Notre Dame de Rouen. The façade of the Gothic Church in France. Photographer: Hippo1947. Licence: SHUTTERSTOCK.

Thursday 13 April 2017

Maundy Thursday. The Denial Of Saint Peter.




English: The Denial of Saint Peter.
Polski: Zaparcie się św. Piotra.
Artist: Caravaggio (1573–1610).
Date: Circa 1610.
Current location: Metropolitan Museum of Art,
New York City, U.S.A.
Source/Photographer: Scan.
Photo: May 2011.
User: Masur.
(Wikimedia Commons)

Maundy Thursday. The Taking Of Christ In The Garden Of Gethsemane.




English: The Taking of Christ.
Deutsch: Die Festnahme Christi.
Artist: Caravaggio (1573 - 1610).
Date: Circa 1598.
Current location: National Gallery of Ireland
Dublin, Ireland.
Notes: English: Also known as "The Judas Kiss".
Notes: Deutsch: Auch bekannt als „Der Judaskuss“. Es existieren mehrere zeitgenössische
Kopien des Werkes, unter Anderen die in Odessa befindliche und zwischenzeitlich gestohlene VersionFile:Caravaggio - Taking of Christ - Odessa.jpg.
Source/Photographer: Web Gallery of Art
(Wikimedia Commons)

Caravaggio's application of the chiaroscuro technique shows through on the faces and armour, notwithstanding the lack of a visible shaft of light. The figure on the extreme right is a self-portrait.

Maundy Thursday. Lenten Station At The Papal Arch-Basilica Of Saint John Lateran.




Text from The Saint Andrew Daily Missal,
unless otherwise stated.

Maundy Thursday.
   Station at Saint John Lateran.

Plenary Indulgence.

Double of The First-Class.

White Vestments at Mass.




English: Papal Arch-Basilica of Saint John Lateran. 

Cathedral of The Bishop of RomeItaly.
Latin: Archibasilica Sanctissimi Salvatoris 
et Sanctorum Iohannes Baptistae

et Evangelistae in Laterano 
Omnium urbis et orbis ecclesiarum mater et caput.
Italiano: Basilica di San Giovanni in Laterano, Roma.
Polski: Bazylika św. Jana na Lateranie (znana jako
Bazylika 
Laterańska), 
katedra biskupa Rzymu, Włochy.
Photo: September 2005.
Source: Own work.
Author: Stefan Bauer, http://www.ferras.at.
(Wikimedia Commons)

The Lenten Station was formerly held at Saint John Lateran, which was originally called The Basilica of Saint Saviour.

The Liturgy of Maundy Thursday is full of memories of The Redemption. It formerly provided for the Celebration of Three Masses:

The First Mass for The Reconciliation of Public Penitents;

The Second Mass for The Consecration of The Holy Oils;

The Third Mass for a Special Commemoration of The Institution of The Holy Eucharist at The Last Supper.

This last Mass is the only one that has been preserved, and, at it, the Bishop, attended by twelve Priests, seven Deacons and seven Sub-Deacons, Blesses The Holy Oils in his Cathedral Church.



Side-Chapel in The Basilica of Saint John Lateran.

San Giovanni-in-Laterano is the Cathedral Church of Rome.
Photo: October 2008.
Source: Own work.
Author: Maros M r a z (Maros).
(Wikimedia Commons)

The Reconciliation of Public Penitents.

The Church, endowed with the power of laying down the conditions necessary for the validity of The Sacrament of Penance, required, in the first Centuries A.D., that, after open Confession of sins of public notoriety, described by The Fathers of The Church as Capital Sins, The Absolution should be preceded by the complete fulfilling of the "Satisfaction" or "Penance".

Hence, The Rite of The Reconciliation of Penitents, who, on Maundy Thursday, received The Sacramental Absolution of the sins for which they had done Public Penance during Lent. To this may be traced The Easter Confession following The Forty Days' Penance.

In the beginning of the 4th-Century A.D., Private Penance came more largely into vogue, and this led gradually to the reversal of the practice aforesaid to that now in general use, the Absolution being given immediately after the Confession, and being followed by the performance of the Penance imposed.



The Coffered Ceiling of the 
Basilica of Saint John Lateran, 
Rome, Italy.
Photo: March 2010.
Source: Own work.
Author: Grenouille vert.
(Wikimedia Commons)

Sinners, who had undergone a course of Penance, were granted on this day “the abundant remission of their sins”, “which were washed away in The Blood of Jesus”. Dying with Christ, they were “cleansed of all their sins, and, clad in the nuptial robe, they were admitted once more to the banquet of The Most Holy Supper”.

The Blessing of The Holy Oils.

This Blessing took place with a view to the Baptism and Confirmation of the Catechumens during Easter Night. The Bishop exorcised the Oil, Praying God “to instil into it The Power of The Holy Ghost”, so that “The Divine Gifts might descend on those who were about to be Anointed”.

Before the Prayer "Per quem haec omnia", there used to be a Form of Blessing of the good things of the Earth, with mention of their different kinds (fruits, milk, honey, oil, etc), of which we still find examples in The Leonine Sacramentary. Of this Form, there remains nothing in The Canon of The Mass, except The Conclusion, which, on Holy Thursday, retains its natural meaning, since it immediately follows The Blessing of The Holy Oils.



Side-Chapel in The Basilica of Saint John Lateran.
Photo: 2005-07-06.
Source: Flickr.com.
Original Photo: [1].
(Wikimedia Commons)

The Oil of The Sick, which is The Matter of The Sacrament of Extreme Unction, is the first to be Blessed, before the Pater. Formerly, this used also to be Blessed on other days.

The Holy Chrism, which is The Matter of The Sacrament of Confirmation, is the noblest of The Holy Oils, and The Blessing of it takes place with greater pomp, after the Clergy have Communicated. It is used for The Consecration of Bishops, in The Rite of Baptism, in The Consecration of Churches, Altars and Chalices, and in The Baptism or Blessing of Bells.




English: Choir and Apse in The Basilica of Saint John Lateran, Rome.
Deutsch: Chorraum und Apsis von San Giovanni in Laterano, Rom.
Photo: September 2005.
Source: Own work.
Author: Stefan Bauer, http://www.ferras.at
(Wikimedia Commons)

The third Holy Oil, which is Blessed immediately after, is that of The Catechumens. It is used to anoint the breast, and between the shoulders, of the person to be Baptised, for The Blessing of Baptismal Fonts on Holy Saturday and on The Vigil of Pentecost, at The Ordination of Priests, at The Consecration of Altars, and for The Coronation of Kings and Queens.

“Oil”, says Saint Augustine, “signifies something great.” Through the ages, and in many a land, it has always played a Mystical and Religious part. Soothing and restoring by its very nature, it symbolises The Healing wrought by The Holy Ghost (Extreme Unction); a Source of Light, it denotes The Graces of The Holy Ghost, which enlighten the heart; flowing and penetrating, it represents The Infusion of The Holy Spirit into Souls (Baptism, Confirmation); softening in its effects, it shows forth The Action of The Holy Ghost, Who bends our rebellious wills and arms us against the enemies of our Salvation.

The Holy Ghost is especially represented by The Olive Oil, according to The Blessings of Oil and of Palms, because The Dove, a symbol of The Holy Ghost, carried an olive branch in her beak; because The Holy Ghost came down upon Christ, The Anointed One; and because the olive branches, cast by the Jews in Our Lord’s path, foreshadowed The Outpouring of The Holy Spirit, which was to be given to The Apostles at Pentecost. The Balm, which is added to The Oil to make The Sacred Chrism, signifies, by its sweet perfume, the good odour of all Christian Virtues. Also, it preserves from corruption - another respect in which it is a Symbol of Supernatural Grace that protects us from the contagion of sin (Catechism of The Council of Trent).



English: Basilica of Saint John Lateran, Rome, Italy.

With its length of 400 feet, this Basilica ranks fifteenth among the largest Churches in the world.
Français: Basilique Saint-Jean-de-Latran, Vatican, située à Rome, Latium, Italie. Avec 
sa longueur de 121,84 mètres, cette Basilique se classe au 15è rang parmi les plus grandes églises au monde.
Photo: September 2010.
Source: Own work.
Author: Tango7174.
(Wikimedia Commons)


Mass for Maundy Thursday.

The Church, which Commemorates throughout the year in The Holy Eucharist all the Mysteries of Our Lord’s Life, today lays special stress on The Institution of that Sacrament and of The Priesthood. This Mass carries out, more than any other, the command of Christ to His Priests, to renew The Last Supper, during which He instituted His Immortal Presence among us at the very moment His Death was being plotted. The Church, setting aside her mourning today, Celebrates The Holy Sacrifice with joy. The Crucifix is covered with a White Veil, her Ministers are Vested in White, and the Bells are rung at the Gloria in Excelsis. They are not rung again until Holy Saturday.

Saint Paul tells us, in the Epistle, that The Mass is a “Memorial of The Death of Christ”. The Sacrifice of the Altar is necessary if we are to partake in The Victim of Calvary and share in His Merits. And The Eucharist, which derives all Its Virtue from The Sacrifice of The Cross, makes it Universal, as regards time and space, in a sense unknown so far. To Love The Blessed Sacrament is “to Glory in The Cross of Our Lord Jesus Christ” (Introit).



English: The Tomb of Pope Leo XIII 
in the Basilica of Saint John Lateran.
Deutsch: Grab Leo XIII.
Photo: May 2007.
Source: Own work.
Author: Berthold Werner.
(Wikimedia Commons)

Christ takes on Himself to perform the Ablutions, prescribed by the Jews, during The Last Supper (Gospel), to show forth the Purity and Charity that God requires of those who desire to Communicate, for, as in the case of Judas (Collect), “whosoever eats this Bread unworthily is guilty of The Body and of The Blood of The Lord” (Epistle).

After The Mass, the Altar is stripped, in order to show that The Holy Sacrifice is interrupted and will not be offered again to God until Holy Saturday. The Priest, therefore, has Consecrated two Hosts, for, on Good Friday, The Church refrains from renewing on the Altar The Sacrifice of Calvary.

On this Holy Thursday, when the Epistle and Gospel describe for us the details of The Institution of The Priesthood and The Eucharistic Sacrifice, let us receive, from the Priest’s hands, that Holy Victim Who offers Himself upon the Altar, and, in this holy manner, fulfil our Easter Duty.

Mass: Nos autem.




The Late-Baroque façade of the Basilica of Saint John Lateran 
was

completed 

by Alessandro Galilei in 1735 
after winning a competition for the design.
Photo: February 2007.
Source: Own work.
Author: Howardhudson.
(Wikimedia Commons)

The Ite Missa Est is said and The Blessing given, followed by the Gospel of Saint John, at the beginning of which the Priest does NOT make The Sign of The Cross on the Altar, but ONLY on himself.

Immediately after Mass, the Celebrant incenses The Chalice containing The Reserved Host, which is carried in Procession to The Altar of Repose prepared for its reception within the Church. During the Procession, the Hymn Pange Lingua, from the Vespers of Corpus Christi, is sung.

On reaching The Altar of Repose, The Chalice, with The Reserved Host, is placed on it, and, after being incensed, it is placed in the Tabernacle.

Vespers are then said in The Choir.



14th-Century Gothic Baldacchino 
in The Basilica of Saint John Lateran, 
Rome, Italy.
Photo: March 2013.
Source: Own work.
Author: Wiki ktulu.
(Wikimedia Commons)


Vespers for Maundy Thursday.

The Pater Noster and Ave Maria, having been recited secretly, the Vespers are at once begun with the first Antiphon (Psalm CXV.13. "Cálicem salutaris accípiam, et nomen Dómini invocábo". "I will take The Chalice of Salvation, and I will call upon The Name of The Lord".

The Stripping of The Altars.

At the conclusion of Vespers, the Priest, assisted by his Ministers, proceeds to Strip the Altars, whilst reciting the Antiphon Divisérunt and Psalm XXI (Deus Meus).

"The Divine Saviour applied this Psalm to Himself, by beginning it with a loud cry on The Cross, in order to teach us to continue it in the same sense" (Bossuet).



The Cloisters 
at the Basilica di San Giovanni-in-Laterano.
Photo: May 2006.
Source: Own work.
Author: Joonas Lyytinen Joonasl
(Wikimedia Commons)


The Washing of The Feet.

After The Stripping of The Altars, the Clergy, at a convenient hour, meet to perform the Ceremony known as The Mandatum. The Prelate, or Priest, puts on, over the Amice and Alb, a Violet Stole and Cope. Then, the Deacon, in White Vestments (as is also the Sub-Deacon) sings the Gospel "Ante diem festum Paschae" in the usual way.

The Officiating Priest then removes his Cope, girds himself with a Cloth, and, assisted by his Ministers, begins the washing of the feet of thirteen Clerics or thirteen poor people chosen for the Ceremony.

It is obvious that the number was originally twelve, in remembrance of The Twelve Apostles. According to a Tradition, the alteration was made by Saint Gregory the Great. This Holy Pope, when washing the feet of twelve poor men, noticed one more, of a very beautiful countenance. When he tried to know who he was, after the Ceremony, the mysterious poor man had disappeared. Saint Gregory believed it was an Angel, or Our Lord, Himself. The Official Liturgical Book, known as "The Ceremonial of The Bishops", prescribes the number as thirteen.

The Officiating Priest kneels before each one of them, washes, wipes, and kisses the foot presented, using the Cloth tendered by the Deacon.

Meanwhile, Antiphons are sung.



English: Cloisters of the Basilica of Saint John Lateran
Cathedral of The Bishop of Rome.
Español: El Claustro de la Basílica de San Juan de Letrán
catedral del Obispo de Roma, Italia.
Português: Claustro da Basílica de São João de Latrão
catedral do Bispo de Roma, Itália.
Photo: 2005.
Source: Own work.
Author: Quinok.
(Wikimedia Commons)

Indulgences for Maundy Thursday.

Pope Pius VII granted a Plenary Indulgence to all who, on Maundy Thursday, perform some Pious Exercise (Reading, Meditation, Divine Office) for one hour in Commemoration of The Institution of The Holy Eucharist, provided that, being truly contrite, they go to Confession and Holy Communion on that day or on any day of the week, following.

He also granted a Plenary Indulgence to all who pay a visit to The Blessed Sacrament at Altars of Repose on Maundy Thursday and Good Friday, and Pray there for the intention of The Sovereign Pontiff, provided they have been to Confession and that they go to Holy Communion on Maundy Thursday or on Easter Sunday.

Wednesday 12 April 2017

A Little Levity To Lighten Your Day. " So That's A No, Sir, Is It ? "


Palm Sunday Divine Liturgy At Margate, Kent.



Beautiful sunny Palm Sunday, #Margate: Blessing of Palms; Procession through gardens, Sung Mass (Saint Matthew's Passion). Hosanna filio David ! pic.twitter.com/7wKZmDBhny
— Nineveh90 AntoniaR ن (@AntoniaScribe) April 10, 2017
Illustration: NINEVEH90 ANTONIAR

Wednesday In Holy Week (Spy Wednesday). Lenten Station At The Papal Basilica Of Saint Mary Major (Santa Maria Maggiore) (Sanctae Mariae Maioris) (Our Lady Of The Snows).




Text from The Saint Andrew Daily Missal,
unless otherwise stated.

Wednesday in Holy Week.
   Station at Saint Mary Major.

Indulgence of 10 Years and 10 Quarantines.

Privileged Feria.

Violet Vestments.




English: Papal Basilica of Saint Mary Major 
(Our Lady of The Snows), 
Rome, Italy.
Italian: Basilica Papale di Santa Maria Maggiore.
Latin: Basilica Sanctae Mariae Maioris.
Photo: December 2005.
Source: Own work.
Author: Lalupa.
(Wikimedia Commons)




The Basilica of Saint Mary Major 
(Santa Maria Maggiore) 
(Our Lady of The Snows).
Photo: March 2006.
Source: Own work.
Author: Sixtus.
(Wikimedia Commons)

From today, The Stational Celebrations of Holy Week are held in Rome at The Great Basilicas. That of Wednesday is held at Saint Mary Major, the largest and most celebrated Sanctuary Dedicated to The Blessed Virgin, whose sufferings The Church commiserates during these days.

The first Passage, from the Prophet Isaias, bears on The Passion. The Blood that dyes The Saviour’s Garments is His Own Most Precious Blood. Instead of crushing the people in His Indignation, He Suffers and Dies For Them.



English: Basilica of Santa Maria Maggiore 
(Our Lady of The Snows), 
Rome, Italy.
Français: Basilique Sainte-Marie-Majeure, Vatican, 
située à Rome, Latium, Italie.
Photo: September 2010.
Source: Own work.
Author: Tango7174.
(Wikimedia Commons)

The second Passage foretells the principal features of The Passion, with such remarkable precision, that The Fathers of The Church speak of Isaias as The Fifth Evangelist. It is “The Man of Sorrows” Who “was led as a Sheep to the slaughter and was dumb”. “He was covered with wounds and reputed with the wicked.” “He was bruised for our sins,” “Cut off out of the land of the living, He had the ungodly to guard His Sepulchre and the rich to bury Him after His Death”, “and, by His bruises, we are healed”.

Justifying to the full His Title of Saviour, “He became Obedient Unto Death, even to The Death of The Cross” (Introit), as we are shown it today in the Gospel according to Saint Luke.



The Borghese Chapel, 
Basilica of Saint Mary Major 
(Our Lady of The Snows),
Rome, Italy.
Illustration: TRIP ADVISOR



English: The Borghese Chapel, 
Basilica of Saint Mary Major 
(Our Lady of The Snows),
Rome, Italy.
Português: Capela Borghese, 
Photo: 2005.
Source: Photo taken by Ricardo André Frantz.
Author: Ricardo André Frantz (User:Tetraktys).
(Wikimedia Commons)




Basilica of Santa Maria Maggiore 
(Our Lady of The Snows), 
Rome, Italy.
Entrance to The Borghese Chapel.
Photo: November 2007.
Source: Own work.
Author: Warburg.
(Wikimedia Commons)

Catechumens and Christian Penitents, alike, “we were, in truth, like sheep that had gone astray, each one having turned aside into his own way”, and Jesus, “having the iniquity of us all laid on Him, has received in return a multitude of disciples” (Second Lesson). During The Easter Festivities, the Souls of men will become reconciled to God in The Sacraments of Baptism and Penance.

Renewing at Mass The Mysteries of The Passion of Our Lord, let us Pray “to be delivered by His Merits from the power of the enemy and to obtain The Grace of His Resurrection” (First and Second Collects, and Secret).

Mass: In nómine Jesu.




English: The Coffered Ceiling of Saint Mary Major 
(Our Lady of The Snows),
Rome, Italy.
Magyar: A főhajó aranyozott kazettás mennyezete.
Date: 2008-08-27 (original upload date).
Source: Transferred from hu.wikipedia; transferred to Commons 
Author: Original uploader was Kit36a at hu.wikipedia
(Wikimedia Commons)


The following Text is from Wikipedia - the free encyclopaedia.

The Papal Basilica of Saint Mary Major (Italian: Basilica Papale di Santa Maria Maggiore, Latin: Basilica Sanctae Mariae Maioris), or Church of Santa Maria Maggiore, is the largest Catholic Marian Church in Rome, Italy.

Other Churches in Rome, Dedicated to Mary, include Santa Maria-in-Trastevere, Santa Maria-in-Aracoeli, and Santa Maria sopra Minerva, but the greatest size of the Basilica of Saint Mary Major justifies the adjective (Papal Basilica) by which it is distinguished from the other twenty-five Churches.

According to The 1929 Lateran Treaty, the Basilica, located in Italian territory, is owned by The Holy See and enjoys Extra-Territorial Status, similar to that of foreign embassies. The building is patrolled Internally by Police Agents of Vatican City State, not by Italian Police.

The Church may still sometimes be referred to as "Our Lady of The Snows", a name given to it in The Roman Missal, from 1568 to 1969, in connection with The Liturgical Feast of The Anniversary of its Dedication on 5 August, a Feast that was then denominated "Dedicatio Sanctae Mariae ad Nives" (Dedication of Saint Mary of The Snows). This name for the Basilica had become popular in the 14th-Century, in connection with a legend that the 1911 Catholic Encyclopedia reports thus: "During the Pontificate of Liberius, the Roman Patrician, John, and his wife, who were without heirs, made a vow to donate their possessions to The Virgin Mary. They Prayed that she might make known to them how they were to dispose of their property in her honour".




English: Decorated wall murals in the 
Basilica of Saint Mary Major 
(Our Lady of The Snows),
Rome, Italy.
Magyar: Santa Maria Maggiore, Róma. A főbejárat feletti belső faldíszítés.
Date: 2008-08-27 (original upload date). Taken on 2005.04.22.
Source: Transferred from hu.wikipedia; transferred to Commons 
Author: Original uploader was Kit36a at hu.wikipedia.
(Wikimedia Commons)

On 5 August, at the height of the Roman Summer, snow fell during the night on the summit of The Esquiline Hill. In obedience to a vision of The Virgin Mary, which they had the same night, the couple built a Basilica in honour of Mary on the very spot which was covered with snow.

The legend is first reported only after the year 1000. It may be implied, in what The Liber Pontificalis of the Early-13th-Century says of Pope Liberius: "He built the Basilica of his own name (i.e. the Liberian Basilica) near the Macellum of Livia". Its prevalence in the 15th-Century is shown in the painting of The Miracle of The Snow by Masolino da Panicale.

The Feast was originally called "Dedicatio Sanctae Mariae" (Dedication of Saint Mary's), and was Celebrated only in Rome until inserted, for the first time, into The General Roman Calendar, with "ad Nives" added to its name, in 1568. A Congregation, appointed by Pope Benedict XIV in 1741, proposed that the reading of the legend be struck from The Office and that The Feast be given its original name. No action was taken on the proposal until 1969, when the reading of the legend was removed and The Feast was called "In dedicatione Basilicae S. Mariae (Dedication of The Basilica of Saint Mary)". The legend is still Commemorated by dropping White Rose Petals from the Dome, during the Celebration of The Mass and Second Vespers of The Feast.




English: Interior of The Basilica of Saint Mary Major
(Our Lady of The Snows), 
Rome, Italy.
Português: Capela lateral e parte da nave,
Date: 2005.
Source: Taken by Ricardo André Frantz.
Author: Ricardo André Frantz (User:Tetraktys).
(Wikimedia Commons)


The earliest building on the site was the Liberian Basilica, or Santa Maria Liberiana, after Pope Liberius (352 A.D. - 366 A.D.). This name may have originated from the same legend, which recounts that, like John and his wife, Pope Liberius was told in a dream of the forthcoming Summer snowfall, went in Procession to where it did occur and there marked out the area on which the Church was to be built. "Liberiana" is still included in some versions of the Basilica's formal name, and "Liberian Basilica" may be used as a contemporary, as well as historical, name.

No Catholic Church can be honoured with the Title of Basilica unless by Apostolic Grant or from Immemorial Custom. Saint Mary Major is one of the only four Basilicas that today hold the Title of Major Basilica. The other three are Saint John Lateran, Saint Peter and Saint Paul-without-the-Walls. (The Title of Major Basilica was once used more widely, being attached, for instance, to the Basilica of Saint Mary of the Angels, in Assisi.) All the other Catholic Churches that, either by Grant of the Pope or by Immemorial Custom, hold the Title of Basilica, are Minor Basilicas.

Until 2006, the four Major Basilicas, together with the Basilica of Saint Laurence-without-the-Walls, were referred to as the five "Patriarchal Basilicas" of Rome, associated with the five ancient Patriarchal Sees of Christendom (see Pentarchy). Saint Mary Major was associated with the Patriarchate of Antioch. In the same year, the title of "Patriarchal" was also removed from the Basilica of Saint Francis, in Assisi.




English: Cupola over a Side-Altar. 
Basilica of Saint Mary Major 
(Our Lady of The Snows),
Rome, Italy.
Deutsch: Santa Maria Maggiore Rom,
Kuppel eines Seitenaltars.
Photo: February 2008.
Source: Own work.
(Wikimedia Commons)

The former five Patriarchal Basilicas, with The Basilica of The Holy Cross in Jerusalem and San Sebastiano fuori le mura, formed the Traditional Seven Pilgrim Churches of Rome, which are visited by Pilgrims during their Pilgrimage to Rome, following a twenty-kilometres (twelve miles) itinerary, established by Saint Philip Neri on 25 February 1552, especially when seeking The Plenary Indulgence on Holy Years. For The Great Jubilee of 2000, Pope John Paul II replaced Saint Sebastian's Church with The Shrine of Our Lady of Divine Love.

It is agreed that the present Church (Santa Maria Maggiore) was built during the Reign of Pope Sixtus III (432 A.D. - 440 A.D.). The Dedicatory Inscription on The Triumphal Arch, "Sixtus Episcopus plebi Dei" (Sixtus the Bishop to the people of God) is an indication of that Pope's role in the construction. As well as this Church on the summit of The Esquiline Hill, Pope Sixtus III is said to have commissioned extensive building projects throughout the City, which were continued by his successor, Pope Leo I (The Great).

Church Building in Rome in this period, as exemplified in Saint Mary Major, was inspired by the idea of Rome being not just the Centre of the World of The Roman Empire, as it was seen in The Classical Period, but the Centre of The Christian World.




English: Interior of Basilica di Santa Maria Maggiore
(Our Lady of The Snows), 
Rome, Italy.
Česky: Vnitřní prostory Baziliky
Photo: April 2011.
Source: Own work.
Author: Karelj.
(Wikimedia Commons)

Santa Maria Maggiore, one of the first Churches built in honour of The Virgin Mary, was erected in the immediate aftermath of The Council of Ephesus of 431 A.D., which proclaimed Mary, Mother of God. Pope Sixtus III built it to Commemorate this decision.

When the Popes returned to Rome after the period of The Avignon Papacy, the buildings of the Basilica became a temporary Palace of the Popes, due to the deteriorated state of The Lateran Palace. The Papal Residence was later moved to The Palace of the Vatican, in what is now Vatican City.

The Basilica was restored, re-decorated and extended by various Popes, including Eugene III (1145–1153), Nicholas IV (1288–1292), Clement X (1670–1676), and Benedict XIV (1740–1758), who, in the 1740s, Commissioned Ferdinando Fuga to build the present façade and to modify the Interior. The Interior of Santa Maria Maggiore underwent a broad renovation, encompassing all of its Altars, between 1575 and 1630.

The original architecture of Santa Maria Maggiore was Classical, and Traditionally Roman, perhaps to convey the idea that Santa Maria Maggiore represented Old Imperial Rome, as well as its Christian future.

Tuesday 11 April 2017

The Crucifixion Mosaic, Holy Rosary Church, Oldham. A Most Significant And Important Work. They Painted Over It In The 1980s !!!



Text and Illustration: TWENTIETH CENTURY SOCIETY

The Twentieth Century Society is giving its support to a campaign to save an outstanding 1950s Mosaic of The Crucifixion, which is under threat because the Roman Catholic Church, where it is displayed, in Oldham, Lancashire, has been earmarked for closure.

The campaign group has applied to Historic England to List the Mosaic by Jewish refugee Georg Mayer-Marton, a leading figure in The Viennese Art World in the 1920s and 1930s.

Senior Conservation Adviser Clare Price said: “The significance of this artwork lies not only in the high quality of its technique, but also as a rare example of Post-War Ecclesiastical Art by a highly-regarded artist.”

This Article is taken from, and can be read in full at, TWENTIETH CENTURY SOCIETY

[Editor: Zephyrinus perfectly understands that this Mosaic may not be everybody's idea of "good art". However, that does not diminish the World-class reputation and renown of Georg Mayer-Marton and his example of Post-War Ecclesiastical Art, previously painted over in the 1980s !!!]
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