Strasbourg Cathedral,
Alsace, France.
Photo: 8 February 2014.
Source: Own work.
Author: Diliff.
Photo by DAVID ILIFF.
Licence: CC-BY-SA 3.0.
(Wikimedia Commons)
Latin Mass in Strasbourg Cathedral,
Saint-Laurent Chapel.
Feast Day Sainte Jeanne d’Arc
(Saint Joan of Arc).
Photo: 30 May 2015.
Source: Own work.
Author: Christophe117
(Wikimedia Commons)
The Nave,
Strasbourg Cathedral,
Alsace, France.
Photo: 8 February 2014.
Source: Own work.
Author: Diliff.
Photo by DAVID ILIFF.
Licence: CC-BY-SA 3.0.
(Wikimedia Commons)
Text from Wikipedia - the free encyclopædia,
unless otherwise stated.
Strasbourg Cathedral, or the Cathedral of Our Lady of Strasbourg (French: Cathédrale Notre-Dame de Strasbourg, German: Liebfrauenmünster zu Straßburg), also known as Strasbourg Minster, is a Roman Catholic Cathedral in Strasbourg, Alsace, France.
Although considerable parts of it are still in Romanesque architecture, it is widely considered to be among the finest examples of High-, or Late-, Gothic architecture. Erwin von Steinbach is credited for major contributions from 1277 to his death in 1318. The construction of the Cathedral, which had started in the year 1015, and had been re-launched in 1190, was finished in 1439.[6]
At 142 metres (466 feet), it was the world's tallest building from 1647 to 1874 (227 years), when it was surpassed by Saint Nikolai’s Church, Hamburg, Germany. Today, it is the sixth-tallest Church in the World and the highest still-standing structure built entirely in the Middle Ages.
English: Statues on The Great West Door,
Strasbourg Cathedral.
Français: Statues de l'ébrasement droit de la porte
centrale du portail occidental de la cathédrale de Strasbourg.
Photo: 27 December 2008.
Source: Own work.
Author: Coyau.
Attribution:
Coyau / Wikimedia Commons / CC-BY-SA-3.0.
(Wikimedia Commons)
The site of Strasbourg Cathedral was used for several successive Religious buildings, starting from the Argentoratum period (when a Roman Sanctuary occupied the site) up to the building that is there today.
It is known that a Cathedral was erected by Bishop Saint Arbogast, of the Strasbourg Diocese, at the end of the 7th-Century A.D., on the base of a temple dedicated to The Virgin Mary, but nothing remains of it today. Strasbourg’s previous Cathedral, remains of which, dating back to the Late-4th-Century A.D., or Early-5th-Century A.D., were unearthed in 1948 and 1956, was situated at the site of the current Église Saint-Étienne.
English: West façade
of the Cathedral Notre-Dame de Strasbourg.
Français: Façade ouest
de la cathédrale Notre-Dame de Strasbourg.
Photo: 20 August 2005.
Source: Own work.
Author: Neuceu.
(Wikimedia Commons)
In the 8th-Century A.D., the first Cathedral was replaced by a more important building that would be completed under the Reign of Charlemagne. Bishop Remigius von Straßburg (also known as Rémi) wished to be buried in the Crypt, according to his Will, dated 778 A.D.
It was certainly in this building that the Oaths of Strasbourg were pronounced in 842 A.D. Excavations carried out, recently, reveal that this Carolingian Cathedral had three Naves and three Apses. A poem described this Cathedral decorated with Gold and Precious Stones by Bishop Ratho (also Ratald, or, Rathold). The Basilica caught fire on multiple occasions, in 873 A.D., 1002, and 1007.
English: The Nave,
Cathedral of Our Lady, Strasbourg, Alsace.
Deutsch: Langhaus des Münsters Unserer Lieben Frau,
Straßburg, Elsass, Frankreich.
Photo: 17 May 2015.
Source: Own work.
Author: Zairon
(Wikimedia Commons)
In 1015, Bishop Werner von Habsburg laid the first Stone of a new Cathedral on the ruins of the Carolingian Basilica. He then constructed a Cathedral in the Romanesque Style of architecture. That Cathedral burned to the ground in 1176, because, at that time, the Naves were covered with a wooden framework.
After that disaster, Bishop Heinrich von Hasenburg decided to construct a new Cathedral, to be more beautiful than that of Basel, which was just being finished. Construction of the new Cathedral began on the Foundations of the preceding structure, and did not end until Centuries later. Werner’s Cathedral’s Crypt, which had not burned, was kept, and expanded Westwards.
The Rose Window,
Our Lady Of Strasbourg, France.
Photo: 24 June 2010.
Source: Own work.
Author: Doc Searls
(Wikimedia Commons)
The construction began with the Quire (Choir) and the North Transept in a Romanesque Style, reminiscent of, and actually inspired by, the Imperial Cathedrals in its monumental size and height. But, in 1225, a team coming from Chartres revolutionised the construction by suggesting a Gothic Style.
The parts of the Nave that had already been begun, in Romanesque Style, were torn down and, in order to find money to finish the Nave, the Chapter resorted to Indulgences in 1253. The money was kept by the Œuvre Notre-Dame (Editor: The Strasbourg Museum), which also hired architects and stone workers. The influence of the Chartres Masters was also felt in the sculptures and statues; the “Pillar of Angels” (Pilier des anges), a representation of The Last Judgment on a Pillar in the Southern Transept, facing the Astronomical Clock, owes to their expressive style.
Like the City of Strasbourg, the Cathedral connects German and French cultural influences, while the Eastern structures, e.g., the Choir and South Portal, still have very Romanesque features, with more emphasis placed on walls than on windows.
English: The Romanesque Chevet, Strasbourg Cathedral.
Deutsch: Romanischer Chorabschluss
des Straßburger Münsters.
Photo: 4 September 2013.
Source: archi-strasbourg.org
Author: Roland Burckel
(Wikimedia Commons)
While previous façades were certainly drawn prior to construction, Strasbourg has one of the earliest façades whose construction is inconceivable without prior drawing.
Strasbourg Cathedral and Cologne Cathedral together represent some of the earliest uses of architectural drawing. The work of Professor Robert O. Bork, of the University of Iowa, suggests that the design of the Strasbourg façade, while seeming almost random in its complexity, can be constructed using a series of rotated octagons.
The North Tower, completed in 1439, was the world’s tallest building from 1647 (when the Spire of Saint Mary's Church, Stralsund, Germany, burnt down) until 1874, (when the Tower of Saint Nikolai's Church in Hamburg, Germany, was completed).
The planned South Tower was never built and, as a result, with its characteristic asymmetrical form, Strasbourg Cathedral is now the premier landmark of Alsace. One can see thirty kilometres from the Observation Level, which provides a view of the Rhine Banks, from the Vosges all the way to the Black Forest. The Octagonal Tower is the combined work of architects Ulrich Ensingen (Shaft) and Johannes Hültz of Cologne (top). Ensingen worked on the Cathedral from 1399 to 1419, and Hültz from 1419 to 1439.
Strasbourg Cathedral and Cologne Cathedral together represent some of the earliest uses of architectural drawing. The work of Professor Robert O. Bork, of the University of Iowa, suggests that the design of the Strasbourg façade, while seeming almost random in its complexity, can be constructed using a series of rotated octagons.
The North Tower, completed in 1439, was the world’s tallest building from 1647 (when the Spire of Saint Mary's Church, Stralsund, Germany, burnt down) until 1874, (when the Tower of Saint Nikolai's Church in Hamburg, Germany, was completed).
The planned South Tower was never built and, as a result, with its characteristic asymmetrical form, Strasbourg Cathedral is now the premier landmark of Alsace. One can see thirty kilometres from the Observation Level, which provides a view of the Rhine Banks, from the Vosges all the way to the Black Forest. The Octagonal Tower is the combined work of architects Ulrich Ensingen (Shaft) and Johannes Hültz of Cologne (top). Ensingen worked on the Cathedral from 1399 to 1419, and Hültz from 1419 to 1439.
The Tympanum on the Right Portal.
Strasbourg Cathedral, Alsace, France.
Photo: 2 August 2020.
Source: https://www.flickr.com/photos/
Author: Paul Barker Hemings
(Wikimedia Commons)
As with the other Portals of the Cathedral, most of the statues now to be seen in situ are copies, the originals having been moved to the Musée de l’Œuvre Notre-Dame.
In the Late-Middle Ages, the City of Strasbourg had managed to liberate itself from the domination of the Bishop and to rise to the status of Free Imperial City.
In the Late-Middle Ages, the City of Strasbourg had managed to liberate itself from the domination of the Bishop and to rise to the status of Free Imperial City.
The outgoing 15th-Century was marked by the Sermons of Johann Geiler von Kaisersberg and by the emerging Protestant Reformation, represented in Strasbourg by figures such as John Calvin, Martin Bucer and Jacob Sturm von Sturmeck.
In 1524, the City Council assigned the Cathedral to the Protestant faith, while the building suffered some damage from iconoclastic assaults. In 1539, the world’s first documented Christmas Tree was set up inside the Münster.
In 1524, the City Council assigned the Cathedral to the Protestant faith, while the building suffered some damage from iconoclastic assaults. In 1539, the world’s first documented Christmas Tree was set up inside the Münster.
After the annexation of the City by Louis XIV of France, on 30 September 1681, and a Mass Celebrated in the Cathedral on 23 October 1681 in the presence of the King and Prince-Bishop, Franz Egon of Fürstenberg, the Cathedral was returned to the Catholics and its inside re-designed according to the Catholic Liturgy of the Counter-Reformation.
In 1682, the Choir Screen (built in 1252) was broken out to expand the Quire (Choir) towards the Nave. Remains of the Choir Screen are displayed in the Musée de l’Œuvre Notre-Dame and in The Cloisters. The Main, or High, Altar, a major work of Early-Renaissance sculpture, was also demolished that year. Fragments can be seen in the Musée de l’Œuvre Notre-Dame.
A round, Baroque Sacristy, of modest proportions, was added North-East of the Northern Transept, in 1744, by the City’s Chief Architect, Joseph Massol, according to Plans by Robert de Cotte. Between 1772 and 1778, architect Jean-Laurent Goetz surrounded the Cathedral with a Gallery, in Early-Gothic-Revival Syle, in order to re-organise the merchants’ shops that used to settle around the building (and would do so until 1843).
In April 1794, the Enragés, who ruled the City, started planning to tear the Spire down, on the grounds that it hurt the principle of equality. The Tower was saved, however, when, in May of the same year, citizens of Strasbourg crowned it with a giant tin Phrygian Cap, of the kind the Enragés themselves wore. This artefact was later kept in the historical collections of the City, until they were all destroyed in a massive fire in August 1870.
The Great West Portals,
Strasbourg Cathedral, Alsace, France.
Photo: 13 January 2013.
Author: Patrick Nouhailler's…
(Wikimedia Commons)
In 1682, the Choir Screen (built in 1252) was broken out to expand the Quire (Choir) towards the Nave. Remains of the Choir Screen are displayed in the Musée de l’Œuvre Notre-Dame and in The Cloisters. The Main, or High, Altar, a major work of Early-Renaissance sculpture, was also demolished that year. Fragments can be seen in the Musée de l’Œuvre Notre-Dame.
A round, Baroque Sacristy, of modest proportions, was added North-East of the Northern Transept, in 1744, by the City’s Chief Architect, Joseph Massol, according to Plans by Robert de Cotte. Between 1772 and 1778, architect Jean-Laurent Goetz surrounded the Cathedral with a Gallery, in Early-Gothic-Revival Syle, in order to re-organise the merchants’ shops that used to settle around the building (and would do so until 1843).
In April 1794, the Enragés, who ruled the City, started planning to tear the Spire down, on the grounds that it hurt the principle of equality. The Tower was saved, however, when, in May of the same year, citizens of Strasbourg crowned it with a giant tin Phrygian Cap, of the kind the Enragés themselves wore. This artefact was later kept in the historical collections of the City, until they were all destroyed in a massive fire in August 1870.
English: The Rose Window
and Gallery of The Apostles,
Strasbourg Cathedral, Alsace, France.
Français: Alsace, Bas-Rhin, Cathédrale Notre-Dame de Strasbourg. Façade occidentale, Rosace et galerie des Apôtres.
Photo: 5 April 2010.
Source: Own work.
Author: © Ralph Hammann
(Wikimedia Commons)
During World War II, Strasbourg’s Cathedral was seen as a symbol for both warring parties. Adolf Hitler, who visited it on 28 June 1940, intended to transform the Church into a “National Sanctuary of the German People”, or, into a Monument to The Unknown Soldier.
On 1 March 1941, General Leclerc, of France, made the “Vow of Kufra” (Serment de Koufra), stating he would “rest the weapons only when our beautiful Colours fly again on Strasbourg’s Cathedral”.
During that same war, the Stained-Glass was removed, in seventy-four Cases, from the Cathedral and stored in a Salt Mine, near Heilbronn, Germany. After the war, it was returned to the Cathedral by the Monuments, Fine Arts and Archives Section of the United States Military.
The Crossing and The Chevet
Strasbourg Cathedral in 1671.
Drawing by Johann Jacob Arhardt.
Source: archi-wiki.org
Author: Johann Jacob Arhardt (1613-1674)
(Wikimedia Commons)
The Cathedral was hit by British and American bombs during air raids on Strasbourg’s Centre, on 11 August 1944, which also heavily damaged the Palais Rohan and the Sainte-Madeleine Church.
In 1956, the Council of Europe donated the famous Choir Window, by Max Ingrand, the “Strasbourg Madonna” (see also Flag of Europe Biblical interpretation). The last War Damages were only repaired in the Early-1990s.
In October 1988, when the City was commemorating 2,000 years of the Founding of Argentoratum, Pope Saint John Paul II visited and Celebrated Mass in the Cathedral. This event was an occasion to celebrate the Franco-German Reconciliation.
In 2000, an Al-Qaeda plot to bomb the adjacent Christmas Market was prevented by French and German Police.
In October 1988, when the City was commemorating 2,000 years of the Founding of Argentoratum, Pope Saint John Paul II visited and Celebrated Mass in the Cathedral. This event was an occasion to celebrate the Franco-German Reconciliation.
In 2000, an Al-Qaeda plot to bomb the adjacent Christmas Market was prevented by French and German Police.
The Vaults in The Crypt,
Strasbourg Cathedral, Alsace, France.
Photo: 27 November 2014.
Source: Own work.
Author: Photo Claude TRUONG-NGOC
© Claude Truong-Ngoc / Wikimedia Commons
(Wikimedia Commons)
Notre Dame de Strasbourg turned into
a “Temple of Reason” during the French Revolution.
Source: J. Ch. Dieterich:
Revolutions-Almanach von 1795.
Göttingen 1794, ad p.327.
(Wikimedia Commons)
