Notre Dame de Rouen. The façade of the Gothic Church in France. Photographer: Hippo1947. Licence: SHUTTERSTOCK.

Saturday, 3 April 2021

Holy Saturday. Lenten Station At The Papal Arch-Basilica Of Saint John Lateran.





Text from The Saint Andrew Daily Missal,
unless otherwise stated.

Holy Saturday.

Station at Saint John Lateran.

Indulgence of 30 Years and 30 Quarantines.

Double of The First-Class.

Violet Vestments
   and White Vestments.


English: Papal Arch-Basilica of Saint John Lateran.
Cathedral of The Bishop of Rome.
Latin: Archibasilica Sanctissimi Salvatoris et Sanctorum Iohannes Baptistæ
et Evangelistæ in Laterano Omnium urbis et orbis ecclesiarum mater et caput.
Español: Basílica de San Juan de Letráncatedral del Obispo de RomaItalia
Italiano: Basilica di San Giovanni in Laterano, Roma
Polski: Bazylika św. Jana na Lateranie (znana jako Bazylika Laterańska),
katedra biskupa RzymuWłochy
Photo: September 2005.
Source: Own work.
Author: Stefan Bauer, http://www.ferras.at
(Wikimedia Commons)


The Station is at Saint John Lateran, The Mother Church of The Christian World, and it is here that The Church Celebrated The First Mass of Easter and that, formerly, she received into her bosom the many Catechumens, who were Baptised on this day.

First Dedicated to Our Blessed Saviour, this Basilica was subsequently Consecrated to Saint John the Baptist, with the Baptistry attached.

In former times, The Church held no special Service on this morning. Apart from any gathering for The Lenten Station, a Meeting was held in the course of the afternoon for The Seventh, and last, Scrutiny, which almost immediately preceded the Baptism.

[It was at this gathering that The Rite of Exorcism took place, and The Rite of Ephpheta, which recalls the Miracles worked by Jesus, when He cured the deaf and dumb, and the Renunciation of Satan, pronounced by The Catechumen after being Anointed with The Oil of Catechumens. He then recited the Symbol, a proceeding known as “the Rendering of The Symbol”. We discover these Rites, again, in the present Ceremonies of Baptism, following those that took place at The Third Scrutiny.]

At night, was held The Watch, or Solemn Vigil of Easter, towards the end of which, before daybreak, The Catechumens plunged in the Water of The Baptistry and were, so to speak, buried with Jesus; and, at the very hour at which Christ rose Triumphantly from The Sepulchre, they were born to The Life of Grace.

Later, The Great Ceremonies were Anticipated, being held first in the evening, and, subsequently, in the morning of Holy Saturday. They reveal a sudden change from sorrow to joy, and disclose certain anomalies which this notice helps to explain.


English: The Lateran Palace (on the Left)
beside the Basilica of Saint John Lateran.
Deutsch: Das Bild zeigt den Lateranspalast und das Seitenportal
der Lateransbasilika von der Piazza S. Giovanni-in-Laterano aus.
Italiano: Facciata laterale della Basilica di San Giovanni-in-Laterano,
con a sinistra il Palazzo Laterano
Photo: September 2004.
Source: Own work.
Author: Maus-Trauden
(Wikimedia Commons)


The Blessing Of The New Fire.

The Church, Blessing, as she does, all Elements of which she makes use for Divine Worship, made a practice of Blessing, every evening, The New Fire that was to provide the Light for The Office of Vespers. The Liturgy of Holy Saturday maintains this custom. She also Blesses The Five Grains of Incense, which are to be fixed in The Paschal Candle, the Offering of which to God will thenceforward be accepted as a sweet savour.

At a convenient hour, the Altars are covered with Linen Cloths, but the Candles are not lighted until the beginning of Mass, later on. Meanwhile, fire is struck from a flint, outside the Church, and the coals are kindled.

At the end of None, the Priest, Vested in Amice, Alb, Girdle, and Stole, to which he adds, if possible, a Violet Cope, accompanied by his Ministers, with Processional Cross, Holy Water and Incense, goes outside the Church Door, and Blesses The New Fire.

The Blessing Of The Paschal Candle.

The Celebrant goes up to the Epistle side of the Altar, and the Deacon, giving the Reed to an Acolyte, takes the Book and asks a Blessing of the Priest.

The Deacon then goes to the Lectern, puts down the Book and incenses it. At his Right-Hand, stand the Sub-Deacon, with The Cross, and the Thurifer; at his Left, the two Acolytes, one holding the Reed and the other the Vessel containing The Five Blessed Grains of Incense, to be set in The Paschal Candle.


The Cloisters.
Basilica of Saint John Lateran, Rome.
Photo: May 2005.
Source: Own work.
Author: Briséis
(Wikimedia Commons)


All rise and stand, as at the Gospel, and the Deacon sings the Exsultet, in which The Church expounds the beautiful symbolic meaning of The Paschal Candle. He sings of the night of happy memory, which witnessed the escape of The Children of Israel from Egypt, conducted by a Pillar of Fire illumined with The Splendour of Christ. When the Exsultet has been sung, the Deacon fixes The Five Blessed Grains of Incense in The Paschal Candle, in the form of a Cross.

The Prophecies.

After the Blessing of The Paschal Candle, the Deacon lays aside his White Dalmatic and puts on a Violet Stole and Violet Maniple. He then goes to the Celebrant, who, after laying aside his Cope, puts on a Violet Maniple and Violet Chasuble. The Prophecies are then chanted, by the Cantors, without any introduction, while the Priest, standing on the Epistle side of the Altar, reads them in a low voice.

The Reading of The Twelve Prophecies served the object, formerly, of a final Initiation of The Catechumens.


English: Cloisters of the Basilica of Saint John Lateran, Rome.
Italiano: Chiostro della Basilica di San Giovanni-in-Laterano, Roma.
Photo: October 2005.
Source: Flickr
Author: Ern
Reviewer: Mac9
(Wikimedia Commons)


The Blessing Of The Font.

In earlier times, the Clergy, at this point, went to The Baptistry of The Lateran, where The Sovereign Pontiff Blessed, by virtue of The Cross, the Water that was to be used for the Baptism. The Paschal Candle, which he dipped three times into it, recalled to mind the incident of The Baptism of Jesus in The River Jordan, whereby He Sanctified the Water and imparted to it the Power of Regeneration.

The Catechumens were then questioned, for the last time, on the Creed, were Baptised, and then Confirmed, and the White Garments, in which they were then clothed, became The Mystical Robe which entitled them to sit at The Holy Table and make their First Communion.

At the end of the Reading of The Prophecies, if there is a Baptismal Font in the Church, the Priest, who is about to Bless it, puts on a Violet Cope and, preceded by the Processional Cross, the Candelabra and the Lighted Blessed Candle, goes to the Font with his Ministers and the Clergy, while the Tract is sung.

The Litany Of The Saints.

As the Priest and his Ministers return to the Altar, after the Blessing of the Font, two Cantors begin to sing The Litany of The Saints.

At the Invocation, “Peccatores, te rogamus, audi nos”, the Priest and his Ministers go into The Sacristy, where they Vest in White Vestments for The Solemn Celebration of Mass. Meanwhile, the Candles are lighted on the Altar.


English: Basilica of Saint John Lateran, Rome.
With a length of 400 feet, the Basilica ranks fifteenth
among the World's largest Churches.
Français: Basilique Saint-Jean-de-Latran.
Avec sa longueur de 121,84 mètres,
cette Basilique se classe au 15è rang parmi
les plus grandes églises au monde.
Photo: September 2010.
Source: Own work.
Author: Tango7174
(Wikimedia Commons)


Mass And Vespers.

During the singing of The Litany of The Saints, the Neophytes re-entered the Church, and The Mass was begun, which inaugurated The Solemn Services of Easter (Secret). This Celebrates The Glory of The Risen Christ (Gospel), and that of the Souls who, through Baptism, have entered on a New Life, a pledge of their future resurrection (Epistle, Collect, Hanc igitur). Hence, the joyful Alleluia that is sung, the pealing of the Organ and the ringing of the Bells.

The Vespers, which follow The Communion, remind us of The Holy Women, who were the first to realise The Great Mystery of The Resurrection.

Let us show our gratitude to God for The Sacraments of Baptism, Confirmation, and The Holy Eucharist, which have made it possible for us to pass, with Jesus, from the Death of Sin to the Life of Grace.


The Pope's Seat.
Photo: October 2005.
Source: Flickr
Author: Ern
Reviewer: Mac9
(Wikimedia Commons)


At the end of The Litany of The Saints, the Cantors sing the Solemn “Kyrie eleison, Christe eleison, Kyrie eleison”, each Invocation being repeated thrice.

Meanwhile, the Priest, attended by his Ministers, all in White Vestments, goes to the Altar, recites the “Judica me”, adding the “Gloria Patri”, and makes the “Confiteor” in the usual way. Then, ascending the steps, he kisses the Altar, incenses it, and, as soon as the Choir have finished the “Kyrie eleison”, he intones the “Gloria in Excelsis Deo”; the Organ is played and the Bells are rung.

During The Mass, the “Agnus Dei” is omitted and, instead of a Communion Antiphon, the Choir sings Vespers.

During Vespers, the Chapter, Hymn and Verse are omitted.

During the “Magnificat”, the Altar is incensed, as at Solemn Vespers.


English: Saint James-the-Less.
Nave of the Basilica of Saint John Lateran, Rome.
Česky: Socha Sv. Jana Menšího z dílny
Angela de' Rossiho Lateránské baziliky v Římě, Itálie.
Photo: April 2011.
Source: Own work.
Author: Karelj
(Wikimedia Commons)


At The Dismissal, at the end of Mass, the Deacon, turning towards the people, says: “Ite Missa est, Alleluia, Alleluia”. This double Alleluia is added to the “Ite Missa est” until Easter Saturday, inclusive.

The Mass ends, as usual, with the "Placeat", The Blessing, and The Last Gospel.

Paschaltide.

Paschaltide, extending from Easter Sunday to Saturday after Pentecost, Commemorates The Three Glorious Mysteries:

The Resurrection of Our Lord (Celebrated during forty days);

His Ascension (Celebrated during ten days);

The Descent of The Holy Ghost (Celebrated during The Octave of Pentecost).

Therefore, the Doctrinal, Historical, and Liturgical, Notes for Paschaltide, in The Saint Andrew Daily Missal, will be given in Three Parts, respectively, before each one of:

The Feast of Easter;

The Feast of Ascension Day;

The Feast of Pentecost.

Friday, 2 April 2021

Make Holy Saturday Mean Something. Watch, Take Part, And Assist, At The Live-Stream Of Tenebræ (Gregorian Matins) For Holy Saturday.



The Tenebræ Booklet for Holy Saturday
is available for Download HERE

Watch, take part, and Assist,
at the Live-Stream of Tenebræ
(Gregorian Matins)
for Holy Saturday
at 1000 hrs (British Summer Time) at
 LIVE MASS.NET
and, also, on YouTube at 0900 hrs (British Summer Time) at
INSTITUTE OF CHRIST THE KING SOVEREIGN PRIEST

(Greenwich Mean Time = minus 1 hr)
(Eastern Daylight Time = minus 5 hrs)
(Central Time America = minus 6 hrs)

The Web-Site of The Institute of Christ The King Sovereign Priest
can be found HERE

The Web-Site of
Saint Mary's Shrine,
The Priestly Fraternity of Saint Peter,
Warrington, England,
can be found HERE

Altar Of Repose.



The Altar of Repose.
Church of Santa Maria dell'Orto,
Trastevere, Rome.

Santa Maria dell'Orto is a Roman Catholic Church in the Rione of Trastevere, Rome, Italy. It is the National Church of Japan in Rome.

The Church is set in the middle of the area that has been called the “Prata Mutia” (“Fields of Mutius”) since about 508 BC; it was here that the Etruscan King, Porsena, had made his encampment, and that later the Roman Senate donated to Mucius Scaevola as a sign of gratitude of Rome for his heroic actions.

The origins of the church are associated with a Miracle that is supposed to have happened circa 1488. A sick farmer, afflicted with a serious palsy according to oral history, was healed after Praying to an image of The Virgin Mary painted close to the entrance to his own Market Garden.

The event led to popular Worship for the painting, and subsequently a small Votive Chapel was erected, soon followed by a greater Church, funded by twelve Professional Associations (Università).

In 1492, Pope Alexander VI allowed the establishment of a Confraternity, and, in 1588 (with a Brief, dated 20 March), Pope Sixtus V declared it an Arch-Confraternity and bestowed on it the rare privilege of asking for the pardon of a person condemned to death, during its Titular Feast. During the 1825 Jubilee, it was honoured with the Title of Venerable.


As an Arch-Confraternity, it could attach other Confraternities, anywhere in the World; therefore, during the 1600 Jubilee – through a Notary Deed, dated 30 April – it was aggregated to The Confraternity of The Oratory of Nostra Signora di Castello, established in Savona, Italy, in 1260.

Construction was begun in 1489 by an unknown Architect and completed in 1567. Its façade is largely ascribed to Vignola (though sometimes attributed to Martino Longhi the Elder), while the Interior is by Guidetto Guidetti, a pupil of Michelangelo, who transformed the former Greek-Cross design (with four Apses) into a Latin-Cross structure with three Naves.

The Church houses Works of Art by the brothers Federico and Taddeo Zuccari, Corrado Giaquinto and Giovanni Baglione.

The Church is still guarded by the Arch-Confraternity of S. Maria dell'Orto, that, due to the seniority of its Papal Establishment, is the most ancient of The Confraternities Consecrated to The Holy Virgin still active in Rome, and one of the first overall.


Church of Santa Maria dell'Orto,
Trastevere, Rome.
Photo: 17 January 2016.
Source: Own work.
(Wikimedia Commons)

Good Friday.



Illustration: CATHOLIC VOTE

Good Friday. Jesus Is Laid In The Sepulchre.



(1602–1603).
Italiano: La Deposizione di Cristo.
Artist: Caravaggio.
Current location: Pinacoteca VaticanaRome.
Photo: May 2010.
Source: Own work.
Author: Lafit86.
(Wikimedia Commons)

Good Friday.



“Pietà”.
Artist: William-Adolphe Bouguereau (1825–1905).
Date: 1876.
This File: 24 February 2007.
User: Juanpdp.
(Wikimedia Commons)

From Italian “Pieta”, from Latin “Pietatem” (see “Piety”).
A painting, drawing, or sculpture of Mary,
The Mother of Jesus, holding the dead body of Jesus.
The word “Pieta” means “Pity” in Italian.

Good Friday. “Stabat Mater”.





Illustration: CARMEL, GARDEN OF GOD

“Stabat Mater” (The Mother Stood)
Is “The Sequence” For
The Mass Of 15 September,
“The Mass Of The Seven Sorrows
Of The Blessed Virgin Mary”.

It Recounts The Blessed Virgin Mary’s
Heartbreak On Good Friday,
When Standing At
The Foot Of The Cross,
Whilst Her Son, Jesus Christ,
Hung On That Infamous Gibbet.



“Stabat Mater”.
Sung by Emma Kirkby.
Available on YouTube at

Ave Maria. Olga Szyrowa (Soprano). 2004. Pasja / The Passion Of The Christ. “How Not To Love You, Maria” (Diana Navarro - “Mare Mine”. In Latin And Spanish).



Illustration:


"The Passion Of The Christ".
Available on YouTube at


“Ave Maria”.
Olga Szyrowa (Soprano).
Pasja / The Passion of the Christ.
2004.
Available on YouTube at



The Most Beautiful “Ave Maria” I've Ever Heard.
(Michal Lorenc, 1995).
Available on YouTube at

“Ave Maria”.
Olga Szyrowa (Sopran) (M.Lorenc) ścieżka dźwiękowa z film -
Prowokator Fragmenty z filmu Mela Gibsona - Pasja / Passion of the Christ, The (2004).

“Ave Maria”.
Sung by the Russian opera singer, Olga Szyrowa.
The soundtrack comes from the Polish Movie, “Prowokator” (1995).
Composer of all music for the Movie is Michał Lorenc.


“How Not To Love You, Maria”.
(Diana Navarro - “Mare Mine”, in Latin and Spanish).
Available on YouTube at


Pasja Miłości - Beata Bednarz
zdjecia z filmu " PASJA "
Available on YouTube at

Good Friday.



“Compassion !”.
Artist: William-Adolphe Bouguereau (1825–1905).
Date: 1897.
Current location: Musée d'Orsay, Paris, France.
(Wikimedia Commons)

Good Friday.



Mary Magdalene
at the foot of The Cross.
Illustration: BEING IS GOOD

Good Friday. Christ Leaving The Prætorian Palace To Receive His Holy Cross.



English: Christ leaving The Prætorian Palace to receive His Holy Cross.
Français: Le Christ quittant le prétoire, huile sur toile.
Artist: Gustave Doré (1832–1883).
Date: 1867-1872.
Current location: Musée d'art moderne et contemporain de Strasbourg, France.
Source: Own work (photo or scan: Ji-Elle).
Author: Gustave Doré (1832–1883).
(Wikimedia Commons)

Good Friday. The Scourging At The Pillar.



The Flagellation Of Our Lord Jesus Christ
(The Scourging At The Pillar).
Date: 1880.
Artist: William-Adolphe Bouguereau (1825-1905).
This File: 24 April 2005.
User: Thebrid
(Wikimedia Commons)

Good Friday. “Ecce Homo”. “Behold The Man”.



“Ecce Homo”.
“Behold The Man”.
Artist: Antonio Ciseri (1821–1891).
Date: 1860-1880.
Source: http://www.most-famous-paintings.org/Ecce-Homo-large.html
Author: Antonio Ciseri (1821–1891).
(Wikimedia Commons)

Good Friday. Lenten Station At The Basilica Of The Holy Cross-In-Jerusalem.





Text from The Saint Andrew Daily Missal,
unless otherwise stated.

Good Friday.

Station at The Basilica of The Holy Cross-in-Jerusalem.

Indulgence of 30 Years and 30 Quarantines.

Double of The First-Class.

Black Vestments.



English: Basilica of The Holy Cross-in-Jerusalem, Rome.
Italian: Basilica di Santa Croce-in-Gerusalemme.
Latin: Basilica Sanctæ Crucis-in-Hierusalem.
One of the masterpieces of "Barochetto Romano"
by Pietro Passalacqua and Domenico Gregorini, from 1743.
Photo: February 2006.
Author: Anthony M. from Rome.
(Wikimedia Commons)


The Lenten Station is at the Basilica, which, in Rome, represents Jerusalem, whose name it bears. It is Consecrated to Our Redeemer's Passion and contains earth from Calvary, some important fragments of The True Cross, and one of The Nails used in The Crucifixion of Our Lord.

On this day, the Anniversary of Our Saviour's Death, The Church gives her Temples an appearance of Desolation, and clothes her Ministers in the Garb of Mourning.

The Mass Of The Catechumens.

The first part of today's Liturgy recalls the gatherings that took place in the Synagogues on the Sabbath Day. The first Christian communities, composed as they were of convert Jews, took these assemblies as their model, at the same time subjecting them to necessary modifications, especially by early associating them with The Liturgy of The Eucharistic Sacrifice.


“The Virgin presents Saint Helena and Emperor Constantine to The Trinity”.
The Ceiling in Santa Croce-in-Gerusalemme, Rome.
Painting by Corrado Giaquinto, from 1744.
Photo: February 2006.
Author: Anthony M. from Rome.
(Wikimedia Commons)


It is in The Mass of The Catechumens, that these are told that the Mercies of God are soon to descend on The Christian People, just as chastisement will fall on the faithless nations, Ephraim and Juda; for, at the very moment when the multitude of The Children of Israel will be offering the Paschal Lamb (Second Lesson), the Jews will be putting to death The Lamb of God on The Cross. This Death is described for us in The Story of Our Lord's Passion according to Saint John.

None having been said “In Choir” (“In Choro”), The Celebrant and The Sacred Ministers, in Black Vestments and without Lights or Incense, come before the Altar, where they prostrate themselves and Pray for some moments.

Meanwhile, the Acolytes spread a single Altar-Cloth upon the Altar. The Celebrant and the Ministers, having finished Praying, go up the steps to the Altar, which the Celebrant kisses, as usual, in the middle, afterwards going to the Epistle side. After this, a Reader, in the place where the Epistle is read, begins The First Lesson in The Tone of The Prophesies.


Portrait of Pope Urban VIII.
Artist: Gian Lorenzo Bernini (1598–1680).
Date: Circa 1625.
Current Location: Galleria Nazionale d'Arte Antica, Rome.
Note: Housed in the Salon of Pietro da Cortona of the Palazzo Barberini. Source/Photographer: Villas et palais de Rome de Carlo Cresti et Claudio Rendina, photographies de Massimo Listri, traduction de l'italien par Jean-Philippe Follet. Paris:Mengès, novembre 1998, p. 308.
(Wikimedia Commons)

Pope Urban VIII (Papacy 1623 - 1644).
A large piece of The Cross was taken from Santa Croce-in-Gerusalemme, Rome,
to Saint Peter's Basilica, on the instructions of Pope Urban VIII, in 1629.


The Passion Of Our Lord
According To Saint John.

The drama of The Passion is universal and, in one sense, will end only with The World, itself, for all men, by their sins, have taken a share in The Death of Christ. Jesus was bound to triumph through those very atoning sufferings, by which He became The Victim of every passion which shall agitate The Human Race until The End of The World.

For He has atoned for the pride of those who share the Hatred of Truth, which turned the Jews into murderers: The Avarice of those who are possessed by the demon of greed, which drove Judas to sell his Master; the lust of all who indulge in sensual delights, like Herod, who mocked Jesus and sent Him back to Pilate; the cruelty of those who love to cause suffering, like the Soldiers who struck Our Lord and insulted Him; and the cowardice of all who leave the path of duty, like The Apostles, who forsook Him, to Whom they owed everything.

Our Lord's Passion is the whole of humanity, hurling itself upon its Divine Healer, and yet cured by Him; yet, also, it is The Anointed of God, The King of Martyrs, Who, in face of all the generations who persecute Him, and before The Whole World, offers to His Father a Supreme Token of Submission, that of Blood, itself.

Christ on The Cross ! What a model of death to all our sins, of resistance to every temptation, of warfare against all evil-doers, and of the testimony which we, in our turn, ought to render to God, even, if necessary, at the cost of our very life.


English: Coat-of-Arms of Pope Urban VIII.
Français: Armoiries du pape Urbain VIII:
d'azur à trois abeilles d'or posées 2 et 1.
Source du blasonnement:
Date: August 2008.
Source: Own work.
Author: Odejea
(Wikimedia Commons)


The Solemn Prayers.

In the second part of today's Liturgy, we have a relic of Prayers which were also a feature of the primitive gatherings previously mentioned. Of these Prayers, the only trace existing in The Roman Mass is the Oremus, said before The Offertory.

These Liturgical Prayers show us that the effects of Our Lord's Death extend to all necessities of The Church and of The Human Race. They even foresee The Conversion of The Deicide Race, who will one day recognise that Jesus is The Messias.


Imaginary portrait of Pope Gregory I.
(After Carlo Saraceni (1579–1620))
or Workshop of Carlo Saraceni
Date: Circa 1610.
Current Location: Galleria Nazionale d'Arte Antica, Rome.
Source/Photographer: Galleria Nazionale d'Arte Antica, Rome.
This Image: July 2007.
User: Helix84
(Wikimedia Commons)

Pope Gregory I (Papacy 590 A.D. - 604 A.D.).
Ordered the construction of the Basilica's Museum.


The Adoration Of The Cross.

This Ceremony owes its origin to a custom which prevailed at Jerusalem in the 4th-Century A.D., of Venerating, on this day, The Wood of The True Cross. Meanwhile, the Improperia, or "Tender Reproaches" of Christ to His people, to whom He had done nothing but good, were sung in Greek, which language was still partly in use in The Mass of every day.

When the Prayers are finished, the Celebrant takes off the Chasuble and he unveils The Cross, singing the words: "Ecce Lignum Crucis" ("Behold The Wood of The Cross"). Thence begins The Adoration of The Cross, by the Celebrant, Ministers and the people, during which The Choir sing "The Reproaches".

The Mass Of The Pre-Sanctified.

Good Friday, being The Anniversary of Our Lord's Death, there stands out before the whole World the Blood-Stained Throne of The Cross, from which The God-Man Reigns. The Church does not Celebrate The Holy Mass, which is The Memorial of That Of The Cross; she contents herself with consuming The Sacred Species, previously Consecrated; which, in The Greek Rite, is the daily practice during Lent, except on Saturdays and Sundays. From this, comes the name "Mass of the Pre-Sanctified", since The Offerings are Sanctified (Consecrated), previously.

Vespers For Good Friday.

There follows Vespers, which are the same as for Vespers on Maundy Thursday.

Thursday, 1 April 2021

Make Good Friday Mean Something To You. Watch, Take Part, And Assist, At The Live-Stream Of Tenebræ (Gregorian Matins) For Good Friday.



Watch, take part, and Assist,
at the Live-Stream of Tenebræ
(Gregorian Matins)
for Good Friday.

At 0900 hrs (British Summer Time)
(Greenwich Mean Time = minus 1 hr)
(Eastern Daylight Time = minus 5 hrs)
(Central Time America = minus 6 hrs)

Direct from The Institute of Christ The King, Sovereign Priest.
The Church of Saints Peter and Paul, and Saint Philomena,
New Brighton, The Wirral, Merseyside, England.

The Web-Site of
The Church of Saints Peter and Paul, and Saint Philomena,
can be found HERE

Maundy Thursday. The Denial Of Saint Peter.



English: The Denial of Saint Peter.
Polski: Zaparcie się św. Piotra.
Artist: Caravaggio (1573–1610).
Date: Circa 1610.
Current location: Metropolitan Museum of Art,
New York City, U.S.A.
Source/Photographer: Scan.
Photo: May 2011.
User: Masur.
(Wikimedia Commons)

Maundy Thursday. The Taking Of Christ In The Garden Of Gethsemane.



English: The Taking of Christ.
Deutsch: Die Festnahme Christi.
Artist: Caravaggio (1573 - 1610).
Date: Circa 1598.
Current location: National Gallery of Ireland, Dublin, Ireland.
Notes: English: Also known as "The Judas Kiss".
Notes: Deutsch: Auch bekannt als „Der Judaskuss“.
Es existieren mehrere zeitgenössische Kopien des Werkes, unter
Anderen die in Odessa befindliche und zwischenzeitlich gestohlene
Source/Photographer: Web Gallery of Art
(Wikimedia Commons)

Caravaggio's application of the chiaroscuro technique shows through on the faces and armour, notwithstanding the lack of a visible shaft of light. The figure on the extreme Right is a self-portrait.
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