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English: Stained-Glass Window depicting Saint Wolfgang,
in the Parish Church of Liesing, Austria.
Deutsch: Kirchenfenster von Wolfgang in der Pfarrkirche Liesing
(Wien 23), Österreich. Bild von mir selbst aufgenommen im Sommer 2005.
This File: 3 May 2013.
User: Bede735c.
(Wikimedia Commons)
Here he formed a strong friendship with Henry of Babenberg, brother of Bishop Poppo of Würzburg, whom he followed to Würzburg in order to attend the lectures of the noted Italian grammarian, Stephen of Novara, at the Cathedral School.
After Henry was made Archbishop of Trier, in 956 A.D., he summoned Wolfgang, who became a teacher in the Cathedral School of Trier, and also laboured for the reform of the Archdiocese, despite the hostility with which his efforts were met.
English: Chapel of Saint Wolfgang, Glanz, Austria.
Deutsch: Kapelle hl. Wolfgang, Glanz, Österreich.
Photo: 29 October 2012.
Source: Own work.
Author: Jürgele.
(Wikimedia Commons)
After the death of Archbishop Henry of Trier, in 964 A.D., Wolfgang entered the Benedictine Order in the Abbey of Maria, Einsiedeln, Switzerland, and was Ordained Priest by Saint Ulrich, in 968 A.D.
After their defeat in the Battle of the Lechfeld (955 A.D.), the heathen Hungarians settled in ancient Pannonia. As long as they were not converted to Christianity, they remained a constant menace to the Empire.
At the request of Saint Ulrich, who clearly saw the danger, and at the desire of the Emperor Otto the Great, Wolfgang, according to the Abbey annals, was "sent to the Hungarians" as the most suitable man to evangelise them.
English: Chapel of Saint Wolfgang,
Bassig, Dünserberg, Vorarlberg.
Deutsch: Kapelle hl. Wolfgang, Bassig,
Photo: 25 September 2013.
Source: Own work.
Author: Böhringer Friedrich.
(Wikimedia Commons)
After the death of Bishop Michael of Regensburg (23 September 972 A.D.), Bishop Piligrim obtained from the Emperor the appointment of Wolfgang as the new Bishop (Christmas, 972 A.D.). Wolfgang's services in this new position were of the highest importance, not only for the Diocese, but also for the cause of civilisation. As Bishop of Regensburg, Wolfgang became the tutor of Emperor Saint Henry II, who learned from him the principles which governed his Saintly and energetic life. Poppe, son of Margrave Luitpold, Archbishop of Trier (1018), and Tagino, Archbishop of Magdeburg (1004–1012), also had him as their teacher.
Wolfgang deserves credit for his disciplinary labours in his Diocese. His main work in this respect was connected with the ancient and celebrated Saint Emmeram's Abbey, which he reformed by granting it, once more, Abbots of its own, thus withdrawing it from the control of the Bishops of Regensburg, who for many years had been Abbots in commendam, a condition of affairs that had been far from beneficial to the Abbey and Monastic life. In the Benedictine Monk, Romuald, whom Saint Wolfgang called from Saint Maximin, at Trier, Saint Emmeram received a most capable Abbot in 975 A.D.
English: Parish Church of Saint Wolfgang, Tyrol, Austria.
Deutsch: Kath. Pfarrkirche hl. Wolfgang, Friedhof u.
Kriegerkapelle,
Österreich.
Photo: 27 September 2011.
Source: Own work.
Author: OW.
(Wikimedia Commons)
[Editor: Note the beautiful scrolled Metalwork around the Grave Crucifixes,
a feature of Austrian Metalcraft Workers. Such scrolled Metalwork
would contribute greatly to new Sanctuary Communion Rails,
should any Parish Priest be looking for ideas.]
English: Parish Church of Saint Wolfgang, Tyrol, Austria.
Deutsch: Kath. Pfarrkirche hl. Wolfgang,
Friedhof u. Kriegerkapelle,
Österreich.
Photo: 27 September 2011.
Source: Own work.
Author: OW.
(Wikimedia Commons)
He showed genuine Episcopal generosity, in the liberal manner with which he met the views of the Emperor Otto II, regarding the intended reduction in size of his Diocese for the benefit of the new Diocese of Prague (975 A.D.), to which Saint Adalbert was appointed first Bishop. As Prince of the Empire, he performed his duties, towards the Emperor and the Empire, with the utmost scrupulousness and, like Saint Ulrich, was one of the mainstays of the Ottonian policies.
He took part in the various Imperial Diets, and, in the Autumn of 978 A.D., accompanied Emperor Otto II on his Campaign to Paris, and took part in the Diet of Verona, in June 983 A.D. He was succeeded by Gebhard I.
English: Interior of the Parish Church of Saint Wolfgang,
Tyrol, Austria.
Deutsch: Kath. Pfarrkirche hl. Wolfgang,
Friedhof u. Kriegerkapelle,
Österreich.
Photo: 26 September 2011.
Source: Own work.
Author: OW.
(Wikimedia Commons)
While travelling on the Danube to Pöchlarn, in Lower Austria, he fell ill at the village of Pupping, which is between Eferding and the Market Town of Aschach, near Linz, and at his request was carried into the Chapel of Saint Othmar, at Pupping, where he died.
His body was taken up the Danube by his friends, Count Aribo of Andechs and Archbishop Hartwich of Salzburg, to Regensburg, and was Solemnly Buried in the Crypt of Saint Emmeram. Many Miracles were performed at his grave; in 1052 he was Canonised.
English: Another view of the beautiful Interior
of the Parish Church of Saint Wolfgang, Tyrol, Austria.
Deutsch: Kath. Pfarrkirche hl. Wolfgang,
Friedhof u. Kriegerkapelle, Österreich.
Photo: 26 September 2011.
Source: Own work.
Author: OW.
(Wikimedia Commons)
In Christian art, he has been especially honoured by the great Mediaeval Tyrolean painter, Michael Pacher (1430–1498), who created an imperishable Memorial to him, the High Altar of Saint Wolfgang. In the Panel pictures, which are now exhibited in the Old Pinakothek, at Munich, are depicted in an artistic manner the chief events in the Saint's life.
The oldest portrait of Saint Wolfgang is a Miniature, painted about the year 1100, in the celebrated Evangeliary of Saint Emmeram, now in the Library of the Castle Cathedral at Kraków.
A fine modern picture, by Schwind, is in the Schack Gallery, at Munich. This painting represents the Legend of Wolfgang forcing the devil to help him to build a Church.
English: The High Altar, in Saint Wolfgang Parish Church,
Salzkammergut, Austria, was created by Michael Pacher in 1481.
The Paintings, on the Side Panels, were painted by Alois Hänisch (1866-1937).
Deutsch: Blick auf den Pacheraltar in Hl. Wolfgang,
Salzkammergut, Österreich.
Date: 1910.
Source/Photographer: Dorotheum.
(Wikimedia Commons)
The axe refers to an incident in the Life of the Saint. After having selected a solitary spot in the wilderness, he Prayed and then threw his axe into the thicket; the spot on which the axe fell he regarded as the place where God intended he should build his Cell. This axe is still shown in the little Market Town of Saint Wolfgang, which sprang up on the spot of the old Cell.
Saint Wolfgang is sometimes counted among the Fourteen Holy Helpers.
English: Saint Wolfgang High Altar, by Michael Pacher (1481), (Detail),
Salzkammergut Parish Church, Austria. The Coronation of The Virgin Mary in Heaven.
Deutsch: Pfarrkirche Sankt Wolfgang im Salzkammergut (Oberösterreich).
Hochaltar (1481) von Michael Pacher: Marienkrönung.
Photo:18 August 2009.
Source: Own work.
Author: Wolfgang Sauber.
(Wikimedia Commons)
The oldest and best Manuscript, of this Life (Vita), is in the Library of Einsiedeln Abbey, in Switzerland (MS. No. 322), and has been printed, with critical notes, in Mon. Germ. His.: Script., IV, 524-542.
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Thanks again for another interesting and informative post. There seem to be quite a few Saints, notably from Germany and Eastern Europe, who have quite a big following in their home countries, but are virtually unknown here. It's always interesting to find out about a 'new' Saint, and, of course, great to be able to ask for their prayers when you do!
ReplyDeleteThe parish church in Tyrol is absolutely beautiful: I like the way that the artist has managed to decorate heavily yet retain a feeling of light an airiness within the building. It also occurred to me that a modest version of this might be achievable in many of our rather plain parish churches and do a great deal to beautify them. Much of the design involves repeated motifs, so in this age of laser-cut stencils (a la Banksy, et al.), elements such as the detailing round the arches could be done by someone with quite basic decorating skills, possibly parishioners themselves, and then commission an artist to add one or two high quality paintings as focal points (eg in the ceiling centre, apse or reredos). An interesting thought.
Thank you, Matthaeus, for your welcome Comment.
ReplyDeleteI agree. A modest version of the Tyrolean Church decoration, that you mentioned, would certainly enhance some of the modern-day Parish Churches in England.
And what a marvellous opportunity for the laity's "Active Participation" !!!
So perhaps it's time to get the paint pots out.
ReplyDelete