Notre Dame de Rouen. The façade of the Gothic Church in France. Photographer: Hippo1947. Licence: SHUTTERSTOCK.
Showing posts with label Giovanni Pierluigi Palestrina (1525-1594).. Show all posts
Showing posts with label Giovanni Pierluigi Palestrina (1525-1594).. Show all posts

Tuesday, 10 December 2013

Alma Redemptorist Mater. Marian Anthem By Giovanni Pierluigi Da Palestrina (1525-1594).



File:Giovanni Pierluigi da Palestrina.jpg

Giovanni Pierluigi da Palestrina
(1525-1594).
(Wikimedia Commons)

The following two Paragraphs are from Wikipedia - the free encyclopaedia.

Palestrina was born in the town of Palestrina, near Rome, then part of the Papal States. Documents suggest that he first visited Rome in 1537, when he is listed as a Chorister at the Santa Maria Maggiore Basilica. He studied with Robin Mallapert and Firmin Lebel. He spent most of his career in the city.

Palestrina came of age as a musician under the influence of the Northern European style of polyphony, which owed its dominance in Italy primarily to two influential Netherlandish composers, Guillaume Dufay and Josquin des Prez, who had spent significant portions of their careers there. Italy had yet to produce anyone of comparable fame or skill in polyphony.



Alma Redemptoris Mater.
Available on YouTube at


The following Text is on the YouTube Posting by Kate Price (see, above).

Giovanni Pierluigi da Palestrina (1525- 1594) was an Italian composer of the Renaissance. He was the most famous 16th-Century representative of the Roman School of musical composition. Palestrina became famous through his output of sacred music. He had a vast influence on the development of Roman Catholic Church music, and his work can be seen as a summation of Renaissance polyphony.

Alma Redemptoris Mater, or, in English, "Loving Mother of our Saviour," is one of four Liturgical Marian Antiphons (the other three being: Ave Regina Caelorum; Regina Coeli; Salve Regina), and sung at the end of the Office of Compline.

Hermannus Contractus (Herman the Cripple) (1013 - 1054) is said to have composed the Hymn, based on the writings of Saints Fulgentius, Epiphanius, and Irenaeus of Lyon. It is mentioned in "The Prioress's Tale", one of Geoffrey Chaucer's Canterbury Tales. Formerly, it was recited at Compline only from the First Sunday in Advent until the Feast of the Purification (2 February).

Alma Redemptoris Mater, quae pervia caeli
Porta manes, et stella maris, succurre cadenti,
Surgere qui curat, populo: tu quae genuisti,
Natura mirante, tuum sanctum Genitorem
Virgo prius ac posterius, Gabrielis ab ore
Sumens illud Ave, peccatorum miserere.

Loving Mother of our Saviour, hear thou thy people's cry
Star of the deep and Portal of the sky!
Mother of Him who thee made from nothing made.
Sinking we strive and call to thee for aid:
Oh, by what joy which Gabriel brought to thee,
Thou Virgin first and last, let us thy mercy see.


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