Notre Dame de Rouen. The façade of the Gothic Church in France. Photographer: Hippo1947. Licence: SHUTTERSTOCK.

24 March, 2026

The Feast Of The Archangel Gabriel. Feast Day, Today, 24 March. White Vestments.

 

Text is taken from The Saint Andrew Daily Missal,
unless stated otherwise.

Saint Gabriel.
   Archangel.
   Feast Day 24 March.

Greater-Double.

White Vestments.


Polyptych of The Resurrection:
The Archangel Gabriel.
Artist: Titian (1490–1576).
Date: 1522.
Current location: Santi Nazaro e Celso, Brescia, Italy.
Source/Photographer: Web Gallery of Art
(Wikimedia Commons)


Illustration: SACRAMENTALS

Happy Feast of The Archangel Gabriel.

Saint Gabriel was sent to Daniel to enlighten him as to the 
time when Christ would be born (Epistle), and to Zachary, at the hour in which he offered Incense in the Temple (Offertory), to announce to him the birth of John the Baptist, the Precursor of The Messias (Gospel).

“Only Gabriel, a name that means “Power of God”, was 
found worthy among all the Angels,” says Saint Bernard, 
“to announce to Mary the designs of God with regard to her” (Matins). “He was chosen from among all the Angels,” says 
the Collect, “to proclaim The Mystery of The Incarnation.”

With a feeling of Holy Reverence, Saint Gabriel came to 
The Virgin, who, from Eternity, had been chosen to be The Mother on Earth of Him, of Whom God is The Father in Heaven. In the words inspired by The Most High, and which The Church desires us to repeat frequently, he said to her: “Hail, Full of Grace, The Lord is with thee: Blessed art thou among women.” [As Saint Thomas Aquinas said of The Blessed Virgin Mary: “She, who stands on The Threshold of Divinity.”]


And, seeing that Mary was taken aback by this salutation, 
the Angel explained that he had come to obtain her consent, her Fiat, that the Great Mystery on which depended the Redemption of Mankind might be accomplished. “I am Gabriel, who stands before God, and I have been sent to speak to thee and to tell thee these good tidings” (Matins).

It was Mary’s wish to remain a Virgin, and the Angel of The Lord announced that she would conceive of The Holy Ghost and that she would give birth to a Son, to Whom she would give the name of Jesus, that is to say, “Saviour”.

Mary, then, without hesitating, submitted with the most profound humility: Behold The Handmaid of The Lord: Be it done to me according to Thy word.


And, in that instant, was accomplished the greatest of all Miracles, when God raised unto Himself and into union with Him, The Blessed Fruit of The Womb of The Virgin: “And The Word was made flesh and dwelt among us.” The Word took upon Him our humanity, our poverty, our nothingness, and gave us in return His Divinity.

The Angel then returned to Heaven.

“Having learned, by the mouth of Gabriel, The Incarnation 
of The Word, may it be given to us to obtain, by his help, the fruits of that same Incarnation” (Postcommunion).

Pope Benedict XV (Papacy 1914-1922) extended the Feast of Saint Gabriel to the whole Church.

Mass: Benedícite Dóminum.
Commemoration: Of the Feria.
Creed: Is said.
Last Gospel: Of the Feria.

Tuesday In Passion Week. The Lenten Station Is At Saint Cyriacus. (The Basilica Of Santa Maria-In-Via-Lata). Violet Vestments.



Peterborough Cathedral.
© Chel@SweetbriarDreams
www.sweetbriardreams.blogspot.co.uk




Text from The Saint Andrew Daily Missal,
unless otherwise stated.

Tuesday in Passion Week.

Station at Saint Cyriacus.

Indulgence of 10 Years and 10 Quarantines.

Violet Vestments.



English: Basilica of Santa Maria-in-Via-Lata.
Italiano: Santa Maria-in-Via-Lata.
Photo: December 2006.
Source: Own work.
Author: Lalupa
(Wikimedia Commons)




The Church, today, unites the memory of a Martyr with that of The Passion of Jesus, in making The Lenten Station in The Church of The Holy Deacon, Cyriacus, Martyred, under Emperor Diocletian, at The Gates of Rome.

This Church, one of the twenty-five Parish Churches of Rome in the 5th-Century A.D., having been destroyed by fire, the body of The Holy Martyr was Translated to beneath The High Altar of Santa Maria-in-Via-Lata, which became The Place of Assembly for this day.

The Epistle and Gospel tell us of the approaching Passion of The Messiah and of The Rejection of Israel, who are replaced by The Gentiles in The Church.

“Daniel, who has destroyed Bel and slain the Dragon” (Epistle), is Jesus, Who denounces the crimes and sins of the World (Gospel). The Babylonians sought to destroy the Prophet, by throwing him as food to the hungry lions. The Jews, also, “sought to kill Jesus” and, for this dark design, “their hour is always at hand”.


Basilica of Santa Maria-in-Via-Lata.
Photo: 26 March 2014.
Source: Own work.
(Wikimedia Commons)




But, like Daniel, full of fortitude, He awaits The Lord (Introit), and God, “Who does not abandon those who love and seek Him” (Epistle, Offertory), “delivers Him from unjust men and from all the ills that threaten Him” (Gradual, Communion).

“Those who had wished to destroy Daniel were themselves thrown to the lions and devoured instantly” (Epistle). In the same way, the Deicide Nation suffered the penalty of its crime. Forty years later, Jerusalem was taken, by The Roman Legions, after five long months of famine.

Fearing the chastisements of Divine Justice, let us persevere in the expiatory practice of Fasting, in order that we may be made worthy of The Eternal Reward accorded to The Just (Collect).

Mass: Exspécta Dóminum.
Preface: Of The Holy Cross.


English: Engraving of Saint Cyriacus
(Santa Maria-in-Via-Lata).
Italiano: Santa Maria-in-Via-Lata.
Engraver: Giuseppe Vasi (1710-1782).
Author: Giuseppe Vasi (1710-1782).
(Wikimedia Commons)


English: Santa Maria-in-Via-Lata.
Italiano: Sancta Maria-in-Via-Lata.
Photo: 20 June 2010.
Source: Own work.
Author: Lalupa
(Wikimedia Commons)

The following Text is from Wikipedia - the free encyclopædia.

Santa Maria-in-Via-Lata is a Church on the Via del Corso (the ancient Via Lata), in Rome. It stands diagonally across from the Church of San Marcello-al-Corso.

It is claimed that Saint Paul spent two years here, in the Crypt under the Church, whilst under House Arrest awaiting his trial.


English: The Church of Santa Maria-in-Via-Lata.
Italiano: Chiesa di Santa Maria in Via LataRoma.
Facciata di Pietro da Cortona
Photo: 17 October 2005.
Source: Flickr https://www.flickr.com/
Author: Anthony Majanlahti.
(Wikimedia Commons)




The first Christian place of worship here was a 5th-Century A.D. Oratory, in the Roman building beneath the present Church. This was constructed within the remains of a large Roman warehouse, some 250 metres long, which has also been excavated.

The Church’s Upper Level was added in the 9th-Century A.D., and murals added to the Lower Level between the 7th- and 9th-Centuries A.D., (these have been detached for conservation reasons). The Cosmatesque pavement from this phase survives.

The Church’s 13th-Century icon of The Virgin Advocate, is said to have performed many Miracles. The Arcus Novus (an Arch erected by Emperor Diocletian in 303 A.D. - 304 A.D.), which stood on this site, was destroyed by rebuilding of the Church in the Late-15th-Century. Antonio Tebaldeo, poet and friend of Raphæl, was buried at the end of the North Aisle in 1537, though his tomb was designed in 1776.


“The Virgin Advocate”,
Church of Santa Maria-in-Via-Lata.
Photo: Google Images and cryptavialata.it




The Church was renovated in 1639 by Cosimo Fanzago, but the façade, with its Corinthian Columns imposing vertical emphasis, was completed (1658-1660) by a design from Pietro da Cortona. He appears to evoke a Triumphal Arch in the façade.

The High Altar’s “Madonna Advocata” (1636) is one of the few paintings in Churches attributed to Bernini (perhaps by Santi Ghetti).

The Ciborium in the Apse is made from alabaster and lapis lazuli. The first excavations of the site also occurred at this date, as commemorated by a Relief in the Crypt by Cosimo Fancelli. The families of Joseph and Lucien Bonaparte were buried here in the 18th-Century.


English: The Nave,
Santa Maria-in-Via-Lata.
Deutsch: Innenraum der Kirche.
Photo: 6 February 2011.
Source: Own work.
(Wikimedia Commons)



The first Altarpiece is a Martyrdom of Saint Andrew (1685), by Giacinto Brandi, while the second Altarpiece is of Saints Giuseppe, Nicola, and Biagio, by Giuseppe Ghezzi. In the Chapel, to the Left of the Apse, is a Madonna with Child and Saints Cyriac and Catherine, by Giovanni Odazzi.

The second Altar, on the Left, has a Saint Paul Baptising Sabine and Children, by Pier Leone Ghezzi, while the first Altarpiece is a Virgin and Saints, by Pietro de Pietri.



Our Lady Of The Atonement Cathedral,
Baguio, Philippines.
Photo: 29 March 2024.
Source: Own work.
This File is made available under the
Author: Galaxiaria
(Wikimedia Commons)



Wells Cathedral.
Photo: August 2006.
Source: Own work.
This File is licensed under the
Author: Steinsky
(Wikimedia Commons)

23 March, 2026

Matthew Bridges (14 July 1800 – 6 October 1894). British-Canadian Hymnodist.



“My God Accept My Heart This Day”.
Catholic Hymn.
Available On YouTube

Matthew Bridges (14 July 1800 – 6 October 1894) was a British-Canadian Hymnodist and author of “My God Accept My Heart This Day”.[1]

Bridges was born in Essex, England, on 14 July 1800, the youngest son of John Bridges of Maldon, Essex, and brother of the Rev. Charles Bridges, a Priest of the Church of England. 

He matriculated at Magdalen Hall, Oxford in 1831.[1][2]

Matthew Bridges’ career as an author began with his poem, “Jerusalem Regained”, at the age of twenty-five in 1825. 

Although in his early life Bridges (who was raised in a Church of England environment) was sceptical of Roman Catholicism, as evidenced by his 1828 book “The Roman Empire Under Constantine The Great”, the influence of Saint John Henry Cardinal Newman led him to convert to Roman Catholicism in 1848 at the age of forty-eight, a Faith to which he adhered for the remaining four-and-a-half decades of his life.[1]

Later in life, Bridges lived for a time in Quebec, Canada, but returned to England and died in Sidmouth, Devon, on 6 October 1894 at the age of ninety-four.[1] 

He is buried there in the Cemetery of the Convent of the Assumption.[3]

Lenten Array.




originally uploaded by Vitrearum (Allan Barton).

The Lady Altar in the Tame Chapel, at Fairford, in Gloucestershire, has a Reredos of 1913, by Geoffrey Webb, covered during Lent with Lenten Array.

The Reredos Veil is decorated with a Central Rood Group,
in Grisaille, with Ox-Blood Stencilling around it.

The Tabernacle containing the image of Our Lady, that
forms an Upper Level of the Reredos, is enclosed with
doors and the backs of the doors are also Stencilled.

Sadly, these seem to be the extent of the surviving
Lenten Array; the Blue Frontal (Editor: Antependium)
remains in place during Lent, as does the very
Festal Dorsal with its Armorial embroidery.

Consequently the Lenten Veiling rather loses its impact.

Text and Illustration: MEDIEVAL CHURCH ART

“Extraordinary Faith”. Westminster Cathedral. The Rosary Crusade.



“Extraordinary Faith”.
Available on YouTube

In this first of four episodes filmed in London, England, 
Canon Christopher Tuckwell, Administrator of Westminster Cathedral, explains the many ministries offered by 
London’s largest Church. 

Former Cathedral Communications Director, Dylan Parry, who has since gone on to join The Norbertines, tells us about the Agatha Christie Indult, by which Pope Saint Paul VI granted permission for the Traditional Mass to continue to be Celebrated in England and Wales in 1971. 

The Cathedral Master of Music, Martin Baker, invites us to a rehearsal of the Boys Choir, which sings a full Choral Mass setting every day of the year, possibly unique in the World. 

We take part in The Rosary Crusade, an annual October 
event in which over 2,000 Londoners give witness to 
their Catholic Faith by processing on a Saturday from 
Westminster Cathedral to the London Oratory.

Oh, Be Still My Heart. I Thought I Was In Heaven.



Плотію Почаївський напів.
«Плотію» - Почаївський напів Диригент: Євген Савчук Національна заслужена академічна капела України "Думка". Святковий концерт у Римі на честь Папи Венедикта XVI та отців Папського Синоду відбувся з нагоди всенародної прощі до Собору святої Софії (Рим, 13 -15 жовтня 2012). В цих днях Патріярх Святослав освятив відновлений Собор Святої Софії, а в стінах Українського Католицького Університету святого Климентія Папи відбулася наукова конференція.
Available on YouTube

A festive Concert in Rome in honour of Pope Benedict XVI 
and the fathers of the Pontifical Synod took place on the occasion of the national Pilgrimage to the Hagia Sophia (Rome, 13 October 2012). 
Patriarch Svyatoslav Consecrated the restored Saint Sophia Cathedral, and a scientific conference was held in the walls of the Ukrainian Catholic University of Pope Saint Clement.


This extraordinary version of The Exapostilarion of Easter, is here performed in a concert given in Rome in October of 2012 by the National “Dumka” Choir, which is very famous in Ukraine, conducted by Yevgeny Savchuk.

This particular Chant comes from the Tradition of 
The Monastery of The Holy Dormition in Pochayiv, 
about 85 miles to the East of Lviv.

This Article is from NEW LITURGICAL MOVEMENT
By: GREGORY DIPIPPO.

Monday In Passion Week. Lenten Station At The Basilica Of Saint Chrysogonus. Violet Vestments.



Peterborough Cathedral.
© Chel@SweetbriarDreams
www.sweetbriardreams.blogspot.co.uk


Text from The Saint Andrew Daily Missal,
unless otherwise stated.

Monday in Passion Week.

Station at Saint Chrysogonus.

Indulgence of 10 Years and 10 Quarantines.

Violet Vestments.


Basilica of Saint Chrysogonus,
Trastevere, Rome.
Photo: September 3006.
Source: Own work.
Author: Lalupa
(Wikimedia Commons)




The Lenten Station is at Saint Chrysogonus-in-the-Trastevere. Under the High Altar of this Church, one of the twenty-five Parish Churches of Rome in the 5th-Century A.D., rests the body of this Holy Martyr, a victim of the Diocletian Persecution. His name is mentioned in the Canon of the Mass.

Among the previous Cardinal Priests, from 1853 until 1878, was Vincenzo Gioacchino Raffaele Luigi Pecci, who was subsequently elected Pope Leo XIII.

To encourage the Public Penitents, and ourselves, likewise to persevere in the austerities of Lent, The Church reminds us, in the Epistle, of the pardon granted to the Ninivites, who, moved by the voice of Jonas, Fasted and covered themselves with Ashes for forty days.


Pope Leo XIII was a previous Cardinal-Priest of the Basilica of San Crisogono. Photogram of the 1896 film, “Sua Santitá Papa Leone XIII”, the first time a Pope appeared in a movie. This image was copied from wikipedia:de
The original description was: Papst_Leo_XIII. um ca. 1898.
Public Domain. Library of Congress
This File: March 2006.
User: Crux.
(Wikimedia Commons)



With regard to the Catechumens, how sweet must have been their hope on hearing, in the Gospel, the promises of The Divine Master. Faith is about to draw from their Souls streams of living waters, springing from The Holy Spirit, Who will enter their Souls when they are Baptised.

The Jews, on the contrary, far from listening to Him, of whom Jonas was a figure, sought to lay hands on Jesus, Whom they are shortly to put to death. Jesus, in predicting it to them, announced to them His Triumph and their reprobation: “Yet a little while, and I go to My Father, and thither you cannot come.”

Let us ask “God to sanctify our Fasts and mercifully grant us the pardon of our sins” (Collect), so that “we may always enjoy health of Soul and body” (Prayer over the people).

Mass: Miserére mihi.
Preface: Of The Holy Cross.


Basilica of San Crisogono, Rome.
Photo: December 2006.
Source: Own work.
Author: Lalupa
(Wikimedia Commons)




The following Text is from Wikipedia - the free encyclopædia.

San Crisogono is a Basilica Church in Rome (rione Trastevere) Dedicated to the Martyr, Saint Chrysogonus.

The Church was one of the Tituli, the first Parish Churches 
of Rome. It was most probably built in the 4th-Century A.D. under Pope Sylvester I (314 A.D. – 335 A.D.), rebuilt in the 12th-Century by John of Crema, and, again, by Giovanni Battista Soria, funded by Scipione Borghese, in the Early-17th-Century.

The area beneath the Sacristy was investigated by
Fr. L. Manfredini and Fr. C. Piccolini in 1907. They found remains of the first Church (see, below).


Photo: July 2011.
User: Adam sk
At Sant’Apollinare Nuovo, Ravenna.
(Wikimedia Commons)




The Church is served by the Trinitarians. Among the previous Cardinal-Priests was Vincenzo Gioacchino Raffaele Luigi Pecci (Cardinal-Priest from 1853–1878), who was subsequently Elected Pope Leo XIII.

Art and Architecture.

The Bell Tower dates from the 12th-Century. The interior of the Church was rebuilt in the 1620s, on the site of a 12th-Century Church. The twenty-two granite Columns, in the Nave, are recycled antique Columns. The floor is Cosmatesque, but most of it is hidden by the Pews. The High Altar is from 1127, with a Baldacchino from the Early-17th-Century by Gian Lorenzo Bernini.


English: The Baroque Coffered-Ceiling
with a centre painting by Guercino.
Italiano: San Crisogono. Soffitto a lacunari
con stemmi del cardinale Scipione Borghese.
Photo: March 2007.
User: Lalupa
(Wikimedia Commons)



The painting, in the middle of the Baroque Coffered-Ceiling, is by Guercino, and depicts the Glory of Saint Chrysogonus. It is likely a Copy, in which case the original was taken to London, but it might also be vice versa.

On the Left Side of the Nave, is the Shrine of Blessed Anna Maria Taigi. She was buried here in the Habit of a Tertiary of the Trinitarians. Some of her belongings are in the adjacent Monastery, where they are kept as Relics.

The Monument at the Left of the Entrance, Dedicated to Cardinal Giovanno Jacopo Millo, was completed by Carlo Marchionni and Pietro Bracci. Along the Right of the Nave are the fresco remains, including a Santa Francesca Romana and a Crucifixion, attributed to Paolo Guidotti and Transferred from the Church of Saints Barbara and Catherine. The Nave also contains a painting of Three Archangels, by Giovanni da San Giovanni.


English: Cosmatesque floor.
Basilica of Saint Chrysogonus.
Italiano: Basilica di san Crisogono
in Trastevere: pavimento cosmatesco.
Photo: December 2006.
User: Lalupa
(Wikimedia Commons)



The Nave has a “Trinity and Angels” by Giacinto Gimignani, while the Altar has a “Guardian Angel” by Ludovico Gimignani. The Presbytery and Ciborium are surrounded by four alabaster Columns; a Work by Soria. The Apse has frescoes of the Life of Saint Crisogono (16th-Century) and, below, Madonna and Child with Saints Crisogonus and James, by the 12th-Century School of Pietro Cavallini. The Presbytery Vault is frescoed with a depiction of Our Lady, by Giuseppe Cesari.

Excavations.

Remains from the first Church, possibly from the Reign of Emperor Constantine I, and earlier Roman houses, can be seen in the lower parts, reached by a staircase in the Sacristy. The ruins are confusing, but you can easily find the Apse of the old Church, and you can see the remains of the Martyr’s Shrine in the middle of the Apse wall.

On either side of the Apse, are rooms known as “Pastophoria”, Service rooms of a type uncommon in The West. but normal in Eastern Churches. The one on the Right-Hand Side is thought to have been used as a “Diaconium”, with functions resembling those of the Sacristy in later Churches. The other would probably have been a “Protesis”, where Holy Relics were kept.


Mosaic of Virgin and Child, with Saint Chrysogonus (Left) and Saint James the Greater (Right). Church of San Crisogono.
Photo: July 2011.
User: Adam sk
(Wikimedia Commons)




A number of Basins were found during the excavations, including one cut into the South Wall. As the plan is so atypical of Early-Roman Churches, some believe that the structure originally had a different function, and the presence of the Basins could mean that it was a “Fullonica”, a Laundry and Dye-House. The area was a commercial district at the time, so this is quite likely.

Others think that the Basin in the South Wall was made for Baptism by immersion. As there were other Basins, too, it seems more likely that it was originally intended for a different use, but it may well have been used as a Baptismal Font, after the building had been Consecrated as a Church.


Liturgy.

The paintings are from the 8th-Century A.D. to the 11th-Century, and include Pope Sylvester capturing the dragon, Saint Pantaleon healing the blind man, Saint Benedict healing the leper and the rescue of Saint Placid

Several Sarcophagi have been preserved, some beautifully decorated. Below the first Church, are remains of Late-Republican houses.

The Feast Day of Saint Chrysogonus, 24 November, is also the Dedication Day of the Church in Rome.

Pilgrims and other Faithful, who attend Mass in this Church on this day, receive a Plenary Indulgence.



Saint Peter’s Italian Church,
Clerkenwell, London.
This London Church is modelled on
the Basilica of Saint Chrysogonus, Rome.


Saint Peter’s Italian Catholic Church,
Camberwell, London.
Italian Church Choir.
Sung Latin Mass.
1100 hrs, Sundays.
Available on YouTube

The following three paragraphs are taken from the Web-Site of Saint Peter’s Italian Catholic Church, Camberwell, London, at SAINT PETER'S ITALIAN CHURCH

Saint Peter’s Italian Church, in Clerkenwell, London, has been described as “one of the most beautiful Churches in London”.

Opened in 1863, it was, at the time, the only Church in 
Britain designed in the Roman Basilican Style. The Irish Architect, John Miller Bryson, worked from Plans drawn by Francesco Gualandi of Bologna, modelled on the Basilica 
of San Crisogno, in Rome.

It has a tranquil feel and one could spend hours there, 
soaking up the Prayerful atmosphere and admiring the stunning Painted Ceilings and Artwork.




The following Paragraphs are taken from 
THE DAILY CONSTITUTIONAL

Saint Peter’s Italian Church, London, is modelled on the Basilica of San Crisogono in Rome; Saint Peter’s Italian Church was consecrated as “The Church of All Nations” in 1863. 

This moniker is reflected in not only the Italian Congregation (2000-strong by the 1850s), but in its Irish architect, John Miller-Bryson, as well as the addition of Polish-speaking Priests back in the 1870s.

The Church in London was Founded by Saint Vincent Pallotti, the Roman Catholic Priest remembered in one of the Church’s icons.


“The Mass Of The Foundation Of The Trinitarian Order”.
Artist: Juan Carreño de Miranda.
Illustration: LOUVRE




Our Lady Of The Atonement Cathedral,
Baguio, Philippines.
Photo: 29 March 2024.
Source: Own work.
This File is made available under the
Author: Galaxiaria
(Wikimedia Commons)



Wells Cathedral.
Photo: August 2006.
Source: Own work.
This File is licensed under the
Author: Steinsky
(Wikimedia Commons)
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