in the Choir stand as they sing the first Antiphon “Exsurge, Domine”.


Mass Of Rogation.

Stations:

Rogation Monday. At Saint Mary Major.

Rogation Tuesday. At Saint John Lateran.

Rogation Wednesday. At Saint Peter's.

Indulgence of 30 Years and 30 Quarantines each day.

Violet Vestments.


The Mass, throughout, points to the efficacy of The Prayer of The Just Man, when humble, sure, and persistent. Elias, by Prayer, closed and opened the heavens (Epistle), and Our Lord shows us by two Parables that God gives His Holy Spirit to whomever asks Him, because He is good (Gospel, Alleluia). In our afflictions, let us place our trust in God and He will hear our Prayers (Introit, Collect).

The following Mass is said during, or after, the Procession of both “The Greater Litanies” and “The Lesser Litanies”.

Mass of Rogation: Exaudivit de templo.
Gloria: Is not said.
Preface: Of Easter.


“Litany of The Saints”.
Available on YouTube at


“Litany Of The Saints”.

The “Litany Of The Saints” is used in connection with:

Holy Mass on “The Greater Litanies” (25 April);

“The Lesser Litanies”
(“Rogation Monday”) and
(“Rogation Tuesday”) and
(“Rogation Wednesday”)
(The Rogation Days)
immediately before Ascension Thursday;

Holy Saturday;

The Vigil of Pentecost;

Masses of Ordination, before the conferring of Major Orders.

On Saint Mark’s Day (25 April) and “Rogation Days”, if the Procession is held, the Litany is preceded by the Antiphon, “Exurge, Domine”, (Psalm XLIII. 26), and all Invocations are sung by the Cantors and repeated in full by the Choir [i.e., “Doubled”].

If the Procession cannot be held, the Invocations are not repeated.

On The Vigils of Easter and Pentecost, the Invocations marked with an asterisk (*) in The Missal are omitted; all the remaining Invocations are repeated, either there be a Font and a Procession from The Baptistry, or not.

At Masses of Ordination, only The First Five Invocations are repeated.


“Litany of The Saints”
at the Funeral of Pope Saint John Paul II.
Available on YouTube at


The following Text is from Wikipedia - the free encyclopædia.

Rogation Days are, in The Calendar of The Western Church, observed on 25 April (“The Major Rogation”) and the Monday, Tuesday, and Wednesday immediately preceding Ascension Thursday (“The Minor Rogations”).

The first Rogation, “The Greater Litanies”, has been compared to the ancient Roman religious festival of The Robigalia, a ritual involving prayer and sacrifice for crops held on 25 April. The first Rogation is also observed on 25 April, and a direct connection has sometimes been asserted, with the “Christian substitute” following the same processional route in Rome. If Easter falls on 24 April or on this day (the latest possible date for Easter), “The Rogations” are transferred to the following Tuesday.

The second set of “Rogation Days”, “The Lesser Litanies”, or, “Rogations”, introduced about 470 A.D. by Bishop Mamertus of Vienne, and eventually adopted elsewhere, are the three days (Rogation Monday, Rogation Tuesday and Rogation Wednesday) immediately before Ascension Thursday in The Christian Liturgical Calendar.


The word “Rogation” comes from the Latin verb “Rogare”, meaning “to ask”, and was applied to this time of The Liturgical Year because the Gospel Reading for the previous Sunday included the passage: “Ask, and ye shall receive” (Gospel of John 16:24).

The Sunday, itself, was often called Rogation Sunday, as a result, and marked the start of a three-week period (ending on Trinity Sunday), when Roman Catholic and Anglican Clergy did not Solemnise marriages (two other such periods of marital prohibition also formerly existed, one beginning on The First Sunday in Advent and continuing through The Octave of Epiphany, or 13 January, and the other running from Septuagesima until The Octave of Easter, the Sunday after Easter). In England, Rogation Sunday is called “Chestnut Sunday”.

The Faithful typically observed The Rogation Days by Fasting in preparation to Celebrate The Ascension, and farmers often had their crops Blessed by a Priest at this time. Violet Vestments are worn at The Rogation Litany and its associated Mass, regardless of what Colour Vestments were worn at the ordinary Liturgies of The Day.


A common feature of Rogation Days, in former times, was the Ceremony of “Beating The Bounds”, in which a Procession of Parishioners, led by The Minister, Churchwarden, and Choirboys, would proceed around the boundary of their Parish and Pray for its protection in the forthcoming year. This was also known as “Gang-Day”.

The reform of The Liturgical Calendar for Latin Roman Catholics, in 1969, delegated the establishment of Rogation Days, along with Ember Days, to The Episcopal Conferences. Their observance in The Latin Church subsequently declined, but the observance has revived somewhat, since 1988, (when Pope Saint John Paul II issued his Decree Ecclesia Dei Adflicta), and especially since 2007 (when Pope Benedict XVI issued his Motu Proprio, called “Summorum Pontificum”), when the use of older Rites was encouraged.

Churches of The Anglican Communion reformed their Liturgical Calendar in 1976, but continue to recognise The Three Days before Ascension Day as an Optional Observance.

“In Paradisum”. “May The Angels Lead You Into Paradise”. The Antiphon From A Requiem Mass.



Saint Benedict Ornate Wall Crucifix.
Image: AMAZON

In paradisum deducant te angeli: in tuo adventu suscipiant te martyres, et perducant te in civitatem sanctam Ierusalem.

Chorus angelorum te suscipiat, et cum Lazaro, 
quondam paupere, aeternam habeas requiem. 

May The Angels lead you into Paradise:
May The Martyrs receive you at your coming,
And lead you into The Holy City, Jerusalem.

May The Choir of Angels receive you,
and, with Lazarus, who once was poor,
May you have Everlasting Rest.


“In Paradisum”. 
By: Gabriel Fauré.
Available on YouTube at


Traditional Latin Requiem Mass.
Illustration: LMS CHAIRMAN

The following Text is from Wikipedia - the free encyclopædia.

In Paradisum (English: “Into Paradise”) is an Antiphon from The Traditional Latin Liturgy of The Western Church’s Requiem Mass.

It is sung by The Choir as the body is being taken out of the Church. The Text of “In Paradisum”, with or without The Gregorian Melody, is sometimes included in musical settings of The Requiem Mass, such as those by Gabriel Fauré and Maurice Duruflé.


English: The Antiphon “In Paradisum”.
Deutsch: Antiphon zur Begräbnisfeier In paradisum deducant
te angeli - Zum Paradies mögen Engel dich geleiten.
Date: Mediæval.
Sources:
Author: Unknown.
(Wikimedia Commons)

A Wonderful Consolation
At The Death Of A Loved One.

Sunday 17 May 2020

“A Special Pleader”. By: Charles Burton Barber (1845-1894).



“A Special Pleader”.
Artist: Charles Burton Barber (1845–1894).
Date: 1893.
Source/Photographer: Web Screenshot.
This File: 14 November 2013.
(Wikimedia Commons)


Charles Burton Barber.
Date: 1880.
Source: U.K. Wikipedia
Author: Unknown.
(Wikimedia Commons)

The following Text is from Wikipedia - the free encyclopædia,
unless stated otherwise.

Charles Burton Barber (1845–1894), was a British painter who attained great success with his paintings of children and their pets.

Barber was born in Great Yarmouth in Norfolk, and studied from the age of 18 at the Royal Academy, London - receiving a Silver Medal for drawing in 1864, and first exhibiting there in 1866.


“Suspense”.
Artist: Charles Burton Barber (1845–1894).
Date: 1894.
Source/Photographer: Reproduction from Art Book.
This File: 29 December 2009.
(Wikimedia Commons)

During his lifetime, Barber was regarded as one of Britain's finest animal painters and received commissions from Queen Victoria to do paintings of her with grandchildren and dogs,[1] and also The Prince of Wales (later King Edward VII) and his pets.

A number of his portraits are in The Royal Collection. He exhibited at The Royal Academy from 1866 to 1893. In 1883, he was elected a member of The Royal Institute of Oil Painters.


English: “Off to School”.
Français: “En route pour l'école”
Artist: Charles Burton Barber (1845–1894).
Date: 1883.
Source/Photographer: Rehs Galleries
(Wikimedia Commons)

Barber became a very popular sporting and animal painter, specialising particularly in sentimental portraits of dogs, often with children. His work ranged from photographically realistic to quick sketches. Although some have regarded his work as overly sentimental, his work remains popular, largely because of his competent painting.

Barber received his final commission in 1894 to paint Queen Victoria, with her grandchildren, in her pony-carriage. He died in London soon afterwards. His place as foremost painter of children and pets was taken by Arthur Elsley.

Many of Barber’s paintings were made into prints, usually in the medium of photogravure. He exhibited at The Royal Institute of Oil Painters, Walker Art Gallery and Manchester Art Gallery. Much of his art is at The Lady Lever Art Gallery in Port Sunlight.

Saint Paschal Baylon. Confessor. Feast Day, Today, 17 May.


Text from The Saint Andrew Daily Missal,
unless stated otherwise.

Saint Paschal Baylon.
   Confessor.
   Feast Day 17 May.

Double.

White Vestments.



English: Saint Paschal Baylon Adoring The Eucharist.
Italiano: San Pasquale Baylon e l'adorazione eucaristica (Ignoto sec. XVIII).
Photo: 1 January 2002.
Source: Own work.
(Wikimedia Commons)


Born in the Kingdom of Aragon, in Spain, Saint Paschal, in his childhood, tended sheep. At the age of twenty, he entered as a Lay-Brother in The Order of Saint Francis, where he became a model of the greatest austerity, of the most complete obedience, and of the most Seraphic poverty (Epistle).

His Meditation of The Things of God (Introit) was so profound that he was absorbed into ecstasies of love. It gave him a knowledge of Divine Things, which enabled him to speak about the most obscure Mysteries of The Faith.


Church of Saint Paschal Baylon,
Taranto, Italy.
Photo: 5 June 2008.
Source: Own work.
(Wikimedia Commons)

He was especially celebrated for his Devotion to The Blessed Sacrament (Collect), and spent hours in Prayer before The Tabernacle.

Pope Leo XIII declared him Protector of all Eucharistic Congresses and Works. Like "the servants who await the coming of their Master" (Gospel), Saint Paschal awaited the coming of Jesus at the exact hour he had foretold, 17 May 1592, at Pentecost, the anniversary of his birth, and he ascended to Heaven, following The Risen Christ.

Let us imitate the love of Saint Paschal for The Eucharist, "so that we may deserve to draw from this banquet the same abundance of Graces which he found there" (Collect).

Mass: Os justi.

Saturday 16 May 2020

“Come To Mass” And “Vesting Prayers For Priests”. From Biretta Books.



“Come To Mass”.
$9.00.
Available from BIRETTA BOOKS


“Vesting Prayers for Priests”.
$5.00.
Available from BIRETTA BOOKS

Saint Ubaldus (1084-1160). Bishop And Confessor. Feast Day 16 May.


Text is taken from The Saint Andrew Daily Missal,
unless otherwise stated.

Saint Ubaldus.
   Bishop and Confessor.
   Feast Day 16 May.

Semi-Double.

White Vestments.



Fresco of Saint Ubaldus at Gubbio, Umbria, Italy.
Source: http://www.ilmiositoweb.it/santubaldo/Santo.htm
(Wikimedia Commons)



The Race Of The Ceri.
La Calata, Gubbio, Italy.
Available on YouTube at

Saint Ubaldus, born at Gubbio, Umbria, Italy, received Episcopal Consecration (Introit, Epistle, Alleluia) and was obliged, by Pope Honorius II, to take the government of that Church (Communion).

After having, under the guidance of The Holy Ghost, by his Charity and Apostolic zeal, put to full advantage the talents which God had entrusted to him, he piously fell asleep and "entered into the joy of his Lord" (Gospel) on Whit-Sunday evening.

He died in 1160 and his body has remained intact up to our time. Let us ask this Saint, to whom God gave special power against Satan, to preserve us from all the malice of the devil (Collect).

Mass: Státuit.


The Festival of La Corsa dei Ceri, at Gubbio, Italy.
The statue of Saint Ubaldo leads the Procession, followed by Ceri,
topped with the statues of Saint George and Saint Anthony the Great.
Date: 2000.
This File: 29 April 2006.
User: Starlight
(Wikimedia Commons)


The following Text is from Wikipedia - the free encyclopædia.

The Basilica is the finishing-point for the annual Saint Ubaldo Day Procession on 15 May (in Italian, La Corsa dei Ceri). The Procession includes a race between three teams of men, each representing one of the Town's three Guilds:

The Masons (in Gold) with a statue of Saint Ubaldo;
The Merchants (in Blue) with a statue of Saint George;
The Peasants (in Black) with a statue of Saint Anthony.

The participants dress in colourful "Ceraioli" and carry three, nearly-900-pound, wooden stands and statues (Ceri) of their Saints through the City to the City Gates. Thereafter, the teams sprint up Mount Ingino to the Basilica, where the statues remain until the following May. A similar Festival is celebrated in Jessup, Pennsylvania, United States of America. The event is considered an important contribution to the Town's tourism industry.


English: The Courtyard of the Basilica of Sant'Ubaldo, Italy.
Italiano: Gubbio - Basilica di S. Ubaldo. Gubbio, Umbria, Italy.
Photo: August 2009.
Source: Own work.
Author: Geobia
(Wikimedia Commons)


Ubaldo of Gubbio (Italian: Ubaldo; Latin: Ubaldus; French: Ubalde; circa 1084–1160) was a Mediæval Bishop of Gubbio, in Umbria, today Venerated as a Saint by The Catholic Church. Saint Ubaldo Day is still Celebrated at the Basilica of Sant'Ubaldo, in Gubbio, in his honour, as well as at Jessup, Pennsylvania.

Born Ubaldo Baldassini, of noble parents, at Gubbio, Italy, Ubaldo lost his father while still very young. He was educated by the Prior of the Cathedral Church of his native City, where he also became a Canon Regular. Saint Sperandia was a relative of Ubaldo.

He felt a Vocation to become a Monk, and entered the Monastery of Saint Secondo in the same City, where he remained for some years. Recalled by his Bishop, he returned to the Cathedral Monastery, where he was made Prior. Having heard that, at Vienna, Blessed Peter de Honestis, some years before, had established a very fervent Community of Canons Regular, to whom he had given special statutes which had been approved by Pope Paschal II, Ubaldo went there, remaining with his Brother Canons for three months, to learn the details and the practice of their rules, wishing to introduce them among his own Canons of Gubbio.


English: The Courtyard of the Basilica of Sant'Ubaldo, Italy.
Italiano: Gubbio - Basilica di S. Ubaldo, Gubbio, Umbria, Italy.
Photo: August 2009.
Source: Own work.
Author: Geobia
(Wikimedia Commons)


This he did at his return. He earned a reputation for piety, poverty (for all his rich patrimony, he had given to The Poor and to the restoration of Monasteries), humility, mortification, meekness, and fervour, and the fame of his Holiness spread in the Country, and several Bishoprics were offered to him, but he refused them all.

Ubaldo is said to have prevented Frederick Barbarossa from sacking Gubbio, as the Emperor had sacked Spoleto in 1155.

However, the Episcopal See of Gubbio becoming vacant, he was sent, with some Clerics, by the population to ask for a new Bishop from Pope Honorius II, who, having Consecrated him, sent him back to Gubbio. To his people, he became a perfect pattern of all Christian virtues, and a powerful protector in all their Spiritual and Temporal needs.

He died after a long and painful illness of two years.


English: The glass sarcophagus of Saint Ubaldo,
Basilica of Saint Ubaldo, Gubbio, Umbria, Italy.
Italiano: Gubbio - Urna con le spoglie di S. Ubaldo (nella Basilica di S. Ubaldo).
Date: August 2009.
Source: Own work.
Author: Geobia
(Wikimedia Commons)


Numerous Miracles were attributed to him during his life and after his death. At the solicitation of Bishop Bentivoglio, Pope Celestine III Canonised him in 1192. His power, as we read in The Office for his Feast, is chiefly manifested over the evil spirits, and The Faithful are instructed to have recourse to him "contra omnes diabolicas nequitias".

The Life of the Saint was written by Blessed Theobaldus (Theobald, Teobaldo), his immediate successor in the Episcopal See, and, from this source, is derived all the information given by his numerous biographers. The body of Ubaldo, which had at first been buried in the Cathedral Church by the Bishops of Perugia and Cagli, at the time of his Canonisation was found flexible and incorrupt, and was then placed in a small Oratory on the top of the hill overlooking the City, where, in 1508, at the wish of the Duke of Urbino, The Canons Regular built a Church, frequented by numerous Pilgrims, who come to visit the Relics.


English: Basilica of Saint Ubaldo, Gubbio, Umbria, Italy.
Italiano: Gubbio - Basilica di S. Ubaldo.
Date: August 2009.
Source: Own work.
Author: Geobia
(Wikimedia Commons)


The Devotion to the Saint is very popular throughout Umbria, but especially at Gubbio, where, in every family, at least one member is called Ubaldo. The Feast of their Patron Saint is Celebrated by the inhabitants of the country around with great Solemnity, there being Religious and Civil Processions which call to mind the famous Festivities of The Middle Ages in Italy.

The Basilica of Sant'Ubaldo, with a Nave and four Aisles, is a Sanctuary atop Monte Ingino, just above the City. Noteworthy, are the Marble Altar and the Great Windows with episodes of The Life of Ubaldo. The finely-sculpted Portals and the fragmentary frescoes give a hint of the magnificent 15th-Century decoration once boasted by the Basilica.

Outside of Italy, a finger Relic of Saint Ubaldus is Venerated in the Saint-Theobald Collegiate Church of Thann, Haut-Rhin, France.
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