Notre Dame de Rouen. The façade of the Gothic Church in France. Photographer: Hippo1947. Licence: SHUTTERSTOCK.
Showing posts with label Milan Cathedral.. Show all posts
Showing posts with label Milan Cathedral.. Show all posts

Monday, 29 April 2013

Milan Cathedral (Part Five).


Text, Illustrations and Captions taken from Wikipedia, the free encyclopaedia,
unless otherwise 
stated .




English: Milan Cathedral, Milan, Italy.
Italiano: Il Duomo of Milan Italy.
Available on YouTube at http://youtu.be/r6YUEEotp_Q


Poet, Percy Bysshe Shelley, read literature inside the DuomoAlfred, Lord Tennyson enjoyed the view of the Alps from the Duomo roof.

The American writer and journalist, Mark Twain, visited Milan in the summer of 1867. He dedicated Chapter 18 of Innocents Abroad to Milan Cathedral, including many physical and historical details, and a,  now, uncommon visit to the Roof. He describes the Duomo as follows:

"What a wonder it is! So grand, so solemn, so vast! And yet, so delicate, so airy, so graceful! A very world of solid weight, and yet it seems . . . a delusion of frostwork that might vanish with a breath ! . . The central one of its five great doors is bordered with a bas-relief of birds and fruits and beasts and insects, which have been so ingeniously carved out of the marble that they seem like living creatures - and the figures are so numerous and the design so complex, that one might study it a week without exhausting its interest . . . everywhere that a niche or a perch can be found about the enormous building, from summit to base, there is a marble statue, and every statue is a study in itself . . . Away above, on the lofty Roof, rank on rank of carved and fretted Spires spring high in the air, and through their rich tracery one sees the sky beyond . . . (Up on) the Roof . . . springing from its broad marble flagstones, were the long files of the Spires, looking very tall close at hand, but diminishing in the distance . . . We could see, now, that the statue on the top of each was the size of a large man, though they all looked like dolls from the street . . . They say that the Cathedral of Milan is second only to Saint Peter's at Rome. I cannot understand how it can be second to anything made by human hands".


File:Duomo (Milan) at night .jpg


Milan Cathedral at night.
Photo: 8 February 2011.
Author: Luca Volpi.
(Wikimedia Commons)



Oscar Wilde visited Milan in June 1875. In a letter to his mother, he wrote: "The Cathedral is an awful failure. Outside, the design is monstrous and inartistic. The over-elaborated details stuck high up where no one can see them; everything is vile in it; it is, however, imposing and gigantic as a failure, through its great size and elaborate execution."

In Italian Hours, Henry James describes “a certain exhibition that I privately enjoyed of the relics of Saint  Charles Borromeus (sic). This holy man lies at his eternal rest in a small, but gorgeous sepulchral Chapel . . .  and, for the modest sum of five francs, you may have his shrivelled mortality unveiled and gaze at it with whatever reserves occur to you. The Catholic Church never renounces a chance of the sublime for fear of a chance of the ridiculous . . . especially when the chance of the sublime may be the very excellent chance of five francs.

"The performance in question, of which the good San Carlo paid in the first instance the cost, was impressive certainly, but as a monstrous matter or a grim comedy may still be. The little Sacristan, having secured his audience, lighted a couple of extra candles and proceeded to remove from above the Altar, by means of a crank, a sort of sliding shutter, just as you may see a shop-boy do of a morning at his master's window. In this case, too, a large sheet of plate-glass was uncovered, and, to form an idea of the étalage, you must imagine that a jeweller, for reasons of his own, has struck an unnatural partnership with an undertaker.


File:Duomo In S20.jpg


English: Interior of Milan Cathedral.
Polski: Wnętrze Katedry Duomo (Mediolan - Włochy).
Photo: 25 August 2012.
Source: Own work.
Author: Spens03.
(Wikimedia Commons)


"The black mummified corpse of the Saint is stretched out in a glass coffin, clad in his mouldering Canonicals, Mitred, Crosiered and Gloved, glittering with votive jewels. It is an extraordinary mixture of death and life; the desiccated clay, the ashen rags, the hideous little black mask and skull, and the living, glowing, twinkling splendour of diamonds, emeralds and sapphires. 

"The collection is really fine, and many great historic names are attached to the different offerings. Whatever may be the better opinion as to the future of the Church, I can't help thinking she will make a figure in the world so long as she retains this great fund of precious "properties," this prodigious capital decoratively invested and scintillating throughout Christendom at effectively-scattered points.”


IN POPULAR CULTURE.

The 1934 song, "O mia bela Madunina", by Giovanni d'Anzi, about the golden Madonna statue on the Spire, can be considered today an unofficial "city anthem" of Milan.

Luchino Visconti's 1960 film, Rocco e i suoi fratelli, set in Milan, has a scene which takes place on the Roof of the Cathedral.


File:Milano katedra dach 1.jpg


Polski: Mediolan - katedra.
English: Milan Cathedral.
Italiano: Milano - Duomo.
Photo: 31 August 2012.
Source: Own work.
(Wikimedia Commons)


Many Milanese-dialect speakers, reminded by the centuries needed to complete the Duomo, use the "Fabbrica del Duomo" ("Fabrica del Dom" in the dialect) as an adjective (sometimes humorously, sometimes not) to describe an extremely long, too complex task, maybe even impossible to complete. The Italian phrase, "mangiare a ufo", stemming from the Milanese dialect, mangià a uf, meaning "being paid for a job not done", comes from the fact that the goods used to build the Duomo wore the inscription "A.U.F.", shorthand for Latin "Ad Usum Fabricae" (to be used for the construction) and were exempt from taxation.

A souvenir model of the Cathedral was thrown at the nose of Italian Prime Minister, Silvio Berlusconi, during an attack on 13 December, 2009.

In the song, "In Every Age", from the musical, Titanic, the building (Milan Cathedral) is compared with the Pyramids and the Titanic, as one of the greatest feats of architecture.

Several lavish shots of the Duomo are featured in the Italian film, I Am Love, (2009).

In the novel, "The Wary Transgressor", by James Hadley Chase, the main protagonist is seen working as an unofficial guide at the Duomo.


THIS CONCLUDES THE ARTICLE ON MILAN CATHEDRAL.


Sunday, 28 April 2013

Milan Cathedral (Part Four).


Text, Illustrations and Captions taken from Wikipedia, the free encyclopaedia,
unless stated otherwise.



File:Milano Duomo notte.jpg


English: Milan Cathedral at night.
Italiano: Duomo di Milano.
Photo: April 2012.
Source: Flickr: Duomo.
Permission: This image, which was originally posted to Flickr.com, 
was uploaded to Commons using Flickr upload bot on 20:27, 12 May 2012 (UTC) by Friedrichstrasse (talk). On that date it was licensed under the licence below.
This file is licensed under the Creative Commons Attribution 2.0 Generic licence.
(Wikimedia Commons)


English: The Duomo di Milano is the Cathedral Church of Milan, in Lombardy, Northern Italy. It is located on the main square (Piazza Duomo di Milano) in the centre of the city. Dedicated to Santa Maria Nascente (Saint Mary Nascent), it is the Seat of the Archbishop of Milan. The Gothic Cathedral took five centuries to complete. It is the largest Gothic Cathedral and the second largest Catholic Cathedral in the world.
Italiano: Il Duomo di Milano, monumento simbolo del capoluogo lombardo, è dedicato a Santa Maria Nascente ed è situato nell'omonima piazza nel centro della città.
עברית: קתדרלת מילאנו הידועה כדואומו היא קתדרלה גו


The Cathedral was built over several hundred years, in a number of contrasting styles, and the quality of the workmanship varies markedly. Reactions to it have ranged from admiration to disfavour. The Guida d’Italia: Milano 1998 (Touring Club Editore, p. 154) points out that the early Romantics tended to praise it in “the first intense enthusiasms for Gothic.” As the Gothic Revival brought in a purer taste, condemnation was often equally intense.

John Ruskin commented acidly that the Cathedral steals "from every style in the world: And every style spoiled. The Cathedral is a mixture of Perpendicular with Flamboyant, the latter being peculiarly barbarous and angular, owing to its being engrafted, not on a pure, but a very early penetrative, Gothic . . . The rest of the architecture, amongst which this curious Flamboyant is set, is Perpendicular with horizontal bars across: And with the most detestable crocketing, utterly vile. Not a ray of invention in a single form . . . Finally, the statues all over are of the worst possible, common stonemason's yard, species, and look pinned on for show. The only redeeming character, about the whole, being the frequent use of the sharp gable . . . which gives lightness, and the crowding of the spiry pinnacles into the sky.” (Notebooks[M.6L]). The plastered Ceiling, painted to imitate elaborate tracery carved in stone, particularly aroused his contempt as a “gross degradation”.

While appreciating the force of Ruskin’s criticisms, Henry James was more appreciative: “A structure, not supremely interesting, not logical, not . . . commandingly beautiful, but grandly curious and superbly rich . . . If it had no other distinction, it would still have that of impressive, immeasurable achievement . . . a supreme embodiment of vigorous effort.”


File:2999MilanoDuomo.jpg


English: Milan Cathedral at night.
Italiano: Milano - Duomo.
Photo: March 2012.
Source: Own work.
Author: Geobia.
(Wikimedia Commons)


The interior of the Cathedral includes numerous monuments and artworks. These include:

At the left of the Altar is located the most famous statue of all the Cathedral, the "San Bartolomeo Flayed" (1562), by Marco d'Agrate. The Saint shows the leather thrown over his shoulders like a stole;

The Archbishop Alberto da Intimiano's sarcophagus, which is overlooked by a Crucifix in copper laminae (a replica);

The sarcophagi of the Archbishops Ottone Visconti and Giovanni Visconti, created by a Campionese Master in the 14th-Century;

The sarcophagus of Marco Carelli, who donated 35,000 ducati to accelerate the construction of the Cathedral;

The three magnificent Altars, by Pellegrino Pellegrini, which include the notable Federico Zuccari's "Visit of Saint Peter to Saint Agatha jailed";


File:Milano Duomo Interno 1.jpg


English: Plate, celebrating the laying of the first stone in 1386.
Italiano: Lapide dentro il Duomo che commemora l'inizio della costruzione, nel 1386.
This File: 13 May 2005.
Author: Author: Marco Bonavoglia.
(Wikimedia Commons)


In the Right Transept, the Monument to Gian Giacomo Medici di Marignano, called "Medeghino", by Leone Leoni, and the adjacent Renaissance marble Altar, decorated with gilt bronze statues;

The Presbytery is a Late-Renaissance masterpiece, composing a Choir, a Temple by Pellegrini, two Pulpits with giant atlantes covered in copper and bronze, and two large Organs. Around the Choir, the two Sacristies' Portals, some frescoes and a 15th-Century statue of Pope Martin V, by Jacopino da Tradate, can be seen;


File:Milan – Duomo at dusk, November 2001.jpg


A view at dusk of the facade (and part of the South side) 
of Milan Cathedral, Italy. (OM-4/HP5.)
Photo: November 2001.
Source: Own work.
Author: Ian Spackman.
(Wikimedia Commons)


The Transepts house the Trivulzio Candelabrum, which is in two pieces. The Base (attributed to Nicolas of Verdun, 12th-Century), characterised by a fantastic ensemble of vines, vegetables and imaginary animals; and the Stem, of the Mid-16th-Century;

In the Left Aisle, the Arcimboldi Monument, by Alessi, and Romanesque figures, depicting the Apostles, in red marble, and the neo-Classic Baptistry, by Pellegrini;


File:Duomo Milano Natale.jpeg


English: Piazza Duomo, in Milan, during Christmas holidays 2008. 
On the left, a Christmas Tree in front of the Galleria Vittorio Emanuele II.
Italiano: Piazza Duomo a Milano durante le feste natalizie del 2008. 
Sulla sinistra l'albero.
Photo: 7 December 2008.
Source: Own work.
Author: Goldmund100.
(Wikimedia Commons)


A small red light bulb, in the Dome above the Apse, marks the spot where one of the Nails, reputedly from the Crucifixion of Christ, has been placed. The Holy Nail is retrieved and exposed to the public every year, during a celebration known as the Rite of the Nivola;

In November–December, in the days surrounding the birthdate of Saint Charles Borromeo, a series of large canvasses, the Quadroni, are exhibited along the Nave;

The Five-Manual, 225-Rank, Pipe-Organ, built jointly by the Tamburini and Mascioni Italian organbuilding firms, on Mussolini's command, is currently the largest Organ in all of Italy.


PART FIVE FOLLOWS.



Monday, 22 April 2013

Milan Cathedral (Part One).


Text, Illustrations and Captions taken from Wikipedia, the free encyclopaedia,
unless stated otherwise.


File:876MilanoDuomo.JPG


English: Milan Cathedral.
Italiano: Milano - Duomo.
Photo: February 2009.
Source: Own work.
Author: MarkusMark.
(Wikimedia Commons)


Milan Cathedral (Italian: Duomo di Milano; Lombard: Domm de Milan) is the Cathedral Church of Milan, Italy. Dedicated to Santa Maria Nascente (Saint Mary Nascent), it is the seat of the Archbishop of Milan, currently Cardinal Angelo Scola.

The Gothic Cathedral took nearly six centuries to complete. It is the fifth largest Cathedral in the world and the largest in the Italian state territory.

Milan's layout, with streets either radiating from the Duomo or circling it, reveals that the Duomo occupies what was the most central site in Roman Mediolanum, that of the public Basilica facing the Forum. Saint Ambrose's 'New Basilica' was built on this site at the beginning of the 5th-Century, with an adjoining Basilica added in 836 A.D. The old Baptistery (Battistero Paleocristiano, constructed in 335 A.D.) still can be visited under Milan Cathedral. It is one of the oldest Christian buildings in Europe. When a fire damaged the Cathedral and Basilica in 1075, they were later rebuilt as the Duomo.


File:Milano duomo coro raddrizzato.jpg


English: Inside the Duomo (Cathedral) in Milan.
Italiano: Interno del Duomo di Milano.
Photo: December 2005.
Source: Own work.
Author: Paolo da Reggio.
(Wikimedia Commons)


In 1386, Archbishop Antonio da Saluzzo began construction of the Cathedral. Start of the construction coincided with the accession to power in Milan of the Archbishop's cousin, Gian Galeazzo Visconti, and was meant as a reward to the noble and working classes, who had suffered under his tyrannical Visconti predecessor, Barnabò. Before actual work began, three main buildings were demolished, the palace of the Archbishop, the Ordinari Palace and the Baptistry of Saint Stephen at the Spring, while the old Church of Santa Maria Maggiore was exploited as a stone quarry.

Enthusiasm for the immense new building soon spread among the population, and the shrewd Gian Galeazzo, together with his cousin, the Archbishop, collected large donations for the work-in-progress. The construction programme was strictly regulated under the "Fabbrica del Duomo", which had 300 employees led by First Chief Engineer, Simone da Orsenigo. Orsenigo initially planned to build the Cathedral from brick in Lombard Gothic style.

Visconti had ambitions to follow the newest trends in European architecture. In 1389, a French Chief Engineer, Nicolas de Bonaventure, was appointed, adding to the Church its Rayonnant Gothic, a French style not typical for Italy. He decided that the brick structure should be panelled with marble. Galeazzo gave the Fabbrica del Duomo exclusive use of the marble from the Candoglia quarry and exempted it from taxes. 


File:Duomo di milano keski.jpg


English: The Duomo (Cathedral) in Milan.
Italiano: Il Duomo di Milano.
Photo: 31 December 2005.
Source: Own work.
Author: Mikko Virtaperko.
(Wikimedia Commons)


Ten years later, another French architect, Jean Mignot, was called from Paris to judge and improve upon the work done, as the masons needed new technical aid to lift stones to an unprecedented height. Mignot declared all the work done up till then as in pericolo di ruina ("peril of ruin"), as it had been done sine scienzia ("without science"). 

In the following years, Mignot's forecasts proved untrue, but, anyway, they spurred Galeazzo's engineers to improve their instruments and techniques. Work proceeded quickly, and at the death of Gian Galeazzo in 1402, almost half the Cathedral was complete. Construction, however, stalled almost totally until 1480, for lack of money and ideas. The most notable works of this period were the tombs of Marco Carelli and Pope Martin V (1424) and the windows of the Apse (1470s), of which, those extant portray Saint John the Evangelist, by Cristoforo de' Mottis, and Saint Eligius and Saint John of Damascus, both by Niccolò da Varallo. In 1452, under Francesco Sforza, the Nave and the Aisles were completed, up to the Sixth Bay.


PART TWO FOLLOWS.
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