Tuesday Of The First Week In Lent. Lenten Station At The Basilica Of Saint Anastasia.

Text from The Saint Andrew Daily Missal,
unless stated otherwise.

Tuesday Of The First Week In Lent.

Station at Saint Anastasia's.

Indulgence of 10 Years and 10 Quarantines.

Violet Vestments.

English: Basilica di Sant'Anastasia al Palatino, Rome, Italy.

Česky: Bazilika sv. Anastázie na Palatinu, Řím, Itálie.

Photo: April 2011.

Source: Own work.

Author: Karelj

(Wikimedia Commons)

The Station is at the old Church, which, in the 4th-Century A.D., was the only Parish in the Centre of Rome and in its wealthy Quarter. Built at the foot of The Palatine Hill, this Church, which owes its name to The Chapel of The Resurrection (Anastasis) at Jerusalem, was also Consecrated to Saint Anastasia.

Saint Anastasia was put to death, under Emperor Diocletian, at Sirmium, in Illyria (now Mitrowitz). Tradition seems to say that this "Title", mentioned in a Synod in 499 A.D., recalls the house of this Holy Martyr in Rome (?). It is more than likely, however, that it concerns but a simple identity of name between the Roman Foundress of this Basilica and the Titular Saint.

Lent is the time when "God is near to us and eager to forgive us, if we put aside our evil thoughts and forsake the way of sin" (Epistle). To do so, we must cast sin out from our hearts, as Jesus cast out the sellers from the Temple (Gospel), and receive the teaching of Christ with the simplicity of Children of God. Then, He will be able to cure our Souls, as He healed the lame and the blind who came nigh unto Him.

Casting out the vainglorious wisdom of the World, let us profit by The Holy Season of Lent, so that, "chastening our bodies by mortification, our Souls may be filled with Holy Desires" (Collect).

Mass: Dómine, refúgium.

Preface: For Lent.

The Basilica of Saint Anastasia, Rome.

Photo: June 2007.

Source: Own work.

Author: Lalupa

(Wikimedia Commons)

The following Text is from Wikipedia - the free encyclopaedia.

The Church of Santa Anastasia is a Minor Basilica Church in Rome.

Santa Anastasia Church was built in the Late-3rd-Century A.D. - Early-4th-Century A.D., possibly by a Roman woman named Anastasia. The Church is Listed under the Titulus "Anastasiae" in The Acts of The 499 A.D. Synod. Later, the Church was entitled to The Martyr with the same name, Anastasia of Sirmium.

The Church was restored several times: Pope Damasus I (366 A.D. - 383 A.D.); and Pope Hilarius (461 A.D. - 468 A.D.); Pope John VII (705 A.D. - 707 A.D.); Pope Leo III (795 A.D. - 816 A.D.); Pope Gregory IV (827 A.D. - 844 A.D.). The current Church dates back to the 17th-Century Restoration commissioned by Pope Urban VII.

Traditionally, the Church is connected to the cult of Saint Jerome, who possibly Celebrated Mass here. The Saint is depicted over the Altar, by Domenichino.

Ceiling of The Basilica Sant'Anastasia, Rome.

Photo: July 2009.

Source: Own work.

Author: User:Mattes

(Wikimedia Commons)

The current Cardinal Priest of the Titulus S. Anastasiae is Godfried Danneels. Past holders have included John Morton, an Archbishop of Canterbury.

Art and Architecture.

The last Restoration, after the Restoration during the Papacy of Pope Sixtus IV, occurred in 1636, when the facade, with, Lower, Doric, and, Upper, Ionic order, was reconstructed in 1636, after the cyclone of 1634. The Nave recycles antique Columns. The Ceiling is frescoed with a Martyrdom of The Saints (1722) by Michelangelo Cerruti.

English: Madonna and Child in the Basilica di Sant'Anastasia al Palatino, Rome, Italy.

Česky: Socha v Bazilice sv. Anastázie na Palatinu, Řím, Itálie.

Photo: April 2011.

Source: Own work.

Author: Karelj

(Wikimedia Commons)

The Chapel, to the Right, has a painting of Saint John the Baptist by Pier Francesco Mola. While the last Chapel on the Right has a fresco of Scenes of the Life of Saints Carlo Borromeo and Filippo Neri by Lazzaro Baldi.

The Right Transept has a painting of Saint Toribio (1726) by Francesco Trevisani. The High Altar has a Nativity, by Lazzaro Baldi, and, below the Altar, is a statue of Saint Anastasia, by Ercole Ferrata. It clearly shows the influence of Bernini's Beata Ludovica Albertoni. The Left Transept has a Madonna of The Rosary, by Baldi. The last Chapel, to the Left, by Domenichino, depicts Saint Jerome. The other Chapel has Ss.Giorgio e Publio, by Etienne Parrocel.

Monday Of The First Week In Lent. The Lenten Station Is At Saint Peter-Ad-Vincula (Saint Peter's Chains).

Text from The Saint Andrew Daily Missal,
unless stated otherwise.

Monday of The First Week in Lent.

Station at Saint Peter's Chains.

Indulgence of 10 Years and 10 Quarantines.

Violet Vestments.

English: Church of Saint Peter's Chains, Rome.

Italiano: San Pietro-in-Vincoli.

Latin: San Pietro-ad-Vincula.

Photo: December 2005.

Source: Own work.

Author: Lalupa

(Wikimedia Commons)

San Pietro-in-Vincoli (Italian) (Saint Peter-in-Chains) is a Roman Catholic Titular Church and Minor Basilica in Rome. It is also known as the home of Michelangelo's Statue of Moses, part of the tomb of Pope Julius II. Two Popes were elected in this Church: His Holiness Pope John II (533 A.D.) and His Holiness Pope Gregory VII (1073).

English: The Chains of Saint Peter, in the "Basilica di San Pietro-in-Vincoli", Rome, Italy.

Italiano: Le catene di San Pietro, conservate nella Basilica di San Pietro in Vincoli a Roma.

Photo: August 2008.

Source: Own work.

Author: Original photo by Raja Patnaik, post-processed and uploaded by Alessio Damato

(with permission of the author).

(Wikimedia Commons)

The Station is in one of the most ancient Roman Basilicas, built by the Empress Eudocia, where The Chains worn by The Prince of The Apostles, to whom Jesus confided His Flock, are kept. In the 5th-Century A.D., it was one of the twenty-five Parishes of Rome.

English: San Pietro-in-Vincoli's Apse.

Italiano: Abside di San Pietro-in-Vincoli a Roma.

Photo: March 2010.

Source: Own work.

Author: Goldmund100

(Wikimedia Commons)

The Epistle (of The Day), alluding to the Penitents about to be reconciled at Easter and to the Catechumens preparing for Baptism, says that The Lord is The Shepherd Who comes to seek His Lost Sheep. And the Gospel tells of the separation that this Shepherd will make for ever between the sheep and the goats, or between the good, who repent and give themselves up to Works of Charity, and the sinners (this Prophecy was spoken by Jesus to His Apostles on the Mount of Olives, on the evening of the Tuesday preceding His Death).

Let us ask God to prepare us by “this Lenten Fast” (Collect) “to be loosened from the bonds of our sins” (The Prayer Over The People) by virtue of The Power of Peter, who was delivered from his Chains.

Mass: Sicut óculi.
Preface: For Lent.

English: Basilica of Saint Peter's Chains, Rome, Italy.

Italiano: San Pietro-in-Vincoli, Roma, Italy.

Photo: 3 April 2013.

Source: Own work.

Author: sailko

(Wikimedia Commons)

The following Text is from Wikipedia - the free encyclopaedia.

San Pietro-in-Vincoli (Saint Peter-in-Chains) is a Roman Catholic Titular Church and Minor Basilica in Rome, Italy, best known for being the home of Michelangelo's statue of Moses, part of the tomb of Pope Julius II.

Also known as the Basilica Eudoxiana, it was first rebuilt on the much older foundations in 432 A.D. – 440 A.D., to house The Relic of The Chains that bound Saint Peter, when he was imprisoned in Jerusalem, the episode called The Liberation of Saint Peter.

The Empress Eudoxia (wife of Emperor Valentinian III), who received them as a gift from her mother, Aelia Eudocia, consort of Valentinian II, presented The Chains to Pope Leo I. Aelia Eudocia had received these Chains as a gift from Iuvenalis, Bishop of Jerusalem.

According to legend, when Pope Leo, while comparing them to The Chains of Saint Peter's final imprisonment in The Mamertine Prison in Rome, the two Chains miraculously fused together. The Chains are kept in a Reliquary under The High Altar in the Basilica.

English: The Interior of San Pietro-in-Vincoli, Rome.

Deutsch: San Pietro-in-Vincoli, Gesamtansicht des Innenraums.

Photo: 20 May 2012.

Source: This file was derived from: SPIV_small.jpg

Author: SPIV_small.jpg: Philippos. Derivative work: Rabanus Flavus

(Wikimedia Commons)

The Basilica, consecrated in 439 A.D., by Pope Sixtus III, has undergone several restorations, among them a restoration by Pope Adrian I, and further work in the 11th-Century. From 1471 to 1503, in which year he was elected Pope Julius II, Cardinal Della Rovere, the nephew of Pope Sixtus IV, effected notable rebuilding.

The front Portico, attributed to Baccio Pontelli, was added in 1475. The Cloister (1493–1503) has been attributed to Giuliano da Sangallo. Further work was done at the beginning of the 18th-Century, under Francesco Fontana, and there was also a renovation in 1875.

English: The Internal Courtyard of Saint Peter-ad-Vincula (Saint Peter's Chains), Rome, Italy.

Italiano: Vista di parte del cortile interno.

Photo: 21 June 2008.

Source: Own work.

Author: Costanza spaggiari

(Wikimedia Commons)

The Titulus S. Petri ad Vincula was assigned on 20 November 2010, to Donald Wuerl. The previous Cardinal Priest of the Basilica was Pío Laghi, who died on 11 January 2009.

Two Popes were Elected in this Church: Pope John II in 533 A.D., and Pope Gregory VII in 1073.

Basilica of San Pietro-in-Vincoli. 18th-Century Lacunar Ceiling,

frescoed in the centre by Giovanni Battista Parodi, portraying The Miracle of The Chains (1706).

Photo: 26 December 2009.

Source: San_Pietro_in_Vincoli_-_ceiling,_Rome.jpg

Author: San_Pietro_in_Vincoli_-_ceiling,_Rome.jpg: Maros M r a z (Maros).

Derivative work: Alberto Fernandez Fernandez

(Wikimedia Commons)

The Interior has a Nave and two Aisles, with three Apses, divided by antique Doric Columns. The Aisles are surmounted by Cross-Vaults, while the Nave has an 18th-Century Coffered Ceiling, frescoed in the centre by Giovanni Battista Parodi, portraying The Miracle of The Chains (1706).

Michelangelo's Moses (completed in 1515), while originally intended as part of a massive forty-seven-statue, free-standing funeral monument for Pope Julius II, became the centerpiece of the Pope's funeral monument and tomb in this, the Church of The Della Rovere Family. Moses is depicted with horns, connotating "the radiance of The Lord", due to the similarity in the Hebrew words for "beams of light" and "horns". This kind of iconographic symbolism was common in early Sacred Art, and, for an artist, horns are easier to sculpt than rays of light.

Other works of art include two canvasses of Saint Augustine and Saint Margaret by Guercino, the monument of Cardinal Girolamo Agucchi, designed by Domenichino, who is also the painter of a Sacristy fresco depicting the Liberation of Saint Peter (1604).

The Altarpiece on the first Chapel to the Left is a Deposition by Cristoforo Roncalli. The tomb of Cardinal Nicholas of Kues (died 1464), with its Relief, Cardinal Nicholas before Saint Peter, is by Andrea Bregno. Painter and sculptor Antonio Pollaiuolo is buried at the Left Side of the entrance. He is the Florentine sculptor who added the figures of Romulus and Remus to the sculpture of The Capitoline Wolf on the Capitol. The tomb of Cardinal Cinzio Passeri Aldobrandini, decorated with imagery of The Grim Reaper, is also in the Church.

Moses.

Artist: Michelangelo Buonarroti (1475–1564).

Date: 1513-1515.

Current location: San Pietro-in-Vincoli, Rome.

Source/Photographer: Prasenberg (transferred from

en.wikipedia t

o Commons by User:Leoboudv using CommonsHelper).

(Wikimedia Commons)

In 1876, archaeologists discovered the tombs of those once believed to be The Seven Maccabean Martyrs, depicted in 2 Maccabees 7–41. It is highly unlikely that these are, in fact, the Jewish Martyrs that had offered their lives in Jerusalem. They are remembered each year on 1 August, the same day as The Miracle of The Fusing of The Two Chains.

The third Altar, in the Left Aisle, holds a mosaic of Saint Sebastian from the 7th-Century A.D. This mosaic is related to an outbreak of plague in Pavia, in Northern Italy. It would only stop if an Altar was built for Saint Sebastian in The Church of S. Pietro-in-Vincoli in that City. Somehow, this story also became accepted in Rome. Hence the Altar.

The Only Remaining Mediaeval Monastery In Britain Still Used For Its Original Purpose. Pluscarden Abbey Is A Sanctuary Like No Other.

This Article is taken from, and can be read in full at, REGINA

Pluscarden Abbey Monks at Prayer.

Illustrations: REGINA

PLUSCARDEN ABBEY.

This House of Valliscaulian Monks was Founded in 1230 and united in 1454

with The Benedictine Urquart Priory. After 1560, Monks continued

in 

decreasing 

numbers to inhabit the Priory, until circa 1590.

After the Protestant Reformation, Pluscarden, like most Church 

fell into the hands of wealthy overlords. In 1594, it was sold to

Keneth Mackenzie of Kintail, and then, in 1662, 

to the Brodies of Lethen.

Quadregesima Sunday. First Sunday Of Lent. Lenten Station At The Papal Arch-Basilica Of Saint John Lateran.

Text from The Saint Andrew Daily Missal,
unless stated otherwise.

Quadregesima Sunday.
   First Sunday of Lent.

Station at Saint John Lateran.

Indulgence of 10 Years and 10 Quarantines.

Semi-Double.

Privilege of The First Class.

Violet Vestments.

"And behold, Angels came and ministered to Him".

Illustration: UNA VOCE OF ORANGE COUNTY

Artist: René de Cramer.

"Copyright Brunelmar/Ghent/Belgium".

Used with Permission.

English: Papal Arch-Basilica of Saint John Lateran. Main façade of

the Arch-Basilica of Saint John Lateran, Rome, Italy, by Alessandro Galilei, 1735.

Latin: Archibasilica Sanctissimi Salvatoris et Sanctorum Iohannes

Baptistae et Evangelistae in Laterano.
Omnium urbis et orbis ecclesiarum mater et caput.

Italiano: Facciata principale della Basilica di San Giovanni in Laterano,

progettata da Alessandro Galilei (1735).

Français: Façade principale de la basilique Saint-Jean-de-Latran

(Rome) par Alessandro Galilei, 1735.

Photo: 2006/09/07.

Source: Own work.

Author: Jastrow

(Wikimedia Commons)

Originally, The Forty Days of Lent were counted from this Sunday. The Liturgical gathering of "The Station" takes place today, as it has since the 4th-Century A.D., at Saint John Lateran, which is The Patriarchal Basilica of The Bishops of Rome. At its first Consecration, it was Dedicated to "Saint Saviour", a name which calls to mind the Redemption accomplished by Our Blessed Lord.

Immediately after His Baptism, Our Lord began to prepare for His Public Life by a Fast of Forty Days in the mountainous desert which stretches between Jericho and the mountains of Judea. [Tradition tells us that Our Lord took shelter in the grotto on the highest peak of all, known as Mount of the Quarantine.] It was there that He was tempted by Satan, who wished to discover whether The Son of Mary was, in reality, The Son of God (Gospel of The Mass of The Day).

As in the case of Adam, Satan addresses his first attack to the senses. Our Lord is hungry and the tempter suggests to Him that He should turn stones into bread. In the same way, he tries, during these Forty Days, to make us give up on our Fasting and mortification. This is the concupiscence of the flesh.

English: Basilica of Saint John Lateran, Vatican.

With its length of 400 feet, this Basilica ranks fifteenth among the largest Churches in the World.

Français: Basilique Saint-Jean-de-Latran, Vatican, située à Rome, Latium, Italie. Avec sa longueur de 121,84 mètres, cette Basilique se classe au 15è rang parmi les plus grandes églises au monde.

Photo: September 2010.

Source: Own work.

Author: Tango7174

(Wikimedia Commons)

The devil had promised our first parent that he should be as God. Now, he takes Our Lord to the pinnacle of the Temple and tries to induce Him to let Himself be carried by the Angels through the air, amidst the applause of the crowds below. Satan tempts us by Pride, which is opposed to the spirit of Prayer and meditation on God's Word. This is the Pride of Life.

Finally, just as he had promised Adam a knowledge which, like that of God Himself, should enable him to know all things, so Satan assures Jesus that he will make Him Ruler over all Created Things, if He will fall at his feet and worship him. In the same way, the devil seeks to attach us to Temporal goods, when we ought, by Alms and Works of Charity, to be doing good to our neighbour. This is the concupiscence of the eyes, or Avarice.

Since the Sword of the Spirit is the Word of God, Our Lord made use of the 90th Psalm against Satan, and this is the theme of the whole Mass and is found again and again in The Office of The Day. "His Truth shall cover thee with a shield," says the Psalmist. This Psalm is, therefore, the ideal Psalm for Lent as a special time of warfare against the devil.

English: Basilica of Saint John Lateran, Vatican. The Choir and Apse. The mosaics

in the Dome are a 19th-Century rebuilding of Jacopo Torriti's works, dating to the 13th-Century.

Français: Basilique Saint-Jean-de-Latran, située à Rome. Chœur et abside. La mosaïque

du dôme est une réfection du XIXè siècle de l'œuvre de Jacopo Torriti remontant au XIIIè siècle.

Photo: September 2010.

Source: Own work.

Author: Tango7174

(Wikimedia Commons)

Again, The Eleventh Verse: "He hath given His Angels charge over Thee, to keep Thee in all Thy ways," recurs in Vespers-like refrain during the whole Season. We find the entire Psalm in the Tract, which reminds us of the old custom of singing Psalms during certain parts of The Mass.

Some of its Verses make up the Introit, with its Verse, the Gradual, the Communion and the Offertory, which last was formerly composed, in today's Mass, of three Verses instead of one, following the order of the threefold temptation as recorded in the Gospel.

Side-by-side with this Psalm, the Epistle, certainly dating from the time of Pope Saint Leo, sounds one of the characteristic notes of Lent. There, Saint Paul borrows a Text of Isaias: "In an accepted time, have I heard thee, and in the Day of Salvation have I helped thee." "Behold," says the Apostle, "now is the acceptable time. Behold, now is the Day of Salvation" (Epistle and First Nocturn).

The Decorated Ceiling of the Basilica of Saint John Lateran, Rome, Italy.

Photo: March 2010.

Source: Own work.

Author: Grenouille vert

(Wikimedia Commons)

On this, Saint Leo comments: "Although there is no Season of the Year which is not rich in Divine Gifts and in which we, by God's Grace, do not find immediate access to His Mercy; nevertheless, at this time, when the return of the day on which we are redeemed summons us to fulfill all the duties of Christian piety, the Souls of Christians must be stirred with more zeal for spiritual progress, and possessed of a very great confidence in Almighty God.

In this manner, with pure Souls and bodies, shall we celebrate this Mystery of The Lord's Passion, Sublime beyond all others. True, we ought always to be in The Divine Presence, just as much as on The Easter Feast. But, because this spiritual vigour is the possession of only a few, while, on the other hand, the weakness of the flesh leads to any very severe observance being relaxed, and on the other, the varied occupations of this life share and divide our interest, it necessarily happens that the dust of the world soils the hearts, even of Religious themselves.

The Cloisters at Saint John Lateran.

Photo: August 2006.

Source: Own work.

Author: Kodiak

(Wikimedia Commons)

This Divine Institution has been planned with great profit to our Salvation, in a manner that the exercises of these Forty Days may help us to regain the Purity of our Souls, making up, in a way, for the faults of the rest of the Year, by Fasting and pious deeds.

However, we must be careful to give no-one the least cause of complaint or scandal, so that our general behaviour may not be inconsistent with our Fasting and Penance. For it is useless to reduce the nourishment of the body unless the Soul departs from sin" (Second Nocturn).

In this "acceptable time" and in these "Days of Salvation", let us purify ourselves with The Church (Collect), "in Fastings, in Chastity," by zeal in hearing and meditating on The Word of God and by Charity unfeigned (Epistle).

Every Parish Priest Celebrates Mass for the people of his Parish.

Mass: Invocábit me.
Preface: For Lent.

"40 Days For Life" Kicks Off Largest-Ever Lent Campaign In 377 Cities.

Illustration: LIFE SITE NEWS

This Article is taken from, and can be read in full at, LIFE SITE NEWS

LONDON, U.K, 6 March 2019 (LifeSiteNews) – As Lent begins, so does the Pro-Life initiative "40 Days For Life".

This year, there will be Pro-Life Vigils, organised by "40 Days For Life", in 

377 participating Cities, across thirty-one Countries, with over 150 Cities outside of North America. 

In The United Kingdom, there will be ten Campaigns running.

This will be the largest-ever Lent Campaign for "40 Days For Life".

Saturday After Ash Wednesday. The Lenten Station Was At The Church Of Saint Tryphon (Now At The Church Of Saint Augustine).

Text from The Saint Andrew Daily Missal,
unless otherwise stated.

Saturday after Ash Wednesday.

Station at Saint Tryphon's
   (now at Saint Augustine's).

Indulgence of 10 Years and 10 Quarantines.

Violet Vestments.

English: The Church of Saint Augustine, Rome.

Italiano: San'Agostino, Rome.

Photo: October 2005.

Source: Own Work.

Author: Lalupa

(Wikimedia Commons)

The Station at Rome was, previously, at The Church of Saint Tryphon, who died a Martyr in The East. This Church having been destroyed, The Station was removed, under Pope Clement VIII, to a neighbouring Church, that of Saint Augustine. [Editor: The Church Commemorates The Feast Day of Saint Tryphon on 10 November.]

The High Altar, Sant'Agostino, Rome.

Photo: July 2007.

Source: Own work.

Author: SteO153

Permission: CC-BY-SA-2.5

(Wikimedia Commons)

Saturday is the day of rest, which symbolises The Eternal Sabbath (Epistle of The Mass of The Day). To reach it, we must, during Lent, struggle by "Solemn Fast" (Collect of The Mass) and by Works of Charity (Epistle) against our passions, of which the rough sea and the contrary winds, spoken of in the Gospel, are a figure.

In this hard struggle, Jesus will come to our aid (Postcommunion), as He did to The Apostles and "heal our bodies and our Souls by Fasting." (Collect), as He healed all the sick in the country of Genesareth.

Mass: Audívit Dóminus.
Preface: For Lent.

The Altar and Tomb of Saint Monica of Hippo, at Sant'Agostino in Campo Marzio Church, Rome.

Photo: March 2011.

Source: Own work.

Author: Bocachete

(Wikimedia Commons)

The following Text is from Wikipedia - the free encyclopaedia.

Sant'Agostino is a Church in Rome, Italy, not far from Piazza Navona. It is one of the first Roman Churches built during The Renaissance. The construction was funded by Guillaume d'Estouteville, Archbishop of Rouen and Papal Chancellor. The façade was built in 1483 by Giacomo di Pietrasanta, using Travertine taken from The Colosseum. It is a fine, plain work of The Early-Renaissance Style.

The most famous work of art, presently in the Church, is The Madonna di Loreto, an important Baroque painting by Caravaggio. The Church also contains a Guercino canvas of Saints Augustine, John the Evangelist and Jerome; a fresco of The Prophet Isaiah by Raphael; and the statues of The Virgin and Child, by Andrea Sansovino and of The Madonna del Parto (Our Lady of Childbirth) by his pupil, Jacopo Sansovino. The latter sculpture is reputed by Tradition to work miracles and was, according to a legend, based on an ancient statue of Agrippina holding Nero in her arms.

In 1616, the 17th-Century Baroque artist, Giovanni Lanfranco, decorated The Buongiovanni Chapel (in the Left Transept) with three canvasses and a ceiling fresco of The Assumption. The Church also houses Melchiorre Caffà's sculpture "Saint Thomas of Villanova Distributing Alms", completed by his mentor, Ercole Ferrata. Pietro Bracci designed and sculpted the polychromatic tomb of Cardinal Giuseppe Renato Imperiali (1741).

English: "Madonna di Loreto", by Caravaggio.

Deutsch: Altargemälde der Cavaletti-Kapelle in Sant' Agostino in Rom, Szene: Madonna der Pilger.

Artist: Michelangelo Merisi da Caravaggio.

Date: 1603 - 1605.

Current location: Church of San'Agostino, Rome.

Source/Photographer: The Yorck Project: 10.000 Meisterwerke der Malerei.

DVD-ROM, 2002. ISBN 3936122202.

Distributed by DIRECTMEDIA Publishing GmbH.

Permission: [1]

(Wikimedia Commons)

The Church contains the tomb of Saint Monica, mother of Saint Augustine, and that of Fiammetta, lover of Cesare Borgia and a famous courtesan.

Sant'Agostino was once noted for the presence of a number of courtesans and prostitutes in its Congregation.

The Titulus S. Augustini is held by Cardinal Jean-Pierre Ricard since 2006. Furthermore, it is The Station Church of The First Saturday in Lent.

"Attende Domine". Lenten Gregorian Chant.

English: The Cloisters at the Basilica of Saint Paul-without-the-Walls, Rome, Italy.

Deutsch: Rom, Sankt Paul vor den Mauern (San Paolo fuori le mura),

Kreuzgang des Klosters.

Photo: 28 July 2007.

Source: Own work.

Licence: (CC-BY-SA 3.0).

Author: Dnalor 01

Permission:

English: This photograph was taken by Dnalor_01 and released under the license(s) stated below. You are free to use it for any purpose as long as you credit the Author, the Source (Wikimedia Commons) and the license (CC-BY-SA 3.0) close to the image.

Deutsch: Dieses Foto wurde von Dnalor_01 erstellt und unter nachfolgend aufgeführter Lizenz veröffentlicht. Das Bild kann frei verwendet werden solange der Urheber, die Quelle (Wikimedia Commons) und die Lizenz (CC-BY-SA 3.0) unmittelbar beim Bild genannt wird.

(Wikimedia Commons)

"Attende Domine".

Lenten Gregorian Chant.

Available on YouTube at

YOU TUBE