Notre Dame de Rouen. The façade of the Gothic Church in France. Photographer: Hippo1947. Licence: SHUTTERSTOCK.

Monday 18 May 2020

The Rogation Days. The Lesser Litanies. The Greater Litanies. Chestnut Sunday. The Litany Of The Saints.


Text from The Saint Andrew Daily Missal,
unless stated otherwise.



In 2020, “The Rogation Days” are:

Rogation Sunday (“Chestnut Sunday”), 17 May 2020.

“The Lesser Litanies”.

Rogation Monday, 18 May 2020.
Station: At Saint Mary Major;

Rogation Tuesday, 19 May 2020.
Station: At Saint John Lateran;

Rogation Wednesday, 20 May 2020.
Station: At Saint Peter's.

Indulgence of 30 Years and 30 Quarantines each day.

Violet Vestments.

The Rogation Days in 2020 are followed by
Ascension Day on Thursday, 21 May 2020.


The Ancient Custom of Blessing the Fields.
“Rogation Sunday”.
Hever, Kent, England.
Photo: 9 February 1967.
Source: From geograph.org.uk
Author: Ray Trevena
(Wikimedia Commons)


The Greater Litanies.

25 April.
The Station is at Saint Peter's.

Violet Vestments.

The Church Celebrates, on 25 April, two Solemnities, which have nothing in common: “The Greater Litanies”, so called on account of their Roman origin, and “The Feast of Saint Mark”, which is of later date. The word “Litany” means “Supplication”.

In ancient Rome, on 25 April, used to be celebrated the pagan feast of “Robigalia”. It consisted, principally, of a Procession, which, leaving the City by The Flaminian Gate, went to The Milvian Bridge and ended in a suburban Sanctuary situated on The Claudian Way.

There, a ewe was sacrificed in honour of a god or goddess of the name Robigo (god or goddess of frost). “The Greater Litany” was the substitution of a Christian, for a pagan, Ceremony. Its itinerary is known to us by a convocation of Saint Gregory the Great. It is, approximately, the same as that of the pagan Procession.


“Ember Days”
and
“Rogation Days”.
Sermon By: Fr Ripperger.
Available on YouTube at

All The Faithful in Rome betook themselves to the Church of Saint Laurence-in-Lucina, the nearest to The Flaminian Gate. Leaving by this Gate, the Procession made a Station at Saint Valentine's, crossed The Milvian Bridge, and branched off to the Left towards The Vatican.

After halting at a Cross, it entered The Basilica of Saint Peter for the Celebration of The Holy Mysteries.

This Litany is recited throughout The Church to keep away calamities, and to draw down The Blessing of God on the harvest. “Vouchsafe to grant us to preserve the fruits of the Earth, we Pray Thee, hear us”, is sung by the Procession through the Countryside.

The whole Mass shows what assiduous Prayer may obtain, when in the midst of our adversities (Collects, Offertory) we have recourse with confidence to Our Father in Heaven (Epistle, Gospel, Communion).

If The Feast of Saint Mark is Transferred, The Litanies are not Transferred, unless they fall on Easter Sunday. In which case, they are Transferred to the following Tuesday.

Procession.

See “The Litany Of The Saints”, Page 1888, The Saint Andrew Daily Missal, and “The Rogation Mass”, Page 673, The Saint Andrew Daily Missal (see, below).


“Rogation Days”.
Available on YouTube at

“The Lesser Litanies”.

In consequence of the public calamities that afflicted the Diocese of Vienne, Dauphiny, France, in the 5th-Century A.D., Saint Mamertus instituted a Solemn Penitential Procession on The Monday, Tuesday, and Wednesday, before Ascension Thursday.

Under an Order of The Council of Orleans, in 511 A.D., the Devotion spread to the rest of France. In 816 A.D., Pope Leo III introduced it in Rome and, soon after, it became a general observance throughout The Church.

“The Litany of The Saints”, and The Psalms and Collects sung in Procession, on these days, are Supplications; hence, the term “Rogations” is applied to them. The object of these Devotions is to appease The Anger of God and avert the scourges of His Justice, and to draw down The Blessings of God on the fruits of the Earth.

Violet is used as a token of Penance, and The Paschal Candle is left unlighted. “The Litany of The Saints”, consisting of ejaculations in the form of a dialogue, is an admirable manner of Prayer, which it should be our purpose to cultivate.

The Celebrant wears a Violet Stole and Violet Cope. All in the Choir stand as they sing the first Antiphon “Exsurge, Domine”.


Mass Of Rogation.

Stations:

Rogation Monday. At Saint Mary Major.

Rogation Tuesday. At Saint John Lateran.

Rogation Wednesday. At Saint Peter's.

Indulgence of 30 Years and 30 Quarantines each day.

Violet Vestments.


The Mass, throughout, points to the efficacy of The Prayer of The Just Man, when humble, sure, and persistent. Elias, by Prayer, closed and opened the heavens (Epistle), and Our Lord shows us by two Parables that God gives His Holy Spirit to whomever asks Him, because He is good (Gospel, Alleluia). In our afflictions, let us place our trust in God and He will hear our Prayers (Introit, Collect).

The following Mass is said during, or after, the Procession of both “The Greater Litanies” and “The Lesser Litanies”.

Mass of Rogation: Exaudivit de templo.
Gloria: Is not said.
Preface: Of Easter.


“Litany of The Saints”.
Available on YouTube at


“Litany Of The Saints”.

The “Litany Of The Saints” is used in connection with:

Holy Mass on “The Greater Litanies” (25 April);

“The Lesser Litanies”
(“Rogation Monday”) and
(“Rogation Tuesday”) and
(“Rogation Wednesday”)
(The Rogation Days)
immediately before Ascension Thursday;

Holy Saturday;

The Vigil of Pentecost;

Masses of Ordination, before the conferring of Major Orders.

On Saint Mark’s Day (25 April) and “Rogation Days”, if the Procession is held, the Litany is preceded by the Antiphon, “Exurge, Domine”, (Psalm XLIII. 26), and all Invocations are sung by the Cantors and repeated in full by the Choir [i.e., “Doubled”].

If the Procession cannot be held, the Invocations are not repeated.

On The Vigils of Easter and Pentecost, the Invocations marked with an asterisk (*) in The Missal are omitted; all the remaining Invocations are repeated, either there be a Font and a Procession from The Baptistry, or not.

At Masses of Ordination, only The First Five Invocations are repeated.


“Litany of The Saints”
at the Funeral of Pope Saint John Paul II.
Available on YouTube at


The following Text is from Wikipedia - the free encyclopædia.

Rogation Days are, in The Calendar of The Western Church, observed on 25 April (“The Major Rogation”) and the Monday, Tuesday, and Wednesday immediately preceding Ascension Thursday (“The Minor Rogations”).

The first Rogation, “The Greater Litanies”, has been compared to the ancient Roman religious festival of The Robigalia, a ritual involving prayer and sacrifice for crops held on 25 April. The first Rogation is also observed on 25 April, and a direct connection has sometimes been asserted, with the “Christian substitute” following the same processional route in Rome. If Easter falls on 24 April or on this day (the latest possible date for Easter), “The Rogations” are transferred to the following Tuesday.

The second set of “Rogation Days”, “The Lesser Litanies”, or, “Rogations”, introduced about 470 A.D. by Bishop Mamertus of Vienne, and eventually adopted elsewhere, are the three days (Rogation Monday, Rogation Tuesday and Rogation Wednesday) immediately before Ascension Thursday in The Christian Liturgical Calendar.


The word “Rogation” comes from the Latin verb “Rogare”, meaning “to ask”, and was applied to this time of The Liturgical Year because the Gospel Reading for the previous Sunday included the passage: “Ask, and ye shall receive” (Gospel of John 16:24).

The Sunday, itself, was often called Rogation Sunday, as a result, and marked the start of a three-week period (ending on Trinity Sunday), when Roman Catholic and Anglican Clergy did not Solemnise marriages (two other such periods of marital prohibition also formerly existed, one beginning on The First Sunday in Advent and continuing through The Octave of Epiphany, or 13 January, and the other running from Septuagesima until The Octave of Easter, the Sunday after Easter). In England, Rogation Sunday is called “Chestnut Sunday”.

The Faithful typically observed The Rogation Days by Fasting in preparation to Celebrate The Ascension, and farmers often had their crops Blessed by a Priest at this time. Violet Vestments are worn at The Rogation Litany and its associated Mass, regardless of what Colour Vestments were worn at the ordinary Liturgies of The Day.


A common feature of Rogation Days, in former times, was the Ceremony of “Beating The Bounds”, in which a Procession of Parishioners, led by The Minister, Churchwarden, and Choirboys, would proceed around the boundary of their Parish and Pray for its protection in the forthcoming year. This was also known as “Gang-Day”.

The reform of The Liturgical Calendar for Latin Roman Catholics, in 1969, delegated the establishment of Rogation Days, along with Ember Days, to The Episcopal Conferences. Their observance in The Latin Church subsequently declined, but the observance has revived somewhat, since 1988, (when Pope Saint John Paul II issued his Decree Ecclesia Dei Adflicta), and especially since 2007 (when Pope Benedict XVI issued his Motu Proprio, called “Summorum Pontificum”), when the use of older Rites was encouraged.

Churches of The Anglican Communion reformed their Liturgical Calendar in 1976, but continue to recognise The Three Days before Ascension Day as an Optional Observance.

“In Paradisum”. “May The Angels Lead You Into Paradise”. The Antiphon From A Requiem Mass.



Saint Benedict Ornate Wall Crucifix.
Image: AMAZON

In paradisum deducant te angeli: in tuo adventu suscipiant te martyres, et perducant te in civitatem sanctam Ierusalem.

Chorus angelorum te suscipiat, et cum Lazaro, 
quondam paupere, aeternam habeas requiem. 

May The Angels lead you into Paradise:
May The Martyrs receive you at your coming,
And lead you into The Holy City, Jerusalem.

May The Choir of Angels receive you,
and, with Lazarus, who once was poor,
May you have Everlasting Rest.


“In Paradisum”. 
By: Gabriel Fauré.
Available on YouTube at


Traditional Latin Requiem Mass.
Illustration: LMS CHAIRMAN

The following Text is from Wikipedia - the free encyclopædia.

In Paradisum (English: “Into Paradise”) is an Antiphon from The Traditional Latin Liturgy of The Western Church’s Requiem Mass.

It is sung by The Choir as the body is being taken out of the Church. The Text of “In Paradisum”, with or without The Gregorian Melody, is sometimes included in musical settings of The Requiem Mass, such as those by Gabriel Fauré and Maurice Duruflé.


English: The Antiphon “In Paradisum”.
Deutsch: Antiphon zur Begräbnisfeier In paradisum deducant
te angeli - Zum Paradies mögen Engel dich geleiten.
Date: Mediæval.
Sources:
Author: Unknown.
(Wikimedia Commons)

A Wonderful Consolation
At The Death Of A Loved One.

Sunday 17 May 2020

“A Special Pleader”. By: Charles Burton Barber (1845-1894).



“A Special Pleader”.
Artist: Charles Burton Barber (1845–1894).
Date: 1893.
Source/Photographer: Web Screenshot.
This File: 14 November 2013.
(Wikimedia Commons)


Charles Burton Barber.
Date: 1880.
Source: U.K. Wikipedia
Author: Unknown.
(Wikimedia Commons)

The following Text is from Wikipedia - the free encyclopædia,
unless stated otherwise.

Charles Burton Barber (1845–1894), was a British painter who attained great success with his paintings of children and their pets.

Barber was born in Great Yarmouth in Norfolk, and studied from the age of 18 at the Royal Academy, London - receiving a Silver Medal for drawing in 1864, and first exhibiting there in 1866.


“Suspense”.
Artist: Charles Burton Barber (1845–1894).
Date: 1894.
Source/Photographer: Reproduction from Art Book.
This File: 29 December 2009.
(Wikimedia Commons)

During his lifetime, Barber was regarded as one of Britain's finest animal painters and received commissions from Queen Victoria to do paintings of her with grandchildren and dogs,[1] and also The Prince of Wales (later King Edward VII) and his pets.

A number of his portraits are in The Royal Collection. He exhibited at The Royal Academy from 1866 to 1893. In 1883, he was elected a member of The Royal Institute of Oil Painters.


English: “Off to School”.
Français: “En route pour l'école”
Artist: Charles Burton Barber (1845–1894).
Date: 1883.
Source/Photographer: Rehs Galleries
(Wikimedia Commons)

Barber became a very popular sporting and animal painter, specialising particularly in sentimental portraits of dogs, often with children. His work ranged from photographically realistic to quick sketches. Although some have regarded his work as overly sentimental, his work remains popular, largely because of his competent painting.

Barber received his final commission in 1894 to paint Queen Victoria, with her grandchildren, in her pony-carriage. He died in London soon afterwards. His place as foremost painter of children and pets was taken by Arthur Elsley.

Many of Barber’s paintings were made into prints, usually in the medium of photogravure. He exhibited at The Royal Institute of Oil Painters, Walker Art Gallery and Manchester Art Gallery. Much of his art is at The Lady Lever Art Gallery in Port Sunlight.

Saint Paschal Baylon. Confessor. Feast Day, Today, 17 May.


Text from The Saint Andrew Daily Missal,
unless stated otherwise.

Saint Paschal Baylon.
   Confessor.
   Feast Day 17 May.

Double.

White Vestments.



English: Saint Paschal Baylon Adoring The Eucharist.
Italiano: San Pasquale Baylon e l'adorazione eucaristica (Ignoto sec. XVIII).
Photo: 1 January 2002.
Source: Own work.
(Wikimedia Commons)


Born in the Kingdom of Aragon, in Spain, Saint Paschal, in his childhood, tended sheep. At the age of twenty, he entered as a Lay-Brother in The Order of Saint Francis, where he became a model of the greatest austerity, of the most complete obedience, and of the most Seraphic poverty (Epistle).

His Meditation of The Things of God (Introit) was so profound that he was absorbed into ecstasies of love. It gave him a knowledge of Divine Things, which enabled him to speak about the most obscure Mysteries of The Faith.


Church of Saint Paschal Baylon,
Taranto, Italy.
Photo: 5 June 2008.
Source: Own work.
(Wikimedia Commons)

He was especially celebrated for his Devotion to The Blessed Sacrament (Collect), and spent hours in Prayer before The Tabernacle.

Pope Leo XIII declared him Protector of all Eucharistic Congresses and Works. Like "the servants who await the coming of their Master" (Gospel), Saint Paschal awaited the coming of Jesus at the exact hour he had foretold, 17 May 1592, at Pentecost, the anniversary of his birth, and he ascended to Heaven, following The Risen Christ.

Let us imitate the love of Saint Paschal for The Eucharist, "so that we may deserve to draw from this banquet the same abundance of Graces which he found there" (Collect).

Mass: Os justi.

Saturday 16 May 2020

“Come To Mass” And “Vesting Prayers For Priests”. From Biretta Books.



“Come To Mass”.
$9.00.
Available from BIRETTA BOOKS


“Vesting Prayers for Priests”.
$5.00.
Available from BIRETTA BOOKS

Saint Ubaldus (1084-1160). Bishop And Confessor. Feast Day 16 May.


Text is taken from The Saint Andrew Daily Missal,
unless otherwise stated.

Saint Ubaldus.
   Bishop and Confessor.
   Feast Day 16 May.

Semi-Double.

White Vestments.



Fresco of Saint Ubaldus at Gubbio, Umbria, Italy.
Source: http://www.ilmiositoweb.it/santubaldo/Santo.htm
(Wikimedia Commons)



The Race Of The Ceri.
La Calata, Gubbio, Italy.
Available on YouTube at

Saint Ubaldus, born at Gubbio, Umbria, Italy, received Episcopal Consecration (Introit, Epistle, Alleluia) and was obliged, by Pope Honorius II, to take the government of that Church (Communion).

After having, under the guidance of The Holy Ghost, by his Charity and Apostolic zeal, put to full advantage the talents which God had entrusted to him, he piously fell asleep and "entered into the joy of his Lord" (Gospel) on Whit-Sunday evening.

He died in 1160 and his body has remained intact up to our time. Let us ask this Saint, to whom God gave special power against Satan, to preserve us from all the malice of the devil (Collect).

Mass: Státuit.


The Festival of La Corsa dei Ceri, at Gubbio, Italy.
The statue of Saint Ubaldo leads the Procession, followed by Ceri,
topped with the statues of Saint George and Saint Anthony the Great.
Date: 2000.
This File: 29 April 2006.
User: Starlight
(Wikimedia Commons)


The following Text is from Wikipedia - the free encyclopædia.

The Basilica is the finishing-point for the annual Saint Ubaldo Day Procession on 15 May (in Italian, La Corsa dei Ceri). The Procession includes a race between three teams of men, each representing one of the Town's three Guilds:

The Masons (in Gold) with a statue of Saint Ubaldo;
The Merchants (in Blue) with a statue of Saint George;
The Peasants (in Black) with a statue of Saint Anthony.

The participants dress in colourful "Ceraioli" and carry three, nearly-900-pound, wooden stands and statues (Ceri) of their Saints through the City to the City Gates. Thereafter, the teams sprint up Mount Ingino to the Basilica, where the statues remain until the following May. A similar Festival is celebrated in Jessup, Pennsylvania, United States of America. The event is considered an important contribution to the Town's tourism industry.


English: The Courtyard of the Basilica of Sant'Ubaldo, Italy.
Italiano: Gubbio - Basilica di S. Ubaldo. Gubbio, Umbria, Italy.
Photo: August 2009.
Source: Own work.
Author: Geobia
(Wikimedia Commons)


Ubaldo of Gubbio (Italian: Ubaldo; Latin: Ubaldus; French: Ubalde; circa 1084–1160) was a Mediæval Bishop of Gubbio, in Umbria, today Venerated as a Saint by The Catholic Church. Saint Ubaldo Day is still Celebrated at the Basilica of Sant'Ubaldo, in Gubbio, in his honour, as well as at Jessup, Pennsylvania.

Born Ubaldo Baldassini, of noble parents, at Gubbio, Italy, Ubaldo lost his father while still very young. He was educated by the Prior of the Cathedral Church of his native City, where he also became a Canon Regular. Saint Sperandia was a relative of Ubaldo.

He felt a Vocation to become a Monk, and entered the Monastery of Saint Secondo in the same City, where he remained for some years. Recalled by his Bishop, he returned to the Cathedral Monastery, where he was made Prior. Having heard that, at Vienna, Blessed Peter de Honestis, some years before, had established a very fervent Community of Canons Regular, to whom he had given special statutes which had been approved by Pope Paschal II, Ubaldo went there, remaining with his Brother Canons for three months, to learn the details and the practice of their rules, wishing to introduce them among his own Canons of Gubbio.


English: The Courtyard of the Basilica of Sant'Ubaldo, Italy.
Italiano: Gubbio - Basilica di S. Ubaldo, Gubbio, Umbria, Italy.
Photo: August 2009.
Source: Own work.
Author: Geobia
(Wikimedia Commons)


This he did at his return. He earned a reputation for piety, poverty (for all his rich patrimony, he had given to The Poor and to the restoration of Monasteries), humility, mortification, meekness, and fervour, and the fame of his Holiness spread in the Country, and several Bishoprics were offered to him, but he refused them all.

Ubaldo is said to have prevented Frederick Barbarossa from sacking Gubbio, as the Emperor had sacked Spoleto in 1155.

However, the Episcopal See of Gubbio becoming vacant, he was sent, with some Clerics, by the population to ask for a new Bishop from Pope Honorius II, who, having Consecrated him, sent him back to Gubbio. To his people, he became a perfect pattern of all Christian virtues, and a powerful protector in all their Spiritual and Temporal needs.

He died after a long and painful illness of two years.


English: The glass sarcophagus of Saint Ubaldo,
Basilica of Saint Ubaldo, Gubbio, Umbria, Italy.
Italiano: Gubbio - Urna con le spoglie di S. Ubaldo (nella Basilica di S. Ubaldo).
Date: August 2009.
Source: Own work.
Author: Geobia
(Wikimedia Commons)


Numerous Miracles were attributed to him during his life and after his death. At the solicitation of Bishop Bentivoglio, Pope Celestine III Canonised him in 1192. His power, as we read in The Office for his Feast, is chiefly manifested over the evil spirits, and The Faithful are instructed to have recourse to him "contra omnes diabolicas nequitias".

The Life of the Saint was written by Blessed Theobaldus (Theobald, Teobaldo), his immediate successor in the Episcopal See, and, from this source, is derived all the information given by his numerous biographers. The body of Ubaldo, which had at first been buried in the Cathedral Church by the Bishops of Perugia and Cagli, at the time of his Canonisation was found flexible and incorrupt, and was then placed in a small Oratory on the top of the hill overlooking the City, where, in 1508, at the wish of the Duke of Urbino, The Canons Regular built a Church, frequented by numerous Pilgrims, who come to visit the Relics.


English: Basilica of Saint Ubaldo, Gubbio, Umbria, Italy.
Italiano: Gubbio - Basilica di S. Ubaldo.
Date: August 2009.
Source: Own work.
Author: Geobia
(Wikimedia Commons)


The Devotion to the Saint is very popular throughout Umbria, but especially at Gubbio, where, in every family, at least one member is called Ubaldo. The Feast of their Patron Saint is Celebrated by the inhabitants of the country around with great Solemnity, there being Religious and Civil Processions which call to mind the famous Festivities of The Middle Ages in Italy.

The Basilica of Sant'Ubaldo, with a Nave and four Aisles, is a Sanctuary atop Monte Ingino, just above the City. Noteworthy, are the Marble Altar and the Great Windows with episodes of The Life of Ubaldo. The finely-sculpted Portals and the fragmentary frescoes give a hint of the magnificent 15th-Century decoration once boasted by the Basilica.

Outside of Italy, a finger Relic of Saint Ubaldus is Venerated in the Saint-Theobald Collegiate Church of Thann, Haut-Rhin, France.

Friday 15 May 2020

The Church Of Maria-am-Gestade (Saint Mary-On-The-Shore), Vienna, Austria.



English: The magnificent Crucifix on The High Altar,
Church Of Maria-am-Gestade
(Saint Mary-On-The-Shore),
Vienna, Austria.
Magyar: Maria am Gestade, Bécs.
Photo: 16 September 2015.
Author: Thaler Tamas
(Wikimedia Commons)



Church Of Maria-am-Gestade
(Saint Mary-On-The-Shore),
Vienna, Austria.
Photo: 8 August 2010.
Source: Own work.
Author: Thomas Ledl
(Wikimedia Commons)


English: The High Altar,
Church of Maria-am-Gestade
(Saint Mary-On-The Shore),
Vienna, Austria.
[Somebody has left a Wallpaper Table in front of The High Altar.]
Deutsch: Hochalter der Wiener Pfarrkirche Maria-am-Gestade
Photo: 26 January 2015.
Source: Own work.
Author: Bwag © Bwag/Commons.
(Wikimedia Commons)


The exquisite Tabernacle
in the Church of Maria-am-Gestade
(Saint Mary-On-The-Shore), Vienna, Austria,
which features both Gothic and Baroque elements.
Illustration: INTROIBO AD ALTARE DEI


The following Text is from Wikipedia - the free encyclopædia.

Maria-am-Gestade (English: Mary-On-The-Shore) is a Gothic Church in Vienna, Austria. One of the oldest Churches in the City — along with Saint Peter's Church and Saint Rupert's Church — it is one of the few surviving examples of Gothic Architecture in Vienna.

The Church was traditionally used by sailors on The River Danube. The name “Maria-am-Gestade”, reflects the former location on the Fluvial Terrace of an arm of The River Danube.


The Church Of Maria-am-Gestade
(Saint Mary-On-The-Shore),
Vienna, Austria.
Photo: March 28, 2006.
Source: Own work.
Author: Gryffindor
(Wikimedia Commons)


of the “Mother of Perpetual Help”.
Maria-am-Gestade Church, Vienna, Austria.
Constructed in 1878 .
Photo: March 28, 2006.
Source: Own work.
Author: Gryffindor
(Wikimedia Commons)


The West Portal
Vienna, Austria.
Photo: 10 June 2010.
Source: Own work.
Author: Manfred Werner - Tsui
(Wikimedia Commons)


Church Of Maria-am-Gestade
(Saint Mary-On-The-Shore),
Vienna, Austria.
Photo: 5 August 2005.
Source: Own work.
Author: Ksardari
(Wikimedia Commons)


The following Text is from Wikipedia - the free encyclopædia.

It is said that there was a Wooden Church here in the 9th-Century A.D., although this has been disputed, which served as a place of Worship for fishermen and sailors. The Church is first mentioned in documents from 1158. The present building was built between 1394 and 1414 in The Gothic Style.

The ownership of the land appears obscure, variously passing into the hands of The Diocese of Passau, in Bavaria, the nearby Schottenstift, and Viennese families. From 1302, the Church was owned by the Herren von Greif.

Between 1330 and 1355, a new Choir was constructed and was probably conceived as a family burial ground. In 1409, the Church became a more permanent part of The Passau Diocese, giving its name to the surrounding Precinct (Passauer Platz) and remained an enclave when The Archdiocese of Vienna was established in 1469.

The Church was De-Consecrated in 1786 and gradually became dilapidated and parts were torn down. It was used as an Arsenal and Stable during Napoleon's occupation of Vienna in 1809. In 1812, the Church was renovated and newly-Consecrated, coming into the hands of The Redemptorist Order. 


The Gothic Choir Windows were taken to Laxenburg, in Lower Austria, and installed in Franzensburg Castle. The Church was further restored in 1900, and again in 1930, mainly involving the figures in the Portico. The Church is associated with The Czech Community in Vienna.

The Church's most striking characteristic is the fifty-six metre (180 ft) high, Open Work Tower, built in 1419-1428 in Gothic Scroll-Work. It is recognisable from a great distance and is depicted on the oldest images of the City.

The Choir, whose construction was begun at the same time as the Tower, around 1330, contains two Gothic Panels (1460). The Windows contain surviving fragments of Mediæval Stained-Glass.

The Nave, due to the limited space, is narrower than the Choir. Construction was started in 1400, and it is said that Duke Albrecht III was the builder.


The builder of the Choir and the Tower was Michael Knab, who also produced the (later modified) Plan for the Towers of Saint Stephen's Cathedral, and was succeeded by Peter Prachatitz, also a Master Builder.

The Church has three Porticos that are decorated with Reliefs and Figures. The Choir Door shows a Virgin of Mercy and a Coronation of The Virgin, both dating from around 1350, as deduced from the Middle Portal, which has realistic depictions of Angels playing musical instruments.

On the main Portal, on The West facade, Canopies crown Reliefs of the two Saint Johns (The Baptist and The Evangelist) from about 1410, in a Style also seen at Prague's Saint Vitus Cathedral and a range of Sculptures and Mosaic decoration, which date from the 20th-Century.

An “Annunciation” in the Nave of the Church dates from about 1360 and is attributed to “The Meister der Minoritenwerkstatt”, whose work also appears in Vienna's Minoritenkirche. The Virgin's partial disengagement from the Wall and the spatial independence of the gestures are considered to make this an important transitional piece of The High-Gothic Style of Architecture.


The Pulpit is a Gothic Revival structure, installed in 1820 during the renovation of the Church, which aimed to restore its Mediæval appearance. The Wooden structure was affixed on the huge Mediæval Pillar between The Nave and The Choir, with a Bridge connecting it to the Door that was cut in The Northern Wall.

The colour scheme is Olive and Gold, with Blind Tracery decoration on the Balustrade and the Rear Wall. The “Abat-Voix” [Editor: “Tester”, or, “Sounding Board ” above a Pulpit] is crowned with the Statue of Christ as “Salvator Mundi” [Editor: Saviour of The World] under a Pinnacled Baldachin. The previous Pulpit was erected in 1727 on the same spot in The Baroque-Style.

Saint John Baptist De La Salle. Confessor. The Founder Of The Brothers Of The Christian Schools. Feast Day 15 May.


Text from The Saint Andrew Daily Missal,
unless otherwise stated.

Saint John Baptist de la Salle.
   Confessor.
   Founder of The Brothers of The Christian Schools.
   Feast Day 15 May.

Double.

White Vestments.



The official portrait of Saint John Baptist de La Salle, Founder of The Brothers of The Christian Schools. It is by Pierre Leger and is designated as the official portrait of him for The Congregation.
Date: Unknown.
Source: The portrait is in the public domain and featured on the website of The Congregation, plus other locations, both in Print and on the Internet http://www.lasalle2.org/ClipArt/Iconog/icon5.jpg
Author: Pierre Leger.
(Wikimedia Commons)


Born at Reims, France, on 30 April 1651, of an illustrious family, Saint John Baptist de la Salle made himself, from childhood, dear to all by the virtues of his Soul, the gentleness of his nature and the keenness of his mind. He went to Paris to study Theology at The Sorbonne. At seventeen, he was a Canon of the Cathedral.

When he reached the Priesthood, he offered The Holy Sacrifice with fervent Faith and intense love; these never left him when he was at the Altar. God had raised him "to give a Christian education to The Poor and to confirm youths in The Way of Truth" (Collect). With this object in view, he Founded a new Religious Congregation, which he called "Brothers of The Christian Schools" and which soon spread throughout the World.

Out of humility and out of love for poverty, he gave up his Canonry and gave all he had to The Poor (Epistle). "Inflamed with zeal for the salvation of Souls, he spent himself during his whole life," says The Breviary, "for their greatest good." Assiduously treating himself with rigour, in Fastings, flagellations and other austerities, he passed the night in Prayer (Introit).


Such was his manner of life, until, remarkable for every virtue, especially for his obedience, his zeal for the accomplishment of The Divine Will, his love and devotion towards The Apostolic See, and loaded with merits, he fell asleep in The Lord, at Rouen, France, on Good Friday, 7 April 1719, at the age of sixty-eight."

After striving to pass his life in the most humble duties, by serving Jesus in little children (Gospel), he was called to Heaven by The Divine Redeemer Whose Glory he shares, and Who still Blesses his work throughout the World.

"Let us burn with zeal like this Saint to procure The Glory of God by saving Souls, so that we may share his reward in Heaven" (Collect).

Another Proper Mass is said in the Houses of The Brothers of Christian Schools.

Mass: Os justi.

Thursday 14 May 2020

Beatæ Mariæ Virginis Patronæ Bavariæ. Blessed Virgin Mary, Patroness Of Bavaria, Whose Feast Day Is Today, 14 May.


Liturgical Text and Illustrations, unless stated otherwise, are taken from MISSALE ROMANO-SERAPHICUM PRO TRIBUS ORDINIBUS SANCTI FRANCISCI PATRIS NOSTRI. 1879.


Liturgical Illustrations: ZEPHYRINUS




English: The Lozenge variant of The Flag of Bavaria.
Deutsch: Die Rautenflagge des Freistaates Bayern seit 1971.
Das Seitenverhältnis ist nicht vorgegeben, Abbildung 3:5.
Slovenčina: Vlajka Bavorska
Source Own work.
Author: Jwnabd
(Wikimedia Commons)


English: Our Lady of Altötting, Germany.
Deutsch: Das Gnadenbild der Gnadenkapelle in Altötting (Landkreis Altötting, Oberbayern). Die frühgotische Statue einer stehenden Muttergottes mit dem Jesus-Kind kam um 1330 nach Altötting. Die Fotografie wurde in der Altöttinger Stiftspfarrkirche aufgenommen, wohin das Gnadenbild am 23.02.2011 wegen Arbeiten in der Gnadenkapelle gebracht war. Dies bedeutete eine seltene Gelegenheit zur Bildaufnahme, da die Innenräume der Gnadenkapelle nicht fotografiert werden dürfen.
Photo: 23 February 2011.
Source: Own work.
Author: S. Finner: Siddhartha Finner, Dipl.Ing.-Architektur.
(Wikimedia Commons)



The following Text is from Wikipedia, the free encyclopædia,
unless stated otherwise.

The Shrine of Our Lady of Altötting, also known as The Chapel of Grace (German: Gnadenkapelle), is the National Shrine of Bavaria, Dedicated to The Blessed Virgin Mary. It is known for the many healings which are said to have taken place there, and is commonly called The Lourdes of Germany.

The octagonal Chapel, which houses the image of Our Lady, dates to about 660 A.D., and is the oldest Marian Shrine in Germany. The image of Mary, Venerated there, is a Black Madonna of great antiquity (possibly about 1330), carved from Linden Wood.

The Shrine became a popular Pilgrim destination when it became known for the miraculous recovery in 1489 of a young boy who had been drowned, after his mother laid his body before the image of The Blessed Virgin Mary, and Prayed to The Blessed Mother for a Miracle.


Many of the Votive Offerings, which have been given to The Shrine over the Centuries, are displayed in the Porch encircling the Church. Also to be seen are the small, Silver Urns, in which many members of The German Nobility would have their hearts placed after their deaths, which would then be brought to this location.

The Shrine has been served by the The Capuchin Friars for Centuries. One Member of The Order, Brother Conrad of Parzham, O.F.M. Cap. (1818-1894), served there as Porter for over forty years. During his lifetime of Service, he developed a reputation for Holiness and miraculous healings. He has been declared a Saint by The Catholic Church.

The Shrine was honoured by a visit by Pope Saint John Paul II in November 1980. He was accompanied by Cardinal Joseph Ratzinger, who was born in a nearby Town. On 11 September 2006, Ratzinger, newly Elected as Pope Benedict XVI, returned to The Shrine, and donated the Episcopal Ring he had worn while he was The Archbishop of Munich. The Ring is now a part of The Sceptre held by The Blessed Virgin.


The following Text is from CATHOLIC NEWS AGENCY

Pope Emeritus Benedict XVI began his Papal Visit to Bavaria, on 9 September 2006, with a Prayer at The Column of The Virgin Mary in the centre of the Bavarian Capital of Munich. It was here, on 28 February 1982, that he bid farewell with a Prayer, when he left The Office of Archbishop of Munich and Freising and assumed the responsibilities of Prefect for The Congregation for The Doctrine of The Faith at the side of Pope Saint John Paul II.

In this Prayer, he appealed with moving words to The “Patrona Bavariæ”, Bavaria's Protector: “From your image, we see again and again the nearness of our God. You bear Him in your hands as a Child, and hold Him out to us so that we can also bear Him and be borne by Him."

Elector Maximilian I Elevates
The Blessed Virgin Mary To
Patroness Of Bavaria In The 17th-Century.


English: Golden Statue of Holy Mary - Marienplatz, Munich, Germany.
Português: Estátua dourada de Nossa Senhora - Marienplatz, Munique.
Photo: 26 December 2017.
Source: Own work.
Author: Erika Piffer
(Wikimedia Commons)

The Adoration and Proclamation of Mary as The Patroness of Bavaria dates back to the beginning of the 17th-Century. At that time, The Bavarian Duke and Elector, Maximilian I, had a Statue of Mary, with The Infant Jesus, sculpted by Hans Krumper and cast in bronze by Bartholomäus Wenglein.

The Statue was erected at his residence in Munich and the words “Patrona Boiariæ” inscribed on the Pedestal. The Duke, a pupil of The Jesuits in Ingolstadt, and a dedicated Member of The Marian Congregation, thus proclaimed Mary as Patroness of his family and as Heavenly Ruler of The People and The State of Bavaria.

Next to the sculpture, is a Sanctuary Lamp with an Eternal Light. When participants in The Corpus Christi Procession in Munich pass this depiction of Mary, many Flag Bearers halt and lower their Banners in greeting.


Pope Emeritus greets Pilgrims in Munich in 2006.
Illustration: CATHOLIC NEWS AGENCY


Illustration: CATHOLIC NEWS AGENCY

The Column of The Virgin Mary, with the likeness of The Patrona Bavariæ, on Marienplatz in Bavaria's Capital, is well-known for saving the Cities of Munich and Landshut from destruction by Swedish Soldiers in The Thirty Years' War,

Bavaria's Great Elector, Maximilian, vowed to erect The Column on The Main Square in Munich, his Capital. In 1638, the famous Column with the gilded, larger-than-life, figure, originally created by Hubert Gerhard for the Church of Our Lady (Liebfrauenkirche), was erected and Cconsecrated by Freising’s Prince Bishop, Veit Adam von Gepeckh. In his Prayer of Consecration, Maximilian once again commended his people and Bavaria to the protection and care of The Blessed Mother: At the unveiling, The Elector is said to have pronounced the following Latin couplet: “ Rem, Regem, Regimen, Regionem, Religionem/Conserva Bavaris Virgo Maria Tuis ! ”

Along with The Bavarian Pilgrimage Centre, Altötting, The Column of The Virgin Mary in Munich symbolises the Veneration of Mary in Altbayern [Editor: Old Bavaria], which is understood as a firm profession of belief in Christ.

The Column of The Virgin Mary on Munich's main square, known as Marienplatz, since 1854, was the point from which distances on all roads starting here were measured. It was the model for many similar Columns, such as those in Vienna, Prague and the Bishops’ Seat.

Munich's Column Of The Virgin Mary.

Simple Pilgrims, as well as Popes and Princes, have Prayed before Munich's Column of The Virgin Mary. Throughout the Baroque Period, it was the scene of many important Acts of State. In 1683, Elector Max Emanuel made a point of setting off to War from here against the Armies of The Ottoman Empire, which were threatening Christian Europe.

During The Third Reich, silent Praying to Mary became a mute protest against the regime. In 1938, because of the strict ban by The National Socialist municipal government, the 300-year Anniversary of the erection of The Column could not be celebrated, but only in the nearby Parish Church of Saint Peter.

During World War II, The Column was kept in The Liebfrauendom. In 1945, Cardinal Michael Faulhaber had The Column erected in the midst of the ruins of Munich. In 1988, on the occasion of The 350-year Anniversary of the erection of The Column, he recalled The Holocaust in his Prayer: “Holy Daughter of Zion, in all humility we bow our heads before you and honour your people, who, in our City, were pursued in blind hatred and driven to camps of destruction.


“Holy Mother, pierced by the sword, heal the wounds which your people suffered at the hands of our people.” After having been removed for some time, while Munich's subway was being built, The Column was returned in 1970 by Cardinal Julius Döpfner to its accustomed place. “Let the many who pass here look up in hope to The Virgin's Infant, Who brought Peace to the World,” Cardinal Döpfner Prayed.

On his first visit to Munich in 1980, Pope Saint John Paul II Prayed, together with Cardinal Ratzinger, at The Mariensäule. Pope Pius VI also Prayed here when he visited Munich in 1782. In a Prayer specially formulated for the occasion, Cardinal Wetter, in May of The Holy Year of 2000, appealed to The Patroness of Bavaria, and, at the beginning of the new Century, in a Marian Tradition, again placed Bavaria and its people under her protection: The Cardinal's Ecumenical Intercessory Prayer was worded: “Lead all to your Son, so that all those baptised in your name will be united.”

In the middle of World War I, King Ludwig III of Bavaria, together with his Queen, Maria Theresia, had asked Pope Benedict XV to officially declare The Blessed Virgin Mary as The Patroness of Bavaria.

In a Decree, The Pope, in 1916, Elevated The Blessed Virgin Mary to be Patroness of the entire Kingdom of Bavaria. In the Decree, the Country of Bavaria is called “The Kingdom of Mary” (Reich Mariens).

Veneration Of Mary Still Upheld
By All Generations, Today.

At the same time, The Pope authorised a special Celebration, in honour of Bavaria's Patroness, with Liturgical Texts. The Festivities were held for the first time in 1917 in all Bavarian Dioceses. In 1970, The Freising Bishops Conference shifted the Celebration to 1 May, and, thus, to the beginning of The Traditional Month of Mary.

At the 90th Anniversary of the Celebration, a delegation from The Bavarian Gebirgsschützen (Traditional “Defenders of Bavaria”), together with Cardinal Wetter, paid their respects to The Holy Father, on 13 May, in Rome. The Celebration of Patrona Bavariæ is The Feast of The Patron of The Association of The Bavarian Gebirgsschützen Companies.

Over Centuries, Pilgrimages in Bavaria, in Veneration of The Blessed Virgin, have repeatedly given Believers confidence in their Faith. Every year, in the seven Bavarian Dioceses, millions of men and women, including very many young people, take part in Devotions in honour of The Virgin Mary, and Pilgrimages to Shrines of The Blessed Virgin Mary.

Source: http://www.benedikt-in-bayern.de
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