Notre Dame de Rouen. The façade of the Gothic Church in France. Photographer: Hippo1947. Licence: SHUTTERSTOCK.

Monday 2 February 2015

The Blessing Of The Candles On The Feast Of The Purification Of Mary, 2 February.


This Article was initiated by reading the excellent Blog, TRANSALPINE REDEMPTORISTS

The Italic Text is taken from The Liturgical Year by Abbot Guéranger, O.S.B.,
unless otherwise stated.

The Roman Text is taken from The Saint Andrew Daily Missal.


File:Brooklyn Museum - The Presentation of Jesus in the Temple (La présentation de Jésus au Temple) - James Tissot - overall.jpg

English: The Presentation of Jesus in the Temple.
Français: La présentation de Jésus au Temple.
Artist: James Tissot (1836–1902).
Date: Between 1886 and 1894.
Current location: Brooklyn Museum,
New York, United States of America.
Credit line: Purchased by public subscription.
Source/Photographer: Online Collection of Brooklyn Museum;
Photo: Brooklyn Museum, 2006, 00.159.27_PS1.jpg.
(Wikimedia Commons)


"We Must Hold As A Principle Of Our Spiritual Life, 
That The Mysteries Brought Before Us, Feast After Feast, 
Are Intended To Work In Us The Destruction Of The Old, 
And The Creation Of The New Man." 
Dom Guéranger — The Liturgical Year.


THE BLESSING OF THE CANDLES.




The Blessing before The Mass: “That as these candles, by their visible light, dispel the darkness of the night, so our hearts, burning with invisible fire, and enlightened by the grace of The Holy Ghost, may be delivered from all blindness of sin; that the eye of our Soul being purified, we may discern those things that are pleasing to Thee, and beneficial to our Souls.”
Illustration and Caption from TRANSALPINE REDEMPTORISTS


After Terce, follows The Blessing of the Candles, which is one of the three principal Blessings observed by the Church during the year; the other two are those of the Ashes and of the Palms. The signification of this ceremony bears so essential a connection with the Mystery of Our Lady's Purification, that, if Septuagesima, Sexagesima, or Quinquagesima Sunday fall on 2 February, the Feast is deferred to 3 February; but the Blessing of the Candles, and the Procession which follows it, always takes place on this precise day.

In order to give uniformity to the three great Blessings of the year, the Church prescribes, for that of the Candles, the same colour for the Vestments of the Sacred Ministers as is used in the two other Blessings, of the Ashes and of the Palms — namely, Purple.

Thus, this Solemn function, which is inseparable from the day on which Our Lady's Purification took place, may be gone through every year on 2 February, without changing the colour prescribed for the three Sundays just mentioned.


File:3 rote Kerzen.JPG

English: Three Red Candles at Christmas-tide.
Deutsch: Drei brennende rote Kerzen in der Weihnachtszeit
Photo: 25 December 2010.
Source: Own work.
Author: 4028mdk09.
(Wikimedia Commons)


It is exceedingly difficult to say what was the origin of this ceremony. Baronius, Thomassin, and others, are of the opinion that it was instituted towards the close of the 5th-Century, by Pope Saint Gelasius, in order to give a Christian meaning to certain vestiges still retained by the Romans of the old Lupercalia.

Saint Gelasius certainly did abolish the last vestiges of the feast of the Lupercalia, which, in earlier times, the pagans used to celebrate in the month of February. Pope Innocent III, in one of his Sermons for the Feast of the Purification, attributes the institution of this ceremony of Candlemas to the wisdom of the Roman Pontiffs, who turned, into the present religious rite, the remnants of an ancient pagan custom, which had not quite died out among the Christians.

The old pagans, he says, used to carry lighted torches in memory of those which the fable gives to Ceres, when she went to the top of Mount Etna in search of her daughter, Proserpine. But, against this, we have to object that, on the pagan Calendar of the Romans, there is no mention of any feast in honour of Ceres for the month of February.


File:3 rote Kerzen.JPG


We, therefore, prefer adopting the opinion of Dom Hugh Menard, Rocca, Henschenius, and Pope Benedict XIV: That an ancient feast, which was kept in February, and was called the Amburbalia, during which the pagans used to go through the City with lighted torches in their hands, gave occasion to the Sovereign Pontiffs to substitute, in its place, a Christian ceremony, which they attached to the Feast of that Sacred Mystery, in which Jesus, the Light of the World, was presented in the Temple by His Virgin-Mother.

The Mystery of today's ceremony has frequently been explained by Liturgists, dating from the 7th-Century. According to Saint Ivo of Chartres [in his Second Sermon on the Purification], the was, which is formed from the juice of the flowers, by the bee, always considered as the emblem of virginity, signifies the virginal flesh of the Divine Infant, who diminished not, either by His Conception or His Birth, the spotless purity of his Blessed Mother.

The same Holy Bishop would have us see, in the flame of our Candle, a symbol of Jesus, Who came to enlighten our darkness. Saint Anselm [Commentary on Saint Luke], Archbishop of Canterbury, speaking on the same Mystery, bids us consider the three things in the Blest Candle: The wax; the wick; and the flame. The was, he says, which is the production of the virginal bee, is the Flesh of Our Lord; the wick, which is within, is His Soul; the flame, which burns on the top, is His Divinity.


File:3 rote Kerzen.JPG


Formerly, The Faithful looked upon it as an honour to be permitted to bring their wax tapers to the Church, on this Feast of the Purification, that they might be Blessed, together with those which were to be borne in the Procession by the Priests and Sacred Ministers; and the same custom is still observed in some Congregations. It would be well if Pastors were to encourage this practice, retaining it where it exists, or establishing it where it is not known.

[Editor: The following paragraph, written by Abbot Guéranger in the Late-19th-Century, can readily be applied to today's situation, whereby many Catholic practices, rites and traditions are under attack from several quarters. The saliency of these attacks warrants the following paragraph to be italicised, in order to draw Readers' attention to the veracity of its contents.]

There has been such a systematic effort to destroy, or at least to impoverish, the exterior rites and practices of religion, that we find, throughout the world, thousands of Christians who have been insensibly made strangers to those admirable sentiments of Faith, which The Church alone, in her Liturgy, can give to the Body of The Faithful.


File:3 rote Kerzen.JPG


Thus, we shall be telling many what they have never heard before, when we inform them that The Church Blesses the Candles, not only to be carried in the Procession, which forms part of the ceremony on 2 February, but also for the use of The Faithful, inasmuch as they draw, upon such as use them with respect, whether on sea or on land, as the Church says in the Prayer, special Blessings from Heaven.

These Blest Candles ought also to be lit near the bed of the dying Christian, as a symbol of the immortality merited for us by Christ, and of the protection of Our Blessed Lady.

As soon as all is prepared, the Priest goes up to the Altar, and thus begins the Blessing of the Candles. The Prayers having been said, the Celebrant sprinkles the Candles with Holy Water, saying the Asperges in secret, and then incenses them; after which, he distributes them to both Clergy and Laity [in receiving the Candle, the Faithful should kiss first the Candle and then the Priest's hand].


File:3 rote Kerzen.JPG


During the distribution, The Church, filled with emotion at the sight of these Sacred Symbols, which remind her of Jesus, shares in the joyous transports of the aged Simeon, who, whilst holding The Child in his arms, confessed Him to be The Light of the Gentiles. She chants his sweet Canticle, separating each verse by an Antiphon, which is formed out of the last words of Simeon.

Antiphon.

Lumen ad revelationem gentium,
et gloriam plebis tuae Israel.

A Light to the revelation of the Gentiles,
and the glory of Thy people Israel.

Canticle of Simeon.

Nunc dimittis servum tuum, Domine: *
secundum verbum tuum in pace . . .

File:3 rote Kerzen.JPG


THE PROCESSION.

Filled with Holy Joy, radiant with the mystic light, excited, like the venerable Simeon, by the impulse of the Holy Spirit, the Church goes forth to meet her Emmanuel. It is this meeting which the Greek Church calls the Hypapante, under which name she also designates the Feast on 2 February. The Church would imitate that wondrous Procession, which was formed in the Temple of Jerusalem on the day of Mary's Purification. Let us listen to Saint Bernard of Clairvaux.

"On this day, the Virgin-Mother brings the Lord of the Temple into the Temple of the Lord; Saint Joseph presents to the Lord a Son, Who is not his own, but the Beloved Son of that Lord, Himself, and in Whom He is well pleased; Simeon, the Just Man, confesses Him for Whom he had been so long waiting; Anna, too, the widow, confesses Him.

"The Procession of this Solemnity was first made by these four, which afterwards was to be made, to the joy of the whole Earth, in every place and by every nation. Let us not be surprised at its then being so little; for He they carried was little ! Besides, all who were in it were just, and Saints, and perfect — there was not a single sinner." [First Sermon On The Purification.]


File:3 rote Kerzen.JPG


And yet let us join the Holy Procession. Let us go to meet Jesus, the Spouse of our Souls, as did the Wise Virgins, carrying in our hands lamps burning with the flame of Charity. Let us remember the command given us by Our Lord: "Let your loins be girt, and lamps burning in your hands: And you yourselves like to men who wait for their Lord [Saint Luke xii 35, 36]. Guided by Faith, and enlightened by Charity, we shall meet and know Him, and He will give Himself to us.

The Holy Church opens her Chants in this Procession with the following Antiphon, which is found, word for word, in the Greek Liturgy of this same Feast.

Antiphon.

Adorna thalamum tuum, Sion, 
et suscipe Regem Christum . . .

Adorn thy bride-chamber, O Sion,
and receive Christ, thy King . . .

After the Procession, the Celebrant and his Ministers put off their Purple Vestments, and vest in White for the Mass of the Purification. But if it be any of the three Sundays, Septuagesima, Sexagesima, or Quinquagesima, the Mass of the Feast is Deferred till the morrow, as has already been explained.


File:3 rote Kerzen.JPG


THE MASS.


In the Introit, The Church sings the glory of Jerusalem's Temple, that was this day visited by Emmanuel. Great is The Lord in The City of David, great is He on His mount of Sion. Simeon, the representative of the whole human race, receives into his arms Him that is The Mercy sent us by God.

In the Collect, the Church Prays that her children may be presented, as Jesus was, to The Eternal Father; but, in order that they may meet with a favourable reception, she asks Him to give them purity of heart.

All the Mysteries of the Man-God have for their object the purifying of our hearts. He sends his Angel, that is, His Precursor, before His Face, that he may prepare His way; and we have heard this Holy Prophet crying out to us, in the wilderness: Be humbled, O ye hills ! and ye valleys, be ye filled up ! At length, He that is the Angel of the Testament comes in person to seal the alliance with us.


File:3 rote Kerzen.JPG


He comes to His Temple, and this temple is our heart.  But He is like a refining fire, that takes away the dross of metals. He wishes to renew us, by purifying us; that thus we may be worthy to be offered to Him, and with Him, by a perfect sacrifice. We must, therefore, take care, and not be satisfied with admiring these sublime Mysteries.

WE MUST HOLD AS A PRINCIPLE OF OUR SPIRITUAL LIFE, THAT THE MYSTERIES BROUGHT BEFORE US, FEAST AFTER FEAST, ARE INTENDED TO WORK IN US THE DESTRUCTION OF THE OLD, AND THE CREATION OF THE NEW MAN.

We have been spending Christmas; we ought to have been born together with Jesus; this new Birth is now at its fortieth day. On 2 February, we must be offered by Mary, who is also our Mother, to the Divine Majesty, as Jesus was. The moment is come for our offering, for it is the hour of the Great Sacrifice; let us redouble the fervour of our preparation.


File:3 rote Kerzen.JPG



The following Text is taken from The Saint Andrew Daily Missal.

The Purification Of The Blessed Virgin Mary.
Feast Day 2 February.

Double of the Second-Class.

Violet Vestments for The Blessing of The Candles.
White Vestments for The Mass of The Purification of The Blessed Virgin Mary.



The presentation of Christ in the Temple.
Artist: Hans Holbein the Elder (1465–1524).
Date: 1500-1501.
Current location: Kunsthalle Hamburg, Germany.
Source/Photographer: The Yorck Project: 10.000 Meisterwerke der Malerei. DVD-ROM, 2002.
ISBN 3936122202. Distributed by DIRECTMEDIA Publishing GmbH.
Permission: [1]
(Wikimedia Commons)


With The Feast of The Purification, ends The Sanctoral Cycle of The Season After Epiphany. It is one of the oldest Feasts of Our Lady and, in Rome in the 7th-Century, it ranked after The Assumption.

The Feast is kept on 2 February, because Mary, wishing to obey the Mosaic Law, had to go to Jerusalem forty days after The Birth of Jesus (25 December-2 February) to offer the prescribed sacrifice [Editor: The Church has instituted for Christian Mothers the fine Ceremony of "Churching"], Mothers were to offer a lamb, or, if their means did not allow, "two doves or two young pigeons".

The Blessed Virgin took with her to Jerusalem the Infant Jesus, and The Candlemas (Candlemass) Procession recalls the journey of Mary and Joseph ascending to the Temple to present "The Angel of The Covenant" (Epistle, Introit) as Malachy had prophesied.


File:Brooklyn Museum - The Presentation of Jesus in the Temple (La présentation de Jésus au Temple) - James Tissot - overall.jpg


"The wax of the Candles signifies the Virginal Flesh of The Divine Infant," says Saint Anselm, "the wick figures His Soul and the flame His Divinity."

The Purification to which the Mother of The Saviour was not obliged to conform, as her Motherhood was beyond ordinary laws, is not placed in the foreground by The Liturgy, and The Presentation of Jesus is the principal object of this Feast.

If this Solemnity is considered as belonging to the Season of Christmas, Jesus will be seen manifested by Simeon as The God Who "shall illumine the Gentiles with His Light and shall be The Glory of the people of Israel" (Gospel); and if, as belonging to the Season of Epiphany, we shall adore Jesus in the accomplishment of this prophecy, either at the Marriage Feast at Cana, where He commences to "manifest His Glory" (Gospel of Second Sunday), or in the midst of the multitude, when He spreads the Light of His Doctrine (Gospel of the Fifth and Sixth Sundays).




We may read the Fourth Prayer of The Blessing of Candles in order to understand the symbolism of the Lamp of the Sanctuary and the Candles Blessed on this day, and to know the right use to be made of them by the bed of the dying, during storms and in the perils to which may be exposed "our bodies and Souls on land and on the waters" (First Prayer of The Blessing of Candles).

If The Feast of The Purification falls on a Privileged Sunday, it is Transferred to the following day; nevertheless, The Blessing of The Candles takes place before The Sunday Mass.

Every Parish Priest Celebrates Mass for the people of his Parish.




St Andrew Daily Missal (Traditional Mass)

Available (in U.K.) from

Available (in U.S.A.) from



Sunday 1 February 2015

"Te Lucis Ante Terminum". Sung at Compline on Septuagesima Sunday.





"Te Lucis Ante Terminum."
Sung, tonight, at Compline
on Septuagesima Sunday.
Available on YouTube at


The following Text is taken from Wikipedia - the free encyclopaedia.

Te lucis ante terminum is an old Latin Hymn in Long Metre. It is the Hymn at Compline in The Roman Breviary.

The authorship, by Saint Ambrose of Milan, for which Pimont contends, is not admitted by The Benedictine Editors, or by Luigi Biraghi. The Hymn is found in a Hymnary, in Irish script (described by Clemens Blume in his Cursus, etc.) of the 8th- or Early-9th-Century; but the classical Prosody of its two Stanzas (Solita in the third line of the original Text is the only exception) suggests a much earlier origin. In this Hymnary, it is assigned, together with the Hymn Christe qui splendor et dies (also known as Christe qui lux es et dies), to Compline.

An earlier arrangement (as shown by the Rule of Caesarius of Arles, circa 502 A.D.), coupled with the Christe qui lux, the Hymn Christe precamur adnue, and assigned both to the "Twelfth Hour" of the Day for alternate recitation throughout the year. The later introduction of the Te lucis suggests a later origin.



The two Hymns, Te lucis and Christe qui lux, did not maintain everywhere the same relative position; the latter was used in Winter, the former in Summer and on Festivals; while many Cathedrals and Monasteries replaced the Te lucis, by the Christe qui lux, from the First Sunday of Lent to Passion Sunday or Holy Thursday - a custom followed by The Dominicans.

The old Breviary of The Carthusians used the Christe qui lux throughout the year. The Roman Breviary assigns the Te lucis daily throughout the year, except from Holy Thursday to the Friday after Easter, inclusively. Merati, in his notes on Galvanus's Thesaurus, says that it has always held, without variation, this place in The Roman Church. As it is sung daily, the Vatican Antiphonary gives it many Plainsong Settings for the varieties of Season and Rite (e.g. the nine Melodies, pp. 117–121, 131, 174, 356, 366).

The Text given below is the original version of the Hymn. It was altered by Pope Urban VIII. The 1974 Breviary of Pope Paul VI restores the earlier form of the first and last Verse, but replaces the second Verse with two additional Verses. Pope Urban's version is still used by some, especially since the Motu Proprio Summorum Pontificum authorised continued use of The Roman Breviary in its 1962 Form. Most Monasteries adopted Pope Paul's Form in the 1970s, meaning the original version is seldom sung in Monasteries. The following translation is by J. M. Neale (1818–1866).



"Te Lucis Ante Terminum",
by Thomas Tallis.
Availabe on YouTube at


Te lucis ante terminum,
rerum Creator, poscimus,
ut solita clementia,
sis praesul ad custodiam.

Procul recedant somnia,
et noctium phantasmata:
hostemque nostrum comprime,
ne polluantur corpora.

Praesta, Pater omnipotens,
per Iesum Christum Dominum,
qui tecum in perpetuum
regnat cum Sancto Spiritu.




To Thee before the close of day,
Creator of the world, we Pray
That, with Thy wonted favour, Thou
Wouldst be our guard and keeper now.

From all ill dreams defend our sight,
From fears and terrors of the night;
Withhold from us our ghostly foe,
That spot of sin we may not know.

O Father, that we ask be done,
Through Jesus Christ, Thine Only Son,
Who, with The Holy Ghost and Thee,
Doth live and reign eternally.

Amen.




The 1974 Revision replaces the second Strophe with the Text, Te corda nostra somnient,/ te per soporem sentiant,/ tuamque semper gloriam/ vicina luce concinant. Vitam salubrem tribue,/ nostrum calorem refice,/ taetram noctis caliginem/ tua collustret claritas.

This Text has frequently been set to music. The earliest is the Plainsong version found in The Liber Usualis (used as the opening of Benjamin Britten's "Curlew River"); another, from The Sarum Rite, is much used in England. Thomas Tallis and Henry Balfour Gardiner both composed memorable settings of the Text, among many others.

Septuagesima. Sunday, 1 February 2015.


Italic Text and Illustrations taken from The Saint Andrew Daily Missal,
1952 edition, with the kind permission of ST. BONAVENTURE PRESS

Septuagesima Sunday.
Station at Saint Laurence-without-the-Walls.

Semi-Double.
Privilege of the Second-Class.

Violet Vestments.


Roman Text is taken from "The Liturgical Year"
by Abbot Guéranger, O.S.B.
Volume 4.
Septuagesima.

Published by ST. BONAVENTURE PUBLICATIONS



Go you also into My Vineyard.


In order to understand fully the meaning of the Text of today's Mass, we must study it in connection with The Lessons of The Breviary, since, in The Church's mind, The Mass and The Divine Office form one whole.

The Lessons and Responses in The Night Office are taken this week from The Book of Genesis. In them is related the story of The Creation of the World and of man, of our first parents' fall and the promise of a Redeemer, followed by the murder of Abel and a record of the generations from Adam to Noah.

"In the beginning," we read, "God created Heaven and Earth and upon the Earth He made man . . . and He placed him in a garden of paradise to be mindful of it and tend it" (Third and Fourth Responses at Matins).

All this is a figure. Here is Saint Gregory's exposition. "The Kingdom of Heaven is compared to the proprietor who hires labourers to work in his vineyard. Who can be more justly represented as Head of a household than Our Creator, Who governs all creatures by His Providence and Who, just as a Master has servants in his house, has His Elect in this world, from the Just Abel to the last of His Chosen, destined to be born at the very end of time ?





De Profundis (Septuagesima Sunday, Tract).
Gregorian Chant notation from the Liber Usualis (1961), p. 499.
Latin lyrics sung by the Benedictine Monks
of Santo Domingo de Silos, Spain.
Available on YouTube at



The vineyard which He owns is His Church, while the labourers in this vineyard are all those who, with a true Faith, have set themselves, and urged others, to the task of doing good. By those who came at the first, as well as at the third, sixth and ninth hours, are meant the ancient people of the Hebrews, who, from the beginning of the world, striving in the persons of their Saints to serve God with a right Faith, ceased not, as it were, to work in cultivation of the vineyard.

But, at the eleventh hour, the Gentiles are called and to them are spoken the words: "Why stand ye here all the day, idle ?" (Third Nocturn). Thus, all are called to work in the Lord's vineyard, by sanctifying themselves and their neighbour in glorifying God, since sanctification consists in searching for our supreme happiness in Him, alone.

Adam failed in his task and God told him: "Because thou hast eaten of the tree, whereof I commanded thee that thou shouldest not eat, cursed is the Earth in thy work; with labour and toil shalt thou eat thereof all the days of thy life. Thorns and thistles shall it bring forth to thee . . . In the sweat of thy face, shalt thou eat bread, till thou return to the Earth out of which thou was taken."




Septuagesima, 2008.

Gradual and Tract.
Edinburgh, Scotland.
Available on YouTube at



Being exiled from Eden," says Saint Augustine, "the first man involved all his descendants in the penalty of death and reprobation, being corrupted in the person of him from whom they sprung. The whole mass of condemned humanity was therefore, plunged in misery, enslaved and cast headlong from one evil to another" (Second Nocturn). "The sorrows of death surrounded me," says the Introit, and, as a matter of fact, it is in the Basilica of Saint Laurence-without-the-Walls, close to the cemetery at Rome, that the "Station" for this Sunday is made.

The Collect adds that we are "justly afflicted for our sins". In the Epistle, the Christian life is represented by Saint Paul as an arena, where a man must take pains and strive to carry off the prize, while the Gospel bears witness that the reward of eternal life is only given to those who work in God's vineyard, where work is hard and painful since the entrance of sin.

"O God", prays the Church, "grant to Thy people, who are called by the name of vines and harvests, that they may root out all thorns and briars, and bring forth good fruit in abundance" (Prayer on Holy Saturday, after the Eighth Prophecy).





The Sermon on Septuagesima Sunday
and getting ready for Lent.
Father speaks about the significance of Lent,
and the Fast, and why we Fast.
Getting ready for Lent.
Available on YouTube at



"In His wisdom", says Saint Gregory, "Almighty God preferred rather to bring good out of evil than never allow evil to occur". For God took pity on men and promised them a Second Adam, who, restoring the order disturbed by the First Adam, would allow them to regain Heaven, to which Adam had lost all right, when expelled from Eden, which was "the shadow of a better life" (Fourth Lesson). "Thou, O Lord, art our helper in time of tribulation" (Gradual); "with Thee, there is merciful forgiveness" (Tract).

"Make Thy face to shine upon Thy servant and save me in Thy mercy" (Communion). "Show Thy face, O Lord, and we shall be saved", the Church cries similarly in the Season of Advent, when calling upon her Lord. The truth is that God, "Who has wonderfully created man, has more wonderfully redeemed him" (Prayer on Holy Saturday after the First Prophecy), for "the creation of the world in the beginning was not a more excellent thing than the immolation of Christ our Passover at the end of time" (Prayer on Holy Saturday after the Ninth Prophecy).

This Mass, when studied in the light of Adam's fall, prepares our mind for beginning the Season of Septuagesima, and understanding the sublime character of the Paschal Mystery for which this Season prepares our hearts.





Español: El Monasterio de Santo Domingo de Silos es una abadía benedictina ubicada en el municipio de Santo Domingo de Silos, en la provincia de Burgos.
English: Santo Domingo de Silos Abbey is a Benedictine Monastery in the village of Santo Domingo de Silos in the Southern part of Burgos Province in Northern Spain. Its Cloister is a magnum opus of Romanesque art in Europe. [Editor: Listen to the Tract for Septuagesima Sunday, sung by the Monks of Santo Domingo de Silos Abbey. See, above.]
Deutsch: Kreuzgang - links eine der gedrehten Vierersäulen.
Photo: 25 July 2005.
Source: Own work.
Author: Juergen Kappenberg.
This File: 6 August 2007.
User: Schweigen
(Wikimedia Commons)



In response to the call of The Master, Who comes to seek us even in the depths wherein we are plunged, through our first parents' sin (Tract), let us go and work in the Lord's vineyard, or enter the arena and take-up with courage the struggle which will intensify during Lent.

The "Gloria in excelsis" is not said from this Sunday until Maundy Thursday, except when the Mass of a Feast is said.

From Septuagesima to Ash Wednesday, the Tract is said only on Sundays and Feast Days. On Ferias, when the Mass of the Sunday is said, the Gradual is said, without the Tract.

Every Parish Priest celebrates Mass for the people of his Parish.





Cloister, with twisted Columns, Santo Domingo de Silos Abbey, Burgos, Spain.
The Cloister is a "Magnum Opus" of Romanesque art in Europe. [Editor: Listen to the Tract for Septuagesima Sunday, sung by the Monks of Santo Domingo de Silos Abbey. See, above.]
Photo: 15 January 2006.
Source: Own work.
Author: Mark Somoza.
(Wikimedia Commons)



THE HISTORY OF SEPTUAGESIMA.

The Season of Septuagesima comprises the three weeks immediately preceding Lent. It forms one of the principal divisions of The Liturgical Year, and is, itself, divided into three parts, each part corresponding to a week: The first week is called Septuagesima; the second week is called Sexagesima; the third week is called Quinquagesima.

All three are named from their numerical reference to Lent, which, in the language of the Church, is called Quadragesima, that is, "Forty", because the great Feast of Easter is prepared for by the Holy Exercises of forty days.

The words Quinquagesima, Sexagesima, and Septuagesima, tells us of the same great Solemnity as looming in the distance, and as being the great object towards which the Church would have us now begin to turn all our thoughts, and desires, and devotion.




Kyrie for Septuagesima Sunday,
Mass XI (Orbis Factor),
2010.
Saint Andrew's Roman Catholic Church,
Edinburgh, Scotland.
Celebrant: Fr. Emerson, FSSP.
Available on YouTube at



Now, The Feast of Easter must be prepared for by Forty Days of Recollectedness and Penance. Those Forty Days are one of the principal Seasons of The Liturgical Year, and one of the most powerful means employed by The Church for exciting, in the hearts of her children, the spirit of their Christian Vocation. It is of the utmost importance that such a Season of Grace should produce its work in our Souls — the Renovation of the whole Spiritual Life. The Church, therefore, has instituted a preparation for The Holy Time of Lent.

She gives us the three weeks of Septuagesima, during which she withdraws us, as much as may be, from the noisy distractions of the world, in order that our hearts may be more readily impressed by the solemn warning she is to give us at the commencement of Lent by marking our foreheads with Ashes.

This prelude to The Holy Season of Lent was not known in the early ages of Christianity: Its institution would seem to have originated in The Greek Church. Besides the Six Sundays of Lent, on which by universal custom The Faithful never Fasted, the practice of this Church prohibited Fasting on the Saturdays, likewise; consequently, their Lent was short by twelve days of the Forty Days spent by Our Saviour doing penance in the desert. To make up the deficiency, they were obliged to begin their Lent so many days earlier.






Available (in U.K.) from



Available (in U.S.A.) from



Saturday 31 January 2015

She'll Have Fun, Fun, Fun, 'Til Her Daddy Takes The T-Bird Away.



T-Bird.
1959 Ford Thunderbird Convertible in Brandywine Red (code R)
with Red vinyl seat bolsters and White vinyl inserts (code 9X).
Photo by User:Morven at the Fabulous Fords Forever show at Knotts Berry Farm,
Buena Park, California, USA on April 17, 2005.
(Wikipedia)




Fun, Fun, Fun,
by
The Beach Boys,
1964.
Available on YouTube at
http://youtu.be/89tPuyL1ruY


Friday 30 January 2015

Saint Martina. Feast Day, Today, 30 January. Virgin And Martyr.


Roman Text is from Wikipedia - the free encyclopaedia,
unless otherwise stated.

Italic Text is from "The Liturgical Year",
by Abbot Guéranger, O.S.B.
Available from ST. BONAVENTURE PUBLICATIONS

Christmas.
Book II.
Fourth Edition.
Volume 3.

Bold Italic Text is taken from The Saint Andrew Daily Missal.



Madonna and Child with Saint Martina and Saint Agnes.
Artist: El Greco (1541–1614).
Date: 1597-1599.
Current location: National Gallery of Art, Washington, D.C.,
United States of America.
Source: [1]
(Wikimedia Commons)


Martina of Rome was a Roman Martyr, under Emperor Alexander Severus. She is a Patron Saint of Rome.

She was Martyred in 226 A.D., according to some authorities, more probably in 228 A.D., under the Pontificate of Pope Urban I, according to others. The daughter of an ex-Consul, and orphaned at an early age, she so openly testified to her Christian Faith that she could not escape the persecutions under Alexander Severus. Arrested and commanded to return to idolatry, she refused, whereupon she was subjected to various tortures and was finally beheaded.

The Relics of Martina were discovered on 25 October 1634, by the painter Pietro da Cortona, in a Crypt of Santi Luca e Martina, situated near the Mamertine Prison and Dedicated to the Saint.[1]

Pope Urban VIII, who occupied The Holy See at that time, had the Church repaired and, it would seem, composed the Hymns which are sung at her Office.

Her Feast Day is 30 January.




The Church of Santi Luca e Martina, Rome.
Photo: March 2006.
Source: Own work.
Author: Panairjdde (FlagUploader).
(Wikimedia Commons)


A Fourth Roman Virgin, wearing on her brow a Martyr's Crown, comes today to share the honours given to Agnes, Emerentiana, and Prisca, and offer her Martyr's Palm to The Lamb.

Her name is Martina, which the pagans were wont to give to their daughters in honour of their god of war. Her Sacred Relics repose at the foot of The Capitoline Hill, in the ancient temple of Mars, which has now become the beautiful Church of Saint Martina.

The Holy Ambition to render herself worthy of Him, Whom she had chosen as her Divine Spouse, gave her courage to suffer torments and death for His sake; so that, of her, as of the rest of the Martyrs, we may say those words of The Liturgy, "she washed her robes in The Blood of The Lamb". Our Emmanuel is "the mighty God, the Lord that is mighty in war", not, like the Mars of the pagans, needing  the sword to win his battles.

He vanquishes his enemies by meekness, patience, and innocence, as in the Martyrdom of today's Saint, whose victory was grander than was ever won by Rome's boasted warriors.

This illustrious Virgin, who is one of the Patrons of the City of Rome, is honoured by having her praises sung by one of the Popes. It was Pope Urban VIII who wrote the Hymns which are recited on her Feast, and which we subjoin to the Lessons which recount the glorious combats of our Saint.





English: Interior of the 
Church of Santi Luca e Martina, Rome.
Architect was 
Italiano: Chiesa dei Santi Luca e Martina, Roma. Interno.
Architetto: Pietro da Cortona.
This File: 12 February 2006.
User: Torvindus.
(Wikimedia Commons)


Saint Martina.
Virgin and Martyr.
Feast Day 30 January.

Semi-Double.

Red Vestments.


The Cycle makes us honour today a Virgin, who, by her constancy in the midst of the most atrocious torments, bore witness before all (Introit) to The Divinity of Christ, her Spouse (Gospel). "I  am a Christian," she declares to her executioners, "and I confess Jesus Christ."

The Epistle puts on her lips the words of Wisdom: "Lord, my Saviour, Thou hast become my help and protector." And she, herself, said, in the midst of her sufferings: "I love my Lord Jesus Christ, Who strengthens me."

Saint Martina was beheaded in 228 A.D., and joined in Heaven the train of Virgins who surround The Divine King (Alleluia). Her Remains rest in a former temple of Mars, transformed into a Church, which bears the name of this Virgin, whose name recalls that of the god of war.

Let us arm ourselves, to defend the Divinity of Jesus, with love of Purity.

Mass: Loquébar.




St Andrew Daily Missal (Traditional Mass)

Available (in U.K.) from

Available (in U.S.A.) from


Wieskirche, Bavaria, Germany.


Text and Illustrations from Wikipedia - the free encyclopaedia,
unless otherwise stated.



English: Wies Church, Bavaria, Germany.
Deutsch: Wieskirche, Bayern, Deutschland.
Photo: 17 December 2007.
Source: Own work.
Author: Mattana.
(Wikimedia Commons)


The Pilgrimage Church of Wies (German: Wieskirche) is an oval Rococo Church, designed in the Late-1740s by Dominikus Zimmermann, who lived nearby for the last eleven years of his life. It is located in the foothills of the Alps, in the municipality of Steingaden, in the Weilheim-Schongau district, Bavaria, Germany.



English: Chapel and Church, Wies, Bavaria, Germany.
Deutsch: Kapelle mit Wieskirche, Steingaden, Bavaria, Germany.
Photo: 14 December 2005.
Source: Own work.
Author: Flodur63.
(Wikimedia Commons)


It is said that, in 1738, tears were seen on a dilapidated wooden figure of The Scourged Saviour. This Miracle resulted in a Pilgrimage rush to see the sculpture. In 1740, a small Chapel was built to house the statue, but it was soon realised that the building would be too small for the number of Pilgrims it attracted, and, so, Steingaden Abbey decided to commission a separate Shrine.

Many who have Prayed in front of the statue of Jesus, on the High Altar, have claimed that people have been miraculously cured of their diseases, which has made this Church even more of a Pilgrimage site.



English: The Scourged Saviour, in its own separate Chapel.
Deutsch: Gnadenbild des gegeißelten Heilandes im Altar der Wieskirch.
Photo: 20 October 2012.
Source: Own work.
Author: Harro52.
(Wikimedia Commons)


Construction took place between 1745 and 1754, and the Interior was decorated with frescoes and with stucco work, in the tradition of the Wessobrunner School. "Everything was done throughout the Church to make the Supernatural visible. Sculpture and murals combined to unleash The Divine in visible form".



English: Wies Church, Bavaria, Germany.
Deutsch: Wieskirche, Bayern, Deutschland.
Photo: June 2005.
Source: Own work.
Author: Pipimaru.
(Wikimedia Commons)


There is a popular belief that the Bavarian Government planned to sell, or demolish, the Rococo masterpiece during the secularisation of Bavaria, at the beginning of the 19th-Century, and that only protests from the local farmers saved it from destruction.

Available sources, however, document that the responsible State Commission clearly advocated the continuation of Wies as a Pilgrimage site, even in spite of economic objections from the Abbot of Steingaden.

The Wieskirche was added to the UNESCO World Heritage List in 1983 and underwent extensive restoration between 1985 and 1991.



English: The Pulpit, Wies Church, Bavaria, Germany.
Deutsch: Wieskirche, Bayern, Deutschland.
Photo: 17 December 2007.
Source: Own work.
Author: Mattana.
(Wikimedia Commons)



English: The High Altar,
Wies Church, Bavaria, Germany.
Deutsch: Wieskirche, Bayern, Deutschland.
Photo: 17 December 2007.
Source: Own work.
Author: Mattana.
(Wikimedia Commons)




St Andrew Daily Missal (Traditional Mass)

Available (in U.K.) from

Available (in U.S.A.) from


Thursday 29 January 2015

Bayeux Cathedral, Normandy, France.


Text from Wikipedia - the free encyclopaedia,
unless otherwise stated.



English: The Nave, Notre Dame de Bayeux Cathedral, France.
Français: Le nef de la Notre Dame de Bayeux.
Photo: 22 July 2011.
Source: Own work.
Author: Anton Bielousov.
(Wikimedia Commons)



English: Bayeux Cathedral, Normandy, France.
Français: Cathédrale de Bayeux (classé, 1862).
Photo: 21 July 2013.
Source: Own work.
(Wikimedia Commons)



English: Bayeux Cathedral, Calvados, Normandy, France.
The High Altar, with The Nave in the backgound.
Français: Notre-Dame de Bayeux, Calvados, Normandie, France.
L'autel majeur néo-classique, avec la nef en arrière-plan.
Photo: 8 September 2008.
Source: Own work.
Author: Tango7174.
(Wikimedia Commons)



EnglishBayeux Tapestry - Scene 23:
Harold swearing an Oath on Holy Relics to William, Duke of Normandy.
Titulus: UBI HAROLD SACRAMENTUM FECIT WILLELMO DUCI
(Where Harold made an Oath to Duke William).
Français: Tapisserie de Bayeux - Scène 23 :
Harold prête serment à Guillaume, duc de Normandie, sur deux reliquaires.
Légende en latin : UBI HAROLD SACRAMENTUM FECIT WILLELMO DUCI
(Ici Harold prête serment au duc Guillaume).
Photo: 7 March 2013.
Source: Own work.
Author: 
Myrabella.
(Wikimedia Commons)


Bayeux Cathedral (Cathédrale Notre-Dame de Bayeux) is a Norman-Romanesque Cathedral, located in the Town of Bayeux. It is the Seat of the Bishop of Bayeux. It was the original home of the Bayeux Tapestry and is a National Monument of France.



English: Notre-Dame de Bayeux Cathedral's Central Tower.
Français: La tour centrale de la cathédrale Notre-Dame de Bayeux, vue du sud-est.
Photo: 9 December 2011.
Source: Own work.
Author: LeCardinal.
Attribution: 
© LeCardinal, CC-BY
(Wikimedia Commons)



English: Bayeux Historic Centre: Office of Tourism and Bayeux Cathedral.
Français: Centre ville historique de Bayeux: l'office de tourisme et cathedral.
Русский: Исторический центр Байё.
Photo: 24 July 2011.
Source: Own work.
Author: Anton Bielousov.
(Wikimedia Commons)


The site is an ancient one and was once occupied by Roman Sanctuaries. The present Cathedral was Consecrated on 14 July 1077, in the presence of William, Duke of Normandy and King of England. It was here that William forced Harold Godwinson to take the Oath, the breaking of which led to the Norman Conquest of England.



The Nave,
Bayeux Cathedral, France.
Photo: 24 June 2007.
Source: Own work.
Author: Gerpsych.
(Wikimedia Commons)



English: Bayeux Cathedral, Calvados, Normandie, France. Gothic choir.
Français: Notre-Dame de Bayeux, Calvados, Normandie, France. Le chœur gothique.
Photo: 8 September 2008.
Source: Own work.
Author: Tango7174.
(Wikimedia Commons)


Following serious damage to the Cathedral in the 12th-Century, the Cathedral was rebuilt in the Gothic Style, which is most notable in The Crossing Tower, Transepts and East End. However, despite The Crossing Tower having been started in the 15th-Century, it was not completed until the 19th-Century.



The Great West Door,
Bayeux Cathedral,
Normandy, France.
Date: 5 January 2012.
Source: Own work.
Author: KNHaw.
(Wikipedia)



English: Northern Window of the Transept of Bayeux Cathedral.
Stained-Glass Window made by Étienne Thevenot in 1848.
Français: Verrière nord du transept de la cathédrale Notre-Dame de Bayeux.
Vitrail d'Étienne Thevenot réalisé en 1848.
Photo: 8 April 2012.
Source: Own work.
Author: © Guillaume Piolle / CC-BY-3.0.
(Wikimedia Commons)

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